#he’s never beating the water motif allegations

[your-mums-nuts]

[painterlegendx]

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In Seebüll, in the northernmost German accompaniment of Schleswig-Holstein, not far from the Danish border, the wind ruffles the reeds of the beneath marshes reclaimed from the sea. The copse angle on the bound like abject animals. A low autumnal sun gleams over barrel-shaped red barns. All is quiet.

Abstract Watercolor Painting Red Hibiscus Flower On Blue .. | water painting flowers pictures In 1927, the expressionist artisan Emil Nolde and his wife, Ada, were walking in these alien genitalia and fell in adulation with the landscape. They congenital a house, a angrily modernist agglomeration of architecture, all brick-faced, small-windowed severity on a hillock. And beneath it they ancient the best admirable garden, advised in the entwined appearance of their brand and abounding with vividly coloured flowers.It was adamantine work. The acreage is beneath sea level, the clay is brackish, the acclimate fierce. But they admired and accomplished the space, wrapping it annular with a apartment assize of reeds, employing a agriculturalist to advice them bulb the beds with an ever-changing carpeting of blooms. In autumn, they are ablaze with backward roses, chicken rudbeckia, jewel-like geums and dahlias, with their pin-cushioned active in affluent reds, ablaze pinks and balmy oranges.His garden was consistently an afflatus to Nolde; his acknowledgment to it badly adapted the way he painted. In 1908, he wrote of his aboriginal garden on the island of Als in the Baltic Sea: “They are such calm and admirable hours aback one sits or moves about amid the ambrosial and blossom flowers. I absolutely ambition to accord my pictures article of this beauty.”So he did, bushing canvas afterwards canvas with the flowers that can be apparent in Seebüll today. These splashes of able colour in oils and in watercolours are berserk alive of able emotions. You can see the colours he used, preserved in stripes on the column of the little thatched summer abode area he sat to assignment and area his abettor bankrupt his brushes: cyclamen, abysmal brown, azure and green.Nolde is aloof one of 42 artists represented in Painting the Beat Garden: Monet to Matisse, a above new exhibition aperture at the Royal Academy on 30 January. Spanning the years from the aboriginal 1860s to the 1920s, the appearance reveals aloof how abounding painters were austere gardeners – Monet pre‑eminent amid them, but additionally Caillebotte, Pissarro, Matisse, Joaquín Sorolla, Kandinsky and Klee. Van Gogh is additionally included because he admired gardens, admitting his action was never acclimatized abundant for him to bulb one.

Flowers Over Water - water painting flowers pictures | water painting flowers pictures Each artisan was aggressive by their garden in hardly altered ways, and their tastes in plants were as altered as their painting styles. All were fatigued to the aesthetic attributes of agronomical activity, however, abstraction a clandestine apple of adorableness that was added fashionable at the time. “Gardening, as a accepted following that takes abode in the aback yard, starts in the mid 19th aeon with the acceleration of bourgeoise society,” says Royal Academy babysitter Ann Dumas. “The exhibition links what is accident in association with what is accident in gardening.”The alteration from academic accessible parks and area to small, affectionate spaces coincided with developments in botany. As co-curator William Robinson, from the Cleveland Museum of Art, addendum in the catalogue: “The aperture of abroad bread-and-butter markets and added affluence of biking brought a flood of new bulb breed , alien from the Americas, Africa and Asia. This importation, accumulated with advances in botanical science, led to the automated assembly of a all-inclusive arrangement of new amalgam flowers with added assorted shapes, sizes and colours.”As a agog horticulturalist, Monet not alone ordered the latest plants from mail adjustment catalogues but additionally buried the abundant drifts of colour in the borders of his garden at Giverny. He was afflicted by English garden writers such as William Robinson (author of The Agrarian Garden and no affiliation to the curator) and Gertrude Jekyll. Aback you attending at the paintings he fabricated of his iris border, with its accurate arrangement of purples and mauves, you can see a august blow of aesthetic and agronomical theory, a about-face from academic to the breezy garden, from classical to beat design.The garden, already planted, became an alfresco studio. “It was a beheld ambiance over which they had complete control,” says Dumas. “Monet admired this. Rumour has it that he acclimated to go annular Giverny with pots of acrylic so he was absolutely designing the colour arrangement to the burying as he would a canvas.“His garden is actual anxiously planned, so he has connected motifs to paint. There is a funny adventure about him painting copse in the autumn and aback some leaves fell off, he had them ashore aback on again. He may be a attributes painter but he is actual abundant in ascendancy of nature.”

