#he has been an Ancient for several years at this point so
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lavender-butterfly-cookie · 21 hours ago
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I would love to see a second part of Forgotten Friends
One where the beast eventually realized that they blew stuff out of proportion and, because of that, their friend was basically forced to betray them, but they have no one to blame but themselves
And by the time they realized and are out of their prison
Reader cookie can varely remember them, they do remember they used to be friends, but all their evil deed have replaces most happy memories and Reader has a hard time being able to trust or even be near them
Patience is a strong thing, but time is more
The SoulJam of Patience has follow their tittle, now it's Their turn to use it
I like your style dear butterfly.
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Forsaken, Forgotten, Un-Forgiven
previous part
Where does one even begin to express how much patience you've lost? How does one even begin to accept your friends have become nothing more but shells of their former selves? How does one learn to forgive them for forcing you to betray them? As hard as it is to believe, it starts with an apology.
After sealing your friends away all those years ago, it took you immense amounts of patience before you could face the world again. It took you so much patience to adjust and make new friends. So much patience to finally feel free about revealing who you really are. Patience to accept that they were gone and they weren't coming back. It took a long time, but you endured it. And it was worth it.
But it wasn't.
You found yourself face to face with five shards of tinted glass, all representing a shard from what was broken long ago. You barely remembered any of them, but that doesn't mean you forgot them and their evil deeds completely
The blue shard, who had once been your source of knowledge and guidance, now full of cracks that mimicked the web of deceit it was entangled in. You remember how the threads of that web were used to puppet and control the lives of the innocent, forcing them to fight for his own twisted little show.
The white shard, who had one been the holder of the virtue known as volition, now flavorless and apathetic soul devoid of any meaning. You remember how easily she turned everything to flour with just a simple motion of her hand. And you knew she did it because she saw little to no value in living a life with the inevitable end known as death
The red shard, who was once the herald of change in itself, now a destructive and merciless monster who sees no point in creation when it's bout to wither away eventually. You remember how he had destroyed countless homes and lives, all because he was bored.
The pink shard, who was once the most loving and joyful person you had ever met, now a lazy sloth who didn't even bother doing anything anymore. You remember vividly how she wiped away so many cookies just because they woke her up from her nap.
Then there was the Purple shard, once a noble knight of solitude, now a dark knight of silence. You remember all to well how had mercilessly crumbled several cookies in a single strike. How he's never uttered a word since he became corrupted.
These shards of glass are none other than your fallen friends, freed from but under different circumstances. They weren't causing havoc, they weren't attacking- heck, they weren't even angry at you after you lead them into a trap. What baffled you more was how the ancients were present but stood to the side. It took some time before the realization hit you.
"They want to talk."
You heard a voice say. It sounded like you, but much more mature. You felt your heart drop. They wish to talk? Couldn't they have thought about that years- no, CENTURIES ago?! But you're not about to argue with the light of patience when you clearly have better things to focus on.
The first thing you noticed about your fallen friends is their demeanor. They're not angry... they actually look guilty and nervous. Next was their souljams... which they didn't have for some reason. The ancients probably have it, which is good. They can't cause much damage. Shadow milk cookie stepped forward and you were ready for anything....
"Y/N cookie..."
Anything at all.
"We're sorry..."
Except that. Your eyes widened and you froze solid, the words unable to register in your head. They were apologizing?... But- no that can't be right... this is a trick... It's a trick and you won't fall for it again... You look at the ancients. They aren't intervening or protesting against this false apology.
...
They can't seriously believe this, right? They're not falling for this, RIGHT?! You step back a bit and shake your head slightly. This was a trick. Why do they want to redeem themselves NOW? Had they not realized the gravity of what they did before sooner? This had to be some kind of lie. And you weren't gonna fall for it. You made that very clear to them before walking.
It was only later on where pure vanilla cookie explained that they were attempting a redemption arc to fix the bond between you. The ancients really did believe them... Why did they believe them?! They had been nothing but pure evil as far as you can remember. Their evil deeds outweighed whatever happy memories you had with them... almost as though you didn't have happy memories.
The beasts tried again and again to at least get you to cast a glance at them but it was fruitless. You walked away from the library when Shadow milk cookie tried talking to you. You completely ignored Eternal sugar cookie trying to enter your room and talk to you. You turned your back on Burning spice cookie when he attempted reaching out for you. You refused to acknowledge Mystic flour cookies attempt of interaction with you. And the silence between You and Silent salt cookie had grown into a deadly kind of quiet, as if none of you had even been together.
They just didn't get it, did they? They betrayed your trust once, what if they do it again? You had to be BEYOND patient with yourself in order to recover and yet they've returned? No, they shouldn't have. They had no idea how many sleepless nights you endured to finally accept they're absence. How much you had to learn to adjust and be patient with yourself to be able to move on. And all that hard work, all that patience, it was gonna crumble because of them.
No, you can't let that happen. You can't just forgive them just like that. Not after everything they've done, to innocent cookies, everything they've done to you. If they really wanted your forgiveness, they'd have to be as patient with you as you were with them when they weren't corrupted. They have to earn your forgiveness, and that was going to take a long time.
You were patient with them, now they must be patient with you. How long they'd have to be patient was unknown, and how long they'd actually remain patient was just as mysterious.
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alexius-fr · 5 months ago
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Alexius didn't you already scatter and gene your progen like a week ago??
Yes
I did.
And I did it again.
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fragmentedblade · 1 year ago
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Fu Xuan calls March "young girl", which is understandable. But she also calls Chengjie "young man from the Artisanship Commission" and like... ma'am how old are you
#I know she is way older than she looks and given the lore she definitely isn't very young even for Xianzhou standards#Chengjie has been in the Artisanship Commission for two hundred years before we met him so he must be considerably older than that#This post really has no point other than to point this out because it's kind of funny#And it's clear that Fu Xuan is an adult woman but it makes her look ancient xD#Which tbh also makes sense. She definitely gives that air. She gives that air even to Qingque to some extent#Fu Xuan refers to Chengjie the same way Master Gongshu did‚ basically#You see her there and she talks to Chengjie as if he were a very young man. He is well over two hundred years#It's so funny and so... strange also compared to the other long-life species in the Xianzhou#Yukong is a mature woman. If it weren't for her lifespan‚ Fu Xuan would consider her a 'young girl'#I wonder if this strains the relationships between species somewhat#It seems it does. We see glimpses of that several times I think‚ like in the Poetic Genius Ingenium quest#The vidyadhara's love is always fresh and passionate and new and really can go on forever even if under different faces#But the Xianzhou native gets tired and drained and old#I don't know. I find this very interesting tbh. I understand them not being able to dwell on it for longer in the game#(longer than they already did) but it's so interesting to think about and how it could shape society in all its forms#I talk too much#I should probably delete this later
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marvelmaniac715 · 16 days ago
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I had a virtual ticket for the Ghosts Q and A event, here’s some fun things I learned:
If Pat had a tattoo, it would be a dolphin on his ankle surrounded by stars
If Robin had a tattoo, it would be a bum on his bum
The original pilot for Ghosts contained many other characters and truly horrendous costumes
Robin’s original chess partner was a permanently drunk monk
There was going to be these two ghost characters who were a husband and wife who hated each other to the point that the husband killed his wife and then instantly fell down the stairs so he was stuck with his wife for eternity
Mary was initially eternally emitting smoke, which was a problem because it was a practical effect which involved piping smoke from under her skirt (from what I could gather)
Martha Howe-Douglas has never seen Star Wars
The team who made Ghosts initially considered making a show set in space instead because they weren’t sure how to do the ghost plot - Martha would’ve been a cyborg (she doesn’t know what a cyborg is)
Laurence Rickard (Robin and Humphrey) once encountered a little Northern Pat trick or treater during Halloween who had no clue who he was and didn’t intentionally come to his house
Laurence Rickard has a model of his severed head just on his person (presumably at all times)
There was initially going to be a ghost called Ancient William, who was one of the oldest and wisest of the ghosts, a soothsayer type character like Yoda, except he was only six years old
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rahuratna · 1 month ago
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Synopsis: Post-Shibuya Nanami x Classical Dancer Desi Reader
In the aftermath of Shibuya, an injured Nanami struggles to balance his eroding self-worth with his desire to conduct his duty as a sorcerer. He finds healing in the fragrant garden of your dance.
Genres: Romance, angst, suspense.
Content warnings: depictions of low self-esteem, dealing with trauma, erotic and sexual content.
Thanks to @tsukimefuku for reading and editing this piece that is so precious to me. 🧡💜
Please refer to the glossary for the meaning of certain terms used. 🧡
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(I)
Pushpanjali: an offering
"Tha ka dhi mi, tha ka dhi mi, tha ka ... "
It is a chant that spans centuries, leaping from the high-ceilinged, airy chambers of a land and time long past, to here, and now. It winds between the gently rippling silk scarves that adorn the walls, a drumbeat like the slow collapse of ancient kingdoms under the steady tramp of cavalry.
Time seems to pass at a stagnant pace in here, in this place where your domain has taken root and unfurled, a red, red bloom in the heart and hand of a painted god.
Feet slide and strike against the worn wooden floor, precise and weighted, as you perform the basic stance before your pupils, watching faces tight with the concentration of the inexperienced.
"Tha ka dhi mi, tha ka dhi mi ... "
Your voice guides them, as does your form, an arm straightening here and a pair of knees bending further as they watch you. The twist of your lower back, the stretch of your arms in a line to some point behind you, the rejoining of your fingers in katakamukha, the arch kept between chin and the line of your shoulder, all shifting in a single fluid movement that requires no thought.
