#he's also in the manga significantly more

[musicalmoritz]

what are your thoughts on hananene?

I’m so glad you asked this!! Some people assume I hate HanaNene because I ship Nene with Aoi and I don’t post about it as much as Aoi//Aoi, but that could not be further from the truth. When I first watched the anime I absolutely adored HanaNene, they were my favorite ship for a hot second there (though I was saving that spot for Mitsuba and Kou, and it was also Sakura and Natsuhiko for like a day. I never expected it to be the plant lesbians lol)

My love for HanaNene tends to be more mild when I’m not actively reading about them. I have never and will never dislike them, but I don’t think about them as consistently as some of the other ships (though I think of them more than some others). Then I read a scene of them in the manga and I’m abruptly reminded of why they’re one of my favorite TBHK ships. This also applies to when I’m rewatching either of the animes or when I get in the rare mood to read fan fiction for them

The thing that initially stole my heart was how weird they are. Their whole relationship is odd, it’s like if Aladdin got with the Genie. The first chapter doesn’t have anything romantic between them up until the very end and if you didn’t know they were love interests, you’d assume he was meant to be her goofy sidekick. And then we start the gag of him flirting with her while she’s very adamant about him being Not Her Type. But her relationship with him is still so different from everybody else, she’s usually so self-centered but with Hanako she notices things about him and makes efforts to make him feel better (ex: deciding to be his friend in the mokke chapter). Sure, there are still things she misses about him, Teru had to be the one to tell her he was unhappy in the new timeline. But she’s significantly better at looking out for Hanako than she is with everybody else, because he’s so important to her. She gives him time to open up about his past because she knows he’s not ready for it, she wants to be the one to confess to him because he deserves to feel loved. With heterosexual relationships I’m mainly focused on what the woman is feeling/experiencing and HanaNene is such an interesting ship for Nene! It gives her a lot of important development and stands out from her other crushes and ships. She had cheesy romantic fantasies about him but she doesn’t act like a blushing fangirl, it’s real love and we get to see a more mature side of her when they’re together

I have so many favorite moments for them so I’m gonna list them all now because I’ve been waiting for an excuse to do so. The end of the Picture Perfect arc where Nene asked Hanako if he wanted to trap her and he said “of course not, how could you even think that?” The Confession Tree chapter as a whole, it’s my favorite early chapter by far. When Hanako told Nene she’s cute when she’s smiling. When he tucked her into bed at Sumire’s house. I don’t remember when this was but when Nene made some big statement on the roof and then she was like “as a friend ofc.” When she kissed him on the cheek duh that was so cute. That convo they had in the classroom during the Picture Perfect arc. Their first kiss but that’s like a given everybody loves that scene. Wow. HanaNene.

I will say that I prefer their dynamic with Amane’s personality but I’m not one of the people who separates those ships entirely, I think people who do sort of miss the point of Hanako’s character. Amane is still a part of him, there are many scenes in present times when he acts like his old self. Sure, he’s changed over the years, but he can’t fully become a different person the way humans often do because he is forever that same 13 y/o boy. So if you were to ask me “HanaNene or Amanene,” I’d say both. I do prefer to call him Amane tho bcuz it’s such a pretty name. Amane. Amane. Amane. Pretend you can hear it, it’s gorgeous

Similar to how I will never slander Aoi and Akane for Aoi and Nene, I’ll never slander Hanako and Nene in favor of them either. I love all the canon ships so I’ll never be the type of fan to put them down in order to justify my fanon ones. I don’t need to do this because I have good reasons for liking fanon pairings, I can back them up without having to put down another ship. If you have to put down another ship in order to make yours look good, it’s probably not that great on its own

Also for headcanons. They are t4t and bi4bi to me, that’s just how it’s gotta be. Toilet-Bound Woke-Kun. Woke-Bound Hanako-Kun. Toilet-Woke Hanako-Kun. Much to ponder

[ladyloveandjustice]

'why do people have more of a problem with yuri than fiona in spy x family'

because yuri wants to fuck his sister and he's a supercop. there i've answered the question for you.

[kiisaes]

If not gay explain this

fun fact about me, i've rewatched this episode like a million times but every time i reach this scene i get hit by a wave of second hand embarrassment exactly like when i watch on-screen romantic moments in a movie or tv show. sometimes it's so strong i have to physically look away

[summer-sapphic]

Hi I'm mad

[aminorcontradiction]

observation: Chilchuck's bandages are likely ankle braces

this may be a cold/discussed take, but when I had been curious why Chilchuck wrapped his feet up like this, and had tried looking it up, I ended up face to face with a scary number of foot fetish twitters. therefore, I thought it might be nice to make this post about the conclusion I came to on my own so that others don't have to suffer the same fate that I did.

when discussing it with a friend of mine, they reasoned that they may be for protection, but the majority of the times we see his footwraps he's got his toes exposed (with the exception of the daydreams hours snippet where he's getting dressed).

examples:

so I think we can reasonably conclude that they don't serve the purpose of protecting his toes, which I would argue are probably one of the more vulnerable parts of the foot.

so I figured they were ankle braces, as they seem to consistently cover his arches and his ankles.

for reference, these are some photos of different ankle braces:

seeing that ankle braces can help to reduce strain, tension, and pressure on the ankle joint, and given the fact that Chilchuck is significantly shorter (3 foot 7 inches/110 cm) than the rest of the party, with even the second shortest member (Senshi) being a whole foot/30.5cm taller than him, it seems pretty realistic to believe that Chilchuck could have to utilize some type of brace, seeing as one stride for the rest of the party is probably at least two for him, therefore meaning he'd be dealing with some pretty significant step counts (i.e. greater strain).

additionally, braces can help with sudden shifts in weight and direction, reducing the risk of rolling or twisting an ankle. this would be helpful for checking for traps for obvious reasons -- quick movements, sudden shifts in weight, etc.

also! tangentially! we also see that throughout the series Senshi (another character of a shorter race) wears armor on his calves throughout the story. which makes sense, it being armor and all that. BUT! and possible but very very slight manga spoilers ahead:

in this panel we see that Senshi's wearing some sort of calf wraps! which function similarly to compression socks in that they boost the levels of oxygen and nutrients to the muscles, and ease muscle fatigue. which is similarly in line with the point about Chilchuck's ankle braces -- they help combat possible strain or fatigue caused by additional required movement by the shorter races.

