#heathcliff the landlord
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the difference between linton and heathcliff is that linton is content with walking to catherine's grave and heathcliff has to dig her up.
#wuthering heights#catherine earnshaw#catherine linton#gothic literature#grave digging#boundary issues#selfish love#edgar linton#heathcliff the landlord#love
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whats a long happy marriage to a psychotic landlord
You’re in her DMs, I’m screaming her name across the moors and she somehow hears me. We’re not the same.
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i think heathcliff is only problematic for being a landlord
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Heathcliff’s end is fascinating because he is a part of the life at Gimmerton. Like he has a pocket-book that he puts financial stuff into. He is a mean landlord to his tenants. He does have dinner and has friendly conversations with a man as ordinary as Mr. Lockwood and grumbles at the prospect of him not paying his rent. He is not completely divorced from life and society until the very end. Yet he has such a death.
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i think the best way to adapt wuthering heights actually is if we keep it in lockwoods perspective like in the book and have nelly telling him the story and the movie is him imagining it like drunk history style except he can't imagine heathcliff having ever been younger then like 40 something so its just all ages of heathcliff played by the same actor as current timeline heathcliff
also this way we get to keep the part where lockwood meets his landlord and promptly gets mauled by a group of dogs
#fab talks#fabtalks#its funny thats like the first thing that happens to lockwood#lockwood is the funniest wuthering heights character hes so silly to me#the way the light inside him dies so quickly upon meeting all of these people
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Reading Wuthering Heights and current summary after 2 chapters; god’s nosiest introvert won’t leave his landlord the fuck alone. It’s awkward to read in the way a lot of classic literature is because of the language evolution and such. I’m getting ballparks even when I’m not always getting specifics. Enjoying it so far though
Also, Lockwood is maybe the worst guesser which I respect and hope he maintains complete confidence in as he’s just wrong.
My landlord Heathcliff is 40, there is a 17-year old girl here (it is 1801 England), she must be his wife.“You have a lovely wife.”
HC: “My wife is dead. That’s my daughter in law”
Oh shit, this servants look a lot like heathcliff and is eating with us! This must actually be his son! “You’re a lucky man!”
HC: “My son is dead, stop fucking around.”
(The hounds are unleashed upon him shortly afterwards)
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im not even surprised about some of heathcliffs more egregious actions & behavior in wuthering heights. thats just how landlords are
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Wuthering Heights is one of the most emotionally dramatic stories ever told in the form of the written word. Catherine is a victim of unfortunate circumstances. Heathcliff is an abusive boyfriend. Catherine the Second suffers more than her mother. Everyone in both families has their demons. Nobody is innocent. Everyone is complicated.
Yes, this is all true.
Except I wouldn't technically call Heathcliff an abusive "boyfriend." Though he is an abusive husband, and father, and father-in-law, and guardian, and landlord, and animal owner, and... the list goes on.
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❛ what do you want from me? ❜
(hulloo there! i hope its okay that i send this from Richard's historical/victorian!AU? :> )
Heathcliff stared at the man before him, his jaw set firmly. His dark eyes appraised the man, no doubt he was another one of those city-dwellers come up to the countryside as a means to escape the hustle and bustle.
Raising a brow, the landlord placed a hand on his hip.
"First and last month's rent, preferably."
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Week 17 blog
Wuthering Heights
Emily Brontë
Pages: 80-140
Word count: 540
Summary:
After Lockwoods nightmare, Heathcliff appears and demands to know what is going on. Lockwood accuses him of trying to kill him, but Heathcliff dismisses him, saying that it was just a tree branch tapping on the window. Lockwood is still moritified by the incident and decides to leave the next morning. Before he leaves, he asks Heathcliff about the previous landlord of the estate, Mr. Earnshaw, due to mentions of him in Catherine’s diary. Heathcliff tells him that Mr. Earnshaw had two children, Catherine and Hindley. Catherine was wild and spirited, while Hindley was jealous of his father's affection for her. When Mr. Earnshaw died, Hindley became the master of the house and treated Heathcliff, who was Mr. Earnshaw's adopted son, very poorly. Heathcliff then tells Lockwood about his own backstory. He was taken in by Mr. Earnshaw when he was a boy, and he and Catherine quickly became close. But when Mr. Earnshaw died, Hindley treated Heathcliff like a servant and banished him to the stables. Catherine would then spend more time with the lintons, falling in love and marrying with Edgar Linton. Healthcliff was heartbroken when he found out, since he was deeply in love with Catherine at the time (for being the only person who treated him well.) He would leave Wuthering heights and return after a couple of years, coming back more rich and mysterious in order to win back Catherine. But at this time, she’s now married and dying.