Incense snakes through the air, close to the glass double doors, the heady scent of sandalwood gathering in tendrils there, where the gentle push of the breeze cannot dissipate it. It is through this fine mist that you see him, for the first time, standing just outside the doors in the narrow passageway.
Shoko had informed you of his arrival, of course. She had warned you about his physical condition, about the nature of his grievous injuries. It wouldn't be the first time she'd made use of your services to assist in the rehabilitation of wounded sorcerers.
Your eyes meet his, through the shifting coils of fragrant smoke from the brazier, and you see, in a single, fractured moment, why he is here. He has been sent here for a form of healing, but his gaze is not soft and receptive. It is shuttered, its passion muted and closeted away, defences piled so high they might as well be weapons. He scans the dance hall with the kind of predatory clarity that long, long years of being a sorcerer would bring.
You excuse yourself and step outside, the open door allowing the scent of the incense and the soft evening air to filter out into the hallway. Behind you, the silk scarves flutter gently in the draught.
He is a tall man, poised and elegant. He wears the jacket and comfortable, warm trousers in a way that speaks of someone more accustomed to formal wear. As soon as you enter the hall, he bows with deep formality, and the mellow resonance of his voice seeps into the narrow space like honey spilled across the floorboards.
"Nanami Kento. I was referred here by - "
"Shoko. Yes. I've been expecting you."
You return his bow and introduction, aware of his scrutiny travelling the length of your spine. You can sense that he is picking you apart in his mind, fitting together the components to try to build a coherent whole.
Close-up, the severity of his burns are evident. A layer of darkened scar tissue covers the left side of his face and scalp, running down his neck and further, where your eyes cannot follow. The left eye, according to Shoko, had been unrecoverable, now shielded with a soft, surgical patch. The damage to his arm had been even worse, as it seemed he'd used it to shield himself. A fuzzy growth of pale hair had started along the scorched skin of his scalp, a sign that even now, his body was knitting itself slowly back together.
Your eyes travel over his sharp-edged countenance, and he stares back, unphased. You make a rapid mental list, a trickle of first impressions that will later build to a torrent.
Stength, and plenty of it. A deathly, well-controlled calm that permeates his living flesh, skin over smooth stone. The martial bearing and powerful arms and shoulders, even scorched as they are, speak of the force he must have presented on the battlefield.
He assesses you in return, and you tilt your head as the dim sunlight filtering into the corridor catches his eye, turning the honeyed brown of their depths to a moss-flecked river bed, steady and cool.
Beautiful.
That is your first impression of him.
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(II)
Alarippu: the flowering
Recovery.
Kento has heard a dozen variations of that word by now, couched in the language of choice. 
The road to recovery. 
Recovering your mobility. 
Getting your old self back. 
A return to routine.
He is aware, by now, that any such full repair of the damage that has been done to him is a castle in the air, one he cannot summon the lightness of spirit to ascend to. Positivity had never really been his hallmark. Now, even less so.
The world had shifted around him while he was asleep, you see. Comrades had fallen. The new generation had triumphed. The very fabric of Jujutsu society had been rewoven, the dawning of a new age embroidered for all to see across the hard-won horizon.
The sacrifices he'd made were but a few of many. They'd hardly mattered, in the larger scheme of things. Many had given their lives. What had he offered up?
The ability to walk without aid, for one. Also, most of the skin on the left side of his body. Basic movements, things that had once been second nature to him, were now carefully calculated because of the pain.
The lunge of an arm through a coat sleeve when he was in a rush. The brisk pace he'd maintained to keep his body temperature up in cold weather. The sensation of a soft cashmere scarf against his cheek, or the brush of an aerated cotton shirt against his skin in summer. The cascade of hot water on tired muscles, after a long afternoon swinging diligently at cursed spirits. All muted, fuzzy, lost.
And what else?
Kento had never been soft with himself. People often thought that sentiment never clouded his cool judgment, allowing him to make objective and sensible decisions. While that was largely true, it flew wide of the mark in terms of what really pushed him, what gave him direction. It was ironic, as he'd speculated later, that his mortal enemy had been the one to identify what many of his comrades hadn't.
Mahito, in that light, youthful, jubilant voice, declaring how he'd seen Kento's soul quivering. And he was not wrong.
Kento was a man driven by a quiet, desolate desperation, a desire to fill an empty space that yawned endlessly within his soul, a black hole with an insatiable appetite. Emotion was as vital to his function as breathing. It drove him out of bed everyday, into the office, into the boardroom, into the bakery, back to jujutsu tech, into rain, snow, sun and wind, into the face of his darkest imaginings.
He watches traffic from the window of his room at the private clinic, pedestrians going about their lives, people chatting on precariously held phones, children dancing through a world of make-belief, people on lunch break. People with purpose, a certainty of their place in the world. What could he offer, in this world of colour, sound, movement and shadow, this world that threatened to leave him behind?
Kento had paid the price, and would do it again, and again, and again, in every known reality, if it meant maintaining the stability he saw outside his window.
(But if that was the case, why was the darkness inside him more ravenous than ever?)
********
Shoko comes to see him most frequently, even with her workload at the Tech. She can't really help it. Nanami is her last remaining bridge to the past, as selfish as that makes her seem. She doesn't care much, not anymore. She'll take what she can get.
A tenuous bridge, is Nanami.
Shoko is accustomed to seeing the damage that can be done to a body by the uncontrolled hatred of a curse, or the more conscious destruction of a cursed technique. She has seen it all, performed the most grotesque procedures on the corpses of those she loved. But something about seeing Nanami's injuries, seeing him like this, is more jarring than any of those horrors.
Her technique has allowed his skin to heal, the raw flesh, exposed tendon and muscle beneath now covered by the new epidermal growth she has stimulated.  The chances of oedema and infection are also minimal, considering her precautions. All that was left now was his slow physical conditioning and therapy.
(If only that were all.)
If Itadori, Kugisaki, Fushiguro and Ijichi had their way, Nanami would never know a moment of solitude. They wanted constant updates on his condition, to bring him his favourite foods, to talk, weep, mourn and rejoice with him. She allowed them to see him, every other day, but drew a firm line, citing his recovery as priority. She didn't have the heart to tell them that every gentle glance, every proud smile, every glimpse of the old Nanami they received came at a great cost.
Standing in the doorway of his room now, she could see it. Or rather, the lack of it. That vitality, that pain from which he drew his vigour, the firm lines of his back and shoulder that reminded her of an implacable bulwark against the raging of the cursed world, all absent. When he didn't think anyone was looking, that is.
Stepping into the room, she offers a slight nod as the door slides shut behind her. The change is immediate. He straightens, the corners of his eyes regaining their sharp edge, the set of his mouth firm and familiar.
"Shoko."
"Nanami. Ready to talk about physical therapy?"
She gets straight into it, knowing that he wouldn't want it any other way.
"I'd like that very much. When can I begin?"
His words are still slightly muffled, the burnt edge of his lips stiff with a new layer of scar tissue.
Nanami had never been a vain man. He had always been in possession of striking features, and had taken care of his appearance, but in a way that was more attuned to practicality; if he was neat, well-presented and unremarkable, Nanami considered this a success.
It was why he had been able to look in a mirror with such equanimity for the first time after his treatment. All she had seen was a slight tightening at the corners of his mouth, a slow nod, a brief look of exhaustion and resignation as to this new set of scars.
The loss of his left eye and the damage to the arm on the same side had been the worst of it. There, she'd done everything in her power to restore the lost tissue, but Nanami would never regain his eye, or the full range of motion with that limb. There was, however, the soft growth of new hair on his scalp, a promising sign that elsewhere, her rejuvenation of the underlying tissue layers had somewhat succeeded.
Shoko doesn't reply to his query just yet. She approaches the bed, and he sits up, unlacing the front of his hospital gown, accustomed to the routine by now. She place her palms a few inches from his skin, closing her eyes as she maps him out, bone, muscle, blood and water, the minute synapses where impulses leap in a frantic race, the steady beat of his heart.
Inhaling deeply, she steps away.
"The sooner you begin, the better. I know you've been walking a lot. That alone won't help in the long term."
There is a hint of reproach in her voice. Nanami, displaying his singularly stubborn streak, had been discovered out of bed on more than one occasion, standing by the windows, staring into space in a way that made her worried.
He gives a wry, crooked smile.
"What do you recommend?"
Shoko places the file she'd carried along carefully on his lap.
"There's a family with a specific cursed technique I've corresponded with before. Sent some of my patients to them. They specialize in therapeutics."
Nanami is watching her closely, taking note of the way she focuses on the view out the window.
"And you're sending me to them?"
"They aren't local. The main clan is located in India. Scattered at various locations in the Tamil Nadu province. One of their members moved here, some years back, to conduct research on the compatibility of their techniques with ours. It wasn't a success, for various reasons, but he stayed, with his family."
"So it's a hereditary technique?"
"In a way. It manifests with varying degrees of efficacy. I'd simply like ... for you to meet with their representative."
She returns his gaze, and when she speaks again, he understands why she has been so hesitant.
"It's not just physical therapy, Nanami. We can achieve that pretty well here. Their methods go ... deeper than that. I can mend physical wounds. They might be able to help you heal in other ways."
He doesn't agree to it immediately, looking through the list of exercises that came after the therapy recommendation letter. One eyebrow lifts slightly in a comfortingly familiar query.
