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theonetheycallhannah · 4 years ago

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The Treatment of Captain Syverson-Chapter Eight: Heat/Ice

Pairing: Captain “Sy” Syverson x OFC (Shane Benton)

Summary: Playing hooky leads to more delicious food (Sy cooks! Swoon!), some deep conversation, and new revelations about Shane’s past.

What? You’re behind? Don’t worry! CLICK ME to catch up before reading this chapter!

Word Count: 2.5k

Warnings: Language, mature themes, more food sluttiness, shameless nerd speak, unfettered and shameless sappiness.

Author’s Note: So, guys, I’m sorry. I really wanted to get this chapter to you Sunday. Life has just been a bit disheartening of late. Between being upset over some personal turmoil some friends are going through (two of my oldest friends are getting a divorce!) and coming home from work utterly exhausted on all possible levels, it’s been hard to write about lovey dovey things. As I said in my recent reblog of my masterlist, though, I’m working on some prologues, one for each character. I don’t plan on them being terribly long, but I want you guys to have some more back story.

Disclaimer: Unfortunately for me, Henry is not mine, le sigh, and all mention of him, his characters, any characters from his films, or his precious doggy, Kal, are strictly for transformative and recreational use. I neither ask for, nor accept payment for the work I post on Tumblr or AO3. Unbeta’d because this is for fun and escapism.

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Hope I’m not forgetting anyone! If you want to be notified when I post a new chapter or work, I’ll be happy to add you to my tag list! Stricken blogs are getting personal messages from me when a new chapter is uploaded because Tumblr’s faulty tagging system will not stand in the way of me delivering what the people want!(?) lol! (Although…their lackadaisical notification system might…sorry for that. I have no control. lol!)

It was hard to feel guilty for calling out of work for the afternoon under false pretenses when she was curled up on the sectional in Sy’s “nerd lair” with his head in her lap as they watched John Wick on the massive TV he had down there.

“You mean to tell me we watched the entire Bourne franchise upstairs on that…that iPod Touch, by comparison, when we could have watched down here on this majestic monolith!? In what is essentially a theater!?” She’d asked immediately, derailing the grand tour of the museum of things she would soon find amazing.

“Hey, I haven’t been coming down here a whole lot since I hurt my knee. Stairs haven't exactly been easy or, ya know, possible. I had my gaming computer down here for weeks, too, couldn't do a damn thing about it, because I didn't trust a'one of my buddies or my neighbors to haul her up the stairs for me. Leia's a custom machine worth thousands a' dollars. If she's getting' broke, it's all gonna be on me."

"You named your gaming computer? Leia?" So many emotions were flooding her. Adoration, sympathy, lust, and just a sheer need to squeeze the bejeezus out of him.

"Yeah, it's a common thing. And…not to be that guy, but…you do know who Leia is, right?

"If by Leia, you mean Leia Organa, Princess of Alderaan, true daughter of Darth Vader, adopted by Bail Organa at birth, sister of Luke Skywalker, hero of the Rebellion against the Empire?"

"Hey, I thought you wanted to take things slow, sunshine." he pulled her close, flush with his body. "Then you go talkin' all sexy to me like that." he lingered at her cheek with light kisses.

"Well, you did the same with your baseball talk the other night." she moaned into the contact with relish.

"I can't help it if certain sports terms have made their way into everyday speech. Your…exposition there, about my boyhood crush was intentional."

"You had a crush on Leia?" he nodded, shyly. "I had a crush on Han! Heck with Cap and Widow, THERE'S our couple's costume for next Halloween!" she said, excitedly!

"Oh, I didn't know you were talking about costumes for public use." he said, a naughty smirk in his eye.

"Stop it, you. Finish your tour. I want that soup on the stove." she said, patting her tummy.

He showed her the various memorabilia he'd procured over the years. Posters from a few of her favorites, and a few others that she recognized but wasn't as excited about. Die Cast models of several famous film vessels and vehicles, and a "life size" LEGO R2-D2 which would have had her salivating even if she hadn't been hungry. Apparently it took him almost a month to assemble the droid, but he did it all by himself.

"Aww…I wish I could have helped." she lamented.

"Maybe I'll pick up the Death Star and we can do that one together."

She nodded excitedly, eyes wide, rubbing her hands together in front of her chin with greed.

"Okay, little mouse." he chuckled. "Let's fill that belly and start this movie."

They filled massive bowls with generous portions and took the crackers down stairs so they could start the marathon. If they wanted to get through all three films tonight, they'd best get started.

They were both fairly quick eaters out of habit given her often truncated lunch breaks and his typical ten minutes in the mess hall. Even savoring the delicious creamy, cheesy concoction, as she tried to do, it was hard to slow down on. It did give her something to focus on during the first, emotionally devastating part of the film though. Once she finished, she expressed a final groan of delight and thanked Sy, kissing him on his cheek as she held the other. She felt the smile bloom across his face as she prolonged the contact.

They were about halfway through the movie, a big fight scene in a night club, when something dark and grim hit Shane in the chest. Watching Keanu Reeves pretend to beat up and kill all of these actors and stunt men, it occurred to her that the man with his head resting gently on her lap, long body taking up the rest of that side of the sectional, had fought and killed. The man letting her play her fingers through his hair and beard had shot and blown up people. He was told to do it. Ordered to do it. But even though he was doing it lawfully and by military order, as far as she knew, it was still his job…at least some of the time. She knew that was an oversimplification of the function of the armed forces, but…sometimes, it was an apt description.

She had never thought of Sy like that before. Someone other than the strong but gentle teddy bear that had come to be such a comforting presence in her life. She needed that, after all she'd been through…she tried not to think about the hurt of her last relationship. She hadn't discussed it with Sy. It was history. Ancient history. But she was, after all, a believer in the fact that those who knew nothing of the past were doomed to repeat it. She'd tell him…one day. Everything that Elliott had done to her…had put her through. But not tonight. Suddenly, she thought being on the arm of a soldier, someone who'd lived the kind of life that Captain Logan Syverson had lived, might make her feel more safe than she had in ages.

"You're awful quiet, sunshine." he said, cracking a beer open and handing it to her before doing the same for himself and sitting down with his thick arm around her.

"Just…trying to be respectful of the movie experience. You know." she smirked at him as the menu music to the second movie played.

"It ain't that. I know this is still new, what we're doin', but I've watched enough movies with ya over the last few weeks to know that you don't keep quiet for a full length feature." Shane worried the tab on her cold Miller Lite. She wasn't sure how to bring this forward. "Spill it, sweetheart. What's eatin' ya?"

"What…what do you think about when you're watching movies like this, Sy?"

"Guess, same as anybody. How awesome the fighting and driving is. Wondering when Keanu got to be a badass. And if there's really an underground society of assassins. Why, hon?"

"I, umm, I only wondered if it…it doesn't make you miss…your job?"

The smile he gave her was both bemused and amused. "Come 'ere." he prompted her to lean her head into him, and sat his beer down on the buffet behind the couch so he could better hold her. "Do we need to go over the function of a captain of the Army of These United States? Because as flattered as I am that you think so highly of me, I'm no John Wick, nor do I know anyone like John Wick. Or five guys that would make one John Wick. Ten guys. Maybe twenty."

"The fighting doesn't bring anything back?" she smoothed the creases in his shorts as she tried not to act like she was over thinking his past.

"That fightin’s…it's like dancing. It's choreographed, precise, and the outcome is predetermined. Real fights are the exact opposite. They're chaos, unpredictable, and the right guys don't always win. Trust me, I've seen a lot of them go south in a big way." they both let a moment of silence pass before Sy broke it. "What’re ya really askin’, Shane?"

She wanted to ask so many things. The questions seemed to clog the ventricles of her brain like leaves in a rain gutter. Bottlenecked traffic.

"I just…couldn't help but think…about things you must have had to do when…when you were active, and I just…if you need to talk about anything, I'm here." She imagined that taking someone's life, no matter how personal or impersonal the act itself seemed on the surface, would create some level of emotional scarring.

“Oh, sweetheart." he kissed the top of her head, making her feel as warm and cozy as the soup had…perhaps more so. "You are important to me for so many reasons. You've shown me how to smile again. Laugh. Real, genuine happiness. No sarcastic shit like I had to use on my men in my squad. But although I'd feel comfortable talkin' to ya 'bout near anything, there's a counselor on the base who's specifically trained to help guys like me. Who've seen what I've seen and been through…similar situations. He makes sure I don't feel like less of a man for what happened to me. You make me feel…like more than a man…something stronger than I thought possible."

She was straining hard to corral the tears within her waterline, but they broke free when he squeezed her tightly to him with both of his massive arms.

"So…that HEP I gave you is working?" she laughed, knowing full well that his home exercise program had no bearing on the strength he meant.

"Come on, Shane." he raised an eyebrow at her, challenging her to see herself the way he saw her. "Them handouts you give me don't mean a hill o' beans in this conversation and you know it. The way you hold yourself, speak to others. There is so much quiet strength in your kindness that comes right out of your beautiful little heart. Some days I'll see you working with kids, if I get in early, and I know they annoy you and freak you out, but you never let that show." He looked into her eyes, misty from emotion, and he wiped away the tears from her cheeks. "I'll never be able to explain it right, the way you inspire me to be a better and stronger man. And my heart just breaks to hear you put yourself down. And don't say you're just kidding, because I know you think you are, but behind every one of those jokes is a truth, at least as you see it." He'd seen her make to argue and knew her tactic before she had attempted it. "Give yourself some credit, Shane."

"I'm too busy blaming myself for the bad stuff to give myself credit for anything good." she sniffed. "You're the first guy I've…I've been involved with that's acted like I was worth anything more than a meal ticket. Someone who was only suitable for enough sex to make it an official relationship just so they could have a place to live, and do whatever quasi-job was a thing. First serious boyfriend was a freelance writer, but he never seemed to be writing. Then there was the guy with the internet start-up…but he could never tell me in a satisfactory way what the company actually did…so that was brief."

He seemed to know she was bracing for something big. Something difficult. He gave her silence and stroked her shoulder in encouragement to continue. She took one of her deepest ever breaths.

"Then came Elliott. Elliott Thomas. My last boyfriend. The worst of them all. Most useless and greatest offender. I ignored all of the signs, of course. He had a YouTube channel and an Instagram that he was trying to gain followers on and become a so-called "influencer." she rolled her eyes. "He had no life skills. He had a bit of an eye for photography and he could find humor in uncommon places, which he thought made him insta-famous and vlog-worthy."

"I hate him already." Sy growled.

"Well, maybe I shouldn't tell you the rest, then." he asked her to go on. "He always seemed to find these ways to cheat on me and lie to me that I couldn't quite prove, but I was just certain of. But I just…I didn't want to believe it. I wanted THAT one to work. Well. I came home one night after work, and he had another girl in our bedroom. I told him he had until the next day when I got home to leave. Things got a little physical, but I can hold my own." she said, proudly, "and I bolted with my purse. I stayed with Heather, our evening secretary, and we hashed it out, and got a little blitzed on moscato, and cried together."

"Wow."

"He was gone the next day. All I heard from my landlord was, 'you shouldn't be hearing from him anytime soon.' so I guess he had his cop buddies send him a message. He blocked me on all social media and I haven't heard a peep from him since. That was five years ago."

"What a scum bag." he stated, obviously.

"Yeah, I haven't been able to really think about a relationship since then…until…" she let the word hang there, knowing they both knew what the end of the sentence was. "Until I met you." Drifting unsaid in the ether of the unspoken.

"It's been a long time for me too. I mean…I haven't quite been a monk, but I haven't…I haven't cared for a girl since…actually, I've never felt this way about anyone."

"I didn't mean to unpack all of that tonight when we're only a third of the way through our marathon. I really wasn't even going to bring it up at all. It's just…been on my mind. Ya know. I once heard a very poignant parable about keeping your mouth shut if you're warm and happy. I was attempting to do that." she chuckled.

"Yeah, but we need to be able to open up to people in this life. Keeping a bottle stopped under pressure ain't no good for the bottle. Or what's inside."

"Such wisdom. You know just what to say to me." she grinned into him.

"Just seen what keeping yourself closed off can do to a person. And the people they love."

Love…there was that word in the air. Not officially said, but felt in all ways. They held each other close as the opening to the second movie played.

Up Next: Chapter Nine-Group Therapy

#netflix sand castle #sand castle #captain syverson #captain syverson fanfic #captain syverson x ofc #sigh for sy

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skinks · 4 years ago

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hi!!! what are your favourite movies? like actually good ones but also any trashy comfort movies? is IT (2017) one of them?

Hello!! IT (2017) IS ABSOLUTELY ONE OF THEM oh man, thank you for this, I love talking about movies!!!! This is possibly the most difficult question you could have asked me. Apologies for how absolutely off the rails this got, I just... love movies so much lmao

I’ve said this before, but opening night of IT ch1 was the best cinema experience I’ve ever had, I’m so glad I got to see it with a fully packed audience who were all laughing and screaming together the whole way through. I’m a huge fan of... everything ch1 was doing, the 80s nostalgia, the summer-coming-of-age themes, the solid ghost train funhouse JOY of the Pennywise performance and scares, the washed-out cinematography, the tiny background details to make everything that much more eerie, the kids’ ACTING?!

Like, a lot of the time I find child actors can be really awkward and stilted to watch, but I remember leaving the cinema really impressed by JDG and Sophia Lillis in particular. I liked that they were all allowed to be little shitheads with potty mouths, it felt like a callback to 80s movies like The Lost Boys or Stand By Me. The whole thing worked to make me really care about what happened to the kids (even if I do still have issues with how they handled Mike. I understand even ch1 had limitations with juggling so many characters, but still). I saw it another 2 times in the cinema and have rewatched it at least, I dunno, 7-10 more times since then?

Add to all of that the retroactive CANON R+E baby pining subplot? I just love it, as if that wasn’t obvious by now given my Whole Blog. It’s a really special movie to me!

Anyway!! Ok, the main handful of movies I rewatch all the fucking time are:

Back to the Future, The Lost Boys, Pride and Prejudice (2005), Jaws, Ferris Bueller’s Day Off, The Breakfast Club, Ocean’s 11, POTC 1, The Dark Knight, Inception, Die Hard, LOTR trilogy, Snatch, The Nice Guys, Logan Lucky, Mad Max Fury Road, Clueless, 10 Things I Hate About You, Billy Elliot, Dirty Dancing, Tomb Raider (2018)...

Those are the easily consumable ones that I’ve seen so many times I don’t really have to concentrate or think about them, but I really love them and unfortunately often KEEP rewatching them instead of new stuff. It would take too long to go into why I love all these movies so much because I could write the same amount as I already did for ITCH1, and everyone already knows why those movies are good, so, lol.

I think I’m gonna have to subdivide and categorise this whole post because there are too many separate criteria for... goOD MOVIES, AUUHH 😩

Okay so first off, HORROR MOVIES? I’m especially in love with Re-Animator (1985) and its sequel Bride of Re-Animator, they’re such good examples of camp and batshit 80s practical effects, and also EXTREMELY funny. I’m actually just gonna post my list of my fave horror movies that I do actually keep on my phone at all times lmao. These are in no particular order:

Wholeheartedly recommend every one of these. I’ve never been so scared in my life as I was watching Hereditary in the cinema, hoo boy. Mother! by Aronofsky is one of the strangest experiences I’ve ever had (and I actually saw it on the same day I saw IT ch1 for the first time!! That was a fun day)

Psycho (1960) and The Fly from 1986 should also be on there but I couldn’t fit them in the screenshot.

I’m a HUGE fan of a ton of martial arts movies too, like Kung Fu Hustle, Shaolin Soccer, Ip Man, The Raid movies, John Wick 3 is my fave of the trilogy, Drive from 1997 with Mark Dacascos is incredible, SPL 2, Ong-Bak, Operation Condor, Project A, Iron Monkey, and Zatoichi (2003) are some favourites.

My favourite Tarantino is Reservoir Dogs, fave Coen brothers are Raising Arizona, The Ballad of Buster Scruggs and O Brother Where Art Thou. Love some old-timey colour correction and weird offbeat dialogue. I also love Goodfellas!!! And Donnie Brasco! And The Firm, I’m so easy for any good crime/law/gangster/heist procedural like that, especially if they’re from the 80s or 90s in a super dated way.

Fave Disney movie is Tarzan, favourite Ghibli movies are Spirited Away and Lupin III. I remember watching Spirited Away during a thunderstorm one time and it being.... god! Transcendent! Favourite Pixar movie is The Incredibles (the first one. ALSO the documentary “The Pixar Story” is great and well worth a watch, it’s very comforting for some reason) and my favourite Dreamworks movies are HTTYD1 and Spirit: Stallion of the Cimmaron.

I tend to watch more anime movies than tv shows, so stuff like Akira, The Girl Who Leapt Through Time, Summer Wars, Journey to Agartha, and my ultimate fave anime is Sword of the Stranger (2008). The climactic fight in that movie is fucking stunning and should be counted in “bests fights” lists right alongside anything live action

Also if we’re talking animated movies another hearty favourite is Rango, and a Belgian stop-motion (which at one time I considered my favourite movie ever) called Panique Au Village (2009) which is one of the funniest movies ever made imo.

As for TRASHY movies, I’m not sure if that’s the right word for how I feel about these ones but.. dumb/silly/slightly guilty pleasure movies? Ones that I feel need some kind of justification lmfao

Troy - something u must know about me is that I’m a giant slut for the Assassin’s Creed franchise, so if a movie smashes historical and mythological nonsense together with fun costumes and sword fights, I’m gonna enjoy myself. Even if they should have made Achilles and Patroclus gay. Other movies in this vein are King Arthur: Legend of the Sword, and Immortals (2011)

Gods of Egypt - I know all the reasons this movie is whitewashed bullshit. But it was already bullshit with giant Anubis mecha and giant snakes and bad acting and ridiculous CGI and frankly I had a blast at the cinema (my friend who I forced to come with me did not have a blast. Sorry H***)

Avatar - yes, the one with the big blue people. This movie gets a lot of flack nowadays but I really do enjoy it just for the spectacle. The full CGI world technology was so new at the time and I love to wallow in the visuals and daydream about riding a cool dragon around in the jungle

George of the Jungle - I’ll defend this movie to the death ok this movie shaped me as a person, it is fucking hilarious and Brendan Fraser is the himbo to end all himbos. It’s perfect. The song Dela is perfect. I still want to write a reddie AU about it. It’s one of the best movies ever made and I’m not being ironic

Set It Up - I KNOW this is a dumb Netflix original romcom but consider this; it was funny and the leads had great chemistry. I got butterflies. I once watched it and then literally immediately set it back to the start so I could watch it again

The Brady Bunch Movie - when people talk about great satires or parodies you will see them bring up the same movies over and over again, Blazing Saddles, This Is Spinal Tap etc, but they never talk about The Brady Bunch Movie from 1995 for some reason, which they should. It is one of the funniest things I’ve ever seen and every time i watch it somehow it gets funnier

Some more general favourites that I do still love but don’t rewatch as often, and don’t wanna go into more detail about are:

Moon (2009), Crna Mačka Beli Mačor, The Sixth Sense, Parasite, The Handmaiden, Tremors, Wet Hot American Summer, Tucker and Dale vs Evil, What We Do In The Shadows, Hunt For the Wilderpeople, The Secret of My Success (I love kitschy 80s movies, is that obvious by now), The Green Mile, When Harry Met Sally, Rear Window, The Odd Couple, Breaking Away, Pan’s Labyrinth, To Kill A Mockingbird, The Eagle, Gladiator, The Artist, The Extraordinary Adventures of Adèle Blanc-Sec, Call Me By Your Name, Master and Commander, Pacific Rim, Kiss Kiss Bang Bang, Legend (1985), Emma. (2020), Flash Gordon, Trolljegeren, Hross í Oss, Beverly Hills Cop, Coming to America, WarGames, District 9, Ajeossi (2010), Tracks (2013), Sightseers, Mud (2012), Pitch Black, Four Lions, Shaun of the Dead, Starship Troopers, The Truman Show, Withnail & I....... Jesus Christ ok I need to stop

NOTABLE EXTREME FAVOURITES that I didn’t include in the regular rewatch list because they’re too heavy/not as well known/require more attention.:

Thin Red Line (1998), Badlands (1973) both dir. Terrence Malick

Malick’s brand of dreamy impressionistic filmmaking is something I find really appealing, both of these movies are gorgeous and unusual and poignant and, in the case of Thin Red Line at least, have a lot of things to say about a lot of rough subjects. I don’t totally understand all those things sometimes, but a theme with a lot of my favourite movies is that I’ll be more likely to love something long-term if it raises unanswered questions, or is surreal/esoteric etc. Plus the cinematography is incredible, and I wish there was a way to get Jim Caviezel’s narration from The Thin Red Line as an audiobook because it’s very poetic and soothing.

