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thalthanmadanus · 3 days ago

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Draco is THE antagonist of the story and I'm lowkey sick of people diminishing his character's importance in the story and to Harry's character development. so I'm writing an essay about how Draco as a character is fucking important especially his antagonistic arc

💅

1. The crumbs:

First of all, and this doesn't get mentioned often, Draco is the first magical kid Harry meets his age.

Not only that, he is our first glimpse at two major upcoming conflicts in the series: Blood Supremacy, and Hogwarts houses.

Draco plays the important role of the narrative foil to Harry. (even wikipedia references them in the "foil" page)

Draco's main function as a character is to showcase Harry's best traits, through being his most worst. Unlike, Snape and Voldemort, Draco is more concerned with creating internal conflicts for Harry than external ones.

He is the character that says mudblood the most, with the frequency decreasing every book. He is the character that plays with/teases/bullies the psychological vulnerabilities of the trio (specifically Ron and Harry). He is one of the few characters that give rational criticism (against Hagrid, calling out the trio dynamic..) that, taken outside the keyframe imposed by the author, can showcase the flaws in Harry's views and his bias. He is also the only character that shows moral self-reflection that isn't motivated by either a reward or "love", which not only serves as character development for Draco but for Harry too who grows to sympathize with Draco, a small breakup from his fixed binary morality.

Draco is also a very active character. His actions and choices affect the plot. The majority of the first book literally happens because of his dumbass. In the second book, he is our first introduction to the word mudblood, he's also the main suspect to the two main mysteries. If Draco wasn't such a bitchass, would buckbeak gave been in said place for Harry to use him to save Sirius?

He is important narratively but what interests me is his importance to Harry's arc.

What separates Draco from other antagonists is that he creates internal conflicts that stem from his personal conflicts with Harry, because of Harry as a person. Not because Harry's the chosen one standing in his way, not because Harry's lily or James's son. Because Harry's Harry. and this exchange is mutual.

Their personal dynamic is set up in their first meeting. Harry, upon hearing two sentences from Draco, reacts negatively because of deeply personal issues (Dudley). I don't think Harry reacts personally to any other characters the way he did with Draco? Considering that Draco wasn't even hostile in his first sentences.

While Draco targets both Harry and Ron, there's a clear difference in how Draco bullies them both but also how Harry and Ron perceive Draco.

Draco is crueler on Ron. And his bullying doesn't feel personal, just apathetic, humiliating and mean. It feels like Draco is more cruel on Ron because Harry chose Ron over him and it shows by Draco coming back every now and then searching for Harry's compartment, trying to egg him, to look for a way that will make Harry regret rejecting Draco.

About Harry & Ron perception about Draco, it's showcased in the second book by the two main major events Draco was suspected in

1. Opening CoS. It was Ron who suspected Draco for this, not Harry. Ron suspects Draco for an action that affects everyone in the school.

2. Sending Dobby. Harry suspects that it was Draco that sent Dobby to prevent Harry from coming to school. Harry suspects Draco of an action that targets him specifically, and his reason of suspect? "because Malfoy hates me". It's personal.

Another instance of Harry making every issue personal with Draco: In the fifth book, after the sorting hat's song about houses unity

'And it wants all the houses to be friends?' said Harry, looking over at the Slytherin table,where Draco Malfoy was holding court. 'Fat chance. '

I'm also pretty sure the reason why Harry chooses not to be in Slytherin was 50% because Draco got sorted into Slytherin. the other 50% being Hagrid telling him that Slythering are eviiil. Btw a conversation that wouldn't have happened if Draco hadn't brought up houses in their first meeting.

Like I said, most of the plot in the first book goes back to Draco.

My main point is that the relationship between Harry and Draco as characters is beyond goals, motives, obstacles, moral causes bla bal bla, and is on the spectrum of "I took that personally".

2. the main plate:

Draco transitioned in the sixth book from an antagonist to a "side character" with a life. His role as character no longer functioned by his connection to Harry.

and this is where a flip of dynamic happened, where Harry became the antagonist to Draco's arc.

He's the one following him. He's the one egging him on (in the first 5 books,it was always Draco starting conversations with Harry, but in the sixth book, it's mostly Harry who started conversations with Draco) He's the one hurting him (Sectumsempra) (even on accident). He's the one trying to create obstacles to Draco's goal.

and why is that? why was Harry so obsessed with Draco?

If it were because of a moral righteousness, then why not focusing on Snape who's probably more suspicious? like who cares about Draco.. yeah he's sus but Dumbledore says it's not important..

This line of thought is more Ron and Hermione because they don't share the kind of deep personal issues towards Draco like Harry does.

so why is harry so obsessed?

"Harry, knowing and loathing Malfoy, was sure the reason could not be innocent."

This line in the sixth book explains it. Harry knows and loathes Draco with more emphasis on *knowing*.

Harry admits that he knows Malfoy, of course the fruit of labor of staring at Draco for five years, but why does he even stare in the first place? Because Harry is curious about Draco.

In comparison with Snape and Voldemort, our other antagonists, Harry doesn't show the same enthusiastic curiosity for them. At least not the same way he does with Draco. Most of what we know about Snape and Voldemort are shown through external ways. Either their memories of memories of other people about them. Their character arcs happen outside Harry's vision, either in the past or in a memory. It's not Harry who seeks those information. They come to him.

Draco, on the hand, most if not all of his character development happens in front of Harry. From his bullshit in the five years to him crying in the bathroom, him lowering his wand, him lying in the Manor. even the visions that Harry sees through Voldemort about Draco torturing Rowle, are happening in the present. Draco's character development is laid bare in front of Harry.

but back to his obsession in the sixth book, it's because Harry knows Draco so well that not only he's right about him being a DE, but "Malfoy being up to something" is not something new to Harry, it's actually a normal thing that kept happening for 5 years of his life. Malfoy was always up to smtg. It's this idea of a normality that fuels like a new purpose in life for Harry after being wrecked by Sirius' death. Not only the mystery tingles his detective neurons, he knows he's right about Draco which only fuels his persistence. Draco being a person he hates also downplays the guilt/shame Harry could feel while stalking him. like I'm sorry but Harry was shameless and embarassing the whole year. The way Hermione and Ron looked at him sometimes so funny, also Hermione distancing herself from Harry when he talked to McG about Draco like "idk this person". Harry was kinda giving pre-HBP Draco vibes lowkey.

This shows that Harry himself is motivated by personal feelings (though negative) as an antagonist to Draco's arc himself.

And the important point here is the flip of dynamics. Draco is not just a mere side character in Harry's life. If anything, the moment he tries to become a side character with his is own arc, Harry is forcing himself in it. Because they're both foils to each other. It doesn't work on just one side.

The dessert:

The dynamic completely evolves again with the end of HBP as Draco gains a moral sense and Harry watching Draco's character development unfolding gains a more nuanced view than his old black/white one.

In DH, Draco and Harry are not antagonists anymore to each other. Draco and Harry are kind of heroes to each other?? as they both try to save each other like two times.

A lot of people downplay Draco's lie in the Manor, comparing it to Dudley's "You're not a waste of space" as "character development" moment.

bruh.

Dudley said that after Harry saved him. Draco literally was the one who took the initiative to lie, expecting no reward, literally had more to lose by lying, he was literally acting against his own interests, his family's life was in danger!!! Harry saved Draco after Draco saved him.

also Draco's character development started with him lowering his wand.

but back to being each other heroes. Our other comparison is Ron who is in both situations where Harry saves Draco but he's the one reacting negatively and complainig about them saving Draco, not Harry. Which is funny because Ron says "we saved you" but in both cases it's Harry who's doing the saving and Ron is just there witnessing, and again I don't think he still realizes what was happening since the sixth year. He thinks his hostile feelings towards Draco are the same ones Harry has. That they're similar. Ron.. Harry literally almost risked your life to save Draco.

It also speaks of character development from Harry that he's not reacting negatively anymore towards Draco. He grew out of it. Like Draco also was starting to grow out of his toxic ideologies.

They're both growing up simultaneously.

And Draco was The first wizard kid Harry talked to (with no precognition or insidious motive)

Draco was the first character who he flew with

Draco was the first character who he dueled with

and so in DH,

Draco was the first character who tried to help Harry with no selfish motive

Draco was the first character that flew with Harry on the same broom (at least I think so?)

Draco was the first and only character whose wand Harry dueled with against Voldemort and won.

I wish I could write more. About Sectumsempra. About wand connection. but I'm tired.

#Draco doesn't need a redemption arc #and Harry is more interesting than people think he is #I wanted to say more but I lost my line of thought #my whole point is Drarry is a coming of age relationship lmao #no really #jokes aside this is for the fics #that try to rewrite Draco a friend to Harry #but then end up making a new antagonist for Harry like either Theo or Pansy #um no fuck u #like why???#Draco cannot be replaced narrative wise #the story exists because of who he is as a character #you cannot just replace him with just nobody #also it wouldn't be with the same “I took that personally” like Drarry have #like it takes a Draco for Harry to forget his morality and start taking it personally #like im just saying though #drarry #draco malfoy #harry potter

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opbackgrounds · 2 days ago

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The Romanticism of One Piece III: Emotionality and the Absurd

AO3 Part I Part II Part IV

“Do you think I am an automaton? — a machine without feelings?” —Charlotte Brontë

After opening with Roger’s death in chapter one, the perspective of the manga immediately switches to focus on our main protagonist, whose first action we see is of him stabbing himself in the face in order to look cool. The introductory panel of Luffy is one of childish, absurd determination. His mouth alone takes up over half his face. It looks a bit silly, and after patching him up, Shanks just…laughs.

