#he's like. objectively the best character in the whole series

[bruhstation]

the journey of gordon juniperus gresley (and still ongoing)

[kaleldobrev]

Aren’t You Forgetting Something?

Pairing: Soldier Boy/Ben x F. Reader

Feat. Character(s): Reader, Soldier Boy/Ben, Hughie Campbell, MM & Nan (Reader’s Grandmother)

Original Prompt: Requested by anon | I gotta tell you that not only I love your writing but I love your series writing, specifically. When something new drops I’m always happy to read it before going to bed because I somehow feel connected to the characters, like I know them! I love to keep up with them and I love Ben’s and Y/N relationship so much. I’m in the mood for some angst between them tho, maybe Ben forgetting her birthday and receiving a silence treatment? I don’t know, but I trust you.

Summary: Ben forgets one of the most important days in yours and his relationship — your one year anniversary

Word Count: 4.6k

Warnings: Cursing (40x), Forgetful!Ben, Ben making fun of Hughie for the umpteenth time, Implied violence, Lots of angst, Fluff, Vulnerable!Ben & Implied Smut at the end

Authors Note: Takes place in the Hughie’s Best Friend is Dating Soldier Boy Universe | I changed it from birthday to anniversary, so I hope that's okay my anon friend! | Takes place after After Everything | I had a lot of fun looking up 1950s fashion for this | There will not be a second part to this but I will still be adding to this universe | This came out a lot longer than I expected it to, but I had a lot of fun with this | If you liked this, don’t forget to like & reblog. I really appreciate it! Feedback is always welcome ♡

⋆ Hughe's Best Friend is Dating Soldier Boy Masterlist ⋆

You never thought that this day would ever come, but it was finally here: yours and Ben's one year anniversary. It was a milestone that you never thought would come, as the relationship between the two of you wasn't always easy. It was rocky, and sometimes very, very messy. But despite all of the messiness, you loved him unconditionally, and he loved you just the same, but showed it in his own unique ways.

Ben wasn't the kind of person to verbally say, "I love you," as his love language tended to be that of a physical nature. He would do chores around the house that you hated to do — despite him having it too. He would bring things back from missions that reminded him of you — often those objects being covered in someone else's blood; and he would kiss and smack your ass every time you were in his path, no matter what either one of you was doing.

Although you love those physical actions, you hoped that maybe one day you would be able to hear him utter those three little words you had been yearning to hear — and maybe, just maybe, today was that day.

Since Ben was away on a secret mission that you weren’t apart of since you were sick at the beginning, you took this whole week that he was away in order to plan what you were going to do for him the day of. Initially, the two of you agreed that you really weren't going to do anything special to celebrate, but the more you thought about it, the more you realized how important this milestone truly was; not only for your relationship, but for the two of you individually.

Although it was only a year, your relationship with Ben was the longest you've ever been in. Not that you've had many previous relationships, but every single one you had previously never really lasted long (you were lucky if it lasted two months), as they either did not understand the whole vigilante justice objective of The Boys, Butcher somehow scared them off, or they were (funnily) threatened by Hughie.

But Ben was different in this way compared to your other relationships. He understood the vigilante justice, he understood your hatred for Vought, and he wasn't threatened by Hughie in the slightest (Hughie was actually threatened by him). Despite all of his flaws, he was perfect in his own way.

When it came to the Ben side of things, you were not his longest relationship by a long shot, but you were the first and only person to have genuine feelings for him. Those genuine feelings being something that no one had seen coming — not even you. But he was someone that gradually turned into becoming the person you had wanted to spend the rest of your life with, despite how strange that sounded to most people.

Your plan for the big day was simple, but felt like it would be special enough to really honor and celebrate the relationship. You had planned to make his favorite dinner: steak and mashed potatoes. For dessert, favorite pie: pecan. And dress in the style of a 1950s housewife, as that was a style he had never once seen you in before.

Even though you have made his favorite dinner and dessert hundreds of times before, dressing up as a housewife was something that was definitely beyond your comfort zone and expertise, so you went to the one person that knew could help you best: your Nan.

Despite the style of the housewife fashion basically being obsolete, it was a look that she adored, and dawned on even years after the style had become out of fashion. Her hair was always neat and never out of place, her lipstick always the deepest shade of red, and her dresses always the brightest of hues. You remembered seeing pictures of her back when she was your age and she was a knockout (Ben agreeing), so when you told her that you wanted to dress in the housewife style, she beamed and quickly went to her closest to pull out the nicest shade of red that perfectly matched your skin tone.

“Just don’t do anything sexual in this dress. I’ll never be able to get the stains out,” she told you with a wink. Her comment causing you to roll your eyes.

“You’re just as bad as Ben,” you told her.

Ben was eager to get back home to you, as this mission was taking a lot longer than he had anticipated. It was supposed to be a quick and easy assassination (something he had done alone hundreds of times before), but one thing after another kept going wrong, and he couldn’t help but blame “his team.” He felt himself getting more and more agitated by the second, and there was nothing he could do about it, especially because you weren’t here to help him take the edge off.

Even though rough sex with you right now would be the highlight of the mission, he wished that you were here to at least talk to him, because you were one of the only people he knew that he could have an actual conversation with that wouldn't end up with him being annoyed.

He paced back and forth, with shield in hand; the only sounds between him and the rest of the group were the occasional snicker and his heavy boots. “You’re making me nervous walking around like that,” MM said, behind his binoculars.

Ben rolled his eyes, stopping a few feet away from him. “Then what would you suggest I’d be doing right now? We’re just sitting around doing nothing.”

“Is there somewhere else you need to be? Cause we’re here to do a job,” MM replied, removing the binoculars from his eyes and turning in Ben’s direction. “And we’re going to be here as long as it takes to do this job.”

“I’d rather be in Y/N’s pussy or ass right now, but because you guys are all somehow getting worse at your jobs, I can’t fucking do that right now,” Ben said, grinning an annoyed grin.

His comment caused mixed reactions from the group; but mainly disgusted looks from MM and Hughie. Butcher and Frenchie on the other hand, looked indifferent about his comment. “I really wish you’d stop mentioning how much you like fucking my best friend. It’s getting…weird,” Hughie commented.

“Fucking pussy,” Ben mumbled to himself.

With the pie cooling on the counter, and with dinner almost ready, you felt your heart beating faster than normal. Was it normal to get this nervous about anniversaries? To you, it felt like another day with Ben, but that’s not the way your heart and stomach was making you feel.

As you looked at yourself in the mirror, you almost didn’t recognize yourself as you dawned red lipstick, and a matching shirtwaist dress you had borrowed from your Nan. But you couldn’t help but wonder what his reaction was going to be as this was something he’d never seen you in before. Yes, he’d seen you dress up a handful of times, but it was in a modern style of dress — sweetheart and plunging necklines with a slit riding up the thigh; not this style which was something he hadn’t seen in decades.

You smiled though, thrilled with your appearance despite the nerves you were feeling. Your hair perfectly styled similar to that of Rosie the Riveter and deep red lipstick that was in a similar shade to your dress. The last thing to complete the look were pearls — your mothers specifically.

Finally covered in a thin layer of blood, sweat, and ash, the mission was finally over, and a huge sigh of relief washed over Ben. In just a few short hours, he would finally be home to his girl. “Fucking finally,” he said, mainly to himself, as he placed his gun back into his holster.

He looked over to his left, and Hughie was standing there with ripped clothes, he too covered in a thin layer of sweat, blood, and ash, holding a gun with his usual slightly constipated look on his face.

As Ben was about to walk away, as he didn’t really want to wait up for Hughie, he sighed, knowing that you’d want him to ask how he was doing in this moment, although he couldn’t give two fucks. “Hey,” he said, and Hughie looked over at him. “You good?” He asked.

The look on Hughie’s face changed; it was no longer the look of constipation, but slight annoyance. “Am I good?” He asked, his hands falling to his sides; the gun slightly hitting him in the leg. “What part of — yeah. I’m fine. Just, just peachy.” His tone radiating sarcasm.

“Awesome,” Ben grinned, giving him a thumbs up as he started walking away; being careful not to trip over any debris. “You comin’ or what?” He called out, as soon as he left the room. “I ain’t gonna be late because of you.”

Hughie’s face changed again to that of a puzzled one. “Late for what?” He asked, but quickly shook his head. “Actually, don’t fucking answer that because you’ll probably say something disgusting.” A loud, booming laugh from Ben could be heard down the hall in response.

As you sat on the couch watching tv, your nerves were starting to get the best of you again, and you were beginning to second guess your decision in wearing this outfit. You thought that it would be a special surprise for him to see you dressed like this, since it was something you usually didn't wear, but at the same time, maybe he wouldn't even notice or care. You weren't entirely sure if it was because he was a guy, or because he's been around such a long time, that he'd seen and done everything, and there was nothing that remotely fazed him at this point in his life.

Staring at the door, you got startled suddenly from the sound of your phone ringing. There was a small part of you that hoped it was Ben, but it was your Nan. Taking a deep breath to collect yourself, you answered the phone. "Hi Nan, how are you?"

"Hi Sweetheart. Has Ben seen you yet? How'd he like the pie?" She asked, her voice sweet.

"Ben's not home yet, but he should be home soon," you told her.

"Okay dear. Well, can you tell him hi and give him a big kiss for me? I always thought he was so handsome back in the day. He still very much is. Aged like a fine wine," she chuckled to herself. "But don't tell your grandfather," she chuckled again.

"Yes, I'll tell him hi and kiss him for you," you said, quietly laughing to yourself. "You know he's always happy to hear from you," which was the truth. He was always happy to humor her and reminisce about the good old days, even if he had heard some of her stories numerous times before.

As you heard the door unlock, you smiled widely. "Nan, I have to go. Ben just walked in," you said.

"Okay Sweetheart. Happy Anniversary!" She said happily. "Don't do anything I wouldn't," she chuckled again, before the two of you hung up the phone. There's not a lot of things Ben wouldn’t do, you thought.

"Fuck it's good to be home," Ben said, walking into the house and placing his shield next to the door. "I swear, your friends are getting worse at their jobs somehow, cause I probably would have been home fucking sooner if — Fuck, look at you." He finally looked up now, and you were standing there in an outfit that he had never once seen on you. It was something that he hadn't seen in decades in fact; and the biggest grin appeared on his face.

You didn’t move a muscle toward him, but he heard your heart beating like a jackrabbit. The sounds of his heavy boots walked across the floor toward you. “Do you like?” You asked, and you gave him a small spin; the dress slightly flowing as you did so. “Thought I’d do something special. Different.” You smiled, practically beaming with excitement. He wondered what the occasion was.

“Haven’t seen one of these in fucking decades,” he said, slightly reminiscing with a grin. He looked you over, eyeing you up and down, one of his fingers hooking into the belt loop of the dress. “What’s the occasion?” Your once beaming smile slowly faded into a frown. “What?”

“You seriously don’t know?” You asked, your voice slightly irritated sounding. He hadn’t had the foggiest idea what made today so special, other than you dressing differently than you normally did.

He looked at your face, trying to obtain some kind of hint, but he had no clue. But your heart was racing faster now. You were pissed — and he didn’t fucking understand why. “No, I really fucking don’t,” he said. “Why don’t you tell me? I’m not a fucking mind reader Princess.”