I think that this sort of thing (if purposeful) is very important to note in terms of the sheer depth of the worldbuilding in Dungeon Meshi and helps illustrate how well thought out every aspect of the manga and the characters within it are.

[crqelsummer]

im the last person who’d ever see endeavor as anything but a secondary antagonist but hes also very narratively interesting so i also refuse to write him off entirely.

[the-travelling-witch]

𝐀 𝐏𝐑𝐎𝐏𝐄𝐑 𝐖𝐀𝐑𝐌-𝐔𝐏

summary: when you forget to bring your jacket, an unlikely hero comes to your rescue; is there more to his chivalrous action than meets the eye?

pairing: kaiser x gn! reader

warnings: fluff, kaiser being kaiser; i’m still on hiatus but i have to free this idea from my mind or it won’t let me go, also i thought it was super fun when they spoke german in the manga so here we are

blue lock masterlist

“Is it me or is it chillier than normal in here?” You asked, rubbing your palms over your goosebump-ridden arms. As an assistant manager, you’d been next to the pitch more often than you could count, but on this day it seemed like someone turned up the AC.

“Hm, dunno. Seems normal to me,” Kurona said after contemplating for a few seconds. “You’re not getting sick, are you?”

“I don’t feel like it, no,” you wondered aloud as you watched the Bastard München and FC Barcha players walk onto the court. As much as you’d hate to miss the beginning of the Neo Egoist League, perhaps you should make the track back to your room. “I think I’ll go grab my jacket—“

Your sentence was cut off by fabric covering your head, making you flinch in the sudden darkness.

“Hier, nimm meine. (Here, take mine.)” A voice that had quickly become familiar since the foreign teams were introduced passed by and when you lifted the front of the jacket, you found none other than Michael Kaiser in your field of view. As usual, he was looking rather smug for no reason whatsoever.

Still, he was one of the last people you’d expect to help you out, so the raise of your eyebrow was somewhat inevitable.

“Versteh mich nicht falsch, (Don’t get me wrong,)” he continued, cerulean eyes trained on you, “ich mach das nur, dass du von Anfang an zusehen kannst, wie ich Blue Lock vernichte. (I’m only doing this so you can watch from the beginning as I crush Blue Lock.)

“Und da ich sowieso nicht auf die Bank gehöre, macht’s mir nichts aus, wenn jemand meine Jacke aufwärmt. (Also, since I won't be benched anyway, I don’t mind having someone warm up my jacket for me.)” And with that, he sauntered off towards the centre of the field, the self-satisfied grin still tugging on his lips.

“He’s such a jackass,” Raichi scoffed, his jaw locked and a vein protruding from his neck. “Now I wanna play even more, just so I can teach him a lesson.”

“Now now, let’s not get hasty,” you chuckled, holding the Bastard München jacket in your hands. “As much as I understand where you’re coming from, I don’t think it’s a good idea to pick a fight with our guests on the first match day.”

The fact that you knew about the auction system and livestream you’d keep hidden for now.

“While I really don’t like the guy,” Kurona cut in before Raichi could add anything else, “I still think you should wear the jacket. It won’t do anyone any good if you really get sick. You can still go get yours after the match.”

“As much as I hate to admit it, I agree,” Isagi sighed next to him. “It is probably for the best.”

“Fine, fine,” you mumbled, sliding your arms through the comfortable sleeves of Kaiser’s jacket, bunching it up at your wrists so it wouldn’t cover your fingers.

And with that, the whistle signalled the start of the match.

To no one’s surprise, the match was shaping up to be a great one from the start, the quality and speed of the plays upped significantly with the inclusion of the top league players. Though, for some reason or another, you just couldn’t tear your eyes away from München’s number 10, the same number currently decorating your back.

You knew Kaiser was good, considering he was hailed as a prodigy for the New Generation World XI. And yet, seeing him play was a whole different experience from watching the tapes. From his superb ball control to his efficient movements and precise awareness of the field, all culminating in a lightning fast Kaiser Impact, he basically demanded your attention to be on him.

So when his gaze crossed yours after scoring a goal, you felt like you were getting caught red handed by the amused crease of his eyes. With the way heat shot up your body in embarrassment, you might not have needed his jacket anymore.

By the end of the match, your brain felt as tired as if you had played yourself, trying to keep up with the new level to which football at Blue Lock had been raised. Subsequently, you zoned out for most of Ego’s explanation of the auction system, only to zone back in as Kaiser’s 300 million Yen bid was displayed for everyone to see. And while you swallowed hard at that number, the striker in question seemed rather unfazed.

Instead, he sauntered over to where you were standing, still wearing his jacket. You were halfway out of the garment already when he came to a halt in front of you, his long fingers tangling in the fabric to keep it wrapped around your shoulders.

“Hast du nicht gesagt, dir ist kalt? (Didn’t you say you were cold?)” He asked, blue eyes sparkling down at you with an unreadable expression. “Behalt sie an. Zumindest bis du deine eigene holst. (Keep it on. At least until you get your own.)”

“What? No!” You protested, further trying to shrug off the jacket. Despite shoving it back down to where it came from, a small part of you agreed with him, not wanting to give it back quite yet. “You need it more than I do!”

“Hm? Es ist süß, dass du dich um mich sorgst, (It’s cute that you’re worried about me),” he teased, amusement written all over his face, “aber es ist wirklich unnötig. (but, really, it’s unnecessary.)”

“Absolutely not! If you get sick because of me, I’ll never hear the end of it,” you groaned, finally wrestling yourself out of his jacket and shoving it in his arms. “So just take the damn jacket, Kaiser.”

“Nenn mich einfach Michael, okay?) Just call me Michael, alright?)” One finger tilted up your chin, so you wouldn’t avoid meeting his gaze any longer. “Immerhin kennen wir uns gut genug, dass du dir meine Jacke leihst. (After all, we’re close enough for you to borrow my jacket.)”

