#he lives in a beautiful world and i want to be a part of it

[buckyalpine]

His Winter Flower

Modern Beauty and the Beast AU Winter soldier x f reader

Long awaited, I hope you all enjoy it as well.

Word count: 8.9k

Warnings: 18 + Angst, injuries, Fluff, All the sweet smut, Bucky is a sweetheart

"оставаться внизу" [Stay down] The soldier ordered, holding his gun to the targets forehead, his metal finger twitching against the trigger while the man cowered in front of him.

"Please" The man tried to plead but it was no use. He knew his fate was sealed the second he heard the thud of the boots entering his home. The whirring of metal. The ghost people spoke of but never saw until it was too late.

"тишина" [Silence] The soldiers rough voice growled behind the mask that covered his face. He pressed the barrel further into the man's head, freezing when he heard the soft patter of footsteps nearing the office he had broken into.

"Papa?" A soft voice called, the scent of roses and vanilla accompanying it, "Papa, where are y-

You gasped as you entered your father's study, your heart dropping to your stomach seeing him kneeling on the floor with his hands tied while the soldier towered above him.

So the rumors were true.

The silver of his arm was illuminated in the moonlight, the rest of him covered in Kevlar and black leather. Weapons were strapped to every bit of his body but the only one that worried you now was the one that was about to take your father's life.

"Don't hurt him!" It was a futile attempt to save your father, you knew this enough. The Winter Soldier didn't spare anyone, in fact for the longest time you wondered if he was nothing more than an urban legend. No one had actually seen him. Those that did didn't live to speak the tale. The soldier grunted in response, hardly sparing you a glance as he stared at the man before him.

A professor. A brilliant man. One who was quietly working with a group of researchers aiming to destroy the the longtime work of Arnim Zola from so many years ago. No more serums. No more soldiers.

Hydra wouldn't have that.

Not when those very serums created their best asset, the Winter Soldier himself.

"Он моя миссия" [He is my mission] Was the only response you were given. You didn't understand the words he said but it didn't matter; it was quite clear. He didn't intend on sparing the professor.

"Darling, please go, it's okay" Your father shook his head, ready to accept the consequences of his choices. He hoped to aid in the movement of making the world safer and if this was his end, he was prepared to meet it. Tears welled in his eyes with a sad smile on his face, "It'll be alright, go, hurry-

"No, please!" You pleaded with the soldier once again, all you could see were his blue eyes, void of emotion, cold and icy. "If-if you kill him, someone will take his place and then another. My father will no longer help with the government if you spare him and take me. Please just take me instead, it will put an end to all this. Please"

If you kill him, someone will take his place

The words rang through the soldiers mind.

It shouldn't be a problem. He'd killed plenty of people before but...

Then it would be another mission to carry.

And then another.

Another.

The innocent man trapped in his brain screamed to stop. A voice long forgotten, begging him to reconsider. To fight against the words that were causing him to do this. The solider flinched, fighting within himself, contemplating his next actions. The mission was to ensure Arnim Zola's work wouldn't be eradicated. The girl was offering herself to ensure the same work wouldn't continue. He wouldn't have more blood on his hands if he allowed the professor to live.

He shouldn't have cared but a part of him did.

He didn't want to kill another innocent man.

He never wanted to kill anyone.

Your father let out a sigh of relief feeling the weight of the gun pull away, only to have his greatest fear come alive; losing you.

"NO, darling you don't know what you're doing, I'll be fine-

It was too late. The soldier cut through the ropes that bound your father's wrists, taking you instead. Before your father could reach for you, the soldier grabbed and hauled you over his shoulder and strode away, ignoring the plea of the professor to spare his only daughter.

His mind was made up.

She was not his mission but now he had a new one.

If he killed the man, another would take his place.

He was risking repercussions listening to the trapped soul only his mind could hear.

He shouldn't have listened to her words.

He shouldn't have let the professor go.

Yet he agreed.

The gait of the soldier lulled you into a dreamless sleep; exhaustion consumed you as he wandered through a thicket of trees and into the woods far from home. You hadn't spoken a word nor let out a cry as he carried you off, after all, you agreed to be his prisoner as long as you father lived.

-

He brought you to a place he knew no one would find.

A place no one else knew of.

A place that was now his own.

He was once sent to take the life of a wealthy aristocrat, a man who had no one to leave his estate to. The place was deep in a forest, away from most of humanity; even when Hydra had sent him to finish the man, they were unable to give him a location. The soldier had located the target himself only to find the man had already passed from old age.

No questions were asked.

The mission was considered complete.

The body was disposed of and for quite some time, the soldier thought nothing of the castle like place that no one else knew of. It was a secret only he knew and he soon found himself seeking its solitude. A resting place between missions. A place to patch up. A place to hide when his mind was too loud, trying to escape from clutches he didn't understand.

It was the closest place he had to freedom.

The soldier pushed through the heavy wooden doors, entering the dark oak foyer. He stilled, torn between taking you down to the cellar or taking you to the rooms up in the master wing.

How could he chain something so soft.

How could he imprison something so delicate.

His feet began to move towards the large staircase before his mind could process anything, shifting to carry you in his arms as he made his way up to the west wing. He set you down gently onto the large bed with the soft sheets, careful not to stir you. He stared at your sleeping form, unmoving from his place as you softly snored, the choices of his actions beginning to plague his mind.

What was he to do with you now. Why hadn't he gotten rid of you.

He knew the rules; once his job was done, he was to return to the base but he hadn't completed the mission. He had been away for weeks and the longer he was away, the louder the screaming was. The voice of a young sergeant who fought bravely in the war. The pleading young man, scared like a child, trapped in the body of a killing machine. The cries of a little boy trying so hard to runaway from monsters that haunted him every single night. All trapped and begging to escape.

He'd let the professor live.

It was wrong of him.

He disobeyed his orders.

Or perhaps it was the right thing to do.

Though the soldier had been brainwashed, there were times he found himself caught in-between a state of control and chaos. His duties were to Hydra. He knew this was wrong. You shouldn't be here. His task was to continue their vision. He was their asset. He belonged to them.

His tourmiol continued. Why did he spare the professor. Why did he bring the girl and set her down on the softest bed out of all the rooms when he should have chained her in a cell. Exhaustion began to weigh on him but he didn't close his eyes. He didn't allow sleep to consume him. The soldier remained in place even as the sun rose. He watched as you stirred, soft sunlight streaming through the curtains, falling onto your face.

-

You blinked, rubbing sleep from your eyes, a fearful gasp escaping your lips when you saw him sitting in the armchair in the corner of the room. A thousand thoughts began to run through your mind at once as you sat up, a part of you surprised to find your hands and legs free from binds. You were atop a plush mattress on a large bed, the room itself surprisingly warm and quaint. Had you not been in a state of terror, you would have taken some time to appreciate the olive green walls and fine paintings that decorated the space as well as the well kept antique furniture.

"Please don't hurt me" You whispered, still disoriented from the night before.

"я не буду" [I won't] He replied, aware you didn't understand him. His lips twitched, all the words of English he wanted to speak dying in his mouth. His mind wouldn't allow it.

It wasn't required for this mission.

You stayed frozen in place while he said nothing else, walking off and closing the door behind him. Tears welled in your eyes as dread began to set in. This was your life now. He could kill you at any moment without warning. In fact, you didn't understand why he hadn't. From the rumours, you knew the soldier never took prisoners. You didn't know why you were spared; the only sliver of joy you had was that your father was alive. You thought about your him as you gathered yourself out of bed, deciding to make the best of your circumstances with the faintest hope that one day you'd be reunited with him again.

You inspected the room the soldier had put you in. There was a vanity across the bed. A walk in closet that only contained a few old sheets. You gasped as you entered the en suite bathroom, white marble tiles covering the floor, a large clawfoot tub, brass and gold accents decorated the handles of the cupboards.

The room was enchanting.

After splashing some water onto your face, you crept into the hallway, padding down to the staircase, surprised again at the beauty of the place. High ceilings. Dark wood. Crystal albeit dusty chandeliers. French doors. Original paintings. It was the type of place you'd imagine when you read fairytales. It would have been the type of place you'd dream to live in; one you'd only imagine in your wildest fantasies where the princess finds her prince. Such stories were only found in books.

You quietly explored the main floor of the mansion and avoiding the rooms which were locked shut. You didn't dare touch a thing, quickly retreating back to your room once you'd seen everything, familiarizing yourself with it's layout. The kitchen. A study. A living room. The hauntinly beautiful hallways. A door to the grounds in the back. You hadn't seen the soldier which both relieved and scared you.

Where did he disappear to?

That night, there was a knock at your door and when you opened it, a plate of warm food was left on a tray. Boiled carrots. Potatoes. A dinner roll. You hadn't even heard his footsteps down the hall. As you peered out of your room, it was empty without the slightest hint that anyone had been there seconds ago.

Where had he gone?

You hadn't realized how hungry you were until you took the first bite, scarfing down the rest in haste, placing the tray back in the hall. The next day was the same. You woke up to find a simple spread of breakfast outside of your room; toast and jam.

The soldier was a man of his word; if you were to be his captive, he had to keep you alive.

At least until he knew what to do with you...

Days had passed and you'd managed to avoid him, keeping to yourself and staying out of his way but you weren't able to avoid him forever.

-

The soldier had already heard you coming, pausing his cleaning as he waited for you to enter. The sight of your trembling form evoked something inside him.

You were scared. He didn't like it.

His mask remained on his face while his blue eyes peered at you, waiting for you to speak.

"I-I need clothes" Your voice was hardly a whisper, body shaking as you approached him, finding him in the study room, parts of his gun in hand. There was nothing wrong with the simple cotton dress you had on though it certainly wasn't comfortable to sleep in every night and you weren't able to wash and it dry within the same day. You needed at least one other set of something to wear. "Please"

He nodded without a word, resuming his cleaning while you retreated to your room. His brows furrowed as he thought about what you'd need. Perhaps it would be easier to return you and finish off the professor or get rid of you both-

No.

No.

He didn't want more blood on his hands.

The foods he stole were already a risk....where would he go for clothes?

-

The next morning, you found a fresh set of clothes left beside your tray of breakfast. You lifted the pile and brought it to your room, munching on the toast that had come with honey instead of jam for a change.

There was a red Henley and some sweatpants. A black t shirt and joggers. A few other basics for you to wear comfortably around the house. You couldn't help but giggle at the very large leather jacket he'd also left in case you felt cold even though there were already plenty of warm blankets. They were very clearly his own clothes but they were all washed and perfectly clean. You couldn't expect him to go shopping for you.

You threw off your dress, taking a long bath before drying off and slipping on the Henley and sweats. They were warm and soft, fitting loosely on your smaller frame, his soft scent of something distinctly him clinging onto the material. It was strange that it didn't bother you. Quite the opposite. It was pleasant, almost comforting.

You wondered about the man behind the mask and who he was. Such a dangerous man who was giving you the clothes off his back, feeding you and keeping you alive even though he'd killed hundreds of others. He was dangerous and yet he looked at you with such softness, you couldn't understand how he'd be capable of hurting anyone.

What was his story?

He hadn't chained you to the bed.

He hadn't locked you in your room.

You were free to go about where you liked.

Surely he wasn't all evil?

As you grew more accustomed to your living arrangement, you decided to inspect more of the kitchen. You hadn't been told you couldn't cook; even if the soldier didn't kill you, boredom eventually would. You needed something to pass the time and he had disappeared yet again.

You opened the fridge and pantries surprised to find a few fruits and vegetables stocked up. An untouched sack of flour and bag of sugar sat at the bottom of the shelves. Who knew the winter soldier enjoyed plums so much? There were a few pots and pans as well as basic kitchen utensils. You didn't need much to make a simple meal, careful not to make a mess as you began to peel some carrots.

-

The soldier blinked as he entered the house, the smell of food wafting throughout, a smell he hadn't come across in a long time.

Home.

There was a pot of stew left on the stove along with a pie left to cool on the counter. His eyes widened at the way his stomach grumbled; it had been years since he'd truly felt hunger. He ate for sustenance. Raw, uncooked, at most boiled food to keep him going. When he was with Hydra, he was fed with a tube.

Just basic nutrients to keep him alive.

He hadn't had a home cooked meal in years.

-

You woke up the next morning to find a pastry at your door instead of toast. When you wandered into the kitchen, you smiled at the tiny crumbs left pie tin and the now empty pot of stew. There were also newly stocked ingredients waiting for you; berries, potatoes, somehow even a whole chicken. You got to work, deciding to try something new each time; each night a warm meal awaited the soldier along with something sweet at the end.

He continued to bring you breakfast but there were only so many different pastries and cakes he could nick, besides they didn't compare to yours.

It wasn't enough. The soldier frowned at the strange feelings he had within himself.

He wanted to do something for you.

He wasn't sure what. He smuggled a handful of cookies you'd baked that morning into his room before removing his mask and savoring each once. He didn't leave a crumb behind, licking the remnants of chocolate off his lips while his mind wandered. You didn't have to cook for him. In fact you had every right to try and escape from him but you never did. He recalled the number of bookshelves that lined your home, after all he'd taken note of every detail as part of his mission.

You liked to read.

-

You sat up when you heard a knock at your door, the soldier waiting on the other side. He looked at you with a softness you hadn't seen previously, turning around and walking down the hall, hoping you'd follow him.