You let out a huge huff, rolling your eyes at him. As much as he thought you were cute when you were pissed, he didn't like it when you pissed at him. "Un-fucking-believable," you said, pulling away from him.

"What?" He asked, still in utter disbelief.

"Your favorite fucking dinner is on the fucking table along with your favorite fucking pie. I'm going to bed," you said, your voice angry as you stormed off into the bedroom, slamming the door. Two seconds later, the door opened again. "You're sleeping on the couch tonight," you told him, and slammed the door again, promptly locking it behind you.

You knew the lock wouldn't be able to keep Ben out, as he'd be able to bust open the door with barely any effort; but you knew he wouldn't remotely try to come into the room, as he knew not to come in when you locked it — thankfully, he was starting to understand boundaries.

You couldn’t help but be angry, upset, and frustrated. But at the same time, you weren’t remotely surprised that he didn’t remember. It was something that neither one of you initially wanted to make a big deal about, but between this being your longest relationship, and the last person he celebrated an anniversary with gave him up to the Russians, you figured why not make this day special after all?

It took everything you could to hold back the tears as you started to remove your makeup; feeling like it was an utter waste of time. It didn't take you that long to do this, but you went through some effort looking up tutorials online to try and be as 1950s authentic as possible, even asking your Nan for tips on how she used to do her own.

The mascara started running down your face, as you tried your best to scrub it off. But it was barely getting removed, which only frustrated you more. You pounded the dresser, and let out a muffled sounding scream.

A small knock came at the door a few seconds later. "Sweetheart, you okay?" Ben asked, and you scoffed.

"Fuck you," was the only response you could muster up in the moment.

"Ouch," you heard him mumble. "Can we...talk?" His voice hesitant.

"No. Just leave me alone Ben," you said, and you could hear sadness in your voice.

You heard him let out a frustrated sigh. "Alright," and the sound of his heavy boots walked away from the door. He sounded frustrated too.

As Ben ate his dinner that you had made for him (his favorite no less), he tried to figure out why you were so unbelievably pissed at him to the point that you refused to talk to him. Yes, he’d seen you pissed numerous times (either at him or about something else), but you’d never been so pissed to the point that you’d completely shut him out — and that terrified him.

Like usual, he started going down the list of things that he knew pissed you off: not taking his boots off in the house, tracking mud into the kitchen, getting blood on the furniture, doing coke on the kitchen table, crushing Bennie’s on the marble bathroom counter. Maybe it was the boot thing? Yeah, it had to be, he thought.

As you lied in bed staring up at the ceiling, you sighed heavily, wanting more than anything to unlock the door and invite Ben to come in and cuddle with you. It had been almost a week since you’d last saw him, and you just wanted to feel his skin against yours. But you didn’t want to give in — you earned the right to be pissed, even if it wasn’t particularly fair to be, since you agreed not to make it a big deal. Then again, he did forget your anniversary.

You heard a knock at the door again, and you sighed an annoyed sigh. “Go away,” you said.

“I think I know why you’re pissed at me,” Ben said. Your eyes lit up, and you sat up straight in bed, eager for him to say Happy Anniversary. A smile formed on lips, waiting. “I forgot to take my boots off when I came into the house,” and then your smile faded.

“Fucking Christ,” you mumbled, falling into the bed again to stare up at the ceiling.

“Is that a no?” Ben questioned.

“That’s a no,” you responded, annoyed.

“Son of a Fuck,” you heard him mumble, as he walked away from the door again.

As Ben sat on the couch flipping through channels, he continued to think about what you could possibly be this pissed about if it wasn’t the boot thing. Women are so fucking complicated, he thought. Weren’t this fucking complicated back in my day.

He stared at the couch, sighing in annoyance as he didn’t want to be sleeping here tonight. He wanted to sleep in bed with you; something he had been looking forward to the entire week he had been away from you. He looked forward to holding you close, and making you feel safe, tracing patterns on your bare back like you did to him. He honestly didn’t know what he was going to do if he didn’t figure out why you were mad; because he loathed when you were mad at him. It was a time that made him feel the most unease and insecure, and he was rarely insecure and uneasy.

Ben hadn’t known you for long, but you had managed to somehow worm your way quickly into his heart. You were someone he felt a strange connection to the moment he laid his eyes on you; and you were the one person that made him feel safe and loved. You were the only one that he felt he could be his true self around.

He thought of ways in which maybe you could forgive him, and started working on those; one of them being washing the dishes from his dinner even though he preferred you to do it. But he hoped that maybe this small gesture would help in his favor. Maybe I can go down on you? He thought. You always forgive me after that. Then again, I don’t let you come until you do…

As he made his way back into the kitchen, he stopped dead in his tracks, as he noticed something on the calendar that for some reason, he hadn’t noticed previously. Today’s date was circled with a single sentence written in your handwriting: 1 Year Anniversary.

“Fuck,” he said to himself. “I forgot our fucking anniversary.”

Ben stared at the circled date on the calendar, mentally cursing himself because he had forgotten it by accident. It was a day that he meant to remember, and even repeated over and over again while they were heading to the mission. But because it had taken so long to complete, it left his mind, because it had become entirely mission focused.

You’re never going to fucking forgive me, he thought. This was how he was going to lose you. Panic started to set in for him, realizing that he might have to live the rest of his miserable existence without you; and that was something he couldn’t bear the thought of. Ben didn’t need a lot of things, but he knew that he needed you.

Tossing and turning, you were having a hard time trying to fall asleep. You wanted Ben to be lying next to you right now, caressing your hair, and feeling his rapid heartbeat. It was simple moments like those that you enjoyed most with him; because sometimes you would forget all the awful and horrible things both of you had done in order to meet and to get to this point. If Grace hadn’t recruited you, you would have never met the love of your life.

The love of your life: now that was a sentence you never thought you’d ever equate to Soldier Boy. He was someone you grew up having a crush on since you and your father had watched his movies on repeat to the point you had to buy another VHS tape because you’d worn it out. He was someone you wished you could have met because he was always your favorite (partially because he was also your dad’s favorite).

But he was a Supe, and you had told yourself that you’d never end up with one after what had happened to your uncle, but here you were, dreaming of spending the rest of your life with one.

You sighed heavily, and ended up on your back again. A knock came at the door again, and you turned to face it. “I forgot our anniversary, and I’m sorry,” Ben said, and you cocked a brow. His words seemed genuine, and hurt at the same time. “I tried to remember; I really did but…the mission took full focus.” You heard him sigh, and you knew how hard this was for him, as apologizing was something he wasn’t particularly good at, since Vought basically taught him to never apologize for anything. “I don’t want to lose you over this. I….fuck,” he mumbled. “Can you please open the door so I can look at you?”

He heard you getting up out of the bed, slightly sighing. He could hear your heartbeat, and it was music to his ears despite the rapidness of it. He heard you unlocking it, his nerves starting to show as he tapped the wall next to the door.

You opened it up gently and stared at him through the crack of it. Your eyes slightly puffy from crying. He felt his heart drop, hating that he was the one that had made you cry — he never wanted to be the one responsible for that. “Sweetheart,” he began. “I know I fucked up.”

“Did you actually remember, or did you look at the calendar?” You asked him, your voice barely audible even to him.

“I looked at the calendar,” he admitted. “But to be fair, I really did try and fucking remember. You can ask your friend. I was saying the date on repeat, and then the mission got in the way 'cause they weren’t doing their fucking jobs properly.”

“Hughie can back that up?” You asked, and he nodded. He hoped that you wouldn’t ask him, because he wasn’t sure if he would actually corroborate his story or just fuck him over.

“He fucking hates me, I know he wouldn’t back me up,” Ben added. “I make fun of him too much. But it’s hard not to, I mean look at him.”

“I’m not going to break up with you if that’s what you’re worried about,” you said, hopefully reassuring him. Because even though he gave off the attitude that he didn’t need anyone or anything, you knew you were the only person he needed. You were the one person Ben could rely on no matter what; and you couldn’t bear the thought of what would happen if something bad had happened to you, or if your relationship ever ended.

“I don’t like it when you hate me,” he whispered. “You’re the one person I couldn’t bear to have hate me.”

“I don’t hate you Ben,” you said, reassuring him again. “I could never hate you.”

“Even if I killed Hughie?” He asked, slight teasing in his voice. But you gave him the look, and his teasing smile quickly faded. “Right. He’s off limits.” His hands finally went up in the air, as if he was surrendering. “I’d never kill him, don’t worry. I don’t actually mean it.”

“I wanted to do something special for you, even though we agreed not to make it a big deal because I figured this was a milestone for the both of us. You’re the longest relationship I’ve ever had, and the last person you celebrated an anniversary with gave you to the Russians.”

“I gave her a fucking diamond necklace too,” he mumbled.

“Ben,” you began.

“Sorry, sorry. Look, I want to make it up to you,” he said. “Let me start by —”

“Going down on me?” You questioned, cocking a brow.

“Well…yeah…I mean, don’t you like when I go down on you?” He asked.

“Yeah of course, but I was kind of hoping for something else than the usual way,” you confessed.

“Like what? Me saying I love you or something?” He asked.

“Don’t say it just because you think that’s what I want to hear. I want you to say it because you actually mean it.” It was three little words you had longed to hear for a while. And even though he had said it, he said it in a way of a question, because he thought it was words that would make this situation all better; almost like putting a band-aid on a huge gash.

“You know how I feel about you. I thought it was obvious when I first saw you,” he said. “When I first saw you, I thought you were a fucking knockout. I mean, I pictured you sucking and bouncing on my cock so many times before you actually did.”

“If that was supposed to sound romantic, it failed,” you said; barely humoring him in the moment.

He sighed, slightly rolling his eyes. “What I’m trying to say is, I may not be perfect, but there are five things that I know. Numbers one to three, I love your boobs, ass, and pussy. Number four, you’re the only person I ever fucking need in my life, and five, I love you. And I’m not just fucking saying that. I really fucking do. And you know how fucking hard that is for me to say cause the last person I said I love you to was a fucking bitch.”

Ben looked at your face, trying to find any hint of what you may be thinking. But he didn’t have the foggiest idea. All you did was stare at him with those big eyes of yours, looking at him like a lost puppy. “You said it,” you whispered, almost in disbelief. “You actually fucking said it…Ben…”

That’s when you wrapped his arms around him, finally feeling your small embrace. A grin formed on his face as he wrapped his arms around you in response. It felt nice to say it to you and say it to someone that he knew actually appreciated him. He let you see another side of him, a side that he would never let anyone besides you see. “Can I go down on you now?” He asked, speaking into your hair. You let out a small laugh, and felt you nod into his chest.

Without a second going by, he picked you up and slung you over his shoulder, happily bringing you into the bedroom.

