#he is my everything <3< /div> Explore tagged Tumblr posts

[always-andromeda]

meda!! unhinged bingo!! johnny wilcox!!

send a character for an unhinged bingo ask!

[wolfythewitch]

Jon sketch but it’s one of those aus where he becomes a professor post eyepocalypse

[wulfhalls]

corrupted godhood. reluctant false messiah. prophecy as a creeping all consuming malady. does the oracle see the future or make the future? the horror of trapping yourself inescapably on purpose. the chains of destiny dragging you towards the path you are fighting tooth and nail to free yourself from. there never having been a chance to begin with. no other choice to make. but making that choice regardless.

[munsons-mutiny]

One of my favorite trope for Steddie is Steve hunting down Eddie when the kids join Hellfire and giving him a long list of dos and donts.

At first Eddie thinks he’s just being a prick, and worried he’s going to turn the nerds into freaks like him. Especially when he says not to mention drugs in front of Dustin.

But then he starts pulling out lists of monsters that can’t be in campaigns. And like what??? Why can’t he use demagorgons? They were gonna be in the next combat! He’s tempted to ignore the warnings, in fact he’s all set to, but something about Steve’s face when he was laying it all out haunts him. Something so deadly serious about it. So first he decides to test the waters to see if he’s full of shit.

When the session starts, he makes a throwaway comment, “you’re acting like there’s a mindflayer around the corner.”

All the kids freeze but Wheeler especially looks like he’s going to be sick. He even grabs at the bracelet around his wrist. The one he always said his best friend made him before he moved.

Eddie curses himself for even trying to test it out after that, and immediately bullshits the whole session so he can scrap any hint of demogorgans from the campaign.

After that session he drives straight to Harringtons house and demands they go over all the things he can’t include again, in detail, while he takes notes.

He doesn’t know what’s going on with these freshmen, but he knows trauma when he sees it and well he’d gotten attached to the gremlins.

When he leaves that night, he thinks Steve is looking at him with approval. Like he trusts him with their well-being now.

[hinamie]

i'm exactly as normal about him as I thought I'd be

[anbaisai]

he's so mean

[baeshijima]

mr reca fic where he’s suffering a creative slump due to the lack of good scripts (by his standards) from various screenwriters. he feels himself going positively insane with every script he’s given.

it’s too dull. it’s too predictable. this one has no creative flair whatsoever!! that one just doesn’t spark enough imagination!!!

it’s troublesome, really. some think he’s really going through it, while others believe the scripts he’s been given won’t bring him enough money. but really, who cares about monetary value when it is he who cannot even begin to picture himself enjoying the process that comes with each script?

and so that is how he finds himself wandering around aimlessly. sometimes the outdoors is necessary for the mind, and who knows? perhaps he really will find something that will give him a spark. hmm, those trees are looking a little dull. the sky overhead is too cloudy. hm? did he just hear thunder—

something collides into his chest, a choked “oof!” following soon after. he stumbles backwards a little, papers flying through the air around him. he blinks once, twice, at the sight of you on the ground, muttering something under your breath before a sharp gasp escapes you, hastily scrambling to gather the papers fluttering and strewn around.

one such paper falls into his hands. he glances over its contents, skimming through it as he goes to pass it over to you with an apology at the tip of his tongue, only to freeze.

this… this is genius! this is absolutely the pinnacle of writing!! while a little rough around the edges (as drafts usually tend to be), his once clouded mind is now clear, giving way to a blank canvas which slowly depicts the imagery your writing induces. idea after idea pours into his brain as he can visualise exactly what he wants, his body trembling and heart pounding as he insantly fixates on your panicked form still collecting all the fallen papers.

“yes… yes! this is what i was looking for! everything about this is pure artistry! the possibilities are endless, the sky is the limit!!”

this is possibly the happiest and freest he has felt in what seems like eons! seriously, compared to those other mind-numbing scripts this truly is the pinnacle of writing itself.

a laugh full of pure, unadulterated glee escapes him, careful not to crinkle the god-sent paper cradled in his palms. “you! you’re a genius!”