“Whatever you’re trying to play here, cut it out!” Before he could have a chance to feel the heat rising to your cheeks, you whirled around to make a swift exit and get your thoughts in order again. 

In that moment, you were so distracted by the blond, you’d forgotten the whole world could see you wearing his name on your back. You’d later be reminded of it when seeing comments flooding social media, cooing about the gesture or speculating about your relationship with one another. But that was still far from your mind at present, which was still trying to figure out his reasons for behaving like he did.

Meanwhile Kaiser, who watched you retreat into Blue Lock’s hallways, couldn’t stop the smile from tugging at his lips. Perhaps someone here was worthy of devoting his time to after all.

© the-travelling-witch 2024 - do not repost, translate, copy or edit

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[narutouzumakiarchive]

There are certainly gothic elements in Naruto and Sasuke's dynamic, particularly in Part 1, and there is one image that really highlighted this aspect.

Now, the sublime, according to Edmund Burke, is the attractive, "delightful horror" caused by the experience of pain and terror. Though I best like how it's described by John Dennis as the mingling of pleasure and horror. So there's a sharp emotional juxtaposition that's central to the modern conception of the sublime, and in Naruto, juxtaposition is a motif that has significant prominence in Naruto and Sasuke's relationship (especially given their function as foils).

In the lead up to VOTE 1, Kishimoto blends Sasuke's experiences of horror and terror because of Naruto. There's an increasing sense of astonishment and fear at the great magnitude of power that Naruto displays but there's also significant apprehension at what's to come — an apprehension characterized by Sasuke's constant questions about who, or what Naruto is. And things come to a head during VOTE 1, when Sasuke is so shaken by Naruto that he experiences a level of terror similar to what he felt during the massacre and his confrontation with Orochimaru.

That said, this particular post isn't about VOTE 1. In the image that caught my eye I noticed there was something interesting about Sasuke's expression.

Now the onomatopoeia used in that panel (zoku) of the first image that I posted has been used before. In Example 2 below we see it used to represent Sasuke's clear cut excitement at being able to fight Gaara, whereas in Examples 1, 3, 4, and 5 we see it used to represent a range of obvious negative emotions ranging from fear to terror.

But the image of Sasuke reacting to Naruto summoning Gamabunta evades simple classification. Sure there's that typical fear and incredulity that Sasuke felt towards Naruto, reflected in Sasuke's single sweat drop and thoughts. But his facial expressions don't neatly align with Sasuke's more obvious expressions of negative emotions (eyebrows thoroughly furrowed, mouth agape AND downturned, increased number of sweat drops, etc.) In fact, his expression was a near exact parallel to that of Orochimaru's throughly excited face after he saw Sasuke defeat his opponent in the Chunin Exam Preliminaries.

This image encapsulates the paradoxical nature of Sasuke's feelings about Naruto's strength that stretches throughout the Part 1. There's certainly an attraction to the Naruto's physical strength that had been present as early as the bell exam, but as the manga progressed, we also see how Naruto's strength generated a myriad of different emotions in Sasuke: anger, confusion, anxiety, incredulity, apprehension and fear.

And we also see this representation of the tension between the positive and the negative in Naruto's reactions to Sasuke as well, with the most significantly being Naruto's physiological response of "tingles" at hearing Sasuke acknowledge him, despite the fact Sasuke lashed out at him during a negative moment after being traumatized by Itachi.

The Orochimaru issue image really captures both sides of this contradiction at once. It perfectly represents the delightful horror that Burke called "the most genuine effect and truest test of the sublime."

Part 1 was really about building up the beautiful and complex tragedy between Naruto and Sasuke while Part 2 emphasized healing and progress, though we still see some of those tensions at play (ex. fighting violently with their fists to read eachother's hearts).

[alluratron]

Thoughts on Gojo Satoru

Gojo Satoru is a character with nuance.

With the release of JJK chapter 236, many people are shocked, confused and outraged at his characterisation at the end of his run in the manga. There are claims of character assassination, of blatant disregard for everything he has done so far, of telling instead of showing. The portrayal of Gojo as someone whose primary motivation was strength has left multitudes of fans reeling.

Nanami states that Gojo’s reason for wielding jujutsu was not his own survival, nor the protection of others, but rather in pursuit of wanton satisfaction. Gojo does not deny this and neither can we. After all, in chapter 233 it was stated by the narrator that as the possibility of defeat crossed Gojo’s mind, an intense feeling of satisfaction bubbled up in him as well. The truth is, Gojo loves jujutsu. He loves his own strength. He loves to use it, to show it off, to flex. He revels in his own power.

Gojo enjoys being The Strongest.

However, he doesn’t enjoy being The Strongest, alone.

The contradiction in Gojo is that, much like Sukuna, he sees himself as More Than. They are beyond humans, beyond curses, beyond anything of this world. They exist in a realm of their own. Make no mistake, Gojo harbours great affection for those around him. He says as much in 236 (みんな大好きさ寂しくはなかった - I really liked everyone and I wasn’t lonely). But he also admits that there was a separation between himself and other other living creatures. This phrasing is crucial. Gojo is effectively admitting here that from his perspective, other humans are as different from him as any other creature of this world. He doesn’t even really consider them to be the same species. This is further reinforced through his analogy of flowers. He states that you can admire a flower and make it bloom, but you don’t wish to be understood by it. Gojo cares for those around him and he cultivated his students to help them blossom, to achieve their potential, but they were flowers to him. They were inferior beings, incapable of understanding his superior existence, and so why should he open himself up to them? Shoko mentally chastises him for this in chapter 220, pointing out that she was right there alongside him even with the loss of Geto, that all his talk of being alone was idiotic because she was there and he could’ve relied on her. But he didn’t because in his mind, Shoko, like everyone else, is inferior and incapable of understanding him. To him, it is pointless to try.

But where Gojo differs significantly from Sukuna, is that Gojo desperately wants to be understood.