The Romantics, on the whole, were not silly people, but they were bursting at the seams with emotion. If you read a Romantic novel expect the characters to spend a great deal of time soliloquizing about their feelings. If you look at a Romantic painting expect bold colors and dynamism composition. If you listen to a Romantic musician expect songs that are passionate and full of energy, unrestrained from traditional forms. In a word, these people were extra. Specifically, the Romantics embraced the full spectrum of human emotion, from the depths of despair in a work like the Sorrows of Young Werther to the heights depicted within the essays of the American transcendentalism movement.

This heightened emotionalism of the Romantics always trumped over what was realistic or scientific. For example, look at a work like Jane Eyre. While melodramatic, it’s a work that ostensibly takes place in the real world. Yet the most emotionally-charged moments introduce supernatural elements, including reuniting the main couple at the end when Jane randomly hears Mr. Rochester speak her name on the wind from halfway across the country.

And by random, I truly do mean random. It’s difficult to put into words how out of left field this is for the reader. There are only a few pages left in the book, and by this time the main couple has spent more time apart than together and had no reason to believe they’d ever be reunited. But their love becomes a literal supernatural force strong enough for Jane to rush after him without hesitation, and they live happily ever after.

(Please, I beg of you to watch the last 10 minutes of this movie. It was one of the most unintentionally hilarious experiences of my life).

It’s an extreme and slightly goofy example, but what is One Piece if not extreme and slightly goofy? It’s a story that, at its most fundamental level, makes you feel. We all know the pain of crying over a boat, and what makes the death of the Merry, along with any other number of things that should be stupid but aren’t, is Oda’s commitment to sincerity. Emotional truth trumps logic, always. It’s why we celebrate characters like Bellmere who can’t not call herself a mother, even if it costs her her life. The bond of found family is more powerful than the logical choice of denouncing Nami and Nojiko. Oda had other characters try to inject logic into Bellmere’s decision after the fact, but there’s no evidence from Bellemere herself that she was behaving logically, and we love her for it.

The artstyle itself emphasizes emotional truth over realism. Oda is more than capable of drawing in a more realistic or traditionally “cool” style if he wanted to, but it would be to the detriment of the story he’s trying to tell. Every smile takes up half a character’s face. People who are crying are portrayed as sniveling wrecks. Their fury becomes palpable, their hopelessness gut-wrenching, their joy contagious. Oda chose very early on not to give Luffy thought bubbles, and in the absence of knowing what he’s thinking, it was absolutely imperative that the audience knew what he’s feeling. The few times his expression becomes ambiguous immediately stand out and lend a scene a sense of weight that borders on unease.

This expressiveness doesn’t stop with the character designs. Oda will tweak perspective to make important people or places seem even larger than they really are. Buildings will follow Loony Toons logic if a gag calls for it. Locations and ships, particularly once the crew reaches the Grand Line, become absurd and impossible.

(Remember, Hancock and Mihawk are both only a little over six foot tall)

But for One Piece, it’s in this absurdity that the impossible becomes possible, through sheer force of will. Luffy is on every level ridiculous, but it’s because he’s ridiculous that he choses at every turn to keep fighting against forces that by all rights should be impossible to defeat. Many of Luffy’s most despicable enemies are the ones who in some way or another have taken away other people’s ability to feel as they wish. Arlong took away Nami’s happiness and made her cry. Crocodile stole Vivi’s ability to smile. The zombies of Thriller Bark are reduced to mindless slaves while the toys under Doflamingo’s rule are physically unable to emote. And perhaps most powerfully of all, the people of Wano and the slaves of the Celestial Dragons are both forced to smile despite their horrific circumstances, a bastardization of the joy Luffy brings no matter where he goes.

In his prelude to the Lyrical Ballads, William Wordsworth wrote that, “All good poetry is the overflow of powerful emotion”. He linked emotion to motion, or action, with the catalist between the two being the creative power of imagination. While many of Luffy’s fights are ultimately won because he’s able to punch another person real good, the seemingly limited ability of the gum-gum fruit forces him to come up with increasingly-creative ways in which one can stretch, until he’s able to stretch the fabric of reality itself to bend to his whims. It is said, in all the world, that there is no power more ridiculous.

At the end of chapter 218 a galleon falls from the sky, and Oda quotes fictional physicist Willy Karen as stating, “Anything man can imagine is a possibility in reality.” It is through the power of imagination and absurdity that Luffy fights against the forces of oppression. There is nothing more dangerous to an institution than losing its credibility, and nothing so dangerous to one’s credibility than the power of mockery. If one can face the darkest, most difficult times and still laugh then, well, they become a little less dark and difficult. By laughing, and helping others to do the same, it becomes easier to make it through another day. It’s important, I think, that Oda has emphasized the act of laughing so much, drawing attention to it by virtue of giving out unique laughs all throughout the series.

One Piece has the reputation of being the silly pirate manga. This isn’t untrue, but it does a disservice to the breadth of feeling the series inspires. As I said, we’ve all cried over a boat. Slavery, oppression, and every sort of hardship exist within the One Piece world just as much as it does our own.

Oda’s answer is to combat these things with the silly and the absurd, by being creative and imaginative while pursuing one’s passions with one’s whole heart, no matter where those passions may lead. He tells the reader you have the right to feel as you wish and pursue joy wherever you may. And when you run up against resistance, you fight like hell for what you believe in.

And as it turns out, that’s a Romantic virtue, too.

#opbackgrounds #one piece #the romanticism of one piece #romanticism

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pells-beautiful-wife · 3 days ago

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Period head canons 🩸🤕

law, pell, penguin, sanji, doflamingo, robin, zoro

How one piece characters treat you on your period

If you want other characters I am happy to write for a bunch more I'm just doing my favourites rn <3

AN, I'm on my period rn and oh lord I am not having a good time 😢 really need some head canons rn

(happy new year)

Trafalgar Law

Sfw

~ knows your cycle off by heart

~ prepares for everything, the mood swings, if you get cramps, extra pads/tampons/menstrual cups in every bathroom, if you can name it he's got it

~ would still expect you to do some work unless your cramps are bad, although even if they aren't it would be less work then usual

~ has every pain relief method under the sun and some that aren't, he's got special teas, heat pads, ice packs, pain medication, a list of exercises, everything

nsfw

~ would still have sex during your period but only as pain relief

~ it's also not spontaneous, it's usually in the shower because he does not want to clean cum and blood off the floor/bed

~ does not go down on you even if he kinda wants to just a little, he will definitely finger you tho and let's you suck him off but won't fuck you on his dick, he doesn't wanna hurt you (unless you like it, if you do he's got you pressed against the glass wall of the shower pounding you so hard you feel like your gonna split open)

~ might ask you for something in return every now and then but avoids asking when your on your period

Pell the falcon

sfw

~ cuddles you a lot and definitely gives you massages

~ takes time off work to look after you if your having a really shitty day and definitely doesn't expect you to do any work

~ makes you tea and always refills hot water bottles, will also have ice packs in the freezer though, and definitely takes you out on a date at some point, unless you don't feel like it, in that case he gets dressed up nice and cooks you your favourite meal

~ expect princess treatment and you will not be disappointed

Nsfw

~ absolutely would not ask for it, this man rarely does, but he definitely quadruple checks with you if you ask him for it

~ goes slower than usual, definitely checking if your okay regularly

~ nothing kinky or outrages, keeps it simple and cleans up afterwards, he doesn't mind if you make a mess he just makes sure your not bloodying anything expensive

~ wouldn't go down on you but would finger you and would make love with you (he's gentle and sweet this ain't sex it's worship) he wouldn't let you give him head though

Penguin

sfw

~ very sweet

~ he doesn't have much period knowledge but if you ask him for something he does everything he can to get it for you

~ definitely showers you with kisses and affection and probably gets made fun of by Shachi

~ he's the kinda of guy to fall for the internet prank where you ask him for something completely made up and he believes you and tries very hard to find it only to be told it doesn't exist

Nsfw

~ he's okay with whatever your okay with although won't go down on you that's his main thing he won't do, he also refuses to hurt you even if you like it

~ would ask for it but only if he was pretty horny if not he's fine with taking care of himself

~ loves it when you give him head, in fact he might prefer it to almost anything else (other then you sitting on his face but that's for a different set of head canons)

Black leg Sanji

sfw

~ princess treatment

~ won't let you lift a finger

~ he'll make anything you request, no matter the hour or the difficulty

~ knows a lot about periods but not everything and is a little clueless when it comes to flow but knows a lot of foods to make you feel better

nsfw

~ anything to please you, literally anything

~ very wary about sex though, he doesn't want to hurt you, he probably does it anyway and doesn't regret it

~ although he is super not sure if you ask him to eat you out, he will and although it's not his favourite thing he'll do it if you ask

~ he also won't ask for this but please suck him off he craves it

Donquixote doflamingo

sfw

~ acts like he doesn't give a shit

~ convinces himself he doesn't give a shit

~ but if you mention you need anything he will at first tell you womp womp but a servant will appear at you door with exactly what you need as soon as he leaves

~ will deny he does this but he is a lot sweeter to you and gives you small gifts

Nsfw

~ oh you though he wasn't gonna fuck you cause your on your period yeah sorry honey no

~ acts like there isn't blood pouring out of you onto the sheets...

until he sees it embarrasses you then he will absolutely tease you about it, just completely degrade you

~ fucks you like usual rough and doesn't stop till your sobbing

~ we all know this man doesn't believe in aftercare but on your period he will stay for a little while longer maybe caress your hair for a second and instead of the rushed toothy sloppy kiss he usually gives you when he leaves he'll kiss you softly on the cheek and say "sleep well mi amor" but he'll say it so softly you'll question if you even heard it

