#he's pretending he doesn't enjoy it

[aidansloth]

i may have drawn Gareth after his sisters' makeover. only maybe though

the fucking effort I put in the band tee I swear

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[butwhatifidothis]

I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.

Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.

She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.

And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.

CF? Her route?

She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!

It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.

Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.

Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.

Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.

And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?

This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!

[nostalgia-tblr]

stopped reading a fic just there because it was insisting that thor & co went on many violent adventures pre-movies but of course left poor feeble loki behind cos he's a) feeble and b) blessed with a better understanding of imperialism than the rest, and there are a thousand other fics that also think this is obviously what happened but i think i may just have hit my limit on this one :\

[crimeronan]

i think the reason hunter is allowed to be an honorary lesbiab in my brain, unlike 99% of the other male characters i enjoy, is bc hunter is almost exclusively surrounded by queer women already. therefore "he's a lesbian to me" means, like. "my guy is enmeshed in dyke culture and we love him 🥰"

....instead of what it Usually means, which is "this narrative is all about dudes and i want to pretend i care about gender equality, but i'm also supremely uninterested in anything to do with actual gender equality, so. omg hey! heyyy. i called him a lesbian! okay. that's enough activism for the day :)"

[vv-ispy]

Been rotating the image so much that in my mind, once Venti and Kaeya vaguely become aquaitances Venti just starts showing up in Kaeya's house sitting on his furniture and making himself right at home while Kaeya's there like 'as far as my intelligence knows, you don't have a house so I suppose you can stay with me'

[t-u-i-t-c]

Ishiro Meita in Bakuage Sentai BoonBoomger 01x23 Flaming Baseball Adversity

+ bonus

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[galedekkarios]

"how could anyone ship bloodweave they make no sense at all" did you think about their stories, their motives, their ailments, their shared hobbies, the subtle progression of their relationship throughout the acts, and how very similar they can be despite being different. i know that you didn't but if you had then perhaps you would understand why some people might ship them, especially since a) you can successfully romance them in an origin run thus making it possible, b) astarion already tries flirting with gale unprompted in act 1, and c) you can romance astarion with a good-aligned pc and romance gale with an evil-aligned pc. so, like. what's not clicking

[bhaalsdeepbat]

I think Lae'zel would really enjoy having her nails painted. she wears warrior makeup all over her face and neck, she has those lovely little braids, she took the time to bead her hair. i think she likes having a little bit of polish to her look

[myurch]

at this point i'm just drawing yamaguchi yoshiyuki, aren't i

[as-thra]

coyle this halloween !!!!!!! + the gc conversation that lead to this under the cut :]]]

kyle belongs to @cynosure404

they got it eventually

[kamiko1234]

Crack AU where the entirety of Detroit : Become Human is just the plot of an afternoon playdate between the human child versions of Markus, Alice and Connor. The reason for why they have three diffrent plots is because they couldn't agree on what exactly to play. Kara INSISTED that she wanted to play something with her new doll, Alice. Connor being an overexcited 6 y/o just wanted to be a cool robot detective who's like super smart and super strong and looks really, really cool. Only god knows what had Markus deciding on what his character should be. Since they are only three kids they decided the most logical option is just playing each of what they wanted and switching between eachother. And taking the side (read : uninteresting) roles in the stories of the other. The only person involved in this madness that isn't switching characters like switching clothes is Connor's grandpa chaperoning the playdate, Hank. The reason for why he freaks out everytime Connor in dbh dies is because he just grows increasingly worried about his grandon's apparent love for dying (and the plot of this playdate in general)

[lynne-monstr]

seimei: it's not like we'll ever see each other again bye seimei: lmao can't believe you showed up after what you said

[vazaha-tya]

the fact that fans consider snape a poor and abused orphan and a hypercompetent prodigy at the same time is... interesting.

i suppose it's canon-accurate, the man does contain multitudes. when it's time to highlight how much the marauders suck, severus snape is defenseless against his horrible classist bullies. when it's time to show off how smart he was, he knows a wide array of curses and potions and invented some himself. the gap in canon comes when someone asks if he just fantasises about using those in his textbook margins, or if he actually used them. if he did, then against who, and why was is it never addressed by the narrative?

maybe because then the author would have had to work harder at writing a proper redemption arc instead of killing him conveniently and revealing he turned to the right side because he was childhood friends (and/or in love) with lily evans.

don't get me wrong, i want to like snape. i want to like the talented yet emotionally stunted potions professor who made the wrong choices and despises harry but still wants to do right by him and the wizarding world. i want to like the spy who hates kids but is forced to endure them because the dude who made sure he didn't go to jail is his former headmaster and he wants to keep him close at hand. i want to like the abused kid who was radicalised because he was offered power and a way to be vindicated after spending his life subjected to a horrible family dynamic where his father's hatred of magic features heavily.

but he's a bad spy, his motivations for switching sides are not compelling and the marauders-snape conflict, which could have been a smart way to represent a microcosm view of the wider issue i.e the clash of ideology and the brewing civil war existing at the time, instead becomes about a girl. eyeroll.

(but that's part of a wider conversation about how all the death eaters who turned against voldemort turn out to have done so only for selfish reasons and not because they saw his ideology as wrong. sigh. i'll headcanon it away as much as i can, but that's the textual information the books give us. thanks, i hate it.)

i even think it was a good idea to make the death eater an underdog who joined because he yearned for acceptance and respectability and also despised his muggle father while the front kids on the light side are two posh purebloods who have "no" stakes in this. it adds some complexity to the conversation, introduces nuances, and... is plainly something jkr couldn't handle. because she doesn't really do nuance.

and some fans can't either, i suppose, since i just saw a post saying that when remus and sirius talked about snape knowing more curses than half the seventh year while they just entered hogwarts, they actually meant curse words. eyeroll. why do you want him to be blameless? let him be a cunt. he's more interesting that way.

[charlesemersonwinchesteriii]

Rosaria Champagne, “Law of the (Nameless) Father: Mary Shelley’s Mathilda and the Incest Taboo” // Star Trek: Deep Space 9, 2x22 “The Wire”