#he’s just an anarchist and an explorer

[bucksboobs]

Fucking fake anime fan Luffy frees slaves he doesn’t take them

[struckd0wn]

HIHI UHMMM would you be willing to do an nsfw havik mk1 // ftm reader fic ?? :33 YOU CAN DO WHATEVER WITH IT REALLY UHM..

preferably bottom reader // him being possessive would be kewl THANK YOUU

All Mine ── Dairou "Havik"

➭ Havik × ftm reader

CW: cunt and pussy used, some bleeding, possessiveness

A/N: I'm doing post melted face Havik lol. Idk, I just think it's kinds hot... 🙈. Tried to fill in the backstory as to why he was being so possessive and might not be exactly lore accurate but I tried my best lol. Technically an AU???? Idk really (havik trying to turn Orderrealm into chaosrealm ig). Hope you like ʚ♡⃛ɞ(ू•ᴗ•ू❁)

Havik has tooken you back to his home in Seido, where he leads a rebellion against the overbearing government of Orderrealm. His regime has taken over a township of Seido where they plan their crusade. The town has no rules, no laws, just totally freedom which they don't get from their home originally. Havik, although an anarchist leads them (until a revolution), so he doesn't suspect their behavior when he brings you around.

It's your first time being showed around the place, Dairou allows you to explore freely, following close behind you. You're surprised to see the condition most of the townsfolk are in. Beaten up and scarred, bloodied and bruised. Your lover had already explained to you how there is really no law here, he just leads them to eventually overtake Seido. So everyone is pretty battered from fights and other things, sorta like a way to relieve stress after being under such strict rule.

But just as you gawk at them they gawk at you. You're pristine, not one bruise on you. Well.. Maybe a couple from Dairou but nothing too serious. You look different too, I mean you're still human clearly, but it doesn't take them long to figure out you're from earthrealm. The way you dress and talk really says it all.

Havik watches angry as his followers flawk around you curiously, checking out the shiny new toy from earth, and you are painfully unaware. He fights the urge to kill the man that gently places his hand on your lower back. "What's someone like you doing here," The man asking, flashing a grin that's missing a few teeth. "Looks like you need to be roughed up." He's teasing you, Dairou almost steps in but doesn't when you politely refuse, telling him you're actually here with your lover. The man turns to see Havik following close behind, glaring angrily at the man.

The whole day goes like this, people coming up to greet you, for good and bad. Some genuinely curious and other with darker thoughts in mind, thinking how fun it might be to corrupt a mere earthrealmer. So by the time the two of you get home Havik is seething. You barley make it through the huts opening before he's pulling you twords his bed. You laugh playfully, asking why he was so eager. Dairou doesn't answer, sliding his hands under your shirt, rubbing your sides with his calloused hands.

You try to ask him what's wrong but he's already pushed you onto his bed, his hands continue to roam underneath your top. He licks the side of your neck, relishing in he way you moan when he rubs you hardened nipples. He's frustrated with his lack of lips, wishing he could litter you with hickeys all over where people can see, maybe that way they'd know who you belong too. He chuckles lowly, knowing exactly what to do now.

"Forgive me, my love." Dairou purrs, and just as you're about to ask what for he bites down hard where your neck meets your shoulder. It's enough to make you bleed and he laps it all up, moaning at the taste. You whimper slightly, the pressure of his tongue on your freshly injured skin makes you hiss. "Maybe now people won't want to play with what's mine." He mumbles, pushing his teeth against your neck to imitate a kiss.

Dairou pulls your shirt off of you, his thumbs brush at the scars just below your nipples, admiring them like always. He happy to know he's not the only one with scars. Havik licks them passionately, making you moan as his tongue teasingly flick over your nipple. His fingers hook around your waistband, pulling down both your pants and underwear slowly, causing you to shiver as the cold air makes contact with your needy t-dick. "I was bothered all day, they all couldn't keep their hands off of you." You lover rants, licking a long strip from your bellybutton down to you needy hole. You try to tell him that it was nothing and that you're sure they were just being nice but he cuts you off when he pushes his face into your dripping cunt.

A moan it ripped from you as his proceeds to fuck you on his tongue. Your hands tangle through his hair, pulling him impossible closer. Havik groans lowly, the vibration of it makes your eyes roll back. He's especially good with his tongue, he's learned to please you without his lips, and god did he learn well. Just as your hips begin to rock against his face he pulls away, laughing softly as you pathetically whine for more. "Don't worry, I'll have you screaming just from my cock in a second," he teases, standing to pull down his pants, your watch as his hard cock springs up, the tip beaded with precum. "That way everyone can hear how good I make you feel." You scoff, watching as Dairou positions himself between your legs. He'll make sure you'll regret that.

Havik bottoms out instantly, sighing at the feeling of you velvet walls, smirking as you groan and grip the sheets. His pace is awfully slow, but each thrust it hard and knocks the air out of your lungs. He lifts your legs over his shoulders before leaning down into you, your legs pressed against your chest as he pounds into your wetness. Your greedy cunt squeezes around his dick, covering it with your arousal. You beg him to go faster and of course he obliges, speeding up at you request. He watches your every expression, proud of himself when he hears you moan. You try to express your need to keep it down, seeing as it's not like a house on earthrealm with walls no one would really hear you through, instead in a large hut stationed in the epicenter of the town. Dairou can care less, and if anyone had something to say about it he'd kill them himself.

He presses his teeth against your sweating forehead, humming softly as you beg for release, and he let's you, your legs shaking as you moan. "Mm, you feel so good. Look at how you suck me in even after all that," He pulls away, letting your legs fall to rest around his waist. Havik still fucks you, ignoring you overstimulated whining. "You keep whining but look, your body yearns for me. It's ok, I'll help you feel better." You face burns hot at his words, watching him lick his teeth, like he's about to devour you. You've failed horribly at trying to keep quiet and that only encourages your lover to keep going.

Dairou's hands never leave you body, squeezing your thighs between his large hand, resting the other on your stomach where he can feel himself inside of you. He wishes you could see yourself through his eyes, your a complete mess underneath him. The sight of you wrapped snuggly around his cock brings him to his end. He cums inside of you, pulling out to pump the rest out onto your stomach. His eyes are shut, jaw clenching as he moans for you. Just as you're about to doze off he pushed his length into you again, fucking his seed deep inside of you.

──

You swear it's been hours at this point, and Dairou is relentless. He's made you cum at least 5 times and he's only on his second. With each orgasm the more loud you become, the more sensitive you feel under his muscular body. "Just one more, can't you do that for me?" He asks sweetly, as if he's not gonna make it happen anyway. You nod you head, not even sure if you fully comprehend what he said, your brain effectively turned to mush.

Your boyfriends thumb rubs at you throbbing cock, your back arching off of the mattress. You cry desperately as he fucks you, screaming his name as it all becomes just to much. His breathing is heavy, jaw hung open as he takes in as much air as he can. Havik moans as he feels your abused pussy spasm around his cock, a mix of his and your own cum make a mess of your thighs and his lower abdomen. "Yeah, good boy, just like that, cum on my cock. Your perfect, perfect for me. " His head falls back, large hands gripping the fat of your hips as he finishes for a third time, praise pouring out of his mouth.

You whine softly, watching as he pulls himself away from you. Your cunt clenches around nothing, dripping with his hot cum. Dairou rolls over onto his side, pulling you into his chest with big arms. You can feel the bite marks of your neck beginning to bruise over, hissing when he pseudo-kisses it. After a little while, once you've come too, you tease him about it. He scoffs, "There's nothing wrong with making sure people know what's mine." but you're positive all of Seido knows now.

He urges you to sleep, promising to carry you around all of tomorrow because he knows you won't be able to walk, at least not well. You fall asleep happily to the thought of your anarchists, anti-government, big and scary boyfriend at your aid for a whole day.

A/n: ok that's all :P, I also promised I'd right more BUT I'M SUCH A LIAR SORRY, trying to do my request now because it literally just saw them idk why I hadn't noticed so sorry if this is late :/

[tastethebloodofmeatthawsmoth]

Osugi Sakae, one of Japan's leading anarchist figures in the Taisho era. In addition to the early Japanese anarchist Kotoku Shushui, Osugi was influenced by Kropotkin and Bakunin; he admired the latter immensely, saying he would "have been a rebel even in an anarchist society." Stirner, Nietzsche, Bergson, and Sorel were also important influences.