You stayed a few feet behind, trailing after him as he led you to the living room, leading you to the large bookshelf. He wordlessly stood by it, the strange sensation of nervousness and anxiety bubbling within him when you looked at what he wanted to show you.

Would you like it? You looked so unsure, scared. Perhaps you wanted to be free, you wanted to leave, you-

"M-May I?"

He blinked hearing your voice, nodding, watching your eyes light up as you scanned the various book titles. Gasps of joy and little squeals of delight escaped your lips as you came across stories you adored.

That wasn't the only thing that made his heart beat faster. Seeing you in his clothes stirred something in him. You were dressed in his red Henley, the hem reaching mid thigh. He was pulled away from admiring you as you squeaked, seeing one of your favorite books from when you were a little girl, a first edition no less.

"How did you get all these" You were in absolute awe, lost in your own world while he pondered how he came to own such treasures. Perhaps he was always a soldier gone rogue. His missions came with a side of thievery when he'd see something that would catch his eye. Something that would spark a memory of sorts, such as an old book he'd seen as he passed an vintage bookstore. Soon, the shelves of the mansion were filled with books and trinkets he'd collected. A part of his brain would nearly break itself to try and connect to the things he'd collect, only for the memories to fail to fall into place.

His mind felt like a pile of shreds from different cloths; pieces that would never fit together again. His little treasures were the closest he'd ever get to remembering, a few sparks from the past that would forever be disconnected.

-

Ever since the soldier had shown you the shelves of books, you'd left your room more often, spending more time reading after cooking. In a strange way you also began to trust the very masked man who had taken you away. You didn't worry about him hurting you. You no longer worried about running into him. He hardly spoke, nothing more than a few words of Russian. He hadn't demanded you stay locked in your room, so why did you?

You picked up one of your favorite books, deciding to read outside in the garden, in need of some fresh air. You hadn't taken much time to look at the outside of the house, pausing as you opened the doors that entered the grounds. It was strangely beautiful, especially considering the assassin who resided in it. For such a dark soul, nature still continued to flourish around it. Tall, overgrown hedge fences surrounded the backyard while weeping willows and bushes of flowers shaded the stone paths that led to a fountain in the very center. You found a comfortable spot under the tree, settling onto the cool grass, the scent of spring calming you as you turned to the first page.

-

The soldier trudged through the doorway, surprised at the way his appetite had grown since you'd started cooking. His body which was used to sustaining itself on the bare minimum now rumbled through the day. He'd find his mind wandering to your pies and craving the comfort of the soup you'd make. The food was set in the kitchen but you were nowhere to be found. He walked past your room, knocking on the door, only to be met with silence.

Where did you go? Did you run away?

He knew something was wrong when he felt his heart sink because he couldn't find you. He couldn't remember the last time his heart felt anything other than emptiness. It was more than just you escaping.

He was worried about you.

He took longer strides as he searched for you with purpose, fingers already itching to reach towards his gun, deciding to first check the grounds in the back. His heart settled when he saw the doors to the garden left ajar, finding you nestled in the shade, curled up in the grass with a book.

You were safe. You hadn't run away.

Again he was left stunned and unable to move. You were the final piece in the puzzle of the garden; you fit there like the perfect flower. He'd seen the garden 100 times before and it had never looked so beautiful.

Not until now.

Roses and daisies grew in abundance but you were the prettiest thing there. You were meant to be there; a soft, delicate, flower.

"цветок"

You set down the book you were reading, looking up to see the soldier peering down at you. You hadn't heard him coming as he appeared before you with the silence of a ghost.

"цветок" He repeated, gazing at you before looking towards a daisy. He kneeled, plucking one and handing it to you, "цветок. мягкий, как ты" [Flower. Soft, like you]. You felt your cheeks heat up as he looked at you intently, blinking with an innocence you hadn't seen before. He looked almost...shy?

"Thank you" You whispered, stroking the petal of the flower he gave you. You didn't understand why you longed for him to stay as he went back inside, your curiosity about him growing with each passing day.

It went on like this.

Most days, you would spend your time exploring the trinkets the soldier collected, staying out of his way while he disappeared into the forest to do things you didn't pry into. Each night you knew he would return, hearing the heavy creak of the doors open during the darkest hours. You'd hear the quiet sound of clinking cutlery and then the soft sound of his bedroom door shut.

Except tonight.

You set down your book hearing the sound of heavy boots dragging down the hall, quite different from the silence the soldier usually moved with. A sense of dread washed over you as you debated on staying put, something telling you to lock the door, hide, something-

"What do we have here" The click of your door opening sent shivers down your spine, your blood running cold as a man strode in, a metal mask covering his face showing nothing but his eyes. You wanted to scream but your voice was stuck in your throat, you felt safe with the soldier, this man was not the same, he lunged towards you, knife in hand, the blade swiping towards your neck, "The soldiers little pet"-

"DON'T TOUCH HER" A growl shook the window as you hugged your knees to yourself waiting for the knife to plunge but it never came. You gasped as the man was ripped away, the flash of silver gleaming as the soldier grabbed him and hauled him away, shutting the door behind him.

"You're weak. You were supposed to kill him"

"So this is what's been keeping you"

"Kill her and come back to us. That's an order"

"Rumlow-

"Kill her. They're nothing more than collateral damage, end them, желание-

You didn't dare move, tears spilling down your cheeks as you heard the sounds of a struggle growing further and further away, eventually melting into silence.

He saved you.

You heard him return, still frozen in fear but the sound of a pained whimper pulled you out of bed. You peered into the hall, eyes widening in horror seeing a trail of blood staining the floors leading to his room, streaks of crimson smeared onto the wall. You didn't think twice as you dashed out of your room to his, your body moving faster than your mind could comprehend as you let yourself in.

Your heart continued to race seeing the blood lead to the washroom where he stood with a needle in hand, beginning to sew a gash on his side across his ribs. His bloodied tactical gear was thrown on the floor though his mask still remained hoping to silence himself as he attempted to take care of himself.

He hissed in pain, piercing his skin while his head began to spin, multiple wounds needing attention, the blood loss starting to take its toll.

"Let me" you hesitated to touch him, going against your better judgement when you wrapped your hand around his wrist, pulling his hand away. The soldier shook his head, fighting the way his body craved for something more gentle, more caring, more loving than the jagged and painful stitches he was giving himself.

"I won't hurt you, soldat" you looked in his eyes with such sincerity, for a moment he thought he'd ask you to be his girl.

Such a doll...

One he'd take dancing...

Call you darlin' with that Brooklyn drawl...

He blinked at the fleeting memory, a whimper escaping his lips when you dabbed his gash with an alcohol soaked cotton ball. You blew across the cut to soothe the pain before taking the needle and carefully stitching him up with a feather light touch.

"There" You whispered after taking care of the awful injuries that littered his body, leading out of the bathroom to lie down so he could rest. You didn't dare ask what had happened as you looked around the room; though there was a large bed with the softest sheets and finest materials but the makeshift pallet on the floor was clearly where he chose to sleep at night. He collapsed from exhaustion, falling into a deep sleep while you remained by his side.

You watched the rise and fall of his chest, occasionally glancing over the dressings you'd put to see if blood had seeped through. You couldn't bring yourself to leave him alone, only getting up to see if you could find a sheet to drape cover yourself with in the cold room. As you removed the blanket that covered the bed, something caught your eye in the mostly untouched room.

A wooden box, carefully tucked away in the furthest corner of the room. There wasn't any dust on it, compared to the other pieces of furniture that were never used. It was something he very clearly wanted to keep a secret. His other treasures that were out in the open on the shelf were different from this.

Even the soldier had secrets.

Your curiosity got the best of you as you made your way to the corner, lifting the box as silently as you could so you didn't wake him, inspecting its contents.

Newspaper articles, some decades old.

Old photographs.

One of a young man.

The eyes.

Those blue eyes you'd become so familiar with.

James Buchanan Barnes.

A brave soldier who fought in the war. A young man, no, a boy, drafted to war, his life ripped away from him, leaving him for dead in an icy forest. You blinked back tears at the innocence the young Sergeants eyes held, bright and heroic, hoping to help in a fight that wasn't his. Scribbles on scrap pieces of paper read "I am James Buchanan Barnes" repeatedly.

Your could feel your heart break into tiny little fragments as you pieced together what happened to the boy from Brooklyn, he had his whole life ahead of him but-

A pained scream tore from his lungs, his eyes squeezed shut as you knelt by his side again, brows furrowed together. You looked over his injuries, everything was still in place but he sounded like he was being tortured. He tossed around, his screams melting into sobs, pleading for someone to stop.

"James?" You hesitated to use his real name, your hushed voice made him flinch in his sleep but it wasn't enough to pull him as he begged for the painto end. He didn't want to lose his memories again. He wanted to remember. Please?

"You're alright James" You cooed softly, running your fingers through his locks while tears continued to stream down his face, lost in a nightmare. "You're not alone"

You were careful not to scared him awake, your gentle ministrations soothing him, his cries coming to a stop. You wiped away the remnants of tears that fell against his cheek, some slipping beneath the mask he refused to remove. You didn't have in you to take it off, not without asking him first. His soft snores filled the room once again as the sun began to rise.

-

He stirred feeling a strange warmth surrounding his body blinking in confusion when he found soft sheets draped over him. The usual sting he'd feel after stitching himself up was nearly non existent. He ran his fingers along the gash, the neat little sutures still in place, covered with a bandage to protect the area. Bits and pieces of the night came to him in waves.

Running into his captors. Evading them. Escaping. The bloodshed. The weapons. The injuries. The pain.

However, there was also softness. Such tenderness. The touch of an angel he'd only be able to imagine in his wildest dreams that would never come true. Not for someone like him. Such sweetness. God, he'd missed it. He missed what such love and care felt like. It was so foreign to him. He was so used to the cold. Razor sharp, jagged edges. He'd forgotten so many things but the longer he kept to himself, the more that came back to him.

You called him by his name. He was sure of it. In the muddled fog of nightmares, he was sure he heard an angel call.

He knew he was in no condition to move or get you breakfast but the delicious smell of your cooking wafted through the halls letting him know it was okay for him to rest. He closed his eyes, flinching at the few prickles of pain he felt in his head.

You were there.

You'd take care of him.

He couldn't remember everything just yet but surely the puzzle pieces would fall into place soon.

-

"NO" The sound of the soldiers pained cry made you drop the book you were reading in your room, running off to find him. He'd fallen asleep after eating what you made for him that evening; you were sure he was getting better. He knelt on the floor, sweat covering his body as he gripped his hair, pulling from the roots. He felt another sharp piercing pain in his head, fleeting memories of things he didn't understand all flooding back at once.

You rushed to his side, taking his hands into yours to keep him from hurting himself. His eyes shot up, tears threatening to spill over, all the things he thought were lost forever coming back together.

He was a Sergeant.

A soldier.

A young man.

One who loved to go dancing.

One who wanted to help others.

Hydra turned him into a beast but you brought him back.

There was always something about you.

His sweet flower.

He relaxed feeling your soft fingers trace against his palms in hopes of grounding him, giving both his flesh and metal hands equal affection. He gently pulled his right hand away to remove the mask, letting you see all of him.

"Soldat?" You whispered, hesitantly brining your hand up to his scruffy cheek. He pressed his hand against yours, leaning into the warmth of your touch, he never wanted it to end.

"цветок" [flower] he whispered back, your eyes widening hearing the precious name he had just for you, "It's me, flower"

"James?" You knew it was no longer the soldier speaking, this was the little boy from Brooklyn, his piercing blue eyes now full of warmth and light.

"Your father, I have to take you home, flower I'm so sorry-" dread began to consume him as he realized how long he'd taken you for, trading one life for another, how could he-

"James, breathe" You held his face in your hands, wiping away the tears that began to fall, your hand coming down the rest against his erratic heart, "It wasn't your fault, I-I read what happened to you, you were taken, it was never you, you're a good person" You soothed his aching heart but it didn't ease how heavy it felt. Every part of him wanted to beg for you to run away, so far away from him so you could be home again yet his arms moved on their own, wrapping you up and holding you close, you fit so perfectly with him.

"I'm still a broken man, цветок" Bucky whispered with a sad smile, holding you with such care as you curled up in his lap. "I don't think I deserve to hold something as sweet as you"

"You're not broken, you deserve this and more" You cooed, inhaling his soft scent, your nose brushing against the column of his neck.

"You took care of me, flower" Bucky held you tighter, hiding his face into the crook of your neck, feeling safe for the first time in years, home had never felt closer.

"And you took care of me" Your fingers moved to card through his hair, pulling his face away so he'd look at you.

"I took you with me, doll" He couldn't shake the fact that he'd taken you from your father, first intending to kill him and then taking you in his place. "I didn't give you a choice, you should be home" The guilt ate him from the inside, if he'd been himself, he would have never-

"And you still protected me with your life" You whispered, your forehead resting against his.

"And I always will" Bucky promised, his lips brushing against yours. He meant it from the bottom of his soul, he'd always protect you no matter where you were. It didn't matter that he didn't want you to leave, that he wished you could stay, he knew you belonged elsewhere. He'd still always make sure you were safe. Exhaustion began to pull at him, his eyes growing heavy as his body continued to fight what Hydra wanted him to do and the man he really was.

"Sleep, Jamie" You pulled him down to lay on your chest, pressing a gentle kiss to his forehead and for the first time in years, he slept soundly without a nightmare.