Nico Robin

sfw

~ reads stories to you whilst you cuddle and she massages your abdomen

~ definitely makes you tea

~ brings you small gifts and trinkets she thought you'd like

~ do not hide emotions from her she can read you like a ponglyph and definitely lets you cry into her if your upset over nothing she doesn't judge

Nsfw

~ absolutely destroys you on her fingers

~ 50/50 on going down on you depends on her mood (we all now robin is a little freak let's be real)

~ does expect you to do her afterwards tho unless your really crampy

Roronoa Zoro

sfw

~ naps with you all the time but it doubles when your on your period

~ keeps you close at all times he is super protective and if you are the slightest bit in pain he is going straight to Nami and robin for help

~ he knows almost nothing about periods and it definitely bothers him, it makes him feel bad that he can't help you on your period so you can be sure after your first period when your together he will be researching afterwards

Nsfw

~ definitely eats you out, doesn't give a flying fuck that there is blood dripping out of you and down his face, in fact he likes it better that way, not that he'll tell you that

~ probably won't use his dick tho because he notices how overly sensitive you are down there and he is girthy,

~ he will be more gentle with you but he makes up for it once you stopped you period and fucks you harder than usual

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thefandomenchantress · 2 days ago

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General Thoughts About Eden's Garden

I have, at long last, finished chapter one of Eden's Garden. And I really liked it! While it wasn't perfect, I still really enjoyed playing it and am very glad I got to experience it. Since I wasn't around for the Another fangames, this is the first time I've been able to keep up with a project like this as it's coming out, and it's been really cool.

So, without further ado, let's get started! Project Eden's Garden spoilers below. :)

I'll start with my criticisms, since I don't have a lot of them. Honestly, my biggest complaint has to be the technical issues I faced while trying to play this game instead of watching it. But I'm not going to sit here and pretend making a game is easy by any means, so I don't really hold that against the game, even if it was frustrating.

Plus, I'm an idiot. I sat for like half an hour trying to figure out the Non-Stop debate controls and thinking my WASD thingy was malfunctioning and not letting me switch truth bullets, when there was only one truth bullet I was allowed to use at the time. I was just being stupid and not catching on when it only showed me one truth bullet in the corner, haha. The repeated crashing of my game, however, wasn't my fault. But I was able to get my hands on a work-in-progress low-spec version of the game that stopped most of the crashing and stuff! After that, most issues went away, except for after the trial ended and the after-trial dialog wouldn't pop up, leaving me on a black screen even after a restarted my computer and tried a few more times. But I'm not too unhappy about that, it's not like I was missing any riveting gameplay sections, haha. I could just watch the YouTube version of the execution and stuff.

Other than those technical difficulties on my end, there are only a few actual problems I had with the gameplay, haha. The first being that I am terrible at bullet hell-styled gameplay, apparently, and Argument Altercation kicked my ass in normal mode. I really wish there was a way to switch your difficulty on that, or maybe checkpoints, because after about thirty or more tries of not being able to get past stage three, I gave up and ended up just getting my hands on a save file from after the minigame. I may love videogames, but that does not mean I'm good at them, haha.

As for the actual writing, I don't have too many complaints...I suppose if I had to say something, though, it'd be that some of the characters felt like they didn't have enough to do this chapter. Ulysses is probably the main one I felt this applied to, even if I love him, he didn't give us too much this chapter, other than a lore drop during the pharmacy investigation (His limited screentime didn't stop me from growing attached to him, though haha). Other characters, despite getting a little more screentime, felt like they didn't really develop at all in the grand scheme of things. But I don't want to focus in on this too much, since it's only chapter one and most characters usually don't start having any big changes until a murder occurs. And the disproportional screentime may just be the writing style of Eden's Garden being that they focus on a certain group of characters each chapter, when they have the most relevance. Wenona, for example, feels like she's being set up to be a larger player down the line, even if she wasn't a super major character this chapter.

There was a lot more I liked about the chapter than disliked, though! All the characters really grew on me, for the most part. Well...Almost everyone. There is one character who I'm kinda meh on right now, since I'm not quite sure what they're going for yet. He's entertaining, I like him fine, but he's not quite on the same level as everyone else. And that character is:

Jett.

Honestly, I think the main reason I'm having trouble is just how he treats Toshiko.

Jett, why are you picking on a literal child??? What are you doing??? This wouldn't bother me if I knew an explanation for it that gives cool insight into his character, but as is I'm just kinda annoyed at him for it. Then again, I haven't bothered to experience any of his FTEs yet, so it's possible he gives some sort of explanation for his child-belittling ways there, haha.

The Mark and Jett thing was fine, I'm liking the set-up there. I think the only difference that makes me like the Jett and Mark stuff over the Jett and Toshiko stuff is that Damon actually calls Jett out for not respecting Mark's boundaries, meanwhile no one really reprimands him for belittling Toshiko because of her age. When he shares her blackmail, no one says "Hey, man, that wasn't very cool of you." They just shrug Toshiko's blackmail off and say no one should share anything else. Wolfgang even calls her blackmail a "joke". No wonder Toshiko is so desperate to be respected, everyone but Ingrid is so rude to her (I can forgive Grace, though, because the gremlin bit was the funniest thing in the prologue to me).

Of course, if they end up calling out his behavior towards her later, as well as everyone else's, I'll be happy and probably end up liking him more. His whole never taking off his helmet thing is pretty cool, I'm interested to see where that goes and to see any character development he has. And him and Cassidy's little friendship being established through gaming was fun.

...Writing all this out actually made me appreciate Jett a little more, since I don't think I would be able to say this much about some of the other characters...I mean if I felt something other than passive enjoyment maybe they’re doing something right…

Oh, right, there were other characters this chapter. Let's get onto them!

Damon was just as entertaining as last time, I'm excited to see what happens next with him. Him letting Diana defend herself made it seem like he was going to be more empathic to others and improve, but Eva betraying him might mean he starts trusting the others even less than before.

In daily life, Eva...Might've been my favorite. Don't get me wrong, Kai is still my favorite character overall, but I loved Eva in daily life so much. Her "Bweh..." and "Raaaage..." voicelines are some of my favorites in any fangan and I'm happy I experienced all her FTEs. I loved her in daily life, deadly life was...Still fine and good, the execution was super well-animated and cool. But her being the culprit did sort of undercut my enjoyment a little, since it sort of calls into question the truthfulness of certain aspects of her character that made me like her. Still really cool, though.

Kai was great. I'm going to make a post dedicated to him later, where I'm sure I'll ramble on and on for a while, so for now I'll keep it brief. He was just as funny as last time, surprisingly helpful in the class trial, his large amount of screentime was a pleasant surprise to me, I'm super excited to see if he'll be the new support, and his FTEs were really cool. I'm super hyped to ramble about everything concerning him later.

Ulysses, despite his limited screentime, managed to be pretty charming this time around. Him already telling backstory stuff to us makes me a little worried for if he'll die soon, but oh well. Him literally saying "um, actually" when he starts his objection was great. Toshiko calling him ugly in...the Prologue, I think(?), was blatantly incorrect because I really like his design. There's something about his color scheme that I enjoy, idk. Plus, owls are my favorite animal, so I was pretty much guaranteed to like his theming.

Diana being heavily suspected by the fanbase and then being suspected in-universe in the trial was cool, the whole "choose the culprit" minigame legitimately tricked me into thinking it was her for a hot minute...Until I remembered how much unused evidence we had, haha. Excited to see where she goes from here.

Wolfgang...Damn those sprites in the Diana flashback were cool. I should definitely check out his FTEs to get a little more context, but wow. While I'm not surprised he was the chapter one victim, I'm a little disappointed we'll never hear more from him.

Grace was great, her demeanor is kinda similar to another favorite character of mine, so I've become pretty endeared to her. I'm interested in seeing where the bunny symbolism goes, and how she'll react to Wolfgang being gone. She had no FTEs (her actually responding when I tried to enter her dorm (I was doing an experiment to see if I could enter anyone but Kai's and Damon's) jumpscared me haha), so I'm guessing she'll live a bit longer and receive some character development! Yay!

Wenona was fun, her attitude was as entertaining as ever. She's probably one of the characters I most want to go do the FTEs of, I'm interested to hear more about her.

Desmond and Eloise's friendship was fun, the scene where they try to get Grace to let them in Wolfgang's room was definitely the highlight of both their characters for me this chapter. Eloise standing up for herself during the confrontation and Desmond backing her up without hesitation was awesome. Can't wait to see their friendship expanded on (And Desmond being angsty during the closing argument was hilarious).

Toshiko and Jett already had most of my thoughts laid out above. Jett I've mostly finished describing, but I did like Ingrid and Toshiko's friendship this chapter. Toshiko's whole pretending-she's-totally-not-freaking-out-and-being-actively-traumatized thing was good, I liked how she was desperate to sound smart in the trials, it fits her character.

Mark was a little ruder than I thought he'd be going in, but I'm not complaining. While I don't think anything topped "Grace, call the fire brigade" this chapter, some things got pretty close, like his annoyed facial expression when you agree with him. Him not wanting to be acknowledged at all at the gaming tournament was interesting, I'm excited to see where they take his character.

Ingrid...Was fine. I'll be honest, I was a little disappointed at how my view of her failed to change at all this chapter. Even her blackmail was something we learned in the Prologue already. Still, I can appreciate her. Even if she didn't change much this chapter, I still like what she is right now. She's all-around pretty cool, and I like how she makes sure to defend Toshiko, unlike some characters I know. /j

(Her being called "reliable" made me immediately feel like she might not last long, though... :()

Jean is pretty interesting to me so far, Cassidy suggesting that he might just be posing as a 'pirate' was intriguing. Him saying there was an arcade on his ship made me think of a crack theory that he worked at a Chuckie Cheese type place, but instead of there being a strange mouse, you could hang around at his prop ship and take pictures with him and his "crewmates" (Co-workers or employees) in costume, with an arcade and snack bar nearby...His knowledge of machinery stuff is also cool. I should check out his FTEs.