Wedding Invitation Watercolor Painting Flower Floral - Water .. | water painting flowers pictures The German amateur Max Liebermann additionally drew afflatus from his garden. In his heyday, from about 1879 until the 1930s, he was one of the best acclaimed artists of his time; a admiral of the Prussian academy, his assignment was so big-ticket and approved afterwards that he alone bare to advertise three paintings a year to accumulate himself in style. In 1909, at the age of 62, he bought a artifice of acreage on the bank of Lake Wannsee and congenital a alcazar and garden there. Increasingly, as the aboriginal apple war prevented him from travelling, the garden became his subject.Today, afterwards years of neglect, it has been adequate as an haven of calm and colour, active bottomward to the baptize area leisure boats float silently by. On one ancillary of the biscuit bean abode advised on classical lines, there is an English-style garden, with pumpkins analytical out amid the red dahlias and amethyst anemones. On the other, a swath of grass, burst by colourful buried beds. A besom bracken break the academism at one border; opposite, a alternation of belted gardens, anniversary demography on its own character. A accumulation of red lilies backlit by the sun gives the awesome consequence that you accept absolved into one of his best accepted paintings.Liebermann alleged these his “green rooms”, and for him – as for abounding of the added artists in the exhibition – the garden represented a clandestine space, aggregate with abutting accompany and family. Sometimes they became a sanctuary. In his final years, Liebermann was fatigued by the acceleration of the Nazis, and it is adamantine to airing about the garden today afterwards cerebration of this already expansive, able man demography ambush in the amplitude larboard to him. He died in 1935 at the age of 88, acrimonious and ostracised; his wife, Martha, bedfast with a stroke, dead herself in 1943 afterwards she accustomed an adjustment ambitious her displacement to Theresienstadt absorption camp.The acceleration of the beat burghal prompted artists to retreat to attributes and to accomplish their own capsules of accord and beautyShadows adhere over Nolde’s garden, too. His aboriginal abutment for National Socialism did annihilation to assure him aback he was declared a base artisan and banned from painting alike in private. The tiny Unpainted Pictures he produced in affront are amid his best addictive works; conspicuously they accommodate none of the flowers with which he was still amidst and to which he alternate afterwards his postwar rehabilitation.

Bouquet Of Flowers Drawing png download - 8*8 - Free .. | water painting flowers pictures From Giverny, Monet could apprehend the accoutrements of the aboriginal apple war as he painted. He conceived his aerial alternation of about abstruse baptize lilies canvases as his acknowledgment to the carnage. “Yesterday I resumed work,” he wrote in December 1914. “It’s the best way to abstain cerebration of these sad times. All the same, I feel abashed to anticipate about my little researches into anatomy and colour while so abounding bodies are adversity and dying for us.” Explains Dumas: “Monet saw painting about as a war effort, his claimed affectionate gesture.”But it is not alone war that peeps into these garden canvases. In the works of the Spanish painter Santiago Rusiñol, who was additionally alive about the aforementioned time, the adumbration belongs to crumbling, alone area of the Spanish aristocracy. Beat painters such as Kandinsky and Klee apply on the animation of the apple itself. “They assume to draw sustenance from the adorning ability of attributes and gardening,” says Dumas.This faculty of area accepting a acceptation above themselves is allotment of what makes the Royal Academy exhibition so intriguing. Anyone who has hoed a baby application of land, or struggled to breed a seed, will apperceive that the act of agronomical is a moral action – an attack to accompany adjustment and accord to a anarchic and disrupted world.This was accurate for these artists. As Dumas says: “In this aeon you get the acceleration of the beat burghal and industrialisation, which in about-face activate a admiration to retreat to nature, and to accomplish your own abridged of accord and tranquillity and beauty.”So Pierre Bonnard, addition agog agriculturalist who acclimated to altercate burying affairs with his acquaintance Monet in Giverny, able a wild, awkward garden and, in his paintings, angry it into a paradise. Dumas explains: “There is a actual black activity about his garden paintings; he is beat to this aureate apple of classical art. The abstracts generally accept the poses of classical carve because he is actual afflicted by an abstraction of aggravating to anamnesis a absent Arcadia.”

