#he’s an asshole but I understand

[nataliescatorccioapologist]

They really put Travis through the wringer on this show, like put yourself in his shoes for a moment. You’re a teenage boy who’s dragged along by his shitty, neglectful father to a soccer tournament you really don’t even want to be at. The plane crashes on the way there and you have to watch your father’s bloody, mangled corpse fall from a tree.

Now you’re stranded in the middle of nowhere with a bunch of teenage girls, a one-legged gay guy who’s slowly going insane, and your little brother who you now have to take care of. You lash out because you’re deeply grieving and traumatized and don’t know how to show it because your brain is filled with 90s era gender roles. Now you have to dig up your father’s corpse to get a ring for Javi to make it up to him. Then you start a thing with a pretty grunge girl but you’re too insecure and not ready and don’t know how to express that because, once again, 90s gender roles.

Then you go to a party in the woods, get drugged with shrooms, lose your virginity, and get sexually assaulted by like 10 girls who proceed to hunt you down, tie you to a tree, and try to kill you. Then your brother gets lost in the crossfire and you’re trying to find him all while still feeling the guilt of cheating on the girl you love and the shame of what all of those girls did to you. You spend months looking for your brother in the snow and you know he’s probably dead but you can’t bear the thought that you were supposed to protect him and failed so you live in denial. Then your girl fakes Javi’s death, you begin to properly grieve, and you cannibalize the girl you lost your virginity to all in the same day.

Then, just as you’re coming to terms with Javi’s death he comes back but he’s all fucked up and won’t talk to you and you realize your girl lied to you so now you’re more alone than ever. Now you’re all starving so you do a card draw to see who you’re all going to eat next but the girl you love draws the card and you try to save her by sending your brother out there to help her. She lives but your brother dies instead (and you know he would have lived if you hadn’t sent him out there) and you sob over his body until the girls take him away to cut him up. Then you have to eat your brother to survive. And the girl you love who let your little brother die in her place is being crowned queen and you’re going to have a lifelong, complicated, drug-filled, resentful relationship with her. When you’re rescued, you’re going to have to return home and tell your mother that her husband and son are dead but you can never tell her, or anyone, what really happened.

I’m going to cut him some slack, guys.

[poorly-drawn-mdzs]

Up High!

[First] Prev <–-> Next

[you-makestedehappy]

Line deliveries that play on repeat in my brain.

Season 1, episode 4 - Discomfort in a Married State

🐈‍⬛❤️‍🩹🍆💦🏴‍☠️ [ep 1, 2, 3, 4, 5, 6, 7, 8, 9, 10]

Bonus :

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[smultronviol]

Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.

God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"

2. bro just WAIT until you hear about season 1 jon lol

[rubydubydoo122]

I think the funniest thing about how the Fandom perceives Tim (especially obnoxious Tim fans) is that he is was deeply hurt by the actions Jason, Damian, and Dick have done to him, but lowkey that’s just the fandom projecting

Tim lowkey did not give a fuck. Maybe a little at first, but he definitely does not hold a grudge against any of them.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[sapphiretanto]

(CW: Ranting/Venting; the fic I am talking about will not be named, nor will I give the author’s name away. Please send me a message if you want to know)

Did we even watch the same show? He’s not a caring, big brother? He’s a stick in the mud?

The only thing I’ll give you is that he’s full of himself… because he’s an idiot teenager with badass fighting skills and weapons. Of course he’s gonna be a cocky little shit. Most people with Leo’s skill would be.

I’m going to assume that you mean part of the time he’s full of himself. But if you mean all the time, then I’ll correct you there. More often than not, he is actually very insecure— a very common trait among the Leonardo’s.

“Maybe I shouldn’t be leading the team?”

“It’s all my fault. I let the guys down!”

