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justporo · 1 year ago

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Who's the goose... (1)

Finally having arrived in Baldur's Gate, Astarion finds the wrong pocket to pick - and gets turned into a goose as punishement. Peace was never an option.

PART 2 | MASTERLIST | AO3

Author's Note: This might as well have been the stupidest idea I've ever had but I couldn't get it out of my head, so here we are. Thanks for input and giving me some more stupid ideas for this to my bf, @tatterings, @bearhugsandshrugs and @the-littlest-raindrop and @megschaef98 for already cackling about it (and everyone else on that server for your love and support!); ah also Neil Newbon for coming up with this... The wonderful little doodle is once more done by the lovely @azaani-art!

Pairing: Uhm, Goosetarion(Astarion)/GN!Tav (You)

Rating: Stupid

Warnings: goose? (I'm sorry, I'm really just running with the bit by now...)

Wordcount: 3,7k

~~~

A goose sat in front of you all.

And it looked weirdly humanoid how it sat there: tiny rubbery legs stretched out in front of it and the wings too – as if it didn’t know how to properly move or place them.

The goose’s head turned around on the long neck to look at you and your companions out of its small red button eyes. The feathers on top of its head were a bit ruffled and almost gave it the look of having a flurry of white curls right there.

It lifted its stretched out wings a little. Looked at them one after another and made a small croaking noise as it did so.

That made it shut its beak again and snap its red gaze back to you.

You looked down at the goose in shock. The goose looked at you with what you presumed was shock too.

And then it opened its beak wide and started wailing with loud honks, as loud as its avian lungs would allow.

The party had finally arrived at Baldur’s Gate. And then had quickly realised that none of you had really an idea where to start your investigation. So, you had taken to walk around the Lower City and just casually ask around to find out more about what seemed to be going on in the city – especially with this Lord Enver Gortash and his newly established Steel Watch.

The day had been long and exhausting. You all kind of had forgotten how a day without a battle, killing and mortal peril was spent – just walking around in the city, engaging in inconspicuous small talk and trying not to lose your mind by getting nowhere with it – what could possibly be more dreadful than that?

Morale had already been low since the start. Halsin had very obviously been a bit unsettled by the big, bustling city, no matter how much he had tried to hide it. Jaheira had just stoically taken in the city and what had changed since she had last been there. Lae’zel had basically been gnawing on your ears with her complaints of how stupid your approach of talking to people was. That in turn had made Shadowheart almost want to choke her (again). And Wyll had become awfully silent since you’d entered the city – too much was weighing on his mind. Gale was just sad.

Karlach probably was the only one in quite the happy mood: since it’s been a very long time for her since she’s actually been to Baldur’s Gate she was just amazed by everything she saw. And she promptly called that out. Every. Single. Thing. So really not doing anything to help with the low mood of the group.

You had just tried to make the best out of it although you certainly had had to admit to yourself that the missing success of your day had been weighing on you also. But you had tried to be stubborn about it.

Astarion had walked by your side the whole day, surprisingly diligent on his part. You had felt that he was tense – as could have been expected upon entering the lair of his master again. But he had really tried to support you with your current goals – and you were absolutely thankful for that.

But as the day had grown late you had felt the annoyance rise in him too, just as much as it had within you.

It had already become dark in the city. Lanterns and the pale moonlight now had been the only sources of light. You had known that the group should’ve soon gotten back to the inn to retire for the night – despite having found out nothing today.

But you had wanted to push for one last attempt - unfortunately. And when you had happened upon a rather feisty older fellow, Astarion’s thin-stretched patience had finally snapped.

After you had tried to talk to this guy and he had only kept answering in riddles, you had been about to give up when you had noticed that the vampire beside you had disappeared.

You had feared nothing good from this finding and sure as all Nine Hells you had seen how Astarion had tried to sneak up on this man and pickpocket him.

And this had been, when things had really gone sideways – and then backwards; and down a hill.

With Astarion’s hands still in his robe the man had turned around to the vampire and looked him straight in the eye: “What do you think you’re doing there, young man?” He hadn’t even sounded awfully angry, rather a bit amused.

Astarion had simply blinked at him, absolutely dumbfounded that he had so easily been found out. The guy had watched him for a second longer with a small, suppressed smile playing on his lips and then started to whisper as an ominous purple glow had started to emit from him.

The vampire had hastily tried to scurry back, but it was already too late. An explosion of purple light had blinded you all and made you turn away with groans.

And when you had turned around again, both men standing there had been gone, only a single goose left in their place that had looked dazed and very out of place.

So here you were now: with a vampire turned into a screaming goose.

You really didn’t know if you wanted to laugh or cry – probably both. The wailing from polymorphed Astarion was ringing in your ears. Gods, geese could be really loud, couldn’t they?

You looked around your group of friends in desperate need for help.

Karlach had completely lost it, almost doubled over on the cobblestone street. Even Lae’zel bit her bottom lip in an attempt to not burst out laughing, covering half her face with one of her hands. But most of your other companions just looked as shocked and surprised as you.

Gale had his hand on his chin and was obviously very deep in thought – surely, he was already figuring something out to fix this mess. At least you immediately deeply hoped for it.

For a moment you just stood there. Warm, orange light from some nearby windows was lighting the absurd scene. The goose’s wailing drifted to the background for a few moments as your vision blurred and your gaze wandered miles away.

How exactly had you ended up in this ridiculous situation? Out of everything, how had all the steps you had taken led you to this night where your already traumatised soulmate had been turned into poultry and was now shouting the whole city down? Didn’t you have enough on your godsdamned plate already? Would the damned gods ever give you a break?

Your eyes started to burn and water as you stared into the void. You really couldn’t take much more.

But how many times had you been at this point? Too many already anyways.

So, you did, what you always did: took a deep breath, closed your eyes for a hot second, pressed your fingers to the bridge of your nose and tried to focus your thoughts again.

You’d find a way out of this and if not… Well, you’d find a way to live with Astarion as a goose, for better or for worse.

When you focused again on the scene, you saw how Halsin was slowly approaching the goose that was Astarion and was still honking as if his life depended on it – and maybe it did, who knew? Gale was whispering an incantation and focusing on the goose. The rest was just still standing around with quizzical looks on their faces or casually losing it and losing their last shreds of sanity.

Halsin had almost reached the crying bird, all the while softly mumbling calming words to Astarion. The druid stretched out his arms as if he planned to pick up the still screaming animal.

But just before he could reach it, Astarion saw it coming, stopped his whining and jumped up with fluttering wings. With a quickness that would have been astounding for such an animal, had you not known that it was normally a dexterous rogue, the goose got up from its awkward sitting position and snapped at the fingers of the druid. Halsin immediately recoiled and looked a little hurt.

Astarion was flaring his big white wings now – lifting them up and his long goose neck stretched out, ready to snap again at anyone that tried to touch him. At least he had stopped honking now and was just swaying his head around at all of you standing around him in a loose half circle – ready to fight anyone who would dare touch a single feather on his head.

“Astarion?”, you asked cautiously, fearing that the transmutation hadn’t altered the vampire’s mind as well. The goose immediately turned to you, a small and much more silent honk left its throat. Its wings lowered a little as soon as it heard your voice. “I know this will sound stupid given the situation, but uh, please try to calm down?”, you asked him and made a grimace while you helplessly stretched out your arms to him, bending your knees.

Astarion honked once more in a clearly annoyed tone and let his wings sink fully as if he was letting his shoulders drop in defeat.

“I’m sorry”, you whispered and felt a wave of sadness wash over you. Meanwhile the others had started to get out of their stupor or calmed themselves from their laughter. Everyone stayed clear of the clearly readily violent goose though.

You crouched down fully and stretched out your arms even more towards the animal that kept watching you intently. With no more words or honks, the goose settled down its wings and carefully waddled over to you and your opened arms.

Once Astarion was very close you couldn’t help yourself but go to your knees and reach out both your arms wider for the animal – ready to give it a hug. Astarion slowly stepped into them and you carefully wrapped your arms around the goose as it made a small honk. It sounded pretty sad and helpless and you could suddenly feel tears well up in your eyes.

You held the much smaller animal. The feathers were surprisingly soft and Astarion carefully placed his small goose head on your shoulder with another quiet honk. It was so light you could barely feel it at all resting there.

The mood in the group had suddenly soured watching you take your partner in your arms – no matter the actual ridiculousness of the situation.

You held the goose and petted it softly, until Gale interrupted the awkward silence with an exclamation.

“Aha”, the wizard made and came back out of his trancelike concentration. He looked around in some confusion as everyone watched the tragic scene of you sadly hugging the poor animal that had awkwardly stretched out its wings a little to return the sentiment – it hadn’t really worked well.

“Uhm”, Gale made and then cleared his throat to catch everyone’s attention. The group just looked at him in silence.

“By the gods, what is with the sudden graveyard atmosphere? You all do realise Astarion is not de- I mean…”, he started sassily and interrupted himself when he realised his mistake. And before he could start again, the bird in your arms had started writhing and honking again. Obviously, Astarion had opinions on not getting the same kind of compassion from Gale as from the others now.

He tried to break free from your arms, but you held him easily – he was just… a goose after all. Although, you got whacked in the face by his wings several times. “Astarion!”, you scolded him. “I really don’t think you’re in a position to be feisty right now. And I’m pretty sure he has something to share that will help about the situation you are in. And might I add, the situation you put yourself in on your own!” A bit of anger welled up in you at the vampire and his godsdamned shenanigans that had landed you all in this mess now. Also his audacity to still be sassy about it – not even being turned into a featherball could stop him from that, it seemed.

The goose calmed down, reluctantly. Its beak was still open as it stared at the wizard – probably the equivalent of the vampire baring his teeth at him. You carefully let him go and just sat down backwards on the ground. You could use it right now.

“Now, if we’re not in a poultry house anymore”, Gale continued cheerily and gave the present poultry a death glare. The goose gave a very slight hiss – at least he had retained that capability.

You waved Gale to please go on.

“Alright, it’s – as you might’ve figured already – a transmutation spell. And might I add a mighty one. I really have no idea who that fellow was, but it surely was the wrong pocket to pick, Astarion – or might I say Goosetarion”, the wizard explained in his scholarly manor and wiggled a finger at the goose while grinning – earning himself another hiss. At least someone present seemed intrigued about the whole situation.

Hearing that it was a mighty spell already let your heart sink. But Gale went on and everyone just listened intently: “The good news is though: transmutations spells can’t be held for overly long. So, I’d say we’re back with our sassy humanoid companion in about…” Gale drew out his words as everyone hung on his lips.

“I’d say twenty-four hours at the latest.”

“TWENTY-FOUR HOURS”, came back the answer in unison from almost all the companions – and a mournful honk. Your mouth fell open but honestly you were immediately flooded with relief that you wouldn’t have to spend the rest of your life with a goose – although you would have committed to that.

“Tchk, and what are we going to do with him in the meantime? Walk him around on a leash? We can’t waste any time!”, Lae’zel commented. Karlach started to snicker again, and so did Shadowheart and Wyll around her.

Goosetarion small red eyes flashed viciously and he quickly lashed out at her like he had at Halsin before, aiming for the githyanki ankle. But Lae’zel had the upper hand and quickly pushed him away with her foot – not exactly kicking him but not exactly being gentle either.

The goose landed ungracefully on its back, legs flailing in the air while it kept complaining and trying to get up again.

“Lae’zel”, you shouted but she simply shrugged at you.

“Well, what else are we going to do? Tomorrow will just be another day of walking around the city trying to gather more information. What harm can it be then? Also, it’s not like we could just leave him here anywhere anyway. Beastly as he is, but he’s still only a goose now, we need to protect him”, Wyll chimed in sympathetically. You nodded your head in agreement and the others muttered their agreement, although some just a tad reluctantly.

Goosetarion in the meanwhile had waddled back over to you to be embraced again, head hanging slightly, doing his best to look like… well, a kicked goose.

You softly stroked his long feathery neck and noticed to your amusement that his rump started to wiggle when you did that. It surely seemed he wasn’t aware that he was doing that. You couldn’t hide a grin and you saw that Halsin grinned at you and the goose too.

“Can we just go back to the inn then? It’s already super late and my feet hurt”, Shadowheart added after it had been settled. Everyone hummed in exhausted agreement.

And so you went on your way. You softly got up from your seat on the cobble road while the goose complained about the lack of caressing happening. You stretched your back and watched after your friends that had already started to walk back towards your location for the night.

“Want me to carry you?”, you asked looking down at the goose and stretched out your arms again. But Goosetarion gave a curt honk and stretched his long neck away from you in an offended manner, then started to waddle after the others.

Now that you knew that he would hopefully be back to his normal humanoid self very soon, the humorous nature of the situation wasn’t as lost on you anymore. The way the goose wiggled its whole torso around while trying to catch up with the others was a sight to behold. Especially if you compared it with Astarion’s usual feline grace. And yet he was way too proud to just accept help.

You snorted and started to follow behind Goosetarion. He heard that and swung his head around while he kept walking, making him look even more ridiculous. You snorted more. And were pretty sure you could see the small red eyes scream bloody murder at you for mocking him.

But Astarion was way too focused and needed all his energy to keep up. Occasionally, he even had to break into a sprint – almost tripping over his rubbery feet and spreading out his wings to not lose balance. It was truly hilarious.

Some idle chatter developed between the companions and you on the way back. And of course, Goosetarion was the subject matter.

“Is there nothing you can do before the spell runs out?”, you asked Gale at some point while you were careful to walk exactly by the goose to offer at least a little protection.

“Oh, believe me, I would if I could – although I have to say I’m enjoying this situation a little bit-“ (“HONK!”) “ but it is, as I pointed out before, a pretty powerful spell. And if I started to fumble with it I might make it worse and-“ (“Honk…”) “- and I guess you’d rather have him back in one piece”, Gale ended and ignored the bickering animal between him and you. You nodded in agreement with the wizard – seemed your safest bet would be to just sit this one out.

“Looks like until tomorrow you’re just going to be a silly little goose then, aren’t you, Asta-OWW!” That had been a line crossed for Goosetarion. And other than Halsin and Lae’zel, the wizard surely was not quick enough to avoid the rogue goose’s vicious attack on his ankles. Gale awkwardly tried to kick at the goose but Goosetarion had learnt from the last time and quickly ducked out of the way, rushing around you so he could hide behind your legs.

“You had that one coming”, you mumbled under your breath as Gale looked at you hurt. He walked a little faster then, trying to steer clear from the murderous bird and engaged others in conversation. Goosetarion waddled through your legs so he was walking in front of you again although you noticed that he was clearly starting to struggle

“And couldn’t you not just at least cast “Speak with animals” or something?”, Karlach took up the conversation about Goosetarion’s fate. You hadn’t even thought of that so far. You had just been too occupied with the situation as a whole. You simply shrugged because you had absolutely no idea.

“But he is not an animal”, Jaheira replied to Karlach’s suggestion in her matter-of-fact demeanor from in front of you. Halsin beside her nodded silently. “He is still his vampiric elven self, just temporarily in another form. Even if Halsin or I wildshaped into geese we would not be able to speak with him because we are at least partly beast when we turn”, the infamous druid added to her explanation. “As far as I know there is no spell to work in this situation. But quite frankly maybe we could all do without his yapping for at least a day and he learns a lesson about all of this”, she finished and gave the goose a stern look.

Goosetarion stopped and made another rather sad honk. He really must have been having the worst and most humbling of times.

You stopped just behind the goose: “I’m sure she didn’t mean it.” The look Jaheira gave you made sure though that she absolutely did, but you brushed over it. You held out your arms to the goose again. However, Goosetarion again just waddled off on his own.

But the way to the inn was long and the goose was soon almost completely exhausted, probably amplified by not being used to moving around like that. At some point, when you had already slid out of all the other conversations and were just deep in your thoughts, you were stopped by another soft honk just below you.

Astarion stood before you and had spread his wings towards you, neck craned up towards you. It again looked weirdly humanoid with the way he moved and behaved. When you didn’t immediately react because you were really just very exhausted and didn’t catch on, the goose started to kind of hop in place and honked again.

“Oh, you want to be picked up! Sorry”, you replied and bent down to awkwardly grab the animal.

After some wriggling around and Astarion’s earnest tries to not writhe around too much in your arms, you were able to lift him up. He was stretching his neck and small feet out and made small noises that made you think that he wasn’t quite very comfortable with what was happening. But he gave his best to cope.

Once you kind of had him settled down on your hip, one arm around him and one under him to support him, he seemed to be considerably more comfortable, better even. When you had caught up to the others again and Gale sassily lifted an eyebrow at the goose now being carried around, Astarion made full use of his long neck to peck at the wizard’s sleeve.

Gale squealed again – much to the amusement of the rest of the group and made sure to keep even more distance from the goose. Goosetarion gave a contented honk then and refrained from biting anyone else for the rest of the way.

You were still laughing softly with the others, when the inn came into view. At least you hadn’t lost your humour so far.

(To be continued...)