"You want me to do yoga too?"
"Gojo's idea. He added it to the list before he - "
She stops abruptly, one hand finding purchase on Nanami's ankle, squeezing lightly on it where it rests beside her, under the blankets.
"Anyway. He said he wanted to make video edits of you with your ass in the air. Said it would be good to bring you down to earth a little."
Her chuckle doesn't sound hollow any longer. She can talk about her friend (yes, he was that too) without that tell-tale catch of agony in her chest. Nanami sighs before opening up the file, his good hand leafing through the printed pages.
"I suppose ... I could humour him. This once."
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(III) 
Shabdam: The Word
In a month's time, with Shoko's regular treatment, Nanami is in good enough condition to leave the clinic. He still makes use of a walking stick, especially for longer distances and steeper flights of stairs. Ijichi makes sure he is permanently on call, for the occasions when Nanami simply needs to get out of the sterile halls of the clinic, the rapid intake of the world outside enough to sustain him.
Nanami has, for the most part, been following Shoko's regimen religiously, adding his own variations without her knowledge. In this way, his strength and endurance steadily build up to a point where he is ready to be discharged (with daily check-ins, of course).
Nanami keeps the file that Shoko had handed over, but every time he spies it out of the corner of his eye, he occupies himself with something else, procrastinating in a way that is wholly unlike him. Eventually, his own conscience prevents him from delaying further. He is entirely skeptical that anyone can truly help him. He has felt that way since Haibara died, but even he can admit that there's no harm in trying.
He finds the address given with little issue, and Ijichi is more than willing to take him there. The place is nondescript, no signage giving any indication of the activities that take place there. There is an wood-panelled foyer, a colonial style spiral staircase leading to the upper floors. The stairs themselves have been worn smooth by many generations of feet.
Nanami is half an hour early, anticipating some kind of registration process, or introductions, as there had been in martial arts dojos he had frequented. There is nothing of the kind. He finds himself in a corridor, flanked by two pairs of glass double doors. In one of the rooms, a wide open space with a wooden floor and a view over the city, he sees some kind of class in session.
Approaching slowly, he hears it. The rhythmic thump and shuffle of feet, the feminine voice that called out a pattern that he's never heard before, but seems familiar all the same. The glass doors give him a clear view of the room, of the five occupants (a small class, then) who were engaged in some kind of dance practice, and the instructor, up front.
He pauses, body coming to a complete and rare standstill. He watches as she moves through a repetitive step, in time with the beat she calls out, firm, musical, lilting. The grace of movement, the low centre of gravity, the rigidity of the lower body in contrast with the flow of the upper, arrests his vision.
The disciplined line of her throat turns, and she is facing the door, facing him, hands brought together in a signature pose. Long lashed eyes, observant, catching and holding his glance. For a moment, he feels the desire to back away from the door, to hurry out into the street, a return to his comfortable routine. He stands his ground, as always.
He watches as she approaches the door.
********
Once your introductions have been dispensed with, you gesture to Nanami to follow you into the smaller room you use for individual therapy. His gaze lingers on the class that continues, even in your absence.
The same silk scarves ripple gently along the walls of the room next door, orange, grey, red and green. The rug is old, but rich and plush. There are two chairs, comfortable and supportive, their orange upholstery lined with faded gold thread, and an urn on a stand nearby, on the boil in readiness to prepare chai.
You pour him a cup now, the fragrant liquid a rich, caramel brown in the small glass, eyeing his expression through the steam.
There. Immediate interest. A man with a varied palate, considering the way he accepts the tea with polite deference, but takes an appreciative sniff before sipping deeply.  The way his shoulders relax slightly afterwards has the corner of your mouth tipping up.
"So, Nanami. Shoko told me that you're here for our specific line of therapeutics."
He puts the cup down with a decisive motion.
"Yes. She told me a little about the effects of your technique."
"Did she explain what exactly it involves?"
He pauses, gaze traveling to the students in the dance hall next door who were now stretching and rounding up their practice.
"I assume it has ... something to do with that?"
You set your own cup down and clap your palms together.
"Well observed. It has everything to do with dance. Bharatanatyam, to be exact."
He raises an eyebrow, and you explain obligingly.
"Where I'm from, Bharatanatyam is one of many classic dance forms. The practice itself goes back centuries. My family's technique is rooted in the principles of the dance itself."
Nanami cleared his throat.
"I'm afraid ... I'm not a good dancer."
Your laughter comes easily.
"That's what they all say, in the beginning. But don't worry. You won't have to do anything strenuous, nor am I going to make you prance around in a dhoti."
"You have my thanks, I suppose."
"We will do plenty of physical conditioning, but you will also be my audience. My technique requires that you are ... receptive and open to answering the things that I ask."
Here, the easy flow of conversation stills a little, and the tea swirls gently through the motion of his dexterous fingers. He does reply, eventually, softer than before.
"I chose to come here. I think that speaks for itself. I will accept whatever your technique can do for me."
The non-committal nature of his reply does not escape you. You nod, understanding that this is the best you'll get from him, for now.
"Hmm. I think it's best that I demonstrate. That always works better than sitting here and explaining."
You stand and gesture for him to do the same, observing his movements carefully.
There. The burned side of his body has slower movements, as expected. He still displays agility and grace, despite the stiffness and pain he must feel. You approach and stand directly in front of him.
"Nanami, I'm going to lay my hand here, on your abdomen. Please tell me if this is fine."
He nods, but his body is now taut, anticipatory. This close, you can smell the surgical cleaning fluid that he must still use when changing dressings, the scent of the clinic still clinging to his clothes and hair. Beneath it, something warm, vital, pleasant. The scent of him. His hair falls over one brow, unhindered, and he impatiently pushes it back. Judging from the length, he must like it shorter than it currently is.
"Please try to relax."
Your hand presses against the firm planes of his stomach, centering around his navel. He is shockingly solid, vitality surging under your fingers. And something else. You frown, but keep your hand in place. After a few minutes, your fingers begin to move. You start to tap out a gentle rhythm against his skin, tentative, repetitive.
You keep this up for a while, eyes shut tightly, focused. When you eventually look up at him, he is watching you with close attention. You know what he sees, that he is following the currents of cursed energy that swarm around your body, fluttering and pulsing in accordance to the pattern you've been tapping out.
This part is crucial. The manner with which you approach this will determine his response, and you can feel his resistance to an invasion of this kind, how he could shut himself off from you, the giant ribcage of self-preservation sealing to the sternum, forever shielding his heart.
You step back and take your seat again, and he pauses before doing the same. He leans forward, elbows on knees, watchful. This man doesn't miss a thing.
"Your diagnosis?"
He had a lot of cheek too.
"There is no diagnosis. Not in the sense you're thinking."
"So, what was the purpose of ... that?"
"It allows me to plan my dance. For next time."
"Your dance?"
You reach for your glass, take a quick sip of the cooling liquid.
"In plain terms, my technique is called Arangetram. It's named after the dance recital performed by a bharatanatyam student after many years of perfection of their art. The recital takes place in stages, and each stage reveals more of their dedication, their skill and their unique talent."
Your palms, placed together, draw apart and Nanami's gaze falls between them.
"It's an unfolding. A gradual one. My technique enables me to read deeper into the patterns of your own energy, gently peeling apart each layer in stages, until we reach the crux of the issue. The wound to your Atman. Your true, and eternal self. With my guidance, and your cooperation, we can possibly help heal that."
As you speak, Nanami's gaze falls to his glass, the bitter dregs collecting at the base. He stands abruptly, and turns away from you, facing the window. You remain still, waiting.
When he speaks, there is something in his voice that makes you wince slightly. So much heaviness. So much despair. The weight of it must be crushing.
"That sounds ... familiar. Before I was saved by another young sorcerer, someone I helped mentor, I ran into a curse that could have ended my life for good. I'd met him before, you see, but he escaped me at that time. His technique ... wounds the soul. Our perception of ourselves."
You take in a sharp breath. What Nanami was describing was a form of cursed technique in direct opposition to your own. Nanami continues, eyes fixed on the steady stream of cars that pass by below.
"Are you telling me that you can heal that kind of damage completely?"
"No."
"Why?"
"Because damage to the soul requires accurate perception, but a callous disregard for any and all forms of life. Destruction is part of universal balance, but to actively go about it, without any consideration for what you will create, is ... inhuman."
You stand, wanting to meet his eyes when he turns to face you again.
"Healing the soul is nothing like this. Nor can it be done in the same way for every person. But Nanami, here's the question I want to ask most right now. Why, even now, are you thinking about all the victims of this curse? Why, since you've heard the nature of my technique, have you never once thought about how it could actually help you?"
This demand is what it takes for him to finally tear his gaze away from that window, mouth opening in protest, but your silencing finger is up. You're not touching his lips, not quite, but close. His warm breath ghosts over your finger.
"Dont answer that question now. Answer it tomorrow, after you watch me dance."
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(IV) 
Jathiswaram: Purity of dance
He is early the next day, and you can sense that this will be a pattern. A seasoned sorcerer, through and through, gaining intel on the lie of the land. He is dressed with casual elegance once again, this time in a soft sweater and old jeans.
You guide him through a series of stretches and stances, eyes following his movements. As hard as Nanami is to read, you can tell, from the softening of the lines at the corners of his eyes that these exercises give him relief.
