#heart of keol is SO COOL!
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theonlil · 1 year ago
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Daww thanks for the tag Cinnabun!
Last song: I have dropped off music so probably endwalker footfalls in FFXIV
Currently watching: Kamen rider Geats (it good), Yugioh go rush!!! (its meh) and Dr Stone: New world (which is good) Currently reading: I struggle to read these days, but I still follow some webtoons and manga such as Tower of God, Black Clover, Heart of keol to name a few... I need to finish Battle Angel Alita: The last Order but have not been in the mindset for dystopian sci-fi atm.
Current Obsession: I’m still very much simping after my catboi Wafers in FFXIV. He is a good catto.
The tags! (If you want to if not thats cool and if you are like wtf is tihis person tagging me for shh its sunday afternoon and my exdyfunctin is having a moment) @teiraven​ @jishinsjourney​ @toctheyounger​ @percevall​ @mahounonbinary​ @geesuv​ @anathematic​ if i missed someone out im sorry.
7 People You’d Like to Know Better
Thank you @skyrim-forever ! I pass the torch to: @john-liberal @theauthor27 @dynamite124 @kynarreth @rock-pikmin-is-funny @serbiadisturbia @gemsweater72
Last song listened to: Be my Everything (English Version). It’s a solo song from one of the members of a K-pop group named Purple Kiss, and it’s fantastic! Great vocals, even though I do prefer the other song from the single more.
Currently Watching: Nashville (2013) and the new season of The Dragon Prince. I only have one episode of Nashville left and it’s the finale, so that’s pretty sad. I’m three episodes into season 5 of Dragon Prince and really liking it! I’m glad the animation has improved since the beginning.
Currently Reading: Nothing now. I just finished Dear Mothman by Robin Gow and loved it though! It is written for young teens, but it’s a really great queer narrative and is written through some very nice free verse poetry.
Current Obession: It’s mainly Skyrim (liked it so much I made a Tumblr blog for it, after all), but since I talk a lot about that, I’ll also mention Hollow Knight. I’m playing it right now and it’s very hard, but very good! I like how little handholding it does.
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niftythriftythings · 4 years ago
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Fun fact! I met some of the people behind this series when I was a kid because my dad was in Christian media. I had a ton of these books autographed and a few posters and stuff from conventions. This is where that “you can’t put that in a Christian manga” image is from lol 😅
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lightpurplelilies · 4 years ago
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find the words tag
i saw @elizahgodswood​ do this tag and it looked so cool and i want to do it and they tagged anyone who wants to participate so i’m gonna do it!!! the words they did were Strange, Love, Red, Trash, and Angry/Anger.
strange is one of my favorite adjectives to use and it shows up 15 times throughout all 3 parts of give and take (so far.) here’s my favorite from chapter 8 of fear-driven (part one): 
“Fresh air’s good for her lungs, she said that’s why her mother makes her live down here.”
Strange thing to say, I think, but then I realize that he’s right.  Ava does cough a lot, even when she isn’t smoking, but I wonder why she smokes if she has a sickness in her lungs.
love is a major theme throughout the books and they talk about loving their parents, loving their siblings, loving their friends, loving each other.  there are 146 mentions of it as a noun and a verb (omg), plus 1 “lover” from chapter 20 of renegades (part 2) and that’s what i’m gonna quote: 
“...But when I see her now, Master Aber, she reminds me of herself before any of this started.”
“Before…”
“She was sick,” he says quietly, “or she was married, or she was separated from her twin, her friend, and her lover.”
red is the color of everything in ava’s room and also her pills, so it gets mentioned a few times (19 to be exact). here’s when they’re in keol’s room, though, in chapter 19 of fear-driven: 
“No, my darling,” says Ava gently.  “I really can’t.  I work in the budget office.  She works for the agencies department.”
I don’t know what that means.  Keol opens his mouth, but Ava just puts her hand in front of his face and keeps going, not even looking at him.  “It’s all politics and red tape, Aber, I really don’t know that much about her that I could tell you.  For all intents and purposes, from the outside looking in, it seems she’s doing exactly what we want her to do.”
trash is not an oft-mentioned word in give and take in fact it only shows up 2 times.  here’s the first one, in chapter 10 of fear-driven: 
Why does he get to have a wife that he loves?  It’s not fair.  I’ve met so many boys in my life who have been used and abused and thrown away like trash and my biggest fear in life was that I was going to become one of them.  I got lucky with my family.  Keol got lucky with his wife.
anger/angry comes up a lot too, words used by aber to describe what he’s feeling or what he sees in ava 24 times throughout the series.  here’s one from chapter 21 of renegades: 
“He wanted you to get back to Penny.”
And she pulls her hand away, shaking her head, and puts her palm against her chest, over the stitches and Keol’s heart.  “Not like this.  Neither of us wanted this.”
She stands, and I move out of her way, and she leaves.  Penny just watches her go, and after a moment he says softly, “She’s never been angry at you before, has she.”
I look up at him, still down on the ground, and he shakes his head, letting out a shaky breath.  “If my wife was yelling like that, even at someone else, I would not get down on my knees in front of her.”
“Ava’s different,” I say quietly, and he nods, running his fingers through his hair, and then presses his fists against his head.  “Aren’t you just so fucking lucky.”
and that’s it!!!! this was lovely and i really enjoyed it and i wanna do more of them lol.  @rhyaxxyn​ was tagged in the original and i wanna tag @rhikasa​ @linariouswrites​ and @ashiiknees! but also anyone else at all because that’s how i found it!!!!!!!
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comicteaparty · 4 years ago
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July 27th-August 2nd, 2020 CTP Archive
The archive for the Comic Tea Party’s Farewell Party that occurred from July 27th, 2020 to August 2nd, 2020.
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Comic Tea Party
Comic Tea Party Farewell Party
With great sadness, but also the desire to end things with a bang, welcome to Comic Tea Party’s Farewell Party! This week we’re going to have a casual hang-out with everyone in the server, ask some general questions about comics, and just try to have a good time that lets us all have one last hurrah before the server closes. So if that sounds good to you, we hope you join us.
Question Set 1 of 5 1. What has been your favorite comic to be featured by Comic Tea Party? (You can check the archives for a full list: https://comicteaparty.com/thursArchives & https://comicteaparty.com/weeklongarchives)? 2. What’s a new comic you found thanks to Comic Tea Party (or an old comic you learned to love again)?
Eightfish (Puppeteer)
1. Mine, obv. Jkjk, my actual favorite comics whose book clubs I paticipated in were Ingress, Phantomarine, and Hovergirls. And man I've found so many good comics through CTP. Phantomarine, Hovergirls. Millennium, Only in Your Dreams, Joe is Dead, Valerie... I am sure I'm forgetting some too
Wait I think I may have actually not participated in the Phantomarine one
boogeymadam
1) phantomarine and devil's tongue!! joined for phantomarine's even 2) court of roses , sunny x rain
Cronaj ~{Whispers of the Past}~
1) My favorite CTP feature hands down is Heart of Keol, but I unfortunately was not here for that. I have been a fan of that comic for many years. I also really enjoyed Only In Your Dreams. 2) I found a lot of fantastic comics here! KEYSPACE: A Winged Tale, Phantomarine (although I had heard of it previously), and SunnyxRain, to name a few. I also have a whole list of comics I still need to read! (Damn you my limited time! *waves fist). Princess Pop, Wayfinders, Puppeteer, Ghost Junk Sickness, Teasday, (probably some more I'm forgetting right now ). It's truly been a pleasure speaking with you all in this server! It's a crazy feeling finding a bunch of allies in this giant overwhelming comic-making world. Thanks to everyone who participated in my bookclub or has given me a word of encouragement or helped me with my work. Seriously, before I joined CTP, I felt like I was wading through an endless, abyssal sea all by myself.
carcarchu
1. My fave comic that was featured in the bookclub was Meet and Greet. I just found it incredibly darling, unique and memorable. The art was so lovely and I just became utterly enamoured by the whimsical atmosphere it produced. 2. i started reading yu + me dream bc it was mentioned in the server a few times and i actually ended up liking it a lot more than i thought i would. the art style obviously dates it but the artistry and writing of the comic really hold up and the artist clearly knew what she was doing. also it made me nostalgic for the early days of webcomics
Krispy §[Ghost Junk Sickness]§
1. I wasn't here for it, but O'Sarilho! I loved going back to read the answers, the comic has a special place in my heart! 2. There's so MANY comics and creators i found here who's works i truly admire. It'd start to be a long as heck list, so im going to be more general about it, but the CTP was definitely a good spot for me to pick up comics and have that chance to interact with creators and find out their process/inspo, and i cherish that so much!
Miranda (Into the Swell)
1. I haven't been in the server that long, but I'd probably say Phantomarine since I was actually here for that book club. 2. Ghost Junk SIckness, Phantomarine, Ingress Adventuring Co, Teasday, Whispers of the PAst, Joe is Dead, Magefront. So so many. And they're all amazing!
Eightfish (Puppeteer)
1. My fave comic that was featured in the bookclub was Meet and Greet. I just found it incredibly darling, unique and memorable. The art was so lovely and I just became utterly enamoured by the whimsical atmosphere it produced. 2. i started reading yu + me dream bc it was mentioned in the server a few times and i actually ended up liking it a lot more than i thought i would. the art style obviously dates it but the artistry and writing of the comic really hold up and the artist clearly knew what she was doing. also it made me nostalgic for the early days of webcomics
@carcarchu I think you may have seen me mention yu+me? Gosh, it's good, isn't it?? The art style may be dated in the beginning but the rest of the comic is timeless. The amount of creativity in all the art styles she used, wow. She definetly knew what she was doing. Also, brave to commit to such a plot twist. Never seen a story with this premise before!(edited)
Tuyetnhi (Only In Your Dreams!)
1. Oh boy, there's a lot I think heart of Keol is my main contender, since I was there for the book club.
2. the folks I interacted with here, I ended up reading their comics! sunny x rain, WotP, Valerie, Reading Days, and a lot more! I dunno if I would be able to find more comics without the help of this server but I'm very thankful to be a part of it and getting to know a bulk of you here
Deo101 [Millennium]
1: I think my favorite one featured was Phantomarine ^^ being here for the book club definitely helped that, but it's also just really incredible <3 2: I've definitely found a ton of new comics here... mostly from meeting all the lovely creators, and wanting to see what they're talking about when they're gushing about the comics they love so much!
carcarchu
@Eightfish (Puppeteer) yes good writing is timeless! and i haven't actually gotten to the plot twist yet but i know of it!
Eightfish (Puppeteer)
you haven't gotten to the plot twist yet?!
dude the art becomes so good
carcarchu
im still only on page 213
Eightfish (Puppeteer)
jeez no wonder you think the art style dates it!!
the author was intentionally drawing in a completely different style than her normal one the whole time
https://i.pinimg.com/originals/1e/1d/78/1e1d78ae54fa6be3d1076fbdcdcab84f.jpg https://64.media.tumblr.com/a87431cfb4e704d31c07eba9264ce979/tumblr_mve6g1D9y21qbtxv8o1_500.jpg
this is art she did before yu+me
carcarchu
oooh i totally thought that was her art style later!
Eightfish (Puppeteer)
i can't even imagine what it must've been like for her to keep the twist secret for so long
and all the crazyness she was going to do with her art later
this woman has truly impressive self control
eliushi [Keyspace]
A lot of my favs have been said!! I also really enjoyed Gender Slices (binged it all in two days), Desert Spell and Valerie! I love the diversity of the webcomics featured and how relatable they all are thank you again so much for running the book club!
Eightfish (Puppeteer)
Ohh I forgot about gender slices! Also forgot about sunnyxrain. And I did read whispers of the past and patent the sun , but i found out about both outside of ctp(edited)
did not finish (yet), but I've also read parts of teasday, hookteeth, and ghost junk sickness
OH and super galaxy knights
wow there are so many comics haha
Comic Tea Party
Question Set 2 of 5 1. What is your favorite thing about webcomics in general? 2. How did you get involved with webcomics?
Eightfish (Puppeteer)
Wow I literally do not remember how I got involved with webcomics
boogeymadam
1. Stories that feel more personal and heartfelt because the creator is usually just 1 or 2 people creating it mainly because they love it. Also getting to see protagonsits and stories, and even creators i relate to a lot more than those in more main media. 2. through manga as a young teen, searching up more stories like the ones i was interested in and couldnt get enough of and finding smackjeeves and hiveworks.
Eightfish (Puppeteer)
1. What is your favorite thing about webcomics in general? Creativity!! With the freedom of publishing for free, writers and artists can be so imaginative, unique, and weird! I love reading stuff that the author made with full knowledge it will only ever appeal to a small number of people
but those small number of people will adore it
carcarchu
1. I love the indie charm of webcomics. when i interact with media that passes through more hands before the audience gets to it i sometimes feel that it gets polished to the point where it loses some of its charm. though webcomics might have more flaws than works that go through stringent editing, i feel that the flaws can make it more appealing. there can be problems with the writing or the art but i find with webcomics those problems can often be overcome just by the degree of raw passion and heart on display in those works. 2. same as eight it's been so long that i don't really remember but i have to assume that i somehow ended up on smackjeeves through deviantart? a lot of the artists i liked growing up also drew comics which they either posted on dA or on smackjeeves and through there i discovered more
eliushi [Keyspace]
Totally agree about how individual and different indie webcomics read vs traditional/ mainstream. I love how each webcomic is a reflection of the creator and how many different styles and creative ways one can tell a story! I got into webcomics from reading s bunch of manga and comics back in high school and stumbled upon smackjeeves and Phoenix requiem and that was my gateway into indie works
varethane
I got involved with webcomics because some friends of my friends in high school were making one, and I thought it seemed like super cool fun and wanted to do one too. Once i started reading more webcomics, it became hard to stop; the passion and earnestness is unmatched, and the stories people can tell when not held to the guidelines of what's considered 'marketable' by some executive somewhere are so unique and engaging
LadyLazuli (Phantomarine)
1) My favorite thing about webcomics is their diversity. I know not every webcomic is a creator's magnum opus, or the work by which they define themselves wholeheartedly, but you see so SO much variety. No two styles are exactly the same (unless someone's trying to incite drama, I guess ) and with that fact alone, every webcomic is so, so different. 2) I got involved with making webcomics purely out of boredom at work I just wanted a project that I could call my own, so I started drawing. But I read a few back in the day, mostly by coming across them on deviantART. Most weren't super polished, but there were a few that really stood out. It was nice to see the beginnings of what would eventually explode.
Miranda (Into the Swell)
1. The variety. There’s something for everyone and there’s different styles and its fantastic. And the people that are behind them. All the creators I’ve encountered have been super chill and kind and just inspiring. 2. I’m not sure? I think I just started reading on webtoons and it was a downhill (uphill? Cuz it’s good?) spiral from there
Cronaj ~{Whispers of the Past}~
1. My favorite aspect of webcomics is that the genres and art styles are so diverse. And even beyond that, the types of characters represented are so unique! And this kind of bleeds into why I got into webcomics to begin with. I was so bored of superhero comics about white men fighting supernatural entities. Those stories have their place, and I also enjoy them on occasion, but after seeing them a million times, the content gets old. I love exploring webcomics by underrepresented people. POC, LGBT+ people, women, and genres that aren't typically shown in mainstream print comics. And that's what I love so much about webcomics: the diversity, the variety, the opportunity for people to tell their stories. 2. In regards to how I started reading webcomics, I originally read a lot of manga online that didn't have official English translations at the time, and then I found out about Korean webtoons, which sparked my interest in web-based content in general. I also found a few comics because of deviantART. Mostly because I followed a lot of skilled artists, and they would post about their webcomics. I found one of my favorite comics that way, Memorabilia, and I actually remember reading Where Tangents Meet before it got picked up as a Webtoon Original, and before the artist created Siren's Lament. I started drawing webcomics in 2014 because, for the first time since I had started writing, I couldn't imagine my story through solely words. I knew I needed to tell a visual story, and now I had an outlet: webcomics.
Comic Tea Party
Question Set 3 of 5 1. Why do you think more people should read webcomics? 2. What do you like the most about the webcomic community?
eliushi [Keyspace]
I think more people should read webcomics to see how different stories can be told and the different perspectives they share outside of mainstream media. There is also the privilege to be able to interact with the creators directly and be a part of the creative/ supportive process. I love how supportive everyone is! It’s amazing to see creators create fan art/fiction for one another, commiserate the difficulties in making things from our busy lives and celebrating every step of success. I also love the readers whose comments brighten my day and whose engagement motivates me to make the story inside my head Real.
Comic Tea Party
Question Set 4 of 5 1. How do you think webcomics will have changed 10 years from now? What about 20? 2. In the long-term, how will have webcomics changed the world?
RebelVampire
Set 1 1) As the host of CTP, I think I am obligated to say they were all my favorite. So I'm just gonna go with that. 2) As for new comics, honestly, most of them. Not to say many of them I hadn't heard of before, but hearing about them and finding time to read them are two different things. CTP really allowed me to make that time. Set 2 1) My favorite thing about webcomics is mostly just that anybody can do them. You don't need to have fantastic web skills. Don't need to hunt down a publisher and get rejected 1000 times. You just sit down, do it, and post it. Not to say the doing it part is easy, but there aren't the other sorts of barriers that wouldve stopped people when I was a kid. And I think this is great because it lets more and more ppl express their creativity and have avenues to potentially get their work seen. 2) Basically 90% of my life has been composed of knowing artists and having artists as friends. And most artists I know have had interest in webcomics at one point or another (even if they never pursued it or moved on from webcomics). So for me it was just a thing that was always there based on my particular social circles.
RebelVampire
Set 3 1) I think more people should read webcomics because of two reasons. One, the more people read indie stuff, the more it helps indie artists achieve whatever it is they're trying to achieve. With the internet, I think we need to move past the days of yore where artists were basically unknown until they were dead. Cause that's sad. So reading webcomics is a way to fight that and respect the inherent humanity, effort, and work that goes into creativity. Two, there's just more availability of stories. Whether you want to read some mainstream isekai like story or just want some super niche thing that is 100% tailored to your specific tastes, webcomics probably has it. And by reading webcomics, you can complain less about how the thing you want doesn't exist and spend more time being happy. 2) What I like most about the community is just being able to see lots of different people express themselves entirely differently from each other. That and the hard work everyone puts into their work. Set 4 1) 10 years from now I think someone will have come up with a way to auto format comics to better suit the medium they're on. So page format on desktop and print and vertical scroll on mobile. Thus reading experiences will be smoother. Not to say it won't be janky, but someone somewhere out there must be toying with something like this. Further, I think we will see a rise in some automations that make certain processes easier. Also, I think we'll see a rise in comics made with 3D instead of 2D, if only for the factor of accessibility. 20 years from now, that's hard to say. However, given the rapid pace of technology, one thing I think we might see is better computer vision and translation software so sites can auto generate multiple language versions of any comic.
2) In the long-term for changing the world, I will repeat what I said earlier to a degree. They'll create a world where people don't have wait to die to be noticed, and in so doing, they'll shape people's opinions since, by and large, that is one of the purposes of stories and the experience of stories.
Miranda (Into the Swell)
Set 4: 1. I think it will span out into a much more broad selection of art. I feel like a lot of the "most popoular" webcomics all have a similar anime art style and I feel like that will change more as time goes on. 2. I think they'll continue to bring people of different walks together and just give common ground. No one will feel alone because there will be something for everyone and a community behind all of it. I think they're going to be more accessible and less gated to devices/displays that your viewing them on. And I think there will be a lot more artists in the world because of them(edited)
mariah (rainy day dreams)
Your sets 3 and 4, Rebel just -oof- right in my heart I'm really excited about the possibilities of more and better automatic translation just on the internet in general, but definitely for webcomics that would be amazing if an AI could just translate mine and everyone else's into all the languages.
mathtans
Whelp, I'm behind again.
SET 1. With the caveat that I'm behind in all my reading. It's very sad. I'm still working on 2019 here.
1. My favourite might have to go to "The Cat, The Vine and The Victory". Just a really interesting concept, enjoyed the writing, there's a yuri couple (of sorts), a person who can't speak, it somehow updated really frequently... yeah.
https://tapas.io/series/The-Cat-The-Vine-and-The-Victory
mathtans
2. Here there's too many to mention. But I'll mention a bunch anyway and apologies to those I miss: CHAMPS, Centralia 2050, 7 inch Kara, Neon Rabbit, My Dad is a Magical Girl, Super Galaxy Knights Deluxe R, Nine Twilights... and the list goes on.
SET 2.
1. Favourite thing? This will sound weird, but I guess how they're always there. Like, I can't keep up even week to week, but suddenly there's some time to binge and you can see story and art evolve as you look at the last few months all at once. Actual comics hire different writers or artists a lot of the time, and if you miss an issue it can be a pain finding it. Though I also like the point that's been made about how there's access on the creation side too. And how communities can crop up based on them.
2. How did I get involved with webcomics. Sigh. Strap in. I'm one of those weird types who came in via writing, not art. In 2011 (oh no, I'm old) I had the idea of personifying mathematical equations, where the hairstyles would relate to the graphs. But not being an artist, I basically did short writing excerpts with character headshots. (Does anyone remember Elf Only Inn? Oh no, I'm still old.)
I didn't even know what to call it, I referred to it as a "webcomic thing". I've since learned that it was basically a serial, supplemented with some author art. The art got increasingly more complex to where I would design a one panel setting to complement the writing. Then, after 3 years of doing this, I stopped, because after all the social media (I joined mainly to promote the thing) and videos and the rest I had, like, 5 readers. But I kept kind of attached to webcomic groups and chats, even though I wasn't doing a webcomic.
(Like, wasn't doing and never had been doing.)
A year later, in 2015, I relaunched the whole project as an ACTUAL 4-panel webcomic with new character designs. I think it's around then that StArt Faire and CTP were brought to my attention by Angelic Emypress. Maybe it was the following year.
That's when I really hooked more into the community and made it a point to have CTP in my calendar. I then stopped doing my own webcomic in 2018 because, despite mirroring on Tapas and trying to do guest posts and continue to promote... I still only had, like, 6 readers. Also my daughter was born. So I didn't have as much free time to devote to something no one else was really into. I did manage to keep up with CTP until it went asynchronous, but I've been kind of a ghost since. So hello to people who wonder why I'm a Hibiscus Teacup when I'm almost never around these days.
TL;DR: I got involved in webcomics because I wanted to be doing one but didn't know how (and still don't have the art skills for it), but like to try to encourage other people. Because I know what it's like when less than a dozen people are aware your comic exists.
SET 3.
1. More should read because honestly seeing this stuff digitally is how this is all going these days... actual paper comics are becoming terribly overpriced. And this way you can pay what you're able (even if that's zero) to people who are just as amazing and creative. I'll also echo Rebel in that there's lots of variety out there.
2. The webcomic community... honestly, it's a lot like the serial community in terms of boosting each other up and offering moral support, which is great and necessary. Not just in the writing but in general. And without it, I would never have had any artwork of my characters that I didn't specifically commission. Whether it was a trade initiative or in one weird case a random post to me, these were people taking the time to let me see my vision in a new way. I always posted and credited that stuff. It meant a lot.
I'll do the last couple sets this weekend, hopefully. Nice to see everyone else's thoughts up there. ^^
carcarchu
1. Favourite thing? This will sound weird, but I guess how they're always there. Like, I can't keep up even week to week, but suddenly there's some time to binge and you can see story and art evolve as you look at the last few months all at once. Actual comics hire different writers or artists a lot of the time, and if you miss an issue it can be a pain finding it. Though I also like the point that's been made about how there's access on the creation side too. And how communities can crop up based on them.
@mathtans i don't think i can agree with this point. sadly there have been plenty of webcomics i loved but when the sites imploded (smackjeeves) or they stopped paying for their website host they were lost to time forever. also a lot of artists just straight up purge their work from the internet forever from embarrassment
Cronaj ~{Whispers of the Past}~
^ Me with the first several versions of my comic
mathtans
Carcarchu: That's a good point I hadn't considered. Guess I've been fortunate in that most of the ones I follow just go on indefinite hiatus at worst.
Hope the site with the CTP archives doesn't get bought out and shut down or something.
Comic Tea Party
Question Set 5 of 5 1. How can people reach you after this? 2. Final parting words?
carcarchu
1. You can usually catch me on twitter! https://twitter.com/kurumadraws 2. This is not farewell, just good-bye for now hope to see most of you again soon!
LadyLazuli (Phantomarine)
1. I’m always on Twitter! http://www.twitter.com/Phantomarine_ 2. Thank you so much for giving us this server. This has been such a fun place to make new friends and discuss comics. The book club for Phantomarine was one of my favorite things ever - I had an absolute blast. Thank you again for your hard work, and see you all around!
Tuyetnhi (Only In Your Dreams!)
1. I'm at twitter and other discord servers you can see me lurking in https://twitter.com/tuyetnhip
2. Thanks for everything for the server! I hope to see the rest of you somewhere near or far on internet land
mariah (rainy day dreams)
1. You can find me on Twitter and various other discords (including my own that just opened up last week!) https://twitter.com/RainyDayMariah https://discord.gg/6S6Zsw 2. I'm very sad to be saying goodbye for now, even though I know I'll still see most of you in various corners of the internet going forward. This discord had a really special energy that I'm going to miss a lot. Just saying thank you doesn't feel like enough, but truly, thank you so much for the time we've spent together. See you in cyberspace
Miranda (Into the Swell)
1. I'm on Twitter mostly https://twitter.com/MirandaDrawss 2. Thanks for providing this awesome server! I've gotten to know so many people and had my eyes opened so much more to the world of webcomics. Thanks for inspiring me! So long, farewell, until we meet again
Nutty (Court of Roses)
1. I too am on twitter! https://twitter.com/nintendonut1 The comic also has its own discord server! https://discord.gg/Rmwe9Hv 2. Thank you so much for bringing this kind community together. Here's to us creators, wherever he head to next!
Feather J. Fern
You can find me on Twitter! https://twitter.com/FeatheryFern Thank you so much for making CTP and thank you everyone for making up the community! I hope to see you all in other communities and servers and I made so many friends here!
BadSprite
1. Hi you can find me on twitter!! https://twitter.com/BadSprite 2. I know we'll probably see each other again. But I want to thank you all for doing what you love, it's really inspiring to see so many people from so many background creating their own unique stories. So much so it got me to start making mine! Thank you for being amazing people and I hope to see you guys again soon!