Cassidy's whole gaming gimmick is cool, and I like her, but I think if I'm being honest, her fun design and awesome voice actor kinda carry her for me. I don't think she'd be one of my favorites to hear speak otherwise. Some of her voicelines are just hilarious by themselves, too, though ("I better zip up my fly, my genius is showing" was my favorite, like what the fuck that is so random and funny and she only uses it once). She's a character who I don't think I'd find nearly as funny if the vocal delivery wasn't as on point as it is, but seeing as it's totally awesome and on point I have nothing to complain about she’s really cool haha.

And those are all my general thoughts on each of the characters. Now onto a few individual moments I really liked!

I replayed the Prologue before playing through chapter 1, and something really cool I noticed was that when they're on the train, this happens after Cassidy says she smells something weird:

I thought it was really cool how they subtly foreshadowed his lack of a sense of smell like that! The devs really thought his character through from the beginning, I suppose.

But moving on to chapter 1, specifically the trial. One detail I really liked was this:

“Near the boiler room door, I discovered a thin piece of metal.”

“During the investigation, there was a strange smell permeating the boiler room. It took me a moment to notice, but when I did…”

Damon takes credit for both the scrap metal and the smell.

This happens very directly with the metal, where he says that he discovered it. While he does admit he didn't think the metal was important before, what he fails to do is give credit to Ulysses for pointing it out to him, since Damon didn't notice it until Ulysses did. And when Ulysses did notice it, Damon berated him for even writing it down. And yet now here he is, pretending that he took note of the piece of metal all by himself.

He also takes credit for finding the smell, albeit slightly less directly. But he still makes it sound like he noticed it by himself, when Jean was the one who had to directly point it out to him. And even then, Damon could only smell the generator at first, and Jean had to further explain what he meant. And Damon pretty much plagiarizes his description of the smell without crediting him, too. You’d think a debater would know how to cite their sources correctly, haha.

So long story short, Damon fails to mention that he got help investigating from both Ulysses and Jean. I find that interesting because even though Damon says he can only rely on himself right before this trial starts, he is actively ignoring that he is only able to steer the trial in the right direction at certain points because of the help he received from others. The game is both proving his point about him only relying on himself (+Eva this trial) wrong, while also letting the player further see his mindset. Pretty cool. (Though I’d honestly be kinda pissed if I was Ulysses haha).

I also really liked Eva this chapter. Legitimately the first chapter death I've been most sad about in any Fangan. Usually I see the fake-out support thing coming a mile away, since it's such a common thing in fangans, but they genuinely fooled me with Eva. I really got attached to her and I'm sad to see her go.

I still haven't really fully processed her character, but what I do know is that she's really cool and relatable and her voice actor is very talented. Her design is amazing. Her sense of humor is immaculate. Overall, amazing character I was devastated to see go.

One cool detail I noticed, in order to commemorate my love for her:

After avoiding Grace, which Damon theorizes was because she didn't want her talent mocked, she investigates the Dining Hall people. And yet, even though she mentions Jett and Mark being unhelpful, she says nothing about Kai.

This could be shrugged off by the fact Kai said something helpful about the footsteps when Damon approached, but since Kai says this info like he hasn't shared it with anyone else, I don't think that's the case. Instead, I think this confirms Damon's suspicion that she is avoiding those who mocked her real talent, since Kai is definitely a jerk about it to her face on at least two occasions. She legitimately just didn't speak with him. That really hits home just how uncomfortable Eva was with a lot of the people in the killing game.

(I'll talk more about this in the Kai post, but Eva not mentioning Kai when you enter the dining hall, and Desmond also not mentioning where he went before that, made me actually start worrying that we were gonna find a second body haha, that's why I noticed this).

Lastly, I'd just like to say:

Even Desmond and Eloise being like "dude no stfu" at Diana in this CG was hilarious and I love it.

#to anyone wondering where the poll is…that was actually for my Kai analysis post haha #I just didn’t want to say that and give the answer to the poll away #so I’ll explain there whenever that post comes out #project eden's garden #project: eden's garden #eden’s garden #p:eg #damon maitsu #toshiko kayura #ulysses wilhelm #eva tsunaka #I don’t think I talked about everyone else enough to tag #p:eg spoilers

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hollowed-theory-hall · 1 day ago

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Hermione's Appearance

I'm writing this becouse a lot of fans like to headcanon Hermione as dark-skinned, and even JKR has stated that in the books Hermione was never mentioned to be white outright (for CC), but, contrary to JKR and the popular notion, Hermione's skin tone was mentioned in the books, multiple times, and it's white.

(I don't really care if anyone headcanons her as not white, and you can draw/write whatever you want, but I do want to mention what the canon actually is since it seems many of the fandom (and JKR) have forgotten like with Harry's height and appearance).

First, I want to talk about the skin tone, and then the rest of her features since many insist her skin color was never mentioned (including JKR). But Hermione's face is described as white multiple times:

Hermione’s white face was sticking out from behind a tree.

(PoA, ch21)

“Saw it. Just now. When I fell asleep in the exam.” “But — but where? How?” said Hermione, whose face was white.

(OotP, Ch32)

Hermione gave an almost inaudible sniff. She had been exceptionally quiet all day. Having hurtled, white-faced, up to Harry outside the hospital wing and demanded to know what had happened

(HBP, Ch19)

And pale:

There were footsteps down the passageway and Hermione and Ginny came into the kitchen, both looking pale and drowsy.

(GoF, Ch6)

Hermione was wrapped in a borrowed dressing gown, pale and unsteady on her feet; Ron put an arm around her when she reached him.

(DH)

Hermione is pale enough to visibly tan over the summer:

They were there, both of them, sitting outside Florean Fortescue’s Ice Cream Parlor — Ron looking incredibly freckly Hermione very brown, both waving frantically at him.

(PoA, Ch4)

This line about Hermione looking brown is usually used as evidence for her skin being brown, but the context is that she returned from summer vacation in France. The context and why Harry mentions it is because Hermione is tanned. This is the only way it makes sense her skin is referred to as white in literally every other context and why her skin being darker is something Harry comments on in this way (when he usually doesn't. He doesn't call any dark-skinned character "very brown". This is because it's different from Hermione's norm. And yes, some white skin can tan to the point of appearing brown and not just get a sunburn).

And when she blushes her face turns pink, not something usually described with darker skin, since blushing would usually not appear pink:

Hermione threw her book aside. She was still pink in the face, but stood up and faced Ron defiantly.

(PoA, ch11)

“Of course, they want to be free!” said Hermione at once, though her face was turning pink.

(OotP, Ch13)

We all know she has bushy hair and large front teeth (at least until later in GoF):

Harry looked up and saw Hermione Granger standing at the top of the white flight of steps to Gringotts. She ran down to meet them, her bushy brown hair flying behind her.

(CoS, Ch4)

One, with very bushy brown hair and rather large front teeth, was Harry’s and Ron’s friend, Hermione Granger.

(GoF, Ch5)

Hermione's bushy brown hair is always said to be bushy, not curly (the term JKR uses whenever a character does have noticeably curly hair and never once used for Hermione's hair). It means her hair is thick and likely quite dry. This actually could exist with straight hair, but I think Hermione's hair is more voluminous. The book illustrations (left) and the old Pottermore art (center & right) of her give her hair some waviness, but it's not really curly:

I usually imagine her kinda like the main character from the beginning of the Princess Diaries movie:

(The image on the right is not from the movie, but a good irl example of wavy dry frizzy hair)

It has volume and is bushy, dry, and wavy rather than curly. It just seems more in line with her book descriptions and official illustrations. Basically, it's wavy, dry, thick, and frizzy, but not curly-curly.

(Bellatrix, notably, is also never mentioned to have curly hair. Her hair is described as long and thick, not curly, and it's likely her hair isn't curly either).

Hermione's eyes are brown:

Her spirits were greatly improved by the fact that all the hair had gone from her face and her eyes were turning slowly back to brown.

(CoS, Ch13)

Honestly, I mostly made this post for the hair and skin, since Harry mentions nothing regarding her eyes beyond "brown". Nor does he mention any of Hermione's facial features besides her large front teeth, so we don't really have much to go on there.

Regarding her height, as I mentioned in my post on Harry's height, both Harry and Hermione are about 5'1 (155 CM) when they are 13 (shorter than Pettigrew).

By book 7, she is shorter than Harry noticeably and mentioned alongside Mondungus, so I think they're likely similar in height:

Hermione and Mundungus were shooting upward;

(DH, Ch4)

In book 5, she is clearly taller than Ginny (who's around 5'1 even when she's 17):

“Very well — take the smallest one,” she ordered the Death Eaters beside her. “Let him watch while we torture the little girl. I’ll do it.” Harry felt the others close in around Ginny.

(OotP, Ch35)

So, I estimate her to be around 5'4 (163 cm) or 5'5 (165 cm).

Again everyone can headcanon/write/draw whatever and I'm gonna be the last person to tell you what to do, but I just want to remind everyone what canon actually says.

#harry potter #hp #hp meta #hollowedtheory #character appearance #hermione granger #harry potter meta #hp headcanon

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trashisstillhere · 1 day ago

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After being outside for quite awhile.. again. I finally get to post this doodle, here!