Gojo is so painfully human in that way. Perhaps he wouldn’t be, had he never known Geto. But he did know him, and for those 3 years, Gojo knew companionship. He felt understood by Geto because Geto, being equally The Strongest, was capable of understanding Gojo, in Gojo’s own mind. When Geto defected, he called Gojo arrogant in his own strength for saying killing all non-sorcerers would be impossible for Geto and attempting the impossible was pointless, when such a task would not be impossible for Gojo himself. He asks of Gojo, “are you the strongest because you’re Gojo Satoru, or are you Gojo Satoru because you’re the strongest?”. This exchange, unfortunately causes Gojo to misunderstand Geto’s reason for defecting, or at least to oversimplify it. Gojo’s takeaway is that the issue was in Geto’s inability to keep pace with him. This would further solidify his belief that he exists apart from all of humanity. Yet he could not make peace with that. He mourned Geto’s departure and disliked his newfound loneliness (which, mind you, was only the case because of that very belief that only an equal in strength can understand him).

This would drive Gojo to seek out Megumi, something he could have done at any point in the year since Toji’s death but had no motivation to do. The words he says to Megumi are crucial - “強くなってよ。僕に置いていかれないくらい” or “Get strong. Enough to not be left behind by me.” From this, two things are clear. First, that Gojo has no intention of slowing down. Second, that Gojo wants Megumi to be on his level. He’s essentially seeking out another Geto, one that he won’t lose to their own inability to keep up with him. He’s not willing to come down from his superhuman level to connect with the average - as previously said, Gojo revels in his own strength - but rather he wants others to ascend to his level. Gege stated in the fanbook that the reason Gojo went to find Megumi was because he’s seeking talented people, and the reason he helps problem children like Yuta and Yuji is because they’re strong so he doesn’t care about the other details. There is no mention of righteousness or kindness in his actions here. Now, the fanbook is secondary material so I will always err on the side of the main text taking precedence. But since the main text does not give us any explanation from Gojo as to his true reason for saving Yuta and Yuji, and Gege’s explanation in the fanbook on Gojo’s recruit of Megumi aligns with what we see in the manga, it’s likely that his interest in Yuta and Yuji is indeed purely due to their strength potential, at least at first. He does grow fond of them as people, and he wants them to enjoy their youth. But ultimately, his reason for raising them remains that, selfishly, he doesn’t want to be alone at the top.

His idea of “resetting the crappy jujutsu world” is making it so that life as a jujutsu sorcerer is as fun for everyone as it is for him, or at least as he imagines it would be if his youth hadn’t been interrupted by Geto’s spiral. Being a jujutsu sorcerer is Gojo’s job, but he doesn’t resent it at all. Because unlike all the other sorcerers who are here because they have no choice, or because they feel a sense of responsibility to protect the defenceless, or because they fear being killed by curses and using jujutsu as a retired sorcerer is illegal (looking at you, Kusakabe), Gojo is here because jujutsu is fun. He doesn’t feel that inherent drive to protect the defenceless (he actually finds that part of it kind of exhausting) and he doesn’t feel that fear because no curse could remotely threaten him, so he just gets to enjoy jujutsu for what it is. Gojo wants the same for his students. He wants them to enjoy the experience of life as a jujutsu sorcerer, without fear, and without suffering and being forced to question what the hell they’re even doing this for. If they can be as strong as him, there is nothing to worry about - nobody dies, nobody gets left alone, nobody falls behind. It’s an idyllic picture for Gojo.

There seems to be a misconception that 326 suggests that Gojo’s only reason for training the students was to eventually fight them at their best. That is not the case. Gojo’s love of fighting and Gojo’s desire for an equal are two separate things that only got amalgamated in Sukuna. After all, Gojo never sought to fight Geto. We know they scuffled sometimes, but it’s not like Gojo was constantly trying to instigate a death match. His desire for an equal is, on its own, simply a desire to be understood, something he does not believe is possible by a weaker being. He longs for companionship but won’t let himself find it in people he views as inferior. Regardless of having an equal, Gojo still loves his own strength. He loves toying with opponents, and showing off, and brutal violence. The more challenging the opponent/situation, the further he gets to stretch his limbs.

Fighting Sukuna presented Gojo with an opportunity to satisfy both of these things.

Does Gojo have anything against Sukuna or the way he lives his life? Not really. There isn’t an ideological opposition at play here like there is between Yuji and Sukuna, they just happen to be allied with parties who are in conflict. And, with them both being the jujutsu-loving, strength merchants that they are, they’re genuinely excited at the prospect of fighting each other. Gojo does want and plan to save Megumi, sure, but in any case that requires defeating Sukuna. He wasn’t bluffing when he said he’d worry about that later - fighting Sukuna genuinely takes priority, both strategically and selfishly.

In terms of the fight, Gojo has a blast. He gets to go all out like he’s never gone all out before. He’s pushed to invent things on the spot or legitimately just die. He doesn’t even have to toy with his opponent to keep the fight going, he’s sprinting from start to finish and is giddy with it. This is possibly the most fun he’s ever had.

In terms of the emotion, Gojo has been desperately trying to find someone as strong as him because (he believes) only they can understand him. It’s to the point that he has spent the past decade trying to basically build-a-bear some equals. Suddenly, he’s presented with one, fully formed, requiring no additional shaping on his part. It’s believable that he would be excited to take that chance of being understood, being seen wholly, by the only person alive in the world at this moment that he believes capable of wrapping their mind around him, since they’re both so far above every other living being.

And so Gojo fights Sukuna and pours everything he is into it. He pushes his body to its physical limits, he uses every jujutsu ability he’s ever learned, he comes up with new ideas on the spot, he throws out multiple max output attacks. Everything we have ever been told that Gojo is capable of doing gets put on show in this fight. He does all this because he wants Sukuna to see him in his entirety, because nobody else ever has. If he tried to unleash all of this on anybody else, it would kill them before he could even get a quarter of the way through.

See, on the one hand, Gojo’s self imposed isolation is born of his own arrogance but on the other hand, he’s also right in a way; because jujutsu is a part of the makeup of Gojo Satoru - its something he enjoys and it will always be a part of him. Yet he does not fight with allies because in doing so, he would be forced to limit himself. Like Yuta acknowledges in 235, if they were on the battlefield Gojo would have been unable to perform that AoE purple blast without harming them too. He must choose between being alone when doing jujutsu, or restricting himself in this thing that he loves. This feeds into the notion that they can’t understand him - he literally has to contain himself so as not to be too much for them.