Osugi was not a systematic thinker, and many of his articles were written simply to fill space in one of his many periodicals or to make some quick cash. However, his principal theoretical statement appeared in a series of three articles published around 1913. In the first, “The Reality of Conquest,” Osugi explored the origin of what is now called “society” in conquest. Osugi’s theory is now dated, but still interesting and shares some similarities to modern anti-civilization anarchist thought. According to Osugi, pre-societal humanity lived in peaceful, nomadic groups, until overcrowding led to friction and, through an accident of military superiority, one group conquered the other, which is kept subjugated through more and more subtle mechanisms of social control: “Government! Laws! Religion! Education! Morality! Armies! Police! Courts! Parliament! Science! Philosophy! Literature! All other social systems!” According to Osugi, no one could understand anything about social matters without understanding the reality of this system of subjugation.

This first article was shortly followed by “The Expansion of Life.” Having established subjugation as an unnatural condition resulting from civilization, Osugi established life and the expansion of life as subjugation’s opposite. “Life and the expansion of life are, it goes without saying, the keynotes of modern thought.” I think that Osugi’s expansion of life can be considered as synonymous with the Stirnerian egoist’s self-enjoyment. The life of the individual overflows the limits of the self: “The joy of living begins to overflow…. The perfection of my life is at the same time the extension of my life. And at the same time, the extension of the life of mankind.” Osugi acknowledged that competition, of self-expansion at the expense of others, hindered others’ development. The conquered, unable to develop themselves, became degraded and corrupted as a result. However, “if there was a slavish depravity among the slaves, there was a masterly depravity among the masters.” (Here, the debt to Nietzsche is clear.) This degradation continued until the morals of both the slaves and the masters became so corrupt that a middle class revolted and established itself as the new ruling class. This cycle, argued Osugi, had continued throughout the course of civilization. The new task of the oppressed, Osugi said, was to end the repetition of history and lay the ax to the reality of conquest itself:

“Seeing the supreme beauty of life in the expansion of life, I see the supreme beauty of life today only in this rebellion and destruction. Today, when the reality of conquest is developed to its utmost, harmony is not beauty. Beauty exists only in discord. Harmony is a lie. Truth exists only in discord.

Now the expansion of life can only be gained through rebellion. Only through rebellion is there creation of new life, creation of a new society.”

The last article in this series, “The Creativity of Life,” was published in January of 1915. In it, Osugi highlighted the differences between his anarcho-syndicalist views and electoral socialism. Osgui believed that mainstream socialism was overly fixated on economic issues; throughout his career he always stressed that the workers’ movement was a “human movement for the self-mastery of the individual,” not just a movement for a full belly. Osugi also had his own very strong interpretation of the syndicalist idea of building the new world within the shell of the old. Osugi’s anarchism stressed a fundamental unity between action and goals, with the struggle for a free society aiming to prepare the workers mentally, physically, spiritually, and psychologically for a free society. “When the workers have completed these preparations themselves, that is to say, when they are able to administer their own society, then for the first time will come the social revolution. Thus the workers’ spiritual education is the essential thing. You must teach the workers what they themselves will, you must discipline them by action, you must reveal to them their own abilities. This is the entire mystery of socialist education.” 

[riftwirecrystal]

Why I believe Natlan's technologies aren't "out-of-place."

Just because Natlan isn't considered "technologically advanced" doesn't mean they would not be able to create or possess technologies that just seem "too modern" for the previously seen nations.

Natlan's technologies may not be considered "advanced" because most of their creations are solely for recreational purposes. Xilonen's DJ board, rollerskates, and Mualani's surfboard are all mainly for ease of use to to influence of their environments. (Kinich is an exception as he isn't really powered by technology nor is Ajaw.)

Even when most of the technologies seem too advanced, like Kachina's drill, and Chasca's gun, they were both originally created to imitate the Saurian counterparts. If all a piece of technology does is just provide ease of access and combine simple regional solutions, its likely not worth too much note to outside nations. which would likely happen with inventors like Xilonen experimenting with phlogiston and forging.

Xilonen is an extremely important factor to note. She has proven herself to be one of the most intelligent inventors in Natlan. Her skill with harnessing Phlogiston energy is crucial to how all these technologies' existence. It makes sense that learning how to create traditional works with Phlogiston would overlap into accidental new discoveries that Xilonen uses to her advantage.

This is further explored in the new Flower-Feather Clan Tribal Chronicles quest chain. Phlogiston Wings are specifically created to supplant and replace their saurians. However, it's not too far off to think that it would be a rather common idea, especially since Elemental Manipulation exists in the world.

Phlogiston and Ochkanatlan relics are the main power sources used in Natlan tech. With an abundance of phlogiston and the (suggested) immense power of the relics, creating their technology isn't that far-fetched. They put their resources and time into the arts, music, and changing traditions more than orderly improvements to the nation, and it shows.

Other nations definitely will beat out Natlan in their technological advancements; the ones that don't beat Natlan have reasons. Mondstadt is a poor anarchist state with no emphasis on any actual governing organization. The nation isn't very wealthy so it makes sense they wouldn't have much innovation and trade occurring within the nation. Liyue harnesses a special material called Plaustrite in the Jade Chamber, which enables it to fly. Inazuma doesn't have an abundance of technology due to the Shogun's rule effectively trying to stop evolution and innovation within the nation, as a pursuit of eternity. However, a number of innovations still happened before the Shogun's rule, like the Tatarasuna accident and the creation of a puppet for Ei. Sumeru and Fontaine is where differences really start to show. All of the desert's tech as well as the Akademiya's research shows what happens if a nation pours their innovation into education, not the arts. The existence of Akasha terminals, dreamscapes, mind control, and digital storage all exist in the game, yet no one seems to call it out. Fontaine isn't much better. Literal androids roam the streets, motorized boats sail around the harbor, and guns are a popular weapon.

Guns are already known throughout Teyvat, just Xilonen imitated their function while adding a custom one from Chasca.

Then there comes the big issue. Mavuika's motorcycle. However this argument is instantly able to be countered. It's said that Xianyun/Cloud Retainer has created a similar vehicle, a powered two wheel vehicle. Mavuika's simply takes the idea (which is probably also not a very hard concept to think up,) and gives it a Natlan remodel. The aesthetics are just a Natlan revamp, with the power source just being Phlogiston. (I can't speak for her bike fighting animations. They just look kinda goofy, but I like them anyways lol.)

All in all, I think people complain too much and you shouldn't nitpick something you don't like simply because you don't like it. (Especially if your argument can be countered.) Even if it is a little off-putting, with a little thinking, mostly everything can be explained or proven possible to exist.

If anyone has any objections to reasonings or information I've missed please tell me!!

[tossawary]

So far (partway into the Hueco Mundo arc, I skipped the Bount arc completely), "Bleach" seems to... shy away from interesting consequences for the issues it directly brings up. (Also, oh, man, all the filler varies in quality so much and it is BRUTAL on the pacing of the main storylines.)

Like, I think a lot about the Soul Society arc had a lot of missed potential in general, but I also thought the end of it is where things get genuinely exciting. The Gotei 13 has been repeatedly shown to be uncaring, incompetent, cruel, authoritarian, etc. and it seems like the characters are fighting against this hollow structure built on unsustainable tradition finally cracking under the weight of whatever unjust powers are obviously behind Rukia's execution and apparently Aizen's murder. Multiple captains start turning against each other for different reasons. It seems like Ichigo is just one small part of a much larger world.

And then Aizen is revealed and things still feel pretty delicious! What he did to Momo was REALLY fucked up and painful to watch in many ways. It's not unreasonable that Aizen's betrayal immediately halts a lot of ongoing fights. It makes sense that the Captain Commander doesn't want to turn around afterwards and start executing people for turning against him after losing three captains and all of Central 46. But... I would still expect there to be more lasting cracks and broken trust between the remaining members of the Gotei 13. The top four members of Squad 11 briefly turned against the Gotei essentially for funsies and yet characters like Toshiro and Rangiku don't seem to have any real resentment or suspicion over this casual disloyalty. I vaguely hope the psychological weight of and anger surrounding Aizen's fuckery is explored more later on, with more seriousness, but I can't trust this show not to essentially drop the issue completely.

I don't need this show to have Soul Society turn into some socialist / communist / anarchist utopia. But it is a downer to have a character as absolutely vile as Kurotsuchi thrown in my face during his fight with Ishida, knowing that not only does Kurotsuchi survive, but he's presumably continuing his utterly inhumane work in the Soul Society while everything else is happening. And the show seems to treat him as more of a joke mad scientist in the background than someone as or even more evil as any of the hollows. And I can't fully trust that this aspect of the Soul Society will ever be honestly confronted, even as simply a deeply tragic element representative of the Gotei's unchanging hypocrisy.