Critical Analysis:
Lockwood is now left to decipher the complicated relationships of Wuthering heights, and why some certain people have certain motives. Specifically, Healthcliff himself. He is slowly bringing out a realistic hypocrisy found in upper society once achieving a wealthy status. His motives throughout the chapters are gradually becoming blurred, with more on a revenge aspect. We see this when Lockwood finds out that Healthcliff called out Earnshaw with an invitation, similar to Hidley’s mistreatment. He says, “Mr. Earnshaw invited HIM! and HE called on Mr. Earn- shaw! I pondered this sentence painfully, after he was gone. Is he turning out a bit of a hypocrite, and coming into the country to work mischief under a cloak? I mused: I had a presentiment in the bottom of my heart that he had better have remained away.” We begin to see healthcliff’s downfall, and see him dive into becoming a whole different person then what he used to be after getting some money. It’s disappointing in some ways too, since he already has a reputation from the stemmed negativity when it comes to Romani people, and it’s like he’s feeding that.
Personal response:
Honestly this was a long read for me. I wouldn’t even stop at the ten page mark because I knew I wouldn’t remember all the connections each character had. Anyways, it was a good read, just painfully long and descriptive. I expected something more between Catherine and Healthcliff, however it would make sense if it was just heathcliff misreading signs due to his constant mistreatment from others. But now I’m curious on healthcliffs motives- I’m assuming Catherine is dead by now, so what is he doing now? Is he still trying to get revenge on the lintons? If so, he’s petty as hell, he should move on.
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I thought about that post from a while ago about a wuthering heights disney movie and i was thinking acctually and the villiain song from anastasia? In the dark of the night evil will find her? Perfect for heathcliff plotting his revenge in his metaphorical hole in time where hes not really living, more waiting to get revenge and die. Also an element of his supernatural and mystery. Anyways.
@faintingheroine no pressure, thought u might be interested
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cant believe people romanticize heathcliff and cathys romance when hes literally a landlord🙄🙄🙄
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okay look i read two chapters of wuthering heights last night and i had no idea how much fun it is. mr. heathcliff is a landlord with a new tenant, mr. lockwood, and lockwood notices how standoffish heathcliff is and is immediately turned on by it and he’s all “we’re bros now, right? bros in misery? i can come back to hang tomorrow?” and heathcliff’s all “don’t do that, please” and the lockwood is just like
#the young mrs. heathcliff pretending to be a witch to scare the old farm hand#i already enjoy this cast of characters a lot#lockwood would really fit in here#in a bad way i mean
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Wuthering Heights by Emily Brontë.
4.5 stars.
“Whatever our souls are made of, his and mine are the same.”