He’s not too much for Sukuna, though.

Against Sukuna, Gojo gets to exist in his entirety, unrestrained, and for that he is appreciative. But we also see Gojo’s kindness, or rather empathy. He personally was satisfied by the fight - he was able to be seen wholly. He could simply have a “fuck you, got mine” mentality about it, but we see that he actually feels sorry to Sukuna for not being able to take everything Sukuna is the way Sukuna was for him. Sukuna could not afford to go all out if it meant dying to the other sorcerers as soon as the fight with Gojo ended. I believe this is why he looked less impressive throughout the whole fight - a Gojo giving it his all puts on more of a display than a Sukuna sticking to a pre-determined plan and doing minimal improvisation. But even though Sukuna didn’t let himself go all out, he still won. This would lead Gojo to believe (and it’s not an illogical conclusion) that if Sukuna had been going all out, Gojo wouldn’t be able to take it all. Gojo feels bad about it because he was unable to be for Sukuna what Sukuna was for him, he feels bad that Sukuna will seemingly never experience that same satisfaction (because, of course, if it’s not Gojo himself giving him that, he thinks nobody else can). This isn’t Gojo feeling bad about himself for being weaker, it is genuine empathy for Sukuna because Sukuna is someone that Gojo does actually perceive as the same species as him, not someone he necessarily considers evil or an enemy.

It’s not as bad as he thinks, though, because Sukuna did take immense enjoyment in this fight. It’s true that he wasn’t pushed to the point of having to give everything here, but he was still pushed further than ever before. Many people have confused “he wasn’t going all out” for “he wasn’t even trying” and that’s such a dichotomous way of looking at things - zero or one hundred. Sukuna was absolutely trying in this fight. For the first time in a thousand years, he actually felt the nervousness of possibly losing, because Gojo’s final purple could have killed him. It’s only because it was an AoE attack and not directly aimed at Sukuna that he survived, and visibly in the worst condition of his life. And after slicing Gojo, he praises him (“you were magnificent” is crazy levels of acknowledgment from Sukuna!) and admits that he will never forget him for as long as he lives. This is coming from the guy that called Gojo ordinary and unenlightened just 6 chapters prior. Gojo moved him, this much is undeniable. And Gojo’s smile in his final moment suggests that he heard Sukuna. In the end, he knows that he did reach him in some way.

(Brief side note: Gojo never says he would definitely have lost to Sukuna even without the ten shadows. What he actually says is simply that he’s unsure as to if he would’ve won. And that’s because he, unlike much of the fandom, recognises that Sukuna’s skill and genius understanding of CE and jujutsu mean that without the ten shadows, he would’ve approached the fight very differently, especially those domain clashes, during which it’s clearly stated that Sukuna refrained from using his CT or even domain amplification too much so that the ten shadows could continue adapting in the background. Take out that element and of course Sukuna has more resources freed up to put into fighting Gojo actively.)

So this is the nuance of Gojo’s character. He’s selfish, yet capable of true empathy. He cares deeply, despite his unfathomable arrogance. His motivations are questionable, without being malicious. He sees himself as beyond human, yet at his core is painfully so. He’s not a hero, nor even really a “good” person. But he influenced those around him in ways they will carry forever.

[runabout-river]

Yuji's accumulated Trauma

After Choso's death, I've been thinking about Yuji's reaction to it. At first glance, it looks mature and composed and obviously Yuji doesn't have the time and privilege to grieve. More importantly, Gege didn't give Yuji any panel time to be distraught; his aniki's death scene was over pretty fast. The 3000 Shibuya deaths in conjunction with Nanami's and Nobara's deaths on the other hand had been given more time and more impact afterwards.

The difference in reaction between those two times makes sense in context but, in my opinion, not with Yuji being mature and composed about it.

Because Yuji never got over Nanami's and Nobara's death, he didn't heal from that, instead, he had a negative character arc where the trauma of their deaths affected his world view and mentality in significantly bad ways.

He started to think of himself as a cog in a machine and he also identified with Mahito, the curse who killed both his friend and his mentor figure, a villain and his personal antagonist. Yuji did not overcome Mahito in Shibuya, the story makes us forget that often times. He was marked and changed by Mahito and even though that curse ended up with an extremely pathetic death that didn't mean that he hadn't broken something inside Yuji.

The only time where Yuji constructively dealt with that trauma was in his fight against Higuruma but that was only about his guilt over letting Sukuna kill 3000 people with his body. And it didn't get resolved completely, at least not in a way that would've helped with dealing with Nobara's and Nanaimi's death too.

Yuji is taking that trauma from Shibuya, his feelings of weakness and guilt, and he puts them into believing himself to be a machine that has to follow a predetermined path. Before Sukuna took over Megumi, that meant being suicidal when the situation called for it. Yuji wanted his life to make sense again and dying so Angel would've her wish of seeing Sukuna dead to save Gojo perfectly fit into that.

After Sukuna possessed Megumi, his path and role stayed the same except killing himself directly was off the table but that tendency still exists inside of him. If he were to be presented a way to defeat Sukuna while saving Megumi at the same time where he would die as a result he would take that path immedietaly without hesitation.

Back to Choso's death. In my view, this unresolved trauma and his lack of will to live lead to an unhealthy coping mechanism: thinking of his friends and allies as already dead. We can see that when he asked Megumi if Nobara had survived Shibuya.

He knew that there was a slim chance she survived but it was so low that she was basically dead. When Megumi confirmed her fate, Yuji was prepared for it. Prepared to receive the bad news so instead of crying again he could function like the cog he was supposed to be.

And this Mahito-infused cog mentality still follows him until now. He has to function so his role can be fullfilled and when that means he has to think of his friends as having already been killed so he would never break again then that's what he's going to do.

