#her romance like

[bhaalsdeepbat]

the way i just gasped at the implication that minthara would be ANYTHING but hopelessly devoted to whoever she's romantically involved with.

[swan2swan]

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

[moghedien]

Lae’zel’s romance arc is literally everything like it’s a one night stand. It’s a two night stand but she pretends she isn’t dying to be with you again. She’s a domme. She’s a bottom. She doesn’t believe in love and doesn’t like to cuddle. She thinks you’re weak for showing interest in her. She thinks she’s weak because she can’t stop thinking about you. She wakes you up in the middle of the night and makes you duel her because she doesn’t know what else to do about being obsessed with you. She cries and confesses her devotion to you if you win. She cries and confesses her devotion to you if you lose. She will tell everyone about your sexual exploits without shame. She’s embarrassed if you try to kiss her in public. She growls at you if you stop kissing her public. She is extremely possessive of you. She wants you to be as extremely possessive of her and is the most visibly heart broken if you cheat on her. She takes half the game building up the courage to ask you to cuddle. She changes her entire perception of the world because you showed her to was ok to approach things differently. She gives you multiple terms of endearment. She’s terrified that your relationship will end after all of this is over. The climax of her romance is holding her hand.

[aletterinthenameofsanity]

Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)

I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.

On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.

But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.

And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.

When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.

Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.

[anna-scribbles]

inspired by recent events from my sister’s actual real life

[datcravat]

In the name of Hades, I'll punish you!

[swordmaid]

back to the shadows 🌑

inspired by the storm by pierre auguste cot, shri’iia and astarion running away from the sun bc he’s a vampire and she has sunlight sensitivity.

please zoom in to see the details! 🥹🫶

[druidgroves]

the baldur's gate 3 experience when you accidentally trigger an unintentional romance because you thought you were just being a really supportive friend

[yrsonpurpose]

jane & guildford + soft touches

[choccy-milky]

how seb and clora get together in my fic 💕bc what better time and place to confess and share your first kiss than around a bunch of inferi + the dead body of a man you just killed?? 🥰💖

[akitalockwood]

I'm ready to commit unspeakable crimes for this woman

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[deecotan]

anyway here's wavewave

[oddthesungod]

I, like many others, am not immune to long haired Fjord with his tits out, thank you Travis sir 🙏

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[retquits]

would you ever consider drawing our queen elsie... please... 🥺🙏

i've actually been wanting to draw elsie for a long while - here's a wip 💎