Over the next few days, you continued to nurse the soldier back to health, hushing him each time he plead for you to go, insisting he'd be okay to manage on his own.

"My body will heal, I promise, you don't have to do all this for me, let me take you home-

"Once you're all better. I'll write to him so he knows I'm safe" You pressed a finger to his pink lips before going back to tucking him in bed. It was true that the cuts had all cleared up exceptionally quicker than normal but you could see the mental exhaustion that plagued him each day.

He found a way to get in touch with your father without alerting anyone in Hydra from finding him and while your father graciously forgave him with understanding, nothing felt easier. He promised to return you home as soon as it was safe but the longer he spent with you, the more he selfishly wished for it to last forever. He promised your father he'd take care of you in every way possible but he knew it was truly you taking care of him.

He'd sleep soundly when you were near, falling asleep quickly when you'd read to him, sometimes softly playing with his hair so he'd relax. The few times he'd been alone, the awful memories would come flooding back leaving him confused and disoriented. It broke your heart hearing him cry, the soldier who was nothing but a killing machine truly an innocent man on the inside, a prisoner of his own mind.

You'd comfort him every single time, every moment more intimate than the next. It started with your soothing voice, sitting by his bed where you'd call his name, your fingers caressing the scruff of his beard, wiping away his tears. Then the nights came where you crawled into bed with him, helping him fall asleep with his head on your lap only to wake up with your limbs tangled together.

Then he started to hold you before he was asleep. He held you tightly while telling you stories about things he could remember. Things that made him smile. That his nickname was Bucky. You would do the same. You told him about all the things your father taught you. He'd start to kiss you goodnight. Innocently with a peck to the top of your head.

Sometimes your cheek.

He so badly wanted to kiss your lips, stopping himself when he felt his stomach stir, especially when your sweet doe eyes looked up at him. When he cuddled you, his arms would wrap around your body, his hands finding their way to the hem of the Henley you wore. His henley. His fingers would slip up to feel your skin, knowing such an angel was real grounded him. You'd do the same, tracing over his scars, neither of you openly talking about the growing tension between you both each day.

-

"Will you read to me?" Bucky asked, wrapping his arms around your waist, his head resting on your shoulder while you stirred some honey into the tea you were making. You giggled at his needy cuddles, his much larger form practically engulfing you from behind. "Please"

"Who'd have thought such a strong, scary soldier would want bedtime stories" you cooed, letting him carry you away to his room, making a stop at the bookshelf first to pick out a new story.

He settled against the headboard with you tucked in his lap, relaxing at you made yourself comfy between his thighs. Your words had an affect on him he couldn't describe, no longer paying attention to what you were saying and instead watching the movement of your lips. Your eyes darting across the pages. Your body pressed against his.

The butterflies started again.

His stomach stirred.

He tried to adjust himself, pulling you into a hug to calm himself down, ignoring the way he wished he could have more.

"You alright, Jamie?" you asked, feeling his squirming, his eyes growing wide as if he'd been caught red handed. He shook his head, insisting you continue reading, God he didn't know what to do with himself.

He fidgeted again, this time trying to keep you off the tightness growing more and more, you made it so difficult for him-

"Are you sure you're okay bub?"

"I don't remember much but-I-I know I want you closer, flower" His voice was shy, his adams apple nervously bobbing in his neck as he shifted, unable to hide the hardness between his legs. His mind was a mess, fragments of love and intimacy struggling to piece themselves together yet he knew enough to want to hold you close.

He wanted to feel your soft skin on his.

He wanted to kiss you in places that would make your cheeks warm.

Where you'd want to cover yourself but let him have you, just him.

He wanted to feel your hands touch him everywhere. He wouldn't flinch at your delicate ministrations, he'd give all of himself to you. He'd trust you in his most vulnerable state, feeling things he hadn't for years, so heavy between his legs.

"How much closer, Jamie" you couldn't meet his eyes, gripping onto his t-shirt instead, setting the book on the nightstand, now all your attention on him.

"You know, angel" He let his nose bury into your hair, the blush on his cheeks travelling to his neck. He couldn't bring himself to actually say what he wanted, hesitantly moving his hands to your hips instead, slipping up your shirt to hold your waist. "Can-can I kiss you?"

He could hardly recognize himself, nervous beyond comprehension, his heart racing when you nodded, cupping his cheek to look at you. He leaned down to press his lips to yours.

"More" You let your body melt into his, his tongue lacing with yours, deepening the kiss. He didn't pull away until he desperately needed air, no longer able to contain his arousal.

"M'sorry angel, s'been so long, my body's not the same-

"Don't. Don't you dare, I adore you just like this Sergeant" He sucked in a breath as you toyed with the hem of his shirt, nodding after a moment letting you take it off. You kissed every scar on his chest, your head resting on his shoulder where metal met flesh, "You're the most handsome, beautiful man," You kissed his neck making him hiss, your tummy jumping at the feeling of his erection now pressed right against you, "You deserve all of this"

"Can I see you, please?" He undressed you with such care as if he was unwrapping the most precious present, first laying you down before slipping your top off. You wordlessly undressed each other until there was nothing left to take off going right back to wrapping your body with his.

"You're the softest thing I've ever touched" He whispered, loving how you felt, your thigh hitched over his hip, your breasts pressed against his bare chest, your soft tummy against the hard planes of his abs, your hands rubbing up and down his spine, oh God your silky most sacred parts absolutely soaking his length. His body moved on its own, rutting up to chase more, his cock slotting so perfectly with his flushed tip rubbing against your clit.

The desperate moan he let out made you gush, seeing how lost he was in chasing how good you felt with the stutter of his hips.

"M'so hard" He whined, hugging you tightly, "Please angel, do something" It was the most delicious torture. You pulled away from his hold wanting to give him every bit of loving he deserved, giving his body the pleasure it had been deprived of. You shuffled to kneel between his legs, his eyes growing wide, your face so dangerously close to where he was achingly hard. There was no way, you weren't going to- your lips pressed a gently kiss to his frenulum and the tears started, you wouldn't give him more than this-

"Baby, oh God, no, no, I can't angel, oh God-OHH" He cried, his body splayed wide for you, bach arching off the bed as you took his swollen cockhead into your mouth, your tongue swirling around his circles, licking every bit of his essence that dripped out. Your face was between his legs, his cock was in your mouth, you were suckling off his most sensitive parts, how could he not spread his thighs apart further for you. He'd never been so open or vulnerable, letting you play and toy with his cock, his tears soaking the pillow at his balls started to pull towards his body, it couldn't be over so soon-

"Sweet baby, please, please-" He pulled you off his cock, bringing you up to smash his lips against yours, his thick length slapping against his tummy. He could have sworn he was close to cumming just tasting himself on your tongue. "Can-please I want to-" He scrambled to lay you against the pillows as you squeaked at the way he manhandled you in desperation, "please"

He was between your thighs, sighing with heart eyes as he carefully spread your folds with his fingers, taking his time smearing around your slick, your throbbing clit begging for his mouth. He latched on like a baby, nursing with the most needy gurgles, your gasp melting into a moan making his eyes roll back.

He couldn't believe he had his mouth on his pretty angel, his tongue toying with the precious parts between her legs, letting him taste her, drinking up her nectar, feeding him in the best way possible.

"I-oh-slow down baby, please, M'gonna- You gasped, feeling surges of pleasure already pulsing as he flicked his tongue with precision, his arms wrapping around your thighs, tossing them over his wide shoulders.

"Mph, cum" he whined before diving in for more, greedily humping and grinding against the mattress, how was he supposed to last like this.

"Want-want to feel you, please" You begged, needing him inside you, giving you something thick and hard to cum on. He didn't waste a second, shakily clambering back on top of you, nervously positioning himself at your entrance.

"You sure, sweet girl? I-it's been so long"

"I trust you" You pulled him down to kiss his reddened nose making him blush, letting out the breath he was holding as he started to push. You both moaned together as he buried himself all the way, stilling once he was flush against you, his orgasm already so close to shooting at the base of his cock.

"Hng, I needed this angel" He didn't move and you didn't need him to, just the feeling of him stretching and filling you fulfilling something you couldn't describe. You loved the feeling of you both being connected in the most intimate way, joined as one, it felt so right like he was finally where he was meant to be. Like he'd found his everything.

Your thighs moved to hug his waist, your arms around his shoulders. He drew his hips back and thrusted forward gentle, the gasp escaping your lips urging him to keep going. He started to move at a steady pace, bringing his hands to lace with yours, pinning them against the bed.

"I love you-even if I have no right, I love you so much" Bucky lost himself to you, his hips moving at a slow grind, letting every inch of his cock fill and caress your walls, "You showed me love when I least deserved it"

"Fuck, I love you too!" You cried out, the curls at the base of his cock rubbing your clit, sending you higher and higher. "Oh, James!"

"My God, the way you say my name when m'inside you, say it again baby, please" He started to move faster on his own accord, primal urges starting to take over as he began to chase his pleasure and yours.

"Please, James, feels-feels so good"

"Gonna make me cum so hard, the things y'do to me baby, drives me crazy, wanna be like this for the rest of my life, making love to you and nothing else, swear this is all I want"

"James, gonna-gonna cum"

"Cum with me angel, all over my cock baby, cum on it, wanna feel it, please give it to me, I need it. Need your sweet cream all over me, fuck-yeah-jus like that-" You clenched around his cunt, his name dripping from your lips as your orgasm crashed over you. That was all it took as he tucked his face right against your neck, holding you tight as he trembled, it was so much,

"M'cumming!!" His sob was muffled as his cock throbbed, warm streams of his cum pumping you full, his ass stuttering with each jerk of his hips. "So-so much for you, s'all for you angel"

Bucky made love to you everywhere, not one place left without him taking you apart to his heart's content, including the garden. The story you were reading was long forgotten as he took you under the shade of the tree, the long wispy branches of the willow tree hiding you from the rest of the world.

The summer sun cocooned you in a blanket of warmth as clothes were all tossed aside leaving you both bare on the sheet you'd spread on the grass, the sounds of the breeze, the rustle of the bushes and your moans blending in so perfectly with his rhythmic thrusts.

"Beautiful" he whispered against your cheek, pulling away so he could look at every bit of you, "So beautiful for me like this"

"Jamie, stop" You grew bashful, you knew no one could see you in your secluded spot so deep in the forest but you still felt so vulnerable, spread out naked with just his body covering you, shamelessly taking his cock while the afternoon sun hung in the sky.

"S'just us baby, just you and me, don't worry" He purred, bringing your arms up, holding your wrists in his metal arm while his flesh hand came down to caress your face. "We're not doing anything wrong darling, m'showing you how much I love you, how good you make me feel, yeah?"

"Yeaah" Your voice melted into a breathy whine as he started to move with more purpose, his warm breath fanning against your face.

"Lookit how pretty you are sweet girl, my pretty flower, you were meant to be here baby, feels so right, just like this"

Out of all the stories and poetry you'd read to him, this was what Bucky saw as true art. He'd seen the finest paintings around the world in the richest houses, guarded by the highest security. He'd seen nature's most incredible wonders with the tallest trees, the sweetest flora and nothing, absolutely nothing, would top how gorgeous you were, bare, on the grass, him filling you up, it was euproic.

The image was etched in his brain, he'd treasure it forever. Your shy moans. The clench of your cunt. The way he filled you up and kept his cock in you even after it was soft. The way you cuddled and kissed in a post sex haze, listening to the sounds of the forest. He could have cried at the way you fell asleep in his arms, so trusting for him to keep you safe.

This was all he needed.

He took care of you, keeping you protected while he did his best to eradicate Hydra with you to patch him up each time he came home. As soon as it was safe, he took you right home and under the care of your father, he healed from the words that held him captive.

It didn't take long for your home to be filled with the sounds of tiny feet mixed with the sounds of science experiments gone wrong; your little babies, their daddy and their papa getting up to mischief at all hours.

"Careful, flower" Bucky shook his head, running towards you as you waddled into the living room with an expression of concern on your face, cocking an eyebrow when you saw your son looking up at you with bug eyed goggles matching his papa.

Bucky came to steady you, his hands coming to wrap around your growing belly while your father and son continued to tinker away at a new creation.

"How are my princesses" He cooed while you huffed, still wondering what they were doing.

"We're both wondering what you're going here James"

"Papa's building me a rocket-

"A bicycle! Just a bicycle darling, go sit, son why don't you take her for a walk" You father ushered you and Bucky out, sending a wink to his grandson.

"A bicycle my foot" You shook your head while Bucky took you to the kitchen, setting a pot of water, ready to dote on you as usual.

"He gets that side of him from you, love" Bucky chuckled, coming down to kiss your belly, resting his head there. "Just wait until she's here too"

"You're a menace, Sergeant"

"You married me, darling" Bucky pouted making you giggle, cupping his face to kiss his jutting lips.

"and I love every bit of you"

"I love you more, pretty girl"

You would always be his flower.