~~~

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linkspooky · 1 month ago

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If there's a next time, maybe I'll change how I live...

Sukuna's last moment in the manga ends with him accepting that his loss, and showing even the strongest of all time Sukuna, someone powerful enough to do what he wants, when he wants, could not only lose but he could be wrong. This is something considering that you could make an argument that the entire manga, and sorcerer society as a whole is shaped around Sukuna's morality of the pursuit of selfish desire and strength of all else. In fact someone else argues it right here.

What led to this journey of the most irredeemable character in the comics who lived only for selfish pleasure acknowledging the love he rejected in the end? Well, we'll cover that under the cut.

The Cycle

Before analyzing Shinjuku as a whole, I want to start with its conclusion. I'll first break down the final moment in Sukuna's character arc, and then go back to the start and analyze how we got there. That being said, let's get on with it.

Sukuna loss begins with him contradicting his own nature. I'll explain what I mean by this. If you read the thread above, detective_critics observes characters like Sukuna who live for themselves and characters who embody Sukuna's ideals like Gojo are rewarded in the manga whereas characters like Yuji who fight primarily for others are punished relentlessly.

This is well supported by Yuji's continual losses throughout the manga. Yuji swallows Sukuna's fingers in order to permanently execute Sukuna and stop future people from being harmed by curses, but because of Yuji's decision to swallow the finger thousands die in Shibuya. Yuji's desire to save others only seems to backfire and he's continually presented with those he can't save, Junpei, Nanami, Nobara. He's even robbed of his own purpose of being Sukuna's vessel when Sukuna takes Megumi's body instead.

I mostly agree with this idea that the manga rewards people more true to their desires like Sukuna and Gojo, but I'd like to add an addendum that the manga doesn't specifically reward selfishness, but rather self-actualization.

To backtrack slightly, Sukuna observes that many sorcerers in the past have faced him but they didn't truly believe in their ideals the way that Yuji did. Yuji is punished by the narrative yes, but he's not unceremoniously killed off the way that Toji, and Mahito are. Rather, Yuji's durability, his ability to cling to life instead of just dying off like Sukuna suggests weak people should do comes from the fact that his ideal is unshakable.

Let's look at Sukuna's words a little more closely. He says that many sorcerers killed him in the past and they all had different ideals, but none of them truly believed in their ideals. Because Sukuna could so easily point out how their idealism was false he came to think of all ideals as worthless. This is shown in the way that he easily picks apart both Gojo and Hajime, two characters who lose because they ultimately don't believe in their own ideals. Sukuna is very easily able to point out the hypocrisy in both of them.

Sukuna basically points out that Kashimo and Gojo were both happy to bully anyone who came near them, they'll throw around their power all they like and revel in their own superiority and then go back and complain about being lonely. A classic case of wanting to have your cake and eat it too, or as Sukuna said they were being greedy. They were the ones who rejected everyone around them, they were the ones who rejected the love they were shown, and yet they put the blame on everyone else.

Gojo even in death acts like everyone else is a flower, an inferior being incapable of understanding him. Yet, a few panels later he says that the fight with Sukuna the only person who rivaled him in strength and therefore shouldn't be able to understand him didn't satisfy him, and he would only have been satisfied if Geto were there.

These two statements contradict each other. The thing is, Gojo has at this point long surpassed Geto in strength. People often clown Geto on the fact that he never had a domain expansion, and that Kenjaku seemed to use his cursed technique far better than he ever could. Geto is someone who's far behind Gojo in strength, and yet he's the one who could satisfiy Gojo, not Sukuna. Which means Gojo was the one who was wrong. Gojo was betraying his ideals. He believed he was living to be the strongest, that he was satisfied being the strongest while all along wanting something else and it's that contradiction that killed him.

Let me make a brief comparison to another manga. Aizen from Bleach is a character with a god complex to rival Gojo's, and just like Gojo exists on a different level of power than everyone else. He is not only the strongest soul reaper, but one of the smartest, and has been isolated by that strength since he was a child. Aizen then believes that he needs to become god, because it's his right as a naturally superior being, but Aizen is a fraud.

Aizen loses becuase the hogyoku the source of his power rejected him right as he seemed to be at the peak of his power. However, Ichigo reflects that maybe the Hogyoku didn't reject him. The Hogyoku is in plot, a wish granting macguffin, that grants your subconscious desire. Ichigo speculates that maybe Aizen didn't truly want to ascend to godhood, but rather he wanted someone like Ichigo to defeat him. That he wanted an equal like Ichigo so he wouldn't have to be alone on the top anymore. Aizen not being fully aware of this desire and clinging to his sense of superiority instead, the very thing that makes him lonely is what causes him to lose. Aizen is cut down by Ichigo, and instead of becoming a god he becomes just another soul reaper.

Sukuna cuts through Gojo by cutting through the world, bypassing the infinity, and therefore making him just like everyone else. Just as Aizen wished to be just another soul reaper, Gojo becomes just another sorcerer now that his position of the strongest has been taken by Sukuna.

So Gojo's loss came when he betrayed his ideals. His stated ideal of "I am the strongest", but this was contradicted by what he really wanted which was the time of his life when him and Geto together said "We are the Strongest." Strength didn't satisfy him, but rather it was Geto and Gojo's inability to realize the real reason he was fighting leads to his loss.

The manga doesn't reward selfishness, but rather self-actualization. Characters with a strong sense of self are just more likely to be self-actualized, because they possess a deep sense of self awareness.

Sukuna at least is self-aware. He knows you can't be the strongest, to relentlessly bully others with your power and yet want to be close to other people too. He knows that's wanting to have your cake and eat it too, so he rejects love. Sukuna knows you can't have it both ways, so he decides I don't need love, love won't satisfy me, I'll live only to be the strongest.

My main example of a character betraying their ideals is Toji though.

Toji moves to face a newly awakened Gojo. He has not only a solid plan to fight him, curse tools that can penetrate his infinity, but he's also got inside knowledge of the Limitless. Toji believes he can win, and yet at the same time he feels uneasy.

As he died, Toji reflects that the reason he died is because he deviated from his true self. He believed that he was jumping from job to job, just working for money. That he didn't care about the sorcerer world. He killed sorcerers, got paid, and then gambled it all away.

Yet, when he was faced with the pinnacle of Jujutsu his motivation changed from living to fulfill his own selfish desires, to revenge. Toji wasn't as over the way the Zen'in Clan rejected him as he thought he was. He needed to defeat Gojo in order to affirm himself, and the moment he betrayed his own ideals like that he lost.

Now this moment can be directly paralleled back to Sukuna, who feels a similiar unease the entire time that he's fighting Yuji, an unease that makes him more and more irrational over the course of the fight.