He did not despair over Choso's death, he despaired because it looked like he was alone and on the verge of defeat against Sukuna. His role was breaking just like his reason to live and I think that this mentality, his negative character arc, will find it's conclusion at the end of the Sukuna fight.

This fight is not the end of the manga, we still have the merger to deal with, there is still a big arc with smaller ones in between coming at us. But for Yuji something big has to happen, probably something pretty bad that has him crushed... at first.

At the end of it, he will finally deal with all his loss and his trauma in a good and healthy way and leave his life as a cog and being a human Mahito behind. Then he might finally shed the tears that were missing in chapter 259.

[elodee]

HERMIT A DAY MAY - DAY 23

TangoTek x Yu-Gi-Oh

For Tango I picked Yu-Gi-Oh!!

Most people know Yu-Gi-Oh! as a cartoon and card game, but in the original story the pharoah spirit who possesses Yugi is known as the King of Games, as in, all games. So who better to represent Yu-Gi-Oh! than the creator and dungeon master of Decked Out, the ultimate game within a game?

To learn more about Yu-Gi-Oh! and see my style references, continue below the cut.

@hermitadaymay

(The King of Games would definitely donate to Gamers Outreach)

Yu-Gi-Oh! is a manga and anime series about a boy named Yugi Mutou who solves a cursed puzzle from ancient Egypt and is then possessed by the spirit of a ruthless Pharoah who has lost all his memories.

"Ruthless?" I can hear fans of the anime saying. "The Pharoah is a good guy!"

Incorrect! He only becomes a good guy later. Early on he is literally Ancient Egyptian Jigsaw.

In the manga, the Pharoah takes over Yugi's body whenever Yugi is in danger, whether he wants it or not, and manipulates people into agreeing to rigged, high stakes Shadow Games. Once they inevitably lose, he traps them in a Penalty Game (a poetic justice torture scenario) for the rest of their lives or possibly all of eternity depending on the situation. It's really messed up! Highlights of early Yu-Gi-Oh Penalty Games include:

Lighting a guy on fire

Blinding a guy

Telltale Heart-ing a guy

Driving a guy so crazy his rips out his own eye

Blowing a guy up

Envenomating a guy with his own pet scorpion

Electrocuting people

Forcing a guy to endure an illusion of eternal zombie attacks

Trapping people in hell forever

...and more!

The show is way more family friendly and follows a significantly mellowed-out Pharoah and his friends as they battle bad guys with card games that summon monsters to fight on their behalf. It's pretty fun an campy!

However, Yu-Gi-Oh! the show is fairly well known so I also wanted to take this opportunity to introduce everyone to season 0 manga Pharoah, who is literally a serial killing ghost with a gambling problem that's possessing a 16 year old.

If you had an Egyptology phase as a kid, give Yu-Gi-Oh! a watch. If you watched Yu-Gi-Oh! as a kid, go read the early manga.

Style references:

There he is, the King of Games. The heart of the cards guides him but he also full on just, like, cheats too.

Malik, on the left, and Bakura, on the right. These two are villains from the show who are also teenagers possessed by (evil) Egyptian spirits that were trapped in cursed metal knick-knacks. Everyone in this show has Hair with a capital H.

The Yu-Gi-Oh! title design.

[ladyloveandjustice]

I'm responding to a post regarding Marcille having conservative views about gender role, linked HERE (which I also responded to in the replies, but it's an interesting enough topic I want to make my own post). I think that post's point about not sanding off characters' flaws is good, but I do think the reasoning for Marcille is missing something.

I honestly don't think Marcille wants men to be masculine and in strict masculine roles. Look how femme (and long haired) the guys in the Daltian clan are and she WORSHIPS them. If you interpret the person she sees in the succubus bit as male, they are extremely femme.

She just wants human men to look like male (and female) elves, which means androgynous. Kui said the clothes elf men and women wear don't look super different, they all wear simple, pretty outfits and all look pretty. I do think female elves are expected to be slightly more femme and male ones can be a bit more masc (see Otta being mistaken for a man) but there's still an androgyny to everyone and appearance wise, both men and women have long hair and wear clothing other races would see as feminine.

(Elf men and women also aren't very different physically, as seem here in the canary genderbend where they switch sexes and literally look exactly the same. Boobs are given or removed and that's it)

Remembering elf beauty standards makes a lot of Marcille's opinions make sense.

Remember that she was super shocked Laios didn't look similar enough to Falin and exaggerated his masculine qualities to a unflattering, buffoonish degree in her mind, implying she finds them unattractive? She thinks Falin should wear feminine things and have longer hair because elves do. Laios having long hair is weird to her because he's not androgynous like she thinks he should be... so she just thinks it clashes and does nothing for him. I don't think she would care if Laios wore a skirt or something.

We don't really see her ever exhibiting any regressiveness about gender roles outside of people's appearances, and you'd think she would if it were about that right? She never says anything about gender roles in the story. She never says Falin shouldn't like bugs or be how she is because she's a girl, or that Izutsumi should act more feminine. Significantly, she also tells the guys in her group that the should pay as much attention to their hair and appearance as she does, rather than going "of course men don't understand hygiene and hair!" Or even bringing up gender at all.

Marcille does definitely have some regressive opinions and prejudices though, as seen with the orcs. She's a mess, and not seeing Falin's discomfort with femininity and imposing her own values is a serious flaw.

And she and Falin definitely have very different interests, with Marcille valuing all thing femme and Falin not at all being interested, and Marcille is repeatedly disappointed she can't share stuff with Falin (see her in the makeup comic) ...but Marcille loves her anyway, I agree completely on that.

She's a complex, flawed character, but I think my interpretation is not only valid, but makes a lot of sense with what's been shown in the manga.