“i’m a wha…?”

he whirls in the direction of the source of the voice, further praises and a proposal for a collaboration on the tip of his tongue, only for his breath to catch in his throat.

you… you’re so radiant! even with that disheveled appearance and absolutely adorable confused expression you’re giving him, he never realised such beauty existed! not only does your writing fill him with endless creativity, but his pounding heart, parched throat and warming skin tells him you’re definitely the main character!

but wait! if you were to be the main character, then would that make him the main character’s love interest? surely he wouldn’t have had such a cliché meet-cute like bumping into each other if he wasn’t the love interest! but what if there is a second love interest? no, no, he can oust them…

you, on the other hand, believe you’re about to get whiplash instead of the man, baffled at how he instantly switched from a maniac to stark silence to muttering senselessly with a dreamy expression.

well, each to their own. you have more pressing matters, and that’s to quickly return home and continue fantasising before you forget the idea! but first, you have to get the last piece of paper back…

“um… sir? can i have my paper back, please?”

in an instant, he kneels in front of you. now that you’re at eye level, he certainly is very handsome. if you didn’t know any better, you would have thought this was some movie or drama plot with him as the main lead! oh, but why is he holding your hands—

“yes, i will spend the rest of my life with you.”

“…what?”

tldr; you’re just a silly writer who daydreams far too much for their own good, and somehow managed to bag top-tier director mr reca with the power of said daydreams. (his ever-growing obsession with you is concerning to say the least but, hey! what genius isn’t at least a little insane?)

[turtletoria]

the krampus incident from the book of bill if it was out of character and stupid

[suuho]

I don't want to be alone, that's all in the past. This world's waited long enough, I've come home at last.

GAVIN CREEL (April 18, 1976 – September 30, 2024)

[bumblingbabooshka]

People honestly portray Tuvok as far too "rolling his eyes, reluctantly going along with Janeway's silly little shenanigans" - he's literally so serious about being right there with her on every decision she makes. Janeway's like "I'm going to stay behind if the ship blows up" and Tuvok's like "I'm staying with you." Janeway's like "I'm going to deliver every member of the Equinox crew into the jaws of death via an alien revenge massacre" and Tuvok protests a grand total of one time before being fully on the bridge assisting her. He was the only one with her when she made the decision to honor the caretaker's wishes and save the Ocampa, dooming them all. He was willing to get court marshalled in order to fulfill a wish she couldn't grant by her own hand: Get them home [no matter what happens to me] <- wherein 'me' is Tuvok. This was the same wish that spurred him forward when he had to leave her on that planet and everyone left thought him cold for trying to fulfill it without her when in his mind it was akin to a dying wish, the last thing she'd ever express to him: Get them home [no matter what happens to me.] <- wherein 'me' is Janeway. He told Seven that the golden rule to follow is that the captain is "ALWAYS RIGHT" <- (His ACTUAL words) and when Seven asks if the captain should be followed even if someone KNOWS she's wrong he says "Perhaps." This man is perhaps the most ride or die dude in the universe about Janeway. Despite her labeling him her 'moral compass' he is by NO means impartial or unbiased. He'd defend her to his last breath. He canonically makes detailed psychological observations about her and has for years. He accounts for her luck when calculating the success of certain plans. It's implied in 'Twisted' that Janeway typically listens to Tuvok's suggestions and follows them nearly without fail - to the point that he's surprised and obviously irritated when Chakotay doesn't. Despite this they've been inside one another's quarters so infrequently that Tuvok can remember each instance. They call each other "Captain" and "Mr. Tuvok" even though they've known each other for twenty years. There's something wrong with them.

[egophiliac]

i love your riddle design so much, he's so pointy and british. so gracious. do you think he would enjoy a brazilian goiabada

thank you! ❤️🖤❤️ it's just. important to me on a level I can't explain that Riddle have an extremely pointy nose that he can stick into everyone else's business.

also goiabada is sweet and fruity and red, I think he would like it very much indeed!

not me stealth-editing because I forgot his antenna whoops

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[suwisuwii]

Royalty

[suntails]

toot toot!

[kabukiaku]

some comfy omegas to sooth my soul. 🖤𝛀

[ontosgold]

A scarf long enough for two ✨