The Gotei 13 has an assassination squad! You don't have an assassination squad unless you're regularly killing people who are "undermining" your power, probably including lots of poor people in the outer districts trying to organize communities, based on actual history. These aspects are what made the soul reapers such effective and complicated antagonists in the Soul Society arc! And the flip to "yeah, they're Ichigo's allies now, mostly" was very sudden and kind of... underwhelming.

I don't care if parts of this story are tragic and this obviously broken system is left mostly unchanged at the end, it's just annoying when the story treats certain aspects as happy endings or just a funny joke, instead of delving more seriously and deliciously into just messed up everything is! How the soul reapers are unable to handle the burdens here!

From what I vaguely remember overhearing, Aizen ends up being a relatively flat villain, with relatively shallow goals and motivations regarding taking over the worlds and rising to godhood, which feels like missed potential when there's so much about this world that sucks! If Aizen had any honest motivations about making things better for any group of people, including hollows and their shitty deal in all this for example, then we might actually have a more interesting dialogue happening about the state of everything. I would like to see him honestly appealing to Orihime's kindness and sense of mercy in order to get her to join him. Her brother turned into a hollow! She has reasons to care about hollows potentially wanting to be more human again and living better afterlives than fighting forever in the sands. Maybe Aizen could just be lying about helping other people, but it would be more interesting to see this type of persuasion, and I'm already fucking sick of so much of Orihime's motivations focusing on helping Ichigo instead of her feeling torn about her tragically and traumatically dead brother who turned into a hollow.

(Side note: I don't fully understand why Aizen didn't just take over the Gotei 13. Between his hypnosis and his minions and his plots to take out rivals, he could have surely installed himself as the next Captain Commander eventually. Neither Ukitake (chronically ill) nor Kyouraku (relaxed drunkard) seem to honestly want the weight of that position. Aizen just seems to like drama, I guess. Fair enough.)

I've just reached the fight between Rukia and Aaronerio who is pretending to be Kaien, and it feels like the story is bringing up a genuinely cool idea only to throw it aside as a trick by a relatively boring hollow character. What IF Kaien had become a hollow? What IF Kaien had joined Aizen because he had some legitimate grief with Soul Society and the Gotei 13? I have vague memories about Aizen having Kaien killed and framing the Shiba Clan because Kaien was investigating him, but it's sooooo boring to have Aizen be at fault for EVERYTHING. The fallen lieutenant / almost captain from a disgraced noble family treated badly by Soul Society... turned into a hollow and forced to survive tragedy he wanted to kill him and unable to return to the Gotei 13 for help? Joining up with Aizen because he wants to take down the Soul Society and make a better world? That's COMPELLING. That's COMPLICATED. That's something that promises to get MESSY if Aizen is lying to Kaien and/or Kaien has genuinely lost his way and/or Kaien HAS A POINT. But the show brings it up only to bail on the concept.

Maybe some of the things I've talked about here will be brought up later on. I expect them to keep bringing up many of these issues, actually! I honestly just don't expect satisfying explorations and resolutions to anything, given what I've seen so far. They're just not going for the good stuff.

(I have this playing in the background while working on other stuff. If I put on a better anime, I would actually want to pay more attention to it.)

[racefortheironthrone]

fantasy sometimes doesn't afford itself the ability to fantasize about a better world with many of the same problems of real life. thankfully ive found fantasy thatfantasize about things like gender roles, orientations, social status, etc. being more accepting, and the world kinder more often than not. question is, as hard as it is to find solid urban fantasy, are there anyworks you know of that use itself to imagine a optimal city for us urban nerds? magic public works, free dragon transit?

So there is a real problem in the fantasy and sci-fi genres that they often have a failure of revolutionary imagination, as I’ve termed it. We’re so used to not just the world as it is but also the public historical imagination of how change happens, that even in art that’s supposed to be about radically reimagining our world or new worlds, we often revert back to the familiar. (I find this tic particularly annoying in alternate history, which is supposed to be about imagining how the world could have evolved differently, but often reverts back to a retelling of (often bad) history with the numbers filed off.)

(A sadly rare counter-example.)

You raise a fascinating question about the potential for urbanist fantasy. This is often quite rare in urban fantasy, because often out of a desire to maintain the verisimilitude of urban life, they default to a masquerade scenario which renders it impossible to explore the impact of magic on transit, housing, and other aspects of urbanism because the central conceit is that people with magic are trying to hide and thus have no impact on the mundane world.

However, it does crop up sometimes in Magitech settings, because their central conceit is all about how magic would function in place of science and lead to new ways of organizing societies, urban and otherwise. For a popular example, look at how Arcane examines the social impacts of Hextech and Shimmer. My personal favorite example of urbanist fantasy is the plane of Ravnica from Magic the Gathering.

Ravnica is a ecumenopolis, a city-state that covers the whole planet. The city is governed by a guild council, each of whom are responsible for an aspect of the city’s physical and social infrastructure:

The Azorius Senate is responsible for running the courts and the legal system, and sometimes they run the police as well (although they have a jurisdictional dispute with the Boros Legion on that front).

House Dimir are couriers, messengers, journalists, private investigators, spies, assassins, thieves, and librarians, as well as the city’s clandestine intelligence service - if it deals with information in any way, the Dimir have a hand in it…or do they?

The Cult of Rakdos run the city’s entertainment, food service, retail, and labor recruitment (lots of shanghaing and press ganging goes on in Ravnica) - and they’re also a crazed juggalo bdsm blood cult who are responsible for keeping an ancient arch-demon entertained so he doesn’t try to destroy the city, again.

The Gruul Clans are an anarchist collective responsible for the planet’s wilderness areas, which they try to maximize by violent raids that tear down developed areas any chance they get - which also makes them Ravnica’s main demolition industry. The Boros Legion spends a lot of time defending built-up areas from Gruul rampages.

The Selesnya Conclave are a hippie nature cult commune who manage the city’s parks and other green spaces, as well as providing basic welfare services (food, “shelter,” clothing, etc.) to the city’s poor. They also use magic to do weird hivemind brainwashing in the name of harmony and unity, and they can raise giant Ent-Kaiju to defend the city in times of need.

The Orzhov Syndicate are a vampire banker mafia, and also one of the city’s biggest religions. They believe in debt on a spiritual level, and their religion fully embraces indulgences to their logical conclusion. The Orzhov preach that you can literally buy your way into heaven, and that debts to the (Catholic by way of Prosperity Gospel Evangelical) Church or its many front organizations and legitimate businesses will carry over into the next life; the Orzhov practice debt slavery on both living people and ghosts. And lest you think it’s all a cover for profit-making, they can summon dark angels to conduct rituals, lead services, and make war on their enemies. Something above is answering their prayers…

My personal favorite is the Izzet League, an institute of mad scientists and engineers and elementalist wizards who combine science and magic to research, build, and maintain the city’s infrastructure (as well as funding all tech R&D and theoretical and experimental research in physics, chemistry, and engineering) - the power grid, water and sewer systems, heating and gas lines, as well as the city’s mass transit and transportation/freight system, are all powered by their steam and fire and lightning and Magitech gadgets and robots and cyborgs made out of a magic metal named mizzium. Yes, a lot of their devices explode, and yes their golems and robots and elementals have a tendency to go rogue, but that’s the price of progress!

The Golgari Swarm are a subterranean necromantic cabal who run the city’s waste disposal, burial services, and do the bulk of the agricultural production for Ravnica’s hungry masses. All of Ravnica’s citizens are entitled to a food dole provided by the Golgari’s fungi farms as a form of basic income. Just don’t think too hard about what went into the compost heaps or what your rations might be made of…

The Boros Legion is Ravnica’s main police and military, led by a literal host of warrior angels. Imagine the combination of a police force entirely made up of noir detectives and loose cannon Dirty Harry-esque cops and an army with flying fortresses led by fiery angels who are all deeply dramatic lesbians. True believers one and all, the Boros are here to mete out justice and divine wroth upon evildoers wherever they hide. If they had their way, the Orzhov would all be in prison along with the Gruul and the Rakdos, but the damn bureaucrats in the Azorius Senate keep trying them up in knots with paperwork.

The Simic Combine are responsible for the city’s environmental quality, ensuring biodiversity and sustainability in a global metropolis; they are also the city’s universal health care providers. All Ravnicans have access to free health care, as long as they consent to the Combine’s biomantic research. See, the Simic are the other group of mad scientists/mages in the city, except they went into genetics, environmental science, and (marine) biology and they believe in individual and societal evolution through the use of augmentation, cloning, and splicing. After all, why stop at curing someone’s respiratory illness when you could also give them gills? Or giant crab claws? Or tentacles?

I love the world-building and the attention to urban systems and infrastructure in Ravnica. More than most, they’ve thought about what urban life needs to function and made it magical.