“I don’t think I’ll ever be the same again”

“I’d just hold you back. You guys train, I’ll watch. It’s all I’m good for anyway…”

“I’m a liability to the whole team”

“I won’t be much help out there anyway”

Leo is a perfectionist and this shows in the way he leads— coming across as bossy or arrogant— and how he treats himself. The guy just got out of a three-month coma after he had the shit kicked out of him and what does he say when he’s by himself after everyone else went to look for Raph in the woods?

He holds himself to impossibly high standards— both placed by himself and some of the misguided lessons he was taught.

Alright, now for the stick in the mud part. Leo is a fucking dork (I mean this in the most affectionate sense). He loves Space Heroes to the point where he quotes it during missions. He likes puns, is fascinated by Japan culture, martial arts, meditation, etc. He trains very hard to excel at ninjutsu/martial arts— both so he can help his brothers in combat and because it’s a passion of his. That doesn’t make him boring in the slightest. He has some of the most ridiculous dialogue throughout the series:

“Alright guys. Let’s put Old Mother Hubbard back in her cupboard!”

“Hello!? Space Heroes!? Captain Ryan! Didn’t you see the episode where they fought the Cortexecons?!”

“Awesome! Oh, this is so rad! I feel like Van Helsing, but way cooler than him, actually. Way more rad than Van Helsing”

“Alright guys, prepare to dish out the mighty wrath of justice!”

“We don’t know he’s gonna do anything bad. He could be on his way… to… church!”

“I… don’t really have a pinky?”

He can’t lie for shit which leads to him saying silly things:

“Be cool. Be cool.” *answers phone* “uh.. hey man! What’s… what’s going down? *Raph says they better have not watched the Crognard finale without him and Leo laughs nervously* W-who, us?! Of course not! But I bet if we did watch it, we would have found it anti-climate… climactic!”

*gets asked by Chloe if there’s other turtles like him* “Nope! Uh-uh! Just me! Mr. Imaginary Talking Turtle!”

“He’s just kidding, Mrs. O’Neil. Kirby’s…uh.. on a.. safari! In Puerto Rico! And he won’t be back for a while.”

And he’s not the goody-two shoes and suck up people think of him as. He has gone behind Splinter’s back on several occasions, snuck out both willingly and unwillingly. The guy dressed in black and caused petty crime with his sister and her girlfriend Shinigami because he was pissed off at Shredder.

As for not being a caring brother. You mean this guy?! This Leo?! ⬇️

Couldn’t be this Leo, right? There’s no way he’s a mother hen— being both doting and getting after his brothers.

“Don’t talk with your mouth full!”

“Mikey, you never cease to amaze me”

“Leo never left your side” — April when Raph was reduced to a mere plant by The Creep

“I’m sorry about Spike, Raphael.”

“Donnie, don’t lose sight of who you are!”

“Nice job, D”

“Donnie, the go karts worked great. Nice job!”

“Mikey, come on! It’s not that bad! And Raph promises not to make fun of you anymore.”

Not the Leo that uses all his strength and stays behind in the Technodrome holding Kraang Prime so his brothers and April can escape. Not that Leo who while just barely awake after a coma goes after a mutated monster in the woods to get his family back. Not that Leo who forced himself to stay calm so the others can be calm while they go through the most insane shit, or cannot grieve in the moment because he has to ensure the rest of their safety, so his focus during missions and battle is scattered in different places. Because he couldn’t possibly help bandage their wounds, worry when they’re hurt and not give up on a family member. Not Leo preventing Donnie from straight up unaliving Don Vizioso because Leo doesn’t want his younger brother to do what he did and change him like it changed him. He doesn’t sacrifice himself over and over because he loves his brothers, right? Right??

