#hes out of his element

[roopnavarro]

Octoboss plushie I made 🖤 He's weighted and has changeable clothes!

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[thebrainrotsreal]

Eve, Kate, Mark and Rex! Nailing some ideas down on how I wanna draw them in the future, and enjoying messing with their designs like usual! Not a fix-it whatsoever just fun + ref for the future! I cannot do realistic styles so translating them into something I can do while still being recognizable is peak. I will mess with Rex's suit more. Trust. I Kate so much now. Look at her <333333

[dollopheadedmerlin]

I actually love how ugly Merlin's outfit is in Merlin. BEFORE YOU YELL AT ME - I love his outfit, I think it's fun, but when you look at every other character, even other peasants, he literally is wearing ill fitting rags. Everything is too big on him (despite being like six foot but whatever) and his silhouette reeks of boring character design.

But like!! Yeah!! He is just Some Guy. I love how they never give him som epic mage robes or a cool outfit for more than thirty seconds. He is unassuming. He's over here, commanding dragons and controlling the weather in the medieval equivalent of stained sweatpants and a night shirt. It's great.

[yhwcomeback]

Goodbye Yellow Brick Road! bonus:

[hinamie]

i think the designs of the main cast r more or less solidified so it's time for the first not-a-sketch piece of this au featuring past and present avatars ! and their cat

jjk atla!au:

preliminary designs first year trio gojo/choso/nanami mahito/geto(?)/yuuta

[akiacia]

some of the right words

[crustycrackhead]

I got possessed dude, did a line of flour— some crazy shit anyways… Swampcat

Swampcat, Kremy Lecroux x Morning Frost

They both find each other interesting like anatomy wise, drastically different, some “lemme examine you 🤓☝️”

Kremy slowly blinks and Frost gets flustered… that’s the good shit to me man. Purring, Bellows… I SHOOT THEM TWO WITH MY AMERICAN GUN

[afterthelambs]

Goro Akechi is for the girls and the gays because he perfectly encapsulates the clinical insanity of being a teenage girl going through puberty. The underhanded compliments? The threats so subtle no one can actually complain? The pleasant composure hiding feral gremlin rage? Simultaneously admiring and envying your gay crush? He's like if Regina George could kill people

[jenomong]

"Not gonna lie, we're doing pretty well already But yes, oh my doctor said There's a lot of room left to grow"

seonghwa, matz (2023)

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[jesse-pinko]

It’s literally not my fault that the themes of Breaking Bad become that much stronger if you read Walter as a closeted gay man… like where to even start okay it’s 2008 and this guy is so, so insecure in his masculinity and so, so resentful of his picket fence family life. He’s done what he was “supposed” to do by societal standards and he still doesn’t feel like enough of a man compared to his brodude brother-in-law specifically. He can’t escape the feeling that something is missing, that it’s all a charade, and he finds it hard to believe the rest of the people in his life really are content with this lifestyle. Nobody seems to understand, and he hates them all for not seeing how unhappy he is. He gets his cancer diagnosis and is suddenly acutely aware that he feels burdened and unfulfilled by the life he’s built for himself, and that time is running out to change things.

It’s when he sees Jesse Pinkman fall half naked out of a window that everything changes. He’s pretty, and young, and floundering without guidance or a support system. He desperately craves human connection and lacks the self-esteem to take his life in any particular direction without someone instructing him. He’s grieving his aunt, the only person he had looking out for him, who died of cancer. He already views Walter as an authority figure. He’s alone.

And with Jesse around, Walter doesn’t have to come to terms with anything about himself that might challenge his masculinity, because it isn’t an equal relationship. Because he’s still “the man” in this dynamic, the one with the power, the one calling the shots, the dominant one, the firm hand. Moreso than in his relationship with Skyler, who refuses to be bullied into the role he would assign her, that of the submissive, subservient little wife who looks to him for guidance and permission. As a criminal, Walt can express care for another man in the only way that traditional masculinity would deem acceptable; through violence. His love language is violence. Violence toward Jesse and violence on Jesse’s behalf. He runs over two men with a car for Jesse. He kills Jane and Mike, a romantic and paternal threat respectively, because they were going to take Jesse away from him. He tries on occasion to verbalize their relationship into something more traditionally familial, as if saying it might make it true, but it never quite fits the mold exactly. He reasserts, over and over again in what he later admits is a lie, that he is doing this for his family, that everything he does is an extension of his masculine role rather than deviant from it. He would kill and die for Jesse, he does kill and die for Jesse. In fact, in a story of self-actualization that still has Walt cling to his delusions of grandeur up until the very end (almost as though becoming Heisenberg wasn’t actually self-actualization so much as an escapist fantasy) his arc concludes with him actually self-actualizing by committing one last act of violence on Jesse’s behalf. In Ozymandias, he tells Jesse about Jane as a way of playing into Jesse’s worst fear that Walter never cared about him, that everything they did to and for each other meant nothing. Walter’s last act on Earth is a refutation of that; it’s an admission of care. His last act of self-actualization was a confession of love for another man.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[disastardly]

For the five of us on this site that care this specifically about Mystic Force, here are some hi-res pics of their wizard uniforms, courtesy of the Power Rangers prop auction currently going on.

[piratefishmama]

Steve very smoothly taking the reins at a gay club when Eddie "i've been here SO many times just follow my lead" Munson deer in headlights it the second he's thrown into the deep end of dancing sweaty bodies, loud non-metal music and opportunity for actual queer interaction on a Fruity Four weekend out in Indy.

Steve guiding him onto the dance floor, helping him to loosen up a little, gently reminding Eddie to keep his eyes on him whenever someone gets a little too close and

Oh yeah, Steve hasnt actually come out to anyone yet, he's just there as the 'token straight guy', he hasnt really thought too hard about it just yet, although maybe he should because Eddie does have such pretty plush lips and those big brown eyes are staring at him like he's goddamn hypnotized--

an Nancy an Robin are watching from the bar placing bets on how long it'll take them to disappear into the smoking area to make out against a wall.

[superchat]

honestly the followup from annihilation into authority is so fucking funny

annihilation comes in with a protagonist who is very sharp, both with her mind and her words. she goes by the title she was given for the mission, Biologist. shes someone who went through a lot because she was determined to follow what fascinated her, which is life, biology, ecosystems,

and then authority comes in with this director that has a very strong opening. he wants to be called Control, he seems very capable. strict. determined. odd. but as time goes on it just becomes very clear that hes just...kind of an idiot, and fucks up like. every. single. plan he makes. the people he saw as opponents were playing him from the very start, and then you find out hes just a nepo baby who got his current job cuz he fucked up his last one and his mom bailed him out...

like man we really got a night and day shift of protags between these books,