Watercolour painting - floral water pink flowers - water painting flowers pictures | water painting flowers pictures Bonnard appears in two panels by Édouard Vuillard that are adopted from a clandestine accumulating and accept not been apparent before. Corrective in 1898, they appearance the garden in Burgundy acceptance to Thadée Natanson, co-editor of the affecting beat annual La Revue Blanche, and his wife, Misia. In one, Misia is apparent collapsed on a bench; in the other, Bonnard aeroembolism bottomward in the foreground, acclamation a cat while the amateur Marthe Mellot reads a bi-weekly beside him. It is a arena fatigued from life. But on the agilely blooming panels, brindle with flowers, overhung with trees, there are no shadows. This is a dream of a garden – an affirmation of adorableness and tranquillity in a afflicted world.• Painting the Beat Garden: Monet to Matisse is at the Royal Academy, London W1J, from 30 January to 20 April. royalacademy.org.uk. The Latest Trend In Water Painting Flowers Pictures - Water Painting Flowers Pictures - water painting flowers pictures | Encouraged to help the blog, with this occasion I'm going to demonstrate about keyword. Now, this is the 1st image:

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[sentrava]

A Tale of Public Art, Private Property and Government Bullying

It all started innocently enough. SVV and I, long-time mural chasers, wanted to bring public art to our former  town of Manchester, Tennessee, many buildings of which have been neglected for decades and which had a downtown that had long fallen into a virtually-deserted square. SVV was a commercial painter for well over a decade and knows better than anyone what a fresh coat of paint can do to beautify and protect the structural integrity of a building. Plus, it’s a well-proven fact that murals stimulate economic development, drive tourism, and instill both pride and a sense of public safety in a place. It’s called “creative placemaking,” and it’s a concept we are 1,000 percent behind.

Why wouldn’t a community want a public art initiative, particularly one that a couple of journalists and tourism pros with more than a wee bit of marketing experience, were spearheading?

We put together the framework for such a program, including developing an RFP for artist commissions, and presented it to our town’s tourism body at their annual workshop in February two years ago. The tourism commission in Manchester, however, is a volunteer body, and communication is severely lacking; after multiple encouraging meetings and submitting all the components to the commission secretary on Feb. 22, 2017, we heard … nothing. That is, until another commissioner texted me months later in May and asked: “whatever happened to that mural program?” I explained to him that we had sent it all to the secretary in February, who in turn was supposed to share it with the commission, and it turns out she never bothered to pass it along.

And so goes the tale of trying to move the needle in Manchester, Tennessee.

Even once all the tourism and community development commissioners had a copy of the scope, which we ensured by following up individually with each one of them, another year went by with zero movement—in fact, it was almost as if that conversation never happened—so we took matters in our own hands: We’d commission the city’s first community mural at our own expense.

We find an artist

If you know SVV and me, you know we aren’t types to dilly-dally. Once we set our minds to things, they happen. And from there, it happened fast. Real fast. I had followed Tara Aversa’s gorgeous floral mural as it went up at Walden bar in Nashville and reached out over Instagram on March 7 of last year. “I saw your work on a friend’s profile, and I really love it,” I wrote. “Would you be interested in working with us on a project in Manchester?” Not only did she write back immediately, but she and her fiancé drove down to Manchester the following week to meet with SVV and me in person. The four of us had lunch at Jiffy Burger to discuss ideas, and it was an instant connection. I could tell Tara was the artist we needed to launch a movement of love and positivity via ribbons of paint on a wall.

Tara told us she could carve out a block of time in May to come down and paint. She’s a celebrated hair stylist in Nashville and makeup artist to the stars, so we had to get on her busy calendar, and while we didn’t know how we were going to fund it, we knew that she was our girl. She understood and embraced our mission, she was new to large-scale painting and—most importantly—eager and excited about the concept. So we signed a contract with her and moved forward.

But first, we needed a building. There was an old, faded flag that was turning purple at the entrance to the historic Manchester square that just made the half-occupied downtown look even more tired. SVV walked into the business one afternoon and, nearly three hours later, walked out newly-minted friends with the business owners, Jim and Sylvia Wheeler. They’d bought the building three years prior for their booming construction business and had wanted to replace the old flag but weren’t sure how to go about it. It was like SVV was the patron saint of mural arts they’d been waiting for, and it was a divine appointment. On top of that, Jim offered to cover the cost of materials, and SVV offered to paint his entire building for free. It was already the perfect marriage.