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[vintagegeekculture]

The Hall of Amazing Men: Branscombe Richmond

A new admission to the Hall of Amazing Men, Branscombe Richmond is best known for being an actor where he played Lorenzo Lamas’s friend, the Lando Calrissian-like sharpie Dallas Sixkiller, or as Moki, the smartmouth Hawaiian friend of Magnum, P.I. But behind the camera, as a tough as nails stunt coordinator and stuntman, Branscombe Richmond created and developed nearly all the eccentric and eye catching events in the TV series American Gladiators: Atlasphere (the one where people roll around in giant balls), Powerball (done simply because they needed a sport that could be created cheaply because they ran out of money for development) and all the various ones where musclemen shoot tennis balls at people, and where you have to avoid muscular women by jumping on a bungee cord. I don’t think it would be inaccurate to say that with his development (on a really thin budget, no less) of memorable, eye catching sports and events that, with his stunt training he knew could be done safely enough so that even kinda-sporty housewives from Illinois could do them without injury, Branscombe Richmond created American Gladiators. He turned an idea into a realized, practical show that can be done – I don’t think it is inaccurate at all to call him the uncredited creator of American Gladiators.

In his career as a stuntman, Branscombe Richmond, meanwhile, is another one of those faces that shows up over and over playing evil henchmen, members of motorcycle gangs in rough biker bars the hero brawls with karate (if there’s ever a rough scummy biker bar out there, you can bet Branscomb Richmond is in it), and hordes of nunchaku wielding ninja, to the point where if you are, like me, an 80s-90s action aficionado, his face makes you go “oh, hey…it’s that guy!” Can you really call yourself an action fan if you don’t start identifying “your” evil henchman? His IMDB page is mostly roles that are named “Gunman In Jeep,” "Biker #2," and "Terrifying Clown."  

If there is a Evil Henchman Hall of Fame, Brandscomb is there alongside the great Al Leung. You can spot his face as a henchman in Never Too Young to Die (with John Stamos), Action Jackson, Batman Returns, the Hidden, Iron Eagle III: Aces High (objectively the best one as it had Ms. Olympia Rachel McLish), and Star Trek III, where he was a Klingon henchman to Christopher Lloyd who almost got disintegrated and had to feed his disgusting slimy monster dog-salamander. It's comforting to know the profession of henching is alive and well 300 years in the future.

On television, Brandscomb Richmond was on every single cool show from the 80s: Tales of the Gold Monkey, TJ Hooker, Manimal, Airwolf, Knight Rider, Baywatch, and many times attempted to kill the A-Team, especially from motorcycles. Like Chiba, another stuntman-actor, Branscombe Richmond specialized in motorcycle stunts, and he was admitted to the Motorcycle Hall of Fame in 2003. He is, to this day, the guest of honor at whatever motorcycle rally your embarrassing hick uncle attends. I have no evidence for this, but I have long suspected that the reason Richmond was hired to be Dallas Sixkiller in Renegade with Lorenzo Lamas was so they could get his unpaid advice on motorcycle stunts (much like how I have always suspected Warner Brothers hired Ben Affleck as Batman as a "backdoor" way to ask him to direct).

He also played the older brother of the Rock in the Scorpion King, which is an interesting choice because despite getting roles as American Indians (and being beloved in the American Indian community, who, as a whole, deeply love characters who are smartmouth, wiseass sharpies/scammers who get one over on everyone), Brandscome Richmond is in fact, like the Rock, of Hawaiian origin. His first major role in television, that of Moki in Magnum PI, was in fact Hawaiian.

Why are there so many Pacific Islanders in stuntman careers, MMA, and professional wrestling? The answer is surprisingly pedestrian. It’s because Pacific Islanders are a sizable ethnic population in Los Angeles, where movies and television are made, so if you need someone in L.A. that are tough as nails and can take a hit, a Samoan or Hawaiian is a good choice.

Happily, Branscombe Richmond is alive and well, mostly retired as a traditionally large Hawaiian family patriarch. He does occasional voice work, as Gibraltar in Apex Legends, a character physically based on him as well. I imagine he is relieved to be working in showbiz and no longer risking brain damage to do it.

[year2000electronics]

i think obsessive/selfish/misguided love or “harmful” love in general as an antithetical theme to gravity falls’ theme of love and family makes so much sense. if you think about it, a lot of the conflict in the show is born out of selfishness and obsessiveness and loving people as objects or means to an end. obviously, you have the big examples like gideon for mabel and giffany for soos, but every time both sets of the pines twins have butted heads, it’s usually been because of that too. just in like, a different way.

stan and mabel are both relying on dipper and ford to stay anchored to them forever to secure their happiness, and even though it’s a totally okay thought to have and dipper and ford weren’t in too much of a rush to consider their feelings, it’s a bandaid solution at best! dipper ends up NOT leaving because that’s the right thing for them but it’s not totally because the pines twins are a “set of two” who can’t be separated. it’s a decision they make mutually! mabel even says that she would be okay with dipper taking the apprenticeship, she just needed a minute to be frustrated!

and then of course you have stan and ford where stan leaving ford meant stan would lose his only friend, but even in their adult years, they clearly still love each other (ford and stan both apologizing profusely every time they land a devastating enough hit) but their selfish desire to have the other admit they’re the “villain”, to have a scapegoat to blame a whole series of factors on, overtakes them and buries that love. even as old men they’re still trying to get something out of the other before anything else (ford’s house and name, stan’s “thank you”). stan and ford want to love each other deep down so badly but this giant means to an end is in the way

you even see that sort of motif with characters like dipper and pacifica, where dipper’s crush on wendy almost always has negative results because, not only can it never be due to the age gap, but every time he tries to court her, it’s usually in the way a prize is to be won. he makes an itemized list of a process that is “guaranteed” to impress wendy, he literally brakes the laws of space time just so robbie won’t date her (as if one single snow cone is keeping him from his success), gets a job at the pool just so he can hang out with her, and jumps at the opportunity to prove robbie is evil. etc etc. and with pacifica it’s clear that her parents’ love is very transactional and conditional. if EVEN that.

so the fact that book of bill is setting up bill to be like a clingy ex to ford- more than that, it’s setting up ford to be the only human bill cares about THIS much! it feels like the ultimate way to tie bill to that theme of how love can harm as much as it can heal. like, he’s always been an obstacle to the pines’ happy ending, but this way, we see his reaction to love in his psyche play out, and you understand why he’s the opposite and obstacle to the pines. the stan twins hurt each other and it takes an entire show’s worth of growth for them to fix it. gideon hurt mabel but him letting dipper and the group into her bubble proves he’s willing to change. bill hurt ford and he throws a temper tantrum and denies everything, trying to use force to get things back to the way they were because in his own twisted way he really does love and care for ford. i’m sure even a traumatized millenia old dream demon could change but for now bill doesn’t! and that kinda makes him and ford’s relationship the perfect tie in to the themes in the show

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[lookingforariaa]

Attack On Titan: Actor AU ᝰ.ᐟ

ᯓ★ From the very first "Attack on Titan" table read, Eren Jaeger and Y/N L/N been locked in a personal war. They had hated each other, for their own personal reasons. But, now, fate (or the writers) had dealt them a cruel hand: their characters, the series' central love interests, were about to share their first intimate scene. actor!eren x actress!reader

Ensconced in the makeup chair, you flipped through the script with practiced ease. Your brow furrowed in concentration as you absorbed the scene directions and drilled the lines for today's shoot into your memory.

If 13 year old you thought it was bad enough having to share your first kiss with Eren Jaeger at the end of the season 2 finale with a bunch of camera's pointed at you, she would probably want to kill herself for this scene.

Smiles were plastered on for fans, talk show appearances, the whole nine yards. But everyone on set knew the hatred simmering beneath the surface between Eren and you. But your reasons for the animosity ran deeper than just hating him for the funsies.

You'd always bristled at entitled people like Eren Yeager. His producer father had undoubtedly greased the wheels for his leading role alongside you. He hadn't earned it like everyone in this series had, and he had gotten one of the leading roles in the series.

It wasn't fair. The rich always win.

The first table read had confirmed your worst fears. You had extended a friendly hand, introducing yourself as his love interest and the second leading role in the series.

Eren's response? A dismissive scoff and a head-to-toe sweep that spoke volumes. That self-satisfied smirk ignited a fire in your gut. People like him, who waltzed into success on silver platters, were everything you weren't. You'd clawed your way up, and his arrogance was a slap in the face to everything you'd achieve

The hatred towards Eren only intensified on the first filming day. His arrogance wasn't confined to you. He barked orders at crew members and treated his assistant like an indentured servant. Your blood pressure skyrocketed.

These were people, not props for his entitled performance.

He treated them like they weren't human.

The scene triggered a raw nerve. You knew all too well the sting of dehumanization. The humiliation. Your mother was a single parent forced into sex work to keep a roof over your head. Even if you lived in a brothel full of sex workers, you didn't ask god for anything else other than to get your mom another job.

You had watched your mom try her best to hide you from the men coming in so you wouldn't have to fall into the hands of prostitution as well. The way those men treated her - a flicker of desire followed by callous dismissal, like a discarded rag.

Like she wasn't even worthy enough to be called a human.

You had clawed your way out. Your striking features - the cascading dark blonde hair and the mesmerising hazel eyes and amazing acting skills - were your ticket to this role, a chance to give your mother a life she deserved.

Seeing Eren was like looking into a mirror of your traumatic past, seeing your mom thrashed around like an object.

Blinking back the sleep in your eyes after having drinks with Sasha the entire night, the scripts pages wavered in your hands, the words blurring at the edges.

Sasha's death still felt unreal. You'd sought solace in her company after they killed her character, clinging to the real Sasha for as long as possible.

A yawn stretched your lips into a wide, ungainly shape. The gentle hum of the hair curlers and the soft touch of the makeup brushes did little to dispel the exhaustion clinging to you like a second skin.

The last layer of blush being applied felt strangely cool against your warm cheeks. You lowered your heavy lashes as they started applying a gentle layer of mascara to your makeup as the finishing touch.

The problem with Attack On Titan was the fact that all the makeup had to look natural. But at the same time all the girls, especially you and Mikasa, had to look beautiful.

Which wasn't hard, because both of you were drop dead gorgeous. But both of you were too humble to ever admit it out loud.

You skimmed through the script one last time as the Matt, your gay best friend who mostly does your hair, brushes them out slightly to make them look more natural.

Perfect," he sighed dramatically, a playful smile on his face. "Ready for today's shoot?"

You rolled your eyes, a groan escaping your lips. "Absolutely not."

"Yeah, figured," Matt chuckled. "t's funny honestly. Do you actually have to ride his thigh? God, the writers hate you."

"Oh shut up!" You scoffed, slapping his arm with your script as you looked a laughing Matt through the mirror.

"Okay, come on, they're asking for you."

"Tell them I'll be right out."

The director barked out his final instructions, taking help from Isayama as his gaze flickering between you and Eren.

Both of you stood with arms crossed and brows furrowed, listening carefully to the director and Isayam. Eren, clad in his iconic faded green shirt and a the black jacket over it.

While you wore a white button-up strained slightly against your chest, the small black corset tied right beneath your chest emphasizing your hourglass figure beneath it.

"So, remember, Y/N you hate him in this scene, you despise him." The director emphasized, looking down at the script.

"Yeah, that's gonna be easy to act out." You scoffed, rolling your eyes.

Eren smirked, leaning down for his mouth to reach your ear. "Don't forget what scene we're filming." His breath tickled your ear. You didn't know what sent the chills down your spine-- his mouth being so close to your ear, or the fact that he was referring to how you had absolutely no control in this scene.

