#he's briefly mentioned lmao

[themanwhovibez]

I'm so pleased by seeing how many others had the same thoughts as me when it came to Orion and that big moment. Like I just can't stop thinking about Orion moving in front of D-16, trying to even move the canon away because he just wants to TALK. He wants them to see eye to eye, to talk about this and for once, he's the one trying to stop D-16 doing something reckless. But he was too slow and the canon was already going and suddenly, he was shot. You can tell that he's shocked when it hits him! He didn't expect it! He knew it was firing but I think he thought he had more time, that he was quicker and honestly, even then, I don't think he'd be upset at D-16 because it was an accident at the end of the day. Orion knows he moved himself in front of it, but he wasn't trying to take the hit, which is what I think D-16 thinks happened. That Orion was trying to "save" Sentinel, even though Orion was the guy who never really cared about the Primes. Like, he liked them but you can tell that when it came to moments of talking about Sentinel, he just didn't have that same excitement like D-16 had. What hurts worse for Orion though is that D-16 dropping him was HIS choice. That was his choice to make and he let him go like that.

[starry-bi-sky]

my body's aching like a knock-down drag-out

and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.

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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it. 

Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.

He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats. 

Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.” 

Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.  

He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died. 

Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream. 

He’s dead. He’s dead. He’s dead. 

He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.  

He has no mouth, but he must scream. 

Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood. 

Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.

With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off. 

Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts. 

Scrappy is just not enough. 

He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all. 

Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash. 

But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane. 

With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings. 

Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice. 

He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail. 

Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.

Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it. 

Being dead is agony. 

Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow. 

His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever. 

In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be. 

Being dead hurts. 

[rockwgooglyeyes]

It's This Moment (or Nothing)

One of the biggest things that I have run into over the past day with Blink, Gone is the way that it feels incomplete and that is something I still stand by. This could be something completely purposeful, meant to illustrate that the round wasn't ever going to be a legitimate competition anyways, intended from the beginning as a lure for Hyuna and Mizi, to add extra emotional effect to the cliffhanger, or perhaps it really is one half of a wider whole (in a more localized sense than it being one part of the whole series, anyways). I don't really know which I think is more likely, at this point, because I'm not sure enough about any of my theories on that front to make real predictions. I still believe that Mizi will end up on her own when this all finished, all of the people she ever loved dead and gone, the bodies littered at her feet.

With the "special guests" I presume that Hyuna and Mizi will be forced to go up against each other. My friend Zen, (@verdantlights) said that hy thinks that it'll end up being a Hyunaluka round where Hyuna is set to win and then a Hyunamizi round where Hyuna is set to lose (edited because i got the order wrong and zen corrected me lmao). I agree with the idea that, at this point, it's damage control. They successfully lured Mizi (and by extension, Hyuna) in with Till, killed Till and now they're going to make their hostages perform for their lives, as is their brand.

One of the most interesting parts of Blink Gone, for me, is how this was presumably all planned from the start. Zen mentioned something that made me realize this yesterday, that this is the 50th season of Alien Stage. There's no way they would let it get this rowdy with rebels and disrupted rounds unless they were letting it happen, because it was planned from the start, because they were trying to tie up loose ends (Hyuna). Not only that but this round in particular was undoubtedly planned from the beginning, with the amount of preparation that went into it (the giant billboards of Ivan, the chanting of the crowd, the song itself). Till was ranked 2, it was always going to end up this way, Luka's superiority reinforced and his opponent dead on the floor. (btw I'm coming back to Luka. There's gonna be another fucking post just you wait). The way that they used Till's triggers against him, they drugged both of the performers but only gave Till enough to last him halfway through, forced Till to perform against Luka right after Round 6, where he lost one of the people in his life that was most important to him, and then rubbing salt into his horrible fresh wounds.

This is also one of the only rounds where Mizi is one of the POV characters that we have no mentions of Sua, at all. Perhaps that's merely because Mizi wasn't the focus and by extension, neither was Sua, but in another way, you could argue that it's because someone else was busy haunting the narrative: Ivan.

It kinda fucking hurts that the only way we really got to see Ivan was two ways- a direct flashback to the kiss from CURE, a explicit representation of the trauma that Ivan left Till with, and the billboards/Luka manipulations where he mimics Ivan in order to get Till on the back foot. And the thing is, it works. Ivan, despite his every intention otherwise, has become a trauma for Till, the way he thought he never could. To a degree, I was happy about this, because it proved Ivan wrong, that he would just be forgotten in a blink, but it hurts as well, because him only being used as a weapon against Till only reinforces his beliefs about himself that he is a monster and a negative impact on others. He would view himself being used against Till as a bad thing, that he hurt Till when he never intended to, rather than seeing it for what it is- an explicit sign that he was far more important to Till than he previously thought.

(Also something driving me up a wall right now is the way that one of my friend's described the lyrics of Blink, Gone as being in reference to the way that one moment Ivan was there, and the next he was gone, because Till took advantage of Ivan's presence and didn't know how much he needed it until it was gone and I'm sorry I'm going to go scream some more now.)

One thing I've talked about with friends a lot the past day is the way that, if Till is truly dead, then what was Ivan's character even for? And while narratively, it wouldn't make sense to kill TIll here with all of the potential he has and where his arc is going, one thing that @pwippy pointed out to me is how it makes a lot of sense thematically. Alien Stage is a universe full of suffering and pain for humans, forced to perform until they literally die on stage, all for the entertainment of the audience. It's not even meant as a way of exerting control or oppressing them, though it serves that purpose, because why would the seygein bother to oppress something that can't even fight back? Why go to the trouble of controlling something that is just a pet, whose cries are the fuel for a new age?