[bunnys-kisses]

｡ﾟ•┈꒰ა a butcher au - max verstappen ໒꒱┈• ｡ﾟ

max could've been a lot of things. but he was very good at cutting meat. those curious blue eyes didn't flinch at the sight of guts and blood. he simply worked and he in turn lived a happy life. in a way it got certain frustrations out, that he was never a good driver. when he craved up meat for sale at the small shop he worked at, in the apron and heavy gloves, he liked that no one recognized him. the weight of expectations didn't fall to heavily, instead he got thanks yous and no one praying for his downfall. he did have favorite customers though. the old nonnas who came in who were very particular, but always left heavy handfuls of change in the glass tip jar. the love sick man trying to win of a new woman of the week with his attempt at fine dining. and you.

you had lived out in the small town near the italian and french border for a few months now. an aunt of yours had died almost a year ago and you get saddled with the small property she owned. you took it as a chance to go somewhere else, having lived in the bustling city in another part of the world. so, the small town life was nice. and every week you'd come in and see max. he was always happy to see you. he'd often say to you, "i think i have something better in the back." before he flashed you a smile and headed to find a better cut.

he liked you, there a fondness he carried for you. you were just very polite and sweet. your grasp on both italian and french was a little rusty, but max was helpful as he wrapped up your order and told you to have a nice day. over the months you became comfortably familiar.

while max was comfortable at a distance, he was surprised when he heard your voice from the front. he looked down at himself, elbow deep in an animal all morning... staining the front of the apron and the gloves he wore. there was even specs who knew what on his upper forearms. "shit." he sighed to himself. he knew that his job required getting a little dirty, but he didn't want the beautiful woman who came in every week to see him look like a serial killer. he quickly took off the apron and gloves (even attempting to pick the dried blood off his arms) before he went to see you. you were at the front with other groceries in hand. you were just in yesterday. he looked at you with a little confusion. and you simply smiled. you placed two sunflowers wrapped in last weeks newspaper on the counter near the cash register.

you couldn't look him in the eyes when you asked him, "i couldn't wait for you to make the first mood, max. but... would you like to have dinner with me?"

max picked up the flowers, they looked beautiful even in the somewhat bad lighting of the butcher shop. he looked to you, your smile had dropped and you looked nervous. while max was wrapped up in receiving flowers and your request, he realized he hadn't said anything. he put the flowers down and took you by the hands across the counter and said, "yes! of course!"

you ended up having dinner with max at your home a few nights later. you two had been texting over the course of those days. and while he found himself comfortable messaging you. being in your home felt nerve wracking, he hadn't been on a date since he left his home town after he turned eighteen. but, you looked beautiful in the kitchen. making sure that everything was perfect for dinner. occasionally his eyes would scan over your form as you worked in the kitchen. you seemed to natural there. the way you prepared the sausages in the pan (the ones he sold you days prior) made max feel more at ease. there was a joke there about you knowing how to prepare meats. while most of the time he simply ate vegetables when he got home, after being around cut up animals for hours on end made him want to eat a stalk of celery by the time he got home. but to see someone so beautiful work a kitchen marvelously and the end result being something so beautiful.

"i made these rolls earlier today." you said as you brought the bowl with some on there, "i'm not the best baker ever. i'm pretty sure i can't compete with the place a few doors down from you." you laughed as you turned back to around to grab the pot of stew that you finished.

max eyed you behind as you walked away and was already in love.

you returned with dinner in hand, oven mitts protecting your hands from the hot surface of the pot. it smelled good. it smelt like home. and it made max feel warm all over as if his body wasn't heated from the warm summer night. you smiled when you sat across from him then clinked your wine glass with his, "to the first date in a long time." and max took a sip, he got lost in your eyes for a moment. and there was little room for dessert when you pulled max into the bedroom. the bed frame creaked as he was almost pushed onto it. you stood in front of him and he wrapped his strong arms around you then kissed at your clothed middle.

the clothes came off and he saw you eye his chest for a moment. he almost wanted to recoil a little from the attention. he wasn't built like a statue. he was strong for years of lifting things around the shop and walking to and from home every morning. but before he could say anything or move, you ran your hands down his chest. feeling his soft skin under your palms then said, "holy shit, this is what's been hiding under those aprons you wear." he looked away for a moment felt heat in his cheeks before you pulled him by his chin into a heated kiss.

you got max onto your back and straddled his waist. you watched him swallow before you kissed him along the neck and collarbones. your rubbed yourself up against his abdomen and shuddered from the stimulation of your clit. max clutched onto the covers under him and you went in for another searing kiss. it was perfect, you were perfect. your movements were slow, feeling him up against you. it was teasing for both of you until you got yourself seated on his cock. which made him tense up and feel a flare of his across his body. your hands on his strong shoulders for leverage as you moved up and down. max shuddered and his swallowed hard, "shit. please." he said as you moved against him. you replied, "you feel so good. i'm surprised no one else has tried to pick you up in town." you giggled, the heat in your cheeks was heavy. he simply held onto your hips and started to work alongside you, letting the pleasure bubble up, "i get nonnas and their granddaughters visiting from overseas. usually they are too scared to talk to me. or i'm too scared to talk to them. they see the blood or the animal in the back and get scared." maybe it wasn't polite to talk about work while he was fucking you, but you didn't seem to complain. he found that you didn't flinch at how the sausages were made in the shop. he clutched further onto your soft hips. his hands were used daily for taking apart the meats that arrived. he was usually in the back carving like he was making a masterpiece. the anatomy of the beast burned into his head. but while he held you, his touch was full of tenderness.

he wasn't trying to carve himself into your skin, he wanted to make you feel good. he wanted to be good in your world, and as sweet moans left your lips he knew that he was doing just that. he looked up at you with those blue eyes, the pupils a little wider from the heat in his body. the euphoria that was a drum in his chest as he continued to meet your pace. he then added, "plus, now i have no reason to talk to them. not when i have you." you blushed a little bit, looking away for a moment as he did earlier before you leaned in and kissed him on the lips. your hands splayed across his chest as you worked along his cock. up and down as a fire burned in your belly.

you two kissed once more as you pace started to stagger. you felt the heat become fuel in your blood as you worked his cock. he felt like a dream, an utter euphoria that you couldn't put into words. you had been with others before. but in the low light of the home you now owned with a man you met by chance while living in this small town. there was a certain niceness to it. a comfort you longed for while stuck on packed buses or falling asleep during meetings on a year prior. in the warm heat of the summer, you felt good as you moved against him. so long tinder, so long bumble, you met the man of your dreams while he was covered in blood, whose hands worked diligently every day to deliver the finest cuts of meat. not only to you but to large portions of the town. maybe it was love right off the bat, regardless you felt a warmth in your chest for him.

you kissed once more as you both loss the rhythm, soon you finished with a moan against his lips and he followed soon after. he clutched onto your hips tightly as you continued to thrust on top of him. eventually the pleasure flooded your brain and you slowed down to a stop. the kiss was broken and you both panted heavily. max cupped your face for a moment ans said something you couldn't quite pick up, but you responded with, "right back at ya." between heavy pants. and max knew it was love.

you soon laid in bed with the butcher, curled up against him. both feeling the after shivers of climax. you felt comfortable in the crook of his shoulder and your face up against his softer chest. you could tell he was strong, but wasn't opposed to homemade cooking.

he lazily took your hand in his other one and kissed across the knuckle. he sighed against your fingers, rubbing them up against his cheek soon after, "if this is a ploy to get a discount

you looked at him and chuckled, "damn, my plan is ruined."

he chuckled, "i'll need a few more homemade meals before i can do that. don't want the little nonnas to think they can seduce me into better prices." then kissed your hands once more.

you sighed and pressed further into him, feeling a sense of comfort in his arms, "next time i'll bring more than flowers."

he simply laughed, but in the back of his mind he thought, don't bring me a ring. that's my job. and maybe it was a little bit too soon to jump to that next step. but, as he held you in his arms it felt like a perfect piece. he wouldn't mind giving you discounts, of course if you were married then it would be free. but as he kissed the top of your head and heard your breathing level out and eventually fall asleep, it felt nice. it felt like home.

[lopsicle]

Arcane season 2 spoilers

/////

I have been thinking A LOT about Jayce and Viktor, mainly the scene where Viktor is reborn out of his pod of Hexcore.

Mainly because it means a lot for Viktor’s character. On a fundamental level, he never seen much worth in himself, but he did see worth in inventions, the things he made, it’s how he could prove himself to the world. This is why he becomes so concerned with his illness and the legacy he’ll leave behind on the world; he needs the Hexcore to work because he doesn’t have anything else.

But now, he is literally fused with his invention, his invention that he has grown to hate because it killed one of the only people who truly saw value in Viktor, and not the things he could, partly due to his own negligence. Viktor put it best, in his pursuit of greatness, he failed to do good.

He doesn’t really know how to process what happened to him at all, he’s a smart man, he can clearly deduce that his body has undergone some cybernetic change, he can probably remember the explosion in the council room, but other then that, he’s just confused, hence why he asks Jayce, “what am I?” Viktor’s body is entirely different and unfamiliar, and taking into context that the Hexcore, his greatest invention which he tied all his worth to, has failed before this, it’s likely Viktor had lost sight of who he was, and his new body only served to further that descent.

Jayce can’t think about any of that though, he’s just happy that his partner is alive and who wouldn’t be, he’d been waiting for days, possibly weeks for him to wake. Viktor’s mortality is one of the things that Jayce has struggled with the most in the series, which is what makes his survivor’s guilt so much more pertinent. A lot of people claim that Jayce grew up rich and coddled, and I think that’s true to an extent, but they forgot his family were workers, tool smiths. Jayce seemed to grow up with the idea that he wasn’t that fortunate, that he was a working, middle class man who was going to change the world, and then he meets Viktor, a “poor cripple from the Undercity,” and then he sees what the Undercity is really like and the conditions people live in. And that’s when Jayce realises; he had it good. I believe this is what encourages part of his admiration of Viktor; he is what Jayce thought he was.

Tangent aside, I feel that their hug is a very, very important moment, mainly because of Viktor’s reaction.

He isn’t relieved or uncomfortable, it’s just…nothing. Given what Viktor says about how he doesn’t feel that it’s cold and just recognises that it is cold, I believe this is the moment where it fully sank in how much his body had changed. He couldn’t feel Jayce.

And like, first off, that is such beautiful symbolism for what he says later about how they’re relationship was only held together by affection. Viktor physically cannot feel said affection anymore and know has no reason to stick by the side of someone whose views have become so contrasted to his. But more emotionally, it’s representative of Viktor’s belief that he is unloveable, his new body is merely proof at that, he can’t touch Jayce, he couldn’t save Sky, he couldn’t make the Hexcore work properly, he couldn’t even get Jayce to destroy the Hexcore. To himself, Viktor is a failure who is unworthy of love.

But, he still huge Jayce back. Despite not being able to feel Jaycee’s warmth anymore, despite it feeling like his whole life has crumbled, Viktor wants to give Jayce one last act of service. Perhaps to prove that he still has use, or maybe this was the moment where he decided he would have to part ways with Jayce, and just wanted Jayce to remember his touch, even if Viktor couldn’t remember his.

Anywho if enough people like this dribble, I may post my take on the rest of this scene because it shattered me

[cinnamon-galaxies]

𝐀𝐧𝐝 𝐦𝐢𝐧𝐞 𝐨𝐧𝐥𝐲

(human!Alastor x f!reader drabble)

Masterlist

Some poetic and reminiscing thoughts from (human) Alastor about his darling-doe. This is unlike anything I've written before. Honestly, I’m not even sure what this is. I wrote it a while ago when I was severely sleep-deprived.

I know he's no longer human in this, but he's telling us about a time when he still was. That's why I tagged it as human!Alastor.

CW: Possessive thoughts, mention of murder and manipulation

•~•~•~•~•~•~•~•

I remember the day I first saw you so clearly as if it didn’t happen almost a hundred years ago – back then, when we were still human, nothing but mere people made of flesh and bone, born to live, and living to die. Oh, what a beautiful sight you were, so beautiful – the most beautiful creature of them all. Not only your face resembled the image of a goddess, but your soul shone so bright it made even the darkest of times turn day. You were a true angel sent from heaven, a kind soul and oh so fragile. Glancing into those beautiful doe eyes of yours made me want to ruin you. To take you with me, poison your every being and make you mine – and mine only.

It feels as if it was yesterday that you introduced yourself to me. That radiant smile on your lips, those long lashes framing those shining eyes like they’re the most valuable painting in this world, and I've lost myself in you. You made me feel things I’ve never felt before. Things, I didn’t even consider I was able to feel – because I never felt them before. I've heard those tales. Even read those tales about unconditional love. About how the heartbeat increases whenever you’re close to the one you desire. About how much you crave their touch, their voice, their love – completely and utterly devoted to the one person in this world. One out of billions of people. But I never dared to think I would ever feel the same. Did I feel the same? I was obsessed with you; wanted to possess you in every way possible. And when those full lips of yours parted and your angelic voice entered my ears for the first time, you already had it all. And I knew I wanted you to be mine – and mine only.

Were you fascinated by me? Oh, you were. I saw it on your face. In the tiniest details that betrayed your overly polite expression that you so strongly tried to keep professional. I saw that you were intrigued the very moment you laid your eyes on me. It was like fate had sent you to me. Like my mother in heaven twisted all the odds in my favor, just so I could meet you. Oh, the way you smiled at me. The way you looked at me. How your voice slightly raised when you spoke directly to me. It made my heart flutter and it filled me with an emotion I never thought to ever be able to feel my whole life. And I wanted you to be mine – and mine only.