The director clapped his hands, snapping you and Eren out of your silent standoff. You cleared your throat, forcing your attention away from the infuriating green shirt and towards the man barking orders.

"Y/N," he said, pointing at you, "when you say, 'So you're going to kill billions of people for what?!' I want a reaction. Fling your arms wide, like you're trying to grasp the weight of those lives. Let your anger crackle in your eyes, burning into Eren as you demand an answer." You nodded.

His gaze shifted to Eren, a glint of amusement in his eyes. "Eren, when you deliver the line, 'For you,' I want hesitation. Let out a sigh that speaks volumes. Run your hand through your hair, whatever. Turn away, build the drama. Then, do a dramatic turn around back towards Y/N, unleashing that scream with every ounce of conviction you have. Got it?"

Eren nodded understandingly, pursing his lips. "Got it."

"Great! Let's get this scene rolling!" The director boomed, clapping his hands. A flurry of activity followed as the set crew started getting the prison set ready for filming, fixing any minor misplaces in it.

You and Eren stood by, the tension crackling between you like live wires. Within minutes, the set was prepped, the harsh overhead lights casting stark shadows on the fabricated brick walls. You took a deep breath, steeling yourself for the emotional rollercoaster about to unfold.

"Scene 27, take 1."

"Lights," The director sighed, "Cameras." He pointed, "And.. action!"

The sterile light glinted off the metal bars, casting a harsh glow on the tense scene unfolding. You stood across from Eren, your voice laced with barely contained fury

"I know what I'm doing," you spat, the words sharp as shards of ice. "But do you, Eren? Do you have any goddamn clue what you're doing?!"

Eren was positioned before a cracked mirror, avoided your gaze. His knuckles tightened around the chipped porcelain sink, the strain evident in his posture. A sigh, heavy and laced with despair, escaped his lips as he stared down at his clenched fists.

"Yeah," he muttered, his voice barely a whisper.

"Yeah?" you shrieked, disbelief and frustration clawing at your throat. "Because from where I'm standing, it doesn't seem like a single thought has crossed that thick skull of yours!"

Your hands flew to your hair, tugging at the strands in agitation. Frustration boiled over, and you flung your arms wide, the metal cot scraping against the wall with a jarring clang

"Eren!" you roared, your voice echoing off the cold stone walls. "You're about to make billions die at the hands of a horrifying death! And for what?!"

Eren remained silent, his back a rigid wall against your onslaught. A shaky breath escaped him, his jaw clenched so tightly his teeth seemed ready to shatter. Slowly, he raised his hand, running it through his hair in a gesture of defeat. His eyes, half-lidded and shadowed, flickered towards his reflection in the mirror, a flicker of something akin to shame crossing his features.

Then, with a dramatic flourish, he spun around, his voice laced with a desperate conviction that bordered on hysteria.

"For you!" he screamed, the words echoing through the cell. But as quickly as the outburst erupted, it died down. A defeated sigh escaped his lips, and he repeated the words, this time a mere whisper, "For you..." His half lidded eyes met yours.

"Well, that's fucking stupid!" You screamed out.

"Cut!" You furrowed your eyebrows and turned your head back to the director. "Y/N! Your resolve breaks for a second, okay? You still love him deep down and when he looks at you like that your heart aches." The director says, clutching at his own heart to emphasise. "So wait for a second, show emotion, and then say the stupid line."

"Idiot." Eren muttered under his breath, loud enough for you to hear.

"Okay, got it. Everything else was fine?" You asked, ignoring his comment.

"Yeah." The director responded, "Let's take it again from Eren's line."

"Scene 27, take 2."

"Lights, camera.. action!"

Eren sighs once more, "For you.."

A tremor ran through your composure. Your eyelids fluttered shut for a brief moment, a shaky breath escaping your lips. When your eyes reopened, the anger had returned, but it felt brittle, tinged with a flicker of something else - confusion, maybe even a hint of pain. It was a fleeting glimpse, quickly masked by the familiar fury

"Well that's.. that's fucking stupid!" You stammered, trying to showcase your characters resolve breaking.

"Is it?! I think it's fucking stupid that you aren't understanding that Marley wants to take you so you can make pure royal blooded babies with my brother so they can take the founding titan easily!" Eren roared, turning back to you.

"Babies?" The word hung in the air, a foreign concept amidst the weight of Eren's plan. The anger you wielded began to crumble at the edges.

A shaky laugh escaped you, a humorless sound that echoed off the cold stone walls. "Is that it, Eren? All this so I don't sleep with your fucking brother?!"

Eren's jaw clenched tight. He ran his hands through his hair again, his voice laced with a desperate edge. "You aren't fucking getting it! They'll use you, Y/N! Turn you into a breeding machine for their twisted agenda and then kill you! This way, at least you're..." His voice trailed off, the defiance flickering for a moment.

"Atleast i'm what? Safe? You fucking sociopath! You're killing all these people for one person?!"

"Shut up."

"That's what you are.. a murderer, a psychopath!"

"Shut the fuck up." He growled, grabbing you by your neck and pushing you against the wall, choking you slightly. The camera followed both of you in kind.

You smiled, scoffing. "Or what? You'll kill me?"

He choked you harder, making you stretch your neck up as you whimpered slightly.

"I told you to shut the fuck up."

"Make me."

A tense silence stretched between you, punctuated only by the ragged rasp of your breath. Disgust simmered in your eyes, a mirror image of the icy loathing reflected back from Eren. The space between you crackled with unspoken hostility

He was supposed to kiss you now, but you were glad he wasn't, otherwise you might've barfed in his mouth. He looked at you with the same expression etched on his face: disgust.

"Cut!" The director yelled out and Eren rolled his eyes, sighing as he released your neck and immediately walked away from you.

The director slammed his script down, the sound echoing through the soundstage. "Alright, what's going on here? You two are supposed to be passionately making out, not glaring at each other like you're about to duel."

Eren scoffed, running a hand through his hair. "Maybe that's the point. Maybe our characters wouldn't actually kiss in this situation."

You crossed your arms, your eyes narrowing. "Oh, and why wouldn't they? Because your fragile ego can't handle kissing someone who doesn't fawn over you?"

Eren's smirk vanished, replaced by a cold stare. "Funny you should mention ego. It takes a certain level of delusion to think anyone would be interested in someone who constantly reeks of desperation."

You bristled. "Desperation? At least I earned this role on my own merit, unlike some nepo baby." You smirked. "At least I don't need a daddy with a fat wallet to buy my way into a role."

Eren's voice turned low and dangerous. "Careful. You wouldn't want to upset the golden goose who keeps this whole production afloat, would you?"

Y/N leaned forward, her voice a steely whisper. "Don't you dare pull that daddy producer stunt on me. You think your money can buy you everything? It can't buy respect, and it certainly can't buy genuine affection."

Eren's smirk faltered for a moment, his jaw clenching, much to your amusement. "Oh, touchy subject? Truth hurts, doesn't it?"

The director sighed, pinching the bridge of his nose. "Look, can we focus? This scene is supposed to be about raw emotions, about their need for each other. Let's take it again, both of you are professionals, I know you can handle it."

"Scene 27, take 3."

"Lights, Camera... Action!"

The boy holding the movie clip snapper sighs, exhausted, even from a simple job as his. "Scene 27... take 23."

"Okay, guys, If it doesn't happen this time then we'll have to redo this tomorrow. And then we won't have time to film the scenes scheduled for tomorrow, hence the season 4 premiere will get delayed. So, just be professionals for once. You aren't kids anymore." The director sighs, putting his cap back on as he leans back in the chair.

Both you and Eren get back into place as the director yells action and Eren quickly slams you against the wall.

"Shut the fuck up."

"Or what? You'll kill me?"

He choked you harder, making you stretch your neck up as you whimpered slightly.

"I told you to shut the fuck up."

"Make me."

You and Eren looked at each other for a second and you almost thought he was going to chicken out once more, so did the director as he rolled his eyes and slid a hand across his face.

But he didn't.

Eren quickly brought his lips to yours, rough and full of all the hatred that's been simmering between both of you all this while. It was a frantic kiss, as the director had wanted. Both of you were breathless as his hand stopped choking you and went to the side of your neck and the other clutched at your waist, and your hands went to grasp at his hair.

It was a tangled mess of limbs as your heads moved together at the speed of light, begging to deepen the kiss, begging to explore every inch of each others mouth. The air crackled with unspoken desire, the kiss a whirlwind of exploring touches and desperate needy moans. 

Everything was a blur. Gasping breaths mingled with the frantic rhythm of your kiss, his tongue had even made an appearance. It surprised you, because when kissing a co-star the other doesn't use tongue to keep the kiss professional and to show the person respect.

But what would Eren Jaeger know about respect?

His hands gripped your waist, a possessive ache that mirrored your owns as one of your hands tugged at his hair and the other caressed his cheek. The kiss deepened, your heads moving together frantically, a battle fought on bruised lips and tangled tongues.

A whimper escaped your lips as Eren grabbed your hair and tilted your head backwards, the kiss turning urgent, so frantic. It felt like an eternity, a culmination of unspoken longing poured into this single, desperate moment.

Your hands twisted in his hair, pulling at it harshly on purpose, hoping it would hurt. With the groan that he let out into the kiss, you were sure it did.

Then, with a swift movement, Eren shoved his knee in between your legs, your surprised moan swallowed by the next searing kiss.

His hand shot out, gripping your throat as your heads whipped back and forth, a frantic chase for deepening the kiss. A tender moan left your lips as Eren's grip on your throat tightened, his tongue thrusting deeper. The sound of your kiss echoed in the room, into the mic, a desperate rhythm. You let out another soft, breathy moan and it was muffled into his mouth as he tried to get even closer to you.

And with the directors snap, which was your cue to start grinding on his thigh, you did just that. A soft moan escaped your lips and muffled into his mouth. "Eren." You sighed into the kiss, as you disconnected your lips and connected your forehead with his, grinding on his thigh.

Fuck. You didn't expect this to happen, especially not with Eren, but you could feel your pussy pulsate and throb with need. You just hoped he couldn't feel it.

"We shouldn't do this." You said in a soft moan as you threw your head back, giving Eren the chance to kiss down your neck.

"We shouldn't." He sighed into your neck.

"It's a bad idea." Your grinding intensified and his hand came to grab at your hips to help you, a sigh of pleasure escaping you, your nails digging into his shoulder.

"It is." You could feel his breath on your neck.

"I loathe you."

"The feelings mutual."

The air crackled as your eyes locked with Eren's. You guys locked eyes for a moment, as written in the script.

And then you leaned down as you were slightly lifted above the ground with a surge of undeniable desire. Your lips met in a frantic kiss, a tangle of emotions that both fueled and fought against your self-control. The kiss was so rushed, such a blur. Both your heads moving so frantically to fight for dominance.

It was like you were fighting to crawl into each others skin.

A strangled sound escaped your throat, a mix of surprise and something more primal. A flicker of uncertainty crossed your mind. Fuck, why were you enjoying this?

Shame threatened to choke the rising tide of sensation, but Eren's touch, a hand gently yanking at your hair, grounded you. In that moment, you were caught in a delicious storm of confusion and exhilaration.