Let the Bullets Fly (2010) dir. Jiang Wen

This movie is WILD, it’s so much fun. It’s sprawling and intricate and epic and smart and really fucking funny, it! Has! Everything! A gang of very tolerant outlaws!! Jiang Wen’s beautiful broad chest!!! Chow Yun Fat absolutely DECIMATING the scenery, and the two of them outsmarting each other in order to gain control of a small Chinese town!!! Plus it’s long, but it packs so much nonsense and intrigue that it goes by really fast. Wow what a flick

A Field in England (2013) dir. Ben Wheatley

I know I included this in my horror list but aaaaahhh ahhhh Wheatley is one of my favourite directors (he also made Sightseers, and is directing the Tomb Raider sequel which makes me absolutely rabid.) This is a surreal black-and-white psychological horror black comedy set in the English Civil War about some deserters who may or may not meet the Devil in a field. People eat mushrooms. It’s bonkers. I love being blasted in the face with imagery that I don’t understand

Mandy (2018) dir. Panos Cosmatos

Speaking of being blasted in the face!!!!! This movie... I saw it in the cinema and I can’t even begin to explain the experience, but I’ll try. My favourite review site described it like this:

“...somewhere between a prog album cover come to life and a metal album cover come to life, and subscribes to both genre's artistic tendency towards maximalism: what it ends up being is basically naught else but two glorious hours of being pounded by bold colors...”

So, prog and metal are my two favourite genres of music. This movie opens with the quote “When I die, bury me deep, lay two speakers at my feet, put some headphones on my head and rock and roll me when I'm dead.” and then a King Crimson song, it is SURREAL to the nth degree, it’s violent and bizarre and Nic Cage forges a giant silver axe to destroy demonic bikers and there is a CHAINSAW DUEL. A galaxy swirls above a quarry. Multiple animated horror nightmare sequences. At one point a man says “you exude a cosmic darkness” and releases a live tiger. At another point Cage says, in a digitally deepened voice, “The psychotic drowns where the mystic swims. You’re drowning. I’m swimming.” and I haven’t stopped thinking about it for two years

Paper Moon (1973) dir. Peter Bogdanovich

Really fantastic movie set in the Great Depression (and also in black & white) about a conman and a little kid who may or may not be his daughter, running cons across the Midwest. It’s beautifully shot, so sharp and sweet and the progression of their dynamic is really well done because they’re played by an IRL father and daughter. Tatum O’Neal was NINE YEARS OLD and she’s so amazing in this movie she’s actually the youngest person to win a competitive category Oscar. I keep trying to get people to watch this fbdjfjdbf it’s wonderful

Alpha (2018) dir. Albert Hughes

THIS MOVIE IS A VICTIM OF BAD MARKETING ok, the trailers made it look like some twee crappy sentimental Boy And His Dog Adventure, plus it had voiceovers in American-accented english? That’s a total disservice to one of the coolest things about this film; the fact that they got a linguist to construct an entirely original Neolithic language that all the characters speak for the entire runtime. And yes, it is eventually a Boy And His Wolf adventure, but it’s COOL and fairly brutal, and it has some really incredible cinematography. The landscapes are so strange and barren and alien, you really get the sense that this is an ancient world we no longer have any connection to. And it’s also about like, the birth of dog & human companionship sooo it’s perfect.

Free Solo (2018) dir. Elizabeth Chai Vasarhelyi, Jimmy Chin

The Free Climbing Documentary. I loved climbing as a kid, I love outdoor sports, and I love movies that elicit a physical reaction in me, whether that’s horny, scared, real laughter, overwhelming shivers, or in the case of Free Solo - HORRIBLE SWEATING TENSION. Like, I knew about Alex Honnold beforehand because of this adventure film festival I go to every year and I followed him on IG so obviously I knew he lived, but the actual climb itself was torture. My hands sweat every time I see it!! It’s incredible, such a cool look into generally what the human body can do, and more specifically, why Honnold’s psychology and life means he’s so well suited to free soloing. It’s such an exercise in getting to know an individual and get invested in them, before they attempt something very potentially fatal.

Brokeback Mountain (2005) dir. Ang Lee

I can’t even talk about this. When I was around 13 I snuck downstairs to watch this on TV at 11pm in secret, and my life was forever changed. I wouldn’t be who I am if I hadn’t seen Brokeback at the age I did. I seriously can’t talk about this or I’ll write an even longer essay than this already is

God’s Own Country (2017) dir. Francis Lee

The antidote to Brokeback Mountain, I’m so glad I managed to see this one in the cinema too. It makes me cry every time, as someone who’s spent years working on a cold British farm with sheep it was very realistic, which is expected since Lee grew up on a farm in Yorkshire. I love that this movie isn’t really about being closeted, but about being so emotionally repressed and self-loathing that the main character finds it so hard to accept love. Or that he deserves to be loved. The cinnamontographies.... lordt... but also the intimacy and sex scenes are fucking searing wow who hasn’t seen this movie by now. 10 stars. 20 stars!!!

Tomboy (2011) dir. Céline Sciamma

I saw this years ago but I’ve never forgotten it, it cut so deep. It’s from the director of Portrait of a Lady on Fire and it’s about a gnc kid struggling with gender and misogyny and homophobia in a really raw, scrappy way, it reminded me very much of my own... childhood... ahh the central performance is amazing for such a young age. I haven’t seen Portrait yet but I feel like if you went nuts for that, you should definitely check this out, it’s lovely.

Donnie Darko (2001) dir. Richard Kelly

EVERY TIME I WATCH THIS MOVIE I UNDERSTAND LESS AND LESS and that’s what I love so much about it. I love surreal movies, I love time-fuckery and stuff about altered perception etc etc and Donnie Darko scratches all my itches. I wish I could find a way to figure out an IT AU for it, because I know it would work! Somehow! Plus it’s got the subdued 80s nostalgia and I found it at an age when I was really starting to explore movies and music and the soundtrack FUCKS.

Offside (2006) dir. Jafar Panahi

I wish more people knew about this!!! It’s an Iranian film about a disparate group of women and girls who are football fans and want to watch Iran’s qualifying match for the World Cup, but women aren’t allowed into the stadium, so they all get thrown into the Stadium Jail together? They don’t know each other beforehand, but it’s about their changing relationships with each other and the guards and just, their defiance alongside hearing the match from the outside and WOW it’s so lively. Great dialogue and very funny, and such a different kind of story from anything you usually see from Hollywood.

The Fall (2006) dir. Tarsem Singh

This movie... I guess it’s the ideal. This is the platonic ideal of a film for me, it has fantasy, magical realism, glorious visuals, amazing score and costumes and production design and a really interesting, heartbreaking relationship at the core of it. I don’t know why so many of my favourite films feature incredibly raw performances by child actors but this is another one, Catinca Untaru barely knew any English and improvised so much because of that, and it’s fascinating to watch! Also the dynamic with Lee Pace is one of my favourites, where a kid forms a friendship with a guardian figure who isn’t their parent, but the guardian grows to really care for them by the end. It’s like Paper Moon in that sense. What is there to even say about this movie, it’s pure magic joy tempered and countered by genuine gutwrenching emotional conflict in the real world, it’s also ABOUT old moviemaking, in a way, and it’s stunning to look at!

Mad Max Fury Road (2015) dir. George Miller

I know I included this in my “most rewatched” section but it deserves its own thing. We all know why this movie is fucking incredible. I remember clutching my armrests in the cinema and feeling like my skeleton was being blasted back into the seat behind me and tbh that is the high I’m constantly chasing when I go to see any movie. What a fucking gift this film is

Théo et Hugo dans le Même Bateau (2016) dir. Olivier Ducastel, Jacques Martineau

I only found this movie last year and it became an instant favourite. Initially I was just curious because I’d never seen a movie with unsimulated sex before, but it’s so much more than the 18 minute gay sex club orgy it opens with. No, not more than, AS WELL AS. The orgy is important because this movie is so candid and frank about sex and HIV treatment in the modern day, it was eye-opening. Another thing that really got me is that I’d never seen a real-time film before. It’s literally an hour and a half in the lives of these two men, their intense connection and conversation and conflict in the middle of the night in Paris, with some really nice night photography and just!!! Wow!!! AMAZING CHEMISTRY between the actors. This is such a gem if you’re comfortable with explicit sexual content.

Ok. This is already over 3k but film is obviously one of my ridiculous passions and I can and do talk about it for hours. I’ve been reading magazines about it for years, listening to podcasts and reading review blogs and recently, watching video essays on YouTube because the whole process is so interesting to me and I want to learn more!!

Recently I’ve been thinking a lot about the concept of valuing form over narrative. The idea that story can often come second to the deeper physical experience and emotional reaction that’s created by using ALL the elements of filmmaking and not just The Story, y’know? Whether that’s editing, shot composition, colour, the sound mix, the actors, how it should all be used to heighten the emotional state the script wants you to feel. And so, I think for a few years now this approach has been influencing the types of films I really, really love.

I think I love surreality and mind-bending magical realism in films specifically because the filmmakers have to use all those different tools to convey things that can be way too metaphysical for just... a script? I’m always chasing that physical response; if a movie can make me stop thinking “I wonder what it was like to set up that shot” and instead overwhelm that suspension of disbelief, if I can be terrified or woozy or crying for whatever reason, that’s what I’m looking for. That’s why I watch so many fuckin movies, and why I’ll always remember nights like seeing IT (2017) for giving me another favourite.

Thank you again for this question, I didn’t mean to go so overboard. Also there’s no way to do a readmore on tumblr mobile so apologies to anyone’s dashboard 😬

#long post #films #this is like bill hader being asked to pick his fave comedies and he gives a 4 page list #he has such good taste though ahhahbfhfhfhh lemme talk with him nonstop about movies while i ride him. thank you

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calliecat93 · 4 years ago

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Callie’s Disney Princess Retrospective: The Little Mermaid

(Snow White) (Cinderella) (Sleeping Beauty)

By the time of 1989, The Walt Disney Company was in it’s Dark Age. Walt had passed, the Nine Old Men were retiring, and their films were viewed as jokes. The Dark Age tends to get what I feel is an overly harsh reputation, but that’s not what we’re here for. The cold hard truth is Disney was a shadow of its former self. Their films just weren’t getting the same praise as they once did, and now with Don Bluth gaining success, with films like An American Tale and The Land Before Time, they weren’t even the top studio anymore. Their lowest point was the colossal failure of The Black Cauldron and while films like The Great Mouse Detective earned some praise, it was just never enough. They’d start getting some steam with Who Framed Roger Rabbit? but considering that they commissioned Richard William’s studio in England over Disney’s own animation studio, it seemed that even the company itself was losing faith in their own talents.

That all changed, however, with the release of their 28th animated feature. This would be the film that changed everything. It brought Disney back into prominence after years of being laughing stocks. It would enter the animation medium into its Renaissance, a time still fondly remembered by many. And for the purposes of this series, it is the film that both resurrected and revitalized the Disney Princess franchise. All of this would be due to 1989’s The Little Mermaid.

Overview

Ariel is a mermaid, but she dreams of one day being able to be part of the human world. Always collecting whatever surface world treasures she can find, to her father’s disapproval, Ariel one day stumbles upon a ship celebrating the birthday of the handsome Prince Eric. It’s love at first sight, but as he is a human, her father King Triton reacts negatively. Hurt, Ariel goes to the sea witch Ursula, who grants her human legs at the cost of her voice. To remain human, Ariel has three days to get Eric to fall in love with her and kiss her. But Ursula has her own wicked plans for Ariel, plans that will endanger both land and sea. Will Ariel be able to get Eric to fall in love with her and become part of his world? Or will Ursula triumph?

Review

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I have been waiting for this day for SO LONG. Do you want to know why I decided to do this series, to begin with? Aside from 2020 driving me to insanity? It’s because while the complaints against the Disney Princesses in general have frustrated me for as long as I can remember, there were two in particular that always made my blood boil because they made no sense. Cinderella was the first one, which I already covered. The other? Ariel. I think you all know what I’m referring to here, but let’s put a pin in it for now. We have a LOT to discuss before we get to analyzing Ariel herself. First, let's go over the film.

The film is based on the story of the same name by Hans Christian Anderson. Walt himself had actually planned it long before, but sadly was never able to make it a reality. When the directors pitched it, at first it was denied due to Disney having already releasing a mermaid film called Splash not too long ago. But it was allowed to continue to be worked on as a future project and after a great deal of tweaking, expansion, and reworking, it was approved as a feature film to come out after Oliver and Company. There were a LOT of changes from the original story. The sea witch went from neutral to the villain, characters were expanded and added, and of course the story of unrequited love that ended with the little mermaid committing suicide was thrown out all together. A lot of the story basis was still there, but Disney was taking it and making it their own arguably even moreso than with the Classic Three.

The animation is fantastic. Many of the films prior like The Rescuers and Oliver and Company, while they looked nice, had this… roughness to it. I mean they were outright recycling animation for a good while, with Robin Hood being the biggest example. But the animation here is some of the nicest, most fluid that they’ve had in quite a long time. It’s colorful, expressive, and grand in feel. This is especially true with the musical numbers. I mean Under the Sea has SO much going on, and it is a true spectacle! It’s especially prominent when Ariel is mute. Since she can’t express herself with words, the animation had to be on point so that we could still understand her thoughts and feelings. They did an amazing job. From things like her visual glee at being human when going to bed the first night, to her annoyingly blowing her bangs during the canoe ride, turning into excited glee when Eric guesses her name. It helps Ariel feel more like a three-dimensional character and illustrates everything to us that words couldn’t at that point.

The biggest animation challenge for this film would be to convincingly portray the illusion of being under water. They had to convince us that Ariel was living under the sea, and I’d say they did a pretty good job. It is no easy task and trying to describe it is… hard. But I never had any doubt that they were underwater, especially compared to the scenes that were on the surface/ just look at how Ariel's hair is constantly flowing compared to how it sits when on the surface. It’s that attention to detail that I always appreciate. The opening especially, seeing the underwater landscape thriving as we see the silhouetted merpeople until the grand reveal of King Triton’s castle. Not to mention the seashore setting of Eric’s own castle and kingdom, a perfect match for this sort of movie. As someone who loves water/seaside settings, it’s always a joy to see!

While several of these people worked on the Dark Age films, this is really the first film that allows the then-new talent of Disney to shine. The directors were John Musker and Ron Clements, who are VERY important names to the Princess line. They not only gave us Ariel but also Jasmine, Tiana, and Moana. They’ve been attached to many of Disney’s most beloved films and event cult classics like The Great Mouse Detective and Treasure Planet (both of which you should watch). You also have animators such as Glen Keane, who would go on to animate Pocahontas and Rapunzel and work on some of the future princes (The Beast and Aladdin), and Mark Henn who would animate Belle, Jasmine, Pocahontas (alongside Keane), Mulan, and Tiana. They both would be the supervising animators for Ariel, and go on to have very successful careers in future productions.

But this film also gave us what may have been the best decision that the new management ever made. For the music, they hired lyricist Howard Ashman, who chose composer Alan Menken to collaborate with him. I cannot stress enough how important these two’s contributions were for this (and the next film we’ll be discussing) production, especially the former. Ashman became very passionate about this project and was very influential on it’s direction to the point of being credited as a producer. Menken of course would go on to have a LONG, successful career as a composer on many of the Renaissance films. Many of which we’ll be touching on in this retrospective. These guys won two Oscars for The Little Mermaid for a reason.

I haven’t talked a whole lot about the music in these films outside a little bit about the main song. That’s because while not unimportant, the music didn’t really move the story along. Like Someday My Prince Will Come/ is cute, but does it really drive anything forward? Or tell us anything about Snow White that we didn’t already know from I’m Wishing? Not really. Ashman, using his stage musical experience, wanted to use that kind of styling with The Little Mermaid. To use music to add depth to both the characters and to the story. We’re all used to most Disney films being this Broadway-esque spectacle nowadays, but this film was the first to truly do so. Considering how this formula is still being used to this day, I think it’s safe to say that it was VERY successful. Again, the music won two Oscars for a reason. Heck for a LONG time, the music was all that Disney was able to win from The Academy, so that says a LOT as to how good this was.

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So now that we’ve made it here, I’m going to discuss the vocal tracks individually and give my thoughts on each of the major ones:

Fathoms Below: Might be the most underrated song of the bunch. It’s in the style of a sea-shanty discussing the legends of what is below the sea. It’s a great intro to the film, letting us know right off the bat what kind of movie we are in for. I know that it sure had me invested~

Part of Your World/Reprise: I’m gonna go more into depth on the song’s meanings when we analyze Ariel, but this song is perfect. It’s the song that tells us Ariel’s wants and dreams and Jodi Benson does such a great job putting so many different emotions into it. The animators also did a fantastic job with the expressions, fully showcasing Ariel’s longing, sadness, and desperation to be part of a world that she cannot. The reprise equally does a great job showcasing her evolving revolve, going from ‘longing’ to ‘determined’. The song is fondly remembered for a reason… and it almost didn’t make it into the film. During screen testings, Jeffrey Katzenberg (the studio head at the time) wanted the sequence cut as the kid audience was ‘bored’ and ‘restless’. The directors and Ashman HEAVILY disagreed and argued back, with Glen Keane ultimately being the one to convince Katzenberg to keep the scene. Thank God for it because this adds such a strong, emotional core to both the story and to Ariel’s character and it would have taken so much away if removed. I love it~

Under the Sea: This was the number that won the Oscar. I… find it the most overrated track tbh. Not that it’s bad, FAR from it. It’s probably the best animation-wise with how much is going on. Sebastian somehow managed to conduct… all the sea life into a mass spectacle that certainly had me convinced to living under the sea. The calypso style is very fitting and fun, and Samuel E Wright sings it with so much passion. I guess that I find it overrated because I just like other songs more, but this is still a true showstopper that’s worth revisiting.