[cubitodragon-moved]

Yesterday Mike added more fuel to my “Tubbo is bugged” theory and it’s making me extra worried about what’s going to happen this week LOL.

This post is rambly and long, so I’m sticking things behind a cut!

Mike’s memories of the last 3+ weeks are scrambled and foggy; an interrupted El Quackity treatment? Unclear. But between saying he doesn’t remember anything and then spouting off pro-Federation propaganda (something his anarchist ass would never willingly do!) and fiercely trying to pin blame to Fit as a traitor, a comment by him during one of the questioning sessions stood out to me.

When Fit asked who told him his janitor duties were fake/a front, that he couldn’t be trusted, he said Cucurucho.

We and FitMC know that the Feds are sus of Fit, but they’ve had no actual concrete evidence that he’s been misusing his position to obtain information. And yet now Cucurucho, supposedly, is informing Mike of this so called betrayal?

If we think back to the prison cleanup in August, there was a room that had a chess board map on the wall. Only two pieces were present: a queen and a pawn. And the pawn was positioned on a clear way to indicate it’s meant to represent Fit. A warning - possibly to Fit from the ghost entity in the Prison (or someone in a neighbouring pocket dimension, if recent ruminations and theories on the server have any legs) that aided Pac and Mike, OR the Federation itself, reminding him of who has the power and who is always watching.

But they have yet to take any action. And always praised his work when completed.

Enter: Tubbo. Who arrived on the Island as part of a group rescued from a mysterious location. One with lots of strange blocks, code-eggs, frozen floors and who himself was frozen away. Shortly after, Mike and Pac ventured back to that location to explore, and when he entered the tower, the floor vanished and Mike fell. Fell down into a pool of water at the bottom of a trap lined in black concrete, and then frozen.

During Mike’s absence, Tubbo has gotten to know the “morning crew”, has gotten up in everyone’s business. I’ve outlined some highlights in another post. But more recently, every time he talks to Fit about his cleaning job, he’s picked at it again and again. Freaks out over the badge and keycard - especially over the keycard. (This feels important, for more than just Tubbo’s excuses of it being bugged, but I can’t put my finger on why, yet.). Tubbo whines when Fit won’t give him direct insight, or tell him detailed specifics on what he’s found on the job. Fit has made it clear he will not jeopardise his position to satisfy Tubbo’s need to meta-game win over the system to know everything, resulting in accusations, and Tubbo commenting privately to his own chat that this makes Fit untrustworthy in his eyes. Tubbo has been careless with some of his questions. They’ve been asked topside, sideways comments uttered with side eye. He wants to KNOW what Fit is after.

And Fit did spill to Tubbo that he’s not just there for the obvious. Yes, He IS looking for something. Yeah, he IS trying to find things out about the Codes, the Eggs, and the Federation - he wants his beautiful baby boy (made in Heaven by God Himself) back home safe and sound.

But this has not been successful, never mind the long absence of any work in the last few weeks..and we the viewers know that things he has found have been incomplete, or need more time to cook before he goes to others with evidence. Fit is meticulous, his life on 2B2T trained this into him in order to survive. You don’t last 10 years in an anarchy wasteland without being prepared. Better and safer to leave things unsaid than having to walk them back later. And there’s no point in sharing what isn’t relevant to the matter at hand.

And now Mike - who Fit calls friend, who he bonded with, who he swore to help locate Walter Bob with - said Cucurucho told him that Fit was a traitor, and wasn’t looking for what he said he was, even point blank accused him of lying yesterday about what he’s looking for. And when pressed about what he’d found so far when on janitor duty, Fit had to admit that no, he hadn’t found anything related to the Eggs or the Code.

Mike seemed to take that as proof of his lying about what he’s doing. That what he was told was right. But admitting to a lack of success doesn’t make one a liar. And Fit telling him he found nothing is also a smart play - lose lips sink ships, and better to be thought incompetent. Especially if the Federation are now trying to flush you - and perhaps your ties to your employer, outside the island - out into the open.

The Federation did not know about Ramón’s furnaces until Tubbo did. And they didn’t know Fit was in it for more than the obvious until he spoke with Tubbo. They can’t get Tubbo to take on Fit, but they can use a different pawn they have on the board instead.

I may well be completely off base. And I’ll be delighted if I am. It’s been so much fun to theorise about the lore on QSMP! But mark my words, we need to pay much more attention over the next 48 hours. And who knows what everyone will come back to in a week’s time?

[zairene]

COLLEGE MAJORS, miles, hobie & gwen headcanons

genre: headcanons

author’s note: ty @megurulvr & @4kh for the idea and the help on it!! love you guys ! mwah <33 i could do a part 2 to this idk.

MILES MORALES is a double major. he majors in mechanical engineering and minors in art. this definitely stems from the multitude of drawings in his sketch notebook, and his interest in graffiti culture with his uncle aaron, miles would most likely do it in his honor. miles is very passionate about the future and how he can change it, although he wasn’t as confident about himself in high school, i can see him becoming a lot more successful in that department in college. so mechanical engineering might be more his drive—specifically biotechnology and aerospace. so like designing power-producing machines for space exploration and travel.

HOBIE BROWN is also a double major. but he’s never staying in the same majors. i’d like to think he’d mainly like majoring in music history because of his background with being a guitarist and previously being in a band, and minoring in dance. (maybe just for the hell of it honestly?) but hobie brown isn’t the type to just stay in one lane, so he’s probably jumping around majors just to find what piques his interest. might be a history major for a bit, due to his anarchist nature. just to learn about political backgrounds and to point out how stupid things are in society today.

GWEN STACY is a dance major. she shows superb flexibility and she seems to be the type to specialize in ballet but to fall in love with contemporary dancing. she’s a mature girl but she is also defined by her experiences, so she shows that emotion through her dances. music is also a space for her emotions as well. being a drummer and in a band also helped release some anger. so she could be a possible minor in music.

🏷️ SPIDERMAN ATSV TAGLIST :: @dojathascammer @pnkweb @planetlunaa @mypimpademia @megurulvr @dreampurpledreams @chinieh @naijagrl @looking4chanel @pixieplush17 @jogeto @laylasbunbunny @jamies-cumslut @sapphicshav @banqnaz @edgyficuselastica @padfootpottah99 @anikaluv @s-surreality @tourbug @fiannee @sakaur-i @axeoverblade @cafehyunji @asmobeuses @4kh @blackweebtrash @katsumiiii @sylisan (f you weren’t able to be tagged, please slide an ask in my inbox if you have a new username or if you wanna be removed!)

TAGLIST FORM

[bunnakit]

can i have your top 5 feral boys AND old mans you meet this year?

lkjlakjglk YOU KNOW ME SO WELL - so i just started watching BL in june??? so pretty much everything is new to me, sorry if some of these are old news to ya'll. idk if you meant for me to pick 5 of each but that's absolutely what i'm gonna do.

"OLD MEN" BRACKET 🌸 (most are my age or younger)

hoooooly shit papang in general. houghghhh i want to lick the blood off his teeth. i want to raise anarchist young adults together. i want to-- well. let's not bring beam into this, maybe. regardless, old man of all time.

what right does this old man have??? hello??? you just go around LOOKING LIKE THAT? all the time? i want to run a humble restaurant together. i'd be his ride or die.

i had to go make a gif special for him bc no one loves akk the way i do apparently. i wanna fuck that old man - and yeah, you can add that one to the counter. obsessed with him, i wanna see him get a romance of his own, i want to know everything about him. (and this is saying something bc i hate cops, but The Sign boys get a pass - for now.)

i know chan has pretty privilege ok? i KNOW. i do not care. i love him, i want to know everything about him, i've started several fics about him, he was my first absolute brainrot in BL.

i understand what chen yi was about and once again i am asking sooo so nicely for a prequel about his and ming lei's past and relationship. i would love if it was a parallel to chen yi and ai di.

FERAL BOYS BRACKET 🌸

this comes as a shock to absolutely no one. ai di is my specialist boy. i adore him so much, i want to hang out with him so bad. i wanna be best friends. i can't wait for my rainbow sweater to get here.

jack and his boobs are everything. he really stole the show for me (as all side romances tend to.) this is another show i could use a spin off or sequel of just them, give me everything, i love them - jack especially. give me jack's whole past, his pov up to meeting chao lian.

pisaeng counts, don't @ me. he was so feral in his own way for kali. absolutely unhinged behavior. wingmanning your own crush? winking and finger gunning at him on day one? PINING FOR HIM FOR YEARS? pisaeng something is deeply wrong with you and i love you for it.

tan is the epitome of "you're delicious as a concept, but as a real person i worry for you" - ESPECIALLY after reading the novel. i'm still laughing that according to personalities database we are the same personality. his flavor of feral is just soooo so sexy.

babygirl there is something so very wrong with you. this bad boy can fit so much repressed trauma in it. i think he should be allowed to bite people for fun. every fanfic i read exploring black's mental state makes me love him more and more. (also he's so difficult to write, i respect fanfic authors that explore black's pov so much)

ask me my top 5 anything BL!