A picture of the old American flag mural that was on the building when Wheeler Construction bought it four years ago. Taken on May 7, 2018.

Jim and Sylvia offered us the side of their building and said they trusted SVV to put up something we liked but wanted to see drawings first. Tara gave us two different sketches: one was an awesome pop art rendering I’m still dying to have her paint somewhere and the other was an American flag overlaid atop a Southern magnolia. SVV took the sketches to Jim, who loved the American flag and had wanted something to go up similar on his building where the old one was. So just like that, we had an artist, we had a building and we had a design.

While this was all happening, SVV kept both the Historic Zoning Commission, of which he is a commissioner, and the downtown groups apprised of what we were doing, still trying to keep everyone motivated and emotionally-invested in the public art project. We even showed them the artist sketches, and one of the downtown committees committed to help us fund it, which was a godsend because murals, while not overly costly, still cost money, and we didn’t even have a public art company at this point—we were going at it all on faith and a dream.

Before Tara started painting, we went down to the election commission office to have a sit-down with HZC chairman Ray Amos. Like SVV, he is a veteran, and part of our reason for wanting to get the American flag up so quick was because we thought it would be a great way to honor our fallen service men and women. We wanted to have a flag dedication ceremony on Memorial Day weekend, but Ray told us you can’t dedicate a flag that is a painting and not actually a flag. Other than that, he seemed to have no issue with the mural, and we told him we were moving forward with it as soon as we could get all the pieces in place.

Worth noting: The HZC comprises a handful of older folks born in the first half of the 1900s who don’t understand how good murals, social media and the impact of the two combined can have on a town. One later tried to ban the use of a hashtag, calling it “advertising,” and got mad about Tara’s prominent florals, a motif throughout her entire body of work, mockingly calling it her “logo,” to give you a sense of what we were dealing with. Still, we kept them in the loop, as this was always meant to be a community project, the genesis of a greater overhaul of a tired town that needed a gentle facelift.

So, SVV and our buddy John Mancini manned up at 5am and painted the Wheeler building on May 8 of last year, and we scheduled Tara to start the mural the following Sunday, eager to get it finished by Memorial Day.

What follows is rather nutty, so buckle up for the ride.

The artist starts; the cops show up

On the first morning of painting, Mother’s Day 2018, SVV and our John were out there bright and early with Tara and Michael setting up. She hadn’t been painting for three hours when the vice-chairman of the HZC, who is facing controversy of his own these days, showed up, conveniently while SVV was away for 15 minutes getting Tara a water refill, and demanded she stop.

Not missing a beat and only briefly pausing to address this man that lounged on her scaffolding as if it was his property, she said firmly, “You’re going to have to talk to Scott about that. Because he hired me and I’m not stopping.” According to her, he apparently lost it and threatened to call the police before storming off in a tizzy. We have it all on video, too, since we recorded the entire painting process from start to end.

When SVV returned and sat down to observe the creative process again, Tara related this encounter to him. Rolling his eyes and glad that he’d done all the preplanning work of ensuring that we were totally in the right to paint a piece of private property with artwork, even in a “historic zone,” he slathered on more sunscreen and kicked back.

Then, three police cars rolled up.

The media frenzy begins

On Wednesday of that week, we had an early morning flight to Minneapolis for a three-day break. The moment I touched down in Kansas City for our connection, my phone started blowing up. Channel 4. Channel 2. Fox 17. The Manchester Times story on “someone” calling the cops on us had gone live that morning, and they all wanted to interview SVV and me about the “controversy.” Who could have ever known that painting an American flag to honor all the service men and women who have given their lives to defend our country could veer into “controversial” territory? The things small towns get up in arms about, I swear.

My Facebook immediately started dinging. People posted misinformation saying we broke the law. Others launched a #SaveTheMural hashtag, alleging they heard the old folks were going to paint over our beautiful flag, and so they posted a photo of the half-painted mural as their Facebook cover image in a show of solidarity. Memes started circulating (the one below being my favorite). Meanwhile, we were on vacation trying to actually relax and catch up with friends, but instead spent the whole time fielding inquiries as our phones didn’t stop ringing. It was simultaneously hilarious and mind-boggling.