For Till to die now, reaching out for this glimmer of light when he is an animal caged, surrounded by enemies and bombarded with triggers of his suffering and pain, it would only be fitting. Another confirmation that life isn't fair, especially not in a system that is actively working against you and your attempts at happiness. Yet another sign that none of them were supposed to live very long, that even if they won, they wouldn't be around for much longer anyways. Now, it wouldn't necessarily be in character for Till, as he wants to live and he wants to fight, but he got to see one of the people he loved most in his dying moments, just like Sua and Ivan did. (Thank you this post for grabbing me by the throat and squeezing). In this world of pain and suffering, perhaps death is a mercy. If Till is truly dead, then he no longer a tool for his oppressors, he is free of their control. For Ivan and Sua both of their deaths were mercies to them- Ivan was able to die for the one he loved, as was Sua, and neither of them were forced to live in a world without their beloved.

So, while it might not be in character for Till to die, it makes sense within the themes and the established mechanisms of the universe, and it hammers home just how much more Mizi has to lose, even at this point where she thinks she's lost it all.

Mizi, who at the beginning, was the only one of these characters filled with innocence and hope, Mizi, the apparent protagonist of this story- at the end, she will be alone and she will know the true lengths of cruelty, with all that which she has ever loved destroyed.

[anatomical-puppet]

i love all of the heartless characters equally. now if you'll excuse me i have to draw eira one million times forever

[ciaossn]

reading a fic for an entirely different series that has a "special guest" tag on it and getting slapped with the one and only hibari kyoya

[clownsuu]

I finally have some free time to draw sketches and tell you about my headcannons with (young) Harvey and Dr. Stone!! 💥💥

The first headcanon: Harvey really likes to touch Stone's funny sticking-out hair with his antennae (I have no idea what to call it lol). OF COURSE, Dr. Stone gets angry, and Harvey just giggles and watches him—

The second headcanon: I thought it would be funny if Dr. Stone had (and maybe still has) a secret hobby of collecting minerals and stones. it's pretty funny that a sullen and angry dude collects and examines all sorts of stones, and then writes something in his book, muttering something under his nose. if Harvey somehow found out about his husband's hobby, he could throw him beautiful stones while he was going somewhere.

The third headcanon: Harvey loves hugging Dr. Stone very much, when he does this, this old fart immediately starts to get angry and swear, but after 15-20 minutes calms down and falls asleep. maybe Harvey does this on purpose so that his husband at least sometimes gets a full sleep

(not) Old people,,,,

[thisusedtobeafanpage]

Finished spn s15 e10 and

this whole episode was them losing their fictional character privilege and getting real people problems for the very first time right?

but there was a whole 1920's tap dance sequence, that as far as I can tell had no purpose so???😭😭 I find this incredibly funny

[moeblob]

So it occurs to me that I posted most of their lore on my OC blog (though a few posts on here have the story info) and honestly I think it's very important to note that the entire reason a guy from Florida is recruited to help defeat the demon lord isn't him as the hero. His younger brother (by about ten years younger) is the Chosen Hero and... not very good at it. So the goddess (Solei) who had selected the hero has to begrudgingly go back to earth and convince his older brother to help save her world.

(Also Reynold admits to Solei that "Sascha could never be a bad influence. He's the best impulse control I've ever had" and she really doesn't like to hear it. That's terrifying.)

[skelekins]

OwO

It’s the middle of the night and you hear something weird. So you get up and peak out into the hallway. You can see the glow of the television from downstairs and the faint drone of quiet recorded speaking.

But there’s another sound. It’s odd. You go to the top of the stairs only to see.

Stone. Sniffling with his handkerchief out and hugging one of the couch cushions to his chest. He notices you instantly, his eyes bright and wet.

“THEYRE SO DUMB,” he’s still pretty loud despite trying to keep quiet, you can hear Jewel snicker from his closed room door behind you. “THEY JUST NEEDED TO TALK AND NOW THEYRE BOTH DEAD AND AND,” Stones eyes are drawn back to the screen and fat purple tears well in his eyes.

“ITS SO BEAUTIFUL, they loved each other so muuuuuch!” The massive 10ft skeleton flopped to his side in tears. You considered silently returning to bed.

[lovevalley45]

was trying to compile a lil npc reference list to be able to find info abt our key NPCs in a flash n going back to my old notes to get details directly and. immediately cracked up seeing i started the physical description to a very important NPC with "hottie'"

[resizura]

if people mention how leon is an italian american mafia child because it was mentioned once 30 years ago then they also need to accept that he’s a brunette

[kxllerblond]

reading book? too much effort. sitting down and writing replies?? can't focus.

youtube rabbit hole of in-depth Barbie history and architectural design of dream houses and playsets? i got all da focus in da world baybeee!

[5arcasmw]

the more i learn about the american revolution the more hamilton: the musical infuriates me

(read tags for context pls i go off on a mega tangent)

[freebooter4ever]

.

[akkivee]

hayama-san has mentioned a few times here and there that his way of speaking has gotten cruder over the years and he blames it on kuukou lmao and it’s really funny to hear it slip out of him lol

like i recently rewatched the aftertalk from his and takeuchi-san’s web show collab where they were talking about childhood christmas gifts they wanted and hayama-san didn’t really know what it was called but there was, in his words, a ‘really fcking huge tamagotchi’ that he thought was neat and it sends me every time LOL

[starofhisheart]

How to tell my 60yo friend who got me into star trek the original series that I only fell in love w it bc I shipped the main leads and him wanting me to watch The Twilight Zone is probably not gonna have the same outcome 😅