This is supposed to (kinda) show New Ninja’s relationships/bonds with the few main characters!

I’m also gonna talk about them right here which is why I made this doodle in the first place! And this time, I had written it all down before this. And as you can see, Howard seems to have a slight different design, especially his hair… it actually has something to do with a part of the story! The clothes might be kinda changed tho later.

Anyway, here we go!

(Since English isn’t really my first language, the writing still kinda sucks lol)

————-

Randy:

you all already know this duo! The mentor and his student!!

Just when the kid thought there was no chance for them as the new chosen ninja of Norrisville, the old chosen ninja came right in out of nowhere and somehow things slowly started getting easier for them ever since. he is the reason why they still have hope now today.

To New Ninja, Randy is a good mentor, basically the best one ever! (No offence Nomicon-) and one of their best friends. he gives them the help they need with ninja stuff, supports them and sometimes even cheers them on during battles (while hiding himself so no one will know about two ninjas existing of course.) he sometimes also gives them praises for their hard work, making them very flustered and bashful but they still really appreciate it. The kid always feels safe around him, you could say they got attached to him and so has he with them.

if they have any trouble with something such as not understanding how a certain weapon really works and should be used in battle, big brother Cunningham is always there to teach them!

Yeah you heard me, i said ‘big brother’! Randy Is like a big brother figure to New Ninja, a sibling that the kid has never had but honestly wished they did. One who is so kind and patient with them…and also almost very overprotective over them. No seriously, he is. It mostly shows when, for example: The Nomicon makes the kid have to go do things that could be considered very dangerous or just anything he doesn’t agree with or an enemy he’s familiar with tries to kill them. (This may or may not kinda refer to Mcfist along with that one old comic i did-)

And of course, Randy likes and still keeps calling New Ninja nicknames such as ‘kid’ which is more common.

New Ninja before didn’t know about Randy’s true identity before but now they do after a certain incident (another old comic also showing that), which makes them also get to hang out outside of their ninja lives. However, the kid still calls him ‘ninja’ anyway.

Their bond is very strong and won’t be broken that easily, New Ninja and Randy care for and trust each other deeply and will continue on staying together as the super bruce team they are!…

…….until the day Randy has to mind wipe himself with the ‘ultimate lesson’ in the Nomicon once and for all finally comes…. at least they get to say some last words and goodbyes before that happens.

———-

Howard:

both him and New Ninja barely knew each other at first. To the kid, Howard was just some random guy….that their mentor seemed to always talk to for some unknown reason.

They have seen the two guys together so many times that curiosity got the best of them and they started investigating, soon finally getting the answers they needed and getting to know the chubby guy more! Now in the present, they’re also friends! And after showing their true identity to him, they hang out sometimes too along with Randy.

To New Ninja, Howard is a pretty chill dude to talk to. Both him and Randy were the ones to first introduce them to Gregs game hole along with all the video games to exist, letting them join in all the fun they had been missing out on.

Howard is like the second big brother to the kid, the one who they might sometimes maybe get into crazy yet fun shenanigans with. There are literally times where they both got into some trouble and Randy had to go and help them, he was kinda mad about it but couldn’t stay like that at them for long. After all, they’re his friends who he adores very much.

Their friendship was normal at first but once one certain event with one familiar demon bird (along with a certain more then one tailed fox that was the cause for that said familiar demon birds return) happened which led to Howard being effected (such as his hair getting a…. ’bit more color’ then usual) by it quite a lot, New Ninja started getting extremely worried for him.

Now every time they get to meet again, New Ninja always first checks up on him and ask him if he’s feeling okay. Howard always says he’s fine and waves it off, trying to reassure the kid and calm them down.

But no matter how many times he says he’s okay, New Ninja can’t help but feel guilty for what happened to him…they think it’s their fault.

————

First Ninja:

Now this one’s…a little complicated. The kid currently barely talks to the old legend himself. Why? Cuz he’s kinda afraid of him of course!

To New Ninja, First Ninja is really intimidating. And by intimidating, I mean TERRYFYING. The kid feels so small and pathetic compared to him, thinking that they ALWAYS have to be respectful and obedient around him without a single screw up. He’s the FIRST ninja of Norrisville to exist after all, the last thing they want to do is piss him off in any way, especially after seeing that dragon fire punch of his for the first time during their .

Because of their fear, New Ninja can barely say anything in First Ninjas presence. Meeting Randy for the first time when they just knew him as the ninja was okay, they got used to him pretty quickly…but THE First Ninja!? Oh hell nah-

Now First Ninja on the other hand, doesn’t really hate New Ninja or anything. In fact, he actually wouldn’t mind getting to know them better just like he did with Randy. He doesn’t understand why the kid seems to not talk to him so much, did he do something wrong?

Don’t worry tho, this doesn’t last long. New Ninja will soon slowly warm up to First Ninja later on and they can finally talk to each other more properly, maybe even have the man be a father figure of some kind. But for now, it’ll take a lot of work.

————

Plop plop:

Their relationship is a little bit similar to the one with First Ninjas but opposite and better.

New Ninja wasn’t intimidated by Plop Plop like they were with First Ninja but they still were too anxious to talk to him, he noticed this but it didn’t stop him from trying to talk to them. Though he didn’t try to get all over their personal space, he instead just went easy on them by giving them a chance to speak only if they wanted to and stayed patient with them for as long as he needed to.

Before he knew it, the kid soon finally started replying to him one day and once he heard their voice, he was very thrilled!

To New Ninja, Plop Plop honestly seems like a nice and gentle man. He can even be humorous at times, he was able to get a little giggle out of the kid a few times. He showed the kid that they have nothing to be scared of, that with him, they can tell him anything. And to his delight, they do just that!….well maybe not like EVERY single thing but hey, he got their trust!

Even if Plop Plop may not still currently know much about the stuff in the Morden times/ future yet, he still willingly listens to New Ninja’s ramblings whenever he has the time. He’s just glad to see the kid feel safe around him, it makes him smile.

He is aware of how nervous they are around First Ninja, feeling kinda a little bad for the poor old ninja cuz of it. Right now, he also kinda tries to get the kid to get more used to his ninja friend, yet it ain’t so easy..

————-

And that’s it!

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plaidos · 2 days ago

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“this person” is Mike Shapiro, the voice actor for Barney Calhoun and The G-Man in the Half-Life franchise. it’s not just that the last time he tagged a tweet with “HalfLife” it was for the launch of Half-Life Alyx — it’s that he literally has not tweeted at ALL since promoting HLA, until whatever this weird pseudoannouncement is about something new Half-Life in the new year. The dude is, for the most part, aggressively offline until it comes time to promote the new Half-Life game.

the interesting part is that it only happened a few days after insider reports suggested that Valve has moved their new single player narrative FPS game in development into the second phase of play testing (where they’re officially letting friends & family play test builds of the game).

it’s an open secret at this point that one of Valve’s new games is going to be a new entry in the Half-Life franchise, with leaks suggesting that the main character will be wearing a HEV suit and wielding a crowbar — that last part is interesting because they specifically cut the crowbar as a full weapon in Half-Life Alyx specifically because they wanted it to remain as specifically Gordon’s iconic weapon… i think it’s safe to say we’re looking at a 3.

hey half-life fandom? it's fucking happening.

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alpaca-clouds · 1 day ago

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Why do people struggle so much with understanding pacing?

Okay, let me talk about my pet peeve when it comes to writing in any medium. Pacing.

People, who know me for long, will know that this has been the thing I have been complaining about since I was like 12. And there is a good reason for it.

See, when I learned to write, there was this guy who I greatly admired as an author. And after bugging him for a while (look folks, the internet was a very different place from what it is now) he did give me some recommendations on books on writing. And a lot of them went deeply into his pet peeve, which - you guessed it - was pacing as well.

And thus, I learned early on about story structure, and pacing, and how to pace out a story in a way grips the audience. This material I read went onto different techniques for different mediums, into how different cultures had a different ways of dealing with this, and so on, and so forth.

Some of my main take aways were, that a lot of very long stories struggled massively with pacing, and that a ton of people also very miscalculated their ability to handle characters in terms of pacing - because characters and pacing are two things that are very, very heavily connected.

I also learned something else, though: That a lot of western writing advice did not understand anything about pacing outside of the idea that stories were supposed to have three acts - or maybe five - and ideally from a certain fateful day in the early 2000s on, would follow the "save the cat" formular. (Mind you, I do not hate "Save the Cat", however, this formular has been created for movies. It works at times somewhat well for books, too. But it definitely does not for for pretty much anything serialized, because that is not what it was developed for.)

And I also learned another thing: Most people do not understand pacing either, because pacing is not a thing that is ever taught in normal school (like most things that are about creative writing are not). So, while some people might have a gut feeling that the pacing of something might be off, they rarely can actually say why. And this is only worsened by the fact that today's tiktok addicted society is so used to consuming ultra condensed media, that they will perceive anything less condenses than 1 minute tiktok videos as "too slow and boring".

So, please allow me - the guy who kinda hyperfixated on this specific writing skill - to talk about pacing. And this will be in the following points:

What is pacing actually?

How do characters relate to pacing?

Pacing, Streaming and the supposed "filler episode".

Pacing and Fantasy

Pacing in Action vs anything else

Pacing in books vs visual media

What Is Pacing actually?

Okay, I think one of the main issues when it comes to understanding pacing is, that a lot of people see pacing on a on a spectrum that goes from "I am bored" to "I can't follow the plot anymore". But that actually does not always have to do with the pacing - obviously.