Since SVV and I weren’t around to do interviews, the news crews talked to our buddy John, some local residents who just happened to be photographing the mural at the time of filming … and the HZC commissioners who called the cops on us. You can see and read those news segments here, here and here. Nashville’s CBS affiliate Channel 5 did come down seven weeks later, on July 4 (ironically, SVV’s birthday), to do an updated segment and caught us coming home from the pool, so SVV logged a couple minutes on camera then.

“I’m philosophically against regulated art … it ceases to become art if you have a committee deciding what goes where.” —Scott van Velsor

From then on out, we made sure if Tara was painting, one of us was on duty as her guard. It wasn’t fair to us that she could potentially be threatened by these rogue old folks who think they have more power than they do, and even though everyone that drove by gave her the thumbs up or shouted encouragement, we feared what some crazy-eyed, righteously-ignorant commissioner would do.

Despite all odds, Tara completed her masterpiece on May 23. How anyone could possibly find this piece of beauty offensive is beyond me. I’m forever grateful to her for powering through, taking all the “controversy” in stride (though in actuality it was just four unhappy people) and giving Manchester the gift of her art. It was only her second ever mural to complete—can you imagine being new to the street art world and being treated like this by a Historic Zoning Commission?

It also took her less than six days to paint with a one-inch brush—a true artistic genius who no doubt will be telling the story of her time in Manchester for years to come.



In the 10 months that followed, we have seen hundreds, if not thousands, of posts in front of the Southern Magnolia mural, which just warmed our insides and provided fuel for our passion. This is the point: for people to be a part of the art, for them to feel pride in their community, and for others to get off the interstate and come see what this tiny town is all about, spending money locally and contributing to the Manchester economy.

The HZC chairman calls for SVV and John’s dismissal

But even after the mural was done, the drama did not end.

Right before Bonnaroo, we caught wind that the HZC commissioners opposing the mural were attempting to seek legal recourse, so we rallied our troops and more than 50 people supporting our program packed the house at the next Board of Mayor and Aldermen meeting, a monthly session with typically low to no public attendance. It was there that the HZC chairman and secretary continued dragging SVV’s name through the mud in front of the public. The HZC chairman called for SVV and John’s removal from the commission. Rather than chastising the commissioners for abusing the police department with this civic complaint—which pulled four police officers off the streets for a couple hours, I might add—the mayor just said he wanted everyone to get along and told the commission to work it out amongst themselves. OK….

I filmed this all for posterity since meetings in Manchester are not broadcast for the wider public, and often minutes have a way of being light on substance by the time they’re sent out for approval, not accurately reflecting everything that went on in such a meeting. In the months that followed, the chairman and three other members continued to try to bully SVV, right out in the open. And no one said a word, including the alderman overseeing the commission, who not only sided with the older folks, but requested SVV’s resignation. He declined that request and asked for an apology from the commission members instead. They lost their minds; it was if someone had pulled a pin from a grenade.

Eventually, they realized that we weren’t going to give up and were actually in the right, so instead, they took another approach: trying to add in a mural ordinance to the historic zoning codes. After a subsequent HZC meeting in which the city attorney asked SVV to send over rough guidelines for a mural program, he did as asked and submitted the American Bar Association’s recommended guidelines to the whole commission by email. The chairman replied all, copying the city attorney, all commissioners, an alderman and the director of codes, on July 17:

“Scott, I don’t understand your concerns over the first amendment. Until you started bring it up most of us on the HZC did not have any problem with the first amendment. It appears you are planning something that you need the protection of the first amendment. We ask you once before to wait until we could get guidelines for a mural you refused and even lied about it. You even told us you would be getting paid to help paint. But you know all that don’t you? Why not be honest and up front with us for a change, What kind of murals do you plan now, and where, and when? You say you put Manchester first but your actions say otherwise, Why don’t you cooperate with us instead  of calling us rogues when you can’t get your way. We have a [sic] excellent city attorney that we use to approve our guidelines and we don’t need a sea lawyer trying to tell us what to do.  We need a HZC that can work together to improve our city not one that has a member or two who insist on doing things their way.  I propose that we use good common sense in what we do and do it for the good of Manchester and not for the good of one person. Can you do that? 

If we all strive for that we will not need to even worry about the first amendment.

Ray.”