Poor Unfortunate Souls: Aside from I think Cruella DeVille (and even then Roger’s the one singing it), I think that this is the first true villain song in a Disney film. If so, then they started on a GLORIOUS note. I love this song! It was THE perfect song for Ursula. The first half with her fake reformed villain act but with this condescending air to it (Pat Carroll’s delivery with the ‘Pathetic’ line is perfection) was already grand, but the second half? Pat Carroll just lets loose and goes utterly insane. It is AMAZING and has so much charisma to it that you can’t help but be invested. It’s also very creepy, especially in the end with Ursula's cauldron bubbling and especially how she takes Ariel’s voice. This would inspire many great villain songs in the future and to this day remains one of the all-time greats.

Les Poissons: I never thought that seeing a chef cook would be so horrifying… the song is fine. It’s a silly sequence, albeit morbid from poor Sebastian’s perspective, and Rene Auberjonois did a fantastic job despite the song being pretty short. It’s my least favorite track, mainly because it doesn’t really add or enhance anything. But it was fun… poor Senastian though XD

Kiss the Girl: The love song of the film. I love the animation for this one. I mean what’s more romantic than taking a canoe out on the lake? That’s where I’d want my first date to end! The mood is set so well with the use of shadows and once more, Sebastian is able to conduct a spectacle effortlessly. Once more Samuel E Wright does a fabulous job singing, this time with a serenade style. Even if poor Scuttle didn’t get the appreciation that he deserved. Let the seagull sing, dang it! The only thing that ruins it is the eels capsizing the canoe, jerks! But yeah a beautiful serenade that is bound to convince anyone to… well, kiss the girl XD

And that’s not even getting into Alan Menken’s score! Alan Menken is my favorite composer of all time, so I love everything that he has ever done. I still remember the opening, hearing the instrumental of Part of Your World and immediately became invested in this film. The man is an EGOT for a reason, and this is only one of the many fantastic soundtracks that we’ll be discussing in this review. He also did some additional music for the Broadway version of the film, and there’s a whole body of demo work that he and Ashman did that you can probably find on Youtube, Spotify, or whatever music streaming service you use. Listen to Ashman’s rendition of Part of Your World, you WILL be driven to tears.

So now we get to characters… and HO BOY do we have a lot. For the sake of this review we will be going over King Triton, Sebastian, Flounder, Scuttle, Ursula, Prince Eric, and as per usual Ariel will have her own section at the end.

King Triton, while not evil, serves as an antagonist early on in the film. By all appearances, Triton is a capable ruler who wields a great deal of power due to his triton. He appears just, and for the most part he is as well as a caring father. The only problem is… well, his anger issues. Triton HATES humans and the surface world. We’re never told why aside from him calling them ‘fish-eaters’ (the DTV prequel suggests it’s due to the death of his wife, but the canonicity is debatable), but considering that his youngest daughter’s greatest passion is learning about the surface world… yeah. Needless to say, they have issues between them. But he is otherwise loving and was even excited that Ariel may have found love until he found out about their species. With how overprotective he is, that was a nice subversion despite how brief it was.

Triton often gets the ‘abusive’ label thrown against him and while I do think that that’s a little too strong, there is no denying that his hatred and anger affects Ariel emotionally. He may have seen destroying Ariel’s grotto as for her own good and is likely the culmination of however long Ariel’s been going to the surface finally boiling over. But to do this right in front of her when she is begging him to stop and outright ridiculing her for saving Eric’s life… yeah. It’s… it’s a horrifying scene that does NOT make Triton look good and is what pushes Ariel into seeing Ursula. It doesn’t matter the reason, destroying your children’s things is something that WILL scar them emotionally. To be far, the moment Ariel breaks down Triton clearly realizes that he crossed the line, but he just leaves because… yeah there was NO WAY that they were reaching a reconciliation at that moment.

Triton has a lot of issues, but the reason I don’t call him abusive and like him as a character is because after the grotto scene, he was clearly remorseful. After Ariel goes missing, he outright says ‘What have I done?” and his demeanor expresses a lot of remorse. If that wasn’t enough, I think that him both selling his soul to free Ariel AND turning her human after realizing how much she loved Eric more than showed that he has learned his lesson. Triton had to learn to allow Ariel to grow up and choose her own direction in life, even if he didn’t like said direction. It’s very relatable to how some parents struggle to let go of their children as they grow up. My only real complaint is, as I said, we don’t know why Triton hates humans so much. If we did and saw him work through it, it may have helped us understand why he was so against Ariel’s passions and not come off as needlessly cruel as he did. Nevertheless, he realized his wrongs and made it right. His hug with Ariel at the end is one that gets me every time.

The sidekicks of the film are Flounder, Scuttle, and Sebastian. IDK why they named Flounder Flounder because he isn’t… well, a flounder. He looks like some kind of tropical fish. Flounder is kind of the kid appeal character, even being voiced by a child in all incarnations except Return to the Sea since he had grown up. He is Ariel’s best friend who goes with her on her adventures, despite almost always being easily frightened. He’s well-meaning, but can cause more trouble like when he accidentally exposed Ariel’s excursion during the concert. But he’s also a sweet little guy and very loyal to Ariel. The kid outright went out of his way to somehow recover the Eric statue, which is ten times his size, and deliver it to her grotto to make her happy. That is friendship. He doesn’t really develop, but he’s a nice supporting character.

Scuttle is… well, dumb. But a fun dumb. He’s a surface creature and thus has more knowledge about surface world items than Ariel does… except he doesn’t. He’s not smart, but they manage to keep him entertaining because he’s so sure that he knows what he’s talking about. Imo, dinglehoppers are a MUCH better name for forks than forks, dang it! He tries to help, like it was his idea to try the serenade during the canoe ride… too bad that he can’t hold a note. Poor bird tried. They also DO allow him to be useful at the end, discovering that Ursula had tricked Eric and he amassed one heck of an army to humiliate her long enough for Ariel to reach the ship. It is one of the funniest AND most awesome moments in the whole film. Scuttle is just fun comedic relief who doesn’t overstay his welcome and his VA Buddy Hackett did such a great job~

But if there’s any character aside from Ariel that we remember from this film, it’s Sebastian. This Jamaican crab is the royal musical conductor and Triton’s advisor. He’s often the one who has to watch over Ariel, which clearly frustrates him on multiple occasions. Tbh, Sebastian probably has the most character development in the film. In the beginning, while understandably upset that Ariel being a no-show ruined his conducting debut (though tbf… NO ONE bothered to make sure she was in place? Really?), he’s mainly upset that /he/ looked bad. After the storm, he’s more concerned about getting into trouble with Triton than about Ariel herself. He knows how much the human world means to her, and while one can argue that Ariel /should/ be more aware of how her actions affect others, Sebastian isn’t much better. He only discourages her to save his own shell, not for her own good. Which eventually leads to him breaking and exposing what happened during the storm when he should know damn well that Triton will explode. Yeah it was because he misunderstood, but still.

However, Sebastian isn’t a bad crab. After the grotto's destruction, he immediately feels guilty and tries to apologize to Ariel, but she angrily dismisses him. He tries to convince Ariel to not go to Ursula, but as she’s still upset she bitterly brushes him off and tells him to get her father since he’s good at that. He therefore follows with only Flounder and at first, panics after Ariel is human. It’s understandable because… yeah, that’s bad. His first reaction is to get Triton to fix this, with Ariel trying to stop him. Once he sees the heartbroken look on her face, Sebastian realizes just how miserable Ariel would be back home. At this point, it's reasonable to assume that Triton will only be stricter about letting her have her ventures, and thus she’d be stuck in an unhappy life. This, along with the situation at least being partially his fault, convinces Sebastian to hold off and help Ariel win Eric over. Which he certainly tries his best.

One of my favorite scenes is Ariel going to bed and being so excited to experience these new things as Sebastian tries to advise her on getting Eric to kiss her. But he stops when he sees that Ariel has fallen asleep with the biggest smile on her face, and he just affectionately calls her a ‘hopeless child’. The affection in his expressions and Samuel E Wright’s delivery is just so sincere and it really shows that for all his bluster, Sebastian does care for Ariel. The crab is also a seriously talented conductor. Like I said, he put together both Under the Sea AND Kiss the Girl in zero time and they’re both amazing numbers because of it. He really tries hard to help Ariel and once Ursula strikes again, he decides it’s finally been long enough and gets King Triton. Sure that doesn’t go well, but at that point it was absolutely the right call. He also helps fight off Flotsam and Jetsam, willing to put himself in harm’s way to help both Ariel and Eric.

Sebastian became a much more understanding, more selfless crab over the course of the film, realizing that he needs to care less about saving his own skin and to understand why Ariel does what she does. It’s especially notable at the end. In the beginning, he advised Triton to keep a firm grip on Ariel when he asks if he was too harsh. At the end? He advises him that children have to be free to lead their own lives, which is what convinces Triton to grant Ariel legs. It’s a really nice character arc and this along with Sebastian’s two spectacular musical numbers leaves no question as to why he’s so beloved.

But what’s a great film without a great villain? For that we get one of the best, Ursula the Sea Witch. She is a fantastic villainess. She’s a large octopus woman who used to work in the palace, but for reasons unknown got banished. In early versions, she was going to be Triton’s sister which would have added a VERY twisted dynamic to the whole thing. Maybe that’s where they got the idea for Scar in The Lion King… anyways! Her design was based on Drag Queen Divine who was also going to be the VA for Ursula, but she sadly passed away of an enlarged heart before any recording to be done. After going through various performers, the production staff settled on actress Pat Carroll, who did a spectacular job. You can just tell that she is loving every single second of this role, and she has always happily returned whenever they need new Ursula material like in House of Mouse or in the parks. Just listen as she goes off the chain in Poor Unfortunate Souls that is some amazing acting.

Ursula is confident, manipulative, and a true actress. Her entire gimmick is manipulating vulnerable, insecure people into making deals with her. Deals that are pretty much impossible to keep and thus, she claims them as hers and adds them to her ‘garden’. She targets Ariel specifically because of her passion for the surface world and since she likely knows of Triton’s hatred for it AND of his anger problems, she’s just waiting for the day he screws up and Ariel is vulnerable. I’m gonna go MUCH more in depth with this when we get to Ariel, but this is SO important to note. Ursula struck when Ariel was hurt, emotional, and not thinking straight. It shows just how manipulative she can be. This is who she preys on. She knows how to sway them to act how she wants them to. She’s a saleswoman, and BOY does she sell it. It doesn't help that she gives Ariel very little personal space and manipulates her feelings for Eric to be further swayed. Yet Ariel is the stupid one because she was manipulated by a master manipulator… patience Callie, you’re gonna be able to let it out soon enough…

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Ursula works so well as a villain because of how smart and manipulative she is. Like I said, she knows how to prey on the vulnerable and insecure. But she also knows when to get herself involved. After Ariel almost kisses Eric on the second day, Ursula disguises herself and uses Ariel’s voice to hypnotize Eric. And even though Scuttle and his undersea army humiliate her and Ariel gets her voice back, she bought just enough time for the sun to set and the spell breaks. Ursula won. She captured Ariel, forced Triton to sell himself to save his daughter, and claimed ultimate power. It was a truly methodical plan that ultimately succeeded. You gotta give her props for that.

Don’t make any mistakes though. While Ursula is intelligent and confident, she /is/ still evil. I’ve seen people say that she should have won just because they don’t like the ‘abusive tyrant’ Triton. Aside from what I already said about Triton above, Ursula is shown to be far, FAR worse. I mean… I hate to use the term, but she essentially s***-shames Ariel throughout Poor Unfortunate Souls. I mean she outright calls her a ‘little tramp’ after the canoe scene, which in this context is a G-Rated way of calling her a s***. To a sixteen year old. Yeah… plus we saw how power-mad she went once she got the triton, and it didn’t bode well for either land or sea. Triton’s temperamental, but he isn’t a tyrant. Ursula’s only redeeming trait is that she DOES care for her henchmen Flotsam and Jetsam, and their death at Ariel’s hand is what provoked her to go mad with power. This was ultimately her undoing as she was so focused on tormenting Ariel that it allowed Eric to take his ship and kill her. It’s a pretty gruesome Disney Villain Death (we outright see her SKELETON FLASHING at one point), but she brought it upon herself.

If you asked me what villain helped shape many of the ones we got during the Renaissance… I’d say Professor Ratigan from The Great Mouse Detective. But Ursula was the first Renaissance villain, and she started it off right. She’s enjoyable enough that we love it when she’s on screen, but still detestable enough that we want her to lose. Many complain about doing ‘purely evil’ villains. That villains HAVE to be sympathetic or nuanced, otherwise they are poorly written. While there’s nothing wrong with sympathetic, or even redeemable villains, having a purely evil one is also perfectly fine. Disney is the master of this. Ursula’s motivation is strictly to gain power, but it works because they give her character so much personality and charisma. Petty motivation, but excellent character writing that makes us not mind. I’d say if you want to learn how to do a Pure Evil character right, study Ursula in particular along with Jafar and Hades. They’re all great examples of how to do it right.

Finally we come to our leading man, Prince Eric. So far the Disney Princes have acted more as a necessity than anything. It’s as I said in the Sleeping Beauty Review, Florian and Charming fill out a plot point and while he was more proactive in comparison, Phillip fell into the same trap. Did Eric finally break the curse? Well… yes and no. He's a firm middle ground between ‘necessity’ and ‘actual character’. He’s allowed FAR more than any of the other princes thus far. Eric is a seasman, he loves going out on the ocean in his ships. He’s adventurous, good-looking, and an overall nice guy. We see that he isn’t really into fancy stuff, outright cringing when Grimsby unveils the statue. He also isn’t interested in Grimsby trying to set him up with various noble women. Like Jasmine and to a degree Prince Charming, he wants to find love for love, but on his own time. These are the traits that attract Ariel to him. Plus he’s also heroic, going back to a BURNING SHIP in order to save his dog Max… yeah I’d fall in love with him too.

After Ariel saves him, Eric becomes determined to find her. But he only briefly saw her face and heard her voice. Funny how NO ONE gets on Eric for this while hating on Ariel, but again we’ll get to that soon enough. When he meets Ariel he recognizes her face… but since she can’t talk, assumes that she can’t be the mystery girl. Still, being a good person, he takes her back to the palace to give her shelter. It’s not long before he becomes endeared by her though. She’s pretty, sweet, and even though she can’t talk he has a good time showing her around the kingdom. It's so clear by /Kiss the Girl/ that he has fallen for her, to the point that even Grimsby points it out to him. It gets him to give up on the mystery girl which is VERY important. It shows us that Eric didn’t fall for Ariel because she happened to be the girl he was looking for, but because of who she is as a person. It shows the audience that his feelings are genuine which makes us further root for him and Ariel… too bad that Ursula goes and ruins it.

As far as personality goes, Eric is more fun than his predecessors, but he’s still stuck with the standard prince-like personality. He’s given more lines than all of them combined and has a real charm to him. You can see why Ariel would like a guy like him. He’s kind, fun, adventurous, and even a little rebellious. He is her ideal vision of what humans are like. The end of the film lets him prove himself as well, going out to help Ariel despite the danger and of course using his own ship to kill Ursula. It does cause Ariel to be a bit of a Damsel in Distress, but she DID save him much earlier and she stops Ursula from blasting him to smithereens, so it balances out. It was enough to prove himself to Triton, at least. So Eric is a nice step up as far as princes go, but we’re not quite out of the well with them yet. But it won’t be much longer, heehee XD

There’s other supporting characters that I really don't have much to say about. Ariel’s sisters are nicely designed, but ultimately bland. I think the series and Ariel’s Beginning did more with them, but otherwise there’s not anything to discuss. Grimsby is fine enough, being the closest thing that Eric has to a parental figure (where ARE Eric’s parents in all of this anyways?) and is stuffy, but otherwise a decent guy. Chef Louie is… crazy. That’s all that I can say. This film has a lot of characters, let’s put it that way. But of course, we have one more to go over. The titular little mermaid herself. I’ve been hinting at this throughout the review, so I think you all know exactly how this will go…

Ariel Analysis

I cannot stress enough how massive a step Ariel was for the Disney Princess line. As much as I have defended the Classic Three and standby all of that, there is certainly some repetition going one with them. All three are beautiful, passive, and can’t directly do much to accomplish their dreams. And at least two of them are dreaming mainly about a man, which is NOT a bad thing, but it was certainly getting old. Feminism has also been evolving since 1959, the last time a Disney Princess film came out. A lot had changed in those thirty years. Women in media could now be more proactive, take matters into their own hands, and have their own hopes and dreams that weren’t just about love while still being allowed to find love. Simply put, as much as I love Snow White, Cinderella, and Aurora, the times had changed and it was time for Disney to get with those times. Thus we got Ariel, and she was exactly the right princess to take the line into a whole new direction.

The beginning of the film is a pretty clever way to set her up. The Classic Three are known for being angelic singers, and for good reason. It’s pretty much the first thing they do when we meet them (well, as an adult in Aurora’s case) so the concert sets this up. It’s Ariel’s ‘debut” and her sisters all have the looks and angelic voices that fit the archetypal Disney Princess. But then the shell opens up… and is empty. Then we cut to Ariel, who is about to go inside a sunken ship to look for surface world artifacts. It is an excellent subversion, setting up a Classic Princess move and flipping it on it’s head. It’s shown very quickly that Ariel is adventurous and actively seeking out her dreams despite her situation instead of trying to just make do with the way things were and hoping for the best. We also get a fun sequence of her and Flounder escaping a shark, so first time a Princess got an action scene as well.

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The film very quickly establishes Ariel’s love and fascination with the surface world. Exploring sunken ships, going to Scuttle to get more information, later we see her grotto that is filled with so many items that we would consider standard, but that she considers treasures. These mean so much to her. She finds the surface world ‘wonderful’. But there are setbacks and consequences for her actions, in this case her forgetting about the concert. She didn't mean to and feels bad about it, and Flounder mentioning the reason why didn’t help. It’s clear that Ariel and Triton have been arguing about this for a long time, the latter failing to understand how much this means to Ariel and is at his wit’s end. His demands for her to stop upset her, causing her to storm out of the throne room and head for her grotto.

This leads to Part of Your World. This song/sequence is vital to understand Ariel’s character. This is the song where she expresses all her hopes and dreams. How she wants to be human. How she wants to learn more about the surface world. How she wants to experience things like walking down a street or finding out how a fire can burn. Throughout the film, we never learn how Ariel got so interested in human culture and just why she’s so passionate about it. But we really don’t need an in-depth explanation because this song conveys so much sincerity and emotion that it makes us believe in her passion. We understand how much this matters to her, and in turn it makes it matter to us. It’s why if it had gotten removed, it would have robbed Ariel of this depth and in turn, rob the film of something essential to its story. Thank God it remained intact.