Technically pacing is the speed in which the plot moves. Or, to make it more quantifiable: "How many plot points (beats) are covered per either time (in any timed medium) or per page (in anything you read)". Which makes sense at the first glance - but does actually often not line up with the subjective perception of this. Becau se here is the thing: No, fight scenes are not automatically fast paces. A lot of modern action movies have super slow paced - in terms of story pacing - action scenes. Because yes, during those action sequences a lot of STUFF happens, but nothing of it actually is in any way related to the plot.

Look, I freaking adore the Fast & Furious movies. But you could literally edit those movies down to like 45 minutes each and not lose a single plot beat. But of course, nobody would watch those movies - because yes, me and everyone else who adored those movies, is there to watch them lunch cars into space and see stuff blow up. I don't much care about the characters or the plot.

This is by the way also the kinda point that me and other people talk about, when we are unimpressed by "oh, but sex scenes don't add anything to the plot", while the same people would often not make the same argument about action scenes - even though there is a ton of movies and shows where the action scenes really do not add anything to the plot. A lot of people just do not perceive action sequences as slow pacing, because even if nothing that happens on the screen actually adds anything to the plot or moves it forward, it is undeniable, that STUFF is happening. So basically monkey brain will go: "Hehe, things go boom!"

Don't get me wrong: there absolutely are stories in which the action is moving the plot. Mad Max Fury Road is a great example. The movie is also about 60% action - but the action scenes actually add to the plot.

Meanwhile nothing tells you as much about how unimportant some of the MCU action scenes are, than the fact, that they are often done by a completely different team and will be done apart from the rest of the movie.

But yes, traditionally the idea was, that towards the "finale" of a piece of media, a lot more plot beats would happen over a shorter amount of time. You will see that also in a lot of beat sheets. There are more beats that need to happen in the third act of a story - if we go by three act structure. And often there is actually even more plot developments, as usually in a finale all the "plotlines" will kinda finish up in the end. So even plotlines where not a lot has happened to this point - this shows especially in serialized works both in TV shows and stuff like manga or comics - the important plot points will then often happen close to the finale, because it feels more "right".

In older serialized media - especially TV shows prior to streaming - you also had the same thing hold true towards the finale of a "story arc". In a lot of older shows, you would usually see a structure that looked like this.

The "rise" here technically has less to do with more stuff happening in later arcs or seasons - and more with the threat-level rising, and the convulutedness of a story. lol

But yeah, the take-away from this part should be: No, action does not equal fast pacing. There can be action-heavy shows with super slow narrative pacing - but it will to many not feel this way, because at least action is interesting to watch. Which also might be an explanation to why people are a lot worse in seeing the issue with action-scenes that are not adding anything in visual media, but might actually notice it in written stories. Because in books action scenes do not feel "fast paced" in the same way they feel in movies, where the often faster editing and the amount of motion on screen will create this effect.

Oh, and on the other side: Of course there can be slow paced plots that will leave you having problems following. At times, because they are badly written (aka: the media does not give you all the information you need) - and at times, because a piece of media might expect you to know a certain bit of information that you do not know. I can definitely think of a variety of scifi media, that just expects you to know stuff about computer stuff or space, and will not explain it to you. Which might make you need longer time to take plot developments in, and then leaves you reeling.

Another thing however that is also important is: If the pacing stays actually the same throughout a piece of media - rather than accelarating towards the finale (or finales if there are multiple) - it actually will feel wrong in some way. Often people (even I, who hyperfixates on this specific thing) struggle to point at it at first. But yes, this very much is an issue that also can happen. You want the pacing to accelerate towards certain points in the plot - and then slow down. If you had an important point, you want a few slower scenes/episodes/chapters afterwards, to allow the audience to somewhat absorb all the new things you presented them with.

How do characters relate to pacing?

Alright, now we come to the dicey part - specifically, because a lot of people (which includes narratologists, creative writing professors, and people professionally writing) actually kinda do not fully agree on this. So, fair warning: This is how I think.

A character arc in many cases absolutely is a part of the plot. Most media we consume these days are character driven, so the characters are absolutely centrally connected to the plot and the plot mainly exists to have the character move from point A to point B. Or, to make it more basic: To have a character realize that their WANT is not their NEED.

Sure, those characters will usually also accomplish something plot-related. But them accomplishing them is more often than not heavily connected to them fulfilling their character arc. (Please note: characters having a want but having to realize a need is something that is core of western storytelling. However, given that it makes for interesting character arcs, a lot of Asian media these days also will use this as a central driver for character development.)

In some pieces of media, the character arcs are way more heavily tied into the beats of the main plot, than in other. In adventure, action, and related a lot of fantasy and scifi, there is most of the time a character arc happening parallel to the main plot beats. Meanwhile often enough in more down to earth drama and romance, plot beats and character development beats are heavily interwoven. This is not a hard and fast rule - there absolutely is fantasy where the character arc is the plot arc, just as there is romance where the development does not play as heavily into the main plot - but you can generally observe it.

However, no matter how strongly the character development beats line up with plot beats, you cannot deny one thing: character beats are beats that also add to the pacing - even if they technically do not move the main plot forward. So, for example, if you have an episode in a show or a chapter in a book, where important beats happens in terms of a characters development (for example: they realize something important about themselves), this does not necessarily slow the pacing down - even if no actual plot beats happen.

What the fuck is a plot beat? What is a character beat?

This part of the essay was originally not included, but the people reading over it said I should include this.

If we say, that Pacing is basically the description of "Plot Beats per Time" or rather "Plot Beats and/or Character Beats per Time", then we also need to say, what exactly a Plot Beat is. I will fully admit, that this is one of those things in which I forget that this is not a thing taught in school.

I mentioned "Save the Cat" before. "Save the Cat" is a book about writing movies and specifically about pacing out a movie in a way that it is captivating. It mainly focuses on action, but you can absolutely use it for most other genres. And this comes with a so called "beat sheet", a collection of the main story beats that happen, showing when they are going to happen. It looks like this:

Basically a Beat is a scene, in which the plot (or a character arc) is moved forward by a bit. Basically anything that reveals something to the main characters, anything where the basic assumptions about the plot change, anything like that.

Examples for Plot Beats would be:

Character learns about something going on

Characters find out something important about the plot

Someone (either protagonist or antagonist) gets killed or injured

Characters get a new power or item that is important to the plot

Romance goes forward or a reason for the romance to happen is found

Characters find a hint for something they want to reach

And examples of Character Beats would be:

Character learns something about themselves

Character makes a decision for themselves

Characters realizes feelings about something or someone

Character overcomes trauma

And mind you, because I cannot fit this anywhere else: If you read these you might realize, why Musicals are basically a cheat for very fast pacing. Because you can put an entire character arc into a 4 minute song. This is why musical animated shows like Steven Universe or My Little Pony managed to pull some insanely paced episodes, like the Empire City episodes for SU, and the episode in which the Cutie Mark Crusaders finally got their Cutie Marks. Musicals are insane when it comes to this.

And something that you have to realize: While for movies and books certain Beat Sheets (Save the Cat is not the only one) work rather well, those Beat Sheets usually do not work well for Shows. And currently we are living in a time, where this becomes very noticable - because a lot of modern shows are written and aired as basically 4-8 hour movies, using often just the "Save the Cat" beat sheet (if you have read Save the Cat, you will see it EVERYWHERE, because it is so frequently used in western media), but... obviously, Save the Cat is made for something that has 2 hours, and as such a lot of modern media feels strangely slow and stretched out.

Pacing, Streaming, and the supposed "filler episode"

(Yes, this needed to be the gif for this. Because no filler episode has lodged itself quite as strong into my brain as this one.)

So, let me talk about the issue in modern media. Because oh boy.

As I said: I hyperfixated on this specific writing skill forever - and as such I was annoyed by "filler episodes" in TV shows. To explain for the youngest people (not that I am assuming a lot of those are on this hellsite lol): "Filler" was the name given to material that did not move the plot forward at all. So a "filler episode" was an episode, that was just there to fill the episode slot for the week, while no plot was happening. I am not fully sure whether the term originated with anime - but at least back in the early 2000s, before Shonen-Anime were done as 12-26 seasons that then allowed the manga to get ahead in between, "filler" was also the name used for those story arcs that the anime people made up for shows like Naruto, One Piece or Dragonball, that were not in the manga - and hence obviously also never added to any overarching narrative.

And what can I say: We did not appreciate the filler episode enough. Because this related very much to the last part: While filler episodes did indeed not add to the plot and usually by definition did not the character development, they actually still added something often enough.

They allowed the audience to get to know the characters a bit better and get a better feeling for the character relationships - and those episodes take out a bit of speed, which is actually important.

As said before: The pacing should not be even throughout an entire piece of media. In a TV series after an episode that was especially tense and pushed the plot or characters forward a lot, there should be ideally at least one or two episodes that move forward slower or even not at all. This allows the viewer to sit with the new developments for a bit - and of course the characters to have a moment to breathe and process whatever happened to them.

There is also the fact that those episodes usually give the audience a better understanding for the characters - and if you have an audience who at this point ideally care about some the characters, this will even be more successful.

And as I said. Back in ye olden days, a lot of people - me included - complained so much about Filler. But we were wrong. Fillers are amazing, as long as they do not overtake the whole show.

Pacing and Fantasy

Okay, let's talk about a thing, that is somewhat funny. A lot of fantasy - specifically written fantasy media - often has a pacing problem. And this problem comes from the Worldbuilding. Others forms of fantasy media (other than games - though pacing in games is whole different matter) have this too at times, but it tends to be worst in books.

Basically, when you are a fantasy worldbuilder, you have this whole world. And this leaves you with two problems.

a) You are afraid that people will not be able to follow the plot if you not give them a lot of information about this world and how it differs from ours.

b) Well, you build this entire world. And the people should KNOW.