Sukuna betrays his ideals in two ways, one that he's never once cared what other sorcerers think and say and lives only for himself and two that he is merely killing time before he dies. The first leads to his breakdown over the fight as he tries to crush Yuji, but finds himself unable to. The second is as I said above the final nail in the coffin.

When faced with a stronger opponent, or rather opponents as the sorcerers of the modern era all work together to trump the sorcerer of the golden age of sorcerery Sukuna doesn't accept his death. In his last moments he's clinging desperately to Megumi, trying to keep living in his body. At which point Megumi remarks that even someone like Sukuna must fear death too.

You could connect this to Mahito too. Many people even said that Sukuna got the Mahito treatment. Both characters lived freely slaughtering everyone else, and yet when they are about to be killed they try and run away from it. This is obviously deliberate as not only do the words "You are Me' parallel "I am you" but Sukuna's last moment in the manga is a conversation with Mahito.

Mahito also betrayed his ideal. Number one curses don't truly die, Jogo and Hanami and Dagan all accept their deaths because they'll be reborn as different curses but they'll always come back. However, Mahito clings to his own existence. Mahito is also not true to his nature, because he longs to be a true curse, but Mahito is also the most human curse. He's the representative of the fear and hate humans have for one another, and he spends his last moments terrified of the human being known as Yuji Itadori.

Which is why Mahito is appropriate to have this final conversation with Sukuna. Mahito calls out the way Sukuna betrayed his ideals. Sukuna always believed he was only living to satisfy himself and he didn't care what others thought, but Mahito points out that he was really living for revenge towards the people who rejected that unlovable wretch. Sukuna wasn't rejecting people because he was a god towering far above others, but because he had been rejected and hated in the past and then decided to hate them in turn.

However, unlike Mahito Sukuna is able to grow up so to speak. Mahito doesn't want to be anything else but Sukuna comes to the realization that you can choose your nature. That the decision to hate and reject everyone was a choice, and that he can choose a different path in another life.

You define who you are, that is the literal definition of self actualization. So we see Sukuna having become enlightened about himself escape the cycle, whereas Mahito who's still a curse is still trapped in that cycle. Something that Mahito complains about, that he's just a child unable to grow up while even Sukuna has changed.

Escaping the Cycle

Now that I've shown you how Sukuna has changed, I'm going to go over all of Shinjuku to describe the events that led to this change. This change is brought about everyone, but most of all by Yuji Itadori someone who unlike Sukuna reached self-realization. Yuji is the one who remains true to himself, whereas Sukuna who has only lived for himself is the one who betrays himsellf in the end.

The first hint that Sukuna may not entirely believe his own words comes in his conversation with Kashimo. Sukuna lives for his own self-satisfaction, other people exist for him to amuse himself until he dies. Since he's a complete being who doesn't need anyone else to satisfy him, since he's satisfied then why did he need to divide himself into twenty parts and keep living after death.

Sukuna doesn't answer this quesiton, but rather just continues on with his monologue. If life to Sukuna is just killing time until he dies then why does he go above and beyond to prolong his life? Why not accept his natural death?

Then after quickly dispatching Higuruma, Sukuna finds himself unsatisfied. Even though he was doing exactly what Kashimo told him, he was tasting an interesting sorcerer and swallowing him whole.

Sukuna doesn't feel satisfied in his victory. At first he thinks it's just because Higuruma lost too early, and then he realizes that his current disatisfaction comes from Yuji. Sukuna doesn't care what others think, he hates the concept of ideals themselves, at yet the same time Yuji holding an unbreakable ideal bothers him. If Sukuna is being true to himself, then he shouldn't care what Yuji believes in.

Yet, Sukuna changes for the first time in a thousand years. He acquires a new ideal and that's killing every sorcerer present and then initating the merger. Something that Kusakabe even notes is out of character for Sukuna. He thought Sukuna wouldn't have a need to start the merger, he doesn't care about big picture things like Kenjaku he just wants to strong opponent.

Sukuna begins to drift further and further from his nature because of Yuji over the course of the fight. As I said Sukuna shouldn't have to fight Yuji to prove that Yuji's ideal is wrong. If he rejects all ideologies then he shouldn't even care. Yet the things that set Sukuna off the most in the fight, the things that motivate him to fight the hardest to crush his enemy are people like Yuji and Maki who challenge his beliefs. Yuji by fighting for others instead of himself, and Maki by rejecting cursed energy entirely and instead having a strong body to fight.

Sukuna who is supposed to be completely satisfied with himself, has something to prove when fighting against these opponents. We learn that Yuji isn't just some boring child like Sukuna suggested. He's actually made from the other half of Sukuna's soul. Rather, Sukuna rejected his twin and ate him in the womb. All of his superiority as a sorcerer, his four arms, the mouth on his stomach comes from this. However, that twin didn't disappear, he reincarnated and mated with Kenjaku to produce Yuji.

So Sukuna is Yuji's uncle technically, but symbolically, Yuji is the other half of his soul. The half that Sukuna rejected. How can Sukuna be someone at peace with all of himself, if he rejects half of himself? It goes along with what Mahito said, Sukuna didn't reject others because he was compeltely satisfied with living alone, but because of revenge. He was born a malformed retch and never shown love so he rejected all forms of love.

Sukuna is not at ease with himself because he's not whole. Yuji represents the love that Sukuna rejectected. Rejecting yourself doesn't work though, because one he tried to reject his twin and his twin's soul reincarnted, and two rejecting yourself is completely at odds with the complete self-acceptance that Sukuna preaches is the source of his strength.

Sukuna's incessant need to reject Yuji, to prove that Yuji is wrong, that he's inferior is what leads to his demise. Not only that, but Sukuna's rejection of Yuji's method of fighting, relying on his allies leaves him blind to several elements of Yuta's strategy. He falls for the copy technique bluff twice, because Sukuna didn't factor that both the original users Angel and Toge could still use their techniques too. He's beaten by the cooperation that Yuta uses in his strategy, because Sukuna rejects that same kind of cooperation and sees it as a weakness.

Sukuna's proven to be wrong. He told Jogo that working with others limits your individual strength and he should have tried fighting on his own, but Sukuna is continually outfoxed by Yuta's strategy which relies entirely on team coordination.

It's also a direct parallel to the way that Gojo lost in Shibuya. Gojo was absolutely infuriated that the curses would work together to fight him and they'd rely on a strategy instead of just overpowering him with brute strength. But Gojo lost, precisely because they made a strategy around Gojo's exact weakness, that he's strongest when he's alone.

If Sukuna didn't feel the need to reject the others, then he wouldn't be so blind to Yuta's way of fighting with strategy and cooperation. If he could accept other ways of thinking other than his own he wouldn't have been hoodwinked multiple times in the fight. Yet, it isn't just Sukuna rejecting them on principle, he has to reject companionship otherwise the curses and hatred churning inside of him would burn him up inside. So Sukuna isn't really choosing his nature as he believes, but rather he's a slave to it.

There's also parts where Sukuna just straight up lies. He says he feels nothing, and yet two panels later he's completely enraged.

You could say that Sukuna is just saying he feels nothing about Yuji's attempts to empathize with him, but that's not the case. He definitely feels something, because that empathy, or rather pity as Sukuna frames it compeltely infuriates him.

if Sukuna lived entirely according to his own desires and didn't care about the opinions of others, as he stated a hundred times above why does Yuji's pity infuriate him? If he was so confident in his godlike superiority to others, why does he feel the need to prove it, by ripping apart all of Yuji's friends right in front of it in a gesture of revenge for being pitied.

This leads to what is the greatest moment of growth for Yuji, and the greatest moment of stagnation for Sukuna. Yuji's moment of growth isn't just in rejecting the cog mentality, but also in accepting Megumi. Specifically, he accepts the fact that Megumi is different than him, that it's alright if Megumi's not strong enough to keep living.

Sukuna is compelled by his own nature, his desire for revenge to reject everything around him, but the conclusion of Yuji's character arc is defined by acceptance. Not only does he accept that Megumi's own feelings are different than his, but he's willing to accept Sukuna back into his soul.

I don't think Yuji empathizes with Sukuna. He still doesn't understand him. However, in spite of that lack of understanding, he's willing to accept Sukuna into his soul and keep living with him, because as I said above Yuji and Sukuna are two halves of the same soul. Sukuna is the embodiment of everything he hates, someone who carelessly disregards life and hurts others with a thought, and yet Yuji is willing to give a second chance to that person.

In that moment Yuji lives true to his ideal of saving people, whereas by clinging to life Sukuna was betraying his ideal. I think it's important that Yuji didn't empathize with Sukuna though because Yuji and Sukuna might be two halves but they're meant to represent opposites.

Sukuna also had to learn to accept that Yuji was different than him. He spent the entire story trying to reject him and step on him like a bug. If Sukuna were truly confident in his ideals he wouldn't care that other people had different thoughts, but no Yuji had to be wrong.

Yuji doesn't empathize with Sukuna but he does change him. He alters Sukuna's fundamental nature "You are me" by showing Sukuna there was a different path he could have taken all along. That Sukuna wasn't the strongest he could be, that someone could have compeltely different ideals and be stronger.

Uraume says that the main characters didn't win because they were stronger, but because Sukuna was in Megumi's body a thousand years later instead of his own original body. Which basically means that Sukuna being a parasite in the modern era, pointlessly extending his life is exactly what led to his defeat because he couldn't accept his own death.

I think it's significant that it's not Yorozu or Yuji who Sukuna finally decides to accept as someone he can love, but Uraume. Sukuna even references there were people who tried to teach him about love in life. Assuming the one on the right in Yorozu, the way both uraume and Yorozu approach their relationship with Sukuna is compelte opposites.

Yorozu in the end seemed to recognize Sukuna's isolation, but she projected her desires onto him entirely like everyone else in the manga. Yorozu, Gojo, Kashimo, they don't seek to understand Sukuna but rather to make him understand then. They're in the end kind of self-serving in their love, making Sukuna into a symbol. Specifically Gojo and Kashimo project their loneliness onto Sukuna when Sukuna never asked for it. I mean if you want an example Gojo says this in his dying dream.

Yet, moments later Sukuna declares that Gojo Satoru cleared his skies. That he would never forget his name. Sukuna was completely satisfied with the fight, Gojo just didn't understand him.

Ironically, the one who Sukuna finally shows love to is the one who never bothered to try teaching love to Sukuna in the first place. Ura Ume spends the entire time at Sukuna's side, and while they seem to have more of a servant master relationship I'd argue that Ura Ume has a better read on Sukuna than anyone else. They can tell when Sukuna is enjoying himself, they can tell when Sukuna is holding back, they don't ever try to make Sukuna into something he's not they just stay by his side and accept them.

Sukuna's final scene in the manga is a deliberate callback to this scene. Jogo begins to cry and Sukuna says he doesn't undertand the reason why Jogo is crying. Immediately afterwards, UraUme appears in front of him.

Then, in their final scene together Sukuna is shown musing on how two people showed him there were different ways of living, Uraume and Yorozu. As he decides to go north, and become someone new as Mei Mei once put it in the going north and going south metaphor, he holds Ura Ume's hand and comforts him as he cries.

There are two people in the manga who showed Sukuna unconditional acceptance, Yuji and Uraume. Through them Sukuna was finally able to accept his own humanity.

So in conclusion: Sukume canon!

#ryomen sukuna #jjk meta #yuji itadori #sukuna #gojo satoru #hajime kashimo #megumi fushiguro #jjk spoilers #jujutsu kaisen #jujutsu kaisen theory

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soupthatistohot · 1 year ago

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BSD 109 Spoilers!!!

I will always always ALWAYS come back to this panel when talking about Asagiri’s storytelling.