This is a good time to talk about Ariel’s voice actress, Jodi Benson. Having originally been in Howard Ashman’s failed musical Smile, she was brought in originally as Ariel’s singing voice before being promoted to also doing the speaking the lines. This was not only her voice acting debut, but as far as I can tell her film debut as well. She did such a lovely job in the role. She perfectly conveys Ariel’s passion, drive, and sincerity while still coming off as a sixteen year old girl. Her singing voice has been rightfully praised, and to this day Ariel is often considered the best singer among the princesses. Benson has gone on to do other voice roles such as Barbie in the Toy Story films, Patsy and Ms. Doe in Camp Lazlo, and Aquagirl in Batman Beyond. She has continued to reprise Ariel to this day when needed and has always expressed so much love and gratitude for the film and her part in it, She’s also supported others who have done the role like Auli’i Cravallho (aka Moana) for the ABC Musical and Halle Bailey for the upcoming live-action remake. She’s a lovely woman and may she continue to do well~

Going back to the film, Ariel finds herself at a ship and this is where she sees Eric for the first time. It’s love at first sight. Of the Renaissance Era Princesses, Ariel is the one who gets the ‘love at first sight’ critique levied at her the most. Belle and Mulan of course didn’t have that issue and I usually see Jasmine and Pocahontas be given a free pass in this regard. Now of the five, The Little Mermaid IS the most blatant with the trope, but let’s look at it through Ariel’s POV. This is the first time that she’s seen so many humans up close. Eric is around her age (to my knowledge, at least. His VA was 16 at the time IIRC). It is very quickly established that Eric is jovial, uninterested in things like statues in his image, rebellious as he has rejected all the women Grimsby has arranged him with, and wants to find love for himself. He has many of the traits that Ariel herself has, being a rebellious, free-spirit teen herself. But most of all he is heroic, as demonstrated when he goes back to his burning ship to save his dog.

In other words, Eric is Ariel’s ideal vision of what people are like. She saves him from drowning, the first time that a Princess has saved her Prince, and is able to look at him more closely. She is clearly infatuated and seeing this man, this good-hearted, handsome young man who is everything that she ever dreamed of. This is what pushes her from just dreaming about being human to swearing that somehow she /will/ be human. Yes, she gets motivated by love, but the goal was there before this moment. It just became a solidified goal. One that she is going to make a reality someway, somehow. She even notes in the Part of Your World Reprise that she doesn’t know when or how, but it doesn’t matter. Compared to how fleeting her hopes were in the main song, the reprise is so much more triumphant and determined and continues to show just how important this truly is to Ariel.

Sadly however she still has one obstacle in between her and her dream; her father. The next day she is so happy and lovesick and it’s really cute, but Sebastian knows that this is going to cause major issues with her father. His big Under the Sea plea goes ignored, and Ariel is led to her grotto by Flounder, who has brought her the Eric statue. She’s so happy and acting like… well, a teenager in love. But unfortunately due to Sebastian jumping the gun, Triton finds out and he is enraged. Not only is he angry that Ariel again went to the surface, but she both saved and fell in love with a human. Thus we get the dark scene of Triton, in his rage, destroying the grotto. Every item, treasure, and relic that Ariel has gathered for who knows how long has become nothing but a pile of dust. Including the statue of the man she loves.

Say what you want about ‘love at first sight’ or Ariel being a lovesick dummy, but this is outright traumatizing. This sixteen year old girl, a girl who aside from forgetting a few engagements has done nothing wrong, had all of her hopes and dreams shattered by her own father all because of his own blind hatred. Imagine being a teenager and your parents destroying everything you love all because they hated something that you loved. Even if Triton regretted it, it doesn’t change the pain that he inflicted upon his own daughter as she breaks down. She’s so upset that she rejects Sebastian trying to apologize and just tells him and Flounder to go away. They comply, leaving Ariel to cry in her now bare grotto… that is, until Flotsam and Jetsam appear.

So.. let’s now talk about Ariel going to Ursula and accepting the deal. First, her going in the first place. When Flotsam and Jetsam bring Ursula up, Ariel… /refuses/ to go. She is aware that Ursula is bad news. She had no intention of going to her at first and outright tells the eels to leave. What makes her agree? The two knocking the remains of the Eric statue in front of her. At this point, Ariel’s pretty much been rejected by her father and all of her treasures that kept her seabound are gone, so… what’s she got left to lose? She follows and naturally Sebastian tries to stop her, but she just angrily tells him to get her father since he’s good at that.

Ariel enters Ursula’s domain, and we come to the scene. Ursula declares to have changed, demonstrates her power, and offers Ariel the deal to become human for three days and it’ll be permanent if Eric kisses her. If Ariel fails, she not only becomes a mermaid again, but she belongs to Ursula. She also has to give up her voice as payment. Now we all know the big criticism against this, that being Ariel selling her voice and leaving behind her family and all that she ever knew and loved… for some prince that she hasn’t even really met yet, let alone spoken to. Now do I see why people dislike this? Yes. It’s a very rash, very stupid decision not just for those factors, but the fact that Ariel is essentially selling herself to the devil for this one thing. None of this is a good thing… but here is the big question, does the film do enough that this makes sense for Ariel’s character? Is this something that I can see her doing?

Yes, yes I can.

Let’s look at this piece by piece. First, Ariel is clearly uncomfortable the entire time that she is in Ursula’s lair. Ursula continuously gets into her personal space, laying on the manipulation at every step. When she lays out the deal, Ariel is at first hesitant. She herself brings up that if she takes it, she’ll likely never see her family again. She’s also hesitant when Ursula lays out the terms of payment, not just because she has no idea how she’d woo Eric without it, but just the concept of losing her voice clearly unnerves her. Look at her face when she grabs at her own throat, she is NOT okay with this. Even when Ursula begins to create the brew and poof sup the contract, Ariel isn’t excited or just jumps to it without thinking. She is VERY CLEARLY hesitant and unnerved about everything.

So… why does she do it then? Well remember, she’s still emotional after her confrontation with her father. Her father has rejected her in her eyes and destroyed everything that she had worked for. At this point, her dreams and feelings for Eric are all that she has. She is hurt, emotional, and desperate and when we are hurt, emotional, and desperate we tend to make rash, even outright stupid decisions. Especially when we’re teenagers. Ursula waited to strike at this very moment for this exact reason; so that Ariel wouldn’t be thinking rationally. These are the exact kind of people that Ursula preys on, and as I said above, she knows how to manipulate them to act how she wants. She gives Ariel the offer of her dreams, assures her that she can woo Eric without talking, poofs Eric’s image up at one point, and makes it clear that she’s giving her very little time to think it over.

With absolutely nothing left to lose and it being clear that her father will never support her dreams, Ariel reluctantly signs the contract. She outright turns her head away when she signs. She KNOWS that she’s making a big choice and she isn’t 100% okay with it. She didn’t just give up her life callously for a man like some like to make out. It was a rash choice, but she had reluctance and fears about it. But it’s the only chance she’ll get to get her dream of being human and being happy, which is what ultimately drives her to make her choice. Given how she risked her life already against a shark, this is in-character for her and shows how far she’ll go for her dreams. And as we’ll see, this is going to have consequences as we near the end of the film.

So the deal is made. Ariel loses her voice and is transformed into a human. Once she makes it to shore, she gets to see her new legs, and for the first time since the confrontation, is happy. She has legs. She is human. The one thing that she had wanted for so, so long has finally come true. Naturally Sebastian wants to get Triton, but she stops him and gives him the saddest, most pleading look that I think I’ve ever seen. This is Ariel’s one and only chance to get what she dreamed of. Triton would not only stop her, but considering what happened before, who knows what else he’d do if he saw her as a human. It is 10% understandable why Ariel doesn't want him involved, especially once it would just lead her back to a life of misery. Sebastian realizes this and agrees to help her, which pretty much gets her to forgive him for what happened before.

Thus, we get to the first true meeting between Ariel and Eric. Of course, Ariel can’t explain who she is because of her voice being gone, so Eric assumes that she can’t be the same girl he saw despite her looking like her. But he sees her in the makeshift dress that Scuttle got her into and assumes that she’s shipwrecked, especially since she can’t walk well. So he takes her to the palace, and Ariel is able to get refreshed and get used to walking on legs. She is clearly delighted by everything. She is now part of the world that she longed for,, and she is loving every second of it. Sure she quickly finds out that forks aren’t combs, but hey she’s learning exactly what she wanted to learn. She is in utter bliss throughout the two days that she’s on the surface, doing thinks like learn to dance and ride a horse-drawn carriage. It’s all she ever hopes it would be.

But of course, Ariel still needs to get Eric to kiss her, or all of her dreams will end. She almost makes it with Kiss the Girl, which despite not being able to talk she made it pretty clear that she was willing and ready for Eric to kiss her. Ursula ruins that, but Ariel HAS endeared herself to Eric and he even prepares to go to her after giving up on the mystery mermaid. But of course, Ursula disguises herself as Vanessa via Ariel’s voice and hypnotizes Eric into marrying her. It’s sad because when Scuttle informs her of the proposal, Ariel is elated. She runs down the stairs, excited and gleeful… then she sees Eric and Vanessa, and you can see her heart break in two. It especially hits hard as she watches the ship take off, broken-hearted. She’s lost the man she loves, in moments she will be a mermaid again, and she will belong to Ursula fair and square. She pursued her dream, and it all seemed for naught.

But once Scuttle finds out about Ursula, Ariel quickly springs into action. With her friend's help, she reaches the ship just as Ursula’s necklace gets broken. This is a nitpick but I don’t like how Ariel ultimately wasn’t very active in helping rescuer Eric. Tbf IDK what she could have done, but I’d have liked to see her stand against Ursula before things go downhill. Otherwise it feels like this and the other events after… kind if feel handed to her by convenience and luck. But regardless she gets her voice back… but she fails to kiss Eric before the sun sets. That’s right folks, the so-called selfish, stupid deal that Ariel made? She failed to uphold it. She reverts to a Mermaid and now belongs to Ursula, and Triton can’t break it as it’s legally binding. So even if you DO think that Ariel made a bad choice, the film shows that yes, it WAS bad and she is now paying the consequences. Sure Triton sacrifices himself to take her place, but that still means that Ursula not only gets power, but her father is now a husk.

Ariel is enraged at this. Despite everything, I don’t think there’s any doubt that Ariel still loves her daddy. She was reluctant about never seeing him again before, and now seeing how her deal has lead to his fate upsets her. One big issue with Ariel is how… well, the film doesn’t make it clear that Ariel grew or learned anything. Sure there are consequences to her actions, but we don’t see her ponder over them. This is the closest we get to her showing regret as she tries to apologize to Triton and outright attacks Ursula for what she did to him. But she doesn’t express true regret for her actions. She doesn’t have a true reconciliation with her father so that the two can reach a resolution. I guess we can blame timing since we’re in the final ten or so minutes here, but it makes the end feel… convenient.

Eric saves Ariel from getting blasted by Ursula, and she manages to save him from Flotst and Jetsam. How? Bu yanking Ursula back and causing her to kill her own minions. Sure it’s not the Big Bad, but again Ariel marks a First in Disney Princess History by indirectly killing a villain. This provokes Ursula to go kaiju and essentially torment Ariel, who is unable to do anything at this point as she’s caught in a raging whirlpool. While one CAN say she’s a Damsel-in-Distress here (hence why I suggested Ariel should have gotten to do more in the wedding crash), she HAS saved Eric twice now. Plus by allowing Eric to kill Ursula, he essentially proves his worth by saving both the ocean AND the surface, and it contributes to Triton’s ultimate decision.

So yeah, Ursula dies, Triton corrects his wrongs by making Ariel human, and Ariel and Eric can live happily ever after. As I said, it /does/ kind of hurt Ariel’s character as she doesn’t really learn a lesson and it feels like she got incredibly lucky at the end. But at the same time Ariel is still a good character, and she marks a LOT of progression for the Disney Princess line. Sure she is a little selfish (though she usually means no harm), but she’s also someone who actively goes after her dreams. She doesn’t have to wait for it, nor does it center on love. Sure Eric is the catalyst, but that’s it. A catalyst. She’s allowed to rescue her prince. She’s allowed to fight against the villain. Sure she’s still emotional, falls in love, and needs her friends help. But she is also a very proactive, curious, and ambitious girl. Her dream was by far the most impossible of the Princesses thus far, but she still managed to achieve it.

Ariel is divisive, and I get why. The film DOES have some narrative problems (minor, but still) and I get why Ariel may rub some the wrong way. Me personally? I love her. She was a refreshing breath of air in the Princess line. She’s different from the Classic Three. She’s a bit more bratty and far less classy, but she also feels the most like a teenager and she follows her dreams in a very different manner. She’s still a good-hearted person, but she’s a flawed person. That’s what I love about her, she’s imperfect. Could more have been done to develop her? Maybe. But her flaws aren’t so bad that she’s a bad character or unlikeable. Her actions make sense and stay true to her character. I understand why she does what she does. I care for her because I see the sincerity in her. I relate to her longing for something that seems out of reach. And while it was nowhere near as conflicted, I know what it’s like to be in conflict with my father who loved me, but never truly understood who I was. But I loved him, he loved me, he ultimately would have let me lead the life I wanted, and in the end that’s what matters. It’s why Ariel and Triton at the wedding always makes me cry. Yeah, watching this two years after my dad passed… really hit hard.

The point is, I cared about Ariel. I related to Ariel. I did when I was a child, and I still do as an adult. Anyone who loves something or someone despite everyone around you not understanding or being against it I think can relate to Ariel and her position. Plus again, she set forward a new direction for the Disney Princesses. It’s a precedent that stands strong to this day. I’ve done my best to shed light onto Ariel, but it won’t convince everyone. If you hate her, fine. I can’t change your mind and tour free to make all the arguments you want. But I’m allowed to stand by my argument, and I am. Ariel is one of my favorites. She inspires kids to follow their curiosity and their ambitions. It teachers parents to accept their children and who/what they love, and to let them go forward in their lives. One can even argue that her film teaches kids to be careful when emotional to avoid the mistakes that she made, but still achieve a happy ending as well. Either way, I think that the hate against this little mermaid is far too harsh and it ALWAYS centers on the deal without taking anything else into account. It’s time we change that.

Final Thoughts

I love this film. The animation is lovely, the music fantastic, and despite a few issues here and there the story is sound. I don’t remember when I first saw it (it came out four years before I was born so not then), but I’ve loved it since that first time. I’m pretty sure I love the ocean and mermaids in general because of this film. Sure it diverts a good deal from the original Hans Christian Anderson story, but honestly? As someone who found that story unnecessarily cruel? I will take this version any day (no offense to those who like the original story, this is just me talking). It is a masterpiece that changed the game for Disney, for animation, and for the Disney Princesses. Ariel was very much a huge inspiration for many of her successors, and I am grateful for all that this little mermaid did.

Upon its release, Disney was FINALLY able to step into the light after spending over 20 years stuck in the dark. The film was a monumental success. The biggest success that Feature Animation had had since Walt’s days. They also finally beat Don Bluth, winning in the box office over All Dogs Go to Heaven, and returned to the top of the animation world. The Disney Renaissance had officially begun, and it wasn’t even close to slowing down. Just two years later, another Disney Princess film would be released. One that would achieve greatness, but also face great tragedy. So come and be our guest as when we return, we discuss a tale as old as time with 1991’s Beauty and the Beast.

Image Sources: Disney Wiki, Animation Screencaps Other Sources: The Making of The Little Mermaid: Treasures Untold

#disney princess #disney princess reviews #callie reviews #the little mermaid

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cannibalcreepers · 4 years ago

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If you could rank the wrong turn movies what would be at the top and what would be last 👀

Oh boyo oh boyo

So! This is personal taste of course 😌

Please know that if you do like one of the movies I talk poorly about, know that this is just my taste, my opinion and it does not mean anything

I am happy that you enjoy them, even if I don’t

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But here is my ranks and why:

1. Wrong Turn 10/10

The first and original, just OMG the designs of the 3 boys 🥰😍

They're rugged and feel so real, like you could actually end up accidentally running into them in the West Virginia mountains! The protagonists are actually amazing too, I liked them, I felt for them when they died, I could feel the fear and tension and that is how these kinds of movies should be.

The axe scene is just, wow! The practical effect they used for it was soooo good!! definitely top one out of the whole list. The best out of the whole series up, just too good.

2. Wrong Turn 2 8/10

The second of the franchise, I was a little iffy at the idea at first cause as past movies have proven adding new family members to an established antagonist family never ends well, looking at you Texas Chainsaw 3.

But when I finally watched it, I enjoyed it very much!

The protagonists were not as great and there were really poorly shot scenes such as the BJ scene between M and Elena, you could see his crotch area and Elena's head was positioned by his leg like? How did you mess that up??

Also the axe scene in that one was not as great, sorry whoever did that it was just poorly done and I know they were proud of it but, it looked very fake. As for the cannibals tho? AMAZING, they stuck with kind realistic but sadly they didn't do well with Three-Fingers, the reason why he now looks like a goddamn goblin 😔

But Brother, Sister, Ma and Pa are just omg yes, perfect family dynamic, I felt for them, I wanted them to survive more than the protagonists, they did amazing with their acting. Perfection 💘

3. Wrong Turn 4 6/10

Now this is where things start to drop in quality, but Wrong Turn 4 was fun and brought more gore and entertainment than it's previous films.The scene with the doctor being pulled apart and eating the man alive like he was some kind of cake, loved it! Also, One-Eye and Saw-Tooth is back!

And One-Eye looks so cute 😍 like an utter baby, while his two brothers could've looked a bit better but I enjoy their looks and how they act.

We also get to see them act more like brothers and caring for each other along with seeing them as kids, so that's pretty cool. As for the antagonists? Eh, nothing, don't care for them. Boring, rude and just stupid. Not worth caring about.

4. Wrong Turn 5 4/10

This is where things start getting worse and the quality is dropping in make-up, design, character, story, camera work and acting. Just hmmm nope, there are not enough shits in the world for me to care for these protagonists.

The three boys save it for being a bit goofy and fun, I just found One-Eye running the blade over his tummy to intimidate the woman at the beginning to be hilarious and then Three-Fingers was just a complete riot with stepping in front of her and licking his lips as she flips him off, hilarious.

The three boys designs dropped in quality real bad here, like I would've put them at 5 had they not been funny purely for the fact they look bad. Saw-Tooth looks too short, One-Eye seemed to have gotten as fat as Saw-Tooth and Three-Fingers looks like he is a damn goblin from Harry Potter! It’s a good thing they’re still goofy enough to entertain.

Everything else tho, bleh. I did not like Old Man Maynard in this one, complete change of character, bad very bad and boring.

5. Wrong Turn 3 2/10

Protagonists are stupid as hell and I hate what they did to my sweet boy Three-Toes.