He is also unlike any other pupil you've ever encountered. There is something about having that keen gaze trace every line your body forms with such close attentiveness, the lithe mimicking of each pose, the easing of the stiff line of his mouth when he gets something right, and is aware of it.
It is like practicing yoga alongside a panther, one that won't harm you, but with every stray connection of the eyes, you are aware of just what it is physically capable of. It is both thrilling and strange; new.
When the first short session is over, and he seems slightly more at ease, you serve him tea once again.
"Take a few minutes. Relax. You'll wait in here until I call you into the hall next door."
"What would you have me do?"
"There will be a cushion on the floor. You're going to sit cross legged, as comfortable as you can get. Arms relaxed, hands resting on your knees. Then, you watch."
"A performance of some kind?"
"Yes. To be more specific, you're going to be inside my domain."
This was the one detail he seemed most hesitant about. You wait, in silence, giving him a chance to defer, to push back, to delay the inevitable. He doesn't do any such thing. You're beginning to understand just what kind of courage this man possesses. It takes a different kind of bravery, you're well aware, to face your own demons rather than the gnashing beasts of the cursed world.
*****
Kento does his best to let the soothing spiced heat of the tea perform its dutiful relaxation of his limbs. He sits, legs spread slightly, staring at the wall. The door to the small side room effectively cuts off any sound from the dance floor beyond. He does not know what to expect and he doesn't like it.
Finally, a soft chime sounds. His signal. Setting the glass of tea aside, he stands and makes his way into the corridor, then into the room beyond. He pauses, taking in the transformation.
The view of the city outside has been completely blocked by rich, embroidered curtains, a screen propped up all along one end of the room. Behind it, he hears soft voices speak in another language, rapid and lyrical. The experimental pat of drums and the musical clink of small cymbals indicates that a band of some kind has set up back there, in readiness with their instruments.
Following the instructions he'd received earlier, Kento pads quietly to the centre of the room, where the large, solitary cushion sits, and lowers himself onto it. It is surprisingly comfortable. When everything seems to be in position, a hush falls over the room.
The first hint of her approach is the chime of the anklets she wears, many layered, the bronze shimmer of the individual bells catching the buttery light. She wears a sari, but something about it seems tailored differently from those he'd seen before. The waist has been cinched in with a belt, the pleats of the skirt fanning out around the knees. Beneath, she wears a pair of loose-fitting pants, the shimmering material caught in at the ankles by the bells he heard earlier.
Her hair has been fixed back in a long braid, flowers framing the outline of her head. Dark kohl lines her eyes, and her hands and feet are decorated with a red stain that stands out against the ocean-coloured silk of the sari.
She approaches and crouches nimbly before him, that long-lashed gaze travelling over his form, attentive. Her voice is low pitched, as always, but now there is a new undercurrent to it. He can feel the latent energy within her, as if she has been calling to it, like some long- submerged civilization breaching the surface of the sea.
"Nanami. I'm about to start. In order for me to do so, I need you to picture something in your mind's eye for me."
He nods, slowly.
"I'm going to touch your navel the same way I did yesterday. When I do, don't fight the image your mind throws up. It is natural. It may be a good memory, or an upsetting one. Either way, just let it be. Do you understand?"
"I do."
The pressure of her hand is barely tangible through the material of his sweater, but her cursed energy slides against him with a force he can push back against. He doesn't. Even as it goes against every preservatory instinct he has, he lets her in, watches the slow dawn of soft surprise in her eyes. She has kind eyes, he is only just realising.
And then an image flashes across his mind, just as she warned. Another era of lost kindness, a boy who looked at him with eternal patience, good humour and warmth. In the instant that he sees that face, laughing, animated, lips peeled back from wide, white teeth in that trademark grin, the world shifts. The face is no longer filled with life and humour. It is cold. Pale. Lips purplish and creased, dried blood flaking from the corners.
He wants to pull away, to stop, but he cannot. This is important. This has to be done.
Her hand comes down on his abdomen, harder. Then again. She is finding a rhythm in his own cursed energy, hand mapping out the pulse, scenting his weakness, his pain, following it. Again. And again. And again. The steady pattern builds. So does her cursed energy. It fills the room, filtering into every space, until Kento feels like he is the inhabitant of a fish tank.
Blue silk fluttering, she steps back suddenly. The scent of the incense is heady, intense. Behind the screen, the unseen musicians have somehow struck up the same tempo she has been playing on his abdomen. Her expression changes, and he straightens, slowly.
The kohl-lined eyes open wide, the whites stark gains the smoky backdrop of her lids. She drops to the same stance he'd seen her adopt in the class she'd taught yesterday, knees slightly bent, thighs holding a rigid line, arms outstretched, hands slightly bent at the ends. Her entire upper torso forms an elegant line, see-sawing gently, before the arms snap back and forth, as if tugged by an elastic band.
Red-painted, flickering like four flames, her hands and feet move with rapid precision, taking her through a fluid series of steps that are timed exactly to the beat of the drums, the beat of his own cursed energy, humming and writhing. Her dark, dark eyes meet his, and he understands, now, that every movement she makes entwines their energy, tangles it further, a cat with a ball of yarn, edging the threads closer to a woven pattern.
Her hands stretch toward him, shaped in what seems to be something symbolic of a flower. They spread, and he follows the reddened unfurling of her fingers, the crash of the cymbals louder, a portent of her ability.
He sees the incorporeal lotus, the shadow of it on the screen behind her, petals rifling past each other like the pages of an endless book, and her hands are dragging something out and away from him, emptying like fragrance into the room.
This is her domain, and he shudders in sudden understanding, as memories he'd long buried, bruised and raw, come fluttering like a cloud of butterflies to the surface of his mind.
The first time he'd met Haibara, the way the bright-eyed boy had handed him a shared ice cream, that hot, hot summer's day. The way he'd followed Kento, ignoring his grumpy demeanour, pressing snacks and home-made creations (less successful) into his hands. The long days of training, the sudden and pleased widening of his eyes when Kento had let slip that he'd been improving. The muted tones of his exuberant voice when he'd spoken of his sister, of the path he'd make sure she'd never choose.
And that, right there, was that focal point of pain, the sore spot that had festered, untreated, deep in the knowledge of his soul. Haibara had known, all along, the dangers of their job. He'd known, full well, how easily his life was spent by those who did not understand the full value of such currency. He knew that his youth was a fool's game, one that may never be completed. And for all of these years, since his death, Kento had chosen to -
The loud clash of cymbals dissipates those thoughts instantly, the energy permeating the room, surrounding them both, snapping back to her still form, controlled and under her command. She is watching him closely, the tight grip he now has on his knees, the sweat beading on his brow.
She takes three steps forward, legs lifting high in the stylized movement of her dance form, and her palms come together as she bows to him. Instantly, the performer is gone, and she is back with him, no longer in command. She pads quickly over to him, kneeling and touching his leg.
"Hold on to those images for a moment. Tell me, who was that boy?"
Kento pauses, swallows thickly.
"Haibara Yu. A boy who studied at the Tech with me. We trained together."
She does not need to ask what has happened to Haibara. She has seen it, through the binding of her dance. She has seen his death. Her next question catches him off guard.
"Why is his spirit so strong inside you? You carry him with you like a briefcase to work everyday. Why is his reflection on every surface you pass? Why does he force you forward, and yet, drag you backwards too?"
Kento is still, the sweat cooling on his temples. His muscles are rigid, cording. Pain flares along his jaw, where he has been clenching it. She raises a hand, palm up.
"Don't answer me now. Take the next few days off, and think about the questions I've asked."
*******
He does consider it, as she asked him to. In fact, it's all he can dwell on. As much as it robs him of sleep, leaving him tossing and turning, blankets rumpled and damp with perspiration, he thinks that this is better than staring into formless space. This torment is preferable to the endless battle played out against the pale, sterile walls of the clinic.
How long has it been since his pain has been cut out of his chest, a fully formed, hard-edged diamond, the corners so sharp they slice through him at every touch? How long has it been since he's turned over that crystalline fragment in his hands, allowed himself to remember, to cherish, to grieve?
He understands why he could not, before this. There were missions to undertake. Work to be done. Curses to be dispatched. An endless cycle of activity to tear his mind away from such things.
And then, there had been the students. He goes over each of their names in his mind like a mantra. Yuuji. Megumi. Nobara. Maki. Panda. Inunaki. Ino. The faces of children, the minds of warriors, the scars of those who had known their worst fears and overcome them. It was his duty to protect and serve, to keep them safe, and yet ...
If he had convinced himself, so many times over, that Haibara had needed an adult like the one he had shaped himself to be, then why wasn't he needed any longer?
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(V) 
Varnam: The Centerpiece
When you see him again, you can't help the smile that breaks across your face. Nanami is a tricky customer. In spite of his natural strength and charisma, you can tell that he is unaccustomed to relying on others for his emotional well-being.
And yet, here he is, standing in the hallway, expression controlled and muted as always. There is a certain tension and guarded quality to his demeanour that is lacking this time around, however. He has seen the extent of your technique. It cannot harm him any more than he harms himself. This, you are also aware of.
"Nanami. It's good to see you."
He nods, that keen eye of his taking in your expression.
"You were not expecting me to return."
It is not a question. You laugh and gesture to him to follow you into the smaller room beside the dance hall.
"I can't say what I expected. But rest assured ... I'm glad to see you here."
He dips his head in acknowledgement as he follows you through the door. You note that he's had a haircut since the last time you've seen him, the flowing blonde hair slicked back on the right side. His surgical patch has been replaced by a soft black one. His walk seems a little steadier, even if he still has to use the sturdy cane to navigate the stairs.