[wolf-tail]

So, my little brother's been watching this cartoon called Craig of the Creek, and one of the things I really like about it is how it seems to, even if accidentally, promote an anti-authority stance, possibly an anarchist one.

Craig of the Creek is essentially Recess but in the woods, and takes place in a world where the kids of this town have their fun by going down to The Creek, a society made up of children who play and explore in and around the titular creek. And I do mean this is a functioning society, where the children have their own rules and culture, mostly centered around fun and play.

But the cool part is, no one makes them, there's no kid cops to enforce these rules. They're held up by a sort of social contact, mainly this shared idea that for this space to exist and be fun for everyone, we have to do these things. There's the girl who keeps time for everybody and blows the horn to notify the Creek that it's time to go home for dinner. There's the girl who runs the Trading Tree, where kids barter for snacks, entirely without the use of money. The closest thing the Creek has to leaders are the Elders, three grown ass men who hang out in a cave under a bolder and play Dnd. But they're not in charge, they're just the guys who've been here the longest and who the Creek kids come to for advice. Craig himself doesn't have a particular job per say, but he's the Mapmaker, he maps out the Creek, and he does this because he likes it, it's fun for him. Craig of the Creek is a show that understands that the lamest kind of kid to hang out with is the kid who demands that everyone play by the rules that they made up, and it's made evident by the kids who live on the Other Side of the Creek

On Craig's side, every kid is free to play how they want to. The horse girls run around on all fours in the field, the weeb kids read manga at the waterfall, Craig and his friends do whatever the mood strikes them to do. No one is forced to do something they don't want to, and any kid that tries is considered by the narrative to be a huge jerk and no fun, but on the Other Side?

The Other Side kids are under the rule of a tyrannical king who's word is law. The king decides who gets to eat what snacks and when, what games to play, and forces the kids into a strict hierarchical system, complete with uniforms, and little to no upward mobility. It sucks, it sucks so bad. The king is the logical conclusion to that one kid who makes up rules and throws tantrums being allowed to do whatever they want. It's the job of the Green Poncho kid to guard the overpass that separates the two sides of the Creek, or else the king's influence will spread and threaten sacred playtime.

Unlike in Recess, where a king is needed to enforce the rules and keep the peace, in Craig of the Creek, children don't need a king, rules are kept in place by mutual needs and values, all kings do is fuck everything up. This show really said "no gods no masters" and I love that.

[apathycares]

could you write about Sukuna being bored after he conquered the world again and taking itadori’s girlfriend as his wife cause he always ,,noticed her’’. You know like he kind of liked her when she was with Yuuji and he wanted to experience the same love and warm she gave to Yuuji?

Hola anon, thank you for the request! I sort of explored this concept (sans Yuuji and a little bit more dark) in my multi-chaptered monster I created here, so feel free to tune in if you're interested! Here's a little something for your request though -

※ Warnings: suggestive violence against people and children, Sukuna in general

※ Characters: Sukuna x reader, implied Itadori x reader, Gojo Satoru

Sukuna lives for his pleasure and displeasure alone. Defeat would mean death for him, which is why he was able to conquer his adversaries and ascend to the highest position in the world. No matter how much those sorry excuse for sorcerers were willing to die fighting him, they were not ready to die, leading to their defeat.

Japan had not only reverted to the freedom of the Heian Era, but devolved to an anarchist society upon the curse's reign. The rest of the world dubbed Japan a dead country, and refused to partake in any of its affairs. Despite this, they were very much aware of Sukuna's power and wanted nothing to do with it.

They simply lived on his whims alone.

Sukuna had not only conquered and reigned supreme, but he had taken everything that he wanted - he had kept Gojo Satoru alive as a pet, his eyes gouged out and kept in a case among his war spoils. All other sorcerers were killed and returned as cursed spirits, some held in captivity for entertainment and others loose in the world. And his wife?

She was the cherry on top of his possessions.

Not that she was happy about it.

The door to Sukuna's chambers creaked open, allowing a stream of light into the dark yet lavish space. You barely moved from your sprawled form on the massive bed, eyes dull and faraway as the sound of the door closing punctured the quiet of his room and duly reminded you that you were still alive. The inaudible yet heavy footsteps of your captor echoed off of the high walls, in a beat that you could pick out from anyone else’s, as he undoubtedly made his way to you as he always does when he needed to –

“You seem lively.” Sukuna said sarcastically, staring down at your unmoving body before he poked your side. “I’ve been informed of your refusal to eat – are you going to make me go through this again?”

“I’m not hungry.”

Sukuna tilted his head as he watched the minute rise and fall of your back, counting your breaths for a minute before he was satisfied. You were steadily regaining your health back after your last 'emotional lashing'. He had to endure several attempts at you harming yourself in the beginning of your union, up until he could finally enjoy the fruits of his labor and keep you by his side at all times. Sukuna only kept you in his chambers when he needed to take care of some business alone, which was rare.

Taking a moment to run his eyes around the room, he noted the bath water needed to be replaced after your use, and the room needed to be aired out so you would flourish a bit more. He asked if you would like to get some Sun and fresh air with him, sighing a bit when you said no.

“I’m not going to kill myself, Sukuna.” You spoke up suddenly after he sat down on the edge of the bed, pulling his attention back to you when you finally lifted your face off the mattress and cast your gaze at him for the first time in weeks. “My goal is to be just shy of that so you’d get bored of me and let me go back to Yuuji.”

“Impossible.” He shot down, pushing your leg to make room for himself so he could lie down, placing his head on your back and smiling at the ceiling when you made a noise of protest. “Whatever happens, there’s one absolute truth that has remained so since I first saw you – I’ll never abandon you.” Sukuna rolled over on his side to face you, never really able to stop himself. “Moreover, where would you go? All your little friends are either dead or curses.” He laughed a little as he said, completely ignoring the brat's name. “You wouldn’t want me following you into the foreign lands, would you?”

No matter how broken you were, you would never tempt yourself to lead Sukuna into the curse-less, populous world outside of Japan after causing this whole mess in the first place. No matter how much you believed that he kept you as a trophy after you survived Kenjaku’s ritual, morphing into a vessel for his ‘lesser’ emotions when the thrill of killing and fighting wasn’t doing it for him anymore, you wouldn’t doubt that he’d take your escape as a challenge to hunt you down, endangering anybody in his path to get you back by his side, as prideful as you've come to recognize him to be.

He had truly won, and there wasn't anything left to conquer.

Sukuna would hold death tournaments when he returned from his travels around his kingdom, sometimes jumping in when he got too bored or too excited, eviscerating the competition.

On monotonous days, he'd have you around as a spectator, dragging your detached form to his death matches and travels around Japan, laughing in pure ecstasy when you'd betray a small reaction at the carnage he'd hosted.

That's when he realized once again that it was you - you would always quell his boredom and restlessly cultivate his fire for pleasure when he needed you to.

So he kept you closer. You barely ever had a moment to yourself. He'd put you in exquisite kimonos and kosodes and hair ornaments, dressing you up like a doll ready to be shown off at all times. If anyone visited him, they knew to bring along gifts exclusively for you, and if he wasn't pleased with your reaction, he would use the visitor to pull one out of you.

Eventually, you got used to his antics, causing Sukuna to quickly grow bored once again, and so he decided to pull out his best -

"You wound me, wife." Sukuna drawled, clawed fingers reaching down and tracing your spine beneath your kimono as you sat at the foot of his throne. Your empty stare ahead did little to deter him, as he'd gotten used to your acts of rebellion pretty quickly. His fingers trailed down until he turned you by the jaw, leaning down to smile lovingly at you. "What will it take for you to smile for me again?"

Roll over and let me stab you in the ass until you die, you thought, but kept your mouth shut. Time and time again he'd ask you how he could melt the ice from your stare, or show some affection towards him when he was in the mood, and you'd respond with something along those lines hoping to hurt his ego, but all it did was make him laugh and derive pleasure all the same. You've come to find out that what hurt Sukuna the most was your non-reaction, and although it was hard to steal your heart, that's what you would give him until the end of your days.

"Hm, seems like you need a little inspiration."

You perked up a little as he descended from his throne and disappeared from the room, curious to see what he'd come up with next. Was it another death match? Maybe a few more children to skewer and roast in front of you?

Despite teleporting out, he'd chosen to return through the door.