Holmeaa - working on WAYFINDERS
1. I am on twitter and Instagram https://twitter.com/heidiholmeaa Instagram @heidiholmeaa 2. Thank you so much for all the hard work put into this server! I know I have not been the most active on here, but thanks for good comics to read, a good network and fun convos. I hope many of us will keep seeing each other on other servers and let us all prosper and succeed!
varethane
I, too, am primarily on twitter! https://twitter.com/varethane And on instagram as varethane1, though I don't post there very often. Thank you for running a super cool server!! I was always impressed at the depth and thoroughness of the Comic of the Week questions
eliushi [Keyspace]
It’s been a great time and I look forward to new adventures with all of you! I live in the following internet spaces: https://instagram.com/eliushi.draws?igshid=1wz4f1o191fe1 https://twitter.com/eliushi https://eliushi.weebly.com/about.html
Cronaj ~{Whispers of the Past}~
Set 3 1. Why do you think more people should read webcomics? I basically already said this, but webcomics offer a diverse reading experience. 2. What do you like the most about the webcomic community? Readers can actually interact with creators! It's so cool to see the barrier between readers and creators dissipate most of the time. Set 4 1. How do you think webcomics will have changed 10 years from now? What about 20? The biggest change I think we'll be seeing within the decade is that more and more comics will be put behind a paywall like Lezhin or Tapas. In 20 years? I think the internet will be pretty different then. Perhaps there will be more censorship? 2. In the long-term, how will have webcomics changed the world? I think the most immediate thing is that webcomics open the world up to discussing more topics. As webcomics enter the mainstream, discussing these things in a public setting will become more normalized.
As for where you can find me, you can find me on Twitter: https://twitter.com/CronajArt Instagram: https://www.instagram.com/cronaj_art/ ArtStation: https://www.artstation.com/cronaj My webcomic server: https://discord.gg/ueWBfdp Or in a lot of other servers!
Deo101 [Millennium]
where can you find me? on twitter, mostly ^^ I think most of us are already mutuals there, but just in case it'd be nice to touch base https://twitter.com/deo_101 and I'm also on my comics discord server lots! https://discord.com/invite/jxcdKma Final parting words... this is hard. but, this has been a really wonderful community and it's been incredible to get to know you all and to learn from eachother how we have. it's truly been a blessing and I'm so grateful to rebel for this opportunity to share not only my work, but also myself with so many people! I hope that this isn't actually goodbye for us, and is just a "see you around!" As we all move forward, hopefully, side by side.
Eightfish (Puppeteer)
Here's my twitter!
https://twitter.com/ActuallyOctopi
Here's my comic!
https://www.webtoons.com/en/challenge/puppeteer/list?title_no=290620
I hope I can continue to talk to you all in a different place.
kayotics
you can also mostly find me on twitter! https://twitter.com/kayartics
shadowhood {SunnyxRain}
you can find me on twitter, instagram, or pillowfort! https://twitter.com/shadowhooddraws https://www.instagram.com/shadowhooddraws/ https://www.pillowfort.social/shadowhood
mathtans
SET 4.1: 10 years from now... I'm so bad at predictions. I can't even think properly about how different they were 10 years ago, though I suppose they are more mainstream. Perhaps there will be easier ways to archive or paper print a whole set. Hopefully also more representation from minority groups, and less concern with RL problems causing schedule hiccups. Which I guess just goes double for 20 years.
Though maybe there will be more animated webcomics, or holographic ones by then, or something.
SET 4.2: Long-term, hopefully it helps people feel more confident even if they're not the most amazing artist or anything. Also as was said by Miranda, bringing people together in terms of common ground.
SET 5.1: Reach me? I'm pretty much 'mathtans' everywhere (except on Facebook, where I'm mathstans because someone else got it there first). For social media, probably twitter's the best bet, as many others have led with. https://twitter.com/mathtans
I also have [email protected] (does anyone here remember OS-tans? ... Anyway)
SET 5.2: Parting words? Thank you. I really just stumbled my way in here, a writer who doesn't know much beyond the basics of art, and have tried to do my best to offer accolades and constructive criticism. Rebel, you have done an amazing job, don't let anyone ever tell you otherwise. There was a time when I would sometimes look at the archive of a chat just to see what the pull quote was at the top. To those who actually spent some time reading my comic, thank you too... some of the nonsense is forever immortalized in Feb 2018. https://mathtans.blogspot.com/2018/02/s9332-faire-game.html
And best of luck to everyone out there, whether you've been at this for a while like me (probably showing better results, serious) or whether you've just started out. I can only hope I've made something of a difference out there. Until the next time.
Tantz Aerine (Without Moonlight)
Oh Lord I am so behind all this, with my RL tackling me to the ground... but I'll quickly answer these too, pardon my complete lack of timing. SET 1 1. Phantomarine is the one comic I loved because I was so late to the party (pun not completely intended ) 2. Phantomarine. Gosh I feel like I missed so much of this community. SET 2 1. It's the sheer freedom to create. 2. I started making comics for my students to teach them English. Then one thing led to another... SET3 1. More people should read webcomics because they are where the hub of creation in visual arts is. Experimentation, pluralism, excitement, passion. Everything is there. People will and do benefit as well as get entertained. 2. The sheer inclusivity, diversity, and curiosity that fuels creation. Friendliness, too, when people get to know you. SET 4 1. For better or worse, webcomics are becoming responsive to the means through which they are being experienced. We will always have standard formats but new will emerge that take advantage of new technologies as they come. Vertical format is one such example. In 20 years, webcomics would have become an industry, very much like print comics did, I'd say. 2. Webcomics change the world the same way art generally does: by reflecting society back to itself, and exploring ideas. SET 5 1. You can totally find me on twitter https://twitter.com/TantzAerine and if you will be so awesome as to want to read my historical webcomic Without Moonlight, you can find it here http://www.withoutmoonlightwebcomic.com/ . I definitely hope to see you. 2. I have been of the newest members of the community and I feel like I missed a whole world of richness. Still, I am thankful for what I got, and for the care and passion of everyone who kept the Comic Tea Party going for as long as it did. Thank you, and all the best.
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comicteaparty · 4 years ago
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May 9th-May 15th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from May 9th, 2020 to May 15th, 2020.  The chat focused on the following question:
What experiences do you have related to contests for comics, and do you find them worthwhile?
Eightfish (Puppeteer)
:0 what a relevant question(edited)
shadowhood (SunnyxRain)
Funnily enough, I was going to enter this year’s WEBTOON competition, but I decided to focus on my webcomic instead. I still have concept art of my original idea (based off of Russian folklore) that I might draw one day, but it was fun drawing it.
I decided instead to just support the friends and fellow artists I know who entered the contest. It’s nice to see their hard work pay off.
chalcara [Nyx+Nyssa]
I usually had either no time or no interest in a particular contest, so I have no clue. The only time I had both you needed to give up your copyright to enter, and thus I found it more worthwhile to put the effort into my own art and the dayjob.
LadyLazuli (Phantomarine)
I’ve never submitted to a contest I’ve considered submitting my existing work for various contests/awards, but in the end I always decide my story just isn’t far enough along yet to justify it. And my brain isn’t buzzy enough to create an original short story for something like the Webtoon one, so I’m out on that. I did get nominated for an award that turned into a voting contest anyway, but the winners were going to be practically guaranteed based on existing popularity, so... it was a nice gesture without any real chance of success. But it was cool to be up there with some heavy hitters. I dunno. Maybe one day I’ll feel more comfortable with the idea, once I feel like I’ve earned the chance
keii’ii (Heart of Keol)
Not webcomic related, but back in 5th grade, there was this shounen jump-like Korean magazine that I was reading. One day, they announced a contest with the first and second place winners being offered a chance to serialize their own thing. While I had been doodling my own comics before that point, that was the first time it occurred to me: hey, I could be doing this like a pro. I could be a pro. So I tried to make my own entry for that contest. I never finished it, nor did I, in retrospect, stand a chance. But it was an eye-opener: my work could be taken seriously, could be seen by others. It was a possibility! I was going through a less than ideal time in my life at the time, too. Nothing super bad or abusive, just unstable/unpredictable, left me no headspace for a 5th grade kid to dream of the future. So it was pretty meaningful to have that kind of eye-opening excitement about possibilities/ future/ change.
I no longer want to go pro. I don't think I can deal with the emotional burden of relying on audience reception for income. But it was a good phase to go through.
DanitheCarutor
For comics it's never crossed my mind to submit anything for a contest, the prizes never catch my interest since I'd rather just buy something if I want it. I'm not much of a competitive person in general, if I do get like that it's usually for something fun that doesn't require as much stress, time and resources as art. (like sports or video games) A while back I saw two contests to win a digital drawing tablet, it was getting a lot of hype in the webcomic Twitter community, but I already have a tablet and almost never use it so the contests were kind of pointless for me. Even if the tablets were those fancy screen tablets you draw directly on. Not comic related, but when I was a teen I hung out on Gaia Online almost all day and partook in the art contests there to win items and gold. Drawing was just some fun thing back then since I didn't have to worry about cost of materials or the value of my time, so I indulged in those contests often. My mom used to get really mad at me wasting my "talent" and resources pretty much for free. Lol I still have all the avie drawings saved on my computer.
keii’ii (Heart of Keol)
Yeah, Gaia contests were fun that way
Joichi [Hybrid Dolls]
Speaking of contest, I did participate in an illustration fan contest for ADV (when it was still around), I found it while I was still a small Deviantart artist. I don't have strong hope of winning but when I did, my school kid self was excited. My work was appreciated and I made art for a series I loved. I felt a little victory. :) It's easier to draw for a fan series than make up an original that has obstacles stacked against me. But I might try to participate in a comic contest one day(edited)
DanitheCarutor
@keii’ii (Heart of Keol) Fff Gaia was such a low stress site, I loved hanging out there. Getting those monthly special items was a while event.
carcarchu
I agree dani, i have never understood the point of art contests where the prize is tablet. what do you think they're drawing on to enter it??
DanitheCarutor
I think a lot of the people who do have contests for art supplies like that have sponsorships, but they're pretty pointless if you're good with what you got... and you just don't like competing in general.
keii’ii (Heart of Keol)
It probably makes more sense with traditional media supplies since you run out of them all the time. But tablets... yeah
mariah (rainy day dreams)
I had kind of a similar early experience with contests as keii'ii. Went I was a kiddo, Tokyo Pop still existed and had their rising stars of manga contest. Seeing other Americans being published like that really took me from "I love these comics and drawing fan art and ocs for them" to "I could write my own stories with my own characters and other kids could buy them at the store and be inspired." My adult experience with contest had mostly been that they're a one way a good way to feel heart broken for a while X') I've got a lot of perfectionist tendencies, so loosing always feels really bad. Maybe also because I take a lot of pride in my work and I want to be recognized for it. And I think maybe winning a contest is kind of an easier way of feeling accomplished than a followed count or monthly site statistics? I'm not sure XD also it would just be cool to be able to tell people I'm an award winning comic artist XDXD Dealing with rejection/not winning is definitely something I've gotten better at. I'm hoping to make a small submission for that shonen jump contest that got posted here a few days ago. Not cuz I think I'll probably win anything, but it feel like a neat thing to do for myself. But also... Always got that secret hope of what if I did haha! XD
DanitheCarutor
@keii’ii (Heart of Keol) In a way it's kind of redundant though? If you think about it you're using up your resources to get more, which would probably just be enough to refill the stock you used for the contest with a little extra. (depending on how much work you put into the illustration/comic) Unless the contest was for a year supply of 'X' you don't get much out of it. xP I can also see the tablet contest being good for people who can't afford to get one, or can't afford to upgrade if theirs is broken down and old, but yeah. It's not super useful if you already have a good functioning one. I know for some contests it's also the bragging rights, or some credibility when you're trying to get art/comic jobs, but it's just not my thing.
Joichi [Hybrid Dolls]
Aww I understand how you feel @mariah (rainy day dreams) you describe the same emotion I felt trying to enter comic submissions, wanting that chance to get it noticed and picked up. Yeah as long as you give it a try, at least a story is made!
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comicteaparty · 4 years ago
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June 27th-July 3rd, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from June 27th, 2020 to July 3rd, 2020.  The chat focused on the following question:
If you could do your webcomic for a living, how would that change things in regards to how you work on it (if at all)?
Deo101 [Millennium]
I'd definitely put out more content, cause I could focus on it fully every day of the week.
Eightfish (Puppeteer)
i would probably start hating it and get burnt out
Deo101 [Millennium]
thats why I would also have to start another comic or do short stories on the side or something, too.
I would probably keep individual comics update schedules the same, I'd just do more comics
LadyLazuli (Phantomarine)
If it became a part-time job, I don't think anything would change. It kind of feels like that already. If I were in a position where it became a full-time job, I do dread how my relationship with the work would change. I don't think I could ever make as much doing comics as I do in my day job (which isn't crazy, but is comfortable) so I don't know if I could ever 100% transition unless it was really, really worth it It's something I've thought about a lot, for sure.
Cronaj ~{Whispers of the Past}~
In a way, my comic is my full-time job? I don't make very much money with it, but I do put over 40 hours a week into it, and I don't have another job. I am in the very fortunate position of having an SO who is able to support me financially while I try to get my footing with my passion. If I was depending on it for a paycheck though, the main thing that would change is my style would probably get simpler, because there is no way I can make enough pages a week otherwise.
Holmeaa - working on WAYFINDERS
It is really the dream to be able to do it! Right now I am unemployed, so I basically treat the comic as my fulltime job, until I find the next short project. I want to be able to work on it full time! In Denmark there are some cool possibilities to get funding from the government and I hope we can get enrolled with some of those programs with our comic.
I would also just love to do small videos, podcasts, animations etc. Small fun projects
Mitzi (Trophallaxis)
If I had to do it full time, I think i'd put a LOT more hours into learning how to paint, watching speedpaints, ect. It'd also make a huge difference in my living situation, as the first thing I'd honestly do with a full time at-home job is move to another city with cheaper rent. Another state, maybe! Oh, and I'd do a lot more promo work. posters and animations are fun, but they're not quite worth it with an audience consisting of two my writing partner's friends, and my older brother.
Shizamura 🌟 O Sarilho
the biggest difference, I suppose, would be that I would make a lot more pages, a lot faster. But I like it that it's been pointed that the relationship with work changes when you have to do things full time, so there may be some unpredictable variables there
eliushi [Keyspace]
For a living for me can mean many different things: able to sustain living expenses vs full-time. There’s overlap but one gives financial security meaning an element of creative freedom. The opposite end will probably entail working on other comic projects with the current one as a passion story on the side (no change but probably might not want to draw so much after drawing for work!) If we’re discussing the ability to do the webcomic full time without financial worries then I do believe my output will increase but also I will be dedicating more time to the craft (studying story structures, art directions etc) as well as marketing/joining professional associations/pitching/connections. There are a lot of career options within the comic world and I’d love to explore everything before deciding what’s best for the current story. Ultimately if I were to do this as a living, I’d treat it like any other job: a routine, a strive for improvement, and wellness to recharge. I follow several artists not only for their art but also their schedule/workflow to see what worked for others. It’s very interesting!
In reality though, I might work on smaller scale projects on the side to build up the experience and platform needed to tell the story of Keyspace. As a full time comic creator, I’ll be seriously thinking to covert the seven novel series into a hug comic project. So TL;DR if full time, I make more pages
varethane
I'm in an odd place with my comic because.... well, I sort of had an opportunity to spend all of my time on it for a few months, when I was in between contracts at work. But I found that I wasnt getting it done all that much faster than I did when also working full time
To be fair, it's kind of hard to compare my speed between the three periods, because when I returned to work after a few months away, it was after work from home had started and now I no longer have a commute, so perhaps my ability to squeeze comic pages into my free time has expanded.... but I feel like my attention span caps out around 8 hours on any single task
So I didnt work that much faster. But... I'm also bad at keeping track. I could be wrong.
Yung Skrimp (Carefree)
8 hours is a long attention span
varethane
It's not all in one go, haha.
eliushi [Keyspace]
I definitely have to take breaks between pages, whether or not I have just a few minutes to a chunk of hours
It’s about finding a balance that works for you!
keii’ii (Heart of Keol)
I don't think I could put more hours daily into my comic than I currently do. I have a chronic issue with my drawing shoulder, so my body won't be able to handle that much work. Probably wouldn't be great for my eyes, either. I also don't know if I want my livelihood to depend on how many people like my story. This story is a pair of custom-tailored skinny jeans for my heart (and I have an unusual body type, making it impossible to wear skinny jeans regardless of size). It's a story I want to read. It's meant to fit ME. I don't want to worry about how to also make it fit a bunch of other people.
That being said, some people do find themselves in a situation where they're making something they want to read, and a bunch of other people just happen to like it, too. I think that would be nice
chalcara [Nyx+Nyssa]
I physically can‘t draw for more than four, five hours a day, found that out the hard wayy
eliushi [Keyspace]
I most recently developed pain likely due to RSI and have made accommodations since then but yeah it was scary to think that I have a limit in drawing time. Gotta find ways to take care of yourself for the long run
cAPSLOCK (Tailslide)
I think if comics were my only job, I'd feel a lot more anxious about what I create, and would struggle to work consistently. Having another pursuit makes me feel like I have more freedom to experiment, learn, and make what I want to make.
Eightfish (Puppeteer)
That's a really good point keii
Would drawing a comic for a living push me to change it to have more mass appeal?
I don't know but it is definitely possible and would be on my mind
Joichi [Hybrid Dolls]
It is the dream, if I could get a decent monthly wage on my comic, yes I will dedicate more time, work out a better schedule. Get an editor and colourist on board to help make a polished series. Altho I'm still doing this method to build good working habits But I agree with Eli's point, have to assign days for breaks for myself to prevent RSI. At present I have a trained mindset to work on schedules, but I may feel the pressure to produce as fast as I could.(edited)
Desnik
Well, for starters, my comic would actually be released somewhere, so it'd be nice if it made something back for me
Miranda
I’d actually release it. And work on it regularly, instead of sporadically like I have been! I’d definitely be more critical of what I was doing, and probably way more anxious every time I posted.
keii’ii (Heart of Keol)
You know, when I was only like 6 years old, I was like "I don't want to be an artist when I grow up. I love art too much, and I don't want to burn out and stop enjoying it. So I'm gonna be a singer instead." I have no idea how 6-year-old me knew about burnout, but I definitely remember saying that in response to an adult asking something like "what do you wanna be when you grow up"/ "wow, you're drawing all the time; do you want to become an artist?"
sssfrs (JOE IS DEAD)
The more I do comics the more I think I want to do art stuff as part of my main career. I would love to make sequential art that's for science purposes
sagaholmgaard
Ah that would be the dream! I'd probably feel more secure in my ability to build up a backlog of pages, and be able to make more extra content for the PDF version! And more content for instagram and twitter as well
kayotics
If I were to be able to do comics full time I think it would completely change my current lifestyle. Not even money wise but I’d need to switch up a lot of things. Like make sure I get a good amount of exercise in. I’d probably add in another page a week, but then use the rest of my week to project manage the comic, and promote my work. I’d spend a lot of other time working on creating an online store, because I can’t see the comic working full time without some supplemental merch keeping me afloat. And I’d also use that time to create and work on another comic series I think.
Yung Skrimp (Carefree)
If I were to do comics full time I’d flex on everyone I know
Feather J. Fern
If I was able to do comics full time, be able to pay off debts, substain rent and food, and extra saved for small spluges, I will shove my comic in my family's face(I got a family who doesn't believe in me at all), dancing around screaming "I MADE IT IN LIFE" And then jump out the window because haha this can't be a reality because I don't think I will ever make it in comics. I will still keep my other job of working at a library and drawing on the side becuase I want working job insurance and also I am the type who wants to save all their money if possible(edited)
eliushi [Keyspace]
I was on board until jumping out the window
Yung Skrimp (Carefree)
I wasn't on board until jumping out the window
Now I am
Moral_Gutpunch
If I could do this for a living, I could do so much. I could afford to put my mother ina home, start my dream farm and start a bunch of conservation as well, I could help my husband fund his own sidegig, and I could afford to foster pets like I always wanted.
shadowhood {SunnyxRain}
Personally, if I was able to do it I would be a lot more invested in it. I would also make a lot less excuses as to why I'm not practicing as much; it took a pandemic to happen for me to dry taking it more seriously!
I think overall I might have been more happy.
On the other hand, there's also the danger of burnout, of constantly doing the same thing over and over again for me. I'm the type that needs constant change, so I think I'm more suited to having another occupation be my main profession while comics/art would be a secondary one, where I don't have as much pressure. Furthermore, it's also my backup plan in case anything happens to my main job.
Moral_Gutpunch
^ This. I'd be focusing so much more on comics. And I'd be expanding into more comics and writing more stories. I'd be happier I'm writing more, but more frustrated at writers block
Tuyetnhi (Only In Your Dreams!)
Man if I could do it full time, might be able to pull more page updates and actually get deep into doing some long term projects I had planned for years. I won't have much of an issue as long i can also do my zine projects on the side. also would be nice to have some job insurance too along with it lmao. the only danger that could take it away if I get incapacitated for no reason lmao
TaliePlume
If I could do comics as my full time job would be awesome! But all that focus would go only to the comic and nothing else which is bad because I would be neglecting a lot of things and not getting other things done.
AntiBunny
I'd finally be able to tell my whole story and start telling another. It drives me crazy that I have more ideas than I can pursue.
snuffysam (Super Galaxy Knights)
In terms of my actual production, I'm not sure doing my comic as a living would change much lol. I already spend upwards of 40 hours a week on it, I seriously doubt there's more I could be doing. So, earning a living off my comic would just be... one less thing to worry about.
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comicteaparty · 4 years ago
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June 24th-June 30th, 2020 Reader Favorites Archive
The archive for the Reader Favorites chat that occurred from June 24th, 2020 to June 20th, 2020.  The chat focused on the following question:
Which comic do you think has the best written world lore?
Cronaj ~{Whispers of the Past}~
I don't know if there is a "best" for me, but I have a list of favorites in regards to worldbuilding and lore! Heart of Keol by @keii'ii (Heart of Keol): https://www.heartofkeol.com/ Memorabilia by Escente: https://quietdistance.net/memorabilia/ Stray Souls by Maf: https://www.webtoons.com/en/fantasy/stray-souls/list?title_no=2018 The Fever King by Victoria Lee and SaraDeek (based on the novel by Victoria Lee): https://www.webtoons.com/en/super-hero/the-fever-king/list?title_no=1659 KEYSPACE: A Winged Tale by @eliushi [Keyspace]: https://www.webtoons.com/en/challenge/keyspace-a-winged-tale/list?title_no=322364 And Grand Spirit by motolokiev (on hiatus indefinitely ): https://www.webtoons.com/en/challenge/grand-spirit/list?title_no=6608 That's a lotta comics
boogeymadam
Your Worst Nightmare has some very creative and beautiful worldbuilding, involving a city built on and inside a giant wooden dragon, that is alive but asleep, and there are spooky shadow people made from other people's nightmares running around, as well as dryads connected to the dragon, gargoyles, harpies-- it's great! (it's on hiatus but not abandoned) https://tapas.io/series/Your-Worst-Nightmare Heirs of the Veil is urban fantasy and has a lot of magical beings and creatures present in a really interesting town called Port Arbores. There are living dolls with ice powers, skull-wearing wind spirits, stuff about witches and how they run their covens (like one of the protagonists' Vicky's family!) It's great about letting information on each magical entity present unfurl slowly which gets readers really curious about them. http://heirsoftheveil.com/ Daughter of the Lilies has a ton of high fantasy lore, going so far as to create whole magic structures, rework classic fantasy races like orcs and elves, and even creating whole new ones. There's also a whole section of the comic about how different cultures perceive and portray each other (poorly) in novels, which personally affects the protagonists. https://www.daughterofthelilies.com/
Joichi [Hybrid Dolls]
There are some great world building in the comics, I'm inspired by! I love to look back and learn how they build a world I'd love to visit Chirault by @varethane http://chirault.sevensmith.net/ Suihira - The City of Water by Riana http://suihira.com/ - the soft lighting, the legends Heart of Keol from @keii'ii (Heart of Keol) - love your detailed landscapes Phantomarine by @LadyLazuli (Phantomarine) how an island town have mysteries(edited)
eliushi [Keyspace]
I love worlds that are suggested, that feels fantastical but also surreal. These are just some that I love: Nameless and the Scientist by Amei Zhao http://nameless.ameizhao.com/ Lilith’s Word by Nina https://www.lilithword.com/ Mirror by Hwei Lim https://imagecomics.com/comics/releases/mirror-1
shadowhood {SunnyxRain}
Aight here goes
eliushi [Keyspace]
Am ready
shadowhood {SunnyxRain}
I love the worlds that are rich in lore, the ones that make you think that they can exist on their own. But most importantly...they don't feel like it's stuffed down your throat, but that they just are. Phantomarine by LadyLazuli Heart of Keol by Keiiii Muted by Anidoodles Sfeer Theory by jayd ait-kaci Unsounded by Ashley Cope Hookteeth by Boogey Heirs of the Veil by Phineas and finally Ghost Junk Sickness by Krispy and Space(edited)
eliushi [Keyspace]
Sfeer theory!
I love being immersed into the world that feels lived in and when characters start to care about the mysteries, that hooks me right away
Eightfish (Puppeteer)
Sfeer Theory Shadow!!
absolutely yes
Shizamura 🌟 O Sarilho
I'm absolutely in love with what Sink your Hookteeth by @boogeymadam has shown us thus far and I can't wait to see more I'm gonna have to go and repeat that the work on Heirs of the Veil is thus far amazing, and the environments on Ghost Junk Sicknesses ( @FeatherNotes(Krispy) & @spacerocketbunny ) are absolutely evocative and really make you wonder how things got to the point they are right now, how all these species got together and how they interact
eliushi [Keyspace]
Indeed! I’d love to know what sort of word/art sorcery you do to make your world so enticing! (For everyone to answer~)
RebelVampire
For me, I have to give it to Rising Sand https://risingsand.glass/ which has not only a very deep world lore, but really lets the characters lead you through that world to explore it. Second @Joichi [Hybrid Dolls] about Chirault. And also give a shout out to Sombulus http://www.sombulus.com/ just for being plain interesting all around with the worlds
Joichi [Hybrid Dolls]
Oh I forgot, yes Rising Sand has great world building.