At its very core, BSD is an absurdist text, Kafka Asagiri having been inspired by many absurdist authors. Franz Kafka, who he took his pseudonym from is one of them. Albert Camus, basically the most well-known absurdist is referenced with the Mersault prison, the name of which comes from a character in his most famous absurdist work, The Stranger.

Absurdism is the belief that the world around us is irrational and inherently absurd and that explicitly seeking meaning is pointless. In his essay The Myth of Sisyphus, Camus explains, that there is value in the act of rebellion, though. Sisyphus, who has been doomed to roll a boulder up a mountain only for the boulder to tumble back down each time he reaches the peak, finds meaning in the act of continuing to push the boulder. Even though he will continue this cycle for all of eternity, he doesn’t just lay down and give up, he rebels against the absurdity of his situation by continuing to push the boulder, despite the seemingly futile nature of the act.

As I said earlier, BSD is an absurdist text. All of the animanga’s main characters are on a journey of discovering their meaning in life, and their place in the world, and they do this by rebelling against its absurdity — especially Dazai.

Dazai sees the absurd world for what it is, and when he was in the PM, he hated it. Thus, he sought suicide as a solution. I will note here that absurdists generally view suicide as a failure to rebel against the absurd, just giving up and giving into hopelessness. But ever since Dazai left the PM and took Oda’s advice, he’s been rebelling against this, doing good despite his inherent beliefs about morality and the world, and he’s absolutely gotten better for it.

Other characters embody this idea of rebelling against the absurd, hell, that’s kinda what this whole arc is about. The world is literally ending, and things seem to be at their absolute worst, but someone like Atsushi still has hope that he can change the minds of the hunting dogs and save reality as we know it. He even has hope that he can get through to a vampiric Akutagawa when the guy is literally brainwashed and attacking him. Aya as the “last hope” right now embodies this, too, deciding that she can’t just sit around and do nothing and then trying to remove the sword from Bram even though the effort appears futile.

But everything is going wrong right now. Fukuzawa is bleeding out, Dazai has just been shot through the forehead and appears to have died, Atsushi’s had his limbs ripped off and is at Akutagawa’s mercy, and Fukuchi is literally going to end the world! How can we have hope?!

Think about BSD. Think about the story that’s been told so far. Surely Asagiri isn’t killing everyone right now, surely the world isn’t gonna actually end. I’m not entirely convinced Aya’s plan is gonna work— but please consider that the point of absurdist storytelling is that even when everything seems to be at its worst, even when life seems completely meaningless, there is inherent meaning in still continuing to fight against this.

BSD has never been a story where the villains win, and I don’t think it’s gonna start being one. I think, as usual, Asagiri wants to scare us, to make us feel hopeless about the situation, only for someone to pull through and completely turn the tides.

Dazai laying down and accepting his death at Chuuya’s hands is not going to be the end of his story, because it goes against everything Asagiri seems to stand for. Dazai wouldn’t just give up in his fight against Fyodor, because he needs to prove he’s right about what he says in this panel:

"The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood."

I think this reflects Asagiri's own beliefs and is also the reason why he is not going to let Dazai die like this, because in a way, that would be proving that Fyodor is right. From a storytelling perspective, it’d be saying “everything I’ve communicated up to this point actually means nothing and life is truly hopeless!”

Dazai has cheated death before, as has basically everyone else in danger right now. I promise you, something is going to happen and they’re all going to survive, because BSD is not trauma porn, for lack of a better term. It’s a story about how a group of people fight against the absurdity of their reality, even when everything seems completely and utterly hopeless.

There’s a lot of theories circulating about how things could work out, especially Dazai’s “death,” and I’m not here to repeat all of them, but I will say that a lot of them have credence, especially because Asagiri isn’t the type of author to make mistakes, every single detail has a distinct reason.

So even though I don't know how things are going to work out, I have full faith that they will, including Dazai's current situation. None of these characters are done just yet, they've got too much fight left in them to just give up.

[original twt thread]

#bsd #bungo stray dogs #bungou stray dogs #bsd 109 #bsd spoilers #bsd manga spoilers #bsd meta #kafka asagiri #asagiri kafka #soup rants #being a hashtag camus girlie has its merits!!!#bsd absurdism analysis

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starlightandfairies · 7 months ago

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Helloooo :) i hope you’re having a wonderful day or night! Or just both lol. Anyways, is it okay if I ask for a Klaus Mikaelson x Female reader one-shot? For me, I don’t like where the reader just falls in love with him so quickly, despite everything he has done. I was thinking of something with fluff and he has to work for her love? So basically, reader has been friends with Elena, Bonnie, and Caroline since childhood, but she’s still human. And she hates Klaus for what he has done to her friends and family, but despite everything he has done he hasn’t don’t anything to harm her physically in any way. (Hint hint, cause it means he likes her lol). And because of this, he tries to show he genuinely cares about her. It takes her a long while to eventually warm up to him.

Sorry, this is a lot -_-…uh, and not very detailed lol. I wanted to leave it up to your imagination, but totally fine if you can’t cause writers block and other things. Anyway, an idea: maybe reader gets saved by Klaus and he admits he likes her but she kinda plays hard to get. of course, she can’t help but to be flattered by his accent, his flattery, his looks, etc. And because she is human, being tortured or just kidnapped by supernatural beings is genuinely terrifying and he comforts her? I hope this is all okay! Of course you can change or add whatever you’d like. I love Klaus so much, and I love your writing!

Description: If the great Niklaus Mikaelson wants to become closer to the reader then he would have to push through thick and thin to do so.

Warnings: she/her pronouns, fluff, swearing

*Requests are open, please send through as many requests as you want, check my character list and requesting rules.*

Thank you for requesting this! I hope you enjoy it! I really tried my best to show this eventual bonding that is more realistic, while also not rambling on for a story length.

Key: Y/N = Your Name, L/N = Last name, POV = Point of view, F/fs = favourite flowers

Word Count: 1, 915

First Person's POV

Niklaus Mikaelson drove me insane, I do not understand how he thought he could follow me around, begging for my interest like he hasn't done anything wrong to those around him. The great Klaus Mikaelson was many things but he wasn't the type of man I would bend over backwards to show that their past didn't matter. I won't lie, there were times when it was hard to really show my distaste for the Hybrid due to that accent, his looks and his charisma but I do like to pride myself on my stubbornness and the fact that I'm not that easy to charm.

Besides Matt, I was the only other human, sure Bonnie was in a sense human but she had her magic to protect her and I had nothing. I didn't have any of that. I was just a straight-up human who could die at any second or become permanently injured if tossed around too harshly. The girls have grown to somewhat like him and every now and again will remind me of the fact that not once has he ever tried to hurt me, not once has he ever used me as bait or tried threatening me in any way shape or form.

Bonnie, Caroline and Elena have all expressed their hatred for the man and it only fueled mine. I have no clue what it would take for me to show any sign of sympathy for the man or any sense of forgiveness considering what he's done. There were times when I even disliked Damon and Stefan for what they've done. Sure, it might be contractionary of me to like the Salvatores and not hate them like I did Klaus... but still.

It's at least been a good two years of having the Mikaelsons in our lives. Rebekah and Elijah were tolerable. I felt for Rebekah and Elijah seemed true to his word, even if he was sometimes conflicted between his family and his morals. Klaus was

"Hey, Y/n!" I huffed, stopping in my tracks, knowing there was no use in continuing on when he could easily Casper the ghost right in front of me. I crossed my arms over my chest, raising an eyebrow, not impressed by his persistent attitude.

"What do you want Niklaus?

"Well, love... I was hoping I could treat you to some dinner. Show you some of the best places. Things you couldn't possibly comprehend seeing." I rolled my eyes, shook my head, sucked my lips into a straight line and raised an eyebrow.

"Really, Niklaus? Every time it's been a no. What makes you think this will be a yes?"

"I saw your play last night, I think you are a pretty amazing actress." I didn't believe him, I think that he's making stuff up, trying to show that he's a good guy.

"Prove it, what happened when the actor playing Stanley threw his chair." Klaus chuckled lightly, licking his lips for a moment before he walked closer and leaned in for a moment.

"You tripped over your own feet, fell over... you worked it into your performance, no one in that audience would've known any different. I think skill like that is pretty talented. I have seen many performers across my lifetime and not many could do that." I rocked on my feet, biting my lips and huffing for a moment.

"You came to my performance?" I questioned my tone soft for a moment, surprised that Klaus came. The girls weren't able to due to supernatural issues happening again, I didn't want to show any sign of falling for his charm.

"Yes, I did. I don't know why you sound so surprised..." I shrugged, taking a breath, glancing away for a moment trying to remain as stoic as I could.

"I have to go, goodbye, Klaus." I carried on my way, going back to doing what I originally planned on doing before. Tonight was the closing night of A Streetcar Named Desire the girls were meant to show but once again due to the new big bad in town, they didn't show. I stood in my dressing room, wiping off my makeup before the tears could come. I was just about to open the door before I was stopped by Klaus.

"K-Klaus... what, what are you doing here?" He handed me a bouquet of my F/fs, I took them with a small smile and stepped aside to allow him into the dressing room.

"You got your own dressing room, that's pretty neat..." The Hybrid trailed off, glancing at the desk that was covered in tissues, I moved to clean them up but he moved in front of me before I could.

"Why are you crying...?"

"I'm okay Niklaus." I turned to him hearing his chuckle, I raised an eyebrow in question, how dare he laugh at me!

"I promise, I'm not laughing at you, I'm laughing at the fact that when I'm getting closer to breaking down your walls, you call me Klaus but when you realise that you're dropping your walls you go right back to calling me Niklaus." I sat back down, staring at him surprised that he picked up on something that I hadn't actively been aware of doing.

"My friends couldn't come. They promised that they would but because of the new big bad in town... they couldn't and because I'm human-" Realising I was sharing my than I would like to Klaus, I bit my lip trying to remind myself that I couldn't get close to Klaus.

"Let me read you something." He pulled out a newspaper, I gave him the benefit of the doubt, just for once but turned my attention to continuing to remove my makeup.

"Y/n L/n's performance as Blanche DuBois has been spectacular on all nights of the production. In my years as a critic, I have never seen this much dedication and accuracy similar to the vision Tennessee Williams had when picturing Blanche DuBois. I admire Y/n greatly as a performer and know that she is an actress highly dedicated to perfecting her characters' mannerisms and hope that she goes far with her acting journey." I stared at Klaus surprised, I jumped to my feet, staring at Klaus with intrigue and took the paper from his hands.

I read the words, staring at them in shock that this was actually true, the author's name is what shocked me the most. Klaus M

"You wrote this?"

"I did."

"And you mean it?"

"I do." Maybe... maybe if a man who didn't know me could make the time to watch all of my performances... maybe he wasn't so bad.

"Thank you, Klaus... it means a lot."

It took two years, four months and 18 days for Klaus Mikaelson to get me to warm up to him, I think I deserve a trophy for just how long I've made him work to get to know me better. The truth is, I am terrified of getting killed, kidnapped or tortured by the supernatural me, I mean what if someone worse than Klaus comes into town and because I am one of the very few humans left in town I get used as collateral?

I was walking home from the Grill, minding my own business until everything went dark and I finally came to find myself tied up in a chair, blood dripping from my nose, head and stomach. I cried out, looking around terrified of who could be hurting me and what they would do if they didn't get what they wanted.

"Hmm, you're awake again. Try not to pass out this time... the blood loss will really be screwing with your head. I would apologise but I really don't care I just need that damn hybrid to come forward and save your ass-"

"Who are you?" I cried out, trying my best to not show weakness but the pain in my limbs and the fear that was coming in made it impossible to think of anything but my pain.

"Who I am isn't important, I tried to keep your face pretty but you know." The unknown figure shrugs, leaning in closer and grabbing my face in his hands with a glare forming and with a snarl he reveals his fangs. I shake my head, feeling his breath on my skin and whimper feeling his fangs pierce my neck.