Your heart froze over and dropped straight to your stomach.

"Surprise!" Sukuna tugged the chains in his hands and pushed forward his captives to kneel in front of you, reveling in the hot tears that fell freely from your widened eyes.

A disheveled Gojo stared up at you with empty sockets for eyes, bruises littered on whatever bit of skin that was exposed, and a hefty collar around his neck. His cracked lips parted in a silent plea to free him, before he was shoved out of the way and landed on the ground, the crack of his bones echoing in the large throne room, by a cursed spirit. No matter how deformed and disgusting this cursed spirit looked, you instinctually knew who it used to be.

"Yuuji?" You sobbed, placing your hands on your mouth.

"Die." It said in a cracked voice, reaching out to claw you just as Sukuna reeled him back towards himself. "Die. Die. Die."

"You're correct!" Sukuna dropped to a knee in front of you, holding the cursed spirit of your dead boyfriend back without a sweat as he smirked at you, completely unbothered by Gojo who had obediently sat up again like a robot. "Now, do you want to see them fight to the death, or will you give me a little smile?" He cooed at you, rolling his wrist to better hold on to Yuuji.

With eyes drowning in tears and a chest heaving up and down with a building panic attack, you cracked the most devastatingly broken smile he had seen in his entire existence.

"Beautiful." He mused, his heart fluttering for a moment in nostalgia before he reigned it in again and shot you a wide grin.

Sukuna released them to fight anyways.

I just realized I completely went left from the request. I'm sorry anon LOL might do another part to depict why he chose her and do the fluff bit (as close to fluff as we can get from this man).

[isa-ghost]

I see you have hcs, do you have any for mr fitmc?

Yes!!

Here's some ones of his relationship with Phil past and present too bc I don't think I have Fit standalone ones until now.

Obviously these will apply to AMFMN Fit too!

Fit is extremely observant and perceptive. Years of roaming a wasteland, spending every minute of every day documenting, chronicling, exploring and witnessing so much really sharpens those kinds of skills. Not much gets past Fit unless he simply wasn't there or doesn't know. All it takes is an inkling and he'll start connecting dots and making theories.

It's why he Hates the Federation. Not only is he an anarchist, he hates the way they make it so easy to keep him in the dark. It's why he weaseled into it in the first position he could get. Being a janitor sucks, but it's something. Anything to get a foundation for making next moves.

He struggles with trust though. He trusts people, but very few if any does he trust whole-heartedly. Pac & Phil are likely the only ones he trusts that much. And even then, he doesn't confide in anyone nearly as deeply as he does Ramon. Spending so much of his life in 2B2T has taught him to reserve trust for people who prove without a doubt that they're ride or die with you. He wishes he didn't find it so difficult to trust more people though.

Okay complete 180 in vibes here but I'm very passionate about this one: Fit has a giant warhammer that's his weapon of choice. Chainsaw, scythe, potato cannon, whatever other stuff he's got is good. But big fucking hammer. With those muscles? Oughoughouhgh.

By the way he never in his life had experienced people simping for his muscles or flirting with him prior to being on QI. It was whiplash and it's changed him for the worst /pos

On the surface it seems like Fit is pretty cold or at least disinterested in stuff that leans on the vulnerable side. It's not entirely wrong, he's spent so long in a place where vulnerability gets your base blown to smithereens or gets you robbed blind or both. But he Does enjoy such things. I mean, just look at the Fitpac date! And hugs? Hugs rock! He'd be so much worse off if he didn't let loose or let himself lower his guard every now and then. It takes a lot of energy to keep those walls up, it'd be unhealthy to never let them down. Especially in a place like Quesadilla Island, where it seems like it's a bit safer to do so. Honestly, he's the opposite of disinterested in letting walls down. He wants that more than anything, and it took being put on QI, becoming a dad, and falling in love for him to realize it.

Which makes keeping up this facade really hard. Not just the whole "snooping for data" thing, just Everything Fit has built himself to be over the years altogether. He doesn't want to keep holding people at arm's length and looking over his shoulder all the time anymore. It's exhausting.

That's not to say he wouldn't relapse right back to how he was before QI softened him up, though. Again, those trust issues. Purgatory really fucked with his head for a while. And plenty of things that happened after, like the whole Phil Ender King thing, really didn't help either. What he's going through is a form of healing, and healing isn't linear.

He isn't afraid to get his hands dirty. Be it with dirt, blood, or otherwise. His motto is you gotta do what you gotta do. He's a very means to an end kinda guy. And despite wishing he could shed being so hardened by the 2B2T Wastelands, he does value that it's given him this kind of strength. It takes a lot to be willing to do whatever it takes to get what you want.

The reason Fit loves fofoca is not only because he enjoys indulging his inner drama whore. He's spent most of his life roaming a place where secrets were as good if not better of a trade than actual currency. When he first arrived on QI, he wasn't entirely sure how to just. Casually socialize. There's little to no risk in it. It was incredibly foreign to him. But it turns out that gossip is like trading secrets in a different font. He's good at that. So collecting and spreading fofoca is how he taught himself to appear kind of "normal" to the other islanders.

Most if not all of the above is also evidence to support the fact that Fit in general is a very adaptive person. You can put him in any environment, as soon as he gets the gist of the status quo and what kind of stakes he's dealing with here, he'll manage no problem. Chances are he's experienced worse. Purgatory and the prison are 2 good examples.

Calling back to the wanting to be vulnerable + confiding in Ramon the most things, GOD is he grateful he got such a brilliant son. Ramon learned a lot from him, but even so, he already had many of the same traits Fit does. It did wonders for bonding, and it's part of what made trusting Ramon come so easy. He's glad he got a son that's so understanding of the way he operates.

The only thing stopping him from taking a page from Cellbit and just starting to kill Feds for information or other reasons is because he knows he'll get more out of playing the long con and letting himself be strung along. Infiltration goes further than outright brutality in his eyes. Brutality is saved for something you no longer need anything from.

Btw his stealth skills are fucking insane. In 2B2T your detection is life or death, and it'll only end in your favor if you can talk sweet enough or have something worth bargaining with. He often did one or the other, but even so, a historian like him typically lacked anything of much value to most bandits and the like. He was simply charismatic and lucky. Which means staying hidden, laying low, and moving with more calculation than a math class is more beneficial to him. And boy has it come in handy on the island too.

In his time on QI, once The Horrors all started, he's learned he really likes having intense intellectual talks with other islanders. Strategizing, theorizing. It feels like the survival he's so used to but with less imminent threats on his life. Bagi especially is an absolute delight to get into these kinds of talks with. It feels like casual socializing and the kind of talking he's used to at the same time. Very much his jam.

[theuntitledblog]

The Dark Knight (2008) - REVIEW

One of the things I remember most leading up to The Dark Knight was how little the trailers had spoiled of the plot beforehand. Sure there were snippets of the set pieces, a few choice lines of dialogue but nothing major was given out, not even context. Of course we now know this approach is typical Christopher Nolan but in 2008 we had barely begun to see what Nolan was about and this approach made me nervous for one reason; Heath Ledger's Joker. One of the biggest takeaways I took from Batman Begins was that we finally had a Batman movie where Bruce Wayne was the main character of his story and not overshadowed by a colourful villain. Since the Joker seemed at the centre of the trailers and marketing, I feared that that good work was going to be cast aside by a sequel that would take us back to a similar approach of the Burton/Schumacher years. Sufficed to say, none of those concerns came to fruition and whilst it would be easy to spend a whole entry saying just how Heath Ledger steals the film, in the years since I've come to appreciate The Dark Knight more as an ensemble achievement rather than just a solo one.

The Dark Knight focuses on the crusade that Christian Bale's Bruce Wayne started in Batman Begins but where he was the main character of that film, here he's more part of an ensemble including Gary Oldman’s Jim Gordon and Aaron Eckhart’s Harvey Dent. The Dark Knight benefits from the character work done in Batman Begins and here we have a fully fleshed out and understood Batman. For me though it's Eckhart's Dent where the heart and soul of movie lies both as the public face leading the charge against corruption in Gotham and, for Bruce, the ideal successor to Batman. Whether it's Bruce's longing to hang up the cowl and have a normal life with Maggie Gyllenhaal's Rachel, or waging war against Gotham's crime families as Batman to the campaign of terror waged by the Joker, Harvey Dent is the figure at the centre of these threads and tied to everyone's fates in this movie. Going in I wasn't sure how far they were planning to go with Dent's story and whether this would tie into a sequel which most films would probably do today. However Nolan's make it work and it's not often that a film like this is able to balance multiple villains but in this case, Nolan nail it. Aaron Eckhart is perfectly cast; handsome, earnest and with a steely determination but there's hint of darkness as well. It's not as flashy a performance as Ledger's but it is no less an important one in a film filled with many underrated performances.