Mitzi (Trophallaxis)
I'm a sucker for fairy tale type things, so my favorite comic lore-wise has gotta be Lost Nightmare. https://www.lostnightmare.com/ It's rather short, and works with the super cool concept of the sandman and the boogeyman as rulers of separate kingdoms. Absolutely lovely, 100% recommend. Not super convoluted, and ties everything together nicely in the end!
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comicteaparty · 4 years ago
Text
June 20th-June 26th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from June 20th, 2020 to June 26th, 2020.  The chat focused on the following question:
What is something you’re just not very good at right now writing and/or drawing in general?
Deo101 [Millennium]
mysteries. 100% I can not write mysteries!
Eightfish (Puppeteer)
ears
Deo101 [Millennium]
the connection between legs and torso. No not hips, I can draw hips fine, but like the movement aspect of it
LadyLazuli (Phantomarine)
Action scenes. Orchestrating fights or big motions on the page... it doesn’t come naturally to me! I have to look at a lot of reference to see how other artists do it. Impact shapes, speed lines, anything to convey movement...
But I am slowly building a vocabulary of... fight shapes? I’m calling them fight shapes, haha
Eightfish (Puppeteer)
I feel that
Your feeling I feel deeply
"visual library" is a term that comes to mind
Cronaj ~{Whispers of the Past}~
Composition. I just talked about this earlier today, but.... yup. Composition is my bane.
Mitzi (Trophallaxis)
I'd like to get better at writing in general. I have a lot of trouble verbalizing things I see in my head, and so I gotta rely on images and thumbnails to get any idea across, sometimes. otherwise im a windbag and use 5000 words to say 0-1 things, lmao
carcarchu
I have trouble writing simply. I always want to embellish, add extra details, more characters and make everything more complicated and i worry it ends up making things unnecessarily convoluted
Drawing-wise i hate drawing hands
Eightfish (Puppeteer)
The legit thing I am worse at writing is fucking
Deo101 [Millennium]
omg
Eightfish (Puppeteer)
essays to convince people to hire me
Deo101 [Millennium]
OH OKAY
WAY TO CUT IT OFF
Eightfish (Puppeteer)
YEAH
Mitzi (Trophallaxis)
OH
carcarchu
let her finish deo
Mitzi (Trophallaxis)
comedic timing at its finest
Cronaj ~{Whispers of the Past}~
omg
I was very confused for a sec(edited)
Eightfish (Puppeteer)
but seriously like speaking of filling gaps this is what I'm legit struggling most with right now so any help much appreciated
Cronaj ~{Whispers of the Past}~
raises hand
Eightfish (Puppeteer)
I need to write a personal statement and every time I sit down to edit I want to die
Cronaj ~{Whispers of the Past}~
I volunteer as tribute
writing is basically the only thing I'm really good at
Eightfish (Puppeteer)
It's not the writing I hate
It's the writing about me
carcarchu
is that the thing where you have to write in 3rd person? like those blurb things on people's websites?(edited)
Eightfish (Puppeteer)
It just feel so gross whoring out my deeply held passions and struggles for a spot in med school
No I'm talking about college essays lmao sorry for derailing
The blurb things are an interesting topic though!
Have you guys writtent those before and does anyone actually like writing them?
carcarchu
i had to write a blurb about myself for my university's website and yeah it was uncomfy
lemme see if i can find it
Cronaj ~{Whispers of the Past}~
I HATE writing those
because I just start like, "Crona J. is an artist and writer from Chicago......." And I have no idea how to continue
Deo101 [Millennium]
god yeah even just writing a profile or about me is hard enough!!!
I'm always like "deo - 22 - she/her - illustrator - webcomic author - student" and then i leave it
thats it thats all you get
depending on the platform i MIGHT put bi - disabled and thats it!!!!
Cronaj ~{Whispers of the Past}~
yeah
half of the stuff I write doesn't even feel relevant to the audience either
who cares that I have been drawing since I was 12 lol?
Eightfish (Puppeteer)
Mate I don't even write those. My bio is like "UCSD" "Read my comic"
Cronaj ~{Whispers of the Past}~
hahaha
Deo101 [Millennium]
I also always feel like when I see "ive been drawing since I was 5!" I kinda think like... well everyone has been -_- like this doesnt tell me anything, how long have you been an aspiring pro, how long have you been studying art...? that tells me more
so I never put that kind of stuff in my biod either
Cronaj ~{Whispers of the Past}~
yeah, and also, I didn't go to prestigious school, so I don't even include my college
and I only have one comic project so far, just under a chapter
so what do I write?
Not that important an issue, but irksome nonetheless
Eightfish (Puppeteer)
I don't include my school because it's prestigious, I include it because it's not an art college
Deo101 [Millennium]
owch
Eightfish (Puppeteer)
I want fellow stem-y yet artsy people from my school to recognize me as one of them(edited)
DEO stop interupptung me at the worst points!!
Deo101 [Millennium]
i love jumping to conclusions. so no.
Erin Ptah (BICP | Leif & Thorn)
If it's a bio where I can talk about the comics, I try to spotlight a few tropes/genres that'll catch the eye of potential readers. Not a full-fledged summary, just a quick hit of If You Like These Words, You'll Probably Like Reading It. ("Fantasy, comedy, shapeshifters, PTSD, time travel, cats")
Erin Ptah (BICP | Leif & Thorn)
And if it's gonna be personal, same deal with bits of personal info -- not trying to be a Comprehensive Biography, just pulling a few details that are relatable connection points
The problem with "I've always wanted to be a writer/artist/cartoonist" isn't just how generic it is, the problem is also the vibe of "here's my thing, your role in this is to support me"
Whereas if you say something like "I like drawing cute girls and writing fantasy," the response can be "oh hey, I like seeing cute girls and reading fantasy, tell me more!"
Or if you go with "Sailor Moon fan, will put extra cheese on everything," people can go "cool, that's relatable, we can like Sailor Moon and cheese together." It gets at your shared investment in a fun thing, it's not about expecting them to be personally invested in you
keii’ii (Heart of Keol)
I think perhaps the most fundamental thing is "you can't please everyone." I've never liked the 'random food related weird tidbit tacked on' thing because it feels too try-hardish to me, but I understand for other people, it's not a matter of trying too hard and is genuinely how they just talk.
Erin Ptah (BICP | Leif & Thorn)
Oh definitely, you hold out for a bio that connects with everyone and you'll never get it done
AntiBunny
Personally I'm not great at drawing cars. It's why all my cars early on in the comic were side view only, and old blocky looking things. It was all I could do. I've been getting better by using references.
Every so often I buy a little hotweels or matchbox car when I'm buying groceries. I aim for realistic ones based on real vehicles, especially utility vehicles like ice cream trucks, ambulances, fire trucks, and whatnot you'd see every day in a city. I keep a little box of them on my desk, so if the scene calls for a car to be visible, I have a reference that can help me get all the curves and angles right.
Sure beats drawing from memory, but also practice time in the sketchbook with them is a necessity.
Now crowd scenes are beginning to be my bane. Not because they're hard to draw, just because they're time consuming.
Suddenly I realize why old episodes of Sailor Moon has cities with people free sidewalks and empty streets.
Cronaj ~{Whispers of the Past}~
That's a great idea, gathering the model cars! I should do that for a future comic.
kayotics
I also struggle with cars so, uh, my comic takes place in fantasy 1700-1800s
But also horses are bad too
Cars and horses! They suck
Deo101 [Millennium]
do what I did and make up an easier animal to draw than a horse ;)
Eightfish (Puppeteer)
Vehicles in general. Should just put everyone on roller blades and be done with it
Deo101 [Millennium]
I'd lov that tbh
kayotics
I’ve considered making something other than horses......
Deo101 [Millennium]
I highly encourage it, the people love it and also so does my brain
kayotics
Or else lean into them being ugly
Deo101 [Millennium]
heres the trick about horses though they look really weird and as small as you make their legs, when you think "this is way too thin..." youre wrong and their ankles are probably smaller than that
kayotics
The thing that gets me is their faces
Deo101 [Millennium]
... mask
kayotics
Hahaha
I should just make deer the normal mode of transport
Deo101 [Millennium]
that would be really cute tbh
kayotics
I love deer and they’re cute
Eightfish (Puppeteer)
Just exaggerate them to the point where it looks like a style choice
Your people already have unrealistic proportions
Why not the horses too
kayotics
That’s how I draw buildings tbh because I hate buildings
Deo101 [Millennium]
I also gave horses dog mouths, maybe do something like that? someone can be like "horses dont look like that?" and as long as youre consistent you can say "they do in this world!!!"
kayotics
Oh god no that’s like a devil creature
Deo101 [Millennium]
yeah they look horrible but its fun
Eightfish (Puppeteer)
I legit remember saying that to you deo lmao
Deo101 [Millennium]
ive had dog horse for years you didnt give me this
Eightfish (Puppeteer)
Not the they look horrible part
kayotics
I’ve already got beasts, I don’t need horses to look WORSE than they did
Eightfish (Puppeteer)
Bwah I remember
Time to archive dig(edited)
Deo101 [Millennium]
I love dog horse
kayotics
Honestly it’s good but they scare me
Deo101 [Millennium]
yeah... maybe instead give them cat mouths
Eightfish (Puppeteer)
https://discordapp.com/channels/472908933045026827/634081658018070549/688589449562423422
wait omg this is the message that led to your first dm to me lmao
Deo101 [Millennium]
is it??? omg i think it is... historical moment
dog horse brings us together
Eightfish (Puppeteer)
Another point to convince kay to draw uncanny animals!
Deo101 [Millennium]
what I do to make birds fun to draw is making them sparkly
maybe try that
Eightfish (Puppeteer)
god you're gonna ruin kay's carefully crafted aesthetic
is this your competitiveness showing its face again(edited)
Deo101 [Millennium]
they can make it work! why do you doubt their abilities
make this the main mode of transport
Eightfish (Puppeteer)
ah is that how it works in that case i have 10 shitty indie game ideas
make them pls
Deo101 [Millennium]
implying my ideas are shitty??? rude!
kayotics
I have an aesthetic?
Cronaj ~{Whispers of the Past}~
Or if you want to be very efficient, everyone in universe can teleport
Eightfish (Puppeteer)
lmao you have an excellent aesthetic
crona
i do that already
kayotics
Crona.... that’s my comic already!! Haha
Deo101 [Millennium]
kay does also have teleporting to be clear
Eightfish (Puppeteer)
don't underestimate my laziness!
Deo101 [Millennium]
LMAO
Cronaj ~{Whispers of the Past}~
See
It must be great advice
Eightfish (Puppeteer)
oh crap you're right kay also does have teleporting
and unrealistic beasts, to be fair
kayotics
Sometimes on the same page
That’s the eyes I draw on the beasts
Cronaj ~{Whispers of the Past}~
Or be even lazier, and make it so that horses and beasts either don't exist or haven't been domesticated in that region. Everyone walks. Their feet hurt, but their calves are glorious.
Deo101 [Millennium]
you get it
Eightfish (Puppeteer)
wait crona and deo also have comics where teleportation could exist
will you join us?
Cronaj ~{Whispers of the Past}~
lol, yup
Deo101 [Millennium]
nope
Cronaj ~{Whispers of the Past}~
(nah, I've already drawn horses. They're not so bad if you stare at photos)
sierrabravo (Hans Vogel is Dead)
drawing horses is fun!!
[multiple people are typing]
Cronaj ~{Whispers of the Past}~
And there will also be hella walking, because the leg game must be strong, otherwise I'm not doing my job
Deo101 [Millennium]
ive decided that millennium is like really in the future but things like time travel, teleportation, warp speed... nope! You can go really fast in a spaceship but like nothin crazy
Eightfish (Puppeteer)
man these planets real close together then
or maybe people just live a really long time ...?
Deo101 [Millennium]
I just do my version of teleporting which is "wow it'll take a week to get there" and then its a week later
dont worry about it
Cronaj ~{Whispers of the Past}~
nice
Deo101 [Millennium]
its not realistic, but its consistent
🌈ERROR404 🌈
ahhhh horses are really nice to draw imo, if i can get it right lol
Deo101 [Millennium]
I like drawing horses a lot I just never do it tbh
🌈ERROR404 🌈
something needs to fuel my addiction to cowboy culture
Cronaj ~{Whispers of the Past}~
Consistency is key tbh
Eightfish (Puppeteer)
I just do my version of teleporting which is "wow it'll take a week to get there" and then its a week later
when my whole comic takes place in like a week lmao
Cronaj ~{Whispers of the Past}~
if you decide that gravity doesn't exist in your world, as log as you're consistent with it, you're golden
Eightfish (Puppeteer)
in the unlikely event i get tired of drawing my comic i can adopt deo's strat "wow it'll take a week to get to the ending"
Cronaj ~{Whispers of the Past}~
My comic takes place in about a year (not counting flashbacks which span... uh... a very long time)
Eightfish (Puppeteer)
"man sure seems like this conflict will take approximately a week to be resolved" "one week later"
Cronaj ~{Whispers of the Past}~
hahaha
Eightfish (Puppeteer)
"sure did get resolved"
the end
Cronaj ~{Whispers of the Past}~
convenient
Eightfish (Puppeteer)
i wonder if anyone's done that
keii’ii (Heart of Keol)
One Korean series I followed for years did it
and everyone was pissed, as you can imagine
Cronaj ~{Whispers of the Past}~
lol
Eightfish (Puppeteer)
better than cancellation?
Deo101 [Millennium]
LMAOOOOOOOOOOOOOO
what a way to go
keii’ii (Heart of Keol)
I'd honestly have preferred cancellation/ abandonment
Cronaj ~{Whispers of the Past}~
Just have a fan finish it for you at that rate lmao
Eightfish (Puppeteer)
OH that's a good discussion topic. If you got tired of your comic, or life got in the the way of you working on it anymore, how would you end it as quickly as possible?
Deo101 [Millennium]
maybe rephrase that a little
Cronaj ~{Whispers of the Past}~
I would toss it at my little sis, and she would do it for me, no joke
Deo101 [Millennium]
My little sister also would probably take over it for me
Eightfish (Puppeteer)
let's move to general?
Cronaj ~{Whispers of the Past}~
eyyy!
Deo101 [Millennium]
but also I could just be like "They got an email that john died of old age its over now"
Cronaj ~{Whispers of the Past}~
MVP sisters!
lol
an email
what a way to end it
eliushi [Keyspace]
For me it’s panels. Past me thought that the four panel structure would make things easy. Nope. It’s limiting how I want to tell the story so... I’m trying to branch out now and looking for other inspirations for panel and layout
Cronaj ~{Whispers of the Past}~
Just change the shape of your panels. It forces you to be creative.
eliushi [Keyspace]
True true! I have those in upcoming updates
But my heart swoons for the page spreads
Cronaj ~{Whispers of the Past}~
oh yes
They are so gorgeous, but difficult to plan
eliushi [Keyspace]
Initially I was planning on storyboards but now I’m more comfortable with comics I think I’ll be aiming for traditional layouts
Cronaj ~{Whispers of the Past}~
Yeah, storyboards are an entirely different beast
Desnik
I'm currently working on clearly portraying character motivation
Tuyetnhi (Only In Your Dreams!)
I think for me I don't draw animals often and rip have to draw a few for the upcoming pages so I'm just doing my best at this point lol
AntiBunny
Panel arrangement is the heart of comics as an art form. It takes practice, and study to learn how the eye flows from one thing to the next.
And once you have a thorough understanding of the rules you can learn how to carefully break them to produce something truly eye catching.
If I had to say the simplest rule to understanding flow is, if you need arrows to tell you which direction to read, then you're doing something wrong.
DanitheCarutor
This is candy for my self-deprecating mentality. Lol Honestly though. I'm not the best at writing in general, I don't like doing it physically, avoiding it at all cost (outside of dialogue and poorly done bullet points on scrap paper.) so I don't really know if/think I'm particularly good at it. I remember the last time I tried to physically write something was back in high school, I still have it saved on my computer, but it was something else. Too many dialogue scenes and overly detailed descriptions of things and characters. I only made it a little ways before giving up with "You know, this will be easier to just show than describe.". Story and character wise for my current comic, I'm not sure how well it's turning out or how good it will be in the end, my brain defaults my work to mediocre so I tend to be totally blind to what I'm doing right. I know my characters aren't the best for sure since they're all fleshy flaw bags with too many flaws, and I know I could have presented certain scene changes and such better, but that's all I can think of objectively. The art portion is something I at least know I can execute decently, but my color composition is the worst. I'm aware that I need to improve it, and I know what needs to be done, but it's something I can't really accomplish with my comic since I just want to focus on finishing pages. I'll have to make time to draw up some throw-away illustrations to experiment with, which I hope to have a little bit of now that I'm not on a regular update schedule. Also I can't draw vehicles and architecture for the life of me, I've referenced and studied but I still can't wrap my head around it. ALSO extreme angles and perspectives are still things I need work on, like 4-point circular perspective, ground level shots and over the head shots.
keii’ii (Heart of Keol)
There's a lot of things I want to improve, but something I haven't seen mentioned yet: I would like to get better at deciphering feedback, how to glean useful things from multiple conflicting feedback.
Eightfish (Puppeteer)
Ooh that's a good one keii
I haven't really had to deal with that before though because all the negative feedback I've gotten is pretty consistent
Can I ask what the conflicting feedback you got is?
keii’ii (Heart of Keol)
Oh gosh, I legit spent a long, long moment trying to figure out where to even start
eliushi [Keyspace]
I really like this approach to feedback
Krispy §[Ghost Junk Sickness]§
Yo Eli this is so good
eliushi [Keyspace]
Mary robinette is goals
LadyLazuli (Phantomarine)
this is spectacular already
wow
eliushi [Keyspace]
Pretty sure a wiser writer passed this onto me I have since used it a lot and it works for me
Krispy §[Ghost Junk Sickness]§
This is so so good Perfectly said about crits in creative fields
keii’ii (Heart of Keol)
One example I can think of isn't actually something that was criticized, but showed up a lot in various ways: "this is (supposed to be) an exciting adventure romp centering Danbi" vs "this is an emotional journey story centering Ethan" ... Not a criticism, but two very conflicting interpretations. People who have one interpretation are shocked and confused when I tell them about the other one.
Cronaj ~{Whispers of the Past}~
Holy crap, Eli... This is one for the folder of absolute knowledge
Eightfish (Puppeteer)
woah, excellent advice
keii’ii (Heart of Keol)
And yeah, that is a really good one. Symptoms are extremely useful, and diagnoses tend to be more useful in a conversation rather than a one-way "here is my diagnosis" thing
Eightfish (Puppeteer)
I haven't heard it said before but the explaining eliminating a clean reaction rings so true to me
Cronaj ~{Whispers of the Past}~
Ahhh, this is literally the one document I have needed my entire life
Eightfish (Puppeteer)
also the helping someone tell the story they want
also the stream of consiousness, MAn
Tuyetnhi (Only In Your Dreams!)
I think I'll save that for my future high schoolers lol
some of the stuff said there is what I've noticed in the last few years critquing in academic settings but its nice to kno!
Eightfish (Puppeteer)
People have given me stream of consciousness reactions before and they were the most helpful. Almost all the changes in the story from others' reactions were from stream of consciousness reactions, not intentional critiques
keii’ii (Heart of Keol)
Yeah, one of the most helpful "critique" I ever got was also completely unintentional
Cronaj ~{Whispers of the Past}~
One of the most useful tips in this guide for me in particular is the "As a writer don't:" section. I struggle with it a lot.
On the note of things we are bad at in the comic-making process, I am very bad at taking critiques!(edited)
keii’ii (Heart of Keol)
tbh for a long time, my biggest struggling point that's not in the "as a writer don't:" is "don't throw yourself into the void of self-hate." I'm better now, but boy, when it was bad, it was bad.
But perhaps that kinda thing better fits into "as a person don't:"
Eightfish (Puppeteer)
I am pretty good at taking critiques, but pretty bad at giving critiques! Right now the point I'm at is I'm just gonna not give critiques until I'm more mature
But then after I decided that an amateur writer friend told me his story idea that I not only disliked but was sort of offended by
and I really wanted to tell him but I didn't know how to do it nicely...
Cronaj ~{Whispers of the Past}~
ooof
LadyLazuli (Phantomarine)
oh no
Cronaj ~{Whispers of the Past}~
yeah, that's really tough
Tuyetnhi (Only In Your Dreams!)
rip I tend to do kinda a sandwich method. I had to say some rough things few days ago on a practice pitch run and I pretty much said
Deo101 [Millennium]
Uh oh
Tuyetnhi (Only In Your Dreams!)
"Your idea is developing for sure, but I think you need to reconsider some of the world building choices you done. Have you thought of researching such and such."
Eightfish (Puppeteer)
That's basically what I said
But I think I had to say "research ffs" in increasing intensity like 3 times lol
Cronaj ~{Whispers of the Past}~
Oh, nice, the "let's give them compliments too so that they know I'm not just being mean" method
It's a good method tbh
Tuyetnhi (Only In Your Dreams!)
Rip it's not that like
Eightfish (Puppeteer)
Deo might have something to say about this but it was about schizophrenics in a mental institution being portrayed in a real weird way by someone who didn't know anything about it(edited)
keii’ii (Heart of Keol)
Ooof
Deo101 [Millennium]
Ah man
Cronaj ~{Whispers of the Past}~
ewww
Deo101 [Millennium]
I'll always stand by "asking people who've lived what you're writing about is the best form of research and can't be replaced"
Tuyetnhi (Only In Your Dreams!)
Yeah I would said the to the person consider researching more on the topic and interview folks who have schizophrenia
Eightfish (Puppeteer)
Dude I brought you up lmao
Tuyetnhi (Only In Your Dreams!)
and also like "is there a reason you want to depict it this way?"
Cronaj ~{Whispers of the Past}~
oooh
Deo101 [Millennium]
Yeah I know I'm agreeing idk... Idk what else I'd have to say on the topic
Cronaj ~{Whispers of the Past}~
That's a very good question to ask someone
Tuyetnhi (Only In Your Dreams!)
and depending on their responses, I would just put my two scents in there that rip
Deo101 [Millennium]
Yeah I always ask "what are your goals?" Before I ask anything else
Tuyetnhi (Only In Your Dreams!)
critiques are kinda my strong point sinc eLMAO I do em all the time in my class
and teaching so yeah LOL
Eightfish (Puppeteer)
Deo I mean I brought you up to this guy like saying "my friend messaged people online and they were super willing to talk to her you could do that"
Deo101 [Millennium]
OHHHHH gotcha
Tuyetnhi (Only In Your Dreams!)
I try my best to figure out what they want out of it and just deliever with some handful of suggestions
but I won't sugarcoat it unless you're a high school student or younger lmao
Deo101 [Millennium]
Yeah I'm often told I'm a lil too harsh but like idk
Cronaj ~{Whispers of the Past}~
I wouldn't say sugar coating it per say... More just telling them what their strengths are too, so that they have an idea of where they're at
Eightfish (Puppeteer)
telling someone their strengths is just as useful as telling them their flaws
that way they can highlight them
like just because you story has no flaws doesn't mean it's good right?
gotta have stuff that stands out in a good way as well
keii’ii (Heart of Keol)
Someone once phrased it as "Let's list everything that's wrong here, and find out how we can fix them" vs "How do we take this to the next level?" and that really resonated with me. It's not about sugarcoating; it's more about helping them get to the next level in the direction they wanna go.
Cronaj ~{Whispers of the Past}~
THIS
Deo101 [Millennium]
Yeah I try to point out things that are going well, and I usually try to only point at things that ppl can work on immediately
Tuyetnhi (Only In Your Dreams!)
I should phrase my statement more clearly. But yeah Kei that's what I usually look for when critiquing
keii’ii (Heart of Keol)
There's often no need to tell them "your writing is only at level 3, and that's bad because the max level is 99." Just tell them how to get to level 4.
Tuyetnhi (Only In Your Dreams!)
I dont' see it like its something bad but something that is challenging to them at the time
keii’ii (Heart of Keol)
Unless they have extremely unrealistic expectations or whatever that are standing in their own way
Tuyetnhi (Only In Your Dreams!)
just have to figure out how to get out of the hump
LadyLazuli (Phantomarine)
Yep. I see this phenomenon in animation a lot. A good animation director will help you boost your existing work to something stronger, but still yours. A bad one will tell you to do it their way, and chide you for doing it ‘wrong.’
Tuyetnhi (Only In Your Dreams!)
rip I know a person like that and lmao
Deo101 [Millennium]
Yessssss
That's why I always ask "what are your goals" to start
Cronaj ~{Whispers of the Past}~
Yup
🌈ERROR404 🌈
I totally agree!!!! A LOT of the most important bits of great criticism is understanding exactly where the original creator was intending to go, and formatting your statements around helping them achieve that!!!!!!!
Cronaj ~{Whispers of the Past}~
Critiques are impossible if you don't know what the person is trying to achieve
🌈ERROR404 🌈
Just stating things that you would change if you were making it may seem useful and relevant to you the critic, but unless the creator is headed the exact same direction as you, they have just as much reason to invalidate the entire statement as they do to nit pick out the things they care to agree with
keii’ii (Heart of Keol)
Sometimes a prospective critic is simply too far removed from the target audience of the work, like on a fundamental level, and it makes it impossible to give them useful feedback. I think it's important to acknowledge that this can happen. It happens to me a lot and I just decline to give crits when it does.
Cronaj ~{Whispers of the Past}~
Yeah, like don't ask me to critique a comic about sports lmao
Tuyetnhi (Only In Your Dreams!)
I agree on that notion, esepcially when seeing professional aritsts giving crits to folks starting out but it doesn't go as er ideal as they thought it would be
Deo101 [Millennium]
That's why I usually only seek out criticsm (for more than just general direction/advice) from people who's work I like
LadyLazuli (Phantomarine)
I remember reading advice on getting beta readers, and it’s really REALLY important that they’re excited for your stuff. They want to make it better. They care. They can give critique, but they absolutely must be jazzed about your subject matter in some way, or else it’ll be a slog for everyone.