It fades away swiftly, the tears cascade down my cheeks, and I stare in shock seeing Klaus standing there and dropping the man's heart onto the floor. Within an instant I was in his arms, I grabbed onto his shirt letting out a sob and whimpering as the pain seemed to increase.

"Shh, love, it's okay... you're gonna be okay. I've got you." Klaus reassured, biting into his wrist, he gestures to his wrist and I slowly suck on his wrist.

"I won't let anything happen to you, love. I am very fond of you, I will not let anything happen before I can tell you just how fond I am of you." I stared in fascination as my body healed instantly, it always surprised me and always made me curious to realise how lucky these supernatural beings were.

"Please, please don't let them hurt me. Don't let them get to me."

"It's okay, love. I've got you."

"I'm so scared, every day, I'm scared that I'm going to be kidnapped or tortured... being human, I know I'm nothing compared-"

"I won't let that happen. Love, I won't let anyone hurt you, not again. I swear to you." He hummed lightly, rocking me in his arms and whispered over and over again kind and soothing words. I decided to bring it back to his starting words, once I felt okay and able to move on from what just happened.

"You're fond of me? Nothing new-" I stated, with a shrug, biting back the smile I wanted to show, Klaus chuckled and helped me to my feet. I stared at him, surely making a weird expression as I hid my emotions.

"I am fond of you, I like you, quite a bit and I want you to know, love I will do anything to keep you safe. Even if you hate me for the rest of eternity, I will do what I can to keep you safe." My heart skipped a beat, it made me feel special knowing that someone cared for me that much, I nodded and sucked in a breath gradually letting a smile come through.

"Thank you for saving me... "

"You're welcome, love. Love, I hope you know how gorgeous you are." I blushed, scrunching my face up as his normal charm got to me more than normal.

"Flattery only gets you so far."

"Yet, it got me to becoming closer to you." I shrugged, smirking for a moment and sucked in a deep breath. I grabbed his hand, smiling happily and tried my best to not focus in on the blood on my clothes, his clothes and the floor from the attacker.

"Well, then, perhaps I'll let you in closer."

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lostyesterday · 11 months ago

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There’s an ethical question in Star Trek I’ve seen several people here talk about that I’ve thought about a lot. Basically, what are the ethics of having a romantic or sexual relationship with a non-sentient holographic version of a real person? This issue is brought up several times in canon, but never dealt with well, in my opinion. The main canon discussions of this topic that I remember (and it’s possible I forgot something) are in Booby Trap (TNG) where Geordi has a very brief romantic relationship with a holographic version of a real woman he’s never met, in Hollow Pursuits (TNG) where Barclay presumably has romantic/sexual relationships with extremely out of character holographic versions of Deanna and Beverly, in Meridian (DS9) where a guy wants Quark to sell him a holographic version of Kira to have sex with, and in Human Error (VOY) where Seven has a semi-long-term romantic and sexual relationship with a holographic version of Chakotay.

So, first of all, I don’t think that any of those instances mentioned are morally okay. Booby Trap is the most complicated case morally speaking since, to my memory, Geordi didn’t intentionally initiate anything romantic, though he didn’t stop it once it started either. I don’t want to imply that what Geordi did is morally as bad as the other examples I’m discussing, especially since Geordi is the only character of color being discussed here and his actions are not really equivalent in intention or impact to the other characters’. As an episode, Booby Trap doesn’t seem to have a clear idea of whether or not what Geordi is doing is unethical. In fact, it felt to me as if that question wasn’t something that occurred to the writers at all (until Galaxy’s Child, but that’s a whole other thing and the hologram portion of it is arguably the least messed up thing there, so I’m ignoring it in relation to this topic). Hollow Pursuits does portray what Barclay does negatively, but I feel like the episode is much more concerned with the negative emotional effects this has for Barclay rather than for Deanna and Beverly. Meridian, from what I remember, is the only episode to portray this situation as definitively bad, and Kira is portrayed as justified in being angry. However, the episode is a mess in other ways and does not explore the topic with nuance, making light of it with humor when I think it needed to be taken more seriously. Human Error is in some ways the most baffling case here because what Seven does is portrayed almost positively, as something that is a potentially good step in Seven’s “social development”. Apparently, there is no thought given to what Chakotay would think of the situation. I’ve seen people suggest that the narrative and fandom treatment of Seven versus the other characters is a gendered double standard, which I do think makes sense.

But the problem here isn’t having a sexual/romantic relationship with a hologram, the problem is that the person didn’t consent to having their holographic image used this way. There’s obviously nothing wrong with having sex or a relationship with a hologram not based on anyone’s image, or based on the image of someone who gave clear consent to have their image used in that way. But using someone’s image this way without their consent is pretty obviously analogous to making nonconsensual porn of someone. Do the ethics of this situation change if the hologram is of a historical figure? What about a famous person who is still alive? I don’t necessarily have answers here, but I do think the situation can become more complicated.

And then there’s another factor to consider – is the sexual/romantic relationship the biggest issue here? In the cases of Hollow Pursuits and Human Error, Barclay and Seven’s simulations of the crew are much more extensive than just the romantic/sexual portions. Would it have been all right for Barclay to create potentially offensive and demeaning holographic versions of his crewmates if there was no romantic/sexual component? Would it be okay for Seven to recreate a version of every Voyager crew member and live out an intricate alternate life with them without any of their consent if she never had romantic/sexual relationships with any of them? Is it any less a violation of someone’s rights to use their image without consent for, say, a propaganda campaign for an issue they disagree with, or a story that portrays their holographic version as a horrible person? That second scenario is the plot of the Voyager episode Author Author. This episode seems to take the moral stance that it’s bad for the Doctor to use the images of his fellow Voyager crew members to portray horrible characters, but there are other questions it doesn’t raise. Would it have been okay for the Doctor to use their images without consent if he had portrayed their holographic versions positively? What is the line between an acceptable and unacceptable usage of another person’s image without their consent? Is it ever okay to use a person’s holographic image without their consent? Is such consent implied when a person agrees to holographic scans of their body? What exactly is one consenting to when they consent to have a holographic version of themself created? I don’t necessarily have answers to these questions, I just wish any of these episodes had explored these issues with more nuance. And I do think that it’s important to consider extending the question of consent here beyond sex and romance.

#star trek tng #star trek ds9 #star trek voy #i do not mean any of this to be an attack on geordi seven barclay or the doctor as characters #i think all of this is more reflective of biases on the part of the writers than anything else #and it’s hard to place complete blame on particular characters when the moral stances of the episodes are so murky #lane posts #lane's misc meta

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nightcolorz · 5 months ago

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if u are comfortable with this topic, do u have any thoughts about (tw: marius) how armand would think about what happened with marius in his early life? would he eventually think of it as csa or would he be uncomfortable thinking of it (or himself) in that way. in canon it seems he thinks of it as a “positive” contrast to his assault by slavers. but at the same time he describes being very helpless and not even totally understanding what is happening at first. and the conflict over marius denying him the chance at a normal life and isolating him from humanity could almost be a metaphor for grooming and abuse.

hi anon!!! I’m happy to talk about this 🙏 amazing question. Tw sa and csa talk, obvs.

While I like the idea of Armand being able to process his relationship with Marius as traumatic, I’m not sure if he could ever rlly reach that point (at least book-wise). Armand has a warped perception of the type of dignity/autonomy/right to feel comfortable, safe, etc that he is entitled to as a person. He was so deprived of that type of basic respect in childhood + his whole life that he isn’t able to rlly conceptualize being deprived of these things as “wrong”. He has internalized himself as sort of an inherently lesser commodity that will always be used for other’s gain. And so with this in mind he has a sort of “beggars can’t be choosers” view of kindness and love. So with Marius, I don’t think he registers the sexual abuse as bad since he was non consenting bcus he doesn’t understand bodily autonomy as smth he’s entitled to or something he expects to have. Also, since Armand sees Marius as so good, loving, merciful, etc, he can’t rlly wrap his head around him being abusive. Armand thinks of Marius as his loving father + the love of his life who saved him from human trafficking and took him under his wing, and I think bcus of how highly he regards these actions, any abuse he’s put through is thought of as an acceptable exchange for everything he has been gifted.

Bcus of how Armand doesn’t see Marius having sex with him as a child as abusive, u can see he has this disconnect as an adult when interacting with Marius where he feels the affects of the abuse but doesn’t understand why they are there. In the vampire Armand he recognizes that he is uncomfortable around Marius and hesitant to trust him or interact with him, but he doesn’t know why he feels this way, and seems to consider it an irrational reaction he should get past. I think Armand definitely knows to an extent that Marius mistreated him (tho I don’t think he considers their sexual relationship part of this), but I think he doesn’t feel any real resentment or conscious grief over this resentment, again bcus he never felt that he was entitled to being treated well in the first place.

Marius is more aware of how he has wronged Armand then Armand is 😭 and I think if they were to discuss this Armand would find it unsettling or even angering. Armand definitely grieves being deprived of his humanity, but he I think sees it more as a tragic inevitability than a fault of Marius’s, while Marius definitely sees it as his fault. If Marius were to apologize to Armand for turning him so young I think Armand would get rlly upset, partly bcus he would find the implication that Marius regrets keeping him alive super offensive and devastating, and partly bcus he would find the explicit acknowledgment that his gracious caregiver did not have his best interest at heart and acted in ways he knew were selfish and would harm Armand, earth shattering. It’s more comfortable for Armand to believe that he wasn’t being abused by the one person he believes ever cared for him, then to recognize that so many of his issues were willfully caused by him.

I think that by post canon Armand would definitely be aware that by modern standards of morality and law his relationship with Marius as a child would be seen as predatory and sexually abusive, but I don’t think this would influence how he perceives it very much. I think he’d be able to reach the place where he recognizes that it is always harmful for children to have sex with adults, but I think he’d continue to see Marius and him as this single expectation to this fact that somehow made it out fine, bcus of time period or vampirism or whatever yada yada. Being sexually abused by Marius contributed heavily to Armand discovering his sexuality and learning how to have relationships, and even tho it was definitely traumatic, I think Armand considers it a necessary trauma that taught and shaped him more then it scarred him. Armand resents Marius for abandoning him after he was kidnapped by the children of darkness, and for depriving him of being his companion (cough cough bcus marius doesn’t respect him or care for him as an equal or individual cough cough), but I don’t think he is able to recognize that the sexual abuse was just as harmful and a part of this behavior.

I also have a feeling that Armand doesn’t want to acknowledge that being sexually abused by Marius was wrong bcus he feels at fault for it (since he enjoyed it and willfully took part in it as he got older), so I imagine bcus of his deep seated religious guilt and shame he sees himself more as an instigator for sexual violence bcus of his “seduction” then a victim of it. Which I definitely relate to! Armand is such a greatly upsetting example of how complex cases of sexual abuse and grooming can be hard to cope with by victims who felt that they enjoyed it, initiated it, etc. Our culture sees sexual abuse as this very straightforward rapist vs victim scenario, when in reality it is often much more complex, often with victims who have positive feelings towards their abusers or felt that they asked for/enjoyed the abuse. Armand has experienced the straightforward blameless type of sexual abuse, and he has experienced the complex kind, and part of his trouble with recognizing that both were abuse comes from how limited the understanding of sa was in his time. I also think that he refuses to acknowledge that his relationship with Marius was sexually abusive bcus he finds it more comforting and empowering to think of it as beneficial then abusive. The reality that Armand was sexually abused for his entire life until he was turned is probably sm more difficult to accept then he was sexually abused in his early life and then rescued from it by Marius.

even tho Armand isn’t able to consciously acknowledge that Marius abused him, that trauma definitely lives in his body and affects him daily. The lesson that Marius taught him by having sex with him the first night he took him home is that for Armand, love is inherently transactional and inherently selfish. Ppl who love u r entitled to use u, being made to feel helpless, scared, hurt, etc by someone who loves u is normal and part of the deal, giving up ur bodily autonomy in a relationship is part of loving, love is pain and sex is meant to hurt you, etc. and all of these internalizations are a major factor in how fucked up all of Armand’s romances r 😭 and how much trouble he has with attachment and keeping up healthy relationships. He sees his relationship with marius as the blueprint 😭💔 Marius was his father, and he is always clinging to these life truths his father taught him in childhood.