Heath Ledger may not have been everyone's first choice as the Joker but he disappears under the make-up and delivers a mesmerizing take that may lack the humour of Jack Nicholson's but makes up for it with a terrifying unpredictability. This Joker is a reflection of the post-9/11 period that the film was made in and Nolan explores similar themes of the time by asking just how far the good guys are willing to go against an enemy for which reason isn't possible. For Batman and his allies, their crusade is about taking back control of Gotham whereas the Joker is an anarchist who thrives in chaos and revelling in the belief that they never had control to begin with. This battle of philosophies is encapsulated by a face to face confrontation between Batman and the Joker in a interrogation room that feels reminiscent of Pacino and De Niro in Heat. There is this constant tension throughout that radiates throughout the film but the most refreshing thing about it all is that there is this genuine sense of real stakes and consequences to everything the Joker does and the impact he has. The Dark Knight, like all of Nolan's films, has plenty of ideas and there are moments where the film does feel a little stagey in exploring those ideas. The ferry sequence in particular feels like one too many for me but it's minor complaint for a film that builds towards a tense finale that brings everything satisfyingly full circle.

In the 16 years that has passed since its release, The Dark Knight's reputation has only grown and not just because of what Heath Ledger accomplishes but because it transcends what a comic book/superhero movie could be. The realism style established in Batman Begins is pushed even further here to the point that visually it doesn't resemble a comic book movie. Likewise the grand ideas and themes in the storytelling also elevate it further to the point where The Dark Knight could be described more as an epic crime thriller rather than superhero movie. Whatever your take is, this is a movie that works because all of its part align, all of the characters and performances enthral in equal measure even if there is one obvious scene stealing performance. The Dark Knight is and remains one of the finest films I've ever seen.

VERDICT

A superhero movie of the highest quality. Filled with great performances, a great story with outstanding set pieces and moments. The Dark Knight is one the best films of the last 20 years.

5/5

[the-cat-and-the-birdie]

omg i just saw ur post about writing non conventional hobie fics with fem readers and had to give an instant follow bc i agree ENTIRELY

it also got me thinking like,,,where are the fics for masc readers??? ik it's hard to find them in fanfiction in general but come on, i think we've all unanimously agreed that hobie's sexuality is probably very fluid, so why am i only seeing hyperfem submissive x readers out there??? not that masc readers can't be submissive, but it's just an oversaturated reader trait at this point

NO FORREAL

I've seen bits and glances of some but like -

Can we get a fic of meeting Hobie in a gay bar? Or meeting him at a Pride Party (Pride already existed during his time).

A lot of them are usually smut because...that's just the fic situation right now in the Hobie tag. But I wish I could see longer ones that explore queer relationships with Hobie too.

ESPECIALLY because of the time he exists in, when Pride could still be a riot, and they were still fighting for many of their basic rights. Back then two men holding hands would be EXTREMELY radical. Going against the gender binary, especially visibly was incredibly dangerous (even moreso than now) too.

I want Hobie and a masc reader, who Hobie helps experiment and express themselves and their masculinity the way they like

I wanna see it. Hobie and his masc partner. A boyfriend that looks super scary but is actually even softer than Hobie is. Or a partner who isn't punk at all and Hobie meets them at the library while checking out anarchist books, and his partner compliments his taste.

Like....the potential. The POTENTIAL.

[marxandmore]

Can you explain like I'm five years old exactly what Marxism is and how it works? What would a Marxist world look like for you?

I know Karl Marx was a guy like 200 years ago and he had certain ideas about how the world should run.

I just can't understand the original sources and like i tend to think in more practical every day person terms and less...society planning. If that makes sense.

I'm anarchist myself, but like at the end of the day we all want human rights I think so idc. Your thing is just as valid as mine. :)

What Is Marxism?

Marxism is a deep philosophy with a rich intellectual history, which, without even taking into consideration the philosophy that came before it, has developed over the course of more than 180 years. 

It was first outlined by Marx and Engels over the course of more than four decades, and by Marx’s own admission should be called Marxism-Engelism (Bertsch et al 1976, 15). After the death of Marx, and later Engels, it was then developed by novelists, theoreticians, philosophers, economists, and many others up to the present point. Prominent examples are Lenin, Mao Zedong, Angela Davis, Herbert Marcuse, and Franz Fanon. The relevance of Marx’s philosophy has never been greater. The economic system that Marx and Engels originally set out to critique still exists. More than that, it has spread to almost every corner of the globe and has developed significantly, and thanks to advances in education, the possibility of comprehending the system that shapes our daily lives, from work, to friendships, to familial relations, to culture and religion, and even politics, has become ever greater. Yet many people do not understand the work of Marx and others like him. This is due to a variety of factors. Technical and outdated language, lengthy texts, complicated economic formulas, lack of time to study or read, these are all commonly heard reasons and complaints as to why people presently do not comprehend Marx’s work and thus fail to grasp its significance. Although the best way to learn Marxist philosophy is to read and critically engage with the original texts, this series of essays aims to promote Marxist philosophy, past and present, and help newcomers understand its basic premises and claims. This first essay in the series aims to outline the basic components that are necessary to comprehend all later works. Later essays will focus on each individual component and provide a more complete overview. The two basic components that Marxism bases itself on are philosophy and political economy. More specifically, Marxism synthesizes the philosophical theories of dialectics and materialism, and most completely analyzes economic processes in capitalist society, and based on its discoveries, promotes a new economic form and a new society. These components will be further outlined and explored in a little more detail in the upcoming paragraphs. The first essential philosophical concept that Marxism builds upon is the dialectic. Dialectics are essentially a way of viewing all sorts of processes. A form of reasoning already practiced by the ancient Greeks (Engels 1880). Dialectical thinking has two primary aspects. First of all, a dialectical way of thinking acknowledges that everything constantly moves and changes, that everything is interconnected, that things do not exist in a vacuum (Engels 1880). Regarding this, Engels wrote: “[...] we observe the movements, transitions, connections, rather than the things that move, combine, and are connected.” (Engels 1880), as opposed to “[...] observing natural objects and processes in isolation, apart from their connection with the vast whole; of observing them in repose, not in motion; as constraints, not as essentially variables; in their death, not in their life.” (Engels 1880), like a so-called metaphysician or idealist would do. The second main aspect is the aspect of contradiction, the idea that things and processes, both natural and within societies carry within them contradictory aspects. It is impossible to see everything as binary, for example, in the case of life and death. Death is a protracted process that does not happen instantaneously, from a physiological point of view at least (Engels 1880). We can thus speak of a time period in which a human or animal is not quite dead, yet also not quite alive, two contradictory aspects that exist momentarily together, until one process turns into the next. In the aforementioned example, that would be the process of living being completely finished, and then starting the process of decomposition. Within economics we see the principle of two economic classes that depend on each other for their existence within a particular economic system, and as soon as one of these classes abolishes the other, a new economic system is created.

The second essential philosophical concept that Marxism builds upon is materialism. Materialism too, has a lengthy philosophical history, which will be covered in later essays in this series. Materialism is the opposite of idealism. Idealism is the notion that the real world reflects ideas. An example of this would be objective morality or human rights. The idea that there is some sort of objective morality that is true regardless of time and place, or that human rights are an inherent thing that we are all born with, instead of morals and views on human rights being informed by the kind of society we live in, like we see when we analyze history, or even just contemporary societies. Materialism then, is the notion that our ideas, actions, and desires, are shaped by the physical world around us. Marxism aims to not only apply this materialist view to the natural sciences, but also to human society and its history. Regarding this, Engels wrote the following: “The materialist conception of history starts from the proposition that the production of the means to support human life and, next to production, the exchange of things produced, is the basis of all social structure; that in every society that has appeared in history, the manner in which wealth is distributed and society divided into classes or orders is dependent upon what is produced, how it is produced, and how the products are exchanged. From this point of view, the final causes of all social changes and political revolutions are to be sought, not in men's brains, not in men's better insights into eternal truth and justice, but in changes in the modes of production and exchange. They are to be sought, not in the philosophy, but in the economics of each particular epoch.” (Engels 1880) 

Now with the philosophical aspects out of the way, let us look at the second basic component of Marxism: economics. An economic system can be defined as “The institutions that organize the production and distribution of goods and services in an entire economy.” (The CORE Team 2017 ,22). As far as defining an economic system goes, this is an acceptable definition, but of course this is an incomplete definition if we want to look at what the economy itself is. It suggests that the economy is merely about production and distribution, and implicitly consumption. However, ultimately, as Engels has pointed out, as humans we produce and consume to support human life. The economy as a whole then, can be defined as the way in which we as humans organize production, distribution, and consumption, in order to sustain human life. Studying economics then, is about studying the ways in which we produce, distribute, and consume, and expressing this in laws, tendencies, formulas, and mathematical models.