"Cut!"

You tore yourself away from the kiss, gasping for breath. Eren mirrored your action, his chest heaving slightly. A ghost of a smile played on his lips, a hint of amusement dancing in his eyes. Both of you gazed at each other with longing and confusion, almost disgust and hate for themselves because deep down they know they liked it.

''Great job! I love the intensity. We'll just need to film some POV and closeup shots for the sex scenes and we're done for the day." The director smiled, praising both of you. "Let's take 5."

You started to walk away, but before you could leave, Eren grabbed your hand. "Also, by the way." You sighed and rolled your eyes.

"What?"

"I could feel that, you know."

Shit.

[starnana7]

every time I remember that the hit show supernatural made God, the literal God from the Bible, canonically bisexual but couldn’t do the same with a random guy who hunts monsters it actually makes me feel physically ill.. like blasphemy is okay but we draw the line at making the main character a little bit queer because it would “upset the heterosexuals men”? okay ig… and it’s so funny to me that they tried SO bad to make dean like really really straight and macho and a manly womanizer (I mean dude has literal porn brain and is obsessed with cars and is a film nerd) And still is the number 1 bissexual boy.. I mean no one that into cowboys is 100% straight 🙄 and if they actually wanted him to be that much of a cishet guy WHY would they make him have a codependent homosexual friendship with his best friend for more than a decade ?? and we have so much subtext to corroborates it that it’s actually insane.

and it’s also rlly funny to me that sam would be the most obvious choice for a queer storyline. like i’m not sure this is true but i heard somewhere that he actually was supposed to like be lgbt and that it’s implied in the show he’s pan bc he basically have sex w/ everyone and doesn’t care (like monsters and stuff). i wholeheartedly disagree bc sure he hited a demon and a werewolf and a kitsune and God knows what more But it still were just women and for me he’s still just straight 💀 we do have gabriel however and i would say that’s a valid argument but i don’t actually like them together because of the whole torturing-sam-every-tuesday-over-and-over-again but it’s still a good take ig. again this is just my opinion But anyways doesn’t matter my point Is that sam always felt like a freak and wanted to be normal and like was more open minded and “less-macho-toxic-behavior” than dean. he was a theater kid and talked about his feelings and all. STILL THO dean went and become The bissexual icon (Not Sam, Dean!!). and the fact that he was more manly actually only emphasized to his sexuality (and him being closeted) and sam being the straight one, and bare with me here. as sam winchester once wisely said “well you are kind of butch they probably think you're compinsating.” (to dean asking why people always assumed they were gay) and like this is so true, sam always felt comfortable in himself and like his nerdier and less cool strong man personality. But dean, oh, dean, no, no, no. and it could all be linked to john. we know how much dean wanted to gain his father approval and respect, all he ever wanted was for john to be proud of him. so he’d listen to the same music as john, same clothes… and so on. but when we really see a glance of him, we realize he’s actually much more “““girly””” (sorry for the term i lacked a better one) than he shows, Especially when compared to sam—who’s supposed to be the more girly one (again sorry for the term lol) or whatever. dean canonically likes taylor swift, chick flick films, actually liked when a woman made him wear underwear, the bailarinas shoe were “speaking to him” in that one ep of cursed objects, and so on. and every time he makes fun of sam for doing something not-manly-enough (like drinking lemon water or drinking from tiny coups) he eventually goes and do the same thing 😭 and i’m 100% sure that the writers just thought “haha funny scene this really straight deadly man does something not so convencional/more feminine(?) haha comedy relief time!!” but it actually just made him have a whole perfect queer background developed in the series. specially with the fact that He Does Overcompensate. why is he always flirting with women, why is he so butch and scary, always talking about straight sex and so on? because he’s really just deep in the closet. and it makes so much sense with john being his father, with him having to hunt two lesbians nuns in his 17 bday, always having to be strong and macho and cool and perfect—and therefore straight. even without cas, dean really does immaculate the bissexual experience and i’m so sorry but this is just true.

and now pointing to the subtext that i mentioned in the first paragraph (lol i can’t believe i’m making a whole rant as to why dean winchester is a confirmed bisexual), that whole confession to that priest where he says he wants experience new feelings, new people, FOR THE FIRST TIME. that always that the show mentioned a gay couple it ALWAYS focused on dean—not sam, DEAN. the gay hunters, the gay couple on the bar that the cupid “made”, the two cosplayers partners… the fact that every time that dean liked something it was borderline fangirl (gay) obsessive (the dr. sexy episode, that wrestler fighter). he Had a gay thing—and was all flustered about it. he flirted with a guy throughout charlie. THE MALE SIREN. the male siren like after that ep i was 100% convinced that man was not straight. he had a hot demon sumer with crowley?!!! and it’s so funny to me that not one of these things involves castiel, so if they really wanted to make dean be that straight why would they do that?? and only to dean, not even once to sam. Like. and not to mention all the homoeretic tension with benny??? sam never had a male best friend like that.. all of that and i didn’t even entered on destiel. Because this then really just confirms that he is Not straight. even if he wasn’t In Love with cas, they had something going on and the fact that if cas was a girl it would 100% be canon and filmed and Everyone would ship—and I really mean everyone—it just makes me go fucking insane. they could’ve had it all. the fanfic episodes, the parallels between dean and cas and “real couples”, ruby and cas duality and the fact that sam indeed had a relationship w/ her. Anyway i’m a # bi dean truth believer and i know this bc same boy # happy pride month to my fav bissexual boy in the whole world

also to anyone that says that “destiel” was unrequited love yes it kinda of was but only bc dean was so deep in the closet, he did love cas. he was indeed a bissexual man. i’ll die on that hill.

[justanapplenothinghere]

MEPHONE4 (PERSONALISED ) CHARACTER ANALYSIS.

I was debating whether to post this after the whole movie was finished however, due to the recent episode I am really scared of all you coming after me because this character is a heavy kin. Please bear that in mind. This work has taken me months to type and analyse. I didn't do everything due to how long this post would end up being. So just the major points were discussed.

Mephone4’s generalised overview:

MePhone4 is one of the main characters in Inanimate Insanity, a popular YouTube object show created by AnimationEpic. As a sentient smartphone, MePhone4 serves as the host of the competition, a role that places him in a position of authority and power over the contestants. His character is defined by a mix of ambition, arrogance, and emotional complexity, which is what makes him one of the more dynamic characters in the series. From a first glance, when watching, some may view him as just a rude and arrogant host with no mental well being of concern for his contestants.

Whilst that might be somewhat true from the start of early episodes into Season 1, he progressively begins to change his character through the course of the other two seasons.As shown for example in Season 3 his attitude begins to change, from a distance the show makes it obvious to us that he DOES CARE about his contestants, just has a hard time expressing such emotions.His character is complex, especially as the series progresses, revealing deeper layers of psychological trauma and emotional conflict.

Mephone4’s background (TW: mentions of abuse/manipulation. As a victim myself of these, this part maybe very detailed.):

MePhone4 was created by the character Steve Cobs (a parody of Steve Jobs), who represents a father figure to him. However, the relationship between MePhone4 and Steve Cobs is strained and toxic. Cobs is demanding and controlling, treating MePhone4 as nothing more than a tool for his own ambitions.The trauma begins with MePhone4's creation, where he is given life, his identity is defined entirely by his purpose to serve others (In other words just Cobs and the Meeple company alone).This lack of agency and the constant pressure to meet Cobs' expectations contributes significantly to MePhone4's psychological issues.

Cobs created MePhone4 with a "highly-advanced emotion emulator," allowing him to experience emotions deeply, unlike other Meeple products. However, instead of focusing on the tasks assigned to him by Cobs, MePhone4 became enamoured with reality TV, which led to disappointment and tension between them. This foundational conflict likely left MePhone4 feeling inadequate and rejected, contributing to his later insecurities and anxieties. His love for competition and showmanship can be seen as a coping mechanism—a way to channel his emotional energy into something he enjoys and excels at, perhaps in an attempt to gain the approval he never received from Cobs.

Most evident in his anxiety and insecurity, which are central to his character. He is often portrayed as anxious about the show's progression and its eventual end, indicating a deep-seated fear of failure or losing purpose.This being evidenced in seeing Mephone3GS.That experience alone caused a sense of realisation he needed to finally leave Meeple.The way Mephone3GS is..that could end up being him in his place. Whilst it is unknown how 3GS gained his scars the best bet to assume it was from / or somehow Cobs did contribute to it himself (Back in typing this before ACT 1 CAME OUT). If that is the case that would explain Mephone’s sudden urgency to leave the company.However, a fascinating factor is Mephone took MEPAD, WITH HIM. That within itself is noble, Mephone could have just left by himself. But he didn’t. That’s the thing. This already shows Mepad’s and Mephone4’s deep level bond to the point Mephone could’ve taken any other Meeple products with him, yet again he specifically took Mepad. He saved him. He saved him from the possible future abuse that could have been inflicted exactly like Cobs has done to Mephone4.Even if Mepad seems somewhat not exactly aware of all the details.

Mephone’s competitive nature may also stem from a need to prove himself, reflecting an internalised pressure to meet expectations that were never fully articulated by Cobs.

Furthermore, MePhone4's "out of sight, out of mind" mentality is a clear indication of his avoidance coping strategy. Instead of confronting his past, especially the painful memories associated with Cobs and Meeple, he chooses to erase them from his system. This physical removal of memories symbolises his desperate desire to escape from the emotional burden they carry. His consideration of re-erasing these memories after they resurface suggests an ongoing struggle with his unresolved trauma. It highlights his inability or unwillingness to process these emotions healthily, leading to a continuous cycle of avoidance and emotional suppression.

Impact on Relationships:

His trauma significantly affects his relationships with others, particularly the contestants and his assistant, Toilet. His lack of regard for the contestants' well-being and his blatant bias during eliminations suggest that his trauma has warped his sense of empathy and fairness. By showing favouritism and making shrewd comments, MePhone4 exerts control over the game in a way that might make him feel more secure or powerful, counteracting his underlying feelings of inadequacy.

His treatment of Toilet, whom he sees as an "unhelpful menace," further illustrates how his trauma manifests in his interactions. MePhone4's disdain for Toilet can be interpreted as a projection of his own insecurities. By belittling Toilet, MePhone4 may be attempting to distance himself from his own perceived flaws and weaknesses. This dynamic reflects how his unresolved issues with Cobs influence his behaviour, leading him to replicate similar patterns of emotional neglect and dismissal.

Mepad:

Relationship between MePhone4 and MePad is characterised by a clear hierarchical structure. MePad is the professional assistant, always respectful and subservient, referring to MePhone4 as "sir" and fulfilling his tasks with precision. This dynamic reflects a classic power imbalance where MePhone4 holds the authority, and MePad exists primarily to serve and support him (Though I do not believe Mephone does so with any malicious intent). MePad's professional demeanour and lack of overt emotional expression reinforce this power dynamic, as MePhone4's emotional volatility is contrasted with MePad's calm and measured responses.

MePhone4's authority over MePad is not just professional but also emotional. MePhone4's insecurities and anxieties often lead him to rely on MePad for solutions and advice, placing MePad in a position of subtle influence despite his ostensibly lower status. This creates a complex dynamic where MePad, though subordinate, becomes a critical emotional anchor for MePhone4, helping to manage his chaotic emotions and the stress of running the show.