You pour him tea in silence, waiting for him to initiate the topic that you've asked him to consider. He takes a sip, a soft grunt of satisfaction escaping him, before he sets the glass down with that decisive motion you've come to recognise.
"Last time I was here ... you asked me about Haibara."
"I saw him. In your memories. He must have been important to you."
"I said that we studied together. We were in the same year. There was ... a mission. It was assigned wrongfully, by the higher ups. The difficulty level was ... too great for two fledgling sorcerers. We'd held our own against curses before, but this was different."
"And Haibara ... "
"He was killed. I escaped."
There it was. The words seem to exit him easily enough, because he's probably said them many times before. There is a raw quality to them, though, that cannot be disguised. He has never forgiven himself for Haibara's death. You give him a minute before resuming your questioning.
"My technique showed me that Haibara had a sister. He did not want her to become a sorcerer like you two?"
Here, Nanami's hesitance is tangible.
"No, he didn't. He knew the dangers of our work."
"And yet, in your memories, you clearly see him as someone to be protected."
"He was."
The words emerge sharper than Nanami likes, because he tries to lessen the bite of his tone as he continues.
"I believe that the younger generation of sorcerers should be protected at all costs, whenever necessary. It doesn't matter how much they've seen, how much they've experienced. What matters is that they are not robbed of responsible adult figures in their lives, who can help them cope with what comes later."
"Did anyone help you with coping? With dealing with what happened to Haibara?"
For the first time, Nanami does not meet your gaze. There is a softness to this man, that shows in the gentle, considered way he touches objects, the way his dark lashes shadow his cheeks, the way he is always thinking of someone, anyone other than himself.
"No."
His voice is charged, but quiet.
"And so, you think to play this role for the future generations?"
"I hope to. Yes."
You already know what must be done, as painful as it may be.
"Nanami, is it possible for me to meet with your students?"
******
"Nanamiiiinnnn!"
The boy with soft-hued pink hair is enthusiastic in his greeting, none of it contrived. You can see from the way his eyes light up, the way his whole body gravitates to the sorcerer standing beside you, that Nanami means the world to him. The girl with the eyepatch beside him gives a more staid greeting. There is a certain tough rakishness to her bearing that you've come to recognise as well-earned bravado.
It's Nanami you are more focused on. He introduces you to the students who greet you politely, each giving a small bow.
"How's the progress, Nanamin? You look great!"
The young sorcerer, Yuuji, truly means it. He is taking in Nanami with an air of triumph.
"It's slow, in some ways, but I'm getting there, Itadori."
You note how he still refers to them by their family names, even after everything they've been through together.
"Why don't we have lunch together?" you suggest.
Nobara immediately points at Nanami.
"Ask him. He's knows all the good places, in just about every part of the city."
And so, you find yourselves seated at a small soba place, one you haven't come across before. The food is excellent, and Yuuji and Nobara chat animatedly across the table with their senior as they plough through a selection of dishes.
It is now that you notice all of the things that Nanami doesn't.
The way Yuuji constantly keeps an eye on how much his mentor eats. The way Nobara adjusted the table when they sat down, such that Nanami could be more comfortable. The way they both scoped you out with clear protective instinct, forming their opinions of you.
Yuuji keeps up an encouraging stream of comments, complimenting Nanami on his receptiveness to treatment, on his hair, on the fact that he's been getting out more. He asks Nanami's advice on missions he'll be undertaking solo, and with others.
"So, Ino got his grade one promotion!"
"He told me."
Nanami cannot help the small smile that appears on his face. Yuuji shakes his head.
"Ha. I bet he told you before he told his mom."
Nobara snorts in agreement.
"Did you know he's picked up wearing a suit on missions now?"
"He does?"
Nanami seems surprised by this.
"Sure does. Keeps his hair shorter too. Thought I was teaming up with a Yakuza the last time we went on a mission together."
"Surely not."
"Oh, absolutely! He tried acting all cool, until I told him I'd video him and send it to you, and then he stopped with the persona real fast."
Nanami chuckles. It is a rich, warm, hearty sound, one that flickers over the table like the heat of a fireplace. You see the aching softness in Yuuji's eyes, the way Nobara grins triumphantly at having wrung that sound out of him.
And you understand, fully, like you knew you would.
These are no fledgling sorcerers. Nanami can never again offer them the kind of protection he once had. It is obvious that they value him no less for that. He is a glowing lantern of comfort, of hope to them. If he'd ever desired to play the role of responsible adult to these youngsters, then he'd exceeded every expectation and made himself indispensable, and loved.
If only he could see that.
You catch yourself watching Nanami's smile throughout the meal. It is, at times, contagious, at times shy, at other times a sarcastic tilt. He likes sandwiches, as you learn, and Nobara makes fun of the time one of Yaga's cursed dolls knocked a fresh salmon bagel out of Nanami's hand and he'd snapped and almost destroyed the garden it had escaped into.
It's only when the meal is over, and you are gathering up your purse, that you spy Nobara's eyes on you. The curve of her lips is discreet, and knowing.
*******
During the next few weeks, Nanami's physical condition slowly, but gradually improves. He does not ask when you will ensconce him in your domain again, and you do not offer. You feel that there is some fundamental hurdle he needs to overcome before this.
He still comes regularly, though. For someone who lived a regimental lifestyle like he did, you suppose it has something to do with maintaining a routine. Every other day, he is present, and sometimes, you note, he arrives almost half an hour early, watching the dance practice through the glass doors from the room across the hall.
You now leave the chai where he can help himself to it, and the cushioned mats rolled out so that he can take himself through the preliminary stretches while he waits.
The muscle atrophy, that is sometimes expected in cases of severe burns, does not present in any such way with Nanami. You can see, in the firmness of his stride, in the way he is able to balance his weight, in the slow loss of infirmity, that he has been working hard to maintain his strength and regain his physical abilities.
This is not what worries you. It's what comes after.
One month after treatment began, you see him ascend the staircase without assistance from a cane. He looks across the small distance, that bewitching hazel eye so firm, so proud, so accomplished, turning to you for acknowledgement that you cannot help the small sound of delight that escapes you. You also feel your stomach clench in anticipation.
Once in the room, you notice the small hint of amusement on his face, as you serve him from a plate of samoosas. You lift a curious brow.
"What is it?"
"You don't have to look so concerned. I won't be trying to take on any missions."
"I'm not concerned about- "
You cut yourself off, busying your hands with the tea. When you look up again, your breath catches slightly in your throat. He is watching you with what looks like tenderness, one hand still holding the plate you've absently passed to him. He speaks again, leaning back in his chair.
"There is something I haven't told you yet."
"And what's that?"
"About a dream of mine. One I've had for a very long time."
"And I presume it's a good dream?"
"In every sense. When I worked as a salaryman, I planned to save up enough money to retire. Live somewhere affordable, near the sea. Somewhere like Kuantan. I'd finally get to read all the books I'd bought and never finished. I'd live peacefully. Travel now and then."
You hum slightly, considering this dream.
"That sounds wonderful. Do you still think that this dream ... belongs to you? That it can be your reality, someday?"
"I always have. But ... I also know that such dreams come at a heavy price."
"Nanami ... I'd say that you've paid a thousand times over for such a dream."
Your heart twists at the pained knowledge in his glance. You've underestimated his astute nature.
He knows.
"I did tell you that one of the younger sorcerers saved my life, before. It was Yuuji. He found me when I was half conscious, burned, hallucinating about ... but that's beside the point. When I walked through that subway, I kept thinking the same thought, over and over again. 'Haven't I done enough?'"
The silence that descends upon the room is stifling. You clasp your hands over your knees.
"And have you?"
"I don't know, truthfully. Every time I think I have, there is something else. There will always be those who need the help of sorcerers. As long as I am able, how can I deny them that help?"
He is testing the waters, you can tell. Something about the last time he entered your domain must have triggered a curiosity in him, a desire to know just how much you could help him. You're not sure what it is, but you feel a rush of hope, a sense of a dawning breakthrough.
He spoke of a dream, and you know that Nanami never speaks idly. You pour him another glass of tea.
"I have a suggestion. Would you like to enter my domain again?"
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(VI) 
Padam: Simplicity
This time, there is no pre-amble. Nanami seats himself on the cushion at the centre of the room with preternatural calm, but you sense the roil of emotions beneath. It gives you a sense of purpose, as you prepare, focusing your technique as you braid your hair and apply the red alta dye to your hands and feet and leave it to dry.
When you enter the room, you see his gaze immediately follow the movement of your hands. You crouch beside him, and something feels different.
Prior to this, Nanami was yet another patient of Shoko's, referred to your family for the kind of healing that physiologically-based cursed techniques couldn't touch. It was the reason that the study of their connection had fizzled out. Practitioners like Shoko were fully aware of the effects, but could not recommend them without a sense of hesitation.
And what was Nanami to you now?
You'd been avoiding that question. You know, full well, that helping him has become a desire birthed inside you as vital as breathing. You want to see him well, you want to see him happy, you want his laugh to echo through the corridors of Jujutsu Tech and his feet to find their way to warm sands and the gentle caress of waves. It is that simple.
(You wish it was.)
Your touch on his abdomen is charged with the weight of this knowledge, the heat that floods your veins intoxicating as he opens himself to you. You feel for the thread that hangs in the still interior of the self, the quivering vibration that changes and slides from his soul to yours.