[shigayokagayama]

incomplete list of weird/interesting manga-anime discrepancies

-you know the bit where they break into the girls highschool in episode 2? yea thats chapter 56. spliced into the middle of chapter 4. its supposed to go before the bit with the ghost family as a lead up to the mogami arc with mob starting to consider evil spirits as just as much “people” as living humans are. all things considered its kind of weird how well it fits its anime placement

-ritsu in the manga gets introduced in the same chapter as teru. you dont see mobs family at all for the first few chapters. infact i dont think his parents appear until like. chapter 25????? every interaction you see between mob and any of his family is completely made up for the anime

-in the manga during the claw arc instead of reigen sending them away all the lackeys just stood there awkwardly during the fight w the scars fdnjksndkjgnd

-mogami arc got GUTTED my god. the part where the fake psychics tried to murder minori got removed, shinras role in the arc got reduced to basically nothing, they move mogamiland ritsu to a bridge like 50 feet away instead of having him walk right over mob, mob only gets beat up like twice, the cat lives, the boxcutter bit is totally removed, the fight with the spirits is made a lot more abstract and less graphic. like im glad this one took the hit instead of the separation arc bc i cant imagine that arc ever being effective as one episode but wow.

-putting the “mob finding his family dead” thing at the end of the episode instead of in the middle of a chapter where it originally was was an objectively hilarious move

-rip the scene of teru outsmarting all three claw guys and saying “say old man have you ever been tortured before” unfortunately all scenes of teru being competent are not plot relevant and must die. also teru can make shadow clones

-hey remember those weird satellite people in claw keeping the viewer updated on where all the characters were in that infinite arc?

-mob with a gun.

-mob getting briefly knocked out while fighting toichiro and dimple possessing him then getting kicked out was replaced w toichiro just throwing him out the window or somethhing???

-toichiro saying that he only kept the super five around as spare batteries and draining serizawas power getting cut was a personal affront to me

-every single emotion mob cycled through in the anime got a 100% meter. the kid was super emotionally unstable in that fight

-that old man whos house they went to whos wraith made everyone asleep that they exorcised? yea they anime team made that up. they never went to his house in the manga, he just went to spirits and such for a shoulder massage

-manga reigen got 0 money for helping the yokai dude. it wasnt on the table. also most of the stuff he was saying was lifted from a video game serizawa played which he pointed out. also serizawa thought getting arrested was a type of spell

-takenakas general meanness was significantly toned down manga takenaka was a huge bitch

-in general the alien arc was a lot funnier in the manga? like the scene where reigen crashes they had reached a dead end on an extremely narrow path and were driving in reverse while tome and takenaka were screaming at each other in the back and inukawa was 5 seconds from snapping and killing everyone in the car. these might be my favorite pages in the entire manga they as so fucking funny

-originally when tome said she wouldnt keep climbing reigen suggested mob carry her with telekinesis (which horrified her) and mob said he was too motion sick to use his powers (obvious lie) but could carry her instead which got her to get up

-mezato asking mob to sign a t shirt for the psycho helmet cult in exchange for relationship advice got cut

-i cry every day that the sequence of ???% waking up didnt get animated it set a very different tone than the anime did. the anime was like. slow build up of dread. the manga was immediately bone deep horror i was literally sitting in my room yelling “WHAT???” over and over again at my computer as i clicked through it

-shigeo and mob conversation cut down significantly, all the references to the body improvement club being mob making a new self rather than embracing who he really is and being scared that all the friends hes made wouldnt like the real him removed </3

-the scene where reigen takes his shoes off is made a lot less somber and depressing. it feels less like “oh he knows hes going to die” and more like. triumphant? in the anime

-100% shigeo kageyama is an anime addition they added specifically to ruin my “the first time we see mob 100% is to fight dimple and the last time is to stop himself from fighting dimple” observation

-anime teru generally seems like hes in a better place than manga teru? manga teru seems very melancholy and like he doesn’t really know what to do with his life or his place in the world (which seems to put shigeo off) but anime teru is like wanna go shopping ^_^ *sips tea happily*

-manga shigeo deliberately threw the cake directly in reigens face and my fury over them making this ambiguous will last until i am dead

[xeveryxstarfallx]

Bear with me, this observation may be nothing more than a desperate mind grasping at staws.

I'm reading through the manga from the beginning, and oh-so conveniently arrived at Rappa's discussion with Fat Gum (ch 146) the day after 423 spoilers dropped. I'd completely forgotten about this whole exhange; it wasn't important to me in the first go-round with this series, but it resonated with me this time, and here's why:

"I came back."

An excellent demonstration of the destruction/regeneration duality of the Overhaul quirk. Over half of Rappa's body was essentially annihilated, yet Chisaki was able to revive him. I'm aware that there's significantly less remaining of the person I believe may also benefit from Overhaul in this way, but I'm trying to remain positive.

If memory serves, it's been over 200 chapters since Overhaul's regeneration aspect was addressed. Why would Horikoshi have brought it up again within recent chapters unless it's going to be relevant again? Why give the audience the information that Tomura's quirk was derived from Overhaul at all if we don't actively see the dormant half of the quirk in play?

If Hori is the author that I believe he is, that I hope he is, bringing up regeneration again after all this time was 100% intentional, and is going to come into play before we see the end of the story.

Again, not sure if there's anything worthwhile here, but I'm looking for anything that potentially points to a better fate for Tomura/Tenko. I've made light of having him as my "comfort character," but it wasn't until I thought he was gone that I realized how much I was actually leaning on him lol

Anyway, I'd love to hear all y'all's thoughts on this as well!

[ada7201]

How about the Blue Lock female player reader who has Unohana's personality, in the Blue Lock vs Japan u20 match? The Unohana reader is basically scaring the shit out of the Japan u20 team before the match starts, while in the match, and also after the match. She even scared Sae. For the first time, Sae felt true fear for the first time in his whole life.

i absolutely love this. i also love sae, but my man needs to be put in his place! for rin ♡ also, i’ve mentioned this before but i havent finished the blue lock manga so i don’t know much about the u20 team! i’ll just write them how i want for the sake of the story :3

“she’s scary!”

★ part 1 ★ part 2 ★ part 3

warnings ⭣ ⭣

female reader, swearing

(don’t forget to request any ideas you guys have!)

the japan u20 team were pretty surprised to hear that a girl was on the blue lock team - and even more surprised when they met you before the match.

you seemed so sweet, and gentle! how could a girl like you be a striker? an egoist?

“did you see the girl? she was a total snowflake!” Sendo chuckled, thinking back on the way you were so sweet to him - conversing with him as if he wasn’t gonna be playing against you the next day.