Despite claiming that he "can't feel anything," MePad's use of sarcasm and his occasional concern for others indicate a deeper, more nuanced emotional landscape. This suggests that while MePad may not experience emotions in the same way as MePhone4, he has learned to navigate the emotional environment of the show, adopting a dry, ironic tone as a coping mechanism or a way to fit into his role.

MePad's emotional suppression is most evident in his calm and composed demeanour, even in situations where others might express frustration or concern. However, his growing concern for the contestants, particularly Marshmallow, reveals that he is not entirely devoid of emotional response.

The relationship between both of them revolves from one of strict professionalism to something more complex and personal. While MePad starts as a loyal assistant, his actions later in the series suggest a growing sense of independence and moral judgement. His willingness to challenge MePhone4's decisions, as seen when he lies about Marshmallow's whereabouts.

Truth or Flare (ii 15):

MePad's conversation with MePhone4 about quitting the host position of Inanimate Insanity II is a pivotal moment that causes the shift in their relationship. This conversation suggests that MePad is not only concerned with the show's logistics but also with MePhone4's well-being and the overall direction of the series. MePad's ability to confront MePhone4 about such a significant decision reflects a deepening of their relationship, where MePad moves from being a mere assistant to a confidant and advisor, someone who can influence MePhone4's major life decisions..

CONCLUSION:

Whilst many claim and point fingers at Mephone4’s behaviourisms after such a pivotal moment. There is something that must be addressed that I noticed as I am writing this analysis. In this episode, he struggles with handling the pressure of hosting and maintaining control, revealing his insecurities. His tendency to put his own desires above the contestants is a key aspect of his character, as seen when he prioritises entertainment value over fairness. Throughout the episode, MePhone4 becomes increasingly panicked as the game show format starts to unravel, whether that being even something simple as Suitcase trying to reassure Mephone about his past trauma.A pattern I have noticed is that people will try to justify themselves that they hate him because of how he doesn't care about his contestants or his co-hosts. When he clearly does! It is shown subtly throughout the season 2 and 3 he does care, just isn't sure how to show it. The only way he knows is by doing what he is doing. He learnt everything from TV, his views on things will be skewed.He's going to have weird views on what is considered care. Because this man hasn't HAD a single OUNCE of it in his life. He doesn't KNOW what care is, properly.There's a reason why he was suddenly rude and dismissive,there's a reason why he didn't keep answering suitcase,despite suitcase, trying to reassure him that it's okay to talk about it and that she's there for him if nobody else is. Mephone doesn't know how to respond to that. How would he anyway?

If you don't agree with me. Please do NOT come after me. This is just MY personal analysis because he is a heavy kin for me, for a good reason. And It makes me really anxious and REALLY uncomfortable when I see people hunt him down as a character,I am not excusing his actions but I am explaining it.

[wisteriagoesvroom]

📚 10 f1 fics i've loved lately 🏎️

been thinking a lot about how to organise fic recs into some sort of sensible post, 'cus there are so many (great!) pairings and (delicious!) driver combinations, not to mention so many varying styles of fic and SUPER TALENTED WRITERS!!111!!

just gonna list a bunch in no particular order, with accompanying pics, so you can get a sense of the vibes.

'cus what is f1 rpf but all about the ✨ vibes?! 🏁

p.s. people are in this community making amazing stuff for freeee!! if you liked these please leave a kudos or a comment, it makes a writer's day 🫡 

let's gooooo--

objects in the mirror by linearity (@drivestraight) charles/max. 87k words (series), rated t then e

listen. LISTEN! charles to rbr is one of the best premises ever and i will read it in like a thousand iterations. but this fic. this fic series in particular cleared my skin, made me want to cut my hair into a bob out of sheer emotion. i would be remiss not to start with this one because its impact on my f1 rpf trajectory should be studied by science. you know when a story just jumps off the page and it's so real that it becomes your canon. a kind of meteoric inevitability. plus, i almost never cry at fics. but by the time the third act of this one hit, i just went -- damn, am i rly about to tear up at a f1 rpf fanfiction rn? (yes.)

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sawtooth by nottonyharrison (@nottonyharrison) charles/max. 40k words, rated e

max as a f1 engineer? for CARLOS at FERRARI? sign me the fuckkk up. first off, awesome premise. there's always going to be something so heartwrenching about "what ifs", especially in any universe where max isn't a racer. despite the change of circumstances, just... the sheer poetry of two characters who just inexplicably find their way to each other in any universe... 🤧 also this story nails racing scenes in a way that's so visceral, i feel like a fly on the damn halo with them. and, aside from the gourmet lestappen, carlos's whole thing in this fic is joyous! spicy! he's so unapologetic and vaguely annoying! hilarious! + the swimming pool scene lives rent-free in my head.

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salt skin by peachbellini (@strawberry-daiquiris) oscar/lando. 12k words, rated e

this fic is magic. literally and figuratively. (MERMAID LANDO???? MERMAID LANDO.) the kind of story that makes you gasp and melt a little bit. and made me want to throw my phone at the writer, 'cause it's really that good. the yearning, the metaphor for all that's monstrous, a boy who is lost (and the boy who he finds, is equally so). this is just beautifully written and a little quirky and so well executed. i think i put it in my bookmarks as "what if lando was a mermaid and it was filmed by a24" or something. pearl of a story.

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hockey!! shrimp colors :) by leafmeal0ne (@ocontraire) oscar/lando. 13k words, rated t

leaf meal one. i have only known you a week but if anything were to happen to you i would wreck everyone in the room including myself. in all seriousness, anything that leaf writes is brilliant. they're one of these writers who could do a throwaway line on the label of a ketchup bottle and i will probably scream about it. the precision, the way they switch up sentence structures, the freaking darcy-level regency yearning transposed onto a contemporary sports setting. i'd rec all of leaf's sports AUs and i'll probably talk about more in a future fic rec post. BUT. the hockeyyy one my GOD. the barely restrained violence, their mutual desire, the theme of finding your place... *wails uncontrollably*

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you almost unearthly thing by anonymous max/daniel, 3.7k words, rated g

max is a governess(govern..lad?) and daniel is the mystery man at the manor. this was a response to a request i made in the kinkmeme! (if you haven't read those fics go check 'em out, there are so many great ones, and not necessarily all rated e). this is a criminally underrated little story that has my favourite repressed feelings + people dancing around each other + gothic vibes + "what the hell is wrong with y'all in this tale" combo that i really adore. it's really well written and captures the atmosphere so well.

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the so-called narrative by antimonyandthyme (@antimonyandthyme) oscar/carlos, 10k words, rated e

i'm once again asking why there are only 7 carlos/oscar works in the tag. I'M ONCE AGAIN ASKING-- *is sedated*. *jolts awake* okay but for real this is a great story. hot, fake-friendship-to-situationship which so happens is one of my favourite places to be. also hello miscommunication/they're so weird about it/they both want each other but can't express themselves for shit/insane racer boys energy.

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and silver, and samarium by pink_mink (@on-softs) george/toto, 5.2k words, rated e

i profess i am not usually the biggest fan of A/B/O (altho!! this fandom has made me go BUT ACTUALLY HM at least a few times). and this fic freaking nails it, along with the twisted power dynamics between TPs and drivers, as seen through the lens of omegaverse. this story rattles around my head like a stubborn ghoul just from the style and prose and sheer audacity alone. george kneeling at toto's knees while he's working..... ohhhhhhhhh i was this close to calling my lawyers.

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algorithm by anney (@badboy-george) charles/max, 16k words, rated e

i LOVE, LOOOOVE a sci fi concept alright. love that shit, will inhale it like moon dust with zero regrets. and what a fantastic one this one is!! the premise is that the FIA can now statistically show the compatibility of drivers on the grid and it's very pacific rim-y drift compatible, mixed with the surreal vibes of eternal sunshine or HER or some such. it should be outrageous, but it really works. that's the beauty of a great fic right there.

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trajectory of trojan asteroids by redpaint (@redpaint) nico/lewis, 3.3k words, rated g

also one of the fics i first read when i hopped on board the f1 rpf train. the pain and poignancy just gets worse the more i learn about brocedes. you know when you're like "there's no way this was reallll" and then you're like "fuck, it was so real". then you get a fic like this that just encapsulates all that rage and loss and grief and upset, set against the starry vista of endless space. *clutches tablecloth* god.

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p.s please bear in mind that these recs are entirely subjective! i enjoy loads of f1 stories but these are the ones that have especially stuck with me for some inexplicable reason.

p.p.s if your fic is on here and you want it taken off for whatever reason, i'm happy to, no questions asked 💛

BYE for now / until part 2. (i also love talking to ppl about fics so pls feel free to send an ask or hit me up in DMs or whatever.)

xoxo, -- wizz

[youhideastar]

WujiWatch: CQL Rewatch Episode 26

I see a fair amount of meta (and AO3 comments) treating CQL/The Untamed like the Diet Coke version of MDZS, and the reason given is often “CQL is less morally complex.” Why? “Because Wei Wuxian’s actions are more morally justified there.”

What this episode brings home to me is that that chain of logic... just doesn’t follow. Because Wei Wuxian spends much of the story in opposition to other sympathetic characters, the story's moral complexity is in significant part a zero-sum game: if Wei Wuxian becomes less morally crunchy, then the people opposing him—a group that includes, at various times, sympathetic characters like Lan Xichen, Nie Mingjue, Jiang Cheng, late-stage Jin Zixuan, and, most of all, Lan Wangji—necessarily become more morally crunchy. The more obviously virtuous Wei Wuxian’s goals are, the more morally troubling it is for those other characters to oppose those goals.

The Qiongqi Dao rescue in this episode is perhaps the best example of this. Wei Wuxian shows up, terrifies some guards, turns Wen Ning into an undead slave without his consent and over his next-of-kin’s objection, uses Wen Ning to slaughter those same guards and others, without inquiring as to who is guilty and who might not be, then loads a subset of the surviving Wens onto stolen horses and makes a break for it. This is already pretty morally crunchy, but. Unlike in the novel, we later find out from Jiang Cheng that the surviving Wens are "the young, the old, and the weak," and are implied to be partly or mostly noncombatants. So the means are repugnant, but the end is unquestionably good. He is trying to get vulnerable, traumatized civilians to safety – away from the people who tortured and murdered them with impunity.

And then Lan Wangji shows up with his stylish umbrella and tries to stop him.

Yeah. Lan Wangji, hero of the common people, stands there in the rain before the fleeing refugees. He sees Wen Qing, who helped him when he was held captive by Wen Chao, and Wen Ning, who gave Wei Wuxian the medicine that healed his leg in Xuanwu Cave. He sees the old people, obvious noncombatants; he sees A-Yuan. An innocent child.

And he says, Wei Ying, stop. Don't do this. Come back with me. The unavoidable corollary of which is: Wei Ying. Let these people die.