There. It is different this time.
There is a tug of greater urgency, a rhythm that swells into a powerful current that threatens to snatch away your control.
No. You won't let it.
The reigns twist in your hand, but you pull them further into yourself, taking them, pioneering your way across the ocean of his desolation and uncertainty. You begin the steady rhythm, synchronized with the music of his soul. The drums behind you take it up. The song holds power, heady and fractious.
There will be theater in your performance tonight.
You spring away from Nanami, the connection between you thrumming with latent energy. The visions of his mind's eye flash upon yours, a series of broken images. You need more coherency. And so, you dance.
You allow your expression to mould to a frightening form, eyes wide, shadows gathering beneath them. Your palm raised, the other thumb above it, quivering.
Illumination. Let the soul reveal itself.
And it does. Nanami's form, dragging his feet, fresh, horrific burns across his torso, swimming into your vision. As you take measured steps across the floor, knees poised high, anklets chiming, his footsteps echo yours.
You turn, palms facing floorward and ceilingward, the red seeping between your fingers in the dim light reminiscent of the blood that creeps sluggishly from the raw ends of his scorched flesh. You take his pain into yourself, whirling across the floor.
And then, something startling. Yuuji appears, but not as the heroic saviour. There is a gaping hole in his chest, those bright eyes, fervent with life, now empty and soulless. He collapses with a solid thud and your steps falter.
This is not -
And then, Nobara. Your hands draw back, foot placed on the flesh of the enemy, but Nobara's face explodes in a bloom of scarlet, painting the walls with a hibiscus flare of bone, flesh and matter.
Why is he -
Nanami's face and neck are drenched in sweat, his eyes shut tightly. There are crescents forming in the fabric of his trousers, over the knees, where his fingernails dig into the flesh. The cymbals are now clashing to a faster pace, and you are drawn along, the river of his despair breaking its banks.
You see them, one by one, in-between the rush of your spinning braid, arms and the red flash of your fingers. All of them. All of the students Nanami holds so dear, lifeless, bodies broken beyond repair. A thin, bespectacled man in a dark suit, motionless on the ground, blood seeping from beneath him. Shoko, with her lackadaisical smile and lazy warmth, neck slit, dropping to her knees. Haibara Yu, his youthful face ghastly and pale, one finger raised, pointing.
There is a dreadful sound emerging from Nanami's throat, pain and loss and suffering ground between his teeth to spill into his lap, along with the dampness that rushes from beneath his single, uncovered eyelid. You fight against the overwhelming current, back towards him, the muscles of your legs screaming as his cursed energy pushes up from all around him, a defensive wall.
You're on your knees beside him now, reaching past the battering of his energy, grasping hard at his shoulders.
Come back. Come back to me.
He is twisting in your grasp, his strength all but overwhelming, even in his weakened state. You position your hands on either side of his face, gently, the tendons in your neck standing out with the effort of keeping them in place.
Come back to me.
You are vaguely aware that words are spilling from between his clenched lips, the muffled sounds slowly gaining clarity as you fix your gaze on his mouth.
"Why not me, why not me, why not me, why - "
You feel an answering dampness on your own cheeks as you draw him closer, feeling his cursed energy envelope you, binding you even closer in mind and body.
"Not you, Nanami. Not you. Because your life is not going to be spent like this. Not like this."
Through the atomic engagement of your cursed energy, you feel for the familiarity of him, and you flood his awareness with images that push away the darkness that lingers. Of Yuuji and his kind eyes and watchful care, of Nobara with her brash humour and protective glance. You force him to confront the reality of the others he's buried in his memory, of the bespectacled man scurrying around his office, of Shoko puffing out a dense, white cloud as her head tilts back against a pillar, of the other students, traipsing back in, exhausted after a mission, of a young man pulling a ski mask over a cheeky, lop-sided grin.
"They need you, Nanami Kento. They need you to be alive and well. That's all they've ever wanted."
Your voice has lowered to a whisper as your domain is finally able to manifest, unfolding in the absence of his resistance. The many-petaled flower blooms in shadow, until the shining heart of it breaches like a whale's head above the turbulent waves.
And Nanami is enfolded in your arms, head pillowed against your shoulder, as your voice draws his drowning mind inwards, a solitary lifeline.
*****
Nanami does not return for his scheduled appointment the day after, or the time after that. Two weeks go by with no sign of him. You debate calling Shoko to enquire after him, your concern growing like a viper, hatched in the pit of your stomach.
Something holds you back, however. The same idea that forces you to confront what Nanami Kento has become to you. Your technique alone is based on facing the uncomfortable truths buried deep in your soul, and your feelings for him are no exception.
You cannot, in good conscience, call Shoko when the man you have come to care for so deeply wants nothing more to do with you, or your domain. The best thing for both of you would be to remain as silent ships, passing each other on the vast ocean, as Nanami gradually finds his way to the uncertain shore of recovery.
You cannot help but wonder, though, if you did truly have some impact on him. Had it worked? Would he now make more positive changes in his life that you would simply remain unaware of, or would he ignore all the progress you had made since the first time he'd stepped through those doors? You had to make peace with the idea that you'd probably never know.
(It still leaves you breathless with hurt, remembering the tender scent of him that remains on your clothes.)
******
Nanami does return, just not in the manner you'd expected.
It is a cool spring day, a full month after the incident in the dance hall. You've just come down from your apartment on the third level, wrapping a scarf around your neck and steeling yourself to brave the chill. You hear footsteps on the stairs, and you will your heart to a regular beat as their steady pace and weight sounds familiar. You've long given up the chance of seeing him again.
And then the distinctive wing of blonde hair makes an appearance past the rickety balustrade, followed shortly by the rest of him, and something in your chest constricts, because all of your discipline and mindfulness is about to fly out the window, and -
He mounts the final stair, pausing as he takes you in, in your outdoor clothes. You are trying, failing, trying so hard not to read too much into his expression, but there ... you see it. His eye kindles; the warmth of it floods the narrow space between you two, seeping into you down to your bones. No scarf can replicate this.
He steps forward, uncertainly, face twisting slightly in pained apology.
"Am I ... I hope you're well."
"I am. You look ... "
He is finally clad in the form most natural to him, a tan business suit, dark blue shirt beneath, a speckled tie cast to one side by the wind. His hair has grown drastically in the time he's been absent, one half of his scalp covered by a short growth of luxuriant white. He wears a dark glove over his left hand, presumably protecting the sensitive burnt skin there.
He is walking, completely without aid, only a slight stiffness betraying the original severity of his injury. All the elegance, strength and beauty you saw in him at first glance, now magnified beyond your comprehension, because something else is different.
His soul, the Atman that had struggled like a wounded tiger, frantic and torn, beating against its constraints, is not whole. Not just yet. It is, however, expanding beyond the borders of his body, exuding that confidence and grace you knew were such a vital part of his being. This is Nanami, the shackles of his mind trailing with uncertainty behind him as his gaze seeks yours.
You take a breath, but he holds up a hand.
"Please, let me speak first."
Seeing your slow nod, he seems slightly relieved.
"I apologise sincerely for not coming sooner. I felt that ... I needed to make progress on my own, to come to terms with what you'd shown me, before I came here once again. Above all I was ... "
Those rich, mellow tones of his drop to the range of the barely audible.
"Above all, I was ashamed. Of how obtuse I'd been. Of all the things I'd missed. I had to make that right somehow, to work harder to show the people who care about me that I can learn. That I can change. That I can ... think of myself and prioritize my well-being."
You are vaguely aware that you've drawn closer, a hapless moth, fluttering closer to a consuming flame.
"And are you at such a point now? You can really think of yourself?"
He huffs a soft laugh, eye traveling slowly, softly over your hair, your face, your lips.
"Yes. Yes, I think I can. If you choose to forgive me, maybe I can accompany you on your walk now?"
******
It is not the only time he walks with you. Nanami starts to visit again, regularly, but not just for yoga and exercises. Many of his visits are social, calling on you with a small gift of some edible treat or other that he'd discovered.
He tells you that he has started working at the Tech again, but in a purely advisory capacity, holding special seminars for younger sorcerers on the dynamics of co-operative missions, prioritizing the safety of oneself and teammates, strategy and appropriate preparation before missions.
He watches each young face that peers earnestly at him from the audience and feels a sense of peace, that he is doing all that he can to help them survive the harsh world that awaits. He is also liaising with various counseling services, trying to build a solid foundation for sorcerers who require emotional and psychological support.
You listen to each of his endeavours with delight, especially when he asks if you are willing to be part of this new co-ordinated team, bringing your area of specialty to the table.
Other times, you sit on the balcony with him, watching the ebb and flow of humanity in the city below, your bubble of tranquility untouched. These times are the most precious to you, because that is when Nanami's shoulders ease, when the lines at the corners his eyes deepen with merriment, when he tells you stories of places he's visited, people he's come across, anecdotes from his days as a salaryman and the latest exploits of the students.
There are times when he leans in close, when your breath halts at the verdant, warm, masculine scent of him. There are times when you pass him a steaming glass and your fingers brush the ends of his, and you notice that he always takes off his glove when he sits with you. Sometimes you stand, side by side on the balcony, your upper arm pressed slightly against his, revelling in the sweet, solid proximity of him.
It is one one of those occasions that you turn to him, to point out a new store that has opened not far away, and you see that he is watching you. There is no shame in his glance, only a gentle wonder that weaves a golden bridge between the both of you. Your voice is soft, reverent.