Cath... by Death Cab of Cutie (one of my fave bands in the world) was inspired by Wuthering Heights and I think it's beautiful in so many ways. If you haven't read the book and don't want to spoil yourself, read no further; my review contains some minor and major spoilers. Wuthering Heights portrays the tragedy of a couple who didn't get their happy ending, who were abruptly separated and how hatred, passion, love, revenge and toxicity made life hell for many, including the couple themselves. I read this novel about seven or eight years ago, but never counted it as reading because I didn't remember anything about it until today. I think that when I read it for the first time, I did not understand exactly the meaning of many things that this time I analyzed more deeply. Despite this novel being a homework assignment, I must admit that I quite enjoyed reading it and I am grateful that my sister had the physical copy even though she never read it in her youth because reading seemed, and I think still does, boring to her and she showed disinterest in it. Anyway, let's move to the review. Mr. Lockwood arrives at Wuthering Heights and when his landlord shows him in, he finds the atmosphere very gruff and unfriendly, although he can't explain why everyone acts as if they hate their own and everyone else's existence. At first, even I wondered, and it seemed to me that everyone was bitter in character and sullen. Later, Lockwood discovers that there is a ghost there and it is someone Heathcliff is looking for, longing for and missing. When Lockwood moves on to Thrush Farm, and asks Mrs. Dean to tell him who Cath is and the story of Wuthering Heights. In the end, Mrs. Dean tells the whole story up to the present. I found the writing beautiful. It shows a gloomy atmosphere, full of darkness and tragedy. I read it in two languages: English and Spanish, since as y'all know, my native language is Spanish and some English words are still difficult for me, so I decided to read it in both languages. The writing is quite dramatic and tragic at the same time. The characters are complex and at the same time, one can come to dislike them. I believe that Emily's initial purpose was to show us sullen characters, to make us feel apathy and curiosity for them, to the point of immersing us in the story as Nelly narrates the events from the beginning. I must admit that at first, I felt sorry for Heathcliff and that I thought he deserved more, that despite not being able to express his feelings for Catherine, he actually loved her. However, things changed as time went on and Heathcliff "matured" and grew up. He became a vindictive, aggressive, violent and nasty man. What started out as a romance and passion, ended up becoming an obsession and disgrace, which would lead to more tragedy and drama. Catherine annoyed me all the time: she was haughty, arrogant, dramatic and indecisive. From the beginning she came across as manipulative and it also seemed to me that she suffered from some bipolar disorder or some mental illness, but I didn't specify which, if any. She didn't want to marry Heathcliff because it would embarrass her, but she didn't want to leave him alone; I didn't understand her logic exactly. Hareton didn't deserve everything he had in his life, but he couldn't do anything about it, as his father was a drunkard and an inveterate gambler, and he was taken from the arms of Nelly, who could have given him a better education, manners and life. Cathi was someone very sweet at the beginning, tantrum like her mother too, but more cheerful and dynamic. Her marrying Linton was something that made me rage, as Linton was using her and she didn't want to see him, but cared for him as if she owed him something. But she realized that and ended up hating him. I'm glad at least she fell in love with Hareton. I ship them, but they are cousins and omg Sweet Home Alabama. I don't know if I should call Heathcliff and Catherine's relationship a "romance," because it was tremendously toxic. From start to finish, or at least, from the time they
were teenagers until they died. THIS novel is the mold for novels with toxic and tragic romances. Catherine's "love" and emotional manipulation drove Heathcliff to madness and perpetual torment. Edgar was just another victim of Cath's angry outbursts, making him an unhappy wretch. I doubt very much that Heathcliff and Catherine actually loved each other, or perhaps they did in the beginning, but what started out as a romance, ended up becoming a toxic relationship that haunted the next generation of children thereafter. It was actually pretty good, and I was here for the gossip, lol.
#wuthering heights#emily bronte#reviews#classics#edits#edit#mine#4.5 stars#19th century#books i own#british literature#goth#drama#tragedy#fiction#historical fiction#historical#historical romance#homeworks#romance#literature#standalone
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June Wrap-Up
1. Can't Take That Away (Steven Salvatore)
Carey Parker dreams of being a diva, and bringing the house down with song. But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice. Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.
2. Sanditon (Jane Austen)
Written in the last months of Austen's life, Sanditon features a glorious cast of hypochondriacs and speculators in a newly established seaside resort, and shows the author contemplating a changing society with scepticism and amusement. It tells the story of Charlotte Heywood, who is transported by a chance accident from her rural hometown to Sanditon, where she is exposed to the intrigues and dalliances of a small town determined to reinvent itself - and encounters the intriguingly handsome Sidney Parker.