Tuyetnhi (Only In Your Dreams!)
for me, I have my peers who I contact daily and we give each other advice, tips
despite having er difference interests in fields, but we experienced a lot in our program lol
Deo101 [Millennium]
Yes... (Speaking of if anyone wanted to beta read my next comic uhhhh let me know id love to have u)
Eightfish (Puppeteer)
very good point claire
Krispy §[Ghost Junk Sickness]§
100 percent agree Get people who are excited and know your vision
Deo101 [Millennium]
Yeah I have a small group of writer friends who know all my goals and a lot of my stuff? So they make a very good little critique circle, and we all help eachother
Cronaj ~{Whispers of the Past}~
I'm always ready to beta read if it's a concept I enjoy
Eightfish (Puppeteer)
like people who critique comics they hate. I'm like, damn, tough work but also ?? why
keii’ii (Heart of Keol)
(Be careful about people who are excited about what they think is your vision.............)
Deo101 [Millennium]
Fish is this a callout for me
Eightfish (Puppeteer)
slightly?
Deo101 [Millennium]
Ahsjfkdjdkskdjdjdj
Tuyetnhi (Only In Your Dreams!)
Keii I experienced the oppisisite like rip
Eightfish (Puppeteer)
it's just mystifying to me, I don't think it's wrong or anything
Deo101 [Millennium]
Also crona I'll send u when I'm at my comp
Cronaj ~{Whispers of the Past}~
sure
keii’ii (Heart of Keol)
What do you mean Tuyetnhi?
Krispy §[Ghost Junk Sickness]§
Ohh that would be oof to deal with Kei
Tuyetnhi (Only In Your Dreams!)
I had to let a person down to reality bc I know they're excited about their idea but uhhhh
Cronaj ~{Whispers of the Past}~
(Is it the fish romance?)
Tuyetnhi (Only In Your Dreams!)
it wasn't engaging to me
Deo101 [Millennium]
Yes that one qjdjfkskdkk
Tuyetnhi (Only In Your Dreams!)
nor my illustration friends
LadyLazuli (Phantomarine)
I don’t have beta readers but I think that’s how it all goes lol
Tuyetnhi (Only In Your Dreams!)
and we were like
"AAAAAAA"
Deo101 [Millennium]
Oh that's awkward
keii’ii (Heart of Keol)
Ooooooohhhhhhh... oof
Eightfish (Puppeteer)
I have a couple friends I send pages to sometimes but they're always really positive about it
Tuyetnhi (Only In Your Dreams!)
It was a rough critique
Krispy §[Ghost Junk Sickness]§
Having creative friend circles is so essential for growth and screaming at eachothers works for motivation too
Deo101 [Millennium]
Yessss
Also just the ability to talk about your process without having to explain yourself
Tuyetnhi (Only In Your Dreams!)
agreed lol
Cronaj ~{Whispers of the Past}~
I occasionally tap my fiance's shoulder and shove my sketches in his face with zero context, just to make sure he can figure out what's going on without me explaining. Super helpful
LadyLazuli (Phantomarine)
I feel like I have a couple friends where, when I read their stuff, I know things that would amp their work up tenfold. But until they ask me... I’m screaming inside lol
Tuyetnhi (Only In Your Dreams!)
lol
Eightfish (Puppeteer)
my friend always makes me feel like i'm a better writer than i am because she thinks so much like me she gets everything i write perfectly lol. But then I post and the comments are like "wtf i'm confused"(edited)
eliushi [Keyspace]
Yeah feedback is most effective when both sides are open and invested
Krispy §[Ghost Junk Sickness]§
Claire Senpai Wants To Help
Eightfish (Puppeteer)
also same crona(edited)
LadyLazuli (Phantomarine)
It’s not bad, I just go I THINK I CAN HELP YOU MAKE IT AWESOMER AHHHHHH
eliushi [Keyspace]
Claire senpaiiii
LadyLazuli (Phantomarine)
But until then I remain still and supportive
Eightfish (Puppeteer)
why don't you ask them "can i suggest things?"
Deo101 [Millennium]
Yeah I try and keep my mouth shut
Eightfish (Puppeteer)
or "do you want suggestions?"
Cronaj ~{Whispers of the Past}~
lol
eliushi [Keyspace]
I usually say what I like about it first and then. Are you looking for feedback?
Deo101 [Millennium]
Tbh hearing "can I suggest things?" Usually comes off kinda like "I see stuff wrong with this :)" which can hurt a little even then
keii’ii (Heart of Keol)
YEeeeah
🌈ERROR404 🌈
At least for my comic, i have sent bits and pieces for critique from creators i am friends with , but i'm really hesitant promoting myself because I don't feel like I'm not at a place to even get a critique i'll be able to make anything of. O(--( i really don't know what I'd do if someone tried to seriously analyze my plot and break down the story right now
Cronaj ~{Whispers of the Past}~
It's really hard, because a lot of people (myself included) get scared when someone else asks, "Do you need help?"
Deo101 [Millennium]
I usually trust ppl to say whether they're looking for feedback
Krispy §[Ghost Junk Sickness]§
Its always so tricky to gague the reactions of that. Some people handle that better than others So i only offer when they open up
LadyLazuli (Phantomarine)
Based on how people can get about even the offer of critique, yeah, I tend not to say anything. That’s their baby. If they want to open that door, then I’ll poke my head in
eliushi [Keyspace]
True too. I’m already in forums where feedback is wanted so I’m already in selection bias
Cronaj ~{Whispers of the Past}~
Yeah, I like to only offer crits if someone is asking for it for that reason
Eightfish (Puppeteer)
for the record i'm always open to critiques
Tuyetnhi (Only In Your Dreams!)
kinda mutal agreement on don't chime in unless asked lol
Deo101 [Millennium]
Yeah, at least in my groups we send things like "hey this and this are bothering me? Can you help?" And other than that it's just support
Cronaj ~{Whispers of the Past}~
Yeah, that's a good idea
Tuyetnhi (Only In Your Dreams!)
for both parties. For me, If it's something that I need thoughts I ask but otherwise, lmao my social circles ask me for help for their art stuff
Deo101 [Millennium]
We never agreed on that btw it's just kinda how it goes
Krispy §[Ghost Junk Sickness]§
That's a nice group way to handle that AND make the space more breathable for others who are more nervous about crit work
LadyLazuli (Phantomarine)
exactly
eliushi [Keyspace]
There’s a time and place for everything and feedback is no different
Deo101 [Millennium]
Yeah! Like here we have seperate chats for help and sharing
Cronaj ~{Whispers of the Past}~
Yuss
keii’ii (Heart of Keol)
When someone asks me if I'm open to suggestions, my reaction is usually "nOOoooOo..." but not always. I think it helps a ton if there's an existing rapport, like if I already know this person gets, REALLY gets, my work.
Krispy §[Ghost Junk Sickness]§
And that's okay Keii!
eliushi [Keyspace]
Yeah I’m super thankful for my betas for that
Tuyetnhi (Only In Your Dreams!)
yee same
eliushi [Keyspace]
It’s very rewarding when people are also invested in your work to make it better within your means and style
Krispy §[Ghost Junk Sickness]§
Honestly u gotta do whats best for u and ur mindset in the end.
Deo101 [Millennium]
It also is a little but awkward to say "no I'm not open to suggestions' cause it feels like you're saying "I don't care to improve" when in reality it's more like "no... I'm happy with this and I don't want it to be soured"
Cronaj ~{Whispers of the Past}~
I love the fact that if I post in #creator_art_share, nobody will critique me unless I ask. And if I post in #art_help, I can get that help. So incredibly nice
Krispy §[Ghost Junk Sickness]§
Yes! Thats very respectful
eliushi [Keyspace]
So key
Krispy §[Ghost Junk Sickness]§
Omg Deo.....such a mood LOL
Deo101 [Millennium]
I always feel so bad saying no thanks but it's like it looked good I thought
Cronaj ~{Whispers of the Past}~
omg, I felt that in my soul
We beat ourselves up enough as it is
Krispy §[Ghost Junk Sickness]§
Sometimes i know my work can be farty but... I dont also want perfection in every facet of my pieces too and thats okay! Some are learning pieces, others more indulgent
Deo101 [Millennium]
Yeah!
LadyLazuli (Phantomarine)
I think I'd be very hesitant to accept ideas that will utterly break my core plot... unless someone comes out and outright tells me something about it is offensive or wrong or otherwise bad. But critique on the connective tissue between the bones, so to speak, heck yes. I've gotten some much better ideas from that.
Eightfish (Puppeteer)
e.e even if i post in art share i would be honored to receive a critique from any of you
keii’ii (Heart of Keol)
Oh, if someone comes to me with suggestions that are that incompatible with my vision, I'm getting outta there.
Eightfish (Puppeteer)
but i don't wanna post every single thing i do in art help hm
but maybe i should
keii’ii (Heart of Keol)
I am SO getting outta there.
Tuyetnhi (Only In Your Dreams!)
I did had some suggestions that didn't... really help with my comic most of it are just comments and not pure criticism
Cronaj ~{Whispers of the Past}~
Just post it lol
Deo101 [Millennium]
Yeah it's probably best to leave crit in the crit section so as not to break that unspoken rule.
Cronaj ~{Whispers of the Past}~
To signal to the rest of us
Krispy §[Ghost Junk Sickness]§
Yea your vision is key, and i find that people who crit the work need a basic understanding of it for it to be a True Crit
Eightfish (Puppeteer)
Yeah it's probably best to leave crit in the crit section so as not to break that unspoken rule.
good point
i wouldn't want people critiquing me to make others feel like it's okay to do that to everyone
Krispy §[Ghost Junk Sickness]§
A good attitude!!! Y'all are very respectable this is a wonderful topic
Tuyetnhi (Only In Your Dreams!)
yeee
eliushi [Keyspace]
I think the best feedback is one where it makes your work become more effective within your vision. Sometimes it’s finding the betas who are invested but I also find betas who focus on different crafts also can offer a lot of wisdom. I find it comes down to being open and it’s never a bad thing to ask for clarification
Tuyetnhi (Only In Your Dreams!)
[also writes this down for a potential lesson actvity for high schoolers] (edited)
keii’ii (Heart of Keol)
Yeah, a critique is supposed to help the work become a better version of itself, not a better [something else]
Deo101 [Millennium]
Mostly with true beta reading I am looking for "how clear is my work coming off to someone who knows nothing of my lore and backstory etc?"
LadyLazuli (Phantomarine)
I like the idea of having at least one beta reader who's a writer, and at least one who's not. The writer can dissect things a bit more than a 'civilian' could while the civilian can look at surface-level things and react as the audience majority might.
Tuyetnhi (Only In Your Dreams!)
multiple beta readers are a blessing lol
Deo101 [Millennium]
Cause with my friends, they already know everything I'm planning, so i worry a lot that they are putting together things that a regular reader wouldn't
So yeah same thing as a "civilian" reader, sort of!
eliushi [Keyspace]
For sure. Within my critique group I have novelists, webcomic creators and artists. Those who read the complete script and those who haven’t. It’s important to have all sides I find
keii’ii (Heart of Keol)
Dang you people with your luxury of multiple beta readers... I don't even have one (but it's mostly my fault; my scripts are unreadable)
Tuyetnhi (Only In Your Dreams!)
omg lol
Eightfish (Puppeteer)
i'm sure you could use many of us as beta readers if you wanted to!
varethane
that surface-level 'first gut reaction' crit can be SO useful
LadyLazuli (Phantomarine)
I change dialogue too frequently for a beta reader to have a fair chance, lol
Tuyetnhi (Only In Your Dreams!)
I started early with one years ago, but now I have like 5-10ish but they can't help me at the same time lmao
varethane
I agree upthread with when it was said that some of the most helpful crit was given unintentionally lol
Eightfish (Puppeteer)
same. i asked some people, including deo and crona, for a beta read of a script a while back but then ended up changing most of it lol(edited)
eliushi [Keyspace]
Most of my betas I found in forums like these! I’m sure a lot of us want to help each other out!
Deo101 [Millennium]
I usually only share stuff once I have at least a solid sketch and dialogue is in
LadyLazuli (Phantomarine)
so much changes in the thumbnail/layout stage for me. SO MUCH. whole scenes get swapped/cut/extended
I never keep it the same way
Deo101 [Millennium]
I don't like to share scripts cause also I don't usually script much anyways lol
Cronaj ~{Whispers of the Past}~
@keii’ii (Heart of Keol) As a long-time reader of HoK, I would be more than happy to beta read if you ever wanted it. Just throwing that out there!
Tuyetnhi (Only In Your Dreams!)
same Lazuli like
LadyLazuli (Phantomarine)
I'd love to beta read for anyone too
varethane
I prefer sharing sketched pages because my scripts usually change SO much in between being written and going onto the page
like, sometimes they're outright unrecognizable
keii’ii (Heart of Keol)
@Deo101 [Millennium] Same. The couple times I really wasn't unsure about a scene, I had to find someone and give them cleaned up thumbnails
Deo101 [Millennium]
Yeah I don't share more than sketched pages with dialogue
keii’ii (Heart of Keol)
SUPER cleaned up thumbnails
Tuyetnhi (Only In Your Dreams!)
from thumbnail to final, like they aren't the same from before lmao
Eightfish (Puppeteer)
Most helpful critique for me was just someone engaging with the story. "Man I love - and -, they're such good friends, but - pisses me the fuck off" and that was my intention, but i realized it was coming on a bit stronger than i liked and changed the next scene dramatically to make a future plot point where the last character needs to be trusted feel more earned(edited)
varethane
(anyone who seriously is down for beta reading, I have 3 finished chapters burning a hole in my buffer hhnnnnggggg)
Deo101 [Millennium]
Yeah cause also like, 80% of the crit is usually "well this paneling is unclear" kind of stuff too
Tuyetnhi (Only In Your Dreams!)
also i don't mind if anyone is asking me to beta read
Deo101 [Millennium]
Which you can't do from a script anyways
Tuyetnhi (Only In Your Dreams!)
or (I don't usually do this often but)
I'm also a sensitivity beta reader too
so if you have questions about POC stuff, asian-american, er mixed-asian or mixed-black experiences
I'm willing to help lmao
but i'm just one perspective to the table
LadyLazuli (Phantomarine)
A lot of comments, not critiques, have influenced scenes I put later too. Things to clarify, expand, emphasize. I take every comment like that as an idea. I love knowing what the readers hope to learn.
eliushi [Keyspace]
I’m in the midst of a 180k plus word count novel beta and alphaing a couple works but once that’s all done, happy to take a look too
Eightfish (Puppeteer)
holy
Deo101 [Millennium]
Wowie
Krispy §[Ghost Junk Sickness]§
Getting trustful beta readers i gotta say again is so important bc sometimes when asking for some, u run into betas that are there to just exploit that privilege too (tho rare) And!!!! Be respectful of ur betas on the other side of the spectrum
Deo101 [Millennium]
Exploit how?
Eightfish (Puppeteer)
like to read your work early?
eliushi [Keyspace]
Definitely pick your betas wisely
Krispy §[Ghost Junk Sickness]§
Usually just the free ride of Knowing the Story or the opportunity to just Constantly Crit (non helpful) bc of personal reasons
Deo101 [Millennium]
Damn
LadyLazuli (Phantomarine)
I'm imagining having someone sneak in as a beta and reveal they're a rabid toxic fan trying to influence the plot to their liking. As an absolute worst scenario
Deo101 [Millennium]
Spooky
Krispy §[Ghost Junk Sickness]§
Yea.... There's def ppl out there that would do that THOUGH RARE again. I think that's more of like Competition in the field or spite? But ive heard it happening and its not cool
Eightfish (Puppeteer)
like people just looking for a free ticket to complain about your work?
i can see that
Tuyetnhi (Only In Your Dreams!)
Oh yeah, I had folks like that before
after that I'm just like "thank you for your time" and block them after LMAO
Deo101 [Millennium]
That sucks :(
keii’ii (Heart of Keol)
hhhhhhh
Krispy §[Ghost Junk Sickness]§
Yea And u can always tell a sincere crit from a one that comes from a place of malice and ill intent pretty easy.
eliushi [Keyspace]
Exactly
LadyLazuli (Phantomarine)
oof
Krispy §[Ghost Junk Sickness]§
Still!!! A horrible experience
Deo101 [Millennium]
:< yeah
Cronaj ~{Whispers of the Past}~
Yeah.. I've never had anything like that happen, but wow... that's a terrifying notion
eliushi [Keyspace]
You tend to want to know your betas more than just them being a reader too. I like to think my betas are my friends and it’s a two way street where I help them too
Krispy §[Ghost Junk Sickness]§
Some betas sign papers of confidentiality to avoid these instances of people running off with ur work too
eliushi [Keyspace]
There are paid betas but that’s business side and yeah Krispy
Deo101 [Millennium]
/stress
eliushi [Keyspace]
I don’t have them for mine
Krispy §[Ghost Junk Sickness]§
Its scary bc we're all so small and our work is mainly for free U have to be wary of this
LadyLazuli (Phantomarine)
I could easily see myself getting sucked into a bad situation like that I trust people too easily sometimes
but ugh... ya gotta learn
eliushi [Keyspace]
It’s good to know the risks. That being said, I think the rewards of having a good beta far exceed the bad apples. You have to set good boundaries
Krispy §[Ghost Junk Sickness]§
Not that any of yall would do this omgjghg
Deo101 [Millennium]
Same Claire ajdjdnsdjjjdjdjdjddj
LadyLazuli (Phantomarine)
gonna steal all y'alls IDEAS
eliushi [Keyspace]
It’s also totally valid to say, hey something came up and I can’t beta anymore
Key is communication
Tuyetnhi (Only In Your Dreams!)
lmao ya gotta kill me for my ideas
Krispy §[Ghost Junk Sickness]§
Isossn Watch out for that Claire lady
LadyLazuli (Phantomarine)
https://tenor.com/view/laugh-giggle-mutley-dick-dastardly-snicker-gif-5552702
Krispy §[Ghost Junk Sickness]§
Omg Eli yesssSSSSS that!!! Is important for both creator and beta to have that communication
Cronaj ~{Whispers of the Past}~
Oh no, my precious ideas!!!
Deo101 [Millennium]
Eh even if u steal my ideas you can never steal my characterizations!
LadyLazuli (Phantomarine)
just steal everything and make a horrible hodgepodge of all of our webcomics, like some sick frankenstein's monster
Deo101 [Millennium]
I don't think my ideas are the best part of my stories anyways :P
Ahsjdjfjdjfjdjfjdififiididkfkdje Frankensteins webcomic
Tuyetnhi (Only In Your Dreams!)
my ideas are relevant to my cultural background so I'm like lmao
eliushi [Keyspace]
I learned from my novel days that ideas are dime and dozen and it’s the execution that counts(edited)
Cronaj ~{Whispers of the Past}~
I would actually love that tbh
Krispy §[Ghost Junk Sickness]§
Oh no id read it tho XD
Deo101 [Millennium]
Massive crossover event
Cronaj ~{Whispers of the Past}~
YES
PLEASE
eliushi [Keyspace]
Super smash bros when
varethane
lmao
Cronaj ~{Whispers of the Past}~
hahaha
Eightfish (Puppeteer)
I really want people going into healthcare to critique my personal statement, but I won't send it to anyone because I've legitimately heard of people stealing others' personal statements and getting both people rejected
Deo101 [Millennium]
Wow
eliushi [Keyspace]
That’s scary and unfortunate
Tuyetnhi (Only In Your Dreams!)
ooof
Eightfish (Puppeteer)
it's almost worse than stealing a story idea because you're stealing like
someone's life story??
or their personality??
it's extremely strange to me
Deo101 [Millennium]
Yeah that's ??????
eliushi [Keyspace]
I would consider having a mentor look over your statement but that’s veering off creator babble territory
Eightfish (Puppeteer)
oh i am doing that and very very thankful to them
Deo101 [Millennium]
Good suggestion and good point
LadyLazuli (Phantomarine)
After recently seeing a whole comic style/theme completely and obviously lifted from another one... yeah, the things that make your comic yours? They can absolutely be stolen whole-cloth
It's scary
Eightfish (Puppeteer)
oh no
god what even is the fun in that??
LadyLazuli (Phantomarine)
I don't know. I really don't.
Eightfish (Puppeteer)
you know what i want to spend years doing? telling a story that's already been told, except worse!
varethane
D:
Deo101 [Millennium]
I've had someone steal designs before
varethane
dpsofasdj I am so curious about these cases now aaahhh
Deo101 [Millennium]
Ppl do steal stuff. But what sucks for them is I'm the one with a brain and I can make new things
eliushi [Keyspace]
I’ve seen similar styles but have not seen a purposeful recreation of another’s style whether as impersonation or plagiarism
Haruh2 (Colony Life)
i just read a webtoon that was "inspired" by an anime with many ideas from anime too
LadyLazuli (Phantomarine)
It was a case where I always thought the two looked surprisingly similar, but then... yeah, you learn more things and you go AW GOD OKAY
Eightfish (Puppeteer)
this, and offensive stuff, is a case where i think unsolicited critique is 100% okay
Deo101 [Millennium]
Yeah, though then it's the line of "is it offensive just to me? Or overall?"
Though I guess saying "this offended me" isn't horrible or whatever
Eightfish (Puppeteer)
i think of the trend of lgbt youtubers making videos making fun of anti-lgbt crap and that's a case where i'm like yeah! pile on!
You have a good point and there are cases where something is almost objectively offensive
Deo101 [Millennium]
Yeah, and then there are other cases where ppl are offended by how I've decided to have no homophobia where it's like "okay sure but I'm not doing anything wrong"
But yeah there are definitely times where it's like "no that's bad for sure and I'm allowed to be critical of and mad about it"
I also think there's a difference between criticizing mass media and criticizing independent media
Krispy §[Ghost Junk Sickness]§
Wait What what omg???? Thats???? So backwards
Eightfish (Puppeteer)
well, here's an anti-critique. it offends me when someone says that being lgbt must be hard and sad all the time!
Deo101 [Millennium]
Yeah! I'd agree with that LOL
Tuyetnhi (Only In Your Dreams!)
can I just be happy
as a bi woman
LadyLazuli (Phantomarine)
"IT'S NOT LIKE MY LIFE THEREFORE IT'S INACCURATE"
Deo101 [Millennium]
Ahdjfjskfkdkckskfksdksk yeah
Krispy §[Ghost Junk Sickness]§
So true tho!!
Cronaj ~{Whispers of the Past}~
God, I hate that argument
Deo101 [Millennium]
Though I do think that its worth it to open yourself up to that kind of critique to potentially reach the people who do need your story
Krispy §[Ghost Junk Sickness]§
Yes def agree
LadyLazuli (Phantomarine)
True true
If there's a blind spot you're missing, then for sure
Deo101 [Millennium]
Well, I was meaning more like "you can't please everyone, but that shouldn't stop you from trying your best anyways!"
LadyLazuli (Phantomarine)
Ah! also true
Deo101 [Millennium]
Like not necessarily blind spots, but more like. Some people will be mad no matter what sorta thing
Yee
Tuyetnhi (Only In Your Dreams!)
so tru
LadyLazuli (Phantomarine)
Yeah for sure. I've tried to cover my bases on certain things in my own work, but I'm sure if it ever gets bigger, someone will be unhappy about something.
I'm not ready for that day, but... maybe it'll come
Deo101 [Millennium]
Yeah. Like I said I had someone get mad at me for not having homophobia
Where it's like... Okay stop reading then cause this isn't the story for you
Actually my friends replied to then and they did kinda turn around on their thinking, I think, so that was nice!
There's something I'm bad at for the question, is replying to my comments
Tuyetnhi (Only In Your Dreams!)
oh? :0
Eightfish (Puppeteer)
okay sometimes i've said to my friends "yo weird ass comment, right?" and they've gone and defended me like way extra hard
i'm always grateful but also a little (edited)
Deo101 [Millennium]
Yeah same. .
Eightfish (Puppeteer)
too mch man
Deo101 [Millennium]
Yeah it's like Thank you but
Tuyetnhi (Only In Your Dreams!)
I do have some weird comments but the ones that I just kinda trying to offend me
I don't look at it till after a few months and respond to them calmly lmao
no point for me to just get rilied up for someone trying to get on my nerves but rip that's probably just me and how I deal with that stuff in irl too
I don't let my friends go after bozos lmao
Deo101 [Millennium]
Yeah for me I just like. Try really hard to be diplomatic, I guess? But it takes a lot of energy
When what I WANT to say is "lol read another comic then" or something but I try to think of a way to be nice
Tuyetnhi (Only In Your Dreams!)
yee I understand on that. for me I'm just say it as it is if at's the moment but for more heated comments I address them after a few months lol
LadyLazuli (Phantomarine)
I haven't gotten any weird randos yet apart from... one legendary one But things are always calmer on your own site far away from Tapas/Webtoons
Tuyetnhi (Only In Your Dreams!)
I agree on that but lmao
I did had one angry commenter going agro for few of my pages
and I looked at it and I was like "Oh worm man"
they were just reacting to my characters being shit LMAO
LadyLazuli (Phantomarine)
OH WORM MAN
very good
Cronaj ~{Whispers of the Past}~
I ignore it tbh. I recently had someone comment "All lives matter" at the end of my comic because I included "Black lives matter" at the end. And I honestly knew i didn't have the mental fortitude to explain to them why that was so rude and missing the point.
Eightfish (Puppeteer)
lol my mom is saying that stuff and i'm just like :|
okay mother
Tuyetnhi (Only In Your Dreams!)
I guess for writing for me, now thinking about it is that
on the prompt: I don't respond quick and I'm not really active much on interaction but I want to try more
Eightfish (Puppeteer)
I haven't gotten any weird randos yet apart from... one legendary one But things are always calmer on your own site far away from Tapas/Webtoons
I really haven't either though! Just a few people saying mildly :| things, no hate or anything. Wt is not always as scary as its reputation
or maybe i'm in the eye of the hurricane idk
Cronaj ~{Whispers of the Past}~
lol
I have had mostly good experiences too
Deo101 [Millennium]
I've had mostly good too!