It is, I think, his lowest moment of the whole series. (And one that doesn’t exist in the novel, where this confrontation never happens.) If this is the novel, and many of these people are plainly former enemy combatants, you can perhaps excuse it, at least a little. They arguably don’t need Wei Wuxian’s protection to survive, and they arguably don’t deserve his protection—not as much, anyway. But in the drama, there’s no argument: this is Lan Wangji putting his orthodoxy and his feelings for Wei Wuxian above what’s right. He would trade those 50 innocent lives for Wei Wuxian’s—he would do it in a heartbeat.

Sometimes I wonder whether that’s what really bothers some of the folks who say they don’t like CQL on moral complexity grounds; not a lack of moral complexity, but the fact that the moral complexity in CQL attaches to the “wrong” character(s).

[thesweetnessofspring]

While we're on topic about the lack of passion and physical attraction coming from Katniss and Peeta in the movies, can I just say how unfortunate that is, not just from an Everlark fan perspective, but culture as a whole?

Portrayal of popular m/f romance has often had an edge of abuse to it, if not outright abuse (and unfortunately that trend is still going on). I'm not saying books/movies with abusive or dark material should be banned or shouldn't even be enjoyed; however, there is something to only seeing unhealthy relationships. Also for these unhealthy relationships to be looked at without acknowledging that in real life, these dynamics are unfavorable at best and abusive at worst.

So with the release of The Hunger Games in 2008, we get a different relationship for the YA market. While yeah there were Gale girlies, most of the fans adored Peeta. Peeta who was kind, compassionate, funny without being mean, protective, and strong. And not only that, in an era of vampires and werewolves being inhumanly beautiful, Peeta was not only "some guy" in terms of looks, he ends the first book as an amputee. Still throughout the series Katniss describes him as "beautiful." And in a time when all these paranormal romances had the main character feeling a thrill of danger with her supernatural love interest, Katniss's main attraction to Peeta is that she felt safe with him. That he would never hurt her. That he would protect her. That with him, she could heal and feel hope.

Katniss describes physical attraction to Peeta as well as sexual attraction ("wanting more" of a kiss in THG, kissing Peeta and feeling a "hunger" in CF, imagining kissing Peeta like she did on the beach in MJ, and finally feeling "that hunger" again in MJ). But she also is highly traumatized and is in the middle of her greatest trauma during the series. This makes her uncertain and frightened, and so it isn't until Peeta comes back to Twelve at the end of Mockingjay that she's able to fully acknowledge that she loves Peeta romantically, because he helps her hope that "life will be good again." The "hunger" she felt was for more than hugs and short kisses. She found Peeta Mellark--baker, painter, wrestler, amputee--sexy. We close out Mockingjay with Katniss choosing Peeta, becoming physically intimate with him, and confirming her love to him.

Now what we get from the book is that you can have been abused, have chronic mental illness, be objectively less attractive than your "competition", and be physically disabled; but one's personality, humor, kindness, resilience, and care for others will make you sexy to the right person. That you can enjoy a safe and healthy relationship with good sex.

But by cutting out the intimacy that Katniss and Peeta share at the end of Mockingjay, the message is...if you're lucky the other guy will shoot himself in the foot and you'll win by default. Only don't expect the person you love to be physically attracted to you--you're still broken and not good enough. Just suck it up and accept what you got. Or, if you identify more with Katniss, that if you choose the "safe" person, just be prepared for a really dry sex life. Safe can't be sexy, so you have to choose one.

What an incredible miss for the movies. What a miss to tell boys you can be kind and sensitive and average-looking and the right person will want you. What a miss to tell girls that if a person is thoughtful and caring and giving, that is attractive and honestly, arousing. What a miss to share these messages with any person, however they identify. It's not just meaningful to Katniss and Peeta that they gain the safety and healing to enjoy physical intimacy together, it's meaningful for the reader to see that, too.

[patentedsun]

Rapid fire Fairy Tail rewatch thoughts. May or May not expand upon each point later on.

THIS IS LONG AS HELL BECAUSE I DON'T KNOW WHEN TO SHUT UP.

for reference, I've reached tartaros so far. I am aware of the canon happenings after that tho.

The female cast is so good idc what anyone says obviously the fanservice is awful BUT I will say, in the earlier arcs, it actually felt decently balanced because of Gray's whole stripping shtick + Natsu's cunty vest wasn't particularly modest either LOL.

Erza is such a wonderful character. I've seen comments that she goes downhill like 100yq onwards but. Um. 100yq characterisation.... that's a whole post of its own.

I never expected to like Lucy so much. idc that it takes her like 200 episodes to win a fight solo because when she FINALLY DOES IT WAS THE BEST MOMENT OF THE SERIES BY FAR. characters who's defining traits r kindness and compassion <33

Interesting how Lucy is the traditional shounen protag (underdog, skills develop overtime) because the rest of team Natsu sans Wendy were all like ... already kinda OP established mages even at the beginning.

I know there are debates ab who really is the protag and imo the narrative skews towards Natsu more BUT. it's bizarre how unexplored he is for a main character. Like yes he is my favourite character other than Lucy but his inner psyche is barely explored it's so weird. He doesn't really have a character arc either??? I'll expand on this more once I finish post tartaros (lolll not looking forward to that) and once again it seems like he's completely regressed from what I've seen of 100yq.

I fucking love all the ships.

I don't agree with comments that Natsu can't be traditionally romantic. Like, I definitely don't think he would ever have the natural inclination to be that way as a part of his character on its own. BUT considering iconic rainbow sakura moment I fully believe he would do whatever it is that would make Lucy happy. And if that includes red roses and candlelit dinners he would absolutely try his best.

Nalu moments r seriously. so good.

I totally see why Juvia stans don't like gruvia. But unfortunately I like them. And I've slightly rewritten them in my head so that juvia doesn't get completely flanderized LOL.

the Natsu Erza Gray sibling relationship goes soooo hard.

Just in general there's something beautiful about the way Fairy Tail handles it's numerous platonic and romantic relationships. Nothing feels secondary yk. Everything is given its due time (except maybe NALU goddammit).

I LOVE THAT FEMALE CHARACTERS HAVE DEEP COMPLEX RELATIONSHIPS IRRELEVANT TO THE MALE CAST. Lucy and Levy, Lucy and Yukino, whatever combination between Erza Lucy Wendy, Lucy Flare, Wendy Shelia, Wendy Carla etc

Even when the relationship involves a man in some kind of way like eg Lucy Cana or Erza Kagura it's still not like... in a bad way. The friendship itself is still there, it's just that the inciting incident tends to involve a dude.

Speaking of Lucy having so many deep female friendships is a big reason why I like Nalu so much lol. Like I literally do not care ab ships in media but fairy tail.... just has that something...

Love how often everyone changes outfits.

This show desperately needed a mini arc somewhere with just Natsu Lucy Happy going on a low stake job, where Natsu actually opens up ab his emotions and his relationship with Igneel.

Needed more Natsu and Igneel flashbacks in general.

Wendy triple combo abandonment issues are not talked ab enough holy shit. Grandeeny, Mystogan and then her entire guild???!

Lucy's relationship with her dad was objectively so well written. I skipped starry skies arc sorry the pacing was destroying me so I can't speak on that. But everything else was just BEAUTIFUL.

The fact that she returns to him just to tell at him. The fact that he comes to her with money problems and she STILL stands her ground. The fact that it's HIM who has to better himself and earn HER forgiveness.

Even after it seems like they're on ok terms, Lucy mentions in tenrou that they don't keep in contact, which is soo... realistic...

and then his death... Shout-out to Natsu who actually is emotionally quite mature (as the author himself seems to have forgotten) and dealt with it wonderfully. He gave Lucy her space, he let her vent, he stopped Happy from interfering too much. + Lucy being conflicted ab it and clearly grieving what could have been instead of what was. sighhh. .

idc ab no deaths but I do wish they didn't do fake out deaths as often. Because when actual loss sticks, it's done super well imo. Ultear, Aquarius, I haven't hit this part yet but Igneel... (yes I'm ignoring 100yq)

the episodic fillers r INCREDIBLE.

Rogue and Frosch are so special to me.

Wish they expanded on Jellal and Meredy's relationship a bit more it seems quite wholesome.

I love Virgo.

Really hate the muted colours Ft2014 onwards, but I do like that Lucy's hair became blonde and not yellow.

Pacing 2014 onwards was GOD AWFUL. I WAS SO SAD because I think the story beats in eclipse arc is actually super good but it was DRAGGED OUT SO MUCH nothing had the impact it should've.

Snow fairy, FT, Masayume chasing you will never be forgotten.

Lucy underutilizes Gemini so much it drives me mad. They were terrifying under Angel so like... cmon...

idc what anyone says GMG and edolas were top tier.

Edolas Natsu X Edolas Lucy... yes

objectively speaking gajeel is a top tier character too

Someone pointed out that Natsu didn't reallyyy hang out with anyone other than Happy pre canon and it changed my life. Every time I notice him and Lucy casually hanging out now I start screaming.

HAPPY IS SUCH A GOOD CHARACTER IDC. His edolas character arc was incredible, his relationship with Lucy is just as (if not more) fleshed out as his one with Natsu and that's part of what makes them such a great trio.

Whenever he goes LUUSSHIEEE . my heart ...

OST top tier no notes

the writing was actually so tight up until GMG part 2

I generally don't care ab the powerscaling issues but laxus v jura... no.

The anime kinda fucks up his face a lot but manga Natsu was genuinely soooo adorable in every single panel (once again IGNORING 100YQ).

Wendy also great character arc.

Sting's whole design is SO GOOD and ten years too early. the fur lined vest, the crop top, the one dangly earring, the scar, the loose fitting pants, good God now that's a Look.

Seriously I love Nalu so much...

That's all for now folks. If you want me to expand upon anything just lmk bec believe it or not all of this is a summary.

[edraculation]

god i fucking hate how much the homestuck fandom waters down characters. hussie did such an amazing job at giving us a collection of multifaceted and nuance-rich characters to really become invested in, and so much of the fandom insists on molding them into a one-dimensional husk of themselves that only reflects the traits they can use to fulfill a trope of some sort, especially female characters. and so often this leads to people horribly misunderstanding so much of the story due to blinding themselves to why somebody could be doing something, either demonizing or angelicizing characters that are actually morally grey, or even the opposite alignment of what the fandom assigned them. this is represented perfectly in the "which troll was the worst" argument, where people almost always respond with gamzee, eridan, or vriska. while I don't believe any of the three were entirely innocent, i don't believe any of them were entirely in the wrong, either. for gamzee, so many of the things people point to in order to make their argument of him being awful or irredeemable were while he wasn't fully capable of properly vetting his decisions, e.g. sopor withdrawal. eridan is definitely less defendable than gamzee, as all of his actions were done in his right mind, but we do have to step back and look at the bigger picture. not only was he a young teenager living under a series of extremely traumatic events, he had lived his whole life having violence drilled into his head because of the lifestyle he had to live and the influence he took from Dualscar. i feel like these factors more heavily influenced his personality, and eventually his violent outburst, more than people give him credit for. after all, i feel like it's obvious that he would've turned out significantly less bitter and violent if he had been raised with more nurture. especially since feferi, a troll of a caste even more known for violence than eridan's, was significantly kinder. vriska, by far the most controversial of the three, was at least partially a product of spidermom's influence. she had no choice but to feed her lusus, of course, so what choice did she have but to become accustom to murder? coupled with the fact that manipulativeness is a trait her caste is nearly universally predisposed to, we can't have expected much from her in terms of kindness to others. now, none of this is to say any of these characters are entirely innocent, they most certainly are not. their flaws are obvious to anyone who's read the comic, so i won't touch them, but labeling any of them as simply "guilty" or "innocent" is a harsh disrespect to hussie's ability to create characters with depth and humanity. no one troll is entirely evil or entirely good, they all have flaws and redeeming traits that give them a truly life-like feel, which makes me believe that asking which troll is objectively the worst is reductionary at best and truly a crime against the masterpiece of literature that is Homestuck.