The economic system that we currently live under is called capitalism. In order to understand what capitalism is, it is useful to compare it with what came before it: feudalism. Under feudalism, land and bureaucratic positions were held and passed down on a hereditary basis, people generally had their own tools with which they produced products. Sometimes they required the help of others, but the vast majority of the labor necessary to produce a product was put in by the individual producer, with their individual tools (Engels 1880). After they produced a product, the product was then generally theirs to do with what they pleased. Eventually feudalism collapsed as a result of its own unique set of contradictions, which then resulted in various political revolutions in the UK, France, the USA, etc, around the end of the 18th century. After these revolutions, hereditary positions and hereditary property were largely abolished in favor of all sorts of rights, as well as private property and free competition on a more or less free market. 

Capitalism is the result of a long historical process, and developed gradually out of feudalism, but it did not fully develop until these aforementioned political revolutions completely broke the old feudalistic order. Unlike under feudalism, under capitalism, production no longer happens by individual producers with their individual tools (Engels 1880). Under capitalism production is concentrated (Engels 1880). People, in general, no longer work on an individual basis or together with their close family, but instead, they work in workplaces that employ tens, hundreds, even thousands of people, all in the same place. Under capitalism, production has also been socialized (Engels 1880). Whereas before, people produced products using primarily their own labor, under capitalism, workers are only responsible for a small part in the production of the final product. Now nobody can truly say that they produced a product (Engels 1880). This process was made possible by the rise of large industry, which can produce commodities of the same quality as before, on a much larger and more efficient scale, and against far lower cost (in terms of labor), utilizing mechanical machines.We can clearly see that under capitalism, production has become concentrated instead of loosely organized, socialized instead of individual, yet there are still only few owners of the tools with which the commodities are created, henceforth called the means of production, and on the basis of this ownership over the means of production, they claim the products, and thus by extension the labor of others (the labor of many others is now necessary in the production process). This is one of the great contradictions in capitalistic production.

This new form of industrial production has made old forms of production superfluous because of its more efficient nature, and has consequently forced the owners of older, now obsolete tools, to purchase industrial equipment and continue producing in that way, or in most instances, due to a lack of money, become reliant on the sale of their labor to those who own these new means of production. In this way, capitalism has created two main economic classes: the proletariat and the bourgeoisie. The former sells their labor on an, often hourly, basis to be able to purchase the basic commodities necessary to maintain life. The latter appropriates the labor of others, by virtue of owning the means of production, and by that virtue alone, gets to keep the difference between the price at which a commodity is sold, which is determined by the laws of supply and demand, and the costs of production, including labor costs. In other words, they get to keep the profits. The interests of these two classes are completely opposite and irreconcilable. The proletariat seeks to receive the full worth of what their labor contributed to the finished commodity, while the bourgeoisie seeks to enlarge their profits as much as possible, and utilize these profits to expand their means of production, or capital (hence the name capitalist, and capitalism). This is the main contradiction, along class lines, within capitalism.

The capitalistic way of organizing production and exchange also leads to countless other contradictions that this essay will not go into. Things like the crisis of overproduction, of free competition leading to monopolies, etc.

More important is the way in which Marxism wants to solve these contradictions. Marxism wants to solve these contradictions using communism. As Engels wrote: “Communism is the doctrine of the conditions of the liberation of the proletariat.” (Engels 1847) Now what exactly is communism? Communism is the next logical step in the development of the economy. Production has already been concentrated, made incredibly efficient, and socialized, all that remains is to also socialize the ownership over the means of production. Or as Engels wrote:

“Above all, it will have to take the control of industry and of all branches of production out of the hands of mutually competing individuals, and instead institute a system in which all these branches of production are operated by society as a whole – that is, for the common account, according to a common plan, and with the participation of all members of society.

It will, in other words, abolish competition and replace it with association.” (Engels 1847)

In doing so, the contradiction between socialized production and individual appropriation of labor will be solved, and the bourgeoisie, which relies upon the individual appropriation of labor, will be abolished, thus solving the contradiction between proletariat and bourgeoisie. In its most developed form, it will make money completely unnecessary, as we will no longer need to exchange meager wages for basic commodities, but instead communally produce and consume. It will also abolish the state, which Marxism defines as the oppression of one economic class by another, but that will be topic for a future essay in this series. 

In conclusion, Marxism aims to bring together dialectical thinking and materialist philosophy, and apply this, in a scientific way, to analyze societies past and present. Its analysis, which largely revolves around economic classes, incorporates and developed many economic theories, and has formulated and applied many economic laws and formulas. Its conclusion is simple: capitalism is contradictory and will bring about its own demise. From the contradiction in socialized production versus individual appropriation, the proletariat versus the bourgeoisie, to the repeated crises of overproduction, and the tendency of free competition to lead to monopoly, and thus unfree competition. These are all inherent to the capitalist economic system. History has shown us that contradictions can only exist side by side in one system for so long. Sooner or later, it will have to make place for a new economic system that completely negates the old one. Workers of the world, unite! Revolutionary regards, MarxAndMore Bibliography:

Bertsch, Gary K, and Thomas W Ganschow. Comparative Communism : The Soviet, Chinese, and Yugoslav Models. San Francisco: W.H. Freeman, 1976.

Engels, Frederick. “Socialism: Utopian and Scientific.” Marxists.org, 1880. https://www.marxists.org/archive/marx/works/1880/soc-utop/index.htm.

Engels, Frederick. “The Principles of Communism.” marxists.org, 1847. https://www.marxists.org/archive/marx/works/1847/11/prin-com.htm.

The CORE Team. “The Economy.” www.core-econ.org. Oxford University Press, 2017. https://core-econ.org/the-economy/v1/en/.

V.I. Lenin. “Lenin: The Three Sources and Three Component Parts of Marxism.” Marxists.org, 1913. https://www.marxists.org/archive/lenin/works/1913/mar/x01.htm.

[aspoonofsugar]

Hello, how are you? I hope you are well! I wanted to say that I feel like Kogami's revenge plot in Psycho Pass has been losing focus. Like, apparently he seeks to end Makishima out of personal revenge for Sasayama's death. But the anime shows and says little about Sasayama, and in its flashbacks their relationship is never the focus, in fact I don't remember a moment where they demonstrate a strong bond. I'm not saying it was poorly constructed or anything, I just feel like Kogami's motivation to stop Makishima doesn't have much to do with Sasayama. What do you think about it?

Hi!

I think Sasayama's relationship with Kogami is meant to parallel Akane and Kogami's to an extent, in the sense they worked together and were close, but at one point Sasayama died, which led to Kogami's spiral. I don't think the bond needs to be explored that much tbh for it to be effective. It is more than anything a bond, which is told to us, rather than shown. It is part of Kogami's background, rather than a part of his arc.

In short, I understand what you are saying, but Sasayama is more than anything a narrative device rather than a real character and must be taken as such. He is the inciting incident for Kogami's obsession towards Makishima and his growing doubts over Sybil's society. So, in a sense, I agree with you. The point of Kogami isn't that he loses it because a loved one dies. The point is Kogami discovers his idea of justice does not fit Sybil's society. That is the point of his character. He also gives in to aggressivity and revenge out of guilt, self-hate and frutstration.

In a sense, all of Psycho Pass main characters embody a specific political/philosophical stance and show how this stance can be detrimental if taken to the extreme:

Akane is an idealist/reformist - she is the moral backbone and is genuine in her endeavor, but this also makes so that by the end of season 1 she allies herself with the system with the vague hope one day Sybil will be dethroned. Still, she has not concrete plan on how to do it.

Makishima is an anarchist/terrorist - he is right in his criticism of the system and has a plan on how to destroy Sybil. Still, he acts just as cruelly and selfishly as the system does and hides his selfishness behind an idelogy.

The system is utilitarianism/dictatorship - it tries to make the interests of the majority of people, but ends up victimizing minority because of this. It offers security in exchange of freedom.

What about Kogami? I would say Kogami is individualism. He follows a personal code and is animated by a personal goal. He makes the interest of individuals and not of society. What matters for him isn't that there is a societal system that works, but that a very specific individual is punished for his crimes.

For example, Akane proposes to bring back a human jury to judge Makishima - hers is a solution which ties into a very specific idea of law and society. Kogami instead wants to simply kill Makishima and is uninterested in society judging him.

Thank you for the ask and happy holidays if you celebrate!