I know I complain a lot but really I'm just salty and that's just a few bad things here and there
Eightfish (Puppeteer)
The comment I was thinking about earlier was just an innaccurate interpretation of characters' feelings. They thought some people had a romantic history. I wasn't going to respond but my friend went all "if you actually read the comic you would see th- " and I was thinking omg tone it down a bit
Deo101 [Millennium]
Bajsjdjekdjdkdjd
LadyLazuli (Phantomarine)
never underestimate the Friend Army
Cronaj ~{Whispers of the Past}~
I had a reader I didn't know defend me in the comments once. The original commenter was complaining about the length of my updates, and the other reader started railing on them. It was powerful lmao. I didn't even need to say anything
Eightfish (Puppeteer)
Oh! same
Deo101 [Millennium]
I've had some ppl defend me or explain for me and it's like. Idk a special kind of magic ahahahah
Cronaj ~{Whispers of the Past}~
Oh for sure! It feels magical to know that some of your readers passionately love your work
LadyLazuli (Phantomarine)
Update-length complainers are so cathartic to smack down. Not that I've done it, I just... like seeing it
You're getting a free comic. Made by a human with a life. Chill
sssfrs (JOE IS DEAD)
All my comments are normal where are my weirdos
boogeymadam
someone take some of my weirdos, my comic attracts them
but not really because i accidentally gave claire one of my weirdos and i feel Sooooo bad
Haruh2 (Colony Life)
i feel im still a long way off from getting anyone with my comic
Eightfish (Puppeteer)
weirdos are contagious apparently
keii’ii (Heart of Keol)
You don't have to be popular to get a weirdo
Sometimes like... you could have 1 regular commenter and that person is a weirdo
or not even a commenter, you show your work to a RL friend before posting it online, and the friend takes off their mask dramatically, and reveals their True Identity as a professional weirdo
Eightfish (Puppeteer)
for real, i was posting on SJ and had all of like a dozen followers and one guy went through and heavily critiqued a ton of my pages
Like technical stuff like paneling and flow of action?
Also said my female lead looks like a man and my animation was nauseating lol
Haruh2 (Colony Life)
heh well after i do this current update im working on, i'll be scraping how ive been doing updates and following some tutorials i finally found
Eightfish (Puppeteer)
I like critique but even so that guy was :|
boogeymadam
omg noooo sorry that happened fish! D: unsolicited critics are some of the worst
DanitheCarutor
I guess that is the one thing I've been lucky with. I actually don't mind unsolicited critique, but I've never gotten any outside of one time someone corrected my character's grammar in the comments. Commentary like that is way more welcome than the occasional anonymous hate comment, and malicious article calling me a fetishist, which is all entertaining in its own way but not as easy to deal with. Now that critique is brought up I'm reminded that I need to work on how I respond to it. Like, I actually get kind of excited when someone takes the time to break down my stuff (even if it totally misses the mark with what I'm trying to accomplish), but I end up responding with a novel and sometimes it's worded in a way that sounds like I'm upset. I need to get better at keeping it short and sweet.
Feather J. Fern
I raise my hand to say I can't draw hands for the life of me still after praticing for a long time. I used all the techiques, tricks, and still my hands are just butts.
Eightfish (Puppeteer)
make a universe where people have butts for hands
keii’ii (Heart of Keol)
This is a really minor one and thankfully easy to correct after publishing, but: my ESL-ness shows sometimes, especially with prepositions and articles. My English isn't terrible; there's just some occasional "wait did they mean 'on' where they put 'in'..." That's on the surface level. I also can't do that 'just write the dialog and see how the characters bounce off each other' thing in English. I hadn't thought much about that until I started writing a story in Korean, and I was surprised how much easier it was to get flowin' with the dialog. I'm not toooo concerned about this one, as Get Flowin' is just one way of writing a scene. But it is a thing.
Feather J. Fern
Eightfish stop calling me out that I can draw butts better than hands okay(edited)
shadowhood {SunnyxRain}
feather have fun drawing the gluteus maximus
Cronaj ~{Whispers of the Past}~
I see nothing wrong here
Moral_Gutpunch
I'm bettign most people here can draw hands better than me.(edited)
shadowhood {SunnyxRain}
S’okay, my hand drawing is pretty bad
Feet is...also an issue
Cronaj ~{Whispers of the Past}~
The best reference is the one attached to you, I always say
Eightfish (Puppeteer)
or make your so pose for you
Cronaj ~{Whispers of the Past}~
Yes
That
LadyLazuli (Phantomarine)
looks back at comic and sees lots of guy characters with slender palms MHMMMM
Cronaj ~{Whispers of the Past}~
Hahaha
Lol
Eightfish (Puppeteer)
ahahha i have the same problem
some guys have thick ass fingers when i look at them closely omg
Cronaj ~{Whispers of the Past}~
Yeah, everyone has pretty thin fingers in mine, because I have thin fingers(edited)
shadowhood {SunnyxRain}
Okay yeah not gonna lie I HAVE made my SO pose for me. Several times.
Oh yeah don’t forget
Guys can have hairy knuckles too
Eightfish (Puppeteer)
LadyLazuli (Phantomarine)
I have had my SO pose his hands retroactively for me, imitating a panel I did And I was screaming inside LOL
Eightfish (Puppeteer)
this stuff makes me :00
Deo101 [Millennium]
I have hairy knucles and my hands are bigger than my dads
Cronaj ~{Whispers of the Past}~
Ughhhh, that's too much detail for me, Shadow
shadowhood {SunnyxRain}
Yoslslzlzrhlzxzzkhzhlztututs funnily enough my SO’s hands and mine are of similar length
Cronaj ~{Whispers of the Past}~
For such a small person, I have really long fingers
Eightfish (Puppeteer)
reminded me of a convo i had with some friends
they sent a reference and said they thought it was unrealistic because of how much the tendons stick out
and i said, no, that's how mine look
and it was interesting seeing the differences
Deo101 [Millennium]
everyone share hands
Cronaj ~{Whispers of the Past}~
I mean, especially since your fingers are stretched, the tendons stick out lol(edited)
shadowhood {SunnyxRain}
Someone told me I have piano fingers
Eightfish (Puppeteer)
like i always think of my hands as the 'default,' because I see them the most but really there is much variation
deo has nice hands
look elegant
shadows hands look a lot like the rest of her :0
shadowhood {SunnyxRain}
Whhhhhhhhh
Eightfish (Puppeteer)
tall librarian
shadowhood {SunnyxRain}
GJOXJPSLZLJZDXKXYOF
Yeah true XD
Cronaj ~{Whispers of the Past}~
My nails are super long rn
shadowhood {SunnyxRain}
Holy shit the manicures
Cronaj ~{Whispers of the Past}~
I did it myself
Deo101 [Millennium]
thank U i have lovely hands that are big as fuck, and I can use as a ruler
because my pinky and thumb can stretch out exactly 10 inches
this cup is 10 inches tall
youre welcome
keii’ii (Heart of Keol)
I have stubby baby hands as well as double jointed fingers, so I'm very aware my hands aren't "average" looking. Yet if I don't pay attention, I tend to draw hands kind of like mine
Cronaj ~{Whispers of the Past}~
Hahahaha, Deo!!
Eightfish (Puppeteer)
wow so useful i should measure my hands
Cronaj ~{Whispers of the Past}~
Me too tbh
Deo101 [Millennium]
I atually suggest it it comes in handy (ha) more than youd think
Eightfish (Puppeteer)
i found a joint that measures exactly 1 inch and i use it so much
Deo101 [Millennium]
yeah!!!
shadowhood {SunnyxRain}
Whoooooa
Mine goes 8 inches
Deo101 [Millennium]
my hands are fookin hyuge bro
shadowhood {SunnyxRain}
Wait
8.5
YEAH YOURS ARE GIANT
Eightfish (Puppeteer)
exactly 8 inches
omg your hands are huge
Cronaj ~{Whispers of the Past}~
Mine stretch out to just under 7.5 inches
Deo101 [Millennium]
in yalls defense I also have ehlers danlos so theyre probably stretching more than yours too
Cronaj ~{Whispers of the Past}~
I have smol hands because I am smol
Deo101 [Millennium]
tiney
Cronaj ~{Whispers of the Past}~
Yus
Eightfish (Puppeteer)
surprised shadow managed to find a way to measure in inches haha
Deo101 [Millennium]
she said it wrong its actually 8.5 cm
shadowhood {SunnyxRain}
8.5 inches
I used a ruler
In cm it’s 21
Eightfish (Puppeteer)
she said it wrong its actually 8.5 cm
hm maybe that's why she thinks hands are hard to draw
shadowhood {SunnyxRain}
LMHfhgzmzjKfhl
Deo101 [Millennium]
because she has tiny baby hands and can barely hold the pencil... yes
its all coming together
shadowhood {SunnyxRain}
I will slap y’all with my tiny baby doll hands
Eightfish (Puppeteer)
i'm learning so much about you all today
Cronaj ~{Whispers of the Past}~
Now you see my pain
Eightfish (Puppeteer)
o h wait do you play music crona?
Cronaj ~{Whispers of the Past}~
Uh... Not really. I've messed around on the piano, and failed at playing the French horn
Deo101 [Millennium]
LMAO
Cronaj ~{Whispers of the Past}~
Playing instruments is hard for smol hands
Eightfish (Puppeteer)
rip
Feather J. Fern
My tiny hands compared to my pen XD
Also I took the picture close up and at an angle so not cone cna make fun of my writsts which are narrower than my computer mouse
Cronaj ~{Whispers of the Past}~
my wrists are also narrower than my mouse, and my mouse is pretty small
Deo101 [Millennium]
mine's about the same as my mouse
Feather J. Fern
Yeah I got a pretty small mouse too, I been told by people to eat more becuase of my wrists (It's an Asian thing apparently) and I'm like "First of all rude, second of all my health is not any of your concern random lady on the street"
Cronaj ~{Whispers of the Past}~
yup
Tiny wrist solidarity!
Eightfish (Puppeteer)
Solidarity!
varethane
I don't have especially thin wrists but my hands are lowkey shaped pretty oddly. I only posted a photo of my hand petting a cat to FB and got a lot of comments like 'cute cat but what's with that hand????'
(it did look pretty weird from that angle. Like a noodle with a couple of noodlefingers at the end)
spacerocketbunny
Oh no Vare ;;;;;3;;;;;;;;;
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comicteaparty · 5 years ago
Text
May 2nd-May 8th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from May 2nd, 2020 to May 8th, 2020.  The chat focused on the following question:
What are some of the weirdest things you've Googled while researching for your story?
Cronaj (Whispers of the Past)
For Whispers of the Past, the weirdest thing I googled was probably: "puncture wounds versus lacerations" and "chance of survival after getting stabbed." Pretty sure I also looked up: "treatment for arsenic poisoning," "lethal dose of arsenic," "arsenic in nature," "broken ribs symptoms and treatments," "pneumothorax," "can a horse kill someone by trampling them?" and "how far can you fall without dying?" Basically, just a bunch of medical questions. For another story, I think the weirdest thing I looked up was, "can you take antidepressants and sleeping pills together?" More medical questions
carcarchu
@ cronaj's answer "i swear i'm an author not a serial killer"
Eilidh (Lady Changeling)
Hmmm.
shadowhood (SunnyxRain)
I think for me was searching up symptoms of PTSD, eating disorders, and also victims of cheating
Eilidh (Lady Changeling)
Probably that time trying to research poisonous substances available in Victorian and earlier households with potentially fatal results if ingested but not immediate, and their symptoms/treatments
The answer, incidentally, is that most of them aren't treatable if you've had a high enough dose to get symptoms.
And non-lethal doses tend to have unpleasant long term effects
Deo101 [Millennium]
I don't remember all the crazy stuff I've looked up. What's popping into my head at the moment, though, is I did almost a month of research into time travel paradoxes for a plot that I ended up not using! So that's fun
Eilidh (Lady Changeling)
Also that Victorians kept arsenic (a white powder) in the same place as sugar (a white powder) in often unmarked containers since literacy was low and labels only work if you can read them
There was far more accidental poisonings from putting arsenic in your tea than I can count
carcarchu
what about having a picture of a skull and cross bones on the arsenic tin
Eilidh (Lady Changeling)
I think it was arsenic. Maybe cynanide...
Ahaha
You'd think so wouldn't you?
That's not even going into the whole thing about green dyes for clothing being made from arsenic as well I think and being uh
Literally fatal to wear?
Well done, Victorians.
Let me grab y'all a source for that one
https://youtu.be/K2McemVuG28
Here you go!
shadowhood (SunnyxRain)
Oh my god what the
Them victorians are so morbid
Did you know that they have a garden of poison
Eilidh (Lady Changeling)
Welcome to writing historical!
Yes I did
I wanna go
But yeah go back a century or two
Literally everything seems to be poisonous
shadowhood (SunnyxRain)
Arsenic, radium......damn they don’t follow WHMIS
carcarchu
wasn't even that long ago when they were putting mercury in everything
Eilidh (Lady Changeling)
Including NORMAL FOOD
shadowhood (SunnyxRain)
And toys
Kids were playing with them
Eilidh (Lady Changeling)
Oh the Bradford Sweets Poisoning was a whole thing!
Hang on
https://en.m.wikipedia.org/wiki/1858_Bradford_sweets_poisoning
This one is uh
Definitely worse
carcarchu
bruh
Eilidh (Lady Changeling)
Yeah
There's so much of this...
It's amazing humanity made it this far
So yeah that's what I've googled
shadowhood (SunnyxRain)
Would that...even fly here nowadays
Eilidh (Lady Changeling)
What the arsenic
Nooope
shadowhood (SunnyxRain)
Hooooo god that is mildly terrifying
Like I make sweets for a living
I don’t even want to think how I’ll feel if I accidentally poisoned 200 people
Eilidh (Lady Changeling)
It did lead to modern food hygiene laws and much better regulations on chemists being responsible for their supplies
But yep
shadowhood (SunnyxRain)
I remember someone telling me “Behind every rule/regulation was someone who got hurt or died”
Eilidh (Lady Changeling)
Yeahhhh
Sometimes also where there aren't rules because hahaha some companies are shit
shadowhood (SunnyxRain)
Yeah it’s sucks and it’s even worse because you KNOW they’re just pushing the limits
Eilidh (Lady Changeling)
Capitalism has always been like that, it's just people can see it a bit more now
shadowhood (SunnyxRain)
Yeah, the age of information has really exposed the nasty side of things huh Hmmm I think I’ve studied something really different for my webcomic. I was looking into the justice system and how it treated minors
And I had to look up burn victims/homicides soooooooooooo
Eilidh (Lady Changeling)
Whoops sorry for the ping, I thought you said mirrors not minors and was gonna ask
shadowhood (SunnyxRain)
Oh god that would be....completely different
Eilidh (Lady Changeling)
I'm writing about vampires, mirrors are more common (concept and word)..
shadowhood (SunnyxRain)
Yes! I think it’s because back in the day silver was used in mirrors and that’s why you can’t see a vampire’s reflection
Tuyetnhi (Only In Your Dreams!)
weirdest thing I searched so far is about er the male modeling industry and how they have to slap cheeks and junks to get the body to fill in clothing
and I wondered "do I need to do a deep dive in this or"
Nutty (Court of Roses)
I tried to look up what damaged vocal cords looked like, so i could show it when Count Bailey got poisoned, but I mostly got body camera shots inside a person's throat, so I had to largely wing it by darkening the veins in his neck lol Other than that, I have to look up Irish slang a lot, as Merlow slips into it more when he gets drunk.
Eilidh (Lady Changeling)
I have a twittee thread somewhere about mirrors and vampires
shadowhood (SunnyxRain)
Okay tuyetnhi I’m a bit more...disturbed yet intrigued by that idea. Nutty yes I noticed that! I liked that small detail actually And Eilidh, i would love to see that twitter thread
Tuyetnhi (Only In Your Dreams!)
Yeah, I ended up making a deep dive and ho boi
it's darker than I expected LOL
Eightfish (Puppeteer)
I tried to look up people getting crushed by cars or falling objects but the videos were very blurry and made me dizzy so I just went fuck it my comic's not realistic anyways I'm winging it
FeatherNotes(Krispy)
Probably an extensive search for all things occult? Its such a wide topic so it was daunting to sift through everything, but also really cool to see so many different cultures have been influenced by such things! Ive read some excerpts about the sixth sense and human capabilities too, very interesting!
Cronaj (Whispers of the Past)
@Tuyetnhi (Only In Your Dreams!) That is the most splendidly weird research I have heard of
Tuyetnhi (Only In Your Dreams!)
I was trying to research for one of my characters and i'm just
the things they do
I scream everyday
Eightfish (Puppeteer)
lol tuyetnhi got me to look it up but all I can find is stuff about sexual assault
Tuyetnhi (Only In Your Dreams!)
that's what I mean
Eightfish (Puppeteer)
OH
:(
shadowhood (SunnyxRain)
Whoa okay
That’s really dark
Like I had to look up abuse relations
DanitheCarutor
Oh geez, I've looked up a lot of stuff. Recently I Googled public bathrooms and backs of toilets because I'm too lazy to get up and look at my own toilet. SAECKs/SAKs, the price with and without insurance, how it works and if men can use them. (Which was kinda sad that I didn't know they could although the resource was surprisingly hard to find, all except one link I found were about women using them.) I've looked up medical stuff like the different stages of certain cancers, their symptoms, treatments and other things involves like their effect on the person's mental health, if things like physical therapy is needed and the effects of the treatment along with the types of treatment needed. Also the cost with and without insurance, as well as cancer treatment facilities for people with low income. Various mental illnesses/disorders, the different types treatment, the effects of the treatment, as well as cost and facilities that offer free/cheaper treatment for people with low income. Lactose intolerance, celiac disease, gaslighting, trauma brought on by abuse. Things like the mental effects of children taking on adult responsibilities early on, growing up with lack of stability and human trafficking. Types of physical abuse that doesn't leave obvious bruising/scarring, psychological abuse (outside of gaslighting). Court stuff, like legal charges for attempted murder, court procedures. Caregiver programs for family members caring for someone with a severe mental illness. What actions are taken when someone files a charge for being drugged against their consent and the steps that need to be taken if your ID and credit cards/debit cards have been stolen, as well as what the police need do in those situations. Gosh, I can go on and on, just go on forever about all the things I've researched.
Most of it is medical and mental health related.
I feel this is fitting for some of the subjects we've Googled.
DanitheCarutor
Wow, I didn't realize how much I looked at the cost of stuff. Like a good chunk of my research has been dedicated to what different insurances cover, how much, the base price without insurance and payment plans for people in the latter category. I guess the upside is I'll have some knowledge on the different insurance companies if I ever get to a point where I can get it, as well as payment plan options if I'm ever hospitalized.
LadyLazuli (Phantomarine)
Googling images of cadaver hands for reference was... not a pleasant experience
mariah (rainy day dreams)
Most recently I was looking for heart dissections. I had to take a break cuz I was making myself feel sick X')
shadowhood (SunnyxRain)
Searching up burn victims was not fun either
shadowhood (SunnyxRain)
also this has made me realize that artists can be a very morbid bunch
Tuyetnhi (Only In Your Dreams!)
yeah like dang ya'll lmao
keii’ii (Heart of Keol)
I know someone who had to look up (a bit gory) "can you strangle/hang someone with your intestines"
Eightfish (Puppeteer)
Chances are the audience is not gonna know either so
dunno how much accuracy matters in this situation :p(edited)
shadowhood (SunnyxRain)
I mean....unfortunately I know what it's like to see a drowned corpse So if it's accurate....I would...strangely appreciate it more?
Like you never know your audience
DanitheCarutor
When I was first starting to dabble in comics I was attempting this dark fantasy/mythology-ish story that would have some gore. I looked up stuff like "skull being crushed", "what does 'x' limb look like when being ripped off", "what does a corpse look like after sitting for 'x' many days". Most of my searched led me to the Best Gore site, which is totally recommended if you need references for your gory horror comic, but is NOT a site for the faint of heart. You will most likely get sick from the content... and the comment section.
Oddly enough, when I used to do the occasional stand alone gore-ish illustration I'd get 1-2 comments with people being grateful for the accuracy. It's... interesting that they would know what would and wouldn't be accurate with stuff like that.
Cronaj (Whispers of the Past)
Oh, I looked up burn victims before.... Yeah, I've looked up a lot of weird stuff.
chalcara [Nyx+Nyssa]
I had to look up fresh and healed burnscar myself for a comic, a character survivived a housefire.
Most of the time I am googling history actually - and mostly tech-levels of a given time and what was contemporary with what - guns and knights for example co-existed for quite a few decades, that kind of stuff.
Deo101 [Millennium]
Y'know I'm thinking about it more, and I'm realizing why I can't recall the weird stuff I've looked up. I usually ask people for information! I know a lot of different kinds of people who are more than happy to talk about their experiences, so I can ask them for first hand experience with a lot of situations where I then don't really need to look up much other than to maybe fill some holes I have. It's a different kind of research
Cap’n Lee (Flowerlark Studios)
Huh, the weirdest thing I’ve googled? Well, there’s the ever-uncomfortable ‘Googling certain body types for reference but probably looking like a creep to anyone who looks at my search history’. I’ve also googled very oddly specific things like ‘What is a 5-cube called?’ (It’s a pentaract). I’ve also watched videos that demonstrate how a bump key works, and to my FBI agent, I swear it was only for my comic. My search history gets pretty eclectic. I look up a lot of religious lore, and do lot of research into medieval times - mostly about the daily life of the average peasant. Also things like quantum physics, customs in other countries, and animal facts.
Cronaj (Whispers of the Past)
Just realizing that I once researched "medieval brewing." That was an interesting train of information.
Erin Ptah (BICP | Leif & Thorn)
For a lot of gruesome or dangerous scenes, I try to aim the search toward movies and TV screencaps. Like, if you need to draw a crashing car, find a series with a dramatic car chase where they slammed a stunt car into a wall in high-def slow-mo.
kayotics
I think the weirdest thing I looked up was trying to figure out the answer to the question “is the gas released by decomposing bodies flammable? And if so how much gas do you need?”
eli [a winged tale]
now I’m curious what’s the answer
kayotics
The answer ended up being that if there was enough gas being created it was probably not enough to be flammable: aka it would not light up the room.
I ended up asking a friend who knows more about decomposition to figure out the answer, but I just wanted to make sure if a character brought a torch into a musty murder basement, it wouldn’t light them up like a Christmas tree
Mostly: it gets smelly and stale
eli [a winged tale]
Good to know!
Joichi [Hybrid Dolls]
Hmm I think the wierd thing I looked up was whether Smile Therapy was a real practice? There are Photos too and I have a feeling it was real. Another thing I look up was; How would a real lady pirate dress in historical times? I did alot of extra research for some little visual hints.(edited)
I feel like Mob psycho nailed the creepiness of Smile Therapy because they were patients forced to pretend to smile, that's what I envision each time. That ep stayed with me(edited)
Tuyetnhi (Only In Your Dreams!)
oh my god
Miranda
What is that picture from?? it's creepy haha(edited)
snuffysam (Super Galaxy Knights)
mob psycho 100
shadowhood (SunnyxRain)
smile therapy is terrifying. Imagine getting punished if you didn't smile
in the end you'll be smiling as a conditioned reaction to fear, not because it's genuine
Joichi [Hybrid Dolls]
Yes exactly, the original one was hard to record so the Google was ambiguous about its existence but there's photo proof that it was a thing
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comicteaparty · 5 years ago
Text
April 4th-April 10th, 2020 Creator Babble Archive
The archive for the Creator Babble  chat that occurred from April 4th, 2020 to April 10th, 2020.  The chat focused on the following question:
What is something you’ve improved with in regards to writing or comic creation thanks to working on your story?
carcarchu
Oh this one i can answer definitively. it's 100% lineart. forcing myself to have to do lineart for hours everyday is definitely a way to force yourself to get better at it while i still don't like it it's something that i can do now without being scared about it
shadowhood (SunnyxRain)
Colouring. I had to get really creative in expressing emotion and hinting plot devices with colour. Also got much better with drawing gesture drawings due to looking at a lot of references!
Cronaj (Whispers of the Past)
Either writing dialogue or drawing/painting backgrounds... I used to be particularly awful at writing dialogue. It was too stiff and formal, and sounded a lot like old prose. Now, because of writing a comic and going through several scripts, the dialogue is a lot more natural, and the pacing is more realistic to actual conversations. And the other: backgrounds. I really used to not even draw them at all, and doing a comic forced me to have to think about environments in scenes. So I went from drawing floating characters to having to consider where they are and how it affects the story/mood.(edited)
Feather J. Fern
Paneling! That was my main focus to figure out how to do good paneling to have clearer pages
Deo101 [Millennium]
Honestly? Everything. It's all gotten better and I've learned so much. I would say my biggest improvement is probably in my time management, and art wise is probably composition and layouts. But it's hard to pick because I've grown so much in every aspect!
chalcara [Nyx+Nyssa]
Biggest thing I learned was to keep the story small and focused - and that the smaller, more human struggles are much better in creating tension than the whole default "the world's gonna end!" thing. Mind you, I still love a good "world's ending" story, but you gotta make people CARE about the people in that world first!
Holmeaa - working on WAYFINDERS
ohohohoooo I have done more drawing in photoshop in this short time I have worked on Wayfinders, than the rest of my life! That has given me some skills for sure! Coloring is another one, and generally just efficiency and flow in a comic
Nutty (Court of Roses)
For me it's been my use of color, and getting more confident in experimenting with it to really drive home a scene's mood!
LadyLazuli (Phantomarine)
The clearest improvement I always notice is my layouts - I’ve gotten more adventurous with panel shapes and placement as time has gone on, experimenting with more interesting designs for the whole page. Some of those experiments haven’t been totally successful but it always feels like a worthwhile try. I’ve gotten some really, REALLY cool layouts out of these experiments, and I love seeing how dynamic the panels have become compared to my first chapter. Also speed. I’m so much faster now. Thank gooooooodness (edited)
Eightfish (Puppeteer)
@LadyLazuli (Phantomarine) I've definitely noticed the experimental panel layouts! They're really cool.
AntiBunny
Planning. Book 2 is when I started using sketchbook thumbnails to plan ahead. The luxury of that first draft meant I could rethink panel layouts and how to best express the events happening if I first had an idea of what was happening laid out.
Also digital art by necessity since I switched to digital during the current arc. I was decent at lineart already, but other aspects have really challenged me to grow as an artist. I had to totally rethink the way I create backgrounds for instance. During this time the background quality actually declined a little while I got used to a new method, but experience has improved my skills greatly as I force myself into new methods.