[comradekatara]

I meant Hama and Katara... But thank you for the Kanna & Katara Link. I'll go theough it.

ohhh yes i obviously have so many thoughts on hama and katara as well..... hama is the embodiment of who katara could have become had a) her circumstances been slightly different (and worse) and b) had she had less emotional strength & resilience & desire to cling to her own humanity at all costs. like, the fact that katara gets multiple figures who embody the terror of her submitting to her most vengeful instincts and perpetuating the cycle of violence instead of working to end it is honestly quite beautiful, as that tension culminates in "the southern raiders" and katara lets herself prioritize her own humanity over her pain and rage and (totally justified) desire for revenge.

i know a lot of people think that hama and jet are the most politically confused aspects of the show, since they do play into the thing lok does where it's like "all oppressed peoples who employ radical means of resistance are simply cackling mustache-twirling terrorists," and while i do think that the way hama is framed at the end of "the puppetmaster" is in poor taste and lacks nuance, it's also pretty clear to me that a) their trauma is portrayed as sympathetic b) their stories are depicted as tragedies and c) atla doesn't actually demonize violent methods of resistance. like if katara wasn't literally the main character i'd feel much more comfortable making that critique (because lok does do this and it's liberal bullshit and it sucks), but we see katara use violent means of resistance as early as episode 6 of the whole show. she's literally framed as a hero for doing ecoterrorism; even when she's actually in the wrong in that situation, her desire to do whatever it takes to help people and encourage them to fight back against their oppressors is celebrated unconditionally.

the lesson katara has to learn from them is that she must never let her anger and desire for revenge consume her over her love for humanity and her drive to help people. jet and hama are both deeply traumatized in a way that made them prioritize wanting to wield power over others in the same way that they were once made vulnerable and helpless, and katara recognizes that instinct in herself too, that instinct in every person who has been subjected to that degree of violence. hama targets fire nation civilians out of spite, because she was once a regular girl from the southern water tribe who was targeted for reasons beyond her control, made to fight and treated like a villain. the reason she goes after "regular people" instead of targeting actual combatants is specifically because she knows that if the roles were reversed, the fire nation wouldn't care about differentiating her people in those roles; she's giving them a taste of their own medicine.

she used to be a resistance fighter who fought back against the imperialists on her land with everything she had, and it didn't work. she suffered unimaginable horrors, and in the process discovered an ability that would allow her to make others suffered the way she did. no, she's not a good leftist or whatever, but her motivation is understandable. she's driven by pain, not reason, just as katara and zuko are in "the southern raiders," just as aang is in "the desert" when he loses appa, just as sokka is in "the boiling rock." when one is hurting that badly, the desire to ease one's pain supersedes logic, supersedes one's core values in general, the values of grief taking its place. hama has been grieving her entire life; whoever she was before the raids is gone, and now she is someone shaped wholly by pain. and had katara not met hama, been traumatized by her, and thus vowed never to be like her, who knows whether she would have had the ability to take a step back and recognize within herself that she is standing over that precipice, and instead walk away from the threshold of violence, and back towards herself.

[zylphiacrowley]

Doomed from the start.

[puhpandas]

I love ggy so much how did they accidentally make the most intriguing hypothetical gay romance ever

[fala-alfredo-pasta]

hiii uhh im not sure if you are take requests rn and I don’t wanna seem like rude or anything but could u draw kokichi and makoto like interacting??? idk but it would be cool to see them meet or something lol

(post v3 and they're somehow all alive in the real world or something idk au but imagine if Makoto's secret was actually legit and the whole Danganronpa obsessed world just knows about it now and it never really dawned on him? that'd be messed up.)

[candyskiez]

The pain of reading Reigen fics or seeing comics of him is it's always flip flopping between "he would NOT fucking treat someone like that" and "he would NOT fucking be that nice at that point in his arc"

[olivsie]

Something I like about epic the musical is that it Gives it's changes to the original text an actual Purpose

( The first couple paragraphs are basically a rant regarding retellings. If you only want to hear about epic Skip to paragraph 4)