[hollowed-theory-hall]

Who do you think are the ten core characters of the series? Is there a difference for you between importance to narrative/narrative roles and regularity in appearance for you?

Yeah, appearance count and narrative role aren't the same thing. Like, a character can be super plot-relevant or relevant to the themes but not have much on-page time.

And it's a damn hard question. Like, HP has so many characters, but a lot of them are like, random NPCs, so let's see if I can do this without bias for my favorites (since the bias is here). The order isn't necessarily in the right order, but it's the order in which they came to my mind.

The first 3 core characters for the plot/narrative are obvious:

1. Harry Potter

2. Voldemort

3. Dumbledore

I think Harry is an obvious choice as the main character and narrator. I don't think he needs further explanation.

Dumbledore and Voldemort are examples of characters who technically don't have as much on-page time but are so incredibly integral to the narrative. I mean, in book 7, Voldemort is barely there, and Dumbledore is dead, but both of them are still at the helm of the narrative.

So, yeah, these gotta be the top 3.

The next 3, I think, are:

4. Ron Weasley

5. Hermione Granger

6. Severus Snape

Like, Ron and Hermione are Harry's best friends. They are super integral to the plot and narrative of the books and appear more than any other character besides Harry. Ron represents the wizarding world, he is the main member of Harry's surrogate family (the Weasleys) so he's so incredibly integral. Hermione is the brilliant muggleborn, she is eleven both for her active part in the story and also for what she is in this world with the blood status tensions.

Snape, while not appearing as much, is instrumental to the narrative as a whole and to how the plot goes down. Snape, as the double-triple agent that he is, is also pretty representative of the story's themes of love and sacrifice, which supports his narrative importance.

Then, the final 4 to reach 10 are a bit of a struggle for me, and I feel my biases rearing their head, but I'd go:

7. Sirius Black

Sirius is the first real parental figure who's competent and whom Harry truly trusts. Sirius' existence is both important to the themes (the black sheep of the Black family) and more so to Harry's personal arc. His death and Harry's grief over it are so prevalent in Harry's story far into Deathly Hallows. Also, he's relevant to the Secret Keeper plot and James' and Lily's deaths.

8. Reberus Hagrid

Hagrid is the person who introduces so many of the ideas we know of as part of the Wizarding World. He's Harry's (and ours) first guide to the magical world and remains instrumental in getting Harry and Co useful information throughout the books.

9. Peter Pettigrew

I mean, none of us would be here without this rat. He got James and Lily killed, he resurrected Voldemort, and he then accidentally saved Harry at Malfoy Manor. He's surprisingly important.

Number 10 was the hardest, and I considered a few characters, but I decided to go with:

10. Lily Potter

Lily has little to no page time. We don't know about her as much as we know about James, but I think she's more integral to Harry's story. She represents love strong enough to rebound a killing curse. She saved Harry, and her sacrifice protects him quite literally throughout the books. It's why he defeats Quirrell in book 1, it caused Voldemort to keep him alive long enough to escape in book 4, and it's potentially why he came back after dying. Lily and her death are big themes in the books for what it represents and what she represents more than just her as a character.

Both Lily and James haunt Harry's narrative, but I feel Lily does so a bit more. There's a reason "you have your mother's eyes" is emphasized so much. Harry at his core, is more similar to Lily than James. That and the love Lily represents are core aspects of the story.

So, these are my picks, I tried to be as objective as I could, 🤷🏻‍♀️

[bibibbon]

Miriko shift from "this dude" to "this thing" brings so many terrible implications. At best, she thinks Tomura is becoming a Nomu.

Speaking about Nomu, having their intelligence evolve was mistake since making them more human makes the heroes seem more murderous.

Like, the USJ Nomu had no intelligence or desires outside following orders, yet he was allowed live. However, Hood actively showed intelligence and desires, yet he was killed.

There also the fact Endeavor did the All Might pose after performing worse on either accountings of saving or winning.

I disagree having the nomu's overall intelligence evolve isnt a mistake. Instead it actually plays with the heroes heads and mortality. Will they still be able to kill something that doesn't look human but very much acts human? Is there really a difference between nomu's and humans? Heck you can even bring in the arguement of mutant discrimination and nomu's!!

I for one believe that the nomu's were severely underused in many ways. What does the public think of Nomu's? How were the people who had their family members turned into nomu feel? (This is explored a bit in fics but not really in canon) @thr0wnawayy has a post on the wasted potential of nomu's.

How about how Nomu's are made? How they're used? Or is them evolving to have more intelligence makes them more human? In a society where being human doesn't have a specific look is intelligence the thing that makes people human? Or is it another criteria?

With miriko it's interesting to see her physical switch go from "this dude" to "this thing" because it could very much show that maybe this is how hero society teaches and produces heroes. Heroes are supposed to do easy take downs relying on violence instead of ethically and properly working out a situation. The heroes whole win to save issue and their instinct to fight first talk later is exactly why the first war arc was so catastrophic and why there are so many deaths. Also miriko's attitudes show one way heroes may think of their opponents as non human effectively dehumanising them so they don't feel bad for inflicting harm on them and subconsciously convincing themselves that this is all for the greater good. "I mean killing a puppet who can't think for themselves or express pain is easier than killing a human someone who is the same as you right?" That's probably the thought process of many heroes and we see it with both miriko and hawks explicitly.

However, the whole dehumanisation of villains and enemies can also apply to other characters like Enji and maybe even ochako in the first war arc when it comes to her conversation with toga.

Enji cannonically has tried to kill koichi (a vigilante) in the manga and has expressed quite the aggressive behaviour towards villains and even objects so he really isn't a good person or hero either.

Nomu's and their increasing intelligence for example kurogiri says a lot and brings a lot of moral dilemmas which would be interesting to see how the series could of dealt with them and how it may even reveal some innate corruptness within hero society.

The hitting of the all might pose is something that three characters have all done aka enji, Izuku and shigaraki have all hit the all might pose yet in all of those scenarios it's had different meanings. Even with that the one meaning that they all share with that pose is one of victory (they all struck the pose after their supposed victories) but it all has a different meaning for example with enji his pose was supposed to show that he can live up to the title and that he can try and keep peace within society. The pose also showed the classic upholding of the status quo and hero societies original corrupted ideologies and ideals that enji will go ahead and uphold.

[lookingthroughmirrors]

Opinion on how annabeth punches and pushes percy, the judo flip and percy being reduced to a himbo malewife in hoo (can't make his way out of a paper bag without annabeth).

(Please note most of knowledge comes from PJO and HOO as I have not read much of the later series, but I do know the main points and events that happened and have read certain pages *cough* judo flip *cough*

I’ll start with the first part, Annabeth punching Percy (which happens the first time long before HOO) and the infamous Judo flip, which is for some reason very controversial.

Most of the arguments I see are one of these few things.

1. Annabeth was worried and did it out love

2. They were raised as demigods (child soldiers) so it’s not the same/ they are used to violence therefore it excuses her actions

3. There is nothing wrong with her hitting because it wasn’t like

First off, all of these arguments and any other ones I’ve seen when it comes to this topic and defending Annabeth are bullshit. Why? Because there is no excuse to hitting a partner. Slapping someone’s shoulder while joking or something in a similar context is miles different to what was happening here. Annabeth hit Percy hard, and she did it with the intention of making it hurt. There is no excuse for that. Sure, they were raised as Demigods and violence has always been a large part of their lives, but then shouldn’t Percy also lash out and hit Annabeth if that’s the case? And shouldn’t that be fine too? You don’t hit someone out of worry or concern either, not hard enough for an army to believe you to be a threat. Annabeth has never been nice to Percy, she canonically say in TLT that she doesn’t care if he dies, only that she can go on the quest. And ok, maybe that could be written off as an immature twelve year old, if her actions in later books didn’t continually prove that she hadn’t changed or developed. I think another fundamental issue in her relationship with Percy is that she can never be wrong, Luke being the biggest example of this.

Percy, even with his history and past friendship with Luke, was able to look at things objectively to an extent. He says multiple times that Luke had a point. I honestly think if it had’ve just been Luke, if titans hadn’t of been involved, that Percy would’ve joined Luke. But that’s a whole other thing. I only bring it up because I think Luke particularly is the best example of Percy having far better judgement than Annabeth, who refuses to be wrong. Something that again is addressed within BOTL, when she challenges the Sphynx because of her pride, and is an asshole to Rachel because she doesn’t want to rely on another person and is jealous. She likes being the leader, she wants to be the person people rely on, but that has always comes naturally to Percy despite how much he himself hates it.

I personally would’ve far preferred Perachel to be canon than Percab*th. Percy is always stressed about Annabeth, about doing the wrong thing where with Rachel feels like he can be himself, not like he has to live up to some invisible standard he can’t ever hope to meet.

I also, as I’ve written about before when discussing Percab*th is that Annabeth is not an essential character to HOO, and that she could’ve easily been interchanged for someone more interesting and dynamically different. I think Percy was sidelined to try and give Annabeth more purpose in the story. I also think Percy is consistently put down, berated and underestimated. He literally has people thinking he’s a god when he first meets them, that isn’t someone who lacks power. I also think Annabeth has always been a little bit scared of Percy to certain degree. Or at least acutely aware that she would not be able to put a fight if Percy turned on her and he put in a tiny bit of effort.

I also Percy is never given enough or really any recognition of everything he did. That he took the prophecy so it wouldn’t go to Nico. That he turned down immortality, not for Annabeth, but because of a promise he made to Luke and his years long stance that nothing is worth living forever for. I think the nuance of Percy as a character, and his ability to connect with and understand characters like Like and Ethan is severely underdeveloped. He has never been blind to the gods faults, he didn’t do what he did in the name of the gods. He did it for the campers, for the demigods who’d carry out their parents burdens simply because they had the audacity to be born. Demigods doomed to die from the moment they’re born because of their parents, like him. I particularly think Percy is too far often used as a scapegoat for Nico’s issues and often either villainised or dumbed down into a himbo.

It’s ridiculous, since Percy has repeatedly shown himself to have both better judgment and better strategising skills than Annabeth. Percy is better than Annabeth, and he has far more power than she ever will.

Percy is such an amazing and nuanced character with so much room to explore different characteristics he’s shown at different times and he is too often sidelined to boost another character (most often Annabeth and Nico)

Overall I don’t really like Annabeth, and I’ve yet to hear a viable reason as to why what she did should be ok. And I truly believe HOO did a disservice to Percy by dumbing him down, and making him reliant on Annabeth.

I hope you like my answer! Thank you so much for asking I absolutely love getting questions and I also love a chat so please feel free to keep it coming!