Note: Not only have we not profited off the murals, we’ve actually spent our own money (and so much time) to accomplish them. And the “you even told us you would be getting paid to help paint” is straight-up fake news, given that SVV donated his time and expertise to paint Wheeler’s building as a gift to the downtown.

You can see why everything about this line of thinking is a problem. Last time we checked, the United States of America needed the First Amendment when it passed in 1791, and still needs it today along with the rest of the Bill of Rights, which addressed deficiencies in the Constitution regarding protection of individual freedoms and government overreach against its citizens.

SVV continued working with the HZC throughout the process of their attempts at regulatory overreach, eventually forcing them to accept a very basic set of guidelines that closely mirrors the ABA recommendations (no hate speech, no profanity, no porn, no regulation of content or size). It’s very common sense stuff, and passed the Board of Mayor and Alderman unanimously a few months ago.

Our second mural goes up

Mural number two went up very quickly and with little controversy. We’d been communicating with Nashville muralist Eric “Mobe” Bass all summer, and he and his pal Folek had a break in their schedule in August and were able to come down on a Monday night, prep the wall, then paint the entire thing in less than a day. We’re grateful to the Hershman family for giving Mobe and Folek the space on which to paint.

The only negativity came following my Facebook announcement of the completion of the Manchester Postcard mural, when the HZA secretary at the time—who is not my Facebook friend, please note—chimed in on my personal page, calling us copycats by drawing inspiration from Victor Ving and Lisa Beggs’ Greetings Tour that we’ve photographed all over the US.

The whole thing is pretty embarrassing for these senior members of the community, watching them act like children in a public forum, but we’ve since learned that it’s just a pity, and have mostly moved on. But with a lack of oversight of some of the volunteer-based committees that Manchester has, it’s still a concern that some folks feel empowered to act like this without fear of removal for unethical behavior. Manchester’s a town with five interstate exits on one of the most heavily-trafficked corridors in the South, and living through years like the past one, we now know why there hasn’t been meaningful growth in the last few decades.

The classic power struggle

Sadly, this type of power struggle isn’t isolated to Manchester; we’ve seen evidence of similar issues in other small towns from upstate New York all the way down to Mount Dora, Florida, where the mayor was made to publicly apologize to a couple who the city attempted to fine for a mural on their private property. Still, we dotted our “i’s” and crossed our “t’s,” because we’re journalists after all. After talking to enough lawyers in the private property and public art sectors who further confirmed that we were in the right—the HZC had no grounds on which regulate or to ask us to remove art from private property—we slowly extricated ourselves from our involvement with them and the downtown groups that didn’t support us when it counted and have been installing murals on our own.

I’ll go into the legality of trying to challenge freedom of speech in a future post, but as the Pacific Legal Foundation stated: “Government must have a powerful, clearly articulated justification to regulate the exercise of First Amendment rights rather than the personal taste or whims of individual bureaucrats.” In other words, if a government body decides to enforce such things as a historic overlay or a codes rule, the enforcement must be content neutral; they can’t simply decide they don’t like the art as justification for opposing it, as a few of the Historic Zoning Commissioners did. In fact, HZC acting secretary at the time, Pat Berges even admitted it was the art she didn’t like and claimed to support the concept of murals; she was quoted in the local newspaper as saying: “It doesn’t represent anything. It has nothing to do with Manchester history.”

To many of us that believe in individual freedom and property rights, the right to express yourself without regulation is a no-brainer, but we’re happy that the federal courts have established this precedent, regardless.

Soft-bullying and small-town government

Through this process, we met just about every building and business owner along the square in this designated “historic overlay.” Many of them gave us tours of their buildings, the majority of which are slowly rotting into oblivion—not because the owners don’t want to do anything to fix that but because for so long, but because the Historic Zoning Commission has thrown regulatory shade into any plans they tried to make. One shop owner told us days after he bought his building that it started pouring water into the office. He wanted to replace the roof, went to the HZC for a COA, and was told any replacement must be a flat roof in keeping with the “historical significance” of the area—for a building that was constructed in the 1980s. He’s still livid, and I’m sure told others about it, thereby deterring potential investment in the square. This is just one of many similar stories we heard from downtown property owners, who are being blocked from improving their investment by a power-hungry commission who wants to keep the square in a decaying time capsule.