DanitheCarutor
Hmmm maybe paneling, speechbubbles and backgrounds? My current project is my second real attempt at doing a comic, but I have learned a lot of stuff from the community and general art and story tutorials. Backgrounds and bubbles were the worst for me when first starting out, I only read manga before starting so the speechbubble shapes did not fit with how English is written. Plus I've only drawn wooded fantasy settings before making my comic, so using a ruler, figuring out perspective points and drawing buildings was very new to me. I still hate drawing cities and such, but I've gotten a lot better at it and it is easier to do now. Since I mostly stuck with B&W before my current project, coloring also kind of improved? Depending on who's looking at it. Lmao If I were to think about story/characters/dialogue, I have no idea if I've improved. Honestly, I don't pay much attention to the quality. Also my brain kinda says it's all bad regardless of what I make.(edited)
Joichi [Hybrid Dolls]
For my Improvements: I'm getting better at my comic panels, as I adjust to the vertical style. Before I've always drawn the standard format. It's more than just boxes, I try to keep a variety of sizes. I'm picking up roughly how much 'gutter space' I need per 2-3 panels.etc I'm also improving on choosing colors that fits my love of detailed linework.(edited)
OH! I'm also learning about Clip studio shortcuts, how to use the assets they provide which makes the process, abit easier on me. Things I need to change, is I want to get a good speedy coloring style, without referring to my usual coloring.(edited)
Tuyetnhi (Only In Your Dreams!)
the more I worked on the comic, the more I feel ambitious in making different angles and perspective. So it's really hitting me out of my comfort zone which is good! lol Though I'm trying to keep in mind of my speed, what I feel like I've improved a bit is trying to keep in mind of paneling and dialogue.
FeatherNotes(Krispy)
Process! Space and i have definitely figured out the most productive way to produce content at the rate and quality that also provides us with time for our own projects. Comics are a useful tool that helps you discover ways to better organize your creative workflow for sure!
sssfrs (JOE IS DEAD)
I think probably scenery. I used to dread drawing inanimate objects but now I feel more confident in filling in a scene & even look forward to it sometimes. Maybe also page composition and paneling but I still have a lot to learn there
eli [a winged tale]
One of the reasons I embarked on the webcomic journey is to push myself to improve not only storytelling but also utilizing art to create a reader experience that would be difficult to replicate with just words. I’d like to think that 9 months into making A Winged Tale, I’ve improved on deciding when is a good opportunity to invest more into backgrounds vs character dynamics and when should be focused more on sequences of panels and composition. While the comic is written in a four panel format, more and more I’m finding areas where the story could be told by breaking those rules (attached pic). It’s a balance and I hope going forward I will improve more in pushing the limits of panels and find ways to express the story in fun and interesting ways.(edited)
Joichi [Hybrid Dolls]
Wow that's a very good description @eli [a winged tale] I look forward to reading more of your story journey
eli [a winged tale]
Thanks so much Joichi! I’m eager to keep learning~
Capitania do Azar
I'm gonna go with planning and actually getting it done. I'm so much faster because now the process is much more streamlined to me
kayotics
My whole comic was started s an exercise to just get better at comics generally so I’d probably say every part I’ve improved at? The biggest things are probably colors and the upfront planning process
Phin (Heirs of the Veil)
Ooof hard question. I think my main improvement lies with page and speechballoon layouts and writing natural feeling dialouge. I'd say maybe also character acting?
Joichi [Hybrid Dolls]
I'm slowly learning how to create more engaging comic narrative. I read and research in the polished prem webcomics to see what makes them engaging? Like I'm going to challenge myself by creating a series of short stories with a reoccurring set of characters. Every new comic series I create is an experience, trial and error. Sometimes I skip the writeup and just go in blind, trust my own instincts. I'm glad to reach out and talk about it than in my own head. I hope by this year, I'll have at least 2 chapters of Hybrid Dolls out.(edited)
keii’ii (Heart of Keol)
I've definitely gotten better at planning/ outlining multiple chapters ahead of time. I did not even do this when I was doing the first 10 something chapters. (I did attempt an outline before I began the comic, but the story changed significantly from the outline by the time I started the comic, and I did not try to do it again for a long while.) I can't remember when I started, but I do recall having a lot of trouble the first time I tried to do it. It's gotten a little easier each time, though. In fact, I just spent the past few days outlining the next few very important chapters, de-tangling some big tangles. I'm really glad my outlining (and overall writing) skills had leveled up, because HOO boy, I don't think my 2014-2015 self could have done this!
I also became friends with enviros. I had already become somewhat comfortable drawing perspective when HoK started, but I had a sort of mechanical approach to it, like "oh I need some enviro for these establishing shots, guess I'll draw them." But now I LOVE drawing enviros! (some types anyway...) It's my comfort activity, something I treat myself to after a long day! In the thumbnails for my next few pages, there's a few enviro-heavy panels that I have to remove, because I drew too many of them (and the pacing got too slow as a result). I have to stop myself from drawing too many of these.
My biggest improvement is probably I've come to understand my characters and my themes much better, but that's more of a "I got better at making HoK" than a "I got better at making comics." There's definitely a difference between the two.
Joichi [Hybrid Dolls]
@keii’ii (Heart of Keol) ah I totally understand I tried the outline method before I start but my story changed alot after I drew it. So it start to feel like a waste of time for me, but I'll still write an outline to make sure to plan where my story heads(edited)
keii’ii (Heart of Keol)
Yeah! I needed to draw those first few chapters to understand the direction of my own story.
The drawing part is an essential part of self-reflection, to try to understand what it is that I want out of the story. The answer has always been there in my heart, but I'm not able to see it clearly from the get-go.
Joichi [Hybrid Dolls]
I end up breaking scenes and put them in for future episodes, since I want to get a certain flow in the story.
It could be tricky to see what it is you want out of the story until you are in at least 3 chapters in?
keii’ii (Heart of Keol)
I needed way more than 3 chapters -- though granted, my chapters are short, so that could be a part of it
Joichi [Hybrid Dolls]
I see the early first script as testing the water. like a test to figure out the characters personalities. Unless you are bringing in old characters which you knew before?(edited)
keii’ii (Heart of Keol)
Even if the characters have been with you for a while, unless I have made a comic with them, there is a big chance that the characters will completely change, too.
DanitheCarutor
You know, I was thinking about about this, mostly about how I wouldn't have been happy if I was able to finish my comic the day I started. Then I realized I'm happy that I didn't. The first chapter wasn't the best, I was just learning how to coloring a comic, still fleshing out my characters and was still brainstorming small kinks in the story. I also still didn't have as much of an understanding of perspective, or panel and bubble layout. Even though I still have a lot I need to work on, I've gotten a lot better in all those aspects. Even though my use of color is weird, I've definitely gotten much more confident in it, enough so that I experiment and take a lot more risks with style. Even though my panelling can be boring, I have a much better understanding of how I want a page to look. I've improved a lot with my planning as well, like even though my thumbnailing/storyboarding only takes maybe 30, I've learned to step away for a bit if I don't like a layout, or analyzing why I don't like it and brainstorming ways to make it better. If I had magically finished the comic all at once, it would look really bad and may have been less readable.
Joichi [Hybrid Dolls]
That is inspiring to hear about your improvement @DanitheCarutor
Natsu-no-Hikari
Chiming in! Just this week, Miko (my co-creator) and I were discussing how far we've come from when we started our first comic (https://liarsgotoparadise.com/) vs. where we are now. I think there have been a lot of learn experiences, such as art, dialogue, general editing - but especially with pacing and character interaction. We regret that we didn't stop to focus more on that interaction, as we wanted to move ahead in the story...and now we can't change that, except to start now and not allow ourselves to grow impatient. Take our time and enjoy the journey - that's our new motto. There's a time to rush ahead in perilous moments, but there's also definitely a time to catch our breaths and let the characters mingle and speak. It's an improvement that will become more noticeable going forward in Liars and our second comic as well.
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comicteaparty · 5 years ago
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March 28th-April 3rd, 2020 Creator Babble Archive
The archive for the Creator Babble   chat that occurred from March 28th, 2020 to April 3rd, 2020.  The chat focused on the following question:
How many hours do you work on your comic per week, and how do you manager to balance that with other responsibilities?
Holmeaa - working on WAYFINDERS
heheh So we are.. cheating a bit Both me and my coworker are unemployed, and is working on hour comic, like was it a full time job. It is our passion project, and dream that we can work and live of makeing comics. In Denmark you can apply for grants from the government, but you need to have releashed a book before that is possible. We are useing the comic, to show potentional clients in the future what we can do. For now we are working on it from 09:00-17:00 ish (with a long lunch break) while applying for other kinds of grants, and also does all the things we are supposed to to get our unemplyment money, and searching for jobs, and freelance gigs, gathering the courage to start our own small company (not right now though) and yeaah time will tell
carcarchu
@Holmeaa - working on WAYFINDERS that doesn't sound like cheating to me? more like using the tools at your disposal to turn your passion into a viable career
Holmeaa - working on WAYFINDERS
hehe it feels a little like cheating! there are some debates about if it is okay or not, but we think that strengthening our skills is a good use of our time
eli [a winged tale]
Haha also not cheating! It’s great you’re using the time to chase the dream I’m curious what’s your breakdown for those time working on the comic? As for me, usually 1-2 hours a day with a bit more on the weekend if time permits. These days with the quarantine it’s about 2-3 h a day
DanitheCarutor
Since I'm unemployed until who knows when I've been working on my comic between 40-50 hours a week about 6 to 7 days a week... most weeks. Some days, like update day or chore day, I hardly work on the comic or don't work on it at all. Admittedly I'm not the best at balancing drawing with other responsibilities, sometimes I get so into it that I forget about daily house chores, other weeks I do the opposite and only do house chores which makes me totally behind of comic stuff. I can't seem to find a good middle ground, it always turns into completely focusing on one or the other.
eli [a winged tale]
Yeah when I get in the zone, time flies and life gets put to the wayside
shadowhood (SunnyxRain)
So I have no school or work, so the webcomic has become almost a fulltime project for me
I average about 10 hours per day working on it, not counting on chores and exercise
Another thing I worry about is the possibility of carpal tunnel syndrome, which is why I've been relentless with exercise, too
I guess it's just a combination of relentless reminders and also sheer willpower that gets me to do other responsibilities haha
@eli [a winged tale] also I know that feeling
Joichi [Hybrid Dolls]
So since my school had to cancel, I have to be more responsible for my online course. Sometimes I give myself 2 days off each week to work more into my upcoming webcomic but I have to switch my mind for school work, online classes. Also extra time for food. I need to get back into exercise or I feel exhausted more easily. I keep a wall schedule so that I make it a routine to write what I'll do every 3 or 5 days, to keep my active brain reminded(edited)
LadyLazuli (Phantomarine)
I spent the majority of last year (fun)employed (partially by choice, partially not! my previous job let me go rather unceremoniously... and I needed a hiatus anyway... so it worked out) so I poured a lot more hours into that chapter of Phantomarine than I usually did. I worked on it almost every day - at least for a couple of hours, but sometimes up to a full eight-hour day. That number has dipped tremendously since I’ve gone back to work, but I’m spreading the same amount of time out in a broader way. I’m trying to get a good buffer during my hiatus, so I can work and draw in a healthy balance. I don’t have crazy overtime at my current job like I did at my last one, so that’s already a comfort. I’m confident I’ll be able to hit a good stride once the comic returns in June (edited)
eli [a winged tale]
Can’t wait Lady!!
Feather J. Fern
Two part time jobs, and school killed my comic, but I been working on getting one panel done a day, which is around 30minutes to an hour if possible.
eli [a winged tale]
My routine used to be rendering on the commute but now just once in am and once pm until this limbo time is clarified
That’s awesome Feather! It’s so rewarding when everything comes together after putting effort everyday
Feather J. Fern
Once school is done in two more weeks I will be more free to do things so I hope to get maybe two panels done in a day XD
Online school, stupid quarantine
Tuyetnhi (Only In Your Dreams!)
Due to the pandemic im mostly off school and my part time job so i spend like 4-5 hours on my comic per day. Still would like try to get a page done per day but lmao digital painting is slowwww
eli [a winged tale]
What’s everyone’s tips for breaks/stretches/balance? I feel like I certainly need to revisit these to avoid burnout and continue feeling motivated!
Feather J. Fern
Actually there was a cool manga artist who's tip was literally he only worked working hours. His mornings are free and since manga was his job, he worked form 12-6, giving him 2 hours to do other work he needs to get done, and takes morning walks and stuff.
Another person I know had "No working weekends" as a thing becuase they are a freelancer.
I personally have try to make sure I ahve a routine, and actually, stretch before drawing.
Streetch before, during a break, and then after, to keep that body nice and warmed up
keii’ii (Heart of Keol)
Health-wise there's this hing for your : every 20 minutes, look at something 20 feet away for 20 seconds. I'm not good at following this, but when I do it, it helps a lot.
Cronaj (Whispers of the Past)
Despite the current pandemic, my work-life hasn't changed much (unless you count stress getting in the way). I am currently "unemployed," but I do consider comicking my full-time job. I am also not very good at balancing work and life. Something's always gotta give. Last year, I worked at a job that basically ruined my ability to work on my comic. I worked 30-40 hours typically, ruined my sleep schedule, took work home sometimes, and was constantly exhausted. This is what resulted in my year and a half long hiatus, and it's what drove me to work like hell on my comic when I quit. Now (when I'm in the groove and not suffering from art block), I typically spend 60-70 hours on my comic and get 2-3 pages done: - 30 hours sketching (I know, ridiculous) - 5 hours filling in base colors - 20-25 hours painting - 5 hours adding text, speech bubbles, sfx, and finishing touches - 1-2 hours formatting for Webtoon I also spend some time throughout the week typing up the script, doing concept art for things coming in the future of the comic, and preparing for conventions, but I can't tell you exactly how much time.
eli [a winged tale]
Thanks for the breakdown! I’m always keen to learn from everyone and seeing how the workflow is like for different people
shadowhood (SunnyxRain)
oh don't forget to do wrist stretches!
eli [a winged tale]
Ahh formatting time is always so tedious for me!
Yes wrist exercises! Any recommendations?
shadowhood (SunnyxRain)
hmmm well the easiest one is literally just shaking it out
like every hour
and I also like to hold my arm out parallel, point my fingers up and using my other hand to pull the fingers back so i'm stretching the wrist
then I point the fingers down and pull on the fingers until my wrist is stretching
eli [a winged tale]
Awesome. Will be adopting those!
Eightfish (Puppeteer)
I'm pretty fast. 2-6 hours per page, depending on how detailed it is. Average of 3-4. I could probably do 2 pages/ week easily enough, but don't want to do more than that. I'm the kind of person who always needs to be doing a million different things. I need to leave time for my other hobbies and my paintings and my academics and extracurriculars. Otherwise I'd get burnt out doing one thing only
Holmeaa - working on WAYFINDERS
@eli [a winged tale] So since it is both me and @Q (Wayfinders: Off Course) working, we start with working on a rough each, our goal is one step (so rough, ink, color) for two pages pr day, pr person. So in a weak the goal is four finished pages a week, and then we upload 3 pages per week. So it is divided that in the morning we start at 09:00 in the morning, maybe checking mail, being practical or whatever. Then we work until 12:00 were we eat lunch, go for a long nice walk and then we go back to work between 13:00 and 14:00 ish and then work until 17:00 when we begin to prepare dinner. Then of course breaks inbetween
Q (Wayfinders: Off Course)
It’s pretty wild to be able to dedicate your entire day to comics like that
shadowhood (SunnyxRain)
damn you all work fast
do you guys have any tips on how to work on a webcomic faster?
Cronaj (Whispers of the Past)
Lol, I wish!
Still looking for those magical secrets
Eightfish (Puppeteer)
@shadowhood (SunnyxRain) You know the 80-20 rule? You can get 80% of the result with 20% of the effort? My comic is very messy if you zoom in. I don't spend time making sure the linework or the coloring is perfectly clean. Also, I'm pretty fast at drawing figures. I used to practice figure drawing a lot by rushing to draw strangers irl before they moved, or by drawing a bunch of fast figures from the free figure drawing model websites online. I've also taken a figure drawing course (didn't even have to pay because it was part of my university! Even if you don't have that option you can probably find free life drawing sessions on Meetup or similar!) which really helped me streamline my process for drawing people
shadowhood (SunnyxRain)
Oh I see! Yes, I used to take life drawing classes too! And your response makes me feel a lot better
I tend to be a bit messy with inking, and since i'm a perfectionist a lot of my time is wasted on editing/clean up
Eightfish (Puppeteer)
I've seen cronaj draw, and while I think the results look excellent, I think her method is a kind of inefficient. She draws like a printer, nearly finishing one detailed body part before moving on the the next. I think maybe if she drew in a more classical way, going from a gesture drawing to progressively more detailed, it might help her be faster and her poses more cohesive and dynamic. Maybe working on 1 or 5 min figures would help? Practicing things like this?
eli [a winged tale]
Yeah I try to do figure practices for efficiency
shadowhood (SunnyxRain)
I heard that there are some online life drawing vids you can follow too
but what are your experiences with online life drawing vids versus the real thing
like is there a real difference?
Eightfish (Puppeteer)
found some of my old 1 minutes
To me there's not too much difference
I've heard some people say that life drawing is either way easier or way harder though. Because of your depth perception when looking at a real person
But the bruises on my legs can attest to my horrid depth perception haha. That might be why I don't notice a difference
Actually those previous sketches might be 30 seconds? I don't remember
I would recommend you try both but right now we pretty much only have the online option haha
eli [a winged tale]
Yeah I’ve done both and I think irl creates complexity with depth and the interactions with others etc is helpful but online is my go to for flexibility
I think having a process streamlined will make things more efficient. The downside is that it might feel tedious and I do switch it up from time to time for variety
Eightfish (Puppeteer)
Might feel uncomfortable but that's how you know you're improving
keii’ii (Heart of Keol)
There is a TON of difference for me. I HAVE to look at a physical model in front of me.
Eightfish (Puppeteer)
Can't get better if you always do the same things
keii’ii (Heart of Keol)
This is what my brain does.
Eightfish (Puppeteer)
I wonder- could drawing yourself in a mirror be a decent substitute?
If youre lucky you might also be able to ask an SO or roommate to model for you. Should probably pay them back by cooking for them or something though
keii’ii (Heart of Keol)
Brain: sees a real model in front of me Brain: translates 3D to 2D, result: drawing Brain: sees a photo/video of a model Brain: SHIT. That's supposed to be 3D, isn't it? Brain: Translates 2D to 3D (basically re-constructing it in my head, or attempting to re-construct) so that it can translate it back to 2D Brain: BSOD
There's some online resources out there that have "3D" photos... you know, two near-identical images side by side, so if you look at it cross-eyed, it becomes 3D?
But I can't do those because I get a headache X'D
Eightfish (Puppeteer)
Just thinking about drawing from that makes me dizzy
eli [a winged tale]
Oh interesting!
Yeah maybe looking out the window to draw people would be the way to go...
Eightfish (Puppeteer)
But maybe figure drawing in VR exists?
eli [a winged tale]
Balcony figure drawings
Eightfish (Puppeteer)
I live on the top floor so those are going to be some very small figures
eli [a winged tale]
For ants
keii’ii (Heart of Keol)
Once this coronavirus thing is over, there's lots of ways you can do gesture drawings from just random people -- bus stops, cafes, museums (I have not done this, but people who have done this report this is really good because others assume you're drawing the artworks. XD)
Eightfish (Puppeteer)
I've done this a lot
Sometimes I've even shown people drawing of themselves if they've turned out particularly nice
They've always taken it well
shadowhood (SunnyxRain)
I like drawing my professors because they use hand gestures a lot when they talk
keii’ii (Heart of Keol)
Airport was REALLY good for finding people stuck in one pose indefinitely
shadowhood (SunnyxRain)
they alwayas laugh when I show them
eli [a winged tale]
Shadow omg I do that too
Draws classmates
shadowhood (SunnyxRain)
yeah the only issue i have with drawing classmates
is that they're always doing the "i'm using my phone" pose
keii’ii (Heart of Keol)
Become the master of drawing people on their phones
Eightfish (Puppeteer)
Maybe try drawing children on the playground?
This works better if you're a woman
shadowhood (SunnyxRain)
oh thank jesus
I also like going to the zoo or the museum
or the aquarium if i'm feeling adventurous
Eightfish (Puppeteer)
I am a University student so I also have some pretty interestng drawings of people asleep in weird poses
keii’ii (Heart of Keol)
I really need to start going to weekly figure drawing sessions once this is over (there's one here... 20 min drive... 8AM Saturdays )
shadowhood (SunnyxRain)
ditto or just go to the park and draw
and @Eightfish (Puppeteer) I've had some.....weird poses from all my profs
one guy was incredibly hard to draw; he was VERY enthusiastic about showing us knife skills
keii’ii (Heart of Keol)
The parks here are too spacious, to a degree where it's weird to get close enough to people
Eightfish (Puppeteer)
Bring binoculars
shadowhood (SunnyxRain)
Don't worry ma'am I'm an artist
nothing sketchy
Eightfish (Puppeteer)
(except my sketch)
shadowhood (SunnyxRain)
A+ pun right there
another place to go for figure drawing
theaters
like.....opera/plays
I once tried drawing the men dancing in the Newsies musical
Eightfish (Puppeteer)
Tried that once, but it took me out of the performance
shadowhood (SunnyxRain)
same i was dazzled by dancing men
aaaaand then i abandoned sketching at all when they started throwing newspaper strips into the audience
Eightfish (Puppeteer)
But they were giving you free paper!
shadowhood (SunnyxRain)
THEY WERE
i'll take what i can get
Cronaj (Whispers of the Past)
@Eightfish (Puppeteer) While I agree that my method of drawing is "inefficient," I do not draw like a printer. There are videos of people drawing like a printer and it's not what I'm doing. I have done gesture drawing before, but it always looked incredibly abstract, and not quite like people, which is fine, but not what I'm going for. I treat gesture drawing like a warm-up exercise. It doesn't really do anything for my end result, but gets my drawing muscles stretched out.(edited)
eli [a winged tale]
Gesture drawings are definitely a good warmup!
Eightfish (Puppeteer)
Perhaps it was an inappropriate analogy. What works for me I guess wouldn't work for everyone. I was trying to offer advice because whenever you talk about how much time you spend on art and you work life balance it's commendable but also dismaying. I hope you find something that works for you in the future
sssfrs (JOE IS DEAD)
Oh god.. I sometimes work 6 hours a day. I guess thats like 30 hours a week? Crazy to think about, it's like a full job
Oooh you guys are sharing figure drawings... I swant to show some of mine
Behold
sssfrs (JOE IS DEAD)
My figure drawing usually breaks down into like, medical anatomy study. I feel like I understand body shapes better by including the muscles & bones
carcarchu
ABS the most important figure study
Deo101 [Millennium]
ah figure drawing? I love figure drawing ^^
I do like a lot but this kinda thing is most of it
anyways as for the question at hand, I do a lot of different things for my comics weekly. My millennium pages take me 2-6 hours i would say, but I also have patreon things I need to do so I'd say i spend 10-15 hours on it a week. for my other comic, I spend about 6 hours an update, and it updates every other week. but honestly, all of my free time goes to assorted comics. If i'm not working on school work or chatting with people, I'm working on things for patreon, potential merch, or other comics I want to start sometime.
sssfrs (JOE IS DEAD)
Oooh nice poses!!’
Deo101 [Millennium]
thanks!! I have a ton of gesture/figure drawings but these ones are my most recent that I have saved to my computer i think
10 minutes im pretty sure. very good for speeding up
sssfrs (JOE IS DEAD)
Those look really nice, good values
Deo101 [Millennium]
thanks ^^ I really hate working in charcoal honestly, it kinda always winds up hurting my body somehow, but its very quick sooooooo
kayotics
My answer for the prompt question has changed a lot since I started quarantine lmao... I used to do about 10 hours of work throughout the week on my comic page (usually after work, I have an office job) but ironically it’s gotten harder while I work from home. I’ve been struggling to find time since I don’t have a separation between work and home now, and putting the boundaries up of “I’m not always available” to coworkers is difficult.
Also on figure studies: they’re a great way to practice speed. I use the concepts of figure drawings all the time.
RebelVampire
@kayotics As someone who always works from home doing remote contract work, I have to say I think this is something a lot of people underestimate about work at home life. In that it's sometimes really difficult to establish boundaries with ppl and make them understand you aren't always available and also aren't gonna work billions of hours of overtime. So I'm sorry to hear that's affecting your comic work.
Shadowmark Productions
I work anywhere from 6-8 hours a day on comic stuff. That’s an average though. Sometimes I slack and need to pull all nighters to make up for it. Yes, I am terrible at time management. They say entrepreneurs are the only people willing to work 80 hours a week for themselves so they do not have to work 40 hours a week for someone else. I guess webcomic creators are the only people willing to work 80+ hours a week so that they can... go to work for someone else afterwards
AntiBunny
4 days of procrastinating, 1 of procrastinating and hating myself, and 2 of actual comic drawing seems to make up my weekly comic making schedule. :p
sssfrs (JOE IS DEAD)
I can only imagine how stressed I would be if I forced myself to update weekly
Cap’n Lee (Flowerlark Studios)
This is a hard question to answer because it varies a lot depending on my energy levels. Ideally I’d spend several hours a day on comics, but realistically I draw as much as possible when I have the energy (5+ hours a day for as many days in a row as I can handle it) and then go weeks or months too tired to do comics. On average, barring any long periods of exhaustion or other interruptions from RL, I spend about 20+ hours a week making pages for my comics.
sagaholmgaard
I prefer to work on my comic for about an hour ever morning and maybe 2-3 hours in the evening, that's the ideal routine for me. Right now I sadly have a lot of schoolwork to do (writing my thesis) so i might get less than 30 minutes in the morning and then feel rlly tired in the evening so I dont get as much time then either. but oh well!
I can still work for 4-5 hours on the weekends so I manage ^^(edited)
chalcara [Nyx+Nyssa]
The whole stay-indoors order's currently completely wrecked my pattern, but before that I did between 3-4 hours a day.
Shadowmark Productions
Can’t imagine the stress of a daily or even weekly posting schedule. Hats off.