3. The Witch King (H.E. Edgmon)
Wyatt would give anything to forget where he came from—but a kingdom demands its king. In Asalin, fae rule and witches like Wyatt Croft…don’t. Wyatt’s betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a coldly distant Emyr has hunted him down. Despite transgender Wyatt’s newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy, hoping to escape Asalin forever. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist. And as the witches face worsening conditions, he must decide once and for all what’s more important—his people or his freedom.
4. One Last Stop (Casey McQuiston)
For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train. Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all.
5. Between Perfect and Real (Ray Stoeve)
Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
6. The Cruel Prince (Holly Black)
Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
7. Boy Queen (George Lester)
Robin Cooper’s life is falling apart. While his friends prepare to head off to university, Robin is looking at a pile of rejection letters from drama schools up and down the country, and facing a future without the people he loves the most. Everything seems like it’s ending, and Robin is scrabbling to find his feet. Unsure about what to do next and whether he has the talent to follow his dreams, he and his best friends go and drown their sorrows at a local drag show, where Robin realises there might be a different, more sequinned path for him . . . With a mother who won't stop talking, a boyfriend who won't acknowledge him and a best friend who is dying to cover him in glitter make up, there's only one thing for Robin to do: bring it to the runway.
8. Felix Ever After (Kacen Callender)
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after. When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle.... But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.
9. Wuthering Heights (Emily Brontë)
Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff's bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.
10. Ace of Spades (Faridah Àbíké-Íyímídé)
Welcome to Niveus Private Academy, where money paves the hallways, and the students are never less than perfect. Until now. Because anonymous texter, Aces, is bringing two students' dark secrets to light. Talented musician Devon buries himself in rehearsals, but he can't escape the spotlight when his private photos go public. Head girl Chiamaka isn't afraid to get what she wants, but soon everyone will know the price she has paid for power. Someone is out to get them both. Someone who holds all the aces. And they're planning much more than a high-school game...
11. The Queer Principles of Kit Webb (Cat Sebastian)
Kit Webb has left his stand-and-deliver days behind him. But dreary days at his coffee shop have begun to make him pine for the heady rush of thievery. When a handsome yet arrogant aristocrat storms into his shop, Kit quickly realizes he may be unable to deny whatever this highborn man desires. In order to save himself and a beloved friend, Percy, Lord Holland must go against every gentlemanly behavior he holds dear to gain what he needs most: a book that once belonged to his mother, a book his father never lets out of his sight and could be Percy’s savior. More comfortable in silk-filled ballrooms than coffee shops frequented by criminals, his attempts to hire the roughly hewn highwayman, formerly known as Gladhand Jack, proves equal parts frustrating and electrifying. Kit refuses to participate in the robbery but agrees to teach Percy how to do the deed. Percy knows he has little choice but to submit and as the lessons in thievery begin, he discovers thievery isn’t the only crime he’s desperate to commit with Kit. But when their careful plan goes dangerously wrong and shocking revelations threaten to tear them apart, can these stolen hearts withstand the impediments in their path?
12. Weekend Girl (Alex Powell)
Ashley Kingston is a genderfluid university student with a major crush on attractive and charming Nolan. He seems just too perfect to be true. What happens when Ash meets Nolan while dressed as both a man, and a woman? And even more confusing, what happens when Nolan seems enamoured of both versions of Ash? A twisty-turny romance filled with fun and shenanigans.
#june wrap up#wrap up#can't take that away#steven salvatore#sanditon#jane austen#the witch king#h.e. edgmon#one last stop#casey mcquiston#between perfect and real#ray stoeve#the cruel prince#holly black#boy queen#george lester#felix ever after#kacen callender#wuthering heights#emily brontë#ace of spades#faridah àbíké íyímídé#the queer principles of kit webb#cat sebastian#weekend girl#alex powell#booklr#bookblr#queer books#queer lit
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18, Danil Malyovannyi
I have just returned from a visit to my landlord the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow!
https://www.saatchiart.com/art/Painting-18/1109145/4414941/view
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