"What is it?"
"I'm remembering the first time I saw you dance."
"Oh?"
"You were teaching a class, as I recall. I remember standing by the door, watching, and some time later, your eyes were on me. And I realized that I couldn't remember anything that had happened in between."
He reaches for you, the glove absent, and you lean into his touch without hesitation. His fingers are light, so light, as they trace across your temple, your cheek, the corner of your lips.
"And ... during our second session, when you held me, I knew that I couldn't continue like this. That you were using the strength of your soul to heal mine, and that if I didn't do my best to understand what you had shown me, then all your effort would have been for nothing. I couldn't accept that."
Your forehead finds purchase against his, a natural movement that echoes the press of your palm against the substantiality of his chest.
"And now?"
"Now ... I can walk beside you in the sun."
The taste of his mouth is a nectar you've never known you've craved. It is heady, a fiery joining of soft and rough, the edges of the scar tissue tracing along your lips like the light drag of a fingernail.
You open your arms to him once more, and this time, he stays.
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(VII)
Thillana: Revivification
After learning the soul, learning the body is as natural as breathing. You were hesitant about touching him, wondering how much he'd allow after his injuries. You needn't have worried much on that account. As much as he makes your heart flutter and sing with his praises, with his eager, gentle touches, with the growing harshness of his lips against yours, all that he seems concerned with is how to use his body best to bring pleasure to yours.
You have seen the barest desolation of his soul, and its healing, and the damage to his body means as little to both of you as the muted rush of traffic outside your small apartment.
His urgency is sweetened by the clumsy tug and pull on zips and fastenings, on the shedding of clothes, the soft exhales, painting skin with warm moisture in between the frantic pace of your lips and his.
His hands are so large, spanning your ribcage as you lead him to your bed, circling and finding purchase on the dip of your waist. His body is a moving furnace that warms you as you stumble and clutch at each other, the ripple of muscle like an unseen beast beneath the waves as your palms explore his shoulders, arms, torso, hips.
Kento's skin is a map of hidden treasures, the smooth, tawny, gold- flecked expanse of chest meeting the ridges of scar tissue halfway across. The new growth of white hair on his scalp is downy soft between your fingers, in contrast to the silky texture on the right. His powerful thighs slide between yours, the forward thrust of his hips spreading you open to receive his weight.
He is not forceful, and yet, takes the reigns of your intimate dance almost as if by instinct. He pauses above you, propped on his hands, chest heaving slightly as he takes you in, his amber-shot gaze misty with adoration and lust. You reach up,  tracing the firm line of his nose, the sharpness of his jaw, the sinew of his neck. Every new angle you spy reveals more, that elusive, predatory beauty that never fails to enchant you.
His head dips, the blonde strands falling forward softly against your skin as he kisses a line of fire down your torso, quickening your breathing as his tongue flickers against your flesh. He holds you down, pressing you firmly into the mattress as he worships each breast, lapping, suckling, savouring.
He moves further down, and your sharp breathing devolves into whispered pleas and whimpers as he nudges your inner thigh softly with his nose. So deliriously slow, so decisive, as in every action he takes, he devours his way to the apex of your thighs, sliding his hands underneath you as you lift your hips and present yourself further to him.
The feast he has been waiting for lies open beneath his gently probing fingers, their honey smearing over his lips as he tastes you, eye snapping up as a breathy moan escapes your lips. He laps at you with heady abandon, that smoky, devoted gaze never leaving the contortions of your face as he brings you to each hard-won peak, drifting you back down to a mellow lake of blinding pleasure.
Your fingers slide and catch on his shoulders, anchoring yourself as blood thunders in your ears, and a rising storm, electric and charged with fresh potency, builds at every ultra-sensitive point of contact. He is your passionate guide, leading you to a shining horizon, familiar and yet fraught with the overwhelming knowledge that he is the one who pulls you over the edge of the thundering waterfall.
You are submerged, the shake of your limbs and the hoarse cry of your voice reaching up from beneath the surface your senses have yet to emerge from. When they do, you glance down at him, past your heaving chest, at the blaze that roars within him as he beholds you splayed out, breathless; an offering.
He takes it.
The slow crawl of his skin, sliding against your damp flesh, the brief touch of his mouth at the hollow of your throat, the brush of his nose against yours. He takes your lips in a soft request for entry, groans into your mouth as you trace the ridges of his spine. 
Kento is almost too much for you, the burning vitality that steals your breath, the fullness of your arms as they embrace all of him. The air rushes out of your lungs as the hardened press of his length breaches you, fills you to overflowing.
He holds you close, so close, as if he could meld your bodies as you had once done with your cursed energy, ragged puffs of air escaping his lips to collect like clouds in the evening sky of your hair. His movements are slow, dragging tears from the corners of your eyes, drunk and blissful moans cocooned within the slowly rotating vessel of your lovemaking.
You are at sea with him, around him, washing over his starving self and nourishing his spirit with every slick press of your bodies together, every arch of your back, every trace of his scarred skin, every gentle touch of your lips to his brow, cheek, mouth. He is now taking as well as giving, rolling his hips hard into the widening harbour of your thighs, soft grunt and pants deepening in their urgency.
The unfolding within you is different, completely out of your control. A wild, reckless dance, the rhythm ever-changing, golden threads running like molten metal between the undulations of your bodies. The flower of your combined desire unfurls, petal by petal, each dropping to the floor as new layers of delight and abandon are reached.
The bed creaks beneath the weighted push of his thrusts, his hands flying to your cheeks as your cries grow louder, louder, raspy and choked. This is the true face of passion, the complete submission to the will of your lover, the way you take all that he gifts you with and reciprocate with the finest nectar that slides from the deepest parts of you, soaking the sheets beneath you.
It is here, it is here in the glazed film of his eye beneath dusky lashes, the sweat between his body and yours, the heat that stretches on and on to an infinity within your knowing and snaps-
Washing over his ears in your sharp scream of release, in the wanton covering of his mouth with yours, the ecstasy of a thousand fluttering birds within the cage of your ribs. This time, the gentle ripple of your tide pulls him forward over the edge, his deep groan of guttural satisfaction reverberating through your whole body as his hips stutter and still their frantic pace.
You lie with him, afterwards, limbs entangled, aware only of the shift of his nose against your collarbone, the tightening of his arms around you, the way you wrap yourself around his form, as if to shield him, just for a moment, from the world he has been born into.
Kento. 
Brightness, shadow, mellow and hard-edged, the loveliness of everything in-between. 
Yours.
How can you ever call it anything other than love?
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(VII) 
Mangalam: Gratitude
To be in Kento's presence is to discover a thousand tiny precious shards, hidden in the silken folds of your changing life, piecing them together to form a diamond of unparalleled value.
He is quiet, stubborn, brave, resilient, mischievous and agile of mind. He challenges your thoughts on the jujutsu world, brings summer to your heart and draws you into the sunshine of his embrace. The fractured nature of his soul is not one that can be undone, but weeds (hardy and weathered) have grown through the cracks and your own flowerbed finds a home there, gently blossoming.
You are reminded of every richness he has brought into your life on one summer night, in the aftermath of a taxing mission for some of the students, when he meets them for supper and a discussion of what had occurred.
This time, Megumi is also present, and he reminds you a little of Kento as he watches Yuuji's animated re-enactment of the battle, rolling his eyes at obvious embellishments, adding a solemn word now and then. Kento leans forward on his elbows, listening attentively, as always.
When Yuuji is finished, Kento sits back, contemplatively sipping his coffee.
"What you've described is certainly concerning. I'd take this information up with the research committee as soon as you've filed your report. They may want to know details like that."
Yuuji nodded fervently.
"Already on it. I've been looking it up and there was a similar surge in cursed energy in Okinawa a few years ago. Pretty much leveled a small village. I'm not taking any chances with this one. I've texted Ijichi about sealing technique specialists and requested a team to map out energy signatures in the surrounding area. Anything I may have missed?"
You take note of the small smile that graces Kento's face, the pride that spills out along its sharply defined edges.
"No. You've done well, Yuuji. It's exactly what I would have done under those circumstances."
"Oh?"
Yuuji's surprised expression quickly morphs to something else, a deepening realization that silences him and brings a tight, tender quality to the set of his mouth.
Kento has called him by his first name.
********
On the slow stroll back to your home, you link your arm with his. The night sky is flecked with faint stars, unusual to see in the normally smog-laden sky over the city. You speak into the comfortable silence.
"Yuuji handled that well."
"He's a born leader. I've always thought so. He has the confidence and drive to be the strongest, not just in technique. Not to mention the magnitude of what he's already accomplished."
He pauses, one finger idly tracing over his eyepatch.
"I noticed it on our first mission together. He was not just a young sorcerer, going through the motions, trying to survive. He genuinely felt for the victims of the curse. It ... reminded me of Haibara, a little."
He gives your hand a small reassuring pat.
"Not that I've ever confused the two. They're fundamentally different. But Yuuji ... Yuuji had a light inside of him. He made me take note. He made me see him, and his spirit."
Your fingers entwine with his, tugging his hand up to your lips.
"Your spirit is quite marvellous too, you know."
He eyes you sideways, slyly.
"It is?"
"Of course."
"Would you like to elaborate?"
"Fishing for compliments, are we?"
"From your lovely tongue, always."
Your laughter echoes in the silent street, stretching out along the sidewalk, shimmering in the puddles that had formed after the rain.