We met again, after that night. More often than appropriate. In parks, at the bank of the Mississippi, at professional events and at a restaurant I so carefully chose. One that I knew would only serve the best of New Orleans’ cuisine. To make you acquainted with my home and my culture. To prepare you to be on my side. I saw you once, I saw you twice. I saw you an umpteenth times. And yet I was waiting for the perfect moment to ruin you – to make you mine – and mine only.

Were you as corrupted as I? Were you – beside your angel-like nature – capable to make the change, to become one like me, and sacrifice your very being to the darkness of twisted human nature? The desire to kill, the desire to hunt with you grew with every passing day. Day to day I've been waiting for the moment. For the perfect opportunity to make you see my true nature. To make you see my grim twisted morality, to make you see my darkest of secrets, to make you accept it with a smile, to make you succumb to your own darkness, to make you fall, to make you mine – and mine only.

The night we first shared a kiss felt like a dream. An oh so beautiful, yet so tragic dream – because I knew that once your lips touched mine, everything between us would change forever. I remember how you stood before me, much like the day we met, though that angelic smile of yours was replaced by a warmth that exceeded every ounce of adoration you gifted to me before. And then you leaned in, and we kissed. That feeling of your soft lips against mine wasn’t anything like I imagined before. It was so much more, an overwhelming explosion of fireworks. Oh, the hunger that roared on my inside, the need to pull you closer and take everything of you – in this very moment – was unbearable. But I waited. Because at this moment I already knew you were mine – and mine only.

Oh, you were my darling.

My darling-doe.

My angel.

My everything.

And now, I will make you fall.

•~•~•~•~•~•~•~•

[kaliforniahigh]

Oooh you got any Jolly Thots?

Oh, yeah. I got them!! If anyone wants to send in their Jolly thots, my ask is open!

Warning: this is very angsty and there is no happy ending :( Also smut (p in v). Jolly is kind of a jackass in this, sorry.

WC: 1.4k

Jolly had you on your kness, back pressed against his chest as he pounded into you from behind. You could feel his breath on your neck, and the feeling of his hand pulling on your ponytail.

It was always like this. He'd call you, tell you he's feeling lonely and longing for you. You'd tell him to come over, only to have your heart broken over and over again.

When he had you like this, though, it was like the feeling of rejection didn't exist for a while.

"You love this, don't you? Me inside of you", he murmured in your ear, you only moaned in response. There was a time when you entertained his praises, but not anymore. Instead, you wished he'd just fuck and stay quiet.

He lets your hair go and you fall on your hands on the bed. His pace picks up and you can tell he's close by the way he's gripping your hips. He starts rubbing circles on your clit, and you're right there with him.

You hate the it feels so good, you hate the way he always seems to know what to do get make you fall apart for him. The way he hits all the right spots.

You wish he was as good with feelings as he is fucking you.

Seconds later, he's spilling inside the condom, with a grunt. And your shaking underneath him, knees giving out as lay sprawled on your bed.

You both take a few seconds to recover, and the part you dread the most is about to happen. Again.

You can hear him going into the bathroom, to discard the condom and wash his hands, you guess. You stay on the bed, now laying on your back and pulling the covers up to your chest.

There was also a time when you felt comfortable with him seeing you naked on the back after you finished. Now, you just felt kind of cheap. With how detached you've both become, the only thing missing was him slapping a couple of tens on your bedside table before leaving.

"Folio is having a party on Saturday. He says he wants to celebrate his new collaboration with TAMA", he tells you as he pulls his boxers on.

"Yeah, he told me", you responded with a detached tone to your voice. Watching him redress.

"You going?", he asked you.

"I'll see"

He only hummed in response. Grabbing his wallet and looking back at you.

"I'll see you on Saturday then. If you go", he opened the door of your bedroom.

"Yeah"

On Saturday, you found yourself knocking on the door to the boys' house. You pondered a lot over the week if you even wanted to go. But decided that your little situationship with Jolly shouldn't drift you apart from your other friends.

Besides, you were determined to ignore him tonight.

You guessed he wasn't there yet when you arrived, because you surveyed the place, but didn't find him. Good, you hope he wouldn't come, you wished to yourself, but knew that wouldn't be true, because he wouldn't miss celebrating his friend.

You were actually enjoying yourself and talking to people around you. You had a drink in your hand, but wanted to stay mostly sober for the night. Before, there was no problem with you getting drunk and spending the night at Jolly's room. Now, it just felt like you were overstaying your welcome.

Maybe an hour after you arrived, you could see two people entering the living room, when you looked in their direction, it was as if the whole world stopped spinning and the room became completely still.

There he was, dressed in all black, with a beautiful girl hanging on his arm.

You obviously knew he was fucking around with other girls, but he never actually brought them over to their house. Also, the fact that a few days ago, he was in your bed, fucking you, and now he was here, with a new girl, made your stomach twist.

Before he had the chance to come any closer to where you were standing, you turned around and made your way upstairs to the bathroom.

You closed the door behind you as you tried to calm your heartbeat that was pounding in your chest. You desperatly tried to think of an excuse to leave this party right now. You shouldn't have come in the first place.

After a couple of minutes, you decided to leave and then shoot Folio a text apologizing. You already had the chance to congratulate him, so that wouldn't look too bad.

Slipping out from the bathroom, you made your way through the living room with your head down, not wanting anyone to see you. Opening the front door, your stepped into the slight breeze blowing outside.

Taking a deep breath, you started to walk down the street to where your car was parked.

"Y/N", you heard a familiar voice behind you, but you didn't turn around, you didn't acknowledge him.

"Hey, where are you going?", he tried again, picking up his pace this time and walking beside you.

"I'm going home", you said, voice flat and devoid of any emotion. You tried to keep yourself in check, because you were sure if you stayed here any longer, you'd start crying like an idiot.

"Why? The party has just started".

Could he really not understand why you were leaving? Was he this dense? Instead of feeling sad, you were now feeling angry at his obliviousness.

"Are you fucking serious? Are you actually this stupid or do you just like to pretend that you are, so you don't have to own up to your mistakes?", the anger in your voice and fire in your eyes made him take a step back.

"Are you talking about?", he was wary now, but his eyes told you he knew exactly what you were talking about.

"Do you actually consider me your friend or do you just keep me around because I'm an easy fuck?", you were becoming tired of him dodging your questions.

"You're not an easy fuck. Please don't say it like that", he tried to take a step closer to you, but you took a step back, and he stayed in his place.

"Oh no? But you text me everytime already knowing I'll tell you to come over. You take advantage of the fact that you know I'm emotionally attached to you", you crossed your arms over your chest to try and protect your heart that was already broken in a million pieces.

"It was never supposed to be like this", he told you, and you desperately wanted him to stop making excuses.

"But it is. Next thing I know, you're going to be paying me for my services from how much a cheap transaction this has become"

Jolly just stood there, his eyes were wide and you could tell they were a little glossy from the way the light from the streetlamp hit his face.

"I'm so fucking sorry, You gotta believe me when I say I never meant to make you feel this way", his voice trembled a bit towards the end of his sentence. You could see a little glimpse of the old Jolly you met years ago.

"I'm not sure I believe anything that comes out of your mouth anymore", you stood your ground this time.

"I'm so fucking sorry", he looked down as he apologized to you. He couldn't even do it looking at your fucking face.

"Me too", you said as you fished your car keys from your pocket. "I'm going to delete your number, and I never want to speak to you ever again", now it was time for your voice to tremble. You were not only endind whatever you two had, but you were ending a friendship of years that developed into something neither of you could control or deal with. "Tell the boys I'll stop coming around"

With this last sentence, you turned around and walked the rest of the way to your car, now letting the tears fall freely from your eyes.

You unlocked your car and gor in the driver's seat. You told youself you wound't look back, but you couldn't helo but take a peek on the rear view mirror.

You Jolly sitting on the curb, you could tell his shoulders were shaking, and that his hands were covering his face.

Too bad, he should've shown some emotion all those times you desperately needed him to. With a shaky, deep sigh, you turned on your car and drove away from the most important people in your life.

[jerzwriter]

I'm a little late for Day 1, but I didn't want to miss the opportunity to send some love to some very special people. I'm not around as much as I used to be, so I feel a little disconnected. I'm sorry and trust me, I miss you all very much! 🩷🩷🩷

@aallotarenunelma - As I said in my reply to you, I hate the rough time you went through, but as someone who tries to find silver linings in dark clouds, I'm so glad that brought us together. You've always been such a bright, positive light in this fandom, and I am so happy we got to know each other. I've missed you here, and seeing your name in my notifications yesterday genuinely made me smile. I hope you're doing well, and I hope you'll pop in from time to time! I've missed you!

@alj4890 - My dear fellow Tobias simp! lol, I'm so glad that luscious little fictional man brought us together, but nowadays, he's definitely secondary to you! I enjoy our talks so much, and as much as I love a notification of a new Tobias x Chris fic, I'm even happier to see a message from you. It's so nice to have people who "get" you and I feel that whenever we talk. I'm so glad you're here for your creativity, and your friendship!

@aria-ashryver - My dear, you have always been such a beacon of light and love and an example of how each of us should be, even if it's difficult to live up to. You've endured so much and do so with a grace, dignity, and beauty that leaves me in awe. I think of you all the time, and I hope you know you have this agnostic praying and sending love and healing your way every day. Thank you for being you, thank you for spreading joy, and I hope you know how important you are not only to me, but to so many others. xoxo

@angelasscribbles - My sister from another mister. Girl, you're not even a fandom friend anymore - you're a friend. Period. It's so important to have people in our lives who "get" us, who we can speak to without fear of judgment, and who we can laugh with or be scared with. People who share our values for a better world and keep believing even in the darkest of days. You're that to me, Angela. Like I said, you're not a fandom friend, but since this little hellhole is where we met, you deserve to be acknowledged here. <3

@storyofmychoices - Sweet, sweet Dani. Where to even begin? You are the backbone of this little world of ours, and you give of yourself so selflessly time and time again. You are probably one of the kindest people I have ever met, and you do your best to see the best in everyone, even when it's very difficult to do. You've known darkness yourself, so it pains you to see others there, and you give so much of yourself to help others see the light. During some of my darkest times - in fandom and real life - you've brought me sunshine and joy when I've needed it most. I know both of us have not been around here as much because... life... but I hope you know how much I treasure you and your friendship. You are truly a rare gem in this world, and I'm so glad you're part of mine. Thanks so much for all that you do for the fandom - but mostly, for being you. xoxo

@icecoffee90 - My lovely, lovely Z. Another person who I have to remind myself I met through the fandom because you're not a fandom friend at all; you're a friend. I have always treasured our goofy talks and our intercontinental viewing parties, and now that we've gotten to SEE each other, we've created such beautiful memories. We've had so many laughs and you've brought joy to my life on days when I found it impossible to see the sun, I probably don't say it often enough - but you mean the world to me and my life is so much better because you're in it. Plus, we shared the world's best pumpkin pie ice cream together - that's a bond nothing can break! Love you to bits, sis! xoxo

@cariantha - Sweet Cari! As the fandom continues to dwindle, I'm so grateful for the people who remain, and I mean it when I say that you are at the top of that list. You've always been such a bright spot here, and your light shines through your work and actions. I always smile when I see a notification or DM from you, and I'm so glad you've stuck around. The fandom is better for it, but selfishly, I'm glad you're still here personally because you're one of the people who has always made this place great - even when it was not so great. Thanks so much for everything through the years, Cari! <3

@lilyoffandoms - Sweet, sweet Lily. Where to even begin. I feel bad because I've been removed from this place lately, and one of the people I miss the most is you. I adore you because you are all things kind and good - and a whole lot of don't fuck with me or what matters to me, too. That's the vibe right there! lol I've treasured our chats, I appreciate you as a person, and I love your giving nature. Seriously, you're someone others can look up to and aspire to be, and count me amongst those who hope to. If all that weren't enough YOUR TALENT! Writing, art... you are amazing and thank you for sharing those talents so generously with all of us. You make this place wonderful. You make it worth coming back to, I'm honored to call you friend. <3

@peonierose - My dear you have always been such a bright spot in this world. Just thinking of you conjures up images of bight pink flowers against a sunny sky. I know that's not how life has been for you as of late, but still, you don't let it change who you are at your core - a kind, beautiful soul. Thank you for being here all these years and for bringing so much joy to so many. We are so lucky to have you! <3

@quixoticdreamer16 - My baseball buddy who somehow got me through this wretched World Series! lol I truly value your support, kindness, and having someone who gets the thrill of victory and agony of defeat from spring through October. Thanks so much for being a valuable part of this fandom and so special to me! xo

@coffeeheartaddict2 My dear Tash. Thank you for helping me through the fall of civilization as we know it! lol, You've become such a dear friend, I almost forgot we met through the fandom, but I'm forever grateful to the fandom for bringing us together. It's good to know that whatever life throws at us, we will still have this crazy little corner to retreat to.

