#he's so cool and he writes so well too

[wyllaztopia]

Not an ask. Just we love you and your art with the ✨AMAZING✨ work of Neotxnic. Seriously you two are doing so well. 😘 You are really doing so well, and you answered so much asks this far! We hope we are not too much for you 😅

🌷🌼🌸🌺🌹🌈💖

thank you! and yes!!! neotxnic appreciation!!! everyone!!! go bombard beo/neotxnic with love and voice requests!!! he loves doing them

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[eri-pl]

Silm Advent calendar 4: Beard*

Warnings: sort of a small panic attack in PoV. Implications of��� well, we are seeing Celebrimbor post-reembodiment. So you can estimate. But only implications.

"I wish I could see them again," said Celebrimbor. "The Dwarves, I mean." It was still somewhat strange to speak with words.

Mahtan smiled. "I wish I could see one of them too."

Right. Great-grandfather hadn't ever met any of the Khazad, obviously. Because he had enough common sense to not leave. Obviously. Celebrimbor looked at him. "I'm sorry."

Mahtan laughed and continued leading him down the stony corridors of Lord Aulë's mansion.

Assuming that he could continue the conversation, Celebrimbor said "I've always wondered, and Narvi too—how it is with beards? Are they something Lord Aulë invented, or...?" He trailed off. It seemed a stupid question.

And yet, his great-grandfather was not offended. He stroked his own—meticulously braided— beard, and spoke. "I've always assumed it was his thing, as I had not grown mine before I became his apprentice. But now of course they say the Men have those too— they do, right? It's not another thing Pengolodh made up?"

"Oh yes, they do have beards. Some quite impressive."

They went down another set of stairs, the corridor was windowless and illuminated with lamps. It felt like home, but safer.

"Mhm. See, Tyelpe, we're somewhat secluded here. Nor Tuor, nor of course Earendil had one, so... Anyway, I'm sure you'll grow it eventually."

"I don't— I mean, the fact that I could work with— Despite everything— It's just so much more than I could ever deserve."

Mahtan laughed again—a deep, rolling laughter that felt in place in those stone halls. "You will need to get accustomed to working with people who aren't— nasty."

The forge noises became louder, discouraging further dialogue. Not long after, they reached an arched gate, leading to a huge workshop, where Maiar and Elves worked, and of course, in the center, the Smith himself.

All the hammers stopped and the room went silent. Celebrimbor bowed deeply, barely daring to look at the Vala.

Lord Aulë smiled. "Come, you two. Mahtan, my friend, we've moved your things already. Tyelperinquar, I'm so glad to see you. I— I still don't understand your kind well, but Mahtan said you won't be offended— it is the best workplace after all." As the two Elves came closer, he spoke more quietly. "As an apology."

In the centre of the forge, next to Lord Aulë's huge, carved stone workbench with mithril top, stood two others, smaller, but even more ornate. One, to which Mahtan walked and began checking the tools, was made of bright white stone carved in intricate geometric patterns, parts of which seemed moveable. The other one — apparently meant for Celebrimbor — was a gold square design of perfect four-fold symmetry, with the tools sorted by size and type. While not dusted—nothing in Aman was—it was long unused, judging from types of the tools. There was a peculiar beauty to it, like—

His head went light and he grasped the edge of the golden table— than let it go immediately— if that was to be his apology, he'd have to bear it— he was better now, after years in Mandos—and yet, the very memory—

Mahtan held him like he used to do when Tyelpe was a small boy visiting his forge with the same fascination as his father and grandfather before.

"Shhh. It's all right. It is all right—" he repeated louder. "He will get over it, just give us a moment." He turned his face back to Celebrimbor, whispering: "It's all right. You don't have to, if you don't want to."

"But…. My apology—"

Great-grandfather held him tighter. "Not your apology, Tyelpe. Lord Aulë meant it as his apology to you. He felt like he owed it, especially as there's nobody else to apologize to you now, I think. But let's not get there. It is— we both thought that it would be a kind of justice to give it to you. I'm sorry. You don't have to."

The tightnes in Celebrimbor's chest slowly dissipated. "No, I— I appreciate it, and it would make him so angry and that's good, just— could I maybe reorder it a little. Not much, just…."

He spoke softly, unsure if it was worse to ask Lord Aulë if he could change the designs of his Maia (well, back then), or to talk in private when he was nearby. but apparently it was not soft enough, as the Vala replied him.

"Of course. You can change anything you like. It's yours."

A few days of work later, when Aulë again returned to his forge, he looked at Celebrimbor's workbench—now not as perfectly symmetrical, and carved in rows of Dwarven runes.

He smiled. "It looks alive. I missed it."

