#hey by the way i can construct ot3 narratives here

[suddenrundown]

eliot: “i’m gonna end up getting kicked and punched aren’t i? on your date”

hardison: “nooo, i promiiise”

[nossbean]

Top 7 comfort movies

I’m roughly 12 years late to the party but I was tagged by @ajoblotofjunk and @ilikeblue ! Thanks so much!

So confession up front - when looking for comfort stuff I actually tend towards TV! So here’s a mix of comfort media XD Also, like, in which I ramble only semi-coherently about things I love. 😅

1. Singin’ in the Rain

I... have no deep reasons for loving this. I just - I love Cosmo Brown. I love tap dancing. I love the earnestness of this whole flick and the OT3-ness that is just, like, everywhere in this damn movie. The songs are catchy, the dancing is impressive as all get out, it’s a lot of fun. The dorky scenes about enunciation - even if I could do without the sexist overtones to Lena’s storyline. I used to work in TV, so the stuff about where to put the mics was RELATABLE (if... not exactly the same ofc). The cast is attractive. There is 1 space mom (Debbie Reynolds) and 1 space aunt (Cyd Charisse) in it, which tickles me xD 

Let’s see, I’ve given random headcanons on Singin’ before, but let’s go with this one. When watching it the first time in my twenties and “Make ‘em Laugh” came on, my pal said with such deep earnest and pained joy, “Cosmo is doing all this just to make Don laugh,” and I think about that every time I watch that sequence. 

THE LOVE. it’s eVERYWHERE.

2. Parks and Recreation

Look, I can totally see how Parks & Rec isn’t for everyone. But to me, it’s a half-hour long televisual hug of people doing their best to love each other and make the world better, with helpings of political commentary and utterly absurd comedy. It definitely doesn’t come without caveats and is already dated in some ways, but in a weird way, I appreciate that Schur & Goor have grown in their politics that missteps taken in P&R aren’t repeated in and are often actually rectified in B99 & The Good Place. I deeply, deeply love the relationship between Ben and Leslie, and how hard Leslie loves: people, Pawnee, politics, public service. The families-of-choice vibes are strong in this one and there are few things I am more of a suck for than families-of-choice. I could ramble endlessly on this one, so I’ll cut myself off there.

Anyhoops, I have very many feelings about P&R and if you’ve been wondering whether to watch it but holding back for whatever reason, please DEFINITELY message me and I will share with you my many thoughts on why you should watch, where there might be squicks, and why you should actually start with season 2, episode 21 (yes, even the completionists amongst you).

Bonus gif:

3. Jurassic Park

... I love dinosaurs, and I love Dr Ellie Satler. She is amazing and if there was a gif of her with the triceratops I would have chosen that one. Between her general personality/competency, her unabashed feminism and her face, she remains the best 🥰Also I appreciate that Lex also got to save the day, in a way v specific to her skillset and that the film didn’t dismiss her despite being v scared and way outside her comfort zone in the outdoorsy survival parts of the film. 

I also have fond memories of going to see it for my sixth birthday and going to the bathroom when the T-rex eats Gennaro, so not totally understanding why all my pals were terrified when I got back. Ofc I then had fears that a t-rex would stomp and crush our home, but *handwaves* I grew out of that fear. And grew a new one.

4. Avatar: the Last Airbender

Ho-hum. Where to start with Avatar. Lmao, in the context of Game of Thrones (to which it has been ofc compared lately) just having a long-form television show which delivers on the vast majority of its themes and premises is a relief and satisfying. But, I liked Avatar long before I was back in the GOT-verse so. It’s a compelling narrative, carefully constructed and mindful of the stories and values it’s putting out into the world. And those stories, values and themes aren’t light. It tackles war, genocide, familial abuse, revenge, and redemption alongside things like building family, accepting differences, forgiveness, and honesty. That said, it balances those things with children-being-children, and moments of grace and humour. Each character is well-drawn, their personalities and choices respected, and the idea that character-drives-plot is masterfully demonstrated. Hey look - we’ve got some families-of-choice vibes here too!

I think I’ve previously rambled in the tags of a post about Katara specifically. But as someone who has, ah, an appreciation for anger and an awareness that women + anger = bad, societally speaking, Katara was a breath of fresh air. She is as compassionate as she is angry, and while there are philosophical differences between characters when it comes to her acting on her anger, the anger itself is never questioned or denigrated, by other characters or by the narrative itself. Her anger is never used as a tool to invalidate her other characteristics, or the reverse (her compassion, her nurturing side, etc, are never used to invalidate her anger), and she means a lot to me.

Also idk what this is but it came up when I searched Avatar and if I have to see it and be slightly confused and embarrassed then so do you:

5. Pacific Rim

lmao I rambled so much about the past few I’m tempted to just say: I JUST LOVE IT OK. Which is true, but. A bit more. Pacific Rim is like two hours of hope. I think I have in my queue a post that describes the relationship between Mako and Raleigh as two hurt & hardened warriors who nonetheless find softness with each other, and that is 100% true. But that ignores how in many ways, the same is true for Stacker and Mako, and even Stacker and Raleigh to degrees. Stacker’s adoption of Mako is very important. A black man with an East London accent being the most vital person in the movement to save the world is important. The multi-national, scrappy and semi-guerilla response to a weird af global threat, and the related deep humanity in facing the end of the world and hoping against hope that there’s a chance, also deeply resonant. 

It’s also stunning: Guillermo del Toro and his colour schemes, y’all. The fight scenes are so GOOD and INTERESTING and just so blatantly done by someone who knew exactly what they were doing and loved every minute of it. The idea of the drift and of drift compatibility is lovely: that philosophical belief in the interconnectedness of people. The (somewhat blink-and-you-miss-it) background class commentary (del Toro, icu) 👏. 

And, ofc, as with many on this list: the centering of Mako, the dedication to playing out the full emotional arc, of her having complex emotions which are respected and acknowledged by other characters and the narrative... yes please thank you.

6. Miss Fisher’s Murder Mysteries

Women being competent and supported is deeply comforting. I’ve particularly found myself rewatching MFMM as the world is on fire. Just - watching Phryne build her family (families of choice!) and her community, get her men, and win the day through cleverness and determination is heartening.

7. The Holiday

I love Kate Winslet’s arc in this. But honestly I think much of my love for this centres on the fact that I saw it when v much longing to move to the UK and it is the most charming/romantic portrayal of Britain and that appealed to 20 y-o K who was so desperate to go. That said, the arc between Iris & Arthur (eg the gif below) makes me cry every time, so there’s that.

As mentioned, I’m v late to this game so I don’t know who’s been tagged! If you haven’t done it yet, please consider yourself tagged & let me know when you’ve done it! (Yes, I definitely do mean you!)