I love Three-Toes design and how sweet and fatherly Three-Fingers is, annoyed that this film is the reason they got both Three-Toes and Three-Fingers deformities wrong. Their deformities were on the left and then they switched it to the right??? And thus the next films after started doing that like, NO! Three-Fingers messed up hand is on the left not the right 😤

Once again the protagonists are trash, so horrible and not because they're convicts. You can make criminals interesting characters that you can make the audience love, but these guys, the fucking worse in who they are, how they act just ew. Plus not all of then were convicts and only one of them was an actual serial killer neo-n*zi while the others were petty thieves/criminals or just had bad luck, one was an undercover marshal for god's sake.

Yet they had no personalities, bland ass characters. The scene with Three-Toes murder is what gets me, no one protests or feels guilty or anything, just outright murder a child just cause "Oh he's a mutant and trying to kill us" BITCH THAT'S A SMALL ASS CHILD! and they knew he was a kid too! Heck I would've felt for them had they felt anything at all when it happened, not even the chick felt sorry, just looked away cause 'ew gross beheading'

That's when I was hoping Three-Fingers would just go murder ballistic John Wick style on their ass. But no, he gets killed by the lamest of protagonists 🙄😒

Completely unsatisfying and annoying. Deserved a proper battle to the end.

6. Wrong Turn 6 0/10

WHERE DO I BEGIN!!

Omg a dumpster fire of a movie, I have never been so upset by what they do to the boys!

Their designs are just, NOOOO what did you do to them? They're so nasty looking, so fake, they look like really poorly made statues, i don't know how to explain how much it hurts me as an artist to see the poor make-up work like, make-up artist I just wanna talk! Were you held against your will? Were you only given 30 mins of work???

The story is whack, I do not like the antagonists woman and I do not like protagonists at all, they're annoying and stupid.

The whole cult thing is stupid and just throws you off, I don't accept this part of lore, it's ridiculous.

I have pushed out the whole movie from my mind as well so I've forgotten a lot about it. Only thing I liked was that one scene where she caresses One-Eyes cheek because I wish I could do that and that is all. 😂

#Wrong Turn #Hilliker Brothers #this is just my feels on them #just so ya'll know i don't want you to feel the same way as I do with these movies and that if you do like the three i don't that's #completely fine xD ahah #i just adore 1 2 and 4 so much

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aion-rsa · 4 years ago

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Mortal Kombat: Why the Movie Created New Main Character Cole Young

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To become a leading martial arts movie star, you must fight your way to the top. And Mortal Kombat star Lewis Tan has paid his dues. He’s a second-generation Hollywood martial artist, with his father Philip Tan being a British Taekwondo champion who’s been acting and working in stunts since the 1980s, eventually rising to be a distinguished action director in his own right. It gave Lewis an early start.

He was only three when he appeared in his first film, China Cry: A True Story. He grew up in the business. His father set him on the martial path too, teaching him how to fight at an early age. Outside of acting, Tan competed as an amateur fighter in Muay Thai and trained in Kung Fu, Jiu-Jitsu, and Japanese sword. Due to his lifelong dedication to the martial arts, he insists on doing his own fights and stunts, just like Jackie Chan did when he was younger.

Tan’s fighting skills also caught the attention of the martial arts fandom in Netflix’s Iron Fist. The Netflix series was berated for its lackluster fight choreography, especially because the titular character was supposed to be a martial arts expert. However, Tan’s guest appearance was exceptional. Tan portrayed Zhou Cheng, a drunken Kung Fu master, and his fight scene was the only one in the entire series worth watching. Tan followed that with another appearance in a Marvel project with Deadpool 2 where he played the short-lived character of Shatterstar.

Tan soon really started to show his stuff in two martial arts driven TV shows though. Into the Badlands brought top-notch fight choreography with a Hong Kong approach with veteran martial talent, including Daniel Wu, Stephen Fung, Huen Chiu Ku (a.k.a. Master Dee Dee) and Andy Cheng. In Netflix’s Wu Assassins, Tan landed the lead role of Lu Xin Lee. That series’ cast was also stacked with martial arts actors, including Iko Uwais, Celia Au, Mark Dacascos, Juju Chan Szeto, Katheryn Winnick, and more. A feature length film follow up titled Fistful of Vengeance is premiering later this year.

In Mortal Kombat, Tan takes on the role of Cole Young, a new addition to the massive fighting game franchise.

“We felt it was okay to have a new character in a game that brings out new characters all the time,” explains director Simon McQuoid. The character serves as a device to introduce the world to a new audience. According to McQuoid, Young’s role is “so anyone who’s not a Mortal Kombat scholar or doesn’t have a PhD in Mortal Kombat like a lot of people do, they’ll be able to enjoy it as well.”

This puts a lot of burden on Tan. Not only must Tan carry the central role dramatically, but he must also deliver on the fight scenes. After all, Mortal Kombat is first and foremost a fighting game. It’s one of the greatest fighting game franchises of all time, in fact. McQuoid insisted that the fights be as authentic as possible. “From the get-go, I said to Kyle [Gardiner], the stunt coordinator, and Chan [Griffin], the fight choreographer, I want these to feel real and I want to be just there with them. Don’t get too foxy or fruity, or crazy, and I don’t want loads of slow-mo. We’ve got to use slow-mo really carefully. Let’s just see it happen.”

Den of Geek caught up to Tan to chat about his role as our eyes and ears into the world of Mortal Kombat.

Den of Geek: This is a dream role for you, isn’t it?

Lewis Tan: Yeah, it’s a dream role for so many different reasons and on so many different levels. For me, personally as an actor, it’s a dream role because I’ve been working for 20 years to get to a place where I can showcase my skills as an actor and as a martial artist at the same time with a project that I like, and with a story that I like, and with a character that has a clear arc, and that it is of value. To have this as my first big leading role introduction is truly incredible.

And then there’s a level of pride as a martial artist that I get to showcase and perform all my fights on a huge scale with a big budget and a big studio behind it. That hasn’t been done in many years. I can’t even think of the last time that that’s been done. Then obviously as an Asian actor, to get to lead a film like this and to see not just myself, but many Asian faces and many diverse castmates being looked at as heroes, that makes me very proud. I think that it’s helping push the boundaries and break stereotypes, and it’s very timely considering what’s happening.

We saw that Mortal Kombat billboard on the side of a building that you posted on your social media. How does that make you feel to see your face as tall as a skyscraper?

It felt good to see. But at the same time that I was scrolling through that, and I was looking at that poster, I was then also looking at the news about people targeting Asians and the violence towards the Asian community. The contrast of that was very emotional for me. It was a very emotional experience to look at that and to feel the energy of the time and how I can be a part of that. I don’t want to say destiny or anything like that, but it’s just like, it lined perfectly with something that I care so much about. And I don’t know what that is, whether it’s fate or destiny or whatever, but it’s important and I’m happy to be here and I’m grateful for it.

You played the game, right? Who did you play?

I played the game when I was a kid, played the game with my brothers, played the game with all my friends. I was playing the game since I was 12. I’ve played with every different character, but I played a lot with Kung Lao, a lot with Smoke. I played a lot with the robots, Cyrax. I played a lot with Raiden, Kitana. I played with everybody really, but my favorite character would be Kung Lao and Smoke, besides the obvious two favorites that everybody plays with. I was one of those kids that was like, “I’ll find a different character. Everyone keeps playing with Scorpion.” So, yeah, man. I loved the video game. It’s part of my childhood. Now it’s part of my career.

Cole Young is the only character that wasn’t predefined. How was it for you to find that character?

It was not hard to find the character. It was hard to make the character worthy of being in this world, and make the character stand out because all these other characters have such clear and in-depth backstories, and they already have a big fanbase. So I’m kind of going in against the grain here, fighting against the waves. But that’s nothing new for me. I enjoy this type of challenge.

So I was respectful of how fans were going to feel about having a new character in the movie, but at the same time, there’s been a lot of new characters in Mortal Kombat since the game first came out. Now we’re at like 80 different characters, and I felt like if I earned my spot, then I would be very proud of that. So hopefully I did it enough justice to earn Cole’s place in the Mortal Kombat world.

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How was it to work with all those special effects?

It was great, man. There were not too many visual effects. There was some stuff with Goro obviously, and there was some stuff with different sets, but for a movie of this caliber and where it is, and how it takes place and the fantasy world behind it, there was very little green screen, very little VFX. A lot of it was done practically. A lot of the light effects, a lot of the different special moves that happen. A lot of the lights and everything is all happening on set done by our genius photographer, Germain McMicking, and obviously our director Simon McQuoid. So yeah, it was cool to see.

I liked the idea of doing things a little different than what these big action blockbusters have been doing. They set out to make it more authentic, more grounded, more violent, more realistic, and I think they did a really, really good job. Then the VFX that we do have are really incredible, and those could make or break a project.

I am always nervous about that because I don’t know what it’s going to look like. You know what I mean? So to see it finally on the big screen—when I saw Goro jump up, I was like, “Oh my Lord.” I was so happy. He looks ferocious and our VFX team has done such an incredible job. So yeah, I’m really happy with the work that they did. I’m working with super talented people and that made me confident to take the role.

You’ve had the luxury or privilege to work with several great teams of martial artists before. And here in this film, you’ve really leveled up. Can you speak to that a little bit?

Man, I’ve been so fortunate to get to work with crazy legends from Andy Cheng and Master Dee Dee, and Daniel Wu on Into the Badlands, to Iko Uwais from The Raid. When I was growing up, I was training with guys like Chad Stahelski, who is [now] directing John Wick, and my father who’s a national champion, and many, many, many different people, even champion UFC fighters. All sorts of different people, I’ve trained with in my lifetime. I’ve been so fortunate. To then get to work on this set with someone like Joe Taslim or Hiroyuki Sanada, who are not only incredible artists and actors, but incredible martial artists as well.

I feel like a lot of people, they get this thing mixed up where it’s like, “Oh, well, he’s a martial artist. He’s not a real actor.” No, no, he’s a real actor. And he can kick your ass. It’s both. And if anything, it’s like even more of a testament to how talented these guys are because they’re performing with every part of their being.

When you watch Joe Taslim play Sub-Zero, you see his performance. If you put it on mute, you will see his emotion in the character, and that’s the goal. That’s what martial arts is. It’s an expression. It’s a truthfulness. So it was an honor to work with them, and my trainer Nino Pilla, who is a student of Dan Inosanto, who was a student of the great Bruce Lee, and all of these legends have taught me and have a piece of that performance. Some of that performance is dedicated to them.

Mortal Kombat premieres in theaters and on HBO Max on April 23, 2021.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

The post Mortal Kombat: Why the Movie Created New Main Character Cole Young appeared first on Den of Geek.

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watching-movies-alone · 5 years ago

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Knives Out (2019)

Knives Out was released to theatres in late 2019, following the mixed reactions to writer/director Rian Johnson's 2017 The Last Jedi addition in the Star Wars sequel trilogy arc. While many hated The Last Jedi, and may have adopted less-than-favourable opinions on Rian Johnson because of it, I think we can all agree that Knives Out beyond redeems him.

Benoit Blanc: It's a weird case from the start. A case with a hole in the centre. A doughnut.

Knives Out opens with a surreal shot of two dogs running over a slight hill away from an outstanding house, which becomes known as the Thrombey Estate. Straight off the bat, the shots used throughout the film are outstanding, and paired with an eerie, intense, soundtrack of a string orchestra, the scenes are striking. Add that to the witty, culturally relevant one-liners and the hilariously blatant lies about the situation of the family members themselves, you get an incredible watch.

Benoit Blanc: Why is grief the providence of youth? I don't know. But I'd imagine that age deepens all feelings.

Cinematographer Steve Yedlin (The Last Jedi, Carrie, Looper) procured fantastic shots for Knives Out that gives it an enticing quality that makes each scene a work of art in its own.

The movie is listed on IMDb as a "Drama/Crime/Comedy", which shows the film's appeal to audiences from a variety of backgrounds: it suits drama lovers, mystery junkies, the almost effortlessly funny script draws in viewers from a large spectrum of senses of humour, and cinephiles will adore the visual aspect of the film, as well as the superb soundtrack composed by Nathan Johnson (Rian Johnson's cousin).

Following the murder investigation of 85 year-old mystery author Harlan Thrombey, his eccentric family faces questioning about the night of his death. Among those questioned are Linda Drysdale, the fabulous self-made head of a real estate firm and daughter of Harlan, her husband Richard Drysdale, son Walt Thrombey, the unsatisfied head of the Blood Like Wine publishing company for his father's books, Joni Thrombey, the widowed daughter-in-law with a quirky disposition that remains close to the family, and caregiver Marta Cabrera, a registered nurse for Harlan, and his friend.

[Marta and Harlan are playing "Go"]

Harlan Thrombey: I don't know how you beat me at this every time.

Marta Cabrera: I'm not trying to beat you. I'm creating a beautiful pattern.

Harlan Thrombey: That's elder abuse. I'm calling the AARP.

Marta Cabrera: Don’t make me get the belt.

And let's not forget an extraordinary performance by renowned actor Daniel Craig as Detective Benoit Blanc, with one of the strangest, but most endearing Southern accents I've heard.

Adding to this is an unexpected, but no less stellar, performance by known Marvel franchise actor Chris Evans, who portrays the troubled, but quite fashionable, Hugh Ransom Drysdale, who finds hilarity in his family’s shock at the changes his grandfather made to his will a week before his death. It is in contempt of the privileged, spoiled, Ransom, actually, that draws the frequently divided Thrombey family together.

A memorable performance by actress Ana De Armas (Marta Cabrera) brought a beautiful character to the front of the screen, with truly beautiful shots like the ones below:

Another phenomenal thing about the film is the colour palette used. It is a balance of warm, earthy tones, that give a sense of familiarity as well as of the comforts of home one would look for. This juxtaposes the intricacies of the death at hand, and serves to add to the feeling of discomfort and hostility, as the dark underlying mystery lurks within a beautifully furnished house and within a troubled, yet somehow sincere, family.

Below it all, the central message of Knives Out is one of kindness. This is handled expertly, as it does not come across as overbearing, nor cheesy. It is the story of an older man who finds comfort in a nurse, who is more of a friend, and how he makes the decision to leave his family out of his will, leaving everything to her. His family is a mess, yes, but it is the genuine kindness of Marta Cabrera that he finds happiness in, so he decides to leave her everything. From the beautiful heart that is Marta Cabrera, to the real reasons surrounding the death of the wealthy mystery author being to protect her and her family at the expense of his own, it is truly a heartwarming story.

When comparing sons Ransom (Richard’s disaster son) and Jacob (Walt’s Nazi child), and about Jacob’s whereabouts:

Walt Thrombey: He was in the bathroom Richard Drysdale: Joylessly masturbating to pictures of dead deer. Walt Thrombey: Ok, you wanna go?

ALSO a huge shout-out is in order for the set department. The set design, especially all of the subtle touches within the Thrombey house at 2 Deerborn Drive, is phenomenal, and really reinforces all that is happening in the foreground without being distracting. The Gothic touches in the architecture, the clever paintings on the walls, and the little statuettes flanking every hallway and surface bring the serious, but whimsical, manor alive. The Set Design was headed by David Schlesinger, who also worked on Twilight: Breaking Dawn parts 1 and 2, and John Wick chapters 2 and 3.

Can we take a minute to appreciate how beautiful that knife array is?

And even yet, there is still the multitude of current-day references: with the Nazi child (Jacob Thrombey, portrayed by Jaeden Martell), and the discussions held by Joni Thrombey and Richard Drysdale about the situation at America’s border, and the conflicts between the youngest generation: Meg Thrombey being quipped at by her cousins Ransom and Jacob for being liberal while the rest of the family seems to swing conservative. Even a reference to Hamilton made it to the script, which I had a good moment at, multiple references to Instagram and others that, while dating the film to 2019, made it especially enjoyable for younger audiences and moviegoers alike.

Marta Cabrera: I've never been to a will reading before.

Benoit Blanc: You'd think it'd be like a game show, but think of a community production of a tax return.

The costuming was also excellent, with memorable pieces being worn by Lisa Drysdale and Ransom Drysdale in particular, as well as the dashing Detective Blanc.

(The suit you wear to debate at your father’s memorial)

(The outfit you wear to the will-reading despite being gone for the funeral)

Benoit Blanc: But the complexity and the grey lie not in the truth but what you do with the truth once you have it.

And while the characters changed their clothes as the days passed in the film, the outfits they wore tended to fit their personalities, so even if you couldn’t remember names or faces, the outfits would clue you in to the character subtly, while giving many inspirations for their own day-to-day mystery aesthetics. Major props to Costume Designer Jenny Eagan for that.

Earning a respectable 8.0/10 on IMDb, Knives Out has already secured its spot in the minds of viewers and critics alike, despite only being out since November of 2019. If you haven’t seen it yet, I would highly recommend seeing it.

Final rating:

Cinematography: 90

Screenplay: 95

Delivery: 95

Average: 93.33%, A

#knives out #chris evans #ana de armas #daniel craig #drama crime comedy #movie #movies #movie reviews #movie critique #movie ratings #cinematography #cinema #soundtrack #Nathan Johnson #Rian Johnson #2019 movies #knives out 2019 #mystery movies

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crue-sixx · 6 years ago

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Movie Night (Keanu Reeves Imagine)

There are NO John Wick: Chapter 3 spoilers in this.

Summary: Your boyfriend, Keanu Reeves, had no idea you were such a big fan of John Wick.

Warning: Very slight smut.

You and your boyfriend, Keanu Reeves, were enjoying a day together. You’d spent the majority of the day strolling through New York City, appreciating the beautiful day that accompanied it. After you ate dinner at one of your favorites spots, you both decided to head back to his place to continue your time together.

“So what do you feel like doing, babe?” Keanu asked you after you walked into his place, shedding your coats and shoes at the door.

“We could cuddle while watching some movies and load up on candy,” you suggested after you hung your coat up.

“I knew I liked your for a reason,” Keanu replied and smiled as he leaned down and placed a peck on your lips. “Go find us a movie and I’ll go grab the snacks.”

“I’m on it,” you told him and walked away from him in the direction of his living room.

You grabbed the remote to his tv and plopped down on the couch with a blanket as you thought about a movie to watch. Romance, horror, comedy, action...the possibilities were endless. You opted to look through the action movies since you and Keanu both enjoyed that genre. The last time you watched a romance together you had been a mess and he had had to comfort you. You figured you wouldn’t put him through that debacle...so soon. You scrolled through the movie options and stopped when one peaked your interest. It was one of your all time favorites actually. You smirked as you waited for your boyfriend.

“Okay, I grabbed all the sugary junk I could find,” Keanu said as he walked into the room with his hands full of sweets and some drinks. “What do you have to offer?”

“Only the best action franchise that’s stars my favorite actor of all time,” you replied proudly.

“What?” He asked as he looked at you then to the tv. “Who is your favorite ac-” he stopped talking when he saw what was pulled up on the tv. “John Wick?”

“Yes, John Wick,” you answered him.

“Sweetheart, I’m flattered that I’m your favorite actor and all, but must we watch this?” He asked. “It’s just...weird seeing myself on screen. I don’t really watch my movies if I’m being honest here.”

You looked at Keanu quizzically. You’d never known that about him. You’d realized that in the few months that you and him had been dating that you’d never watched one of his movies with him. Keanu was a laid back guy, which was one of the reasons why you liked him so much, but he was human. He seemed pretty self conscious.