[elizabethzoopzoop986]

I miss Mei so much you don’t understand :( bring her back AidaIro. Also Yako and Hakubo

I hate how the school mysteries (other than Hanako, Mitsuba and Akane) get there one arc where you really get to know them and care about them and then they just go away forever. GIVE THEM BACK PLS AIDAIRO LET THEM OUT OF THE CLOSET THEYVE DONE NOTHING WRONG

[thetwilightroadtonightfall]

finally watched Wish and had a major brain blast

They’re besties now because I said so 💫

[mangora]

[chatxkilluaxnoir]

I have Gravity Falls and Etc. fic(s) idea(s)

Which, I am going to write now while I am having this fic idea (probably going to be a short one, but in the future I might make a revised expanded version or something. Who knows).

I actually have multiple Gravity Falls and GF TAU and Reverse Falls and etc. stuff that stems from this specific The Book of Bill thing.

Specifically stuff exploring Dipper's nightmares.

(I have some other ideas for the other dreams and/or nightmares too. Sometimes even in relation to Dipper's in some way).

I love my boy, and his nightmares hurt my heart.

But also because I love him, I want to explore even more of issues/trauma/suffering and/or to do Dipper angst. And etc.

Because I want both happiness and/or suffering for my faves/the characters I love very much.

Like Dipper.

So he is going to be getting even more of that from me, probably.

Because he is great and I love him.

[uhbasicallyjustmilex]

~ inseparable opposing images ~

[jacqcrisis]

The post game idea I had for Ronan and Astarion is after a few years of adventuring and looking for a solution to vampirism, they get a proposition from a mutual high-level adventurer they've had dealings with before. She's a dragonborn warlock needing someone to moonlight as her husband on a trip back to Tymanther to make nice with her clan to get a hold of some relic or artifact or WHATEVER. DOESNT MATTER.

What matters is that she asks Astarion to be her 'husband' for the trip since her clan won't let her back into their home without one, hes overdramatic enough naturally to pass for a dragonborn, and since he doesnt know shit about the culture, he can be molded easier into passing for someone of a higher ranking clan than a lowborn weirdo like Ronan who would give the game away within ten minutes of opening his mouth. Astarion will be changed under True Polymorph for the time into a living dragonborn and, once she has her macguffin and they return to Fae'run, she'll use the same spell to change him into the living version of himself permanently. Simple as.

It takes some thinking for both Ronan and Astarion to come to a decision. The trip will be long, months to even a year, and all that time, they wont be making much of an income on top of being half a world away from home. Ronan isnt too keen on returning to his country of origin and Astarion certainly isnt too happy about having to spend so damn long as a lizard. There's a lot of debating, arguing, but this warlock is the only person that they can trust they've found capable and willing to cast the spell and the closest they've gotten to a solution to vampirism that seemingly has no downsides, so they agree.

Before the trip even starts, Astarion is changed in order to get him used to both living and a new body as they make the long trek to Tymanther. He takes to it as well as one would expect: doing just fine while also finding as many reasons to complain about it as he can. It's an adjustment getting used to just the sensation of his heart beating again, the general ebb and flow of biological processes, being warm all on his own, and the dysmorphia when he looks in the mirror to see a dragonborn instead of what he expects, but it's so much more comfortable and right in comparison to undeath.

Now, since Astarion needs to be her husband, one of the stipulations from the warlock is that he and Ronan are not together in any respect for the trip. Ronan is Astarion's bodyguard for this journey and anything closer than that could jeopardize the whole plot given they'll be surrounded by judging scrutinizing vultures looking for any cracks in the warlock's tale and an excuse to kick her to the curb and exile her from the macguffin she needs. Normally this wouldn't be an issue for Astarion, but there's a curious new problem that crops up when his heart is beating once more.

Love and attraction are very numb emotions when one's body is mostly dead. While he knows he loves Ronan mentally, it is not a physical feeling for him. Until he's breathing again and all of a sudden he's got butterflies in his gut when Ronan's around, he's warm when the cleric looks at him, sweating, flushed, shivering when there's a brush of a hand on him, and just thinking about speaking to him makes him smile like a moron despite himself.

Astarion can't stop looking at him. Can't stop wanting Ronan near him. Burning for him in a way he didn't before and its like he's falling in love both again and for the first time. And oh boy, does he hate that considering he can't do anything about it lest he lose his chance to get back to being himself.

That's the setup. Astarion's first taste of being not a vampire comes with being forced into a body that isn't his as he plays mental chess with a bunch of dragonborn to earn his living body back and while he's fighting with Love and Yearning in a physical sense for the first time. Theres a lot of politics, and weird magic mutants, and making googly eyes at each other over dinner, and eventually, Ronan and Astarion break and have a night together, fucking everything up. But then they get the macguffin anyways through their own means and escape and Astarion gets to be a real elf boy again.

Oh and Gale is there too. Because you gotta take your wizard on a walk every now and then to a fucked up displaced lizard continent or he'll start clawing at the walls and doing magical environmental terrorism.