So, a lot of fantasy media basically regularly will stop to explain to the reader or audience, whatever is happening right now. Some writers manage somewhat naturally put this in. Maybe they have a character that does not know a lot about for example magic or dragons, and they can ask questions and act as an audience stand-in. But even in cases, where the worldbuilding is somewhat brought in naturally (which by far is not all of them - because people usually do not naturally talk about stuff they both know, or think a lot about something they find naturally) those "explanation" pieces will make the plot come to a screeching halt.

So, the more worldbuilding you explain, the slower your pacing is.

And of course, pacing is not a reliable thing to keep people reading, and pacing will not always turn people off. But you know how people complain about how slow Lord of the Rings is? This is because of course, every time that Tolkien describes a piece of landscape over multiple pages, there is no plot happening on those pages. And while I personally think some of those descriptions are darn stunning, it is one of those things many people will not like.

However, this makes it a bit complicated. Because yes, worldbuilding explanations will slow down the pacing to a degree that can be problematic. But if you explain too little worldbuilding, people might struggle to follow the story. Which again is the most common problem if the pacing is "too fast" as well. Basically, people do not properly follow the plot and will struggle to understand what is happening and why.

But the opposite is true as well. I have read way too many fantasy books, where after the first 100 pages, I know a lot about the city the plot is set in, or about the magic system, but sadly have so far not been privy to any information what the plot is about, what the characters try to archive, or even who actually the characters are. And that, yeah... Is probably the most common reason why I put aside a variety of fantasy books in the past.

Pacing in Action-media vs anything else

Okay, let me talk about one other thing. See, the word "pacing" is at times used in some other context: In visual media, pacing will be used for the editing of what we see. Basically the amount of cuts that happen within a scene. Or, in a comic, the distribution of panels is also seen as a pacing element.

And anyone who heard people complain about how at times confusing the editing in action movies is, you know that this at times can get too much.

Still, in visual media action scenes feel usually fast - because the characters are moving around rather fast. In a visual piece of media, action scenes are often thrilling, because the characters are in constant danger of dying, and because a lot of stuff is happening. This often works better in visual media, than in written pieces. While it absolutely is possible to write thrilling action scenes, a lot of writers struggle with this, because they tend to overdescribe and that takes the speed out of the prose. But generally speaking, a couple of punches thrown - something that in a movie takes about 10 seconds - will in book easily end up in 200-500 words, which you will not read quite as fast. A bit more about that later.

And then there is the issue with the action scenes, that even is true for visual medial, is that they often really do not have any important plotbeats. Sure, if the characters have their final battle, that is a plot point. But in a lot of action media - especially TV shows - there are a lot of scenes included that really do not add anything, but just are there because folks love watching action scenes.

This goes so far, that people will think a show or movie with a lot of action scene will just be seen as "good fast pacing", even though if the actual pacing in terms of plot beats being spaced out is rather bad. As a good example I will once more nod at the Fast & Furious and the Mission Impossible movies, that often have horrid pacing and very confusing plots - but they do not feel really like it, because the movies are like 60% action scenes, and hence they do not feel like it when you watch them.

It can work at times. I spoke about my love of the F&F movies. Can I tell you a lot of the characters? Nope, but the action scenes are fun to watch!

But this also tends to mean, that in a badly paced movie or show, that is badly paced because the action scenes not adding any plot beats, everything tends to fall apart when the action scenes do not work. And often enough action scenes will still be prioritized over everything else in many of those pieces of media, making things fall apart easily.

Pacing in books vs visual media

I have hinted at this now multiple times: Written media is generally a bit harder to pace than visual media, because of the things you can and cannot control. While a writer in a book has full control over the scenario, a director of a show or movie had actually influence the timeflow of the things happening on screen. As a writer meanwhile you absolutely have no influence on the speed in which your reader will read.

Sure, you can somewhat influence it. Shorter sentences are easier read. An general lower reading level will allow people to read quicker. So simpler words, shorter words, shorter sentences will make parts appear quicker. You can use this for example in action scenes to have a bit more of this breathless feeling that an action scene on screen might have. Use short sentences. Do not link sentences up. Quick hits. Quick impressions. It can work - but it needs some training. Not to say it is fucking hard.

Generally speaking to my experience when you write a single novel, the "Save the Cat" Beat Sheet actually works rather well, if you are the kind of writer who is fairly good at planning things out. If I actually try, I will usually manage to plan out a story and predict fairly well how many words a chapter will have. So yes, for books I can very much use "Save the Cat" and it will work.

However, some things simply work a lot better when you have visual parts going on - but there are other things you can do better when you do not have the visual stuff. For example: A writer can do much more when it comes to motivation and introspection of characters. Yes, this slows down the pacing - but it is something that writing has basically over any form of media that is not a musical. (In a Musical you can characters do introspection through songs. Musicals are the ultimate way of cheating. I love them!)

Something I feel so many writers struggle with in terms of books is actually putting in a clear goal for the character from the beginning. Again: I have put too many books aside where I reached page 100 and did not yet have any goal for the main character.

That goal you give them does not necessarily need to be their final goal. Again: A lot of western storytelling deals with the incongruent nature of a characters "needs" (aka something that would actually help them) with the character's "wants" (aka what they think they would need). But at the very least the plot needs something that it can head towards from the very beginning - a hook to capture the reader.

There might be readers that are absolutely fine with just reading an exercise in worldbuilding - but you cannot expect them to be.

#writing advice #writing #media criticism #fandom meta #media analysis #writing community #writing tips #writing resources #pacing #storytelling #narrative #story structure #streaming #long post

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willowgarden15 · 4 hours ago

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Random thought but there's something that always bothered me about horror in batman comics

The horror represented is always " loud" and "basic":

-Bruce/and or any batfam related character honestly hallucinating about his parents or his now family dying because of his inadequacy and failures.

-Monsters quite typical in pop culture like vampires or werewolves.

- Violence and gore usually being but an unremarkable bloodbath lying in the background.

Nothing inherently wrong in these ways of depicting horror and trauma since comics as a medium of art limits the way you can present things. It lacks the music and visual effects present in movies or the freedom of the readers mind like written literally.

But

When constantly the horror is about blood and death repeating all over it becomes rather expected/familiar to the reader which is all horror shouldn't be. Horror bases itself on the unpredictability of the outcome or the heaviness of the inevitable. Taking one out of the equation only results in senseless and tasteless gore with no real point or direction.

That really undermines the characters both villains and heroes involved as in the story.

Scarecrow being the main THE horror rogue in Gotham in most of his stories uses "loud" horror.

(as well as in the Arkham games)

He's strategic on his planning but on the execution most of the time he leans towards mass psychosis and direct attack.

Horror can be much more. Most of the times it's about the little things.

Something being out of place.

Something being too much off.

Something being too little off.

For example:

Instead of Bruce hallucinating about his parents dying Bruce relives a normal day with them. But something is wrong. He cannot remember their faces . They are blank completely . He "wakes up" but every portrait of them has their faces erased. He tries to draw them but something is always wrong. For a man living in his memories he lost the most precious one.

Another one would be about Dick.

Dick also hallucinated a lot about his parents. As An alternative instead of his hallucinations to be about that they would be the side effects of fear toxin. Neurological issues like losing balance and the sense of touch. Feeling like one's skin isn't right. Memories altered. He cannot longer recall a certain smell or he does constantly.

About Scarecrow and fear toxin he could have gone the way of slow poisoning (just like Romans ended up with lead).

The city goes slowly off the rails and he can choose which parts do it faster or slower.

A horror setting doesn't need the gore always. Sometimes it just needs one body part being neatly placed on the table .

It's about the little things.

I could think of an example for every batfam member but the rant would be unnecessarily long then.◉⁠‿⁠◉

#random #dcu #dc #batman #batfamily #tw horror #scarecrow dc #scarecrow #rogue gallery #batfam #bruce wayne #jonathan crane #dc comics

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fantasylover145 · 2 days ago

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It's super interesting the ways Buck and Eddie show love for eachother on the show. Eddie Diaz is one of the most repressed people on the planet, avoids talking about his feelings with absolutely everyone, even if he is a lot more open now. However, he is always willing to show Buck how much he cares for him. Eddie is always there with some loving advice or to affirm Buck's place and importance in his and Chris' life, telling him the sweetest things Buck has ever heard from literally anyone on the show including Bobby, his sister and his exes, truly listening and understanding Buck like never before. The way that Eddie is one of the only characters who truly gets Buck and knows how to ground him and bring him back down to Earth.

Morevover, Eddie even though he was seriously closed off when he first started, he opened up to Buck, he provides him with the love he needs to hear whenever he needs to hear it. The irony in Eddie in particular showing how much he loves in Buck in a way that is almost opposite to what he was taught to, opposite to how he was brought up and he only ever does this for two people, Buck and Christopher. Eddie never really does this for any other character on the show, maybe Bobby a couple times but he didn't do it with any of his girlfriend's not even his own wife and I think that's telling to how deep and intimate their bond is; that Eddie is willing to be emotionally vulnerable to Buck and tell him how truly deep his love for him goes in a way that he never does for anyone except his son.

Buck likes to show his love through actions; bringing Carla to Eddie, checking on Eddie when he see's something is wrong, taking Christopher to school & looking after him when Eddie was shot, taking Eddie to the equine therapy centre, building Christopher a skateboard etc. Buck shows Eddie the support he needs through acts of service. Buck is one of the most emotionally open people on the show, never afraid to tell people he loves them, you'd assume his main way of caretaking is through words of affirmation but for Eddie he provides that comfort and support in a way that Eddie vitally needs.