“We don’t have to watch it if you’d rather not,” you told him, “but it is one of my favorites. You’re amazing in it, babe.”

Keanu stood there and contemplated your statement before he sighed. “Alright, we can watch it.”

“Good,” you said and smiled real big. “Now, come sit with me and hand me those Sour Patch Kids.”

Keanu chuckled before he came over to the couch. He deposited all of the snacks and drinks onto the coffee table except for the beloved Sour Patch Kids. He moved your blanket covered legs so that he could sit down beside you. He let them rest on his lap before he opened the bag of candy. You pressed play on the movie and took the candy he offered you.

You both shared the sour treat as you watched the movie. Your full attention was on it even though you’d watched it several times before. You promised yourself you wouldn’t cry on the part with the puppy, but you couldn’t stop yourself. Of course Keanu handed you the stand-by box of Kleenex and an Oreo to try to lift your spirits back up.

“Sorry, puppies are a weakness,” you said and wiped your eyes before taking the Oreo form him.

“I know, babe,” he replied and pat your thigh before he took an Oreo for himself.

The movie continued as did the snack consumption. You and Keanu were eventually cuddled up together as your attention was fully on the movie. The action scenes in the film always mesmerized you.

“Yes, kick some ass, babe!” You cheered out.

Keanu chuckled beside you as he shook his head. You looked over at him and blushed a bit as you shrugged your shoulders. You both made some commentary here and there as the movie continued.

The movie eventually ended and you looked over at Keanu as he looked back at you.

“I never realized you were so passionate about that movie,” Keanu commented with a cute grin. “It’s so fucking cute.”

“Hey, it’s a very passionate movie with some awesome action scenes,” you told him. “Plus. you’re hot as hell in it. I mean those suits, how serious you are in it, the taking care of business...it turns me on so much.”

Keanu raised his brows. “Does it now?”

“Yes, it does,” you replied and moved closer to him, brushing your lips against his own.

You could hear Keanu’s breath hitch at the action, which made you proud of yourself. You never siezed the opportunity to be proud of yourself when you made him react in such a way. He was constantly taking your breath away and making you feel some type of way so he deserved the same treatment.

Keanu didn’t waste anymore time. He placed his lips properly onto yours and kissed you, which you returned. His beard rubbed against your skin, which made you moan into the kiss appreciatively. He managed to maneuver you so that you were sat on his lap, straddling him. His hands were placed on your hips as your own hands moved into his long hair, tugging on it slightly. He groaned into the kiss and deepened it as his hips bucked up into your own. Your tongues fought for dominance, but his won out in the end. This went on for a few more long moments before you finally pulled apart so that you could both finally come up for oxygen.

“Maybe we should take this to the bedroom,” Keanu commented in a husky tone of voice.

“Oh...we definitely will,” you told him, which had him grinning. “As soon as we finish John Wick: Chapter 2.”

He groaned as he plopped back on the couch and you climbed off of him with a giggle.

“I’m going to grab some more drinks,” you told him as you stood up and made your way to the kitchen. “Don’t you dare start that movie without me!”

#keanu reeves #john wick #keanu reeves imagine #john wick imagine #keanu reeves fanfiction #john wick fanfiction #keanu reeves fanfic #john wick fanfic #keanu reeves oneshot #john wick oneshot #keanu reeves x reader #john wick x reader #john wick cahpter 2 #john wick chapter 3 #john wick 3 parabellum #imagine #fanfiction #fanfic #oneshot

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yourdailykitsch · 4 years ago

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Is Taylor the main star in shadowplay? I’ve been trying to look for some info online about the project but there’s really not much out there. If he is the star why do people have doubts of his involvement in the second chapter?

He is the main star of the first eight chapters. There is some question as to whether or not the story that includes Taylor will be wrapped up in the first eight episodes or continues on in the second eight. That was a tough shoot for him and away from home for a long time. I don’t know that he would sign on to two years of work for basically twelve months (total) away from home. He also, at this point, might have some conflicts as far as the second chapter goes...he seems to still be in line to film ‘Inferno’. All in all nobody has been confirmed for the second chapter, yet. But I think they begin filming in about 30 days.

Ask #2: Did the mike Murphy gala ever end up setting a new date?

Answer: Yes, it was originally rescheduled to October from earlier this year and is now set to go early in April of 2021. Hopefully, they’ll finally get to have the event. There was no mention of Taylor in the new announcement, but I’m sure if he can be there, he will be.

Ask #3: Do you think Taylor is similar to DiCaprio in the regard of not signing onto any kind of franchise? Except for tv

Answer: This is kind of not really known, but with his contract with Disney for John Carter it was like a multi year deal, maybe even something like 7-10 year deal. He also signed on to a multi year deal to potentially do a franchise with Battleship. So when he had time to reflect and years later when he was asked about the lack of success JC and Battleship had, he basically said it could have been a blessing in disguise because he’d be locked into these franchise contracts for so long and he’d maybe get to do a passion project here or there. So, yes. I do think he likes to switch things up and stays away from long contracts.

Ask #4: Do you think when Jennifer is on lake Austin she’s with Taylor?

Answer: I know he is right on the lake, I don’t know about her. And I’m sure she has people that she knows that are on the lake too. But it would probably be a safe assumption.

Ask #5: When was the last time Taylor was spotted out? Probably months ago 😭

Answer: So, I actually finally have an answer for this. No pictures, but this appeared on Twitter today. I do believe he was taking part in a hockey tournament in Texas a few weeks ago. I knew about the tournament but hadn’t had any confirmation of it. This is kind of the confirmation that he was at least in the rink a few weeks back, and in Texas.

Ask #6: How do you find all the Taylor Kitsch news and pictures??

Answer: I can’t reveal my sources! No, most of it if not all of it is just knowing where to look, whether that be social media or whatever. There are certain places to just keep up to date on what’s going on with certain projects. I’ve just been doing this for a long time and kind of know.

Ask #7: Was taylor in the running with a Bourne movie.? He should of been mitch rapp in my opinion. What do you think? And what are the odds he will do something like that?

Answer: Taylor was in the running for the movie Jeremy Renner was in in the Bourne series but I think had a conflict or was passed over for Renner. He was also considered for Mitch Rapp and I think got pretty far along in talks to play Mitch, but it was put on hold for years and then when they revisited the project Taylor had aged out of being able to play Mitch. But they did ask him to come on and play an original character, Ghost.

Ask #8: My boyfriend got me to watch john wick 3 with him and it is horribly voilent but I couldn't help but see taylor in a role like this. I don't know if it's because he has the same kind of shooting style like in true detective or if in moments keanu reminds me of him. Ps love your forum

Answer: For sure. I haven’t even seen John Wick but I know the vibe and I know Taylor would probably totally be into it and kill it, literally.

Ask #9: What's the go with inferno? Is taylor still involved?

Answer: Productions in the US are slowly starting to resume. I don’t believe anything in New Mexico has started up again. I have no reason, as of now, to believe Taylor’s not still involved. The last we heard the head of the studio said as soon as shooting was a go, Inferno was going to get underway.

Ask #10: On Taylor’s Ellen appearance with Mark Wahlberg, she asks him who his New Years kiss was and he said he wasn’t with his gal for New Years so he didn’t have one. That’s what I was referring to in the ask about when they got back together in 2013!

Answer: I actually had to go back and watch this because I completely forgot that he said this. I can’t remember if Jennifer was at that NYE African Children’s Choir event. I don’t think she was, but ironically I think the next day they were spotted out together but he was just with a blonde, so we didn’t know it was her. Especially because he was so vocal about their split.

Someone also asked for the link to the interview and it is here:

https://www.dailymotion.com/video/x19ehjp

#ask me anything #Ask Me #taylor kitsch

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angelofberlin2000 · 5 years ago

Link

by Natalie Finn | Fri., May. 17, 2019 3:00 AM

When Keanu Reeves was asked the other night, "What do you think happens when we die?" interviewer Stephen Colbert probably wasn't expecting such a deep—or assured—answer from the movie star.

"I know that the ones that love us will miss us," the 54-year-old actor said sagely, rendering the Late Show host unusually speechless.

It was a sincere, thoughtful response—vintage Reeves, really—from someone who's had reason to think about such things.

"I haven't really thought about my career future, or what was going to happen, until really recently," he also told GQ in February. Asked why he started thinking about it, he replied, "Death!"

Watch https://www.eonline.com/videos/289305/how-keanu-reeves-training-for-john-wick-3-compares-to-the-matrix

How Keanu Reeves' Training for John Wick 3 Compares to The Matrix

The still eerily youthful-looking Reeves, who's back in theaters Friday in the third installment of the blockbuster John Wick franchise, has become a brand unto himself, the name "Keanu" signifying not just movie stardom but also a certain kind of performance and even a state of mind: chill, zen, blissfully checked out ("Sad Keanu" meme notwithstanding). His name—which has lent itself to a comedy about a cat and a recent hit song by Logic, and which of course a studio exec wanted him to change when he first came to Hollywood—does mean "cool breeze over the mountains" in Hawaiian, after all.

But still waters run deep, and despite being in the public eye for more than 30 years, he's one of the least-known people whose chiseled face you would recognize anywhere. Few play it as close to the vest as Reeves, who, though he does the occasional interview and shows up to fulfill his side of the bargain in promoting his films, does not talk about his personal life. And not in the way that most celebrities don't really talk about their personal lives.

As in, it's entirely unclear if he even has one, although—look at him—he must.

"I came to Hollywood to be in movies," Reeves told Parade recently. "I feel really grateful that I've had that opportunity, but I'm just a private person, and it's nice that can still exist."

He doesn't even publicize his charity work, but his causes include children's hospitals, fighting cancer, the arts and the environment.

"I always find it surreal that complete strangers come up and ask me personal questions," he told Parade back in 2008. "I don't mind speaking about work, but when the talk turns to 'Who are you?' and 'What do you do off-screen?' I'm like, 'Get out of here.' I've been in situations where people have felt they had a relationship with me or something and I didn't even know who they were."

Not that Reeves is an anti-star. He lives in the hills above West Hollywood, spent plenty of time enjoying the local nightlife in his youth and has starred in countless quotable action movies—and gets paid handsomely for them, enough so that he can take off and do passion projects like his first (and only, to date) directorial effort, 2013's The Man of Tai Chi, or show up unheralded on a Swedish sitcom (Swedish Dicks, now on Pop) or in any indie film he so desires, like the recent Destination Wedding, an acerbic comedy that reteamed him with Bram Stoker's Dracula co-star Winona Ryder.

He's perfectly congenial yet usually looks somewhat serious, but not because he's taking himself seriously—more as if he wants to answer even the most lighthearted of questions with respectful gravity. But hey, as Stephen Colbert just found out, if you ask Reeves a potentially loaded question, prepare to get an answer.

Asked by Parade in 2008 if he believed in aliens, because he was playing the alien Klaatu in a remake of The Day the Earth Stood Still, he replied, "Some days I do. Some days I don't. There's so much unexplained and unexplainable phenomena that's presented to us. But beyond that, the cosmos is so vast. We can't be the only sentient entity. It might not look like us, but it's going to be out there."

His signature Keanu cadence used to be mistaken for a sign of vacuity, but Reeves attributed however he came off in interviews to his overall discomfort with talking about himself.

"I've never played stupid to keep someone distant," he told Vanity Fair in 1995. "I don't play stupid. Either it's been a failure on my part to articulate, or my naivete, or ingenuousness, or sometimes it's the nature of the form... And you know, I find myself more able to give an explanation of a project five years later than in the middle of it. It's so present-tense! I can tell you how I feel, but its context is harder to explain... Sometimes when I'm interviewed I'm not ready to do that. So you say...'excellent!' And you know what, man? It's OK."

It certainly was.

Ted Theodore Logan, Johnny Utah, Jack Travern, Neo, John Wick: all characters that had to be played by Reeves. He's done everything from Shakespeare to sports flicks to A Scanner Darkly, and soon you'll be hearing his voice as Duke Caboom, a motorcycle-riding stuntman with a wistful backstory, in Toy Story 4, which will probably sneak in to top The Matrix Reloaded, which made $742 million worldwide, as his single highest-grossing movie.

"So I made Duke a little more gravelly but still tried to give him energy and a big personality," Reeves shared with Entertainment Weekly in March. "I just thought that Duke should love what he does. He's the greatest stuntman in Canada! I wanted him to be constantly doing poses on the bike while he was talking, to have this great extroverted passion."

He turned down Speed 2 to play Hamlet onstage in Canada. He was one of the first big stars who memorably jammed on the side with his own band, Dogstar, in the '90s and now he co-owns a custom bike shop called ARCH Motorcycle in Hawthorne, Calif, because he loves motorcycles as much as you think he does.

"Riding can be a place to think and feel. It's a way to work things out," he recently told Parade, noting that inclement weather doesn't stop him. "I like riding in the rain. It's a little more sketchy." He rides mainly alone, but he and the ARCH crew cruise Pacific Coast Highway on Sunday mornings.

And if motorcycles provide one soul-soothing salve for Reeves, acting provides another.

"In acting, you're constantly discovering new feelings and thoughts and exposing yourself to them," he told Parade in 2008. "I guess it could be considered psycho-therapy. All I know is that, as an actor, I can tell you a story that you'll listen to. Maybe it won't just entertain you, it might also teach you something. I think film has the power to change your life if you want to let it.

Combine his real-life inscrutability with his is-it-genius-or-does-he-just-do-the-same-thing-every-time approach to acting, and he's become more myth than man—and that, too, is a huge part of his appeal. He's just so Keanu.

"I don't own a computer and I don't e-mail," he said in the 2008

Parade

interview. "I'm fascinated by people who freak out when they don't get an instant response to an e-mail. It's like they expect as soon as they send an email to get the answer back and if they don't it's like awful. I just hope people won't totally lose the ability to write letters because it's a good way to communicate."

He preferred typewriters, Reeves said—and we can only hope he and Toy Story star Tom Hanks had a chance to talk about typewriters together.

"I only have good things to say about him," Swedish Dicks star Peter Stormare, who met Reeves doing Constantine in 2005, which led to the actor's role on his show, told GQ. "Once a year, we'll have a beer together and talk about life and things. He's very private. He leads his life the way he wants to lead it. And I guess it can be lonely sometimes. But I think he's just like me. There's a comfort in being alone sometimes, especially when you're working on something."

"We bonded over motorcycles, bass guitar, and Harold Pinter," Alex Winter, the Bill to his Ted, also told the magazine. "Reeves had a really good book collection."

Reeves was born in Beirut, to a Hawaiian father and English mother, but they divorced when he was about 2. Mom Patricia remarried in the US., but after that didn't work out she settled with a 7-year-old Keanu and his younger sister, Kim, who was born in Australia, in Toronto. Reeves reportedly hasn't spoken to his dad since he was 13.

"We were latchkey kids," he told Esquire in 2017. "It was basically 'leave the house in the morning and come back at night'. It was cool." But, he told Parade, "Even for a runaway English girl, my mother gave us a proper upbringing. We learned manners, respect for our elders, formal table settings. I also learned a nonprejudicial, nonjudgmental acceptance of other people."

His favorite part of school was doing plays and studying Shakespeare in English class, so he dropped out at 17 to try his hand at acting.

"My attendance record was very bad. I was lazy," Reeves told Vanity Fair. "I knew I wanted to act when I was halfway through grade 11, I guess, and school wasn't important."

His first acting job came on the Canadian series Hangin' In in 1984. Then he moved to Los Angeles and made his big-screen debut in the Rob Lowe-starring drama Youngblood in 1986. Later that year he won his first major role in the gritty teen crime drama River's Edge, which went on to win Best Feature at the Independent Spirit Awards.

So it was off to the races for Reeves, who in the next five years made a wildly diverse array of movies, including the very-'80s comedy The Night Before, Dangerous Liaisons, Bill & Ted's Excellent Adventure (and its sequel, Bogus Journey), Parenthood, Point Break and My Own Private Idaho.

He was very much living the fast Hollywood life, and it wasn't all charmed.

In 1993, River Phoenix died of an accidental drug overdose—another painful thing Reeves didn't want to talk about, but he spoke fondly of his friend and My Own Private Idaho co-star.

"I enjoyed his company. Very much," Reeves told Rolling Stone in 2000. "And enjoyed his mind and his spirit and his soul. We brought good out in each other. He was a real original thinker. He was not the status quo. In anything."

As for Phoenix's death, "It's something he thinks about all the time, something he never really talks about," a friend told People. "Friends know not to go there with him."

In 1994 his estranged father, Samuel, was sentenced to 10 years in prison for drug possession in Hawaii, but was released in two. "Jesus, man. No, the story with me and my dad's pretty heavy. It's full of pain and woe and fucking loss and all that s--t," he told RS around that time. In 1995, he told Vanity Fair, when asked why he didn't want to know more about his dad's case, "Why would I want to find out what I didn't know?" He called the situation "pretty incredible," and that was that.

Reeves has a massive scar on his abdomen from when he suffered a rupture spleen in a motorcycle crash while riding in L.A.'s Topanga Canyon in 1988. He went into a hairpin turn going about 50 mph.

"I call that a demon ride," he reflected to Rolling Stone. "That's when things are going badly. But there's other times when you go fast, or too fast, out of exhilaration...I remember saying in my head, 'I'm going to die.'"

"I remember calling out for help," he continued. "And someone answering out of the darkness, and then the flashing lights of an ambulance coming down. This was after a truck ran over my helmet. I took it off because I couldn't breathe, and a truck came down. I got out of the way, and it ran over my helmet."

Also while his star was on the rise, his sister Kim battled cancer for years starting in the late '80s. "He helped me through," she told Vanity Fair about her brother. "When the pain got bad, he used to hold my hand and keep the bad man from making me dance. He was there all the time, even when he was away."

Actor and Dogstar bandmate Roger Mailhouse told Rolling Stone about Reeves in 2000, "He's a really giving person. He'd give you his last shoe. Really smart, too. He's incredibly booksmart. He's a really interesting person who doesn't talk a lot of s--t."

Asked how his friend had changed over the past decade, i.e. the '90s, Mailhouse said, "I don't worry about him as much. I used to worry about him. Because I think of him as one of my best friends in the world, was he going to crash his motorcycle, or this or that. We did some wild things. I guess it's just growing up. I don't know—maybe it had something to do with River Phoenix, maybe. Losing someone close to him. But now I'm just proud of him. He's getting to do it the right way."

For years you'd be much more likely to see Kim or Patricia on Reeves' arm at a premiere or other big event—such as when he got a star on the Hollywood Walk of Fame in 2005—than any girlfriend, and the actor hasn't been publicly involved with anyone for years.

Not that he hasn't been linked to a bevy of his co-stars, including Sandra Bullock and Charlize Theron, but if he's in a serious relationship, it's not with a celebrity.

On The Tonight Show Starring Jimmy Fallon in 2013 he was wearing what anyone would take for a wedding band on his left ring finger, but no revelations ever sprang from that accessory choice.

When Parade asked recently if he remained a bachelor, Reeves replied (squirming a bit, according to the magazine), "Well, I'm not married."