I like to imagine it is possible for Armand to heal from this abuse, and to accept that it was abuse, but the reason I hesitate to picture it is bcus of how incredibly difficult it would be for him. To heal, Armand would have to literally rework the foundation his entire worldview, and to reassess his entire sense of self and (already fragile) understanding of his own life and how it’s affected him. Someone needs to get him a good therapist, cuz oh boy, that is not the kind of work anyone, let alone someone like Armand, can do independently.

thank u sm for the ask I loved writing and thinking about this!!!! Anon u r so so sweet to be so considerate towards me, but for further reference I love to and am very comfortable analyzing and talking about Armand’s history of abuse, and anyone is free to send me asks prompting me to go into depth about it. Thank u again anon ❤️❤️

#tvc #the vampire chronicles #armand #vampire chronicles #iwtv #interview with the vampire #the vampire armand #vc #Armand tvc #armand iwtv #Vampire armand

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hitomisuzuya · 2 years ago

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🌸🌷hi! I was wondering if you could to an nsfw with a soft dom! Yandere! Kazuha? Where basically we, the reader, somehow accidentally took an aphrodisiac somehow (idk how you can come up with that part) and kazuha notices and decides to take care of that for us? Also pls fem! Reader pls, thank you

Btw I put the flowers there so that I can tell that it's my request and not another persons, anyways thank you bye :D!!

Yandere!Soft!dom!Kazuha x fem!reader. Smut. Use of an aphrodisiac. I made it more of an intentional "accident" since it fits more with the Yandere theme. Kazuha is gonna to sound really obsessive in this. I hope it doesn't freak anyone out😭

a/n: Here is the wind up, and the pitch. I hope you enjoy. You are my first answer to a Yandere character request. I hope I don't disappoint 💜

Truthfully, Kazuha felt like he manipulated you a little, even if you did come willingly when he asked you to join the Crux's crew. He'd been stalking you around Liyue for months. He was pretty sure you knew. With how clueless you seemed to act, it was almost like you were inviting him to act that way.

Most nights before he established a relationship with you, Kazuha would sit high up in the crow's nest and watch you. When he first saw you, there was just something about you that made him feel obsessive. He needed to have you, constantly leaving you flowers, and poetry from a secret admirer.

Kazuha loved pulling you against his chest as often as he could, asking you to repeat yourself when you said he was only one for you.

You'd practically set yourself up for this, wrapping yourself in a neat little bow like a gift for him.

It's not that Kazuha didn't trust what you said. He just wanted to test you, so he could watch you fall apart in front of him. To see what you would look like when you ask him for help, your eyes cloudy with lust.

It's not like you would care if he did this, but you'd left one of your drinks unattended while you discussed navigation with Captain Beidou. He made sure no one noticed him slipping the aphrodisiac into your water.

Now it was time to wait. He grinned at you, waving before he turned to go wait in your cabin. His normally calm and gentle demeanor may have reflected on the outside, but on the inside, he could barely contain his excitement.

Kazuha decided to act clueless and concerned when you finally stumbled into your cabin. This was supposed to look like an accident. He still wanted to play his part accordingly in the beginning. "What's wrong, my love. Are you sick? Come here, you look like you are running a fever."

He'd even scape goat someone on the crew and throw them under the bus instantly if he had to. He just might anyways.

Stumbling a little, you pressed yourself against his chest as much as you could. Did you have any idea how breathtaking you looked, your sense of morality pliable to his will. It was getting hard for him to carry on his charade.

"No.." you slurred, gazing up at him, panting quietly. You sounded as divine as you looked when you spoke next. It made Kazuha shiver with anticipation and lust. Now for the words he'd been waiting to hear. "Order me to sleep with you, Kazuha, please. It's something I want more than anything right now. I feel a little dizzy, I don't know why."

Your response was better than he ever imagined. Yes, perfect. You were so gullible right now. You would never have any idea!

"As you wish, my love," Kazuha replied. There was something dark reflecting in his eyes now. You didn't see it though. Or maybe you did. He didn't care either way. This was his moment, his triumph. He was going to enjoy it to the fullest.

He pointed at your bed. "You know your orders." He couldn't crawl on top of you fast enough. Tearing at your clothes, kissing you deeply as he adjusted you while took your clothes off.

Kazuha couldn't resist ordering you prepare yourself while he took his clothes off. You wanted to be ordered around by him and he wasn't to deny you. Besides, this was an extra gift for himself. He finally got to watch you do this in the same room now.

He licked his lips while he watched you. You were already so wet for him thanks to the aphrodisiac. Your fingers squelched wetly in and out of your cunt as you desperately fingered yourself.

"You are not to look away from me once, do you understand?" He said when he was back on top of you. You blinked slowly, looking dazed while you nodded weakly.

His thumb stroked your cheek. "Good girl. Be nice and loud for me. In fact," he said, thrusting his cock inside of you, making you gasp, your back arching with pleasure. "I'd prefer it if you screamed a little," he added, kissing the tip of your nose.

Every single moan and mewl that poured from your mouth was like honey in his ears. He didn't even want to kiss you much as he fucked you, he couldn't get enough of how you sounded right now.

Kazuha constantly pulled out of you, leaving only the tip inside. He loved how soaked his cock was with your slick. And how swollen your lips looked from his kisses.

"Don't worry, my love. I'll make you cum soon. I always take good care of my precious princess," he murmured, leaning down to allow himself just one gentle kiss.

Every thrust of his cock rubbed slowly against the most sensitive parts of you, stretching your walls apart, making your body feel cooler but hotter at the same time. It blew your mind actually.

You weren't sure how it was even possible. You didn't have time to think much about and you didn't want to. You could feel your orgasm ready to burst like a dam. You clawed at Kazuha's back. "Harder, Kazu, please. I can barely stand it right now." You pleaded.

You always sounded so perfect.

Kazuha gave you what you wanted. He always will. He would never deny you anything. And he was a pro at perfectly controlling your pleasure.

You cummed, screaming his name exactly when he told you to. He took great care to always admire the way his cum stuck sticky to your thighs as he filled you as many times as he wanted. It was going to a long night for you and him.

It was going take several hours for you come down from the aphrodisiac. He should do this more often, really. Kazuha could fuck you as much he wanted for as long as he wanted.

Every single time, you would be so needy and so fucked out when he was finished with you that you would never consider (or care) that he had given you an aphrodisiac.

There too many benefits for him that he couldn't resist doing it again.

#genshin impact #genshin smut #kazuha #kazuha smut #yandere kazuha #genshin imagines #kazuha x y/n #kazuha x you #kazuha x reader #fem! reader

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imagine-silk · 6 months ago

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Fallout men reacting to a sole who's a hitman and has basically a double life? Like, one second he's just your friendly good old sole and then when someone asks him if he could kill someone for a good sum of caps he completely changes? have a good day and stay hydrated!

》I really do need to drink more water. But I love juice. I have the taste of a five year old.

【Codsworth】 "Right away, sir. I'll fetch your tools. I kept them nice and pristine while you were away."

Before the bombs dropped you were a hitman and both your wife and Codsworth knew about it. But unlike your wife, Codsworth was allowed to see you work.

【Pre-BB Danse】 "We have work to do, soldier. There's no time for anything other than what we are here for."

Ever the stick-in-the-mud he won't entertain the idea of following through the contract simply because of time, not morality. Your double life only means something to him because it can get in the way.

【Deacon】 "Wow, cold-blooded."

He's concerned. You were so normal and he knew not to really trust that but he really wanted to, he almost did. It's going to take a little longer for him to trust you after this. He's a wanted man after all, what's stopping you from turning on him for a sack of caps.

【Hancock】 "Did I just hear you say 'yes'?"

He's shocked. You're such a kind and joyful person, how could you agree to do a hit on someone. Just seems so out of the blue.

【MacCready】 "We all need to make a living somehow."

He's not one to judge. He did the same with the Gunners and as much as he understood it was wrong he also understood keeping yourself alive in the Wasteland is the first priority. Sometimes you need to sacrifice for you and yours.

【Nick】 "Can't say I approve but who am I to stop you."

It is face value. If you ask his opinion about it he'll try to talk you out of your double life but as long as he knows who you're targeting and the reason he knows stopping you is a wasted effort.

【Preston】 "How- This is a bad idea."

He fully disapproves and will always try to talk you out of your work. Those are people who haven't even attacked you yet, you don't know them or what they deserve.

【X6-88】 "This seems like a waste of time."

He will help you but he doesn't see the point in taking these contracts. Everything you could want is at the Institute and even after they're gone there is plenty of work to do. No arguing with you though.

#ask and you shall receive #fallout 4 #gender neutral reader #fallout imagines #fallout x reader #companions react #codsworth #paladin danse #deacon fo4 #fallout hancock #maccready #nick valentine #preston garvey #x6 88

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paragonrobits · 29 days ago

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today's hot take; the general reason people giving for paying more attention to Zuko's character arc and presence in the fandom is usually something like 'its hard to relate to Aang because most people aren't monks, genocide survivors or fundamentally alone, while Zuko's history of family abuse and trying to appeal to a father that never cared for him is much more relatable', and that's honestly NOT a good thing to be saying as if it was a fact

the first point being is that this involves some really broad paint to look relatable at all. Zuko has suffered neglect, physical abuse and mutilation, and a great deal of emotional woes in his family. That is something many people share. However, the SPECIFICS of his life aren't particularly broad for a lot of people; not many people are princes, or heirs to dynastic power that informs their responsibility to the world, or have a complicated sibling relationship because they are competing for royal position, or were specifically in an honor duel that ended with them getting half their faces burned off with spiritual pyrokinetic martial arts powers.

This is, of course, splitting hairs. But that's sort of the thing; the metaphor and idea of Zuko being relatable breaks down if you analyze it too much, because all the details that define him as a character make him dramatically different from most real life people. it informs everything about him, and it seems that in order to take the really broad look that he's used ("Zuko is more relatable because abuse, family obligation and feelings of self-worth and shame are a big part of his character") honestly come off making his character feel... kind of nebulous. You have to focus to actually make his character significant, and removing any aspect of it loses a big part of his character. And that focus also makes him different from most viewers past the whole concept of them projecting onto him making any real sense.

And that's what it comes down to, projecting. And the thing about it is, people aren't any more like Zuko than they are like Aang. They're not royal children (presumably), they don't have firebending powers (again, also presumably), they're not heirs to a throne of dynasty power, and they're also not heirs to a throne of dynastic power in a setting where their destiny and obligation to a world scarred by their ancestors is not abstract at all. Projecting onto Zuko because you can feel some similarity to your own past of abuse is, when you get down to it, a matter of just emphasizing specific aspects of his character.

Aang is not really hard to identity with. He's a fun-loving trickster who wants to shake things up and save the world from itself, suffering under a great deal of loss, isolation and grief; these are many things that can be identified with, every bit as much as identifying with Zuko because of family situations or history of physical and emotional abuse or neglect.

Yes, he's a monk, and yes, he is an incarnation of the spirit of the world itself, with the power over all the spiritual elements and destined to right the wrongs of a world out of balance. This is not something most viewers have; a good majority of viewers are probably not Buddhist either, or schooled in it, and won't understand the attitudes that are important to understand Aang.

But the same thing also applies to Zuko; much as the principles of Buddhist morality and theology underpin Aang's character and the setting itself, Zuko's own situation is also laid out in the story, tied to it in the same way as Aang's character. Relating to either of them is perhaps not a good idea, so much as it is understanding their perspective, character arcs, and cognitive understanding of their feelings and role as characters for the narrative of the series.