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comicteaparty · 5 years ago
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March 4th-March 10th, 2020 Reader Favorites Archive
The archive for the Reader Favorites chat that occurred from March 4th, 2020 to March 10th, 2020.  The chat focused on the following question:
What are some comic synopses that convinced you to read the comic?  In general, what are you looking for in a synopsis? 
carcarchu
bastard's "there's a serial killer in my house" was all it needed to sell me on it. short and sweet, just begging you to read more to find out what that means
Capitania do Azar
Broken http://broken.spiderforest.com/ had me at "psychic zombie kid befriending a fairy general"
Ash🦀
are there monsters? Are there wlw? are the women monsters like werewolves and vampires and demons etc etc I tend to see monster as the main character and I’m instantly hooked! I have a hard time empathizing with purely human characters, (as an autistic, I have often been called something not human, I guess that’s why) so when I see a monster, I’m like YEEEES. That being said, “Fox Fire” on Webtoons really drew me in. https://www.webtoons.com/en/challenge/fox-fires/list?title_no=125525 A mysterious journey through lands unknown by a raccoon dog? Yes. Inspired by Finnish mythology which I’ve not seen before? YES. It’s not short or snappy, but I love animal stories so much, and seeing them based on a culture I’m not overtly familiar with is so exciting! So many things to learn! To research! Yes!!
spacerocketbunny
Sink your Hookteeth had me at "cosmic horror romance with eldricht mermaids" https://hookteethcomic.com/ Usually I give things a chance past the synopsis to see for myself but there definitely is some keywords that get my attention right away. Stuff like psychological, horror, world-building, surreal, lgbtq+, occult themes etc., but I'm pretty open to most things
keii’ii (Heart of Keol)
I usually don't get invested in a comic because of a strong premise, but I can get interested in a comic with a unique premise. Ironically the one example that comes to my mind is something I have not yet checked out (but it is on my list!). What is that one webcomic called, the one where time only flows in the vicinity of certain special individuals? And the MC is one of such individuals? I honestly have no idea if I will actually like that comic, but the premise sounds so interesting that I would like to at least check it out.
Eightfish (Puppeteer)
i too find that premise intriguing
please someone link it if they know what it is(edited)
Feather J. Fern
Premises are really important to me, since there are so many comics nowadays it's hard for me to filter through what I would like and not like. So if something like "Boy meets girl" comes up I tend to shy away but if someone says "Monster boy meets girl who is blind." Then I am like "OH THAT! I WOULD READ THAT!" I think it's the details that really get me, I need more details if possible to make sure I can get the most out of it.
LadyLazuli (Phantomarine)
For me it usually boils down to "relatable/intriguing situation with (insert supernatural/fantasy/sci-fi element here)." The relatable/intriguing situation hooks me on a higher brain level - the fantasy/supernatural element hooks me on my lizard brain level
eli [a winged tale]
Art aside, I look for intrigue/hook and a conflict (whether that’s through a character description/contrast in presentation like a dichotomy/ or a surprise/thwarted expectation). I have my genre preferences but usually if there’s an intrigue (that’s so cool and interesting!) and a conflict (sense of pace/tension/driving the story), then I’m in. These are the examples of ones I love:
chalcara [Nyx+Nyssa]
I might be the odd one out that I don‘t look for synopisis much - I tend to read the first ten pages of the comic instead and look for two things: 1) character that interests me and 2) did the plot start yet?
Mind you, godslave synopsis got me at „modern-day egyptology“ https://www.godslavecomic.com/about
keii’ii (Heart of Keol)
I usually don't read the synopsis if I'm already "there," but like... when people are reccing something for me
chalcara [Nyx+Nyssa]
Then I still check out the comic proper. If someone likes it enough to rec it it‘s worth a try!
keii’ii (Heart of Keol)
My tastes are too specific (yet vague at the same time?), so I fully admit to not checking out every rec that comes my way.
chalcara [Nyx+Nyssa]
Makes sense! I read quickly and have absolutely no compuction about dropping stuff that doesn‘t interest me, so sample reading works well. But in webcomic lists I found synopsis to be important, that‘s how I found godslave. So I guess I‘m like @Feather J. Fern and look for an interesting premise.
Feather J. Fern
I also try recommendations, which is why I like the CTP since it does help me narrow down reading choices.
Oh also, when someone adds something too typical like "And then romance blossoms" in a premise then I am like "Eh" Especially with the genre of the comic is NOT Romance. Like I think when I am looking into a genre, I want that genre, don't pull the side genres into the main stay in your premise. For example, and Action Comedy being like "Romance blossoms between the two" I would be like "Why wouldn't this be a Romance Comedy with Action side, or Romance Action" If i want Action comedy I WANT the action and Comedy. the romance cna be on the side just don't mention it in the premise, it makes me go pick another action comedy to read.
I guess it's like Confusing Promotion of your Premise is what gets me?
eli [a winged tale]
Yeah that’s fair Featheryjustice. I’m also the same
And chalcara I definitely am swayed by the art and pages too!
keii’ii (Heart of Keol)
In general, I feel a good summary should tell me why I should read it, rather than what the comic is about. (Those two things are closely related and definitely overlap, but not 100% the same.)
Deo101 [Millennium]
I like this idea a lot. I also think a good summary should match the tone of the story, and kind of give you enough to get you interested but without telling you what really happens in it
I'm not reading a list of traits about your story, I'm reading a bit of an intro to it to get all excited
Feather J. Fern
I agree with Keii and Deo. I want to get excited to know more, not "Ugh I can get this but better elsewhere" from a summary.
keii’ii (Heart of Keol)
I think that might be a helpful group exercise to do sometime in story_help maybe -- workshopping a short paragraph/long sentence/list of reasons of "why you should read this comic." It'd be like, an informal rough draft of a pitch maybe?
Anyway, I'm also in camp "art plays a big role." It's not necessarily how pretty the art is, or how much I like the art as art. More like, what kinda vibes is it giving off? Would I like a story with these vibes?
Deo101 [Millennium]
Yeah, the art and summary kinda gotta feel like they mesh, they don't HAVE to and there are exceptions of course but for that first impression glance I think it matters a good bit
eli [a winged tale]
Yeah I’d be down for some synopsis workshop!
LadyLazuli (Phantomarine)
yes please!
Q (Wayfinders: Off Course)
Samesies!
Deo101 [Millennium]
Yes!
Feather J. Fern
Agreed!
DanitheCarutor
Eeeeh I'm kind of the oddball in this, I can't write a good synopsis to save my life, so I almost never read them. Not even on recs, promo threads, or masterposts. Usually I go by how the comic looks via the banner/thumbnail/promo art, or if I stumbled on an update showing pages with some interesting content. I would rather have the comic show me what it was about. Maybe if the comic is really young and I can't tell where it will go, but I'm intrigued by what I read so far, I'll then read the synopsis. Even though I'll read just about anything sometimes a genre will catch my eye, usually something really rare for webcomics like: Horror, thrillers, mystery, or anything with the word psychological.
FeatherNotes(Krispy)
I usually look for keywords that hook my interests specifically when reading a synopsis- words that stick out or create an intriguing combination An example of this os XII: Of Magic and Muses use of 'magical horror light show' was an insta- intrigue! And i def find it most important for people, when making synopsis, to use key words or phrases that make them stand apart. What is it about your mystery story That's so mysterious? Or what makes your romance so special? Twists and unexpected words are also an easy way to pop up in searches too!
Cronaj (Whispers of the Past)
I don't usually rely on a synopsis to determine whether I'll read a comic. As others have said, most of the time I just start reading if the art caught my eye and the genre is something I like. That being said, there are times where a synopsis has really sold me on a story, and it almost always includes the "who," "what," and "why." (Sometimes also the "when/where," but it's not always necessary.)
(Also, if we do a synopsis workshop, I want in. I'm horrible at writing them.)
Eightfish (Puppeteer)
i'm sure there's people who'll be down to help you out anytime in shop talk
sssfrs (JOE IS DEAD)
If something says it has pirates I'll click on it usually
Eightfish (Puppeteer)
Yo read Tiger Tiger https://www.tigertigercomic.com/tiger-tiger/
Tiger, Tiger -
(@sssfrs (JOE IS DEAD))
sssfrs (JOE IS DEAD)
I've seen this before! I read a little bit of it and there was this one scene that was very close to something I've drawn and it freaked me out a little bit. Tiger Tiger is a really great comic though and I appreciate it a lot. It does also have a lot in common with Joe Is Dead and I appreciate you recommending it!!!
Feather J. Fern
Oh speaking of summaries and premises, what are people's keywords for things that does make them read it instantly or things that a premise does that make you want to stay away? I mentioned genre failing but what gets me to click is if the premise itself has good grammar. Soemtimes you get some wonky grammar in the premise statement and it alerts me that the rest of the comic might not be as well edited as I thought.
Oh an a pet peeve, lack of punctuation and capitalization in the premise.
Cronaj (Whispers of the Past)
@Feather J. Fern I definitely also get put off by grammar errors in summaries.
keii’ii (Heart of Keol)
I'm not sure if there's a good way for me to talk about my major turnoffs in summaries without offending those who like to read/ make such stories...
kayotics
I think what gets me to read is when a synopsis is written in a way that’s off beat, or like they’ve spent a lot of time thinking about it. The synopsis has time put into it, it makes me think that maybe the story itself is a bit more unique or polished, and if the synopsis is generic I feel like the comic might be generic.
sssfrs (JOE IS DEAD)
I am repelled by mentions of religious topics like gods or demons. Stories like those usually rely heavily on Christian themes that are too far outside my cultural grasp for me to relate to or enjoy
Feather J. Fern
Oh what does grab me is stories that are inspired or made in other cultures than my own. That makes me want to learn more about that culture
kayotics
I do really like foreign stories. Sometimes I want the familiarity of a cultural context I relate to, but I do like to explore worlds that I’m unfamiliar with
That’s kind of how I feel about Heart of Keol, I’m not very familiar with South Korea so I feel like I’m learning a lot through the world itself, even if it’s historical fantasy based
Cronaj (Whispers of the Past)
As for keywords I look for in summaries that might actually get me to read: words like "discovers," "mysterious," "ancient," or phrases like "learning to be human."
keii’ii (Heart of Keol)
The culture talk reminds me! I like stories that focus on non-mythological aspects of a culture. Not that I dislike mythological stuff, but the non-mythological stuff, the mundane everyday omnipresent aspects seem so awfully underrepresented.
Cronaj (Whispers of the Past)
That's basically my favorite part of culture!
keii’ii (Heart of Keol)
I don't code, but if I could, I'd be tempted to quickly make a bot that generates summaries based on the phrases/keywords that have been mentioned in this channel, haha
Cronaj (Whispers of the Past)
Like the way people eat, or what they wear at festive events(edited)
keii’ii (Heart of Keol)
"Mysterious pirates discover ancient culture. Shenanigans ensue."
Cronaj (Whispers of the Past)
I'd read that tbh
keii’ii (Heart of Keol)
Yeah or like, even just everyday life things that you don't really think about until you go to a place with a different culture. Suddenly you become aware that you're sitting, standing, walking, looking (as in using your own eyes) different than everyone else
sssfrs (JOE IS DEAD)
I would read that because of the pirates
keii’ii (Heart of Keol)
Even stuff that's considered fairly universal, like smiles or laughs, are different
Cronaj (Whispers of the Past)
@keii’ii (Heart of Keol) Or certain hand gestures that may be offensive or mean something entirely different in other places(edited)
keii’ii (Heart of Keol)
It's true! (though I feel hand gestures, you're at least aware when you use them)
Cronaj (Whispers of the Past)
Or how eye contact is received
sssfrs (JOE IS DEAD)
To be clear I don’t have anything against the culture. Stories exploring aspects of unfamiliar cultures are usually really cool. It’s specifically when a story is founded on religious beliefs that I don’t understand and don’t ascribe to that I have a hard time getting into a story because it’s too much work to suspend disbelief and live in that unfamiliar mindset while reading
keii’ii (Heart of Keol)
Yeah, that's fair
Cronaj (Whispers of the Past)
Even if it's fantasy religion?
sssfrs (JOE IS DEAD)
Especially if its fantasy religion tbh. They’re usually grounded in Christian beliefs by some way or another because of their commonness in culture and expect readers to have a base knowledge of those things
Fantasy religions are rarely made of completely unique material. Its always gods and shrines and prayer
Feather J. Fern
I also like it when the summary is straight forward with not too many crazy descriptions. It's hard to get into a story if they are already throwing all the technical jargon of that fantasy world at you. At least for me.
sssfrs (JOE IS DEAD)
I agree
keii’ii (Heart of Keol)
Yeah, succinct summaries are Good
Cronaj (Whispers of the Past)
Ah.... I understand your aversion, but I've kind of come to terms with the fact that religion is often so innately tied to culture.
Feather J. Fern
I think Sssfrs is talking if the entire story is based in religion or just a small part will turn you away as well?
I am sure there are stories where a bit of religion is talked about but not a focus
sssfrs (JOE IS DEAD)
If large parts of the story require base knowledge of Christian religion to fully comprehend mainly
Cronaj (Whispers of the Past)
Ohhh, yeah that's definitely far more understandable
sssfrs (JOE IS DEAD)
I just have a hard time following whats going on
I specifically mean stories about hell or demons. I once read a webcomic about nuns in a cloister that I really enjoyed
RebelVampire
You know ironically, I can't really answer this question without out talking about what turns me away. Now on the one hand, there are certain keywords that will get me to look, but these are 100% about what I'm subjectively look for (like anything with royalty for example). So I don't think these synopses qualify as having convinced me so much as they basically included metaphorical hashtags that I was looking for. As for synopses that actually convince me, it's generally a lot more about it not having things I consider a turn-off. Things that turn me off include: -Being too vague and mysterious. I actually want to understand the who and the what I'm jumping into. -Prioritizing the "message" and/or themes of the story in the synopsis too much. In my experience, this usually means the themes will override the plot which doesn't generally make for good writing. -Too much emphasis on "This story is [insert popular mainstream media] meets [insert other popular mainstream media]." It can be powerful if used correctly, but in most cases I just find is alienating because I'm either a) unfamiliar with one or both of those mainstream medias or b) don't like those mainstream media its referencing -Too lengthy. I find lengthy summaries just paint a poor reflection of what the comic is as opposed to painting a better picture (which is usually the intended goal). There are probably more I'm not thinking of, but my overall point is I'm not overly picky about synopses. None really convince me so it's more about not convincing me to leave.
keii’ii (Heart of Keol)
You know, in some cases "it turns me off because I don't like the mainstream media it's referencing" might actually be a good thing. IMO the job of a synopsis isn't only to attract people; it is to tell inform people whether or not they might enjoy the thing.
So if a synopsis includes "panty shots galore!!!" and it's accurate... that's not a bad thing to include, even if it will keep me away
RebelVampire
I'd agree if not for the fact that a lot of the comics I've read who did this were either a) not really like the mainstream media they were referencing or b) something I still enjoyed despite the comparitive since the comic didn't do the things I disliked the mainstream media for
tho panty shots galore is a lot diff than what im talking about
XD
so i mean like i said
it can be powerful
and a good tactic to target a specific audience
but its a thing you have to be extremely careful with
keii’ii (Heart of Keol)
Yeah, sometimes what you disliked about that comparison media is not why they're referencing it
Cronaj (Whispers of the Past)
Definitely true!
I think those types of comparisons might help you sell your story to a large company by saying, "Look! I make something with marketable qualities like these mainstream stories!"
But it doesn't accurately depict your work to its fullest
RebelVampire
Yeah which is my issue when theyre done poorly. Theres a lot of synopsis I've seen that kind just use that instead of also trying to paint their own unique picture. So I only have the mainstream media to decide what to expect.
keii’ii (Heart of Keol)
Oooh, yeah, it shouldn't be the only description
Cronaj (Whispers of the Past)
Oooof
RebelVampire
I'm probably more turned off when I don't know the media. Cause even if I dislike the media there are usually good aspects I can hope for. Like there have been a few synopses I've read that are like "It's a lot like Buffy the Vampire Slayer". And I just sit here blankly staring cause I've never seen a single ep of it
So there's no hope
Cause I wouldn't know what to hope for XD
Cronaj (Whispers of the Past)
And then the inverse happens because the readers who have seen Buffy and enjoyed it perhaps liked it for different reasons than why you compare your work to it.
So then they are disappointed when those aspects are not included
RebelVampire
Yeah. So I mean, I've seen it used really well, but it's super a double edge sword in all cases.
keii’ii (Heart of Keol)
As a reader, I feel the comparison is more interesting when I hear about it (e.g. "[this mainstream thing] was one of the main influences for this story") after I've already started reading it. I've had a few cases where I was like ooooooh, that hadn't occurred to me before, but now that they mention it...!!!!!
RebelVampire
Ah I have had that happen. Cause to be fair I don't always even read the synopsis till later. XD
Tantz Aerine (Without Moonlight)
This is a little hard for me to answer because often I jump into the comic without reading any synopsis... but when I do, I like them short and sweet, like an elevator pitch, almost, or very efficient in giving me the bare bones of setting, plot, stakes. An example of the first one is from Awfully Decent Fellows by Ironscarf (find it here https://www.theduckwebcomics.com/Awfully_Decent_Fellows/) : A group of friends plan a murder mystery themed evening, only to find they have a real mystery to solve: who's murdering Miss Scarlet?
The other that would be representative of what gets my attention is something like Potato & Kraut's blurb (read the comic here https://www.theduckwebcomics.com/Potato_and_Kraut/ ) : Set in early 20th century Ireland, Potato and Kraut centers around two young girls - one Irish, the other German. Brought together by unpleasant circumstances, the odd pair form a close relationship, only to be separated years later by even more unpleasant circumstances - the Great War. This story offers quirky folks, all kinds of love, a bit of silliness, a few tears, a couple of pet pigs and the occasional bloody nose. Welcome to Ireland!
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comicteaparty · 5 years ago
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February 29th-March 6th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from February 29th, 2020 to March 6th, 2020.  The chat focused on the following question:
What is the thing you’re proudest about regarding your story?
Deo101 [Millennium]
I hope saying "That I'm actually doing it, and that I'm still doing it and loving every minute of it" Is an okay answer ^^ there is a lot that I am very proud of myself for with regards to this comic, but I think I take the most pride in actually sticking with something for this long.
carcarchu
I agree with deo, sticking with it is what i'm most proud of and it's probably one of the hardest things to do
Capitania do Azar
Hah I can't say I'm proud of everything, right?
It's hard to put it in words but I really enjoy the comic making process and I'm proud of what I'm accomplishing with it, both in terms of writing and of art. And I think it's rather visible that I put a ton of effort into it
Spring-heeled Jack
I am proud that I prepped ahead of time because the last two times I tried, I didn't. Both times I got about 10 pages in and quit because I felt overwhelmed. With the story itself, I think I'm proud of my characters. Characters are the easiest part for me (plot and central conflict I always flounder on) but I'm still so pleased with them.(edited)
Tuyetnhi (Only In Your Dreams!)
For me, it's just getting the work out there. Actually finishing chapters. compared to the first comic story I want to put out, this story I know for sure where its going and gives me a sense of ease? There's some days when I feel i'm slumping along but in the end, I'm pretty happy how it turned out. Pretty much what Deo and carcarchu said lol: my story is long but not super long, but I'm glad I'm still working on it among my other stories I want to share (edited)
Ash🦀
For me, what I'm most proud of is my artist, Katie. We're a collaborative team, I'm just the writer so I don't do much. And she takes my words and just... adds so much life to them. Seeing every page she makes is so amazing. Every time she's growing in her style in leaps and bounds, and seeing her push her lighting, expressions, and unusual panel styles, ugh, it's just so cool seeing her grow. I am so proud of her and what she's done, she's a total rockstar and I love her. I couldn't have done this without her, and every day I'm more grateful to her.
DanitheCarutor
That is a really good question, I don't really show pride in stuff I do usually. I guess the closest to being proud was either when my new comic passed the stopping mark for my old comic, which was discontinued at chapter 3, or when I got chapter 1 rescanned for print recently. The latter was kinda challenging because I rebubbled the whole chapter, and how I rebubbled was a little... awkward, pasting over the old bubbles in photoshop afterward.
Sorry! Apparently the image file was weird.
keii’ii (Heart of Keol)
I actually semi-recently wrote a raving tweet thread relevant to this topic. Basically, for years and years, I did not know what it meant to be proud of your work. I've been happy with my work, both the process and the result. But was "proud of my work" completely synonymous with "happy with my work"? I legit did not know. Even asked a former English teacher friend, who's very good at explaining this sorta things, and I still didn't get it. Then as I made progress through the most recent chapter, I noticed this brand new, strange feeling welling up in me. Yep, you guessed it. For the first time ever after starting this comic, I was proud of what I was making. Not just happy with it, but proud of it. Took me a while to realize, oh, this is proud. Afterward, something happened IRL that temporarily borked my sense of time (one specific week felt like months). So because it felt like it had been months since I made it, I got to experience the last couple pages of the chapter as a reader, not its creator. And I gotta say, thank you past me, you've made something truly heartfelt, and you had every reason to be proud of this. In short: I'm proud of how my comic is an honest reflection of what my heart wants to see, what I want to read. And I'm proud of my most recent chapter being the pinnacle of that. I hope to make more, higher pinnacles down the road, as I continue my way through this story.
spacerocketbunny
I'm proud of how me and @FeatherNotes(Krispy) have shaped our characters and fleshed them out! I'm also super proud of our team dynamic and how if something didn't feel right in the story or art etc., we've always challenged it and come up with something better and stronger! Because we've been so thorough and willing to reconsider, I'm always perfectly comfortable to stand by what we've put out there, even if we've had to go back and fix past mistakes!
Mei
Hoh boy, the thing I'm proudest about in My Husband is a Cultist is the audience interaction. I've been told the comic is funny, and that makes me immensely chuffed, because it means I'm doing something right. I'm always so nervous when putting my work out there with how it's going to be received. That seeing people engage with the story and find it funny and liking the characters... it just warms my heart so much, and it makes me truly feel like I'm on the right path. I'm also pretty proud of the stuff I've written that's not been featured in the comic yet. I look forward to developing those and making them come to life, and I hope people enjoy the grittier parts of this strange comedy as much as I do! And mostly I'm proud that I'm still doing it and haven't given up yet. My lord, I just don't know how it's gonna keep going! but hopefully just onwards and upwards!
eli [a winged tale]
Reading through all of these and I’m so touched. Super proud of you all!
I’m most proud in finally chasing my dreams. Life threw me a bunch of curveballs and creating this comic is a reflection of how I dealt with things and at the same time be thankful for what I have. When I reread my comic I can see mistakes but I also see parts of myself that are genuine. I can’t wait to continue on the story and let the comic be part of my life moving forwards
LadyLazuli (Phantomarine)
My comic went on so long behind the scenes before I was comfortable enough to share it, so I tend to think of my past self quite differently than my current self. So, I'm very proud of 'past me!' She started the project completely unaware of how long it would last or what it would become - just a few characters and story threads and a whoooole lot of ambition - and my present self has had the pleasure of weaving those threads into a project I'm truly proud of. The comic has brought me so much joy - much of it delayed, like a ticking time bomb - and it's all thanks to my younger self. She wasn't sure of what she was doing - but now I know she made some excellent decisions in the beginning. I'm very grateful she started all of this. It's made my life all the more joyful
chalcara [Nyx+Nyssa]
I got a BUFFER. My first non-fancomic died because of work-comittments and lack of buffer, but on Nyx+Nyssa I manage to work ahead. More than anything I am proud of the discipline I developed to allow for that.
FeatheryJustice
I'm proud of almost completing Teasday. I had some long hiatuses but I will finish the story for now. Also proud of where I grown from the beginning of that story to now. The time and effort shows that I did do a lot, which makes me really happy to know.
Nutty (Court of Roses)
I'm proud of a lot of the work that goes into my comic, but what I'm most proud of was this page. I wanted this to be grand and a pivotal moment if what the comic was about. I don't think even a couple years I could've done anything at this scale, but I split the areas into chunks that I completed over the span of two weeks. Always look upon this page fondly.
eli [a winged tale]
That is gorgeous!
Spring-heeled Jack
Impressive!
snuffysam (Super Galaxy Knights)
I can point out four moments in Super Galaxy Knights http://sgkdr.thecomicseries.com/comics/ that I'm the most proud of - 1. The end of Book 1 Chapter 4. Chapter 4 was intended to be a big "growing the beard" moment for the comic's action setpieces - the first three chapters were more about introducing characters and plot elements than actual action, so I consider chapter 4 to be the first "real" fight of the comic. The way the action was presented in chapter 4 would go on to represent how action would be presented throughout the rest of the comic, and IMO I pulled it off fantastically. 2. The end of Book 1. Kinda self-explanatory, but Book 1 was the first major story arc of the comic - the fact that I managed to pull together a satisfying conclusion, something that I theoretically could have ended the comic on, was super satisfying to me. 3. This page: http://sgkdr.thecomicseries.com/images/comics/160/30997a1543363807f2141157006.gif . When I wrote in my Book 2 script "they fight for a bit in a big looping animation" back in 2016 I was hoping my animation skills would advance to the point where I could pull it off. And it turns out, they did. 4. Well... today. Ever since starting the comic back on leap day 2016, I knew today would be a big milestone, and I'm proud of myself for sticking with this project long enough to get to this four year mark.
Eightfish (Puppeteer)
oh my god, that looks incredible and I've never seen a page like that before!
Cronaj (Whispers of the Past)
I am not very far into my comic, but when I try to think about what I am most proud of in my work, it is definitely all the behind-the-scenes work I have put into the comic. The world-building. The map-making, language developing, culture exploring, building a political structure, writing histories, character work, etc. All this time and energy I devoted to something that wouldn't be seen by others for many years to come. It is only now starting to come to fruition, despite technically having been working on this project since 2014, with the first scripts, the first character designs, and the first paragraphs about the world of Whispers of the Past. All this work that nobody will ever see. I am proud of sticking with it and putting my heart and soul into it despite the lack of return for so long. I have given up my adolescence to this project, and I am giving up the rest of my youth. But when I think about it, there is no worthier recipient. Because without this story, I feel like a large part of my identity would be gone.
snuffysam (Super Galaxy Knights)
Thank you @Eightfish (Puppeteer) ! The storyboarding alone for that animation took a week so I'm glad you like it!
eli [a winged tale]
I totally get you Cronaj! So much goes behind the scenes but that creates the world’s depths and it will resonate with readers! continues dedicating the rest of my life to comics
SL Black
@Cronaj (Whispers of the Past) yes! There is so much prep work involved. I have three full scripts for UO that will never see the light of day (mostly because they are terrible). Comics are such a marathon. All that hard work will be appreciated so much by your readers!
Cronaj (Whispers of the Past)
@SL Black Man... That sounds like me. I myself went through at least 3 scripts too. I'm glad I'm not the only one who feels this way about the BTS work
Desnik
I'm proud that I'm putting myself out there with a WIP comic script and learning how to not only write, but collaborate with other writers.
renieplayerone
Im really proud that i started a comic and have stuck with it for a year and just how much ive learned by making it^^
Eightfish (Puppeteer)
I'm proud that even after 70 pages I've never missed a scheduled update!(edited)
Tuyetnhi (Only In Your Dreams!)