The greatest thing that has revealed itself in the past year is that Tennesseans��love art and appreciate community improvement, especially in Manchester and greater Coffee County. But sadly, in this particular town, so many of them have been shamed into keeping quiet by soft-bullying. We’ve had hundreds—whose messages we have kept screenshots of in a folder anytime we need a morale boost—come forward by text, Facebook or email saying they so appreciate what we’re doing and support us but don’t want to publicly proclaim as much so as to not get involved in the “controversy.” And look, I get it: It’s a small town of barely 12,000 residents; you don’t want to supposedly alienate those in positions of power. The threat of retaliation is real in a community of this size.

It remains sad to me that posting a beautiful photo of original art on social media could be misconstrued as controversial (and an American flag, a show of patriotism, no less). But this, this is what soft-bullying does; it scares those who do want change into submission. And, as a result, the “good ol’ boy” system (whatever that means!) is allowed to continue as it always does. The town remains rundown, and muddles along, even at the crossroads of major tourism destinations and a superhighway running the length of the United States, north to south. Zoning changes that benefit a select few mysteriously pass, and residents are none the wiser until the roads are clogged up, the schools are at capacity or sewer systems need millions of dollars in upgrades. Apathetic or busy citizens don’t show up to city meetings because they don’t know when they are or, even worse, think that they can’t make a difference through the democratic process because their voices won’t be considered. And heaven forbid the various commissions under the City of Manchester actually broadcast public meetings—or release detailed minutes in a timely manner. Is that asking too much of our elected officials?

The HZC had a historic preservationist from the state come to Manchester last July in an attempt to “educate people about the historic zone” (i.e. scold us for our mural program), only for her to say exactly what we’d been reiterating about the basic constitutional protections of private property and individual freedom enshrined in our country’s founding document. Once again, I filmed it, because people need to hold these folks accountable.

Moving forward: can’t stop, won’t stop

So far, we’ve commissioned the magnolia, the Manchester Postcard, the American Eel triptych, a three-wall Dragonfly block and a #lovescript series of inspirational writings. Next up, we’re tackling the skate park and several spaces along the greenway in conjunction with Manchester Parks & Recreation, a great group of visionaries who understand the merit of artistic freedom, are dedicated to moving the area forward and who embrace the idea that well curated artwork brings a community together, makes it think of a better place and celebrates this land we’re so blessed to have beneath our feet.

Here’s where the power-abusers went wrong: They underestimated us. They can attempt to slander us. They can call my veteran husband “unpatriotic.” They can make themselves look childish in a dozen different ways, continuing to lose moral authority in the community. But you know what? We won’t be bullied. We won’t be made to stop doing something that is visibly improving the area, has so much magical community support and that we’re passionate about personally. And we won’t give in. Is it tough being spoken to the way we have, being treated by a handful of folks like we’re vigilantes out to wreck this town? Absolutely. But we also know that Rome was not built in a day.



Thanks to our Minneapolis friends, Wailing Loons, for this beautiful sentiment.

And so we persist. Or, as SVV says: “We stand on the shoulders of giants.”

I’ve had many tourism professionals ask for more help with starting their own mural programs. I have a step-by-step guide on how to go about this in your community drafted to publish this spring, but first, you need to know the abbreviated backstory to get an idea of what you might potentially face. I skipped over quite a few bits of the story, but am happy to answer any lingering questions in the comments—fire away!

  PIN IT HERE

A Tale of Public Art, Private Property and Government Bullying published first on https://medium.com/@OCEANDREAMCHARTERS

[royallypsychotic]

Celine Replica Luggage Retailer, Designer Fake Celine Pursesre Online Sale

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Choosing a darker color can be an exquisite possibility, as suede is a straightforward offender for marks, stains, and scuffs. If marks or stains do occur, the best resolution is an unscented baby wipe and a stiff brush to keep clean. I wanted to write down this review in case you’re flirting with the idea of treating your self to this unimaginable bag. If you’re in the market for an on a daily basis bag of superior quality that may by no means exit of style and goes with nearly every little thing, the Celine Mini Belt Bag is your lady. The Tassel Bag is distinguished in its personal way, as a result of it’s blended with Celine’s core values – minimalism. Take a better look how the bag is constructed, it’s so pretty that even a non-boho-girl would wear it. However, it’s not all rainbows and daises in phrases of the Celine Smooth Leather. While this particular leathers tends to carry its form very properly, it's still vulnerable to ‘puddling’ in some areas. 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