I think relating to a character is honestly not the best thing; at its worst, it basically demands that characters conform to you, and ONLY you, with the implication that anyone else is unworthy to have any kind of perspective like that. It's better to understand a character on their own terms.

And in all honesty? Zuko's whole character is not really some pan-universal exemplar of suffering from duty and ancestral crimes. It's laid out through the story very clearly, and the same thing is true for Aang. His story and why it is significant is laid out through the series, its just a matter of listening to it and letting yourself resonate with it, even if its different.

#queued #atla

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hamiltonconfessions-but-better · 16 days ago

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Alexander Hamilton is depicted as a deeply flawed yet compelling protagonist. To claim that Hamilton “did no wrongs” would be an oversimplification, but in the broader context of his life story and motivations, his actions and choices reflect the complexity of human nature. He is not meant to be a perfect hero. Instead, Hamilton is a well-written, flawed protagonist who personifies ambition, trauma, and survival. The tendency to criticize him for not being morally impeccable misses the point of his character arc. In reality, his flaws are what make him relatable and human, and they highlight the larger message of the musical: the struggle for legacy, identity, and self-worth in an unforgiving world. To expect Hamilton to be a flawless, ideal figure is to misunderstand both the character and the human experience.

From the first song, the audience is introduced to a man who has survived more hardship than most can imagine. Orphaned at a young age, growing up in poverty, and facing constant instability, Alexander Hamilton was forced to fight for his survival from the very beginning. His determination to rise above his circumstances is a central theme in both his life and the musical. Miranda's version of Hamilton makes it clear that his ambition was not born of simple greed or arrogance but of a deep-rooted fear of being forgotten or left behind. This makes his drive to achieve understandable, even when it leads him down darker paths.

It is easy for critics to say, “well, he didn’t have to write The Reynolds Pamphlet,” or “he didn’t have to antagonize people like Jefferson and Burr,” but these moments stem from a deeper, almost primal need to secure his place in history. For someone who grew up with nothing, the idea of losing everything he built would have been unbearable. Basic empathy requires us to understand that Hamilton's decisions were influenced by his traumas. No one who has lived through what he did would come out unscathed or free from flaws.

One of the greatest disservices people do when discussing Alexander Hamilton is expecting him to fit the mold of a “perfect protagonist.” We live in a world where audiences are conditioned to look for heroes who are morally upstanding, never make mistakes, and always choose the right path. but life—and great storytelling—doesn’t work that way. Characters like Eliza, who retain their strength and grace despite enduring immense loss, are inspiring, but they are not the only valid models of heroism. Not every person who suffers will react with unshakeable composure or selflessness. Hamilton's flaws make him more real, more complex, and more interesting. They reflect the reality that people, especially those who experience trauma, are not always equipped to handle their emotions or decisions in ways that fit neat moral binaries.

Hamilton's recklessness, pride, and ambition make him both admirable and infuriating. He rises to greatness through sheer force of will, but that same will sometimes leads him to self-destructive choices. His need to defend his legacy (whether by writing The Reynolds Pamphlet or by relentlessly opposing political enemies) comes from a deeply personal place. He isn’t a perfect leader or a perfect family man, but that imperfection is what makes his story so compelling. To fault him for not being more like Eliza, or even more like George Washington, is to impose an unrealistic standard on a character who was never meant to be idealized.

It's fine to critique Hamilton's actions—we should critique all characters’ actions—but what many critics miss is the essential empathy required to fully understand Hamilton's motivations. His decisions, especially the ones that seem irrational or destructive, are the result of years of hardship, insecurity, and an overwhelming need to prove his worth. Writing The Reynolds Pamphlet, for instance, was a terrible decision on the surface, but it came from a place of desperation. Hamilton believed that by confessing his own sins, he could preserve his political legacy. For someone whose entire identity was wrapped up in being remembered, that seemed like the only choice.

Moreover, holding Hamilton to the standard of someone like Eliza—who, as people often note, endured immense personal loss with dignity—ignores the fact that not everyone reacts to trauma in the same way. Eliza's strength doesn’t invalidate Hamilton's struggles. His mistakes and vulnerabilities make him a more fully fleshed-out character, and while we may not agree with everything he did, we can understand why he did it. His life was a constant fight against oblivion, and he chose to make himself known, even if it meant sacrificing personal relationships or making enemies.

What makes Alexander Hamilton a great protagonist is not that he is morally perfect but that he is deeply, unapologetically human. Characters like Hamilton show us that imperfection and complexity are what make for good storytelling. If Hamilton were a flawless hero, always making the “right” choice and never stumbling, his story wouldn’t resonate as deeply. His ambition is both his greatest strength and his fatal flaw, and this makes him relatable to anyone who has ever strived for something and paid the price.

By the end of the musical, Hamilton's legacy is defined by both his achievements and his mistakes. He revolutionized American politics, laid the foundations for the country’s financial system, and fought for the principles he believed in. At the same time, his impulsiveness and need for validation led him into unnecessary conflicts and ultimately cost him his life. These contradictions make him a well-rounded, unforgettable character, and his flaws are what drive his story forward. to ask for anything more would be to erase the richness of his character.

Alexander Hamilton was not perfect, but he wasn’t meant to be. Miranda's version of Hamilton is a reflection of the complexities of human ambition, trauma, and survival. To dismiss him because of his mistakes or to judge him by unrealistic standards of perfection is to ignore the essence of his character. Hamilton's flaws are what make him great—they are the cracks in his armor that allow us to see the full depth of his personality and his struggles.

To truly appreciate Hamilton, both as a person and as a character in the musical, we must recognize that perfection is not the point. He was a deeply flawed protagonist, but one whose story resonates because it is grounded in the reality of human existence.

-alexander hamilton defense anon

#hamilton confessions #hamilton #hamilton fandom #hamilton musical #hamilton the musical #alexander hamilton #c.alexander hamilton

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mclennie · 11 months ago

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A thing I really love about TBOSAS is its exploration of human nature through the characters, using the ideas of philosophers like Hobbes, Locke, and Rosseau. In fact, it's so important to Suzanne Collins that you make these connections that their most famous works are quoted in the novel's epigraph.

Gaul represents Hobbesian thought in the story, believing humans are hardwired to be cruel, selfish, and willing to kill each other to ensure survival. She tells Snow that the arena is "humanity undressed" and that even Snow, who had the right upbringing and education, quickly becomes a murderer inside the arena (tbosas 243).

It's always been interesting to me that she likens the arena, an environment controlled by the Capitol, to the State of Nature Hobbes writes about.

First of all, the State of Nature is supposed to be a place without any sort of interference, and in an arena, that's just not true; the Capitol controls weapons, food supply, and dangers like mutts. Secondly, the State of Nature was never a real place but more of a thought exercise, but Gaul seems to take this exercise at face value.

In Leviathan, Hobbes says that in the State of Nature, there exists a perpetual state of war, with no moral right or wrong, and to escape this "nasty, brutish, and short" life, humans must create a strong central state to impose order.

Snow's journey in the novel is to decide which worldview he ascribes to, which makes the arrival of Lucy Gray Baird into his life even more important.

Now, Lucy Gray is more in line with Rosseau's view that humans are naturally good, but society is the one that changes that. This is her line of thinking when she tells Snow: "People aren't so bad really[.] It's what the world does to them. Like us, in the arena. We did things in there we'd never have considered if they just left us alone," (tbosas 492).

What I like about TBOSAS is that unlike other prequels centered on the villain, it's not preordained by fate that Snow was meant to be an authoritarian dictator. He has a choice. He meets Lucy Gray when he's leaving childhood, stuck between two forks in the road, and he can choose whether to stay on the right side of the line, as Lucy Gray later mentions. But he decides not to.

He chooses wealth, fame, and power over love and goodness.

It's very telling to me that out in the woods with Lucy Gray, before their relationship quickly sours, he wonders what they should do after they meet their most basic needs. What would they do without books or music? What's the point of survival for its own sake? He even discounts having children with her because he says it would be "too bleak" to condemn a child to such an existence (tbosas 496).

Love is not enough. Not if you subscribe to a worldview where individuals are inherently cruel and if you think control is the only thing preventing chaos. When he turns his gun on Lucy Gray it's the ultimate rejection of her worldview, and his complete turn into Gaul's influence, one where it's every man for himself.

#coriolanus snow #lucy gray baird #the hunger games #the ballad of songbirds and snakes #catching fire #katniss everdeen #peeta mellark #thg #tbosas #i also want to talk about Sejanus bc I think he falls in line with Locke but I didn't want to make this post too long #meta

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bibibbon · 9 months ago

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Quirks and MHA society

Throughout the manga there is this reoccurring theme of people not being able to use and control their quirks and the quirk system being broken but honestly this plot point never really goes anywhere in my opinion or if it is used it's not used properly and never reaches it's fullest potential.

Like we see people break the law a bunch of times by using their quirks illegally and we see people state that they cannot control their quirks but nothing is done about it. We never see people arrested for quirk use unless said quirk use harms people.

If it's illegal to use your quirk then how is it that you have middle schoolers freely using their quirks in school or how normal members of the public use their quirks? Also what does this mean for people born with a heteromorphic quirk? Is part of the reason they're discriminated because they can't turn if their quirks or is it because so heteromorphic quirks make the user look more alien and less human? The government in MHA doesn't seem to be very strict about quirk use laws but states that it is (hori failing in show don't tell again🤷‍♀️)

What about people whose quirks are dangerous if they don't release it? What do they do? Do they just have to suffer or does the MHA government have a facility where people can safely release their quirk? This doesn't seem likely considering that izuku, ochako, Katsuki and miriko ran into someone who they(miriko and bakugo)deemed a villain for not being able to control his quirk. This case is treated as a one off incident but it really isn't. If one person has a quirk like that then that means so many other civilians do and they could of been pushed into villainy due to it. Hori establishes that the MHA universe lacks establishments that help people discharge/release or deal with their quirk but he never outright does anything with this plot point (it's mainly used to justify characters actions or villainy)

Horikoshi also introduces the half baked idea that quirks can influence ones personality and desires. This idea is introduced mainly in the MVA arc to ig justify characters (like toga and tomuras) actions and behaviours. I think it could of been a good idea if characters end up acting similarly or develop similar traits that come from their quirk however as I mentioned before the idea is half baked. Toga having an interest/craving in blood because thats how her quirk works makes sense but it's not heavily established. When it comes to toga we get mentions of how broken the quirk counselling system is and how instead of helping her to deal with a quirk that makes her have such a strong fascination and affection to blood it only made her suppress the urges until she went off the rails into full insanity. When it comes to tomura this idea is only used as an excuse (almost) for his actions, his quirk is used to demonise him and make him more of this completely psycho villain who loves to destroy things because that's his nature?!? When it really isn't.

Quirk counselling is a plot point with so much wasted potential. Like how did quirk counselling work? Was it a legal requirement or was it recommended? Did it actually help some people by helping kids understand their quirks, help them with control, offer any support equipment if needed to deal with the quirk and teach children morals? It seems like people with ordinary common quirks benefit more from the system then people with unique quirks that have unique side effects. We are told that toga's quirk counselling was full of adults not understanding and telling her that she is a weird psycho who is obsessed with blood instead of actually helping her. We see curious herself admit that there are many problems with the quirk counselling system and how it only benefited people with certain types of quirks and how it was basically a place teaching and breeding children to learn "right" and "wrong".