@dr-colossal-pita - My dear Ren, I feel so badly because I've been MIA due to many factors recently, and I hope that will change. But I hope you know how much you mean not only to this fandom but to me. Our chats, whether they be about fandom nonsense, shake-our-heads family moments, shake-our-head WORLD moments or lifting each other up with the cutest of little animal memes/videos, mean so much to me, just like you mean so much to me. I'm so grateful you're a part of my life. <3

@secretaryunpaid - Cher! You are just one of a kind. I know we have not had as much time to chat, and I miss that so much. But I'll always treasure our talks - the laughs and the deeper moments alike. You are someone that I know I would get into so much trouble with - and I love that! lol We know kindred spirits when they enter our lives. Thank you so much for your kindness and support, not only to me but also to so many here, and thank you for your friendship always! <3

@annoyingmillenialnewbie - My greek sister! Sister of the traveling spanakopita! lol I know we've both been busy and have not had as much time to chat as in the past, but that does not mean you're any less special to me. I'm so glad this little slice of crazy brought us together and I plan to keep you, even when it's long gone. <3 Miss you φίλε μου. xoxo

@genevievemd - My sweet little sister. I don't have to go into great lengths to tell you what you mean to me here, because we know what our friendship is to each other. Knowing we understand each other and have each other's backs on even the darkest of days means more to me than you will ever know. Just this week alone you helped me more than you can know. I love your creativity and what you've given to this fandom, but most of all I value YOU and I'm so glad you're a big part of my life xoxo

@jamespotterthefirst - Amiga, where to begin? The laughs, the mischief, the thirsting, the wellness checks! lol, I know we both have times when we struggle, but it's amazing even when you're struggling, you still manage to make me smile and make me laugh. When times are dark, you remind me that, somehow, we'll make it through. I'm so glad to count you amongst my friends - fuck fandom friends - FRIENDS, and holy shit, the fear of us being on the same coast together! lol I literally cannot wait. Thanks for being a part of my life, my friend, and I will always cherish this place for bringing us together.

@liaromancewriter Mal it looks like we will be amongst the ones to turn the lights out here one day. lol And I'm so grateful for that! Thank you for remaining our queen of fluff and for sharing your talents with us, and thanks SO MUCH for taking over CFWC this year. I know it's a lot of work, and I would have hated to see it go away, it was so much easier "retiring" knowing it was in good hands. Thanks for the laughs, the chats, and helping hold up the fort! I'm not the only one who considers myself lucky to have you here. <3

@potionsprefect - Alice! Another I'm not leaving until I say I'm leaving member of the OH fandom! lol I'm so glad you're still here and we still get to revel in Ethan/Victoria and of course Luke/Lily. I'm so proud of you for all you've accomplished in real life and still love shaking our heads together! (And there is so much to shake at! lol) Thanks for being part of the fandom & part of my world! <3

OK, these five ladies are not around anymore, but I'm mentioning them nonetheless. Fortunately, I'm still in touch with all of them to one degree or another, and they know how much they mean to me. I can't tell you how much I've missed you being here, but we have your old works to remember you by. I'm so glad this crazy place brought us together. @danijimenezv @lucy-268 @writer-ish @bex-la-get @a-crepusculo

Some people have supported my creations for so long, and I want each of you to know how much I appreciate it! Thanks so much for your ongoing support: @mrs-ramsey @onikalover @differenttyphoonwerewolf @kyra75 @custaroonie

@youlookappropriate @kingliam2019 @delmissesryanandcassi

These people help make the fandom a better place just by being in it. Your kindness, support, and positivity do not go unnoticed, and you create a brighter space for all of us. Thank you! 🩷🩷 I've been lucky enough to talk with some of you privately. We've shared lovely conversations and helped lift each other when needed. I hope you all know how precious you are to me!

@ladylamrian @cadybear420 @petalouda85 @rosesnink @dutifullynuttywitch

@lorircreates @moominofthevalley @petiteboheme @cryomyst @princess-geek

@tessa-liam @missameliep @trappedinfanfiction @takeharryandgo @thosehallowedhalls

@crazy-loca-blog @rafasgirl23415 @tveitertotwrites @thefirstcourtesan @sillydg

To some people I've been lucky enough to get to know in the past year. Whether it's been through our creations, playing reblog games, geeking out over music or our MCs, or just sharing in conversation - I'm so glad we've gotten to know each other! 🩷🩷 @renninflight @choices-ceri @brycesgirl @snoopdogcone

I always worry that I've missed someone, and with my Swiss-cheese brain- it's likely I did here. But, I want to send love and appreciation to anyone who has ever crossed my path here.

Elsa xo

@choicesfandomappreciation

[bullet-prooflove]

Five Years Gone: Neron 'Creeper' Vargas x Reader

Tagging: @kmc1989 @est1887 @anime-weeb-4-life @creativitybeware @mortal--soul @spaghettificationandpretzels @redpoodlern @lexondeck @librarian1002 @thanossexual @justreblogginfics @im-just-a-mississippi-girl @adaydreamaway08 @wnbweasley @skyesthebomb

Brothers!Series:

Brothers - Neron's brother threatens his sobriety.

Wide Awake - Neron regrets his decision.

Out of Sight - Neron asks you a favour.

Slow Burn - Neron and you watch it burn.

Neron lets you sleep in; you usually need the rest after you’ve worked the convention circuit. It’s been three days of solid tattooing, of late nights and early mornings and that’s not including the travel to and from San Diego, the packing and unpacking of your equipment.

Currently you’re splayed out across the bed, tangled up in his sheets. You’re wearing his black wifebeater from last night and boy boxers that hug your ass just right. Your tattoos are on display, that beautiful artwork etched into your skin.

As he leans in the bedroom doorway, his coffee mug in his hand he can’t help but think how lucky he is. His world was dark, barren before he met you and now it’s a sea of colour.

There’s a rap on his front door and he frowns because it’s six in the morning and everyone else he knows it getting ready for work or sleeping. The last person he expects to see is his brother Mateo. He hasn’t spoken to the other man since he’d kicked him out for bringing coke into his home. Something he had vehemently denied until Neron had held up the vial.

His face is a bloody mask, he clutches his ribs as he practically falls through Neron’s door, spilling into the hallway. His palm comes to rest on the cream wall leaving a crimson handprint in its wake.

It’s as Neron cleans up Mateo in the kitchen that the story begins to unfold. Mateo’s in deep with his dealer, he owes 10k after his product got jacked last week and Salvadore Ortiz isn’t feeling forgiving. Neron gets the impression that this isn’t the first time that Mateo’s disappointed the drug lord. If he doesn’t pay up though it’ll be his last.

“I can’t help you.” He tells his brother as he applies the butterfly stitches to the cuts above his brow.

He isn’t lying, the last time he’d fallen off the wagon he’d blew through every single dollar of his savings. He’s just finished paying off Taza and Riz for his last two stints in rehab.

“I can.”

His heart fucking sinks when he lifts his head and sees you standing in the doorway. He doesn’t want you involved in this side of his life, cleaning up Mateo’s messes, having your sobriety challenged.

It comes with conditions; you tell Mateo as you pull on one of Neron’s hoodies and tie your hair back so you can retrieve the money from the safe at the tattoo shop. As soon as he’s paid his dealer, he checks himself into rehab. You’ll set it up but he has to meet you back here later in the day, you’ll walk him in yourself.

In that moment Neron doesn’t think he could love you more, because your compassion, it isn’t just reserved for him, it extends to his fucked-up family as well. As he watches his brother depart with the money, Neron thinks he might just do it this time. That Mateo will finally get himself clear of all the shit he’s involved in, and they can be brothers again.

He hopes for it as the two of you sit in his living room that night, watching the clock and waiting for Mateo to show. By the time midnight comes around Neron knows it’s over, that his brother has taken your money and used it to go on a bender.

“I’m sorry.” He tells you, rubbing his hands over his exhausted features. “He took you money, your trust…”

“We both know how hard it is,” You remind him as you sit down alongside of him. “You have to want to get clean and Mateo, he just doesn’t.”

The worst part is he knows that you did this for him, to give him back some connection to the family that he’s lost through addiction. His parents, his brother, himself, every single one of them has been tainted with it. The guilt cripples him. It eats away at his soul as he lies beside you that night, because you’re so wonderful and pure and he’s poison. He’s the toxin that’s bleeding into your life and you don’t even realise it.

It's the next day that he gets a visit from the police and the news, it devastates him. They found Mateo’s body in a motel outside of Santo Padre, a needle still in his arm. An O.D they tell him.

When he identifies his brother, he feels that numbness creeping in because Neron realises for the first time in his life he’s completely alone. His family is gone, eradicated by the illness that’s plagued them for generations.

The next night he finds himself sitting in a bar near the motel where Mateo died. He orders a vodka, watching as the clear liquid swirls around the glass before he throws his head back and drains it completely.

Five years of sobriety…

Gone, just like that.

Love Creeper? Get added to his tag list!

Want more Neron? Check out his Masterlist!

Interested in supporting me? Join my Patreon for Bonus Content!

Like My Work? - Why Not Buy Me A Coffee

[bengiyo]

Love in the Big City Eps 5 & 6: That Apartment Was Too Small

I’m late this week to write this post. Despite everything going on in the world and in my life, I have struggled with how similar episodes 5 and 6 played like Part 3 of the book. When I read over my reaction post for Part 3, I felt like I could post it with a few edits as a reaction to these two episodes. I’ve also read so many great posts about this section, so I’ll throw some quick thoughts down on some of the things that stood out in this section.

The T-aras Continue to Be a Great Change

Presenting the drama in a more linear format required baton passes between the sections that the book didn’t require, and I really loved having the T-aras as pallbearers who also took care of Yeong when he wanted to go out the night of his mom’s funeral. I love how they also feel like they’ve matured as they’ve gotten older.

Making us love the T-aras so much makes their flippancy about being around someone they know, or suspect, is positive hit like a ton of bricks in the flashback. What’s so sad about this is it puts this wall up inside of Yeong that keeps him from ever telling them about his situation with Kylie. We know the T-aras love him dearly, and I think they would have adapted quickly to take care of their friend. I couldn’t help but think about the hospital scene from Part 2 and wonder how uncertainties Yeong felt about them complicated that moment for him.

I also love that they’re the ones who got to meet and approve of Gyu-ho, and that they suggested Yeong take him on a trip to help rekindle the romance. Yeong not being completely alone has been one of my favorite changes, because few of us are ever as alone as we think we are.

Gyu-ho Feels so Alive

We see so much of Gyu-ho from Young’s perspective in the book, and I loved seeing him come alive and share space with Yeong in the drama. I loved seeing the mundanity of their relationship. I loved seeing Yeong consolidate and clean up the room to make it livable for Gyu-ho just as much as I loved seeing them struggle with their living habits. I loved seeing them fight over little things, and then seeing Gyu-ho adapt to that and cover annoyances (especially with the water bottles).

Unfortunately, Kylie ruins so much of Yeong’s ability to commit to this relationship, and I think it’s why staying in Mi Ae’s apartment might be one of my favorite choices of the drama. When we read Part 3, I kept thinking about how small Young’s apartment was, and how it didn’t seem right for the two of them to stay there. Here in the drama, we see that Yeong’s mom made sure to take care of her affairs, and I wondered at how much Yeong had stashed away from that, but also figured he wouldn’t want to stay in the home his mom had.

I think, for Yeong, Gyu-ho is just so radiant and beautiful a person that Yeong is worried he’ll infect with HIV and make “dirty.” He brings that word up a lot, and it made me so, so sad. Kylie is everywhere in their relationship. It’s in Yeong’s need to fake a blood test to get a decent job he hates. It’s in his inability to pursue work opportunities in other countries. It’s in their inability to have unprotected sex without worries. All of this culminates to make Yeong feel like he’s ruined Gyu-ho’s future for just being with him.

Conversely, it’s so frustrating to watch Gyu-ho from this perspective doing everything he can to make Yeong feel loved and valued. I felt so much for Gyu-ho when he got a solid job as a nurse and wanted them to get a bigger place together. I also felt for Gyu-ho searching for potential new partners on the apps. It sucked in the book and it sucks here when Yeong tries to shove Gyu-ho to go have sex with someone else when that’s not what Gyu-ho wants at all; he’s a romantic.

As such, they could not make this relationship work. Gyu-ho is probably the one person in the series we’ve seen Yeong trust to the most. The T-aras prickled his shame. Mi Ae outed him. Yeong Su turned out to be gross. Nam Gyu died.  I believe Yeong when he said he was writing as hard as he could to build a future where he was independently wealthy enough to take care of himself and Gyu-ho, and it was so sad to see him completely lose the love he found in the present for that.

Onto the Finale

That’s all I’ve got this week. I find myself looking forward to this section because I’m so excited to see what Habibi turns into with this version. I’ve meditated on the fallout of the Gyu-ho breakup, and I’m excited to see what the drama does with that.  

[vindieselsfacebook-blog]

Omg I was positively foaming at the mouth reading this - thank you for sharing! As the self-proclaimed no. 1 AYITL defender, you're beautifully articulating so many of my opinions, too. I must chime in with some thoughts of my own:

I agree that it feels cozy and comfortable for me, too! It was never going to look as gorgeous as the early seasons filmed traditionally with Michael A. Price at the helm as cinematographer, but the colors and lighting are so much richer and beautiful than S6-7. I think a lot of people bristle at all the cold blues in the first episode, but babes, it's Winter - that's the point??? Fall is stunning. The sets look more expensive and lived-in than a lot of the original series does. On a cozy Sunday night, the episodes I most think about turning on for comfort-watching are the pilot, the last 3 in S4, sometimes the last 3 in S7, and AYITL!

AYITL has SO much gratifying closure and growth - I haaate when fans say they hate it because it feels like no one has grown and they've just been immaturely frozen in time. That's the point! They finally are!!! Wouldn't you prefer seeing that to being told it happened off-screen years ago?