“yeah, but she was a hottie!” Aiku would chime, slipping his shirt on.

“she seemed really nice!” Neru would smile.

“lukewarm, is what she is.” Sae would sigh, looking away from the team to shuffle through his locker.

their opinions soon changed as they got onto the field.

as soon as they took their first step onto the field, a dark sense of dread came over the team.

“does anyone else feel that?” one of the players would ask, chuckling nervously.

they all shrugged the feeing off, instead choosing to listen to their ego and play.

the whistle was blown loudly, signaling for the match to start when you came rushing towards the u20 team, eyes sharp.

Aiku’s eyes widened, feeling a gust of wind past him - only to realise it was that girl from the day before who had just passed him.

wow, you were really fast -

“Aiku! move!” another u20 player would shout, warning him to move out of your way as you followed after them, attempting to steal the ball from under their feet.

you were like a flash on the field, easily passing any player and taking their ball.

SLAM!

the sound of your foot crashing against the ball echoed across the field - before the crowd cheered at your goal.

y/n scores the first goal of the game! 1-0 in favour of blue lock!

Shidou wasn’t all that surprised at the sound - as he had heard it many times. but you couldn’t say the same for the rest of the u20 team - who had wide eyes.

how could your foot even make that sound?

Sendo watched as you once again sped towards their side of the field, feet thumping against the field with each heavy step you took.

“the fuck do you think your doing? either move or get that ball stolen from you.” you say, dark eyes trained on the player in front of you.

should he do it—? no, he can’t! his ego won’t allow it -

your eyes seemed to darken impossibly more, face contorting into a scowl as you watched Sendo clearly disobey your order.

SLAM!

your foot slammed down on the ball as you passed to Rin.

“how dare you.” you whisper as you finally get a moment to stand, and breathe.

you lean closer to Sendo, ego filled eyes narrowing.

“don’t ever think of doing that again, okay?” you hiss, before dashing away and towards the ball who was being kicked by Sae.

you couldn’t see, but Sendo’s face paled significantly, and his eyes widened.

was he… sweating?

SLAM!

y/n scores once again! blue lock in the lead, 3 - 1!

you were staring to irritate Sae - who do you think you are, coming onto the field like that and acting like you’re not just another player who wants to be the best?

he never thought you were that scary, until he felt your dark presence loom over him.

he could practically feel your ego radiating off of your soft skin.

“move, or get run over.” you say simply, eyes practically stabbing through Sae’s back.

Rin was on the other side of the field, but he knew - he could see on his brother’s expression that something was off. he must’ve run into y/n, Rin thinks.

he noticed the way Sae’s lips slightly frowned - eyebrows knitted together in fear.

Sae was … scared. really fucking scared.

how could he not be, when you were right behind him ready to collide with his bigger body?

“i said fucking move!” you practically bark, before running past him - your shoulder bumping his.

the rest of the game was a blur to everyone - the only thing they could remember was your dark eyes glaring back at them.

the locker room was silent, only the player��s shaky breaths could be heard.

you had fucking crushed them and their team.

could their ego ever recover after receiving such a blow?

Sae could barley stand walking near you as you exited the building.

“oh, hello. you’re Sae, right?” you’d say sweetly to him, smiling politely at the older Itoshi.

he slowly turned his head to you, heartbeat quickening as he heard your voice. it was lighter than when it was on the field, yet he still couldn’t help but feel nervous.

“um, hi.” he managed to choke out, taking a side step away from you to create some distance, which you responded to by moving closer.

“you’re a good player.” you say, that sugary smile still on your lips. “i’m sorry if i scared you.”

scared him…?

you fucking terrified him, along with the rest of the u20 team.

[vforvalensa]

I got caught up with the Golden Kamuy's author new hockey manga, Dogsred, and I also took the opportunity to start reading through Noda's old hockey manga that got cancelled early on, Supinamarada.

For those unaware, Dogsred is effectively a do over of Supinomarada now that Noda has enough clout from Golden Kamuy to tell the hockey story he wanted with out fear of cancellation. Dogsred has the same premise, same characters, and same basic events to Supinomarada, but obviously Noda has changed as a story teller and manga artist since doing all of Golden Kamuy, and it's super interesting to see that side by side.

For one Dogsred is way more expedient, it manages to get through the story intro and the first hockey game in 8 chapters whereas the old series took 13. And I think one way in which Dogsred achieves this is by massively compressing the way information is delivered. This is super obvious in the first chapter of each series, in Supinomarada ch 1 there are a ton of flash backs and flash forwards between the lead up to inciting incident of the plot, the aftermath of that incident, and the tragic back story and takes about 15ish pages to set up the initial plot premise; the protagonist, Rou Shirakawa, is a teenage figure skating prodigy, before the series starts his single mother died in a car crash after falling asleep at the wheel due to exhaustion, and now Rou is competing in what might be his last figure skating championship because as a child he will no longer be able to support himself.

Dogsred is significantly more direct and just has some random background characters say all that shit and conveys all that same information and more within about 5 pages.

Dogsred also lets it's art do a lot more heavy lifting in regards to storytelling. The single panel of a car crashed into a pillar is way more dire and evocative than a whole page of a generically sad funeral, and we even get to see the dead mom in this one. I also find the handful of panels where Rou doesn't actually speak are really effective at setting up his character and mental state through expression and body language, and that's gonna be true throughout the series. Dogsred Rou is much more of a weirdo goofball than the Supinomarada version and he's got a ton silly little expressions and mannerisms in the style of the freaks from Golden Kamuy and it's lot of fun.

Overall it feels like a way more confident manga than Supinomarada. Noda isn't trying to over explain things to make sure the reader understands every single detail of the plot or the rules of hockey. He's getting the details on the page really efficiently, usually while also working in a gag, and going harder on the aspects that are the big draws for bombastic sports manga, like the expressiveness of the characters and the dynamic sports action.

It's super cool to see how Noda has evolved as a manga artist and storyteller with Golden Kamuy in the interim and I'm really excited to see him get to tell this story he's been holding on to for a decade.