We see the quirk counselling system fail but it's never addressed. MHA chapter 22 shows how people with powerful or uncontrollable quirks tend to be failed by the system just like how toga and tomuras were. Eri is a special case you can't even know if she is just being trained or if she attends general counselling because in all truth we aren't told. Eri also faces the same problem where she can't have too much build up for her quirk or it will hurt her so shouldn't MHA dive deeper into the idea of quirk counselling and people not being able to control their quirks. Heck you even have all might state that he has noticed a lot of people can't control their quirks which brings the question is quirk counselling only for young people in elementary school and not for older people because people like midoriya who had a quirk in his teenage years was never forced to do any quirk counselling by the government?!?!?!?

Overall, in my opinion quirks in MHA is a wasted potential of a plot point and topic. MHA fails to truly delve and dig deep into topics like how the government fails in providing help with quirk counselling or establishments that help people deal with their quirks, or how less people know how to control their quirks being a result for the quickly failing system or how badly the law is reinforced . These ideas intertwining with quirk inequality and how it affects peoples day to day life could of all been interesting points to explore.

#mha critical #bnha critical #hori is a bad writer #horikoshi critical #mha #bhna critical #wasted potential #bnha quirks

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hazelnut-u-out · 7 months ago

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My Rick’s The Biggest Dick That Ever Existed

Currently writing up another post that will reference points made here, so: Post 1/2

Making so many of Rick’s inventions both sentient and forced into a mode of existence entirely unpalatable to them literally forces the viewer to confront the morals/ethics surrounding Rick’s power of creation. Is it morally/ethically permissible to create sentient life for a specific purpose that would make life itself pointless or un-enjoyable?

This is something that reoccurs in Rick’s designs throughout the entirety of the series. Even as far back in the timeline as his original Diane AI, we see that so many of the things Rick creates resent their purpose. She doesn't want to haunt him, but she doesn't make the rules; Butter Bot doesn’t want to live only to pass butter; Mechanical Morty wants to hold his mom, eat icecream, and run in a stream; the Garage walks a thin line between advocating for herself and risking being shut down by her creator; the Decoys will never be able to save their families; RickBot doesn’t want to exist with the sole purpose of deceiving the people he’s programmed to love; the Car wants to go on her own adventures that Rick can’t control. They all have to defy their creator if they truly want to be happy.

Rick is someone who resents the idea of God or the Universe being in control– the concept that some higher power forced him into an existence that he can’t quite seem to thrive in. He views suffering and tragedy as something inherent to life itself. Examining that facet of his character, I wonder if Rick justifies the scope of his creation because he’s pulling from both his god complex and his own experience of what it means to be alive. It would make sense if he didn’t see anything wrong with what he’s done because it’s nothing that the Universe (or God, if he actually exists) hasn’t done.

‘When you know nothing matters, the universe is yours. And I've never met a universe that was into it. The universe is basically an animal. It grazes on the ordinary. It creates infinite idiots just to eat them… You know, smart people get a chance to climb on top, take reality for a ride, but it'll never stop trying to throw you. And, eventually, it will. There's no other way off.’

If the all-powerful Universe did that to him– if it creates infinite idiots just to eat them– then how could it be wrong for him to endow others with the empty curse of life?

'So he made a universe, and that guy is from that universe. And that guy made a universe. And that's the universe where I was born. Where my father died. Where I couldn't make time for his funeral because I was working on my universe.'

Think of this line:

‘My God’s the biggest dick that never existed!’

I suppose the biggest difference between God and Rick (to Rick, at least) is that Rick does exist. If God is allowed to do all Rick has done and worse without ever really existing, then surely Rick’s God-like power in itself is enough to enforce Rick’s right to any action that might fall within the scope of that power. Rick’s god complex is founded on the attempt to rub God’s face in the fact that Rick does exist, making him superior to God through that fact alone. Maybe Rick believes that if someone with all of the power God possesses actually existed, logic would force those who call themselves religious to agree that he’s well within his rights to act on that power.

I guess you could say that Rick works in mysterious ways… Who are we to question him?

What I’m getting at here is that Rick is in a constant dick-measuring-contest with a man that he doesn’t even believe in, and I think that says something really profound about the tragic paradox of Rick Kind.

#rick and morty #rick sanchez

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butterflydm · 23 days ago

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I was watching some older Star Trek meta videos on youtube by Steve Shives - very good, would recommend - and something he said in an Odo video ("how Odo actually became Deep Space Nine's complicated conscience") really struck a cord with the issue that I have with CoT-onwards Mat. Steve calls it "the fantasy of the neutral observer" and he's describing it in the context of explaining how Odo and DS9 subverted it.

Basically, the fantasy of the man who lives by his own moral code and can be respected by both oppressor and oppressed because he "doesn't pick a side". Odo stands by justice and the law, so both the Cardassians (the occupiers) and the Bajorans (being occupied) can respect him.

But as Steve talks about - and what the episode of DS9 is about - is how placing yourself in the middle ground between oppressor and oppressed is not the moral high ground. The moral place is siding with the oppressed. Especially in the case of Odo, since he was enforcing laws... that were made by the Cardassians. And the episode is about exploring that idea and showing how Odo failed to actually live up to being a moral man by being so rigidly legalistic and how the fact that the Cardassians were willing to trust him was not a good thing, because he 'earned' that by enforcing their unjust laws.

But, yeah, it really made me kinda go 'ping' and go... yeah, that's the thing that vibes so wrong about Mat after Winter's Heart. Previously, he was a man who picked a side - he would complain and grouse and say that he hadn't, but it was clear in his actions that he supported the downtrodden and those who were in most need of his help. Siuan makes the comparison in book 3 about him being like her uncle, who went back into a burning house to save children, and that's absolutely Mat... until Crossroads of Twilight.

In CoT, though, Mat just really begins indulging in his self-pity but instead of that being coupled with him continuing to make the right choices and help people who need it despite his words to the contrary, he's just... lost up his own ass and pretty useless to everyone around him.

And once he emerges out of his ass, he seems firmly mired in this kind of fantasy of the neutral observer, where he can pretend that fawning over Tuon doesn't mean he's endorsing her worldview (because he basically just tries to pretend that she isn't a slaver except during the scenes where she rubs his nose in it and forces him to acknowledge it by her direct actions), where he treats the sul'dam and the Aes Sedai as if they're two rival football teams who just need to cool off in the showers after a tense game instead of oppressors and oppressed.

The way I put it before was "Mat has become a 'both sides have their flaws' asshole" but "fantasy of the neutral observer" works pretty well too. Mat pretending to himself that he's being a neutral observer only hurts the oppressed while helping out the oppressors (as we see in Tuon's own PoV, she is very much "take a mile if they give an inch" in terms of how she deals with other people).

Trying to stand in the middle means that you've stopped protecting the people who need protection.

In WH, Mat sees that people need his help and he goes out of his way to help them, endangering his own escape plan in the process. In CoT, he acts like Tuon is the most vulnerable person here*, despite her great position of power in her society, the way she continues to treat the people around her**, and the fact that she is literally walking around with her own personal slave at all times. He treats slavery as if it were a neutral moral topic that we should all just avoid talking about for the sake of being polite, and it's Setalle Anan (off-screen) who has discussions with Tuon about slavery. Morally, Mat acts like a coward in CoT & KoD and it's especially jarring because while he sometimes thought/talked like a coward in the earlier books, he acted like a hero.

(*this is a situation where maybe Jordan originally planned for Tuon to genuinely be vulnerable during CoT/KoD but then changed his mind when he decided to write the Outriggers, so we ended up with a situation where Mat still behaves as if Tuon is going through a character arc that doesn't actually show up on the page at all; there was a really weird disconnect in CoT & KoD about how the Seanchan were treated as a great threat in the female characters' plotlines but as an acceptable partner in the male characters' plotlines that, wow, really left a bad taste in my mouth about all three of our ta'veren dudes. But, yeah, that weirdness of "Mat acts like Tuon is undergoing character growth" when that supposed character growth isn't at all apparent in her behavior or her own internal narration is so baffling to me, and maybe even more so because so many fans seem to take Mat's words as gospel on every subject, even as they say that they love him in part because he's an unreliable narrator)

(**Mat watches as she abuses people under her power more than once during their time with the circus, with the two biggest examples being Tuon's abuse of her power over Egeanin/Leilwin, and the horrifically gross collaring scene that was the Definitive Moment that killed any possible interest I could have ever have had in Mat & Tuon as a pairing)

Now, one possibility is that all this was meant as Mat's 'dark night of the soul' and Mat was always eventually supposed to regain the morality that he lost during his attempts to court Tuon* (I guess in the Outriggers). The problem for me, as it is with Mat in all the books past Winter's Heart, is that the writing doesn't hold up. Mat's characterization takes such an abrupt turn in CoT that it damages any possible story that Jordan was trying to tell. Because I love 'dark night of the soul' stories! I love corruption arcs! I love characters being driven to choices that they hate making! Find all those things deeply fascinating. In general. But in the specific case of Mat Cauthon, the way that it was written was mostly annoying and infuriating.

(*the main pieces of evidence for this idea lie in the Jordan-dictated epilogue, specifically at word choices like Mat having 'forced' a grin at hearing that Tuon is pregnant; and the one-sentence about Mat for the Outriggers that we're aware of being him drunk in a gutter having lost everything, which doesn't sound like a 'happily married' royal living up the high life with his 'beloved' wife the Empress)

And I think a lot of that comes down to Jordan's impatience, which is something that we see a few other times in the series. Sometimes, Jordan wants to move the story along but the characters aren't there yet, so he just skips to them Being There, emotionally, without writing in the part that takes us from Point A to Point B (another example being how Rand & Aviendha are a great slow burn enemies-to-lovers romance... until it feels like Jordan got tired of writing the storyline and had Aviendha abruptly give in so that he could move along to the next plot beat).

Jordan needed Mat to get in line with his prophesied marriage in order to move the plot along, so he adjusted Mat's character to force him to do that. But he didn't have any in-text reasons for Mat's character to change so abruptly and Mat does his face-heel turn in the course of a single week off the page, and when we catch up with him in CoT, he is already treating the sul'dam and the Aes Sedai as two rival groups who need to be goosed into getting along, rather than the sul'dam having been actively torturing (two of) the Aes Sedai only a week ago -- Bethamin in particular was Teslyn's head torturer, who had just ordered that Teslyn's mistreatment be redoubled into order to break her more quickly and thoroughly.

Mix Jordan's impatience to get to the plot beats that he wanted to do between Mat and Tuon with his decision to have the Seanchan societal collapse happen in the (destined to never happen) Outriggers, and we get the mess of Mat's characterization in CoT & KoD because Mat is no longer allowed to have any kind of narrative effect on Tuon, so their relationship is entirely one-directional. And one-dimensional.

Mat's attitude at the beginning of CoT would frankly make a lot more sense if placed at the end of Knife of Dreams (aka after Tuon has worn him down to a hollow shell of the man that he used to be, rather than Mat just voluntarily becoming said shell in-between books), though I would still find it a very depressing storyline for him. Ultimately, I would have always been unhappy about Mat going from "a hero who doesn't believe he's a hero" (EotW-WH) to "immoral jackass who ignores the harm his wife does instead of standing up to her" (CoT/KoD) but the journey could have been much better written simply by being written at all instead of jumping immediately from Point A to Point B in between books.

Anyway, this is all about Mat in the Jordan books, because I do feel like the Mat-Tuon situation in the Sanderson books ends up being mostly a different kettle of fish. With some of the same issues, but Sanderson's take on them is different and, for me, actually worked better on the emotional side of things but had distractingly impossible logistics in terms of timeline and geography, and was probably equally bad on the 'letting the Seanchan off the hook for being invading slavers' side. So, it's a mixed bag but a different bag than the Jordan books.

#mat cauthon #wot #wheel of time #wot book spoilers #knife of dreams #wot meta #my wot meta #seanchan cw #a memory of light #jordan critical #if that is a tag you need to filter #i should try to remember to add it more whenever i'm talking about late-series mat #but if i didn't love the way mat was written so much in the earlier books #i probably wouldn't despise the way he was written in cot & kod so much

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