I think the only thing I really disagree with you on is your more pessimistic takes on Lorelai and Rory, but especially Rory. "Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family." I totally disagree with this. I think Rory is a chronic people-pleaser with shaky self-esteem. Her family thinks the world of her and she often really struggles with the weight of those expectations. She's expected to succeed where Lorelai failed not just to justify Lorelai's entire life's ambitions, but heal her grandparents' wounds, too. Her father left her and shows little to no interest in her. Her paternal grandparents tell her to her face she's a disappointing mistake that ruined lives. It's not that she has no idea how to deal with not getting what she wants, but she has no idea how to deal with failure when she was doing all she thought she had to to succeed. She's a list-maker, a studier, a rule-follower - when things don't follow her obsessively planned plan, she melts down. Her worst decisions are made when she finally explodes after bottling up her emotions. People often say Rory never suffers consequences but that also isn't true? Headmaster Charleston enforces rules and punishments on her multiple times in S1 and nothing is simply handed to her at Chilton. She really struggles those first few episodes. Dean publicly breaks up with her and calls her out on her shit with Jess. She flounders her first year at Yale struggling to get her articles published then having to drop a class because she can't keep up. She tries to date and has a tough time connecting with people. Mitchum is an asshole to her and makes her doubt her entire career path. She doesn't get the NYT fellowship. The list of Rory's struggles, failures, and consequences go on and on. I really don't get why people seem to gloss over them? Because her mother loves her and believes in her in spite of these things...? Why do women in fiction seemingly have to "earn" love and support?

"Rory’s life rhymes with Lorelai’s." Obsessed with this line - what a beautiful way to put it!

I've truly never thought of a what a perfect metaphor coffee is for Lorelai's vices. You're soo right and it's soo good! Having Luke be the provider of her favorite coffee is also just *chef's kiss*

One of my favorite parts of AYITL is Lorelai redirecting Richard's inheritance from Luke's business to hers. In contrast to her begging for the tuition money in the pilot, this time feels like an empowered decision. Her dad wanted Luke to expand his business because he felt like his daughter's partner should be taking care of her. She says no, I'm the one taking care of myself and expanding my own empire - I don't need my husband to do that for me and I can honor my father's legacy myself. :')

Just to nit-pick, I must remind that Lorelai never "refused" to expand the Dragonfly - she literally couldn't and I think that added to her feelings of frustration and being stuck in place. There was no space at the existing building, protected wetlands preventing expansion, and she couldn't afford another property until she thought to use the money from Richard. Also, as symbolic as it would've been, the Dragonfly Annex isn't the Twickham House. Kind of glad tbh as I always found the Twickham House ugly as hell lol. I hate that storyline for multiple reasons, but the top is that it feels sooo not like Luke or Lorelai???

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[sirensandcondolences]

i need to be like him

[rearranging-deck-chairs]

laura heard "when is a monster not a monster? oh when you love it" and took that a little too literally

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[eorzeashan]

Even if Eight never returned to Intelligence work, he'd be fine. He originally joined the SIS to have a finger in every pot, but now I think he'd just use it for leverage to keep him (and Jadus) safe. Not that he'd ever let them know about that last part, which would guarantee both of them a fat target on their back.

I headcanon his final mission-- regardless of whether he took Nine's place on the Dominator-- is to go after Jadus if he escapes. An agent needs to keep an eye on that rogue Sith, and all their work is for naught without a final backup if Watcher 2's plan is considered too costly. He is the only one with the right mindset and strength of will to bear such a mission, and it's the only "out" he would willingly take. Keeper wouldn't approve, but he loses that bet 9 times out of 10. (I also seriously doubt a jail cell would hold Jadus for long, given the amount of secret allies he has in the Empire).

No matter the way you swing it, Eight has enough reasons to commit to Jadus as his life's mission. He's only partly there to make sure he doesn't pull another Doomsday, and if anything, he's more likely to redirect his purposeful anger towards one of their enemies rather than prevent it outright. His power is needed to him. But he doesn't even want to use Jadus solely for war. He's come to love the way he exists in the Force and his understanding of the Sith in his eyes, and he's willing to give his life if it means this wound, this extant form of death and life remains free to be. He hops mission to mission solely to show him the fires of conflict and the swells of peace in every part of the galaxy. He wants to show him the world outside of the Empire, that cage that used to trap both of them.

Jadus was and is his way of understanding and existing next to forces he never would've loved otherwise. Imperials as a whole have forgotten how to see Sith with their own eyes, buried under mandates of abuse and unquestioning worship, and even fewer feel knowing the Force to be a worthwhile undertaking as the burn of being rejected by it in life is a pill too bitter to swallow.

Eight considers himself lucky, to love and know the Force at its height in such a soul. Its embraced him too, and he never wants to be without it again.

[noxtivagus]

i'm thinking of hermes again gahhh HIS CHARACTER IS SO INTERESTING TO ME I LOVE HIM

[mothalas]

i loveeee writing poems it’s like yay

[gch1995]

I haven’t actually seen the live action remake, and I’m certainly not going to go see it in theaters. This is why, though. The director and writers are trying way too hard to be “progressive” by “fixing” what were never actually issues in the first place, and they’ve ruined the spirit of the animated film, the characters, and even the music as a result. Awkwafina is annoying as fuck as Scuttle, and not in the same charming and funny way that Buddy Hackett was as Scuttle in the role. I get that they couldn’t use Buddy Hackett to voice the character again since he’s been dead for some time now. However, they decided on using an actress who has an irritating voice, and decided to give her parts to sing in it.

Why? Even in the 1989 film, Scuttle wasn’t given a song because he was meant to be that annoyingly dim witted, but well-meaning friend. Jacob Tremblay sounded cute as Flounder. He actually sounded quite a bit like Jason Marin as a kid voicing the role in the 1989 film, but he also wasn’t a singer.

Of the voice actors playing Ariel’s sidekicks in the live action film, Daveed Diggs is the most competent at singing and rapping as Sebastian, but neither his singing nor his faux Jamaican accent are even half as impressive as Samuel E Wright’s spot onJamaican accent, and his rich baritone in Under the Sea and Kiss the Girl. I loved Daveed Diggs as Jefferson/Lafayette in Hamilton, but he’s clearly more of a rapper than a singer.

Growing up, Ariel was always my favorite Disney Princess, too, because she was the first one who actually had a well-rounded personality with both strengths and weaknesses that went beyond just being too kind and naive for her own good. She was adventurous, brave, bossy, distractible, impulsive, kind, naive, obsessive, misunderstood, protective of those she loved, sassy, and selfish at times. She was such a typical teenager, who was flawed, but still essentially a goodhearted person at heart. Before her, we had such impossibly goody-goody Disney Princesses

It also helped that the animation was beautiful, the cast was highly talented, the music was catchy, and the side characters were entertaining. Also, the fact that the animators actually used the model Sherri Stoner as a reference point to animate Ariel’s expression, hairstyle, and movements on screen made me love it even more. You can tell a lot of love, hard work, and passion went into animating The Little Mermaid movie, casting it, directing it, recreating these characters, and composing the music score.

In the 1989 film, Ariel already had a very active interest in exploring the humans on the surface world before she ever even saw Eric in the original Disney animated movie, so she had greater motivation than just a man from the beginning.

No, Ariel is not Bella Swan in her relationship with Edward Cullen from Twilight, or Anastasia Steele in her relationship with Christian Gray in 50 Shades of Gray. She is her own character with her own personality, hobbies, and motivations outside of just Eric.

Did Hallie Bailey, Rob Marshall, and the writers of the live action remake, even watch the opening introduction scene to Ariel’s character in the 1989 animated film at all? Did they even listen to Ariel’s lyrics in “Part of Your World” that was all about wanting to know what it was to be human, and to explore the world above?

The only thing I’m getting from all of them is a blatant disregard and disrespect of the 1989 animated classic film and its fans, so that they could turn it into a vehicle for a nonsensically and shallowly “progressive” political agenda to make money. It also sucks because I really wanted to be able to like Hallie Bailey playing the role of Ariel, and I do think it’s fucked up how there were racists in the audience bashing her for playing a character who doesn’t have to be any specific race to tell the story. Plus, she does have a beautiful, light, and soulful soprano voice that is reminiscent of Jodie Benson’s when singing Ariel’s songs and speaking at some points in the live action TLM.

Unfortunately, Hallie’s answers to questions about the movie and misinterpretation Ariel’s character in interviews and press conferences really made me dislike her for being the Mouse’s arrogant political agenda mouthpiece. Ariel’s race/ethnicity in the film doesn’t make her more or less of a relatable character because her skin color has nothing to do with the story, but Hallie is acting like the character being POC somehow made this huge thing that made her more relatable.

No, Ariel is a half fish half human girl with an exceedingly strict dad who trades her voice to get a chance to achieve her dream to be human. She is not Esmerelda, Jasmine, Pocahontas, Mulan, Tiana, the Madrigal family in Encanto, or the Rivera family in Coco, who all have arcs, cultural backgrounds, plots, and storylines that directly relate to them often being POC who are of direct African American, Colombian, Chinese, Native American, Middle-Eastern, Mexican, or Romanian descent. Ariel could be black, white, Asian, or biracial, and you would still have the same character with the same personality and storyline of wanting to be able to feel free to be true to yourself without being belittled, misunderstood, restricted, or ignored all the time that pretty much anyone can relate to at some point in their lives. Moreover, she is spouting the same misinterpretation of Ariel’s character in the original Disney animated movie being all about trading her fins for a man, and needing to give Ariel more agency and personality in the live action outside of just that, and it made me dislike her because she also claims to be so in love with Ariel from The Little Mermaid animated movie from her childhood. Yet, she keeps trashing the character 1989 movie by blatantly misrepresenting her in interviews to brag about how she thinks the 2023 live action movie starring her in the role of Ariel is far superior for being more “nuanced” and “independent.” I get that the Mouse is likely also paying Hallie to promote the movie, but rather than stating that any fan who doesn’t like it is a “racist,” she could say I hope to live up to your expectations.” I get that Hallie’s young, but she’s still only around 4-5 years younger than me. Plus, she’s been a professional actress since her childhood. I feel like she should know better than to treat critics and fans of the Disney movie this way.

The same Ariel who fell in love with the human Prince Eric shortly after was already being complained about for never showing up to rehearsals to practice with her sisters in Sebastian’s concert and missed its premiere because she got sidetracked by exploring a sunken ship full of human artifacts, knick-knacks, and silverware, which she then took up to the surface to ask Scuttle questions about. Ariel was so into collecting and examining human things that *Flounder* actually had to be the one to warn her to swim away when they were about to be attacked by a shark because he was the only one paying attention.

Ariel sang her big “I want” number “Part of Your World” before she ever even saw Eric, and it had absolutely nothing to do with falling in love, banging, and getting married to a hot human guy. It was about wanting to explore the human world above and experience what it was like to be able to be able to move on two legs above the shore. She didn’t even know Eric existed at this point, and Ariel was already obsessed with the idea of being a part of the human world above for a while now.

When Triton found out that Ariel actually came into direct contact with a human, rescued him, and now loved him, she was actively risking her life from his perspective, regardless of his warnings and the potential consequences. No longer was it just this phase she’d get over, if he let her do her thing. From his perspective, Ariel was now actively risking her life by coming into direct contact with human beings, which is why he lost his shit on her in that grotto scene.

She wasn’t deliberately cruel or malicious, but Ariel was somewhat inconsiderate and selfish in her desire to explore the human world, which is why she finally does apologize at the end when she faces unexpected interference from Ursula.

Yeah, falling for Eric strengthened her preexisting desire to be human, but he wasn’t the only aspect of the human world that she longed to explore and experience. Moreover, even after she fell for Eric and rescued him, Ariel wasn’t really planning on leaving behind her family to go live with him by becoming a human behind their backs. Ariel was just planning to get Eric to notice her with Flounder’s help by splashing around to get him to notice her, so they could talk and get to know each other better. Triton destroying her entire collection of human things to “get through to her” after finding out she had fallen in love and rescued one, was the thing that pushed her to impulsively make the deal to be human with Ursula.

I hate how impossibly perfect they’ve made Ariel in this garbage live action remake to be more “progressive.” They’ve actually taken away her agency by having Ursula erase her memory of having to share TLK with Eric within three days to break the spell to remain human permanently. Not to mention the fact that making that stupid change does nothing to change the overall plot, anyway. Eric still starts to fall for Ariel, and almost kisses her. Ursula still disguises herself as Vanessa to try to stop Eric and Ariel from kissing, which logically couldn’t even be true love’s kiss under those circumstances where her mind “wanders” every time Eric tries to kiss her, anyway. Ariel is not allowed to be aware of the fact that she actually had feelings for Eric at one point. She’s only giving in because Eric is closest to her all the time in the live action, not because she feels something.

The only thing they’ve succeeded in doing by making that pointless plot change was actually creating a big power imbalance between their characters by putting Ariel in a position where she’ll feel pressured to fall for him instead of actually falling for Eric because now she doesn’t remember ever liking him in the first place, and gets confused, creeped out, and evasive every time he does try to kiss her as a result.