Awe yeee thats always good to have a streak like that!
eli [a winged tale]
That is #goals!
Cronaj (Whispers of the Past)
Agreed!
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comicteaparty · 5 years ago
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September 21st-September 27th, 2019 Creator Babble Archive
The archive for the Creator Babble chat that occurred from September 21st, 2019 to September 27th, 2019.  The chat focused on the following question:
How would you describe the target audience for your comic?  Did you intend to aim at that audience, or did it just happen?
Deo101 (Millennium)
My target audience for millennium http://millennium.spiderforest.com/ was and is LGBT youth. Specifically teens. I know when I was a kid reading a story where gay people are just kind of... There? No jokes, no stereotypes, more than one... That would have helped me a lot. So I'm trying to make that for other kids! I think the story has reached a much wider/older audience then I intended, but I know it has helped at least some LGBT youth/young adults and that's all I could ever ask for.(edited)
spacerocketbunny
The target audience for Ghost Junk Sickness is definitely queer youth and young adults! Much like what @Deo101 (Millennium) is saying, basically we wanted something like the cool action scifi comics we read when we were younger with good queer rep that's integrated and normalized in the universe! As it turned out though, the audience we reached has been all over the place ranging from older women to big biker dudes?? Every time we go to cons we can never guess who'll purchase a book because the range is so varied! I'm sure we still reach the original target to an extent but the rest is all over the map it seems! I don't think it's a bad thing, it's just been pretty unexpected
Deo101 (Millennium)
Not bad at all ^^ more like a pleasant surprise!
spacerocketbunny
Exactly!
Deo101 (Millennium)
I think those other, older people are also looking for a story to reach their inner child... And I think that's great
mariah (rainy day dreams)
Lol, I feel the similarly way about my own story. My goal was definitely to make something me as a kiddo would have loved, which essentially would have been shonen stories but with a female majority cast. I think I already figured my target audience would be similar to me, but I've been consistently surprised by how many male identifying folks like it. I guess I do like that they can hang though X) Anyway, these are my floppy, post work out thoughts. Hopefully they make sense.
LadyLazuli (Phantomarine)
The target audience for Phantomarine (http://www.phantomarine.com/) was never super clear from the beginning - I just wanted to make something I'd like as a teen. Luckily (or unluckily! in terms of describing it to people ) the story is a mishmash of a bunch of different genres. It's not quite a ghost story, not quite a pirate adventure, not quite a fantasy epic, but it has elements of them all. And it does seem to have attracted people who like those different genres. It may not be easy if I ever want to publish it properly (it's a little difficult to describe my 'brand' ) but as it is, it's got everything I would have liked when I was between 14 and 18.
My happiest surprise is hearing about the younger kids who have read it, understood it, and really enjoyed it. Knowing that 10-12 year olds can appreciate my work is really awesome. I try to keep the language and scary/questionable content at Harry Potter levels, but I like having some of the depth/maturity of stories like The Golden Compass. If they like Phantomarine now, I really hope they find extra enjoyment with it as they grow up. It's going to be a ride!
mariah (rainy day dreams)
Gosh, I get that feel of being multi-genre and not knowing quite how to describe your Brand X') I feel like I've gotten better at defining it over time but it's still a struggle to briefly describe what my thing even is some days. Also Golden Compass I'm always excited to find other comic folks who were also influenced by that series.
LadyLazuli (Phantomarine)
It's my gold standard for the right blend of fantasy, reality, and maturity. It's just the best
keii4ii
The target audience for Heart of Keol (https://heartofkeol.com/) is extremely tiny, but it does have appeal for people outside of that niche. I make it for myself, and the relevant aspects of "myself" here are: a) Grew up in Korea, is living (or has lived for an extended period of time) in a predominantly English-speaking part of the world b) Bonus points if they spent some time living in rural Korea c) Is into slow burn drama about characters who could be described as being "genuine" and probably "lawful" as well d) Likes the aesthetics of fantasy settings, but is more into the mundane, almost slice of life, side of drama e) Is very much into reading between the lines for more emotional stuff. Reads a lot of heart from sceneries, possibly more than from faces. (I have face blindness and this affects how I experience comics both as a reader and as a creator)
Obviously people who meet both a) and b) are gonna be harder to find! But if one can meet c), d) and e), that's enough to enjoy the comic the way it's meant to be enjoyed, or so I hope.
The reason a) and b) matter is because it affects how the setting/aesthetics come across. To someone like me, the old Korea setting feels homey, warm, nostalgic. It's like a shorthand for "sit down and enjoy this heartfelt slow burn tale." But to others, Magical Asia might feel exciting and exotic, which isn't really what the story is meant to be, so there may be some dissonance.
seetherabbit
I haven't given much thought about the target audience for Vulperra. (https://vulperra.com/) other than then it's probably for people who like adventure, fantasy and cartoony-ish animals
Cronaj
My target audience is kind of all of the place. Initially when I began scripting my comic, Whispers of the Past, I was really into anime and manga, especially ones like Attack on Titan that were a gritty fantasy. However, since then, my style and story have changed tremendously. My target audience now tends to be young women, aged 15-25, who enjoy detailed world building in high fantasy and are definitely into family drama in story telling. Initially, I wrote the story to fit certain perameters that I myself enjoyed. For example, I am particularly obsessed with the idea of the mundane meeting the fantastical and amazing. The quiet lull of ordinary life juxtaposed by the rigor of magical entities. I specifically focus a lot on drawing beautiful artwork for the panels, because I myself am a picky-pants when it comes to selecting comics I want to read. Another one of my obsessions is a fantasy setting so detailed that you feel like if the story ended, the world would still live on. (One of my inspirations was the Inheritance series by Christopher Paolini, in which the author essentially wrote several languages, similar to Tolkien.) In reality, my readers tend to be women aged 30+ (probably who watch k-dramas like I do), and a lot of D&D players. It's fun really, discovering how much of my own hobbies bleed into my stories.
AntiBunny
Early on with AntiBunny http://antibunny.net/ I was hoping for fans of scifi and film noir. What I got were fans of classic cartoons and furries. Which is fine by me really. Furries are nice people who are passionate about their hobbies (and spend money).
Jonny Aleksey
A superhero audience was always the intention for J-Man (http://jonnyalekseydrawscomics.com/the-undefeatable-j-man/), but specifically, right now, I'm aiming for something all ages. Slightly teen drama, cartoony but grounded. My inspirations were Spectacular Spider-Man and the DCAU so anyone who likes that is the readership I expect. Hopefully I can reach people who are on the fence about superheroes. The all ages aspect is something newish relatively speaking. When I started my webcomic I wanted to stay away from the "deep real edgy" tone I made when I was in high school (shiver). It took me a bit to really get that tone down. I don't use curse words and only mild blood, but occasionally stuff that borders on teen+ go through. (there's one instance in #5 where J-Man's face gets burnt by the villain that might've been a bit much) I don't think the all ages banner is going to restrict me from telling certain storylines/character development. Just means it won't be excessively grim.
Erin/Leif & Thorn on Kickstarter
The target audience for my webcomics is LGBT nerds who want stories that give them strong feelings, and who like SF/F, anime, competent characters that don't have to take turns with the Idiot Ball to keep the plot moving, and cats. Admittedly that last bit might be redundant, since everyone on the internet likes cats.
Ash🦀
I’ll be honest with you, I’m the target audience of my comic. (http://www.fwmgofficial.com/) it’s not out yet (it’ll be out October 31st) but as the writer I’ve had a lot of time to think about it. Mostly, it’s just targeted to young adults and autistic people. I never got to see people like me in comics, so I wrote a comic where an autistic person can be the hero too, even in his own way. For me, I figure whoever likes it likes it and that’s good enough for me. (also furries. Definitely targeted furries)
Kay Rose
@Ash🦀 cant wait to read it!
Ash🦀
QwQ thank you!!
MJ Massey
So far Black Ball is pulling in a mix of people who like the vintage aesthetic (1920s and art deco with some old-school macabre for some reason?) and people who like shonen manga, which is great. Even if Black Ball isn't specifically macabre or strictly shounen (though I myself have made shounen battle manga-esque comics in the past)
DaemonDan (The Demon Archives)
Audience of my comic... Per Google it's 18-35 year old men from the US and Russia XD Which makes sense given it's a pretty hard sci-fi with a lot of military action from dudes in power armor and etc. Though I try not to go too "high octane action!1!" and explore more psychological elements too.
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comicteaparty · 4 years ago
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July 18th-July 24th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from July 18th, 2020 to July 24th, 2020.  The chat focused on the following question:
What makes you the happiest about being a creator?
carcarchu
getting fanart from people fills me with a certain kind of joy that can't be compared. this has never happened before but if someone told me that my comic inspired them or spoke to them i'd be over the moon
Cronaj ~{Whispers of the Past}~
Oh gosh, yes, fanart is such a beautiful thing.
For me personally, I just get so incredibly happy when readers just get it. Like, they pick up on a specific nuance or they know exactly what I intended with certain dialogue, or they notice a small detail. Or when they react exactly as I hoped they would.
That's what I live for.
Eightfish (Puppeteer)
definitely friendart
Cronaj ~{Whispers of the Past}~
hahaha
Eightfish (Puppeteer)
also just imagining future scenes to myself makes me smile and laugh
must look crazy to passerbys but i don't care
Cronaj ~{Whispers of the Past}~
I relate
#when you laugh aloud at something one of your characters said or did in your head
or #when you cry because of something that happened to your characters in your head
I don't need help, I swear
Eightfish (Puppeteer)
all i want out of this server is solidarity with others who burst out laughing in public because of something the people in our heads did
our imaginations are strong enough to entertain ourselves this much, how beautiful
Cronaj ~{Whispers of the Past}~
Who needs movies when you have I M A G I N A T I O N ?
Deo101 [Millennium]
Hm... A lot of things about being a creator make me really happy. For me though, I think that the biggest thing is that I'm finally doing something I've wanted to my whole life. It kind of feels very right that I'm telling stories this way, and that feeling of "I'm meant to be doing this and young me would explode out of pure joy to see where we are now" is incredible.
shadowhood {SunnyxRain}
The best thing for me being a creator is that I’m creating something that can resonate with people. There’s a happiness in me being able to make my own world, a world where people can look at my characters and go “yeah, I know how that feels” or “that’s a mood.”
There’s something empowering about writing an emotional scene that touches you and finding out it touched others too. I think if I wrote a scene that made me cry and found out that it also made others cry....I would be very happy. Just the fact that they understood the sort of emotions I had in making it and also the message I want to send is enough for me.
eliushi [Keyspace]
That I can make anything happen! It’s a fun sandbox to explore narratives I’ve enjoyed or want to discover, a challenge to make something that connects with other people and something I do that’s part of my own personal healing journey It’s amazing what we can do, bringing something completely our own and different into the world
Jib {WIP haha}
For me, the best thing about it is the feeling of having something in front of you. What was once just ideas floating around your head is finally something that you can fully experience yourself and share with others! It can tell you so much about yourself and, if you’re really challenging yourself in the narrative, you can grow as a person. And the fact that other people might choose to also experience what you made is magical too! Just hearing what they think about it is amazing, I haven’t heard anything about something really moving somebody. But when that day comes, I know I’ll be just swimming in joy. I guess the short answer for me would be: seeing things come to fruition and the unique connection only found in shared stories
maxwestart
I have a story to tell and want to share it with others. But even if nobody else cared, I'd still draw comics
Feather J. Fern
That it's something that I can make. I struggle with the idea that I am not good enough to do something, but with my comic, when I finish a page, I always have a feeling of "I made something, I can do it". Also fanart makes me so warm on the inside.
AntiBunny
For me as a creator it's when I finally hear from someone who picked up my comic and isn't someone I know IRL. It's like "you actually read my work of your own free will, and I didn't have to guilt you into reading it just because we're friends?" It's validation for me that my work can reach someone I've never met before. Whether they love or hate it, I just enjoy hearing that someone's read my work and given it enough thought to form an opinion.
LadyLazuli (Phantomarine)
I like setting small goals for myself, page-wise, and I enjoy reaching or exceeding them. The story itself is mostly complete in my mind, so the real joy comes from physically inching my way through it. Every page I complete is a step closer to a smaller goal, and a larger goal as well. I love seeing people interact with it, but I get a particular joy looking back down at the mountain I’ve been climbing. I hope to reach the top someday.
Joichi [Hybrid Dolls]
I love connecting with others through creative stories. Of course, fanart is wonderful, I love the act of giving art and recieving art gifts. I agree with AntiBunny, is when people tell me they read my comic and give detailed thoughts on it. It hasn't reach this point yet but I like to read reader's theories on object symbolisms, events that they suspect will happen, whether it's intended or not.(edited)
Holmeaa - working on WAYFINDERS
What I really love about being a creator, is the joy of telling my own stories, to be able to be touched and laugh and get to do fun things around. I love the creative process of figuring things out, set out rules for yourself! And of course getting comments! Wayfinders have not gotten any fan creations yet, but when it does, I will be SO EXCITED! like someone loved it enough to spent time, doing anything?!!?! be it, playlists, moodboards, fanart, fanfics etc etc I love to be told that we do fun things with comic layout. Like the tought about in the future to be used as an example of cool ways to do things is a big goal that would make me so happy
maxwestart
Another reason I like making my comics? It is like what Lynn Johnston (For Better Or For Worse) said - you are in charge. You make the characters, create the world, decide what happens, etc.
YOU are in control!
rajmews
happiest thing about being a creator? For me it's just the act of making stuff. I can't guarantee if anyone will actually...see or like my stuff...but I really enjoy making it. And, when I do art as a job, and I get to help someone with absolutely no art ability make their dream a visual thing they can look at--that's a great feeling.
Miranda (Into the Swell)
I think it's seeing my ideas come to life. It's so frustrating when you can visualize something in your head but can't convey it to others, and when that works out it's just wonderful
AntiBunny
Indeed when you can bring a world to life that once lived in your own head is an amazing feeling.
Tuyetnhi (Only In Your Dreams!)
The act of creating... I think that brings me major contentment in my work. of course there's times i feel like "dang why this isn't coming together" it's the culmination of those experiences along having folks looking in my work and interacting with it matters to me
also I get stupid happy when i get nice comments so ye lmao
TaliePlume
What makes me the happiest about being a creator is sharing my culture and changing how people perceive it in a positive and creative way while still staying true to myself.
Desnik
What makes me happiest about being a creator is having something to talk about with other creatives
I don't have to sit on the sidelines being fannish, sometimes my peers like MY things too!
Eightfish (Puppeteer)
yes
persephinnie
I have a question - are any of you afraid of posting your OCs in the risk of it getting stolen? or is this more of a thing in the past?
I feel like it used to be a big deal back then, but I'm not sure how much one would need to worry about this still.
keii’ii (Heart of Keol)
Who would even want to steal my very unremarkable-looking characters? And this isn't a self-neg; my characters shine through their story, not through the easily stolen designs. (May want to take this to #general BTW)
Tuyetnhi (Only In Your Dreams!)
hm. not really since past to present time I also made sure I had like watermarked and it's pretty much the only versions I had online tbh lmao
oh and yes
Eightfish (Puppeteer)
like the designs stolen?
i don't think my characters are remarkable looking enough to be stolen
even for the one or two interesting character designs i did, i don't really care if someone steals it?
oh oops this is creator babble. Should move to shop_talk
persephinnie
keii'ii - ack my apologies!
Deo101 [Millennium]
Where's the convo gonna go?
persephinnie
(#general!)
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comicteaparty · 5 years ago
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April 25th-May 1st, 2020 Creator Babble Archive
The archive for the Creator Babble  chat that occurred from April 25th, 2020 to May 1st, 2020.  The chat focused on the following question:
What is your warm-up routine before you write or draw something related to your story?
Page, Rambler Extraordinaire!
Honestly? I don’t have a formal warm-up, but I definitely like to have my fingers all warmed-up and ready for lots of typing! I really need to get in the mindspace for the particular image/idea being portrayed, though.
LadyLazuli (Phantomarine)
1) Seek out music that matches the energy of the page, 2) Draw some circles/spirals/hatchmarks to loosen up, 3) Pick the easiest thing on the page and finish it first to build momentum, 4) Repeat Ad Infinitum
shadowhood (SunnyxRain)
-listen to music from my playlist -read some fanfics -watch YouTube videos from my subscription -get some tea -stretch/workout -wear my comfiest clothes
CalimonGraal(Fenauriverse)
i'm also another one that listens to music before doing story stuff. (sometimes either is a favorite song/song i'm obsessed with atm or one that matches the current scene)
Eilidh (Lady Changeling)
I usually reread my comic so far and listen to some music I associate with it to get me in the mindset and excited for it
eli [a winged tale]
I have a warm up character to go to! Usually I try for some gestures before getting right back to the panels. It gets the rustiness out of the way for me!
Joichi [Hybrid Dolls]
Ooh I love your warm ups, Eli!
eli [a winged tale]
Thank you! It’s easier for me to get into a routine when I have something fun to draw first (with zero expectations)
keii’ii (Heart of Keol)
I don't always need a warm up, but doing panel borders for HoK makes for an excellent warm up. It gets my brain switch gears to comic mode. Music is great, but I only turn it on for important moments (or illustrations outside of comic). There are certain moods that... recur in important moments in my story, and I have playlists for those. e.g. 'sad emotional intimacy'
eli [a winged tale]
I love how music influences our work! I would love to hear all your playlists if you have them easy to share
shadowhood (SunnyxRain)
ooooh @eli [a winged tale] i like the motion in your warmups! They're very fluid and nice to look at @keii’ii (Heart of Keol) Keii, I agree with separating playlists for moods! I usually just group them all in my favourites and mentally search for them
DanitheCarutor
Gosh I'm one of the most boring people. Lol I don't have a routine, I don't need one since I'm always in comic mode. Like, all I ever draw is comic pages. I don't have a script or anything that requires writing, so no need for a warm-up for that. I just jump right into it.
keii’ii (Heart of Keol)
Sounds like you live on the edge which is the opposite of boring 8)
eli [a winged tale]
^
DanitheCarutor
I dunno, it would be cool to do warm-up drawing. That would sure help for gesture/color/anatomy practice. I just don't have the time, a page takes about 4 days to finish without outside distractions, so I have to get to work right away.
eli [a winged tale]
If you can jump right in, that’s great! For me otherwise I just stare at the inks and wish it would colour itself
DanitheCarutor
Ffff I'm like that with dynamic shots where the perspective points are off the page, and I have to tape scrap paper to it, and sometimes my ruler isn't long enough. Working in a traditional medium can be such a pain in the ass sometimes. Lol
This panel is a good example.
Top view perspective lines went way off the page, I hate it.
Anyways, that's my complaint for the day.
Joichi [Hybrid Dolls]
When I draw warm ups. This was of my 'for practice' comic art. I wanted to practice the vertical scroll storytelling. A lady gets her purse string cut, and the thief runs off. Whenever I want to figure out action scenes, I do little character interactions. It helps me learn more about certain character behavior(edited)
eli [a winged tale]
Nice! Practice comics are great!
shadowhood (SunnyxRain)
yeah it's really good too!
it's also a great way to possibly have new stories/series
kinda like.....brainstorming, but applied
Joichi [Hybrid Dolls]
Thank you Eli, Shadow. I try to combine my knowledge of storyboarding, since vertical scroll sequences, are similar to that in some regards.(edited)
Holmeaa - working on WAYFINDERS
I.... Don't do warm up. I just... Start drawing(edited)
shadowhood (SunnyxRain)
dang Holmea you living the risky life
that's brave
Holmeaa - working on WAYFINDERS
I am pretty sure of my skill. Should I warm up?? Could be super to start warm ups! I check my mail, find out how we are doing online with our comic and just begin to draw. I guess since I have done it professionally as a 2d animator, and there is not really time to warm up, that I have learned to just start
FeatherNotes(Krispy)
I do warm ups for everything! though what I define as warmups depend on each creator. For me, it begins with stretches and sketching, ill doodle things i need to get out of my head so i'm not distracted by those ideas- they usually involve studies, certain character interactions, or thumbing out pieces I want to tackle later! I may sure to draw everyday to flex that too, so its also important to be able to relax those creative muscles with some pre-work!
also! my warm ups vary with what medium i work in. if Im working in watercolours, i practice fine pencil work and get my lines as loose as possible. when it's comic (so mainly inking) i do what I described above with character studies and what not
kayotics
I’m really bad at remembering to do warm ups. I should.... actually do them more, but the time I have dedicated to drawing is usually pretty limited
Deo101 [Millennium]
Because I usually finish off whatever I had been working on the day before, warmups for me are kind of the process of starting a new piece. All the sketching and thumbing to get my next idea out work pretty well for warming me up, and then I feel ready to go by the time I'm needing to do things like lines. I also get music going that fits the mood of what I'm working on, like lots of people seem to do! I also need to remember to do stretches more :/ And I usually get myself some kind of drink, tea or something, to keep me company while I work ;)
Joichi [Hybrid Dolls]
Sounds like you are pretty busy, Kayotic. Yeah warm ups can be a good practice before diving into a big illustration
keii’ii (Heart of Keol)
Weirdly I don't think I've ever done warmups for illustrations. Only comic work!
Probably because illustrations, I just do them whenever I feel like it, so my brain is already ready (i.e. I don't start if my brain isn't ready)
whereas comic... I can't just wait for my brain to get ready. I need to keep updating it.
Page, Rambler Extraordinaire!
Pro-tip: if you decide to not do anything and procrastinate, you don't have to warm-up!
Eightfish (Puppeteer)
hmm, can't say i've really tried warming up for art before, but i've heard it can really help! What are you guys' art warm up routines?
Deo101 [Millennium]
For me it's just kinda mindless sketching til I hit what it is I wanna be doing
keii’ii (Heart of Keol)
Make panel borders (not really a routine though, at least I don't think it is)
Tuyetnhi (Only In Your Dreams!)
When I do watercolor, I usually don't do warm ups unless I'm planning from thumb-> sketch ->color thumbs and figuring out local colors for watercolor then doing my watercolor flats from there
Deo101 [Millennium]
Instead of staring at a blank screen and waiting, making little circles or scribbles or drawing like. Some arms or something til, eventually, my brain thinks we're working and then it's like "ah yes! Here we go!"
Tuyetnhi (Only In Your Dreams!)
but digitalllyyyyy I shoullddddddddd
my brain when looking at my comic: "aight time to do the thingy lmao"
Deo101 [Millennium]
If I've already got a sketch waiting to go I can jump right in though
Tuyetnhi (Only In Your Dreams!)
idk, I should but my time is usually limited so I haven't done a warm up in a while lmao.
now I have the time, I probably would
Eightfish (Puppeteer)
ohh i see
like some quick sketches
i see how that can help- whenever i'm figure drawing or drawing people in a cafe or something my later ones are always better
how is making panel borders a warm up? don't you have to do that anyways?
Deo101 [Millennium]
Lines with intent! Doesn't matter what the purpose is, same kinda thing as drawing a bunch of straight lines in a row or practicing ellipses a bit
keii’ii (Heart of Keol)
It's something I can do with my brain turned off. While I do it, it wakes up the comic-making part of my brain
Tuyetnhi (Only In Your Dreams!)
oh ye
Deo101 [Millennium]
Which I'd encourage doing things like drawing a ton of ellipses or straight lines, it gets your hand into the groove so you can draw stuff right the first time
Do I do it often? No But I do encourage it
Eightfish (Puppeteer)
ah i see keii
keii’ii (Heart of Keol)
So for me, the panel borders can function like a warmup without being a "ritual." Kinda like if you're... say... hiking, walking from your parking spot to the trailhead can be a warmup even if it's not a ritual and is necessary anyway
Tuyetnhi (Only In Your Dreams!)
ooo that's an interesting way of putting it
... man I really should consider warm ups often. I have been touching my sketchbook less and less so lmao
I do find making small thumbs and coloring them in relaxing for me, not sure that count as a warm up but its something I like doing when planning out watercolor illustrations lol
keii’ii (Heart of Keol)
Relaxing/chilling/ "reward after a long day" arting is also an interesting topic, though not 100% suitable for this week's question...
I find it interesting how a lot of people seem to like, make cute ship doodles, whereas I uhhh
Eightfish (Puppeteer)
lineart is the easiest for me to do though. I don't have to think much about it
maybe i should like line a page as warm up?
keii’ii (Heart of Keol)
I'll drop some examples in art share in a bit
Eightfish (Puppeteer)
ooh please do(edited)
keii’ii (Heart of Keol)
That sounds like a good idea! Worth trying
Feather J. Fern
I actually read in a artist self care comic "Draw Stronger: Self Care of Artist" that you are supposed to stretch and stuff before you art so your body is warmed up for long periods of sitting. Things i draw before getting into main art, the one line challenge where you draw something using one line, gesture drawing warm ups, and always becuase it's something I recently been doing, is drawing a thumbs up on a page that I can erase later or keep in a sketchbook as in like "Good job "(edited)
Cap’n Lee (Flowerlark Studios)
I don't have a warm-up routine before I sit down and draw / write comics. Besides making a cup of coffee before I dive right in. (edited)
sssfrs (JOE IS DEAD)
I don't follow rules
snuffysam (Super Galaxy Knights)
i don't really have any warm up routines. it helps that 3d art is less physically demanding than drawing. during/after my work, i try to look away from the screen and relax my eyes every so often, but i can't think of anything i specifically do before working.
Erin Ptah (BICP | Leif & Thorn)
Another dive-right-inner here. I mean, I do loose pencil sketches before putting down lineart, but it's not like a separate warmup drawing before the real one, it's just the start of the real one.
If my brain isn't in "comics mode" and I need to get a page done...I find a nice secluded spot, sit down with the blank sketchbook, and stare at the empty paper until ideas start clicking into place. Unrelated sketches would be a distraction at that point -- same as checking twitter, just one more excuse for my brain to focus on something other than the page.
Used to do the seclusion in local restaurants( whether it's a nice place or just a plastic fast-food table), but obviously that hasn't been an option for a while :/
varethane
My warmup is working eight hours at an unrelated job l-lol
eli [a winged tale]
Haha aw that’s a mood
Miranda
Oh boy do I feel that
shadowhood (SunnyxRain)
oh that got real
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