1. I am a bit annoyed by the lack of. Understanding as to why RETELLINGS aren't the most historicaly accurate things in the world. Sorry to break this to you, but that's both just how they work and I would guess how they reach success. Ancient Greece is a much different culture than our own, And most of us would be terrified to actually live back then. When you are Trying to create content That is based on ancient Greece And you want it to be successful/ At least reach a wide, and notably, MODERN audience. You're likely going to have to take some creative liberty And change a few things. Don't get me wrong, YOU DO NOT HAVE TO LIKE RETELLINGS KNOWING THAT FACT ( Me personally, I'm not the biggest fan of Miller's novels Even though I do like epic) BUT IT IS SOMETHING TO BE AWARE OF. And because of that I don't think I would ever expect a retelling to be perfectly accurate And I don't. I had interest in mythology LONG before epic the musical But I didn't actually read the Odyssey until getting into epic. I did not expect it To be just like the musical, I knew Odysseus was going to be much more of an asshole, along with other characters. The odyssey and epic are different pieces of media to me And I am not less of a mythology nerd for liking epic ( Though I will admit that sometimes I take tiny little fun facts of mythology And like to think of them in the context of epic, but that's just for fun.)

2. The Only time being a fan of retellings is wrong as if you genuinely believe they are perfectly accurate And refuse to listen to anything else ( Which has definitely happened, And mythology nerds have the right to be annoyed at that)

3. Some people only like to consume real mythology media, Others like both real mythology and retellings, Others only like to engage with retellings (I would hope they have the self-awareness to know It's not real mythology, From what I've seen some do and some don't, Unfortunately)

4. Ok. now on to what the title of this long ass rant says

I like that epic the musical Retells the story, Not only to both cater to modern audience But Also with its OWN purpose of man versus monster.

Obviously, this is not the point of the original text. Mythos Odysseus does not give a single fuck About the stuff that epic odysseus does. I don't know why the creator Decided to rewrite it this way, (If he's ever said why let me know) But I would assume he wanted to make something about the oddessy And this was simply a very creative way to Translate that for modern audience.

I like this because, yes, holy damn. It does have changes from the original text. But it's not JUST changing it. It's changing it with a purpose

It feels reminiscent of some kind of Dramatic play. the way that epic characterizes.

Polites' kind nature is Representative of the Concept of being merciful Represented in his lines such as " This life is amazing when you greet it with open arms" /"There is so much guilt inside your heart, So why not replace it?"

While in contrast you have eurylochus with more ruthlessness and cautious nature, this is Found in some of his lines such as "You rely on wit, and people die on it" /"we don't know what's ahead" / "I say we strike first. We don't have time to waste so lets raid the place-" /"Let's just cut our losses, You and I and let's run"

And then you have Odysseus, the man/monster. The first act of this Musical is his internal struggle With what He should be On that scale. And the other characters Represent this struggle in the song monster

" Is the cyclops struck with gilt when he kills, is he up in the middle of the night? Or does he end my men to avenge his friend and then Sleep knowing he has done him right?

When the witch turns men to pigs to protect her nymphs, is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?

When a God comes down and makes a Fleet drown Is he scared that he's doing something wrong? Or does he keep us in check So we must respect him and now no one dares to piss him off"

He then Applies this to himself

" Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? Or does he throw away his remorse and save more lives with guile?"

And this marks his turning point of deciding that Ruthlessness It's ultimately worth it if it means Getting home, as aeolus says "The end Always justifies the means"

It's in my opinion, a very creative way to go about retelling a myth. Is it accurate? Absolutely not. For example, circe (From what we know) is not protecting When she turns men into pigs, For all we know, she could just do it because Shits and giggles.

Her character and most others in epic is changed from the original. But it's not ONLY changing for the sake of apeling to the modern Western audience and being successful like Many other retellings. It is also and mainly changing for the sake of influencing the plot that Jorge Rivera herrans crafted For the sake of Retelling epic. It is creative and I enjoy it despite knowing it's not accurate.

[money-and-dandellions]

Entertainers like to seem complicated

But we're not complicated

I can explain it pretty easily

Have you ever been to a birthday party for children?

And one of the children

Won't stop screaming

'Cause he's just a little attention attractor

(//source: 'Art Is Dead' by Bo Burnham//)

[foolishlyzephyrus]

we hate on danny pink too much, he’s a pretty reasonable human being for the most part.