[thedrotter]

I have a gift for y'all today !!! 😊 Ever wanted to find a line in Re:Kinder in a single place for the sake of reference?? How about multiple chunks of lines. how about all the little variations that arise in the text with it's many endings, item descriptions, text that comes from interacting with the enviroment, and character info from the menu without having to boot up the game and go through it at long minutes!!???

well i sure did😊 Since I do a lot of fanart and think up my own silly theories and thoughts that need me to reference the game lines a lot, i have made a transcript for it for convenience's sake. A weirdly thorough transcript handwritten and proofread by me including all character lines available in-game. And I'm sharing it with you all today for anyone that wants it !!! :3 To use as a reference for creative fanworks or a quick search for a line in-game, whatever you wish to use it for!!

It uses the english translation of the game by vgperson. So naturally all credit for the game lines available in here is to her and Parun who made the game.

I did my best to organize it in a way easy to digest. Do note that I'm still human, and there's still the chance for mistake in it no matter how much I've proofread it, since I'm not even an english native speaker ^^. But I hope it serves you well nonetheless if you wish to use it.

That's my gift for today!!! Not the usual art, but still a project I'm proud of. Enjoy!!! 😊

[ravencromwell]

The poem evokes human greatness and human vulnerability. People are “godlike” in their courage and skill, but even the greatest mortals fall and clutch the dust between their bloody fingers. The beautiful word minunthadios , “short-lived,” is used of both Achilles and Hector, and applies to all of us. We die too soon, and there is no adequate recompense for the terrible, inevitable loss of life. Yet through poetry, the words, actions, and feelings of some long-ago brief lives may be remembered even three thousand years later.

--Emily Wilson's introduction to the Iliad

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[eru-iru]

wooahh so wally was supposed to become a gym leader and have a ponyta as a starter that they got from mc. the ralts line being made last and probably for him... so nice ;;w;;

cant believe this sickly boy suddenly becomes a gym leader through the course of the game like damn he really has talent for pkmn battles then

[jamandjazz]

Sigh, Mason and Darry parallels, SIGHHHH

[sskk-manifesto]

Ep 5!!!

[bredforloyalty]

okay what i meant when i said that even the copious amounts of blood didn't satiate me in particular is that the dead wife/nemesis thing was never something i was eager to see explored, just because i think it's something a lot of male characters get? to go through? the ooh i'm so tortured someone took something from me and now i can't help but turn into a monster while i'm on this quest for revenge and being smothered by grief ough i might kill them even or others in gruesome ways and then realize i'm still just as empty

because, i think men often feel the role they must take on as a man or as a father (especially the latter) is a burden, a huge one, where they aren't allowed to sit back or let go or forgive to their own and everyone else's detriment.. and i understand why there is demand for the same type of stories or story elements or arcs, and why they work, and this same overall theme can be present in a story where it's dealt with in an interesting way or where there's love and care involved in the writing process and the characters don't feel like "man pain machine #48" and "generic sensitive character who will cradle mr. man pain's bloody face in their hands (when we want to end this arc and show how good and lovable he actually is)"....

idk i'm just saying it's not even a specific problem i have with male characters that avenge their families or seem like they're defined by anger or by a traumatic event, i do think it can be written lazily and that we've seen it so many times it's a bit worn-out now, but i wouldn't be quick to generalize. it's just that, since we've seen this before (and that's partly why they poked a bit of fun at themselves when in rickmurai jack, rick's dead wife backstory was revealed).. to me it's one of the least interesting aspects of rick? and yet it's clearly important to the writers and they felt they had to tackle this part of his character, really emphasize his unfinished business, or treat it like something that must have a conclusion

for me though, rick's brand of fucked up and evil wasn't compelling because something deeply fucked up happened to him and there's a lot to deal with there and that's cool, it was more compelling to me (iirc) Before knowing much about his past. tbh. i recognized him already, he felt real, his worst side was familiar because a man doesn't need a whole event to become controlling and cruel when dealing with his family... social norms and umm systems sort of already operate within the framework of the patriarchy, i think it's built into our collective ideas of society, concepts of gender and family and the rules those come with.. i liked that about rick, that why he was an asshole wasn't detailed, there was no easy explanation for the way that he was, he just was. and every time they chose to drive home that rick's defined by losing his original family to his own alternate self and that he was still chasing this one guy, it was like, well i thought there were so many other components as well to why he turned out to be who he is. i liked it more when it was mundane, because that's what i see around me, that abuse is rather mundane. and i'm much more interested in the harm he's directly inflicted on his current family and how his past might affect his current life, what might haunt him. so i guess i never wanted prime to be taken care of, each week i find myself thinking that i just want it to be rick and morty and their messed up little relationship up close and personal again