Through the interviews he's given over the years, a theme running through them is the visible discomfort he starts to evince when the conversation veers toward the too-personal. And some topics are just off-limits altogether.

Reeves started dating actress Jennifer Syme after meeting her at a party in 1998 and they were expecting a baby together—but the child, a girl they named Ava, was stillborn at 8 months. They laid her to rest in January 2000, according to People, and broke up weeks later.

Read

Sandra Bullock Almost Starred in The Matrix Instead of Keanu Reeves

They remained close up until Syme, who suffered from severe postpartum depression, died in 2001 when she crashed her Jeep Cherokee into several parked cars on a L.A. street and was thrown from the vehicle. In 2002, her mother, Maria St. John, sued Marilyn Manson, who had thrown a party that Syme attended that night, for wrongful death, alleging he had given Syme the cocaine that an autopsy found in her system.

"After Jennifer was sent home safely with a designated driver, she later got behind the wheel of her own car for reasons known only to her," Manson, who knew Syme through filmmaker David Lynch and had worked with her on Lost Highway, said in a statement.

The rocker continued, "This lawsuit, which is completely without merit, will not bring back Jennifer's life. It serves only to reopen the wounds and the pain felt by all who loved Jennifer. It is a pity that St. John sullies her own daughter's reputation by filing this baseless claim."

They reportedly reached a settlement out of court, but Manson maintained he had nothing to do with Syme taking drugs that night.

Reeves has never spoken publicly about his relationship with Syme, which certainly fits right into how he was before, let alone since. But he grieved. And he eventually had something to say about that.

"I think, after loss, life requires an act of reclaiming," he told Parade in 2006. "You have to reject being overwhelmed. Life has to go on."

The actor continued, "Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong. When the people you love are gone, you're alone. I miss being a part of their lives and them being part of mine. I wonder what the present would be like if they were here—what we might have done together. I miss all the great things that will never be."

So he knew exactly what he was talking about when he told Colbert, "I know that the ones that love us will miss us."

Calling it "unfair" and "absurd," Reeves told

Parade

, "All you can do is hope that grief will be transformed and, instead of feeling pain and confusion, you will be together again in memory, that there will be solace and pleasure there, not just loss."

"Much of my appreciation of life has come through loss," he concluded. "Life is precious. It's worthwhile."

He said at the time that he would like to have a family, and reiterated the sentiment a couple years later, but Reeves told Esquire in 2017 with regards to "settling down": "I'm too… it's too late. It's over." Asked to clarify, he added, "I'm 52. I'm not going to have any kids."

Famous last words from a litany of 50-something men, and he was reminded of that. Reeves just said, "That's a whole other… But no. I'm glad to still be here."

"I'm every cliché," he continued. "F--king mortality. Ageing. I'm just starting to get better at it. Just the amount of stuff you have to do before you're dead. I'm all of the clichés, and it's embarrassing. It's all of them. It's just, 'Oh my God. OK. Where did the time go? How come things are changing? How much time do I have left? What didn't I do?' I'm trying to think of the line from the sonnet… 'And heavily from woe to woe tell o'er / The sad account of fore-bemoaned moan / Which I new pay as if not paid before.'"

"So, yeah," he added, reportedly with a smile. "I'm that guy."

In turn, Reeves can't help but come off as the solitary figure he so often plays in his films, from Constantine to The Matrix to John Wick. Heck, even Duke Caboom sounds a little melancholy.

At the same time, you're just as likely to see him in a romantic tear-jerker or a quirky comedy as a shoot-em-up. He's played heroes and hustlers, sweethearts and cruel villains, teachers and slackers, doctors and lawyers.

"For me, it's just continuing to be able to work with great artists and tell stories that people enjoy," Reeves told Parade. "I was always hoping, even when I was young, that I could do different things," he says. "I'm really grateful for that. I'm

Though he had no idea John Wick would be such a hit, Reeves was in top form in the 2014 action extravaganza as a retired hit man who goes on a revenge spree after gangsters kill the beloved dog that was a gift from his late wife.

It made almost $89 million on a reported $20 million budget. Sequel time!

"You hope and you dream but the reality is even sweeter," he told E! News in 2017 about the first film's surprise success when he was promoting John Wick: Chapter 2. "It's great to be involved in a project that has so much affection."

Chapter 2 made $172 million worldwide.

Now back for John Wick: Chapter 3—Parabellum, Reeves has revealed that he started training heavily about three months before filming began to get back into dynamo shape, and he still goes whole-hog (or horse, in this movie's case) in the action sequences, right up until a car runs into him.

"I'll do some fight scenes and then John Wick will get hit by a car," Reeves explained to Colbert on The Late Show, "and that's Jackson Spidell, who's an amazing stuntman." Spidell has been Reeves' stunt double in all the John Wick movies. "He gets hit by the car, then I'll get up from the car, then I'll do a whole bunch more of, like, gun-fu and whatever, jujitsu, judo—and then, if I get thrown off something, Jackson does his thing."

Even more exciting for some fans, however, depending on whether you like your Keanu dark or more dude-like, is the news that he and Alex Winter are finally set to start shooting Bill & Ted Face the Music, the much-discussed follow-up to 1989's Bill & Ted's Excellent Adventure and sequel Bill & Ted's Bogus Journey, which came out in 1991. The years-in-the-making comedy is tentatively due out in 2020.

And so on his latest press tour, Keanu Reeves left his usual trail of breadcrumbs. They may not lead you straight to his door, but they'll definitely keep you on the path.

#keanu reeves #Inside Keanu Reeves' Inscrutable Private World-Tragedy Motorcycles and Epic Movie Stardom

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elisabeth515 · 5 years ago

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You know I said I’m a theatre nerd in the bio-

Oof yes. I’ve almost forgotten this account but here I am just doing some posting...

Favourite musicals?

“Les Misérables”, “Mozart L’Opera Rock”, “Le Rouge et le Noir”, “Le petit Prince”, “1789: Les Amants de la Bastille”, “Notre Dame de Paris”, “The Phantom of the Opera”, “Hamilton”, “Heathers”, “Wicked”, “Kinky Boots”, “Dear Evan Hansen”, etc. (I just like a lot of musicals lol)

Newest Obsession?

“Roméo et Juliette, Les Enfants de Vérone”. I have just watched the musical live in Hong Kong. That was the very last show of the tour and I can’t get over it aaaaaaaaaaaaaaaaaaaaaaaaaaaa

(Have a cute picture of the cast during the curtain call. That’s Tybalt who is in the centre of focus.)

My favourite character from the musical is Tybalt; even though in this story, he had an unrequited love to Juliet, he’s just too #relatable lol. He is played by the nico nico niii Nicolas Turconi in this production and this guy is so adorable. Oh yes and Tycutio is my OTP

Have you watched any musicals live?

You know the answer already. I have watched 3 West End musicals (“Les Misérables”, “The Phantom of the Opera” and “Wicked”) and a touring French Musical (“Roméo et Juliette, Les Enfants de Vérone”). I also have watched a college production of “Chicago” and an amateur production of “Cats”.

The most memorable experience with musicals?

Ah, there are several ones:

Watching the iconic original Les Misérables production in Queen’s Theatre during a study tour. That’s the reason why I got into musicals and thanks to this I got out from my anime addiction.

Watching “The Phantom of the Opera” in London with mum then two days later we went to watch “Wicked”. That was pretty crazy to be honest but in both shows we got pretty good seats.

Not exactly a musical one but I attended Laurent Bàn’s solo concert in Guangzhou, China with my friend and holy heck he is so attractive-

Buying some local food for the whole cast of “Roméo et Juliette” when showing in Hong Kong. I managed to give them to the cast at the stage door and I’m happy that they liked them because I had never tasted it before giving the whole bag to John Eysen (who plays Mercutio in the Musical)

Asking Nicolas Turconi to say “Nico Nico nii” to the fans at the stage door out of no reason and someone filmed the whole footage and posted it on Weibo. Still I have no idea what the hell I was doing but the prince of cats really said it-

Being a french musical fan has so much fun lol

Would you read the original stories after watching a musical you like?

Certainly. This is probably the primary reason of me ended up reading the classics. Right now I am reading Shakespeare’s “Romeo and Juliet” and holy heck I just can’t help imagine Tybalt as Nico

Opinions on Movie productions of Musicals?

Besides movie musicals like “The Sound of Music” and “Mary Poppins”, here are my opinions:

Short answer: they sucks.

Long answer: Certainly, they attracted more people into musicals since not everyone could afford a show (the average ticket price for a west end musical starts around £25-30). However, you have to expect that the singing in the production would be discounted, comparing to stage productions. Although movie productions sometimes would add details from the original story (like in “The Phantom of the Opera” movie, they got the torture room mentioned in the novel), I am certainly not a fan for most of the productions (*cough* *cough* that Phantom Movie). Honestly I have no hopes for the upcoming “Cats” movie.

Well, as for the voiceovers in other languages, I am pretty cool for it at this moment, at least I found out that they got professional musical actors to do the roles.

Musical Ships?

Yeet.

My OTPs are:

Enjolras x France (Les Misérables x any franchises with human countries except countryhumans)

Enjoltaire (Les Misérables)

Valvert (Les Misérables)

Marius x Cosette (Les Misérables)

Lams (Hamilton)

Hamliza (Hamilton)

Tycutio (Roméo et Juliette)

Orpheus x Eurydice (Hadestown)

Mozalieri (Mozart l’Opera Rock)

Glebga (Anastasia)

Erik x Christine x Raoul (The Phantom of the Opera)

Et cetera, et cetera...

Opinions on the fanfictions?

What can I say? They are pretty cool given the fact that they fulfilled our inner dark desires of shipping the characters together (or even to the readers themselves) but at the same time some of them might be cringy honestly.

That’s all for the questions! Thanks for reading. You are welcomed to answer the questions I mentioned in this post. See ya!

#questions #blog #musical fan #theatre kid

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ljones41 · 5 years ago

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"JOHN WICK: CHAPTER 3 - PARABELLUM" (2019) Review

"JOHN WICK: CHAPTER 3 - PARABELLUM" (2019) Review I have seen all three films in the "JOHN WICK" franchise so far. All three of them. However, "JOHN WICK: CHAPTER 3 - PARABELLUM" is the first film I saw in the movie theaters. And it is the first I have reviewed for my blog.

"JOHN WICK: CHAPTER 3 - PARABELLUM" picked up a few minutes later after the franchise's last film, "JOHN WICK: CHAPTER 2"left off. In the latter, former assassin John Wick had been approached by Italian crime lord Santino D'Antonio to assassinate his sister Gianna, so he can claim her seat at the "High Table", a council of 12 high-level crime lords. Although reluctant to complete the task, John is forced to accept D'Antonio's request since the latter had helped him with a task that allowed him to retire as an assassin and marry his late wife. However, Gianna committed suicide before John could kill her and D'Antonio put a contract on the former under the guise of "avenging his sister's death". Determined to get revenge for this betrayal, John pursued D'Antonio to the Continental Hotel, a refuge for the underworld's assassins where no "business" is allowed, and kills the Italian gangster. Because he had broken the hotel's "no killing" rule, John is declared "excommunicado" by his handlers at the High Table and placed under a $14 million bounty. In this third film, John struggles to evade nearly every assassin, while he tries to retrieve a crucifix necklace and a "marker" medallion from a secret cache in a book at the New York City Public Library. He needs both items to present to the Director, a woman from his past, and use as a "ticket" for safe passage to Casablanca, Morocco. With the help of an old friend and fellow assassin named Sofia, John hopes to fend off other assassins long enough to reach the Elder of the "High Table" and find a way to call off the bounty. However, John eventually learns that he will have to pay a few steep prices to achieve his goal. I wish I could say that I loved "JOHN WICK: CHAPTER 3 - PARABELLUM". Hell, I wish I could say that I loved all of the John Wick movies. But I did not. I merely liked them. What kept me from loving these three films? The level of action featured in them."JOHN WICK 3" opened with the main protagonist leaving the Continental Hotel and making his way to the main New York Public Library in order to retrieve two objects that would help him leave the country. I do not know how long this sequence lasted, but it almost seemed like forever. Wick seemed to encounter one assassin after the other, city block after city block. Even when he reached the library, he had to fight off another assassin. Then he was forced to defend himself against more assassins as he struggled to reach the Director, a Russian-born who had raised him. There was such an overwhelming slew of action in this film that I was to appreciate the more dramatic moments with great relief. When I had asked one of my relatives on how she felt about the movie, her response was . . . "action porn". She liked the movie, but like me, found the amount of action in it rather overwhelming. I honestly cannot think of anything else that turned me off about "JOHN WICK: CHAPTER 3 - PARABELLUM". Ironically, as much as I found the onslaught of action a bit off putting, there were a handful of scenes that I genuinely enjoyed, thanks to Chad Stahelski's direction. There were three sequences that stood out for me. One involved Wick's unexpected encounter with a rather large assassin inside the New York Library. His final fight against a New York City assassin named Zero and the latter's men at the New York Continental Hotel almost struck me as surreal. But if I had to select my favorite action sequence, it has to be his battle against a group of assassins in Casablanca, with the aide of his old friend, Sofia. Watching Keanu Reeves and Halle Barry fight side by side against a slew of killers proved to be more than satisfying for me. And exciting. I also suspect that this deluge of action had allowed the film's five screenwriters to create a more streamlined narrative. Five screenwriters? This movie required five screenwriters? Anyway, one of the aspects of the John Wick films that I found refreshing is that the narratives for the three films were not repetitive. "JOHN WICK 3" marked the first time that the hero is forced to face the consequences of his actions. There is a reason why once or twice, a self-reflective Wick had to admit that he had brought his current crisis upon himself. More importantly, he also realized that his decision to become a professional assassin and criminal in the first place had brought him to this point in his life. In age in which the questionable decisions and actions of many protagonists in movies and television are either swept under the table or whitewashed, John Wick's self-reflection struck me as a breath of fresh air. "JOHN WICK: CHAPTER 3 - PARABELLUM" featured some solid performances from its supporting cast. The likes of Lance Reddick, Anjelica Huston, Jerome Flynn, Randall Duk Kim and Yayan Ruhian did not exactly blow my mind, but I found their performances impressive. Saïd Taghmaoui gave a brief, yet impressive performance as the Elder, leader of the High Table; whom John Wick struggles to reach to overturn the contract against him. Asia Kate Dillon was memorable as the Adjudicator, a member of the High Table who castigated both Winston and the Bowery King for helping Wick in the previous film. However, I thought her character seemed like a remake of the character she portrays on Showtime's "BILLIONS". Ian McShane was elegant and charismatic as ever as Winston, the manager of the Continental Hotel, who found himself in trouble for giving Wick a head start on the contract in the second film. Laurence Fishburne was equally charismatic as the New York crime lord known as the Bowery King. But unlike McShane, I also found his performance rather theatrical in an entertaining way. Another colorful performance came from Mark Dacascos, who portrayed Zero, a Japanese assassin based in New York City, who is recruited by the Adjudicator to kill Wick or anyone else whom the High Table wanted dead. Berry radiated charismatic, style and gravitas as an old friend of Wick named Sofia, who helps him reach the Elder. I really enjoyed both her dramatic and action scenes with the leading man. Speaking of the latter, Keanu Reeves was perfect, as usual as the ex-assassin John Wick. I think I enjoyed his performance in this film a bit more, due to the pathos he infused in scenes that featured Wick's self reflections about his profession and past. In a nutshell, I would never regard "JOHN WICK: CHAPER 3 - PARABELLUM" as among the best action movies I have seen. Like the other movies in the JOHN WICK franchise, I thought it was over saturated with too many action sequences. But . . . the movie did feature a solid and well-written narrative that picked up from where the second movie in the franchise left off. More importantly, I was impressed that for once, the main protagonist was paying the consequences of his past actions. In the end, I thought director Chad Stahelski had delivered a solid and entertaining film with a talented cast led by Keanu Reeves.

#john wick #john wick franchise #john wick chapter 3 #john wick chapter 3 parabellum #keanu reeves #chad stahelski #ian mcshane #Halle Berry #laurence fishburne #anjelica huston #asia kate dillon #said taghmaoui #jerome flynn #lance reddick #mark dacascos #randall duk kim

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thesffcorner · 5 years ago

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John Wick: Chapter 3: Parabellum

John Wick: Chapter 3: Parabellum is the third film in the John Wick franchise, starring Keanu Reeves at the titular character. Following directly after the events of Chapter 2, John Wick has been excommunicated by the High Table, meaning all services and care provided by anyone under the Table is suspended for him, including the Continental Hotel. A bounty of $14 million has been placed on him, and he must find a way to escape New York, if he wants to survive.

This was by far my favorite of the films we have so far. It’s the most action packed, it has the best cinematography, direction, choreography and pacing; it’s a non stop thrill ride, as John runs into person after person very determined to kill him. $14 million is a lot of money, so it’s no surprise that literary every assassin in New York is after him, and he himself is getting sloppy and tired, not to mention injured.

The action in this film is to notch; unlike Chapter 2, where I found a lot of the actions scenes boring, and like they dragged on for too long, here each set piece has some kind of a creative twist that made it interesting, and it helped immensely that the fighting was even more brutal than ever before. If you thought John killing someone with a pencil was horrible, wait until you see what he does with a book. It’s unflinching in the violence, and that extra layer of grittiness over the stylization really makes it all come together.

There are several chase scenes that were likewise amazing; there’s a particularly inspired section that involves horses, and later a motorcycle chase that rivals the one in Rogue Nation. I also absolutely loved the bit in Casablanca where the star of the show was actually Halle Berry, and she pretty much singlehandedly halves the population of the city, in a scene that was shot very much like a video game; I felt like I was playing Uncharted 4, while watching it.

Speaking of Halle Berry, the one big issue I had with the second film was that the characters were wasted and not very interesting. Thankfully, that is not the case here; this sequel has some of the best characters in the series and I loved everyone.

Berry’s Sofia was great; I loved the little backstory we get with her, how she knows John and why she owes him, and all the small things she does to make his life that extra bit more difficult. I didn’t really like why she snaps and starts shooting people; I understand they wanted a parallel between her and John, but (and I don’t want any more dogs to die, don’t get me wrong), at least Iosef actually killed John’s dog.

Jerome Flynn has a pretty good extended cameo, and I thought it was rather funny that the Master of Coin was actually a Master of Coin here.

Anjelica Huston was excellent and terrifying as the Director; that scene with her was probably the most unsettling, and it legitimately made me kind of ill as we were weaving through the theater, seeing what the Belorussian mafia does, and what must’ve been John’s life before he became the Baba Yaga. I found her to be an appropriately horrible person (I like that about this series, the female characters are as reprehensible as the men), though I found it kind of funny and odd that John was retconned to be Belorussian not, Russian in this sequel (he still doesn’t look Slavic, and can’t speak Russian or Belorussian, sorry).

Mark Dacascos as Zero was the absolute best character. I had to look on IMDB to find his name, which is a crying shame, because he made this film for me. He walks a fine line between being cartoonishly evil, and legitimately cool, and I loved the little bits of character we got with him, like wanting to impress and prove to John that he’s his equal, how unnecessarily dramatic he was, sitting next to John on the couch. Even his final scene was funny, and though out of the fights, I preferred the fight between Reeves, Yayan Ruhian and Cecep Arif Rahaman, his was still impressive.