It’s also just an irritating message to me that so much of the media for those of us are Gen Z and younger Millennials has become so against portraying healthy heterosexual romantic relationships between men and women. No, you don’t have to be heterosexual, fall in love with a man, get married, and have kids with that guy to be a woman of value to the rest of the world. Now, it’s like we’re living in a society that is absolutely cynical and resentful towards seeing anyone developing, maintaining, and seeking committed and healthy heterosexual romances and lives, though. I’m glad the gay community can have the right to marry people they’re attracted to of the same sex as adults. I’m glad more women were brave enough to expose creepy and powerful male Hollywood actors, directors, and performers in the #MeToo movement. I’m glad no one has to feel pressured to fulfill gender stereotypes, if they don’t want to anymore. Just stop treating people who engage and follow heterosexual/heteronormative lives as “wrong” and “weak” in media because “how dare a woman ever actually feel romantically/sexually attracted to a man, and want him to make a move on her?”

Saying that a man was Ariel’s “only” motivation to sacrifice her fins, her voice, and her family to become human is completely untrue and a total misinterpretation of her character. Ariel dreamed of being human and exploring the world above to learn about them more long before she ever even saw him. She just happened to fall for a cute guy with a similarly adventurous, brave, kind, and passionate heart, who gave her an opportunity to be heard and understood.

This live action movie also really turned Ariel into this hyper feminist unbelievably strong woman trope who never needs to be rescued or supported by anyone else, especially another man. Now, she’s just another unbelievably competent, independent, self-reliant and strong Mary Sue, who never has any moments of vulnerability in this live action films that put her in a position where she needs to be rescued or supported by another character, especially if it happens to be a man. I’m so sick of female characters getting this sort of writing in modern day media. I’m so tired of these females characters who are written or rewritten to be impossibly resilient, resourceful, and self-reliant *all the time.* No, women shouldn’t *always* be portrayed as being clingy, dependent, and helpless in media either. In real life, no one would need to even have relationships to survive happily, if we were actually as impossibly one-dimensional in our capabilities, independence, strengths, and vulnerabilities. We’re much more emotionally and socially complex creatures who are supposed to display both strengths and vulnerabilities in equal measure.

The live action movie seems so intent on making Ariel look like she can accomplish everything by herself and doesn’t ever need any help from anyone else, especially not another man. It’s just a hyper-feminist interpretation of the character that I don’t like, and it’s not *just* in this scene at the ending where she kills Ursula instead of Eric in which they’ve made her such an impossibly competent, independent, and strong woman who can do anything and everything herself either.

Ariel magically being the one to kill Ursula instead of Eric when she is trying to kill her for revenge also undermines King Triton’s character development of getting over his xenophobia towards humans, and eventually being able to let his favorite youngest daughter go be with the right one, now trusting that she’ll be able to be safe. However, this live action movie doesn’t care about character development, storytelling, and the overarching theme of being able to let your children be true to themselves. It’s only about showing what a “Strong WAHMAN” Ariel is at the expense of all that.

In the “Kiss the Girl” scene of the 1989 animated film where Eric expresses that he feels bad not knowing Ariel’s name because she can’t speak, Sebastian is the one to whisper it in his ear to offer his aid because he still can speak and sing. In this live action version after less than three days on land, Ariel magically knows more about astronomy and constellation patterns in the sky than the average human land dweller will know in their entire lives. She comes up with a way to tell him her name is “Ariel” by showing him the constellation of Aries in the night sky, and gets him to say “Ariel” by moving his lips in the shape of her name with her hands. Yeah, I can see how that might look cute, but it also makes Ariel kind of look like a Mary Sue.

In the 1989 animated film, after Scuttle finds out about Vanessa actually being Ursula in disguise hypnotizing Eric to marry her with Ariel’s voice, he tells Ariel, Sebastian, and Flounder, and they plan an ambush to stop the impending wedding before the three days are up. Ariel tries to get to the site of the wedding as fast as she can to help with Flounder’s aid. However, she is still very new to using human legs, she really isn’t as fast or as strong of a swimmer without her fins, and Flounder is the one who helps get her there with a rope from a barrel tied between him and one of her legs. As a result, by the time she gets to the site of Eric’s wedding with Vanessa, Scuttle has already been doing his best to stall the vows until, and it’s a bit too late for Ariel to just intervene. That’s why Scuttle is the one to grab Vanessa’s necklace with his beak and break it, so that Ariel can get her voice back.

You might say that the scene where Ariel gets swam to the site of the wedding would be much more difficult to animate with a tiny fish, but what even was the point of Scuttle’s animal ambush to stop Vanessa/Ursula when Ariel decided to just get into a cat fight with her to rip off her seashell necklace and break it to get her voice back herself after Scuttle told them what was going on, anyway?

They also made it so that Ariel is the first one to notice the shark about to attack her and Flounder in the 2023 film in the opening scene when they’re exploring the sunken ship for human things at her insistence, which, is again, turning her into more of a Mary Sue. In the Disney animated 1989 film, Ariel does save Flounder’s life from the shark when he accidentally knocks himself out swimming away, but she’s not the first one to notice the shark behind them on the sunken ship. Flounder, her anxious companion, is the one to first notice the shark behind them posed for sneak attack when they are exploring the sunken ship at her insistence, and that’s when they quickly swim away. She was too caught up in collecting and examining human artifacts, knick knacks, and silverware to immediately notice that she an Flounder were about to be attacked by a shark.

It also is a moment that gives us insight into Ariel’s greatest character flaws in the 1989 animated film in her opening scene with Flounder when she isn’t the first one to notice the shark because she’s too distracted by her obsession with the world above to be considerate. Ariel’s essentially a good person at heart, who is brave and loyal enough to those she loves to always be there to bravely rescue them when she notices that they need her. However, she also is obsessive about her personal desires, dreams, and interests in exploring the world above to the point of distractibility, impulsivity, naïveté, and selfishness.

It’s just annoying to me. Ariel wasn’t a perpetually helpless and weak damsel-in-distress, who only wanted a man, and constantly needed to be spoon-fed in the 1989 animated film either, but she was still allowed to be rescued, be vulnerable, and have character flaws, too. She was an independent heroine with her own agency, personal interests, and hobbies. However, she also wasn’t this impossibly perfect female role model who never needed to be rescued and supported by others in moments of vulnerability either. Regardless of our strengths, just like real men need to be rescued by other people at times in moments of t vulnerability, there are times when those of us who are women need to be rescued by others in those moments too. Just because we were given equal rights as men, it doesn’t mean we need to be independent and strong all the time around them to be of value. It is just as problematic to portray women with no vulnerabilities as it is to portray men with no vulnerabilities in fiction.

Believe it or not, but presenting yourself as *completely* emotionally/physically invulnerable and self-reliant *all the time* in relationships with other people is just as much of a turn off as being exceedingly clingy, codependent, desperate, and helpless *all the time.* The point is to be able to have a healthy balance between independence and vulnerability in relationships with other people to be able to develop and maintain long-term and meaningful ones. You don’t want to be too clingy, desperate, and dependent on others to be rescued and supported by others *all the time,* if you can help it, because then you’ll never be able to grow and often push them away by suffocating them. However, you also won’t be able to develop and maintain deep and meaningful relationships with others, if you never can be vulnerable around them and rely on them for support in your times of need from time to time either.

That’s a major problem with how “strong “female characters keep getting portrayed in modern day media. Yes, having female characters with greater motivations than just romantic love for a man is important, but Ariel already did have previously established motivations to become human in secret from her family in the 1989 Disney animated film, anyway. She also had plenty of moments where she wasn’t just a damsel-in-distress for Eric, Flounder, Triton, Sebastian, and everyone else to rescue. Generally speaking, Eric was actually the dude-in-distress in their relationship who needed to be saved by Ariel in the 1989 animated film. He had one moment where he returned the favor to Ariel when she needed him to rescue her in the Disney animated movie, and it’s a critical moment of character development and storytelling in the movie that gives Triton the ability to finally understand that he can let his daughter go to live on the surface as a human with the right one by her side to protect her because Eric proved her right that not all human beings are barbarians.

It’s also just irritating to me how young women in modern day media keep getting portrayed as being so perfectly strong and self-reliant all the time, no matter the circumstances. We’re not allowed to be portrayed as being real people with meaningful friendships and relationships in which we can expect aid, consolation, and support from them in situations where we are vulnerable in return for having their back when they experience those moments of vulnerability by our side and need us, especially not those of us who are young women.

I just find that really frustrating with female characters in modern day media, like Ariel in this TLM live action remake, Mulan in the 2020 live action remake, Belle in the 2017 live action BATB remake, Bo Peep in Toy Story 4, Rey from the new Star Wars movies, Daenerys throughout much of GOT after S1, and so on. Just stop trying to portray female characters as impossibly strong female archetypes all the time, and focus on making them human instead. Those were some of the great things about fictional female characters like Ariel, Anna, Elsa, and Mulan. They were allowed to be both strong and vulnerable at different points around other people in relationships. They struggled to achieve some goals without help, but also had moments where they independently achieved their goals and saved others. They weren’t just these impossibly strong archetypes who never needed help.

Like, why do Eric, Sebastian, Flounder, and Scuttle even have to exist in this live action remake of TLM anymore, if Ariel is able to magically be so perfectly independent, intelligent, and resourceful all the time that she never needs them to support her in return? Just for the sake of appealing to nostalgia and creating comic relief.

@

And another thing.

The original The Little Mermaid is about understanding. One of the main plot devices is that the witch takes what from Ariel, ladies and gentlemen?

Her voice.

Ariel did not leave the sea “for a boy.”

Ariel left the sea to be understood. Because for the whole first part of the movie, we’re shown hints of what her life is already like, and how she’s tried to be understood but nobody’s listening or communicating.

She’s introduced by describing a ship as amazing and wonderful, while her fish friend clearly does not understand and wants to get out of there.

Even her best friend doesn’t share her love for another world.

Her first interaction with her father, count how many times he’s speaking over her.

He has this prejudice against humans, and because she’s disobeyed him, he won’t listen to any of her evidence that they may not all be bad.

Even when she has a voice and a cavern full of proof that humans aren’t all barbarians, her father won’t listen to her, so he can’t understand.

And the truth is, she doesn’t have that much proof. She knows that humans are clever and make “wonderful things,” and that’s what she bases her belief in them on. But those beautiful objects, and her pretty ideals, are not enough to make her abandon her family and culture and world.

When she sings and talks about why she wants to be Part of That World, it’s because she wants to understand it. And, subconsciously, Ariel also hopes to be understood up there. Where they make cool devices, and maybe daughters can stand instead of being reprimanded. There’s this hope for freedom and being known associated with the surface.

But it’s not until she meets Eric that those ideals are really, actually, proven true.

Ariel sees Eric out on the sea exploring instead of staying in a palace on his birthday. He gets a gift from the closest person to him, and it’s clear that even the closest person to him doesn’t understand his tastes—he doesn’t want an over-dramatic statue of himself. He sticks to his ideals in an argument that somewhere out there, is the right girl for him. But he doesn’t have to leave the argument in frustrated tears. In the end, he risks his life to not only watch out for his friend, but nearly dies going back to a burning ship to save his dog.

Eric personifies everything Ariel has always idealized about the Human World—AND he might understand her.

In her one observation of him, she finds out that he, a human, is:

A Prince, but nobody can tell him what to do.

More interested in activity and exploration than palace ceremony.

Unable to relate to his closest companions.

Handsome—beautiful, not a savage.

Criticized for “silly, romantic notions” but sticks to the idea of something wonderful out there in the great beyond.

Brave, self-sacrificial, and compassionate to animals.

Eric is, all at once, everything Ariel always hoped a human could be, and yet still so like herself. They have twin souls.

She’d rather be exploring human ships, he’d rather be out exploring the sea. She believes the surface world is good and beautiful, he believes in the girl of his dreams, no matter what anyone says. She has nobody who gets excited about new adventures, and he has nobody who gets excited about new adventures.

When she sees him, she falls in love not just with his upstanding character, or even the human world he represents—she falls in love with the hope that he might understand her in away nobody under the sea does.

Then the ironic thing is, she’s got to make him understand who she is and what she should mean to him without a voice. And unfortunately, that’s really hard because he is suddenly associating his dream girl with a voice and a magical rescue.

As close as they may get when she finally does meet him face to face and gets herself human legs, Ariel and Eric can’t be together until he knows who she is, for real. After all, how can love be true without understanding?

And we’re not DONE with understanding. Because even after he learns what and who she is and still commits to her and saves her and loves her, Ariel’s back to having a tail. She’s back to being in a world where he can’t be.

Except now, Triton is the one who understands. He finally sees what they’ll do for each other—and that Eric, ”savage, spineless, harpooning fish eater with no regard” saved his daughter. He sees that they love each other and are each worthy of the other’s love.

It’s not until Triton understands what Ariel has known and felt all along that he gives her human legs the right way.

That’s the point of Disney’s The Little Mermaid. “True love is found in understanding and sacrificing for one another.”

Triton had the sacrificing idea down, but he didn’t have understanding. Eric had understanding, but he didn’t have the chance to sacrifice for it.

Ariel has both. She understands that Eric’s world is not only barbaric, but beautiful, and she’s willing to sacrifice her tail to be understood in that world.

That is what this movie is all about. And because they’re probably willing to sacrifice critical scenes, like the Prince saving the day (which is important because it provides Triton with a new understanding of humans) or the girl leaving the ocean to be with the boy (which is important because what she really wants is to be understood) the creators of the Live Action Little Mermaid are going to miss the point and ruin the movie.