Buck needs to hear that people won't abandon him, that he is worthy and loved. Whereas, Eddie needs to be shown time and time again that he is not a failure and that people have his back and that he isn't alone. Buck does love to provide acts of service for people around him a lot but no character on the show receives it more than Eddie Diaz, not Taylor, not Abby, no one. Even in one season Buck did more for Eddie than he has done for any other character. He knows that Eddie doesn't need to hear how much Buck loves him, he has to show him. Buck has truly made a place for himself in Eddie's life and family gives the support and comfort in a way that Eddie will not only accept but also needs. I love that for them.

#911 abc #evan buckley #eddie diaz #buck x eddie

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every-name-is-taken-but-this · 2 days ago

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so so glad to be able to point this out

So, Riko is a piece of shit, and a bigger liar than Neil

Literally anytime he goes "do (blank) or else (blank)" He's already decided to do the thing, regardless of you bending to him or not, he's already decided to hurt someone

Every little bit of "retaliation" that "Neil" brings down on the Foxes for standing up to Riko? He'd have done it anyway, killing Seth, sending Drake, paying off Proust, no matter what anyone said or did in the series, Riko was always going to go precisely as far as he wanted

That's the point, that's why he's so dangerous to the main branch, no matter what is said to talk him down or what punishment he receives for crossing lines he shouldn't, he's just gonna do as he pleases, and it would have only been a matter of time before he did something too public or too easily traced and then the main branch would be dealing with more scrutiny than they want, which is why he's killed off

The idea that anything anyone did "brought it on themselves" is ludicrous, but of course that's in there, there's a shit ton of casual victim blaming in there, but also tons of characters who point out that no one else is to blame for the actions of another, it's always on the individual what they choose to do

If we want to blame anyone for dragging anyone else into the Moriyama shit, it's actually the Foxes dragging in Neil, considering Wymack told him about the yakuza *after* getting him to sign a 5 year contract for the Foxes, and, considering the recruitment standards for the team, anyone in Neil's place would have signed on to the team, desperate for their chance to get out of whatever bad circumstances they were in, just to told their life is now in danger from the mafia they never agreed to oppose, which is way more fucked up if you think about it

Neil felt bad for "gambling with the Foxes lives" but every one of them had actually been briefed on the situation and agreed to keep Kevin when he showed up, none of the new kids got the same consideration, just expected to get on board when they are finally told the truth

And also, as far as things that are Riko's fault, it's not mentioned or even hinted at, but i kinda headcanon that the reason there was an open spot for Neil in the beginning was because Riko got the cell number for Janie Smalls and had either Ravens, or his cult-y fan base, spam text her harassment and threats, knowing her history (his P.I.s) and that's why she tries to kill herself before the school year even starts, in my defense, literally every bad thing is Riko's fault in most of the cases with the Foxes throughout the series, so why not this too?

Why does everyone blame Neil for bringing the Mafia down on the foxes?? They were there because of Kevin well before Neil was even in the picture. Neil's Mafia left the foxes relatively untouched (bar the hits they got in the riot).

Is the assumption that they wouldn't have had to deal with so much shit if Neil didn't retaliate? Because Riko would definitely have pulled the same shit every time Kevin told him no regardless of Neil being there or not...

#aftg #neil josten #riko moriyama #victim blaming #leave my boy alone #If everyone Riko hurt got to shoot him he'd be swiss cheese at the end of tkm #all the king's horses #And all the king's men #But no one can put Riko back together again

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itsallmouthwashing · 23 hours ago

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Tulpar Band AU- Character descriptions/some lore PART 2

Uh okay fellas- I had to use piccrew since I'm bad at art (good thing @living-stain is keeping me fed WOOF) and I'll include some more facts about them! This is part 2 of the Tulpar Band AU character descriptions! (Part 1)

(MAYBE I NEED TO CLARIFY MAYBE NOT BUT THE ART IS DONE MY @living-stain!!!!!!! Please show him some love!!)

JIMMY ZARE- Scream Vocals and Guitar

Learned guitar pretty early in life. His parents would often drop him at the local YMCA and he took an instant interest to making music. One of the instructors there also taught him how to write songs and write music!

That instructor also listened to a lot of metal music! Little Jimmy was fascinated with it and demanded the instructor teach him how to do the monster voice thing. (Instructor learned how, just for him) (Jimmy ate up every bit and even made notes in his journal!)

Has perfect pitch! It drives him crazy sometimes when he hears a sound- any sound- and can immediately know what note it is. Although, sometimes the crew will 'test' him. They'll make random noises and ask to identify it

Music was a great outlet for him, so all of his songwriting is very personal to him and exposing himself was something he had to come to terms with if he wanted to start a band and use his songs

he starts a journal of songs and notes about making music and carries it with him almost everywhere. It's where all of his lyrics are stored, where all of his feelings are stored. They have no place in his heart, so they must be put somewhere else

Started smoking cigarettes at age 9 when he snuck one out of his parent's stash. They caught him, but just gave him his own pack and lighter in response (shitty Jimmy parents that I created, when I get you- Jimmy's parents when I get you-)

Becomes a dealer at the high school but low-key only sells to people he trusts (aka people he knows for sure are stoners and don't want to ruin the one plug that will sell to them)

Curly gets him to stop when they form Tulpar, but Jimmy still gets supplies for the two of them (he doesn't know WHERE Daisuke heard about him still selling, but it leads to Tulpar's full formation so whatever)

Smashed some motherfucker's guitar on their first day of high school. Yes, Jimmy was bragging about having perfect pitch, but he didn't expect so many goddamn kids to want him to tune their guitars for class. So when this kid with too blond hair and a grating fucking accent, he finally had enough, and all the annoyance and impatience came out in a violent swing to the ground with that kid's guitar in hand

GRANT CURLY- Main Vocals and Guitar

Picked up guitar the summer before he moved to America. His freshman year of high school is when he was able to commit the most of his time to practice and learned how to play through school

First day of school had his guitar smashed. He brought his own from home not knowing there would be instruments provided, and the kid who smashed it had to pay Curly and his family himself to replace it (Curly parents could replace it no problem, it wasn't a financial thing. And Curly feels bad about this fact for 0.2 seconds before he's searching for new guitars on the internet)

Always had a knack for singing. His dad was actually in a band when Curly was growing up, and while his dad played drums he loved to sit in on practice and sing along.

Karaoke? What was that blond blur just now? That was Curly getting first in line

Develops an alt style thanks to Jimmy, molds it to a more 'classy' look by wearing button-downs and suit pieces (someone said he looked great in a button-down and he decided it was the only thing he would wear ever)

Jimmy got him hooked on cigarettes during their freshman year of high school. He literally cannot got thirty minuets without a cigarette. He's insecure about the smell that lingers on him, so he also carries a bottle of cologne with him almost everywhere

DAISUKE JUAREZ - Drums and Synth/Keyboard

Had an interest in piano when he was younger and kept up with it as he learned drums at 12

Between piano lessons and school, he played baseball at his after-school care program. He really enjoyed it, playing baseball through middle and high school and eventually getting a scholarship based on his skill! he has to juggle Tulpar and his college baseball career, so sometimes they need to schedule around Daisuke

His parents are stupid rich and have lots of connections in production. Both parents work in Hollywood (as what? Beats me him!)

Daisuke is sent to a new high school when he turns 18 (which is junior year. his parents let him finish the year but send him to a state of his choosing to finish high school and experience life on his own) (yes they spy on him through Swansea)

Clicks with Anya instantly when he find out they both just moved to the state the same year. Quickly finds out she's a little bit of a goody-two-shoes (he changes his)

ANYA MUSUME

Picked up bass when she was 13 when she started listening to music. Honestly, she felt bass was a super underrated instrument (and that it was harder to pick up than other instruments). Her dad bought her first bass!

It's been Anya and her father for as long as she could remember. Her mom stayed behind in their home country (I'll figure it out) as they all planned to move to America, but she never made it to them. She suddenly became ill and passed away. This all happened when Anya was very young, so she has little memory of it. But her father does break down when she names her bass after her mom :)

Her and her father moved to a different state during her senior year of high school for reasons unknown to her. Sometimes she overheard hushed phone calls in the kitchen, or notices his shifting eyes in public spaces.

She meets Daisuke in a business studies class and the two take on the first few weeks of school together! It's not until Daisuke tells her that there's someone on campus that sells the good shit and they agree to meet at the dealer's spot that they meet Jimmy and Curly!

Curly and Daisuke have Gym at the same time, so that interaction was nice ("Word?" "Word." "I didn't know you were chill like that.")

The four of them hang out plenty after that!

SWANSEA (LASTNAME?)- Manager (I COULDNT FIND A GOOD PICCREW IM SORRY :(

Part of Pony Express Record's staff of managers. They refuse to hire more, so usually managers are looking after two or more bands at a time. This is also true for Swansea!

Daisuke's parents call in a favor he's owed them for some time, and of course it's for their precious baby boy. And of course he can't say no

He oversee's Tulpar's progress as a unit, coaches them individually on what industry standards are for musicians and then as a group for synergy, blending, and other factors that could risk their signing.

No matter how many times Swansea tells Jimmy his shit wont fly at P.E Records, Jimmy writes what he wants anyways. And the band rallies behind him. And somehow it fucking works

On top of being Tulpar's manager, he also kinda becomes Daisuke's babysitter (on his parents wishes. "Well, you're going to be over there anyways! I don't see the big deal in reporting back to us about what he's- how he's doing :)")

#mouthwashing #jimcurl #jimmy mouthwashing #curly mouthwashing #mouthwashing au #anya mouthwashing #daisuke mouthwashing #band au #jimcurly #piccrew #band au ref #tulpar band au #swansea mouthwashing

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