Asia Kate Dillon was likewise cool in their role; they brought the right amount of awe and unlikability to the part of the Adjudicator and I would love a film that’s just them and Zero going around terrorizing people who disrespect the High Table.

However, in spite of my glee, there were things that I was not such a fan of for this film. First, I’m not sure I appreciate the idea that the High Table has someone who sits above them. What’s the point of a High Table if there’s someone who rules even over them? And while I like Said Taghmaoui, that one person being a random Arab person in the middle of nowhere Morocco, was a little… iffy. The Arabs control all the crime in all the world I see; or maybe just that specific person does.

I’m also still confused as hell as how this world works. There are so many assassins in this film, huge armies of people who work for this various mafias that it’s getting ridiculous. Everyone is under the Table, who tf is above it? Who are these people killing, just each other? Not to mention that, by this third film, we have slaughtered all of the Russian, Italian and Moroccan mafia, most of Zero’s, the Continental’s, the Belorussian, and Bowery’s men, all because the High Table won’t just let John retire. If you let him retire, you won’t lose thousands of people anymore you idiots!

Then there’s the ending. I don’t even want to talk about the sequel bait; I knew from the moment the film started that there probably won’t be time to conclude the story in just this part. But first having John betrayed by Winston for no good reason, and then Bowery surviving beings sliced open 7 times by a katana, and then John being shot and falling of a BUILDING, hitting several metal and concrete balconies on his way down, and crushing onto an asphalt street and STILL SURVIVING… nothing will kill this man. He’s invincible. It strained my belief so much that I’m not sure how they can possibly top that, and at this point I’m just going to assume that John is Wolverine, and he just can’t die.

Overall, this was a massive improvement over the second film. In fact it makes the second film feel unnecessary, and other than the plot contrivance that brought us here in the first place, I almost suggest you skip Chapter 2. It’s brutal, it’s impressive and it’s fun; I definitely recommend it.

#john wick chapter 3 #john wick chapter 3 review #john wick #film review #moni talks

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andrewuttaro · 6 years ago

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New Look Sabres: GM 70 - PIT - Better Days

We’re racing to the bottom at this point, right? There was a moment during this game when everyone live tweeting kinda realized: shit, they could be in 26th place by the end of the night! We already know this collapse has been historic but what if we became the first team to occupy first place and last place in the same season? Ottawa has to go on a run! You got to laugh, or you’ll cry, right? Six straight losses dealt just absolutely mercilessly to the heart of Sabres fans… or at least the ones who are still watching. The wheels coming off in February was one thing but this… this is some divine retribution. Is Mike Harrington actually God and he’s endlessly punishing the Sabres for the tank? Buffalo hasn’t scored a goal in three games! Sure, they’ve come close to a goal here and there but holy shit! You would think one would accidentally go in through nine periods of hockey but here we are! Can all the Jack Eichel haters climb back into their Chevy Suburbans and fuck off now? These two games have been Exhibit A in why Jack Eichel is crucially important to this team. Never mind his scoring touch, this team felt rudderless these last two games. They looked out of it from the moment Phil Kessel scored. JP Dumont and Danny Briere made a luxury box appearance at this game. Who didn’t get emotional at that camera shot? If not for nostalgia than the sudden fear of Jeff Skinner walking to Free Agency. That last Briere Sabres was the last one that won a playoff series. Mind you, the Sabres won the division three years after Briere-Drury but that last playoff win was almost twelve years ago. As the throngs of Penguins jerseys flooded into the Key Bank Center for this game John Vogl pointed out you would have to be no younger than 17 right now to remember the Sabres last playoff win. I don’t want to restate again and again how disappointing it is these guys didn’t coast into the playoffs this season but gee, I’m 24, I scarcely remember 2007. I was in Middle School calling sexual reproduction gross and certainly not paying attention to hockey! I don’t really even have a sense of what a good Sabres team is either! Now I don’t know if I’ll see it. I don’t know if they’ll score again, does anyone? This game was just a drag dragging a drag of a drag hockey team! Yuck.

The first period actually wasn’t a total nightmare. No goals were scored by either team but the Sabres looked like they were knocking. Moreover, one of the prime knockers was Alex Nylander! There is an alternate reality where that line of Casey Mittelstadt centering a line of Tage Thompson and Nylander is the break out rookie dynamo line backing up the Eichel line to the playoffs. I don’t mind that line starting right out of camp next season assuming they’re all still Sabres. Perhaps that’s your third line assuming new guys come in, but we’ll see. With that little dose of optimism has to come the heaping shit sandwich of some Phil Housley inspired insanity: the defensive scheme in this game was awful from start to finish. Look at any opportunity the Penguins set up and you’ll see what a basketball fan may call zone defense. I don’t know what the fuck to call it except terrible. That’s not how you beat this Pittsburgh team. We could’ve swept these fuckers in the season series for the first time in recorded history had we won, right? The last two games against these guys were defensive battles. We have a coach who is supposedly one of the greatest NHL defensemen ever and this is how he coaches the blue line? There was a decent powerplay for Buffalo late in the first but nonetheless Carter Hutton was just barraged with high-danger shots. I feel so bad for him and Ullmark; any blame they take for this is trivial at best. Sure, they haven’t but up November numbers lately but its clear they’re not the reason the Sabres are losing at this clip.

Shit started rolling down hill in the second period. Conor Sheary continued to play well against his former team as he was involved in probably ever other Sabres shot but none of his would go through this game. It was Phil Kessel who benefited from one of those back-and-forth split-the-defense plays to tap it in on the powerplay. I could’ve done without the hordes of Pens fans in attendance cheering after that goal. If Pens games are going to feel like away games now too than that’s one of our bigger problems as fans in the immediate future. Yikes. Rasmus Dahlin got a nifty little breakaway shot before the Penguins next goal but everything is sad right now for Sabres fans so that made me worry he’s frustrated in this situation too. Brian Dumoulin scored a goal that looked accidental. It was just an aerial puck on net, and it went in. That was just weird, unlucky shit. Then Patric Hornqvist’s goal a couple minutes later was preceded immediately on the Sabres broadcast by RJ and Rob Ray discussing how Hornqvist has made his career being a net-front guy. It was like a bad omen. It was spoken into existence. I didn’t bother with the third period; I knew they weren’t coming back from that and I’m a loyal fan, I sincerely am but this shit was so fucking played out. It felt like we were all in on the same joke only its one of those self-deprecating jokes you tell to appear likeable. Garbage. This game was garbage. Nick Bjugstad is a Penguin now and he scored a goal straight off the bench like he knows what fun hockey looks like. Eight minutes later at 18:02 into the third period Jake Guentzel cashed in on a deflection and the final score of this garbage dump game was 5-0 for the visitors. It’s official now: this is the second time in Sabres history the team has gone three games without a goal. The first time that happened was… pause for dramatic irony… last season. Poor funnel guy was so sober watching this game. The poor guy took a shot from the funnel at the end just for the hell of it, but you can tell he was fully cognizant of each and every shitty Sabres moment in this game.

I don’t know how to approach this team anymore. I suppose Eichel coming back next game and the raw desire to hold up Carolina on Saturday in anyway possible drives me but what are we really doing? 11 games left and no chance of a playoff berth: what are we doing? I for one have more or less moved onto the soccer season which, thank God, starts in March in America. I am more excited for Congressional committee hearings at this point than the next Sabres game. The Bachelor is over now too. Hmm… yeah, I suppose there is just another coming of that awful helpless feeling we’ve experienced too much the last few years. The Coach is bad, he doesn’t think there is a pride issue in the locker room but holy shit, just watch the games. The GM has signaled very subtly that change is coming but what that is and how effective it will be after we already had a wicked off-season last year is just a big ugly wildcard. Elliotte Friedman did a radio hit in Toronto this morning and confirmed what should be obvious at this point: Jason Botterill is not afraid to be aggressive and move some parts out come June and July. There are a bunch of wildcards with the big club and unless you’re getting real engaged in Amerks hockey like me right now, your hockey life might be quite shit right now as a Sabres fan. Hey, the Draft Lottery will happen on April 9th this year! That’s super early. I hoped the draft lottery wouldn’t be the most exciting part of Sabres life in April this season but here we are! Let’s hope Danny Briere came to this game to cast a spell to reverse the fortunes of the franchise again and ensure Jeff Skinner doesn’t walk in free agency.

I apologize to those of you who follow me for hockey takes and see me tweeting soccer now. I really appreciate your follow, sincerely I do, but that is for my mental health, fam. All kidding aside, it is humbling to realize the New Look Sabres blog has something of a following now. You brave few are a fun bunch and I appreciate you. Like, share and comment to get the word out on this weird little thing. I can’t help but imagine if you hopped on the Sabres wagon in September with me and rode through this first season according to my takes. For one, wow that’s a cool choice you made. For two, this season kind of feels like a microcosm of what this whole decade has been like as a Sabres fan: heartbreak around every turn but some fun times mixed in there that just gives you that little flash of better days that must be ahead. Ops, I said better days! The folks who remember the last decade of the Sabres just started balling their eyes out. This is probably a better time that not to wrap it up! Let’s Go Buffalo!

Thanks for reading.

P.S. I want to apologize to Ben Mathewson: the Bruce Boudreau idea is a fun one. I did in fact get him confused with Randy Carlyle because of their similar faces.

#buffalo sabres #hockey #blog #nhl

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kirain · 7 years ago

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Top Ten Favourite Anime Games

For this list, I will only be including games that are specifically considered part of the anime genre, NOT games that were created by Japan Studio or other Japanese companies/creators. So games like shadow of the colossus, Bloodborne, Metal Gear, Resident Evil, etc., won’t be mentioned. While it is arguable that such games could fit the anime genre, it’s never been clarified. So here’s a list of my top 10 anime games.

1. Gravity Rush

There’s no real order for this list EXCEPT for Gravity Rush. It is easily my number one favourite pick. I bought it for next to nothing thinking it would be a cute little experience, but it ended up gripping my interest for four days straight; which is rare for me. While at work, all I could think about was getting back to it, and it’s one of the few games with trophies that didn’t annoy me. Seriously-- not one trophy pissed me off. In every game there’s at least two or three that really grind my gears, but Gravity Rush had nada.

There are several challenges in the game that are tough but fair, and they never become boring because they’re designed in such a way that the more you play them, the better you get. You begin to learn the controls, the landscape, the shortcuts, etc., which makes for some excellent gameplay. At no point in the game do you feel like a failure, which is nice once in a while. On top of that the story is fun, the characters are lovable, and the art is breathtaking. During each new chapter, we’re given information in the form of a hand-drawn manga, which only adds to the uniqueness. The language in the game is also made up, so anyone can relate to it. And the music? Oh, don’t even get me started:

https://www.youtube.com/watch?v=BxIC6Vu1ee0&t=43s

And just when I thought it couldn’t get any better, they went ahead and created a sequel, Gravity Rush 2! It’s pretty rare, in my opinion anyway, that video games have sequels that measure up to their predecessor, but Gravity Rush 2 might be even better! It lets us revisit old friends, make new friends, explore more areas, it gives us grater challenges and a newly implemented difficulty setting, and additional online adventures that have nothing to do with achievements! What really hits me about these games, though, is the freedom. You get to fly wherever you want, anytime you want, at ridiculous speeds. The world is vast, beautiful, and so fun to navigate.

After playing and falling in love with these games, I can only assume they’re called “Gravity Rush” because they’re an absolute rush to play.

2. Devil May Cry

Specifically the first game, Devil May Cry will always have a special place in my heart. I played the game a lot when I was in grade school and kept replaying it well into my high school years. All the way up until my PS2 broke. :’)

Now, I do know that this game was created by Capcom and that it was supposed to be related to the Resident Evil franchise, but director Hideki Kamiya openly stated that the game is an anime-style hack and slash action-adventure game, and even gave the anime T.V. show, Devil May Cry: The Animated Series by Shin Itagaki, his professional seal of approval.

That said, Devil May Cry is addictive with its brutal but charming character Dante, and its dark and twisted plot/gameplay. If you’re into cool characters, blood and guts, and kick-ass combat, this is the game for you!

3. Catherine

Another nostalgic game for me, Catherine was something I played constantly when I was in high school. The animation is enticing, the story is a giant mind f*ck, and the English voice acting is stupendous. Like many story-related anime games, it has multiple endings, as well as a karma metre that wraps into your choices. The story revolves around a man named Vincent Brooks, who is beset by supernatural nightmares while torn between his feelings for longtime girlfriend Katherine and the similarly-named beauty Catherine.

While the game is mostly a platformer, the challenges are unreal, especially in Babel (an extra area not related to the story) and the arcade game, Rapunzel. If you want your brain to turn to mush, I’d suggest setting this baby to the hardest difficulty. Naturally there’s a trophy for beating everything with a gold time, so if you get that you’ll be able to gloat to all your friends about how smart you are. XD

Jokes aside, though, there are other aspects to the game that keep you going. You won’t get bored of the platforming because between each level is the story, given to us in two distinct anime styles, and a trip to the bar, where you can get drunk and interact with other characters. Depending on the dialogue you choose, you could be responsible for their dreams coming true ... or their untimely death. A remake of the game will be coming out for PS4 next year and I can’t wait to play it!

4. No More Heroes

No More Heroes is another action-adventure hack and slash video game that follows a man named Travis Touchdown ... who is a hardcore otaku. Literally all he cares about is killing and anime, which makes for a hilarious story. Travis is also a top-class assassin in a world where assassins constantly compete. Think John Wick: The Anime. This game is full of comedy and combat, as well as cool characters, crude challenges, and a cuddly kitty cat. I played this game religiously when I was in high school, and enjoyed it even up to it’s weird mind f*ck of an ending. The only downside being that it’s only available on Wii, which made for an interesting and unique experience, but a sad realisation that it will never be available for any other platform.

5. Trauma Center: Second Opinion

Just like No More Heroes, Trauma Center: Second Opinion is only available on Wii; but that in no way affected my love for it. Second Opinion is the second game in a long line of Trauma Centers, but for some reason it’s the only one I enjoy. Perhaps it’s because playing it on the Wii gave it a sense of realism. The game is a surgery simulator, and like an actual surgeon, you have to concentrate and keep your hands steady to succeed. If you move too quickly or throw yourself off balance, the patient will die. The art and music are also incredible and, believe it or not, there’s actually a pretty interesting story that goes along with each chapter. As you work your way to more advanced operations, you really take a liking to the characters and feel a strong sense of duty to your patients. To anyone who owns a Wii, this is definitely a game I’d recommend.

6. Chibi-Robo!

Chibi-Robo! This game takes me back! I spent hours upon hours playing this game, and I still would today if my copy hadn’t been stolen. This little treat is only available on the Wii and GameCube, and was created by Nintendo. It’s one of the most adorable platform-adventure games I’ve ever played to date. The Wiki explains the plot perfectly, so I’ll just post it here:

“Chibi-Robo! takes place in a 1960s-style American home and revolves around a tiny, highly advanced robot of the same name. He is given as a birthday gift to a socially withdrawn eight-year-old named Jenny Sanderson by her father. This is much to the dismay of Jenny's mother, a homemaker who is constantly stressed over how much money her husband spends on toys despite his unemployment.”

For a game that seems so basic, there are a plethora of areas to explore and they are huge. Ironically so, I’m sure, but it makes for some amazing gameplay nonetheless. As you wander, you help other creatures around the house, including the family, solve their problems and complete challenging and often comedic tasks; such as flipping burgers, cleaning up puddles, and-- you know-- helping the egg general save his fellow egg soldiers from the household dog. Yeah, stuff like that. XD

Honestly, it’s super fun and I recommend it to anyone, no matter what their age. It’s clearly geared towards children, but I can’t think of a single reason why an adult wouldn’t enjoy it just as much. It’s relaxing, freeing, and puts a genuine smile on your face. :)

7. Pokemon X and Y

Okay, I know I probably shouldn’t add Pokemon to this list, but I can’t help it! I’ve always loved the Pokemon games, but they just get better and better every time! Pokemon X and Y quickly became favourites of mine, and they consumed my life for a good two months as I captured every single Pokemon, bred the perfect IVs, and worked my ass off to get every shiny I desired. On top of that, I loved the story and, for once, how my character design turned out. What’s more, I fell absolutely in love with the Looker side quest, which is possibly the best and most emotional side quest I’ve ever played in a Pokemon game. X and Y will always be special to me, because in was with these two games that I caught ‘em all!

8. Pokemon Sun and Moon

Visually, Pokemon Sun and Moon are the best of the Pokemon games, in my opinion. They were also the first to really shake things up and give fans new and improved methods of breeding, capture, travel, communication, and more. We were also introduced to a new type of pokemon called “ultra beasts”, along with a fun and alluring story with several new characters and legendaries. Throughout the game, I found myself laughing hard at some of the experiences, and I spent countless hours capturing, trading, breeding, spoiling, and loving all of the new pokemon the games had to offer. I even transferred my pokemon from X and Y over so I could give them the same love and affection. ^_^

I have to thank @cassafra5 and @george-nordington, because they’re the ones who bought me this masterpiece! Thanks, guys! <3

9. .hack//OUTBREAK

This is a game that will always be near and dear to my heart. Back before guides were widely available, I was playing a game called .Hack//OUTBREAK. It came out in 2002, when I was only 12 years old. Back then, my dad was still alive. He never really understood my taste in anime, but he wanted to try and relate, so he bought this game for me on a whim. Little did he know I knew absolutely nothing about the .Hack series, and little did either of us know that OUTBREAK was actually the third part to two other .Hack games. Still, I didn’t want to hurt his feelings, so I played the game-- and I fell in love.

Visually, OUTBREAK was one of the best games I owned on PS2, and although parts of the story were difficult to follow, I was hooked. I dedicated entire days to this game, and because there weren’t any guides, I had to write down every code and location so I wouldn’t get lost/forget them. Today, I still have pages folded safely in the case. The amount of exploration and character interaction opened me up to a whole new genre of video games. In fact, it basically introduced me to anime-style games. I could actually buy gifts for my friends and build relationships. That seems common now, but back then it wasn’t for a typical PS2 game.

Unfortunately, tragedy struck when the save cartridge was accidentally kicked by my brother and all of my data was lost. I wasn’t too concerned, since I figured I could just replay the game and get everything back ... but the disk was also severely, irreparably scratched. It no longer plays. As such, it is now merely a keepsake from my father. I miss you, dad.

But 16 years later and my sister and I are still quoting this game! XD @alannahkiwi https://www.youtube.com/watch?v=0I-7hwgwqa4

10. Persona 5

I only recently started playing Persona 5, but it’s quickly made its way to my top ten. I can’t say too much about it just yet, aside from the fact that the animation is crisp, the story is gripping, and I’m ready to sink hours of my life into platinuming this gorgeous feet of human achievement! So much heart and sole was poured into this game and it shows with every in-game step I take. This is the only game on this list that I haven’t yet finished, but I have a sense that I don’t really need to. Thus far, every mission has been a gem and I don’t want the party to end!

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