"You are beautiful, Nanami Kento, and you're- "
You never finish that sentence, as his hands draw you closer, his lips finding yours in the glow of the street lamp. In that moment, you can think of nothing else apart from the man who strides with quiet confidence beside you, on every conceivable path to an unknown future.
He is a red-painted center, kindling in the palm of your hand, the tiger that inhabits the secret garden of your heart, the flame in a gilded brazier that never goes out. 
************
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flamingpudding · 1 year ago
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Fictober23 Prompt: 21 - "Just in case this doesn't work."
Fandom: DPxDC
Rating: T
Warnings: -
A/N: Inspired by this Post about Danny bullshiting his way by saying he is Tims future kid. Also once again posting this early, cause I need to destress tomorrow and not worry about writing or work or anything.
Edit: Thanks to @kisatamao in the comments I found the post again that inspired this and linked it!
"Chronus"
"Nowadays I go by Clockwork."
"Fine, Clockwork then."
"John Constantine."
The Ancient of Time and Justice League Dark members stared at each other blankly. Until the ruler of time smiled and Constantine sighed. "How is the time baby doing?"
"Very well. Your timeline is safe. There was an incident that could have possibly splittend the timeline again and in a way it did but the destruction timeline was once more prevented, by the child himself like I hoped for. Three times now."
Constantine grunted, lighting a cigarette and taking a long drag. "You know if Bats or any of his kids ever learn about this I will be the one to take the burn right?"
Clockwork only smiled a knowing smile and Constantine paled. "When?"
"Where is the fun if you knew. The little Drake has been quite unpredictable and entertaining." The Ancient mused floating around the room and Constantine's eyes narrowed.
"There won't be a paradox?"
Clockworks tilted his head with a mischievous smile on his face. "Well the timeline in which he was born no longer exists and his father of this time line has ceased his efforts in cloning. He never even got to the point of trying to combine his own DNA with the one he so desperately wanted to clone."
"I feel like I am hearing secrets I definitely do not want to know. Just tell me if this timeline is safe or not now."
"It is safe. Your timeline has now a true Ancient of Balance in the making and just in case this doesn't work, I have anchored Daniel's existence in this timeline with several means one of which was his own time clone created from a split of destruction line."
Constantine's eyes twitched. "For all of our sakes I hope Bats never finds out about this. If he ever learns that I replaced a still born with a grandson of his from a different destruction timeline… You know what, I am not nearly drunk enough for any of this mate!"
Clockwork chuckled, his eyes glinting with unhidden amusement. "Well John Constantine, would you like a word of advice?"
The JLD member took another long drag of his cigarette before flicking the butt of it somewhere to the side. "No riddle."
"When 17 turns to 4 it is not the grandfathers, you should fear."
"I said no riddles!" Constantine huffed as clockwork disappeared from his side. He brushed his hair with one hand, glaring at the spot where the Ancient of Time had been. He should have never agreed to help that damned being 15 years ago, having been somewhat of a beginner then John did not realize what kind of deal he had agreed on.
Now he wasn't sure if he should be relieved or fearful of the consequences. Especially now that he had worked with the Bat Family a couple of times already.
Exactly one year later Constantine decided he was fucking fearful!
Unknown to the Brite a lot of things can happen in three years. Like Parents turning on their child after accidentally learning about a truth. A teenager that was already hurt trying to salvage whatever peace he could.
—--
"Mom! Dad! I swear it's still me, Danny!"
"Give me back my baby boy you monster!"
—--
A governmental organisation committing mass genocide on an interdimensional species.
—--
"Ember, get out of here! Now!"
"Baby Pop! What about the others?!"
"Dan already released them! Get out of here! I will hold them off and keep them busy!"
—----
The interdimensional species try to convince said teenager fighting for them to forgo humanity.
—--
"Welp, this can't go on. No hunt is worth this much."
"Give it up already. The humans made their decision."
"They broke too many rules, it is time they suffer the consequences."
—--
A heavy conflicted ending with the teenager receding into its core and getting picked up by one of his papa from a different timeline.
—--
"What kind of crystal is that? It radiates a pretty strange but familiar energy."
"I wanna see! I wanna see!"
"If it's not dangerous, why not keep it?"
"It looks like there are snowflakes in it."
—--
The kid then reformed out of his core in his ghost age instead of human age with a green note appearing on his forehead. Said note confusing the kids papa making him contact the kids dad.
—--
"Tim you won't believe this…"
"Kon you sound weird, what is going on?"
"Remember that shiny crystal I picked up at the end of our last case?"
"The one with the snowflakes in it, yes."
"I think I just became a dad."
"WHAT?!"
—--
Which then led to the dad overanalyzing the note while the kid insisted that a certain ghost was involved. The child's grandparents then getting tipped off through the grandchild of the Ancient Constantine still curses in his mind.
—--
"So Pandora mentioned something to me."
"Hn."
"Have you tried asking Constantine about it? He is apparently in contact with a being that likes to write cryptic messages on green notes, or that's what Pandora told me at least."
"..."
"And your new grandchild came with such a note right?"
—--
And now John Constantine was fearing for his life, because Batman had tried to contact him several times now. Several times Constantine had found reasons to ignore. Only for the Bat to come knocking on his door -well more like rudely kicking it down- with fucking Super too! He was cursing up a storm internally and thinking of how best he could get out of whatever had crawled up the two hero's asses when right behind the two hero's stood another set of hero's he did not want to face especially when he noticed one of them holding a four years old toddler in his arms.
"Chronus you fucking asshole!" The Brite muttered to himself as the four hero's plus time baby stood before him demanding answers.
That was when the toddler piped up, eyes glowing a bright green. "So Clockwork does have something to do with this! I knew it!"
"Danny, sweetheart not now. You can tell us you were right after we figured out what timeline you are from and if we need to send you back or can keep you." Red Robin calmed the now pouting toddler Super Boy was holding and petting with a small chuckle. While Batman and Superman turned on Constantine.
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thatnonameuser · 1 month ago
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The Red King holds a Bleeding Head
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A Wonderland of Yanderes - Masterlist
Chapter 1. Heartslaybul Part 3.
Apparently, what parts of the conversation you missed before running all the way here was that you missed the first bell and were late. So after running, being dragged, all the way here, you'd gone straight to class. 
Thankfully, Ace’s collar problem wasn’t a class problem, thanks to all the classes so far being theory.
With that problem out of the way let's get back to you.
If you planned on learning today, that plan went out the window. Not only where you still repeating what Cater had said to you earlier. Being ousted for being a darling would put you in such great danger, so the fact he figured it out in the hour you spent with him this morning was very much not good.
It also got your desk hit with Professor Crewel's riding crop/wand? for not paying attention in class. Speaking of, Crewel had been the one to rat you out to Crowley so you weren't expecting him to be kind to you, but unlike the brutal berating he gave Ace for making a sarcastic quip in the middle of his lecture, he'd given you a stern look and nothing else.
You just hope that it was fluke, because you don't want to think about the idea if he's in love with you too. Wait, is it possible for a yandere to love platonically, you'll have to research that.
If you can even do that, to begin with. Because the textbooks that you received aren't the right ones. Why? Because they're missing complete pages worth of information.
How do you know?
Because you compared it to Ace's.
There was a love potion spell that would be taught the first years next semester, powerful, dangerous and it could if used correctly sever cognitive thought from the darling for a period of a day, and replace it with false love.
Your copy of the same Potionology textbook didn't have that. Or any of the other potions that could do the same thing. In magical history, the ancient tactics used by yanderes were wiped clean from your copy, when they were present in Deuce's own.
What's worse is that this was done on purpose. How do you know that? Because you pointed it out.
At the end of Potionology, you'd gone to the Professor textbook in hand in search of an explanation.
"Excuse me, Professor Crewel?"
"Pup, it is Master Crewel." You were not calling him that, "How can help you?"
"Um, something's wrong with my textbook? It's missing a lot of pages." He taken it from you and flipped through it. And then set back in your hands.
"There is nothing wrong with this pup. It has everything you need in it." He'd said if he hadn't lied clean through his teeth.
"B-but I checked with one of the other textbooks, dozens of pages on potion recipes are missing?!" You'd argued.
"Pup, you are referring to the textbooks we give the yandere students. By law, I'm required to give you this one." What?!, was what you thought in anger.
"W-What law?" You asked, you were absolutely dumbstruck at his response. You were getting really tired of being left in the dark.
"Darling students are not allowed to readily access any knowledge about what their future yanderes will use against them, regardless of purpose." That was what came out of his mouth, he hadn't seen anything wrong with it.
It wasn't just that either. The same thing happened with your Magical History book when you asked Professor Trein. And you got some more bad news.
The library, your saving grace, wasn't allowed to give you any of the books they'd given you last time. No more information that could help you. You couldn't even use the textbooks Grim would get, as they were being kept in the classrooms rather than in Ramshackle. The jury was still out on your 'The Art of Ensnaring Hearts' class about whether or not you could even attend those in the future. Was this all done to keep you from learning about what the Yanderes know, to keep you from knowing how to save yourself?
Phys Ed, was the only class you could actually do without someone putting you at a disadvantage. It may not have been your favorite class, but considering you might need to run away from a yandere in the future, you ran as fast as you could.
And now your legs hurt real bad. You weren't the most athletic person but Coach Vargas really worked you over.
Eventually, after a really rough morning, break time rolled around.
"Let's see, our next class is...."
"This so-called magic academy feels a lot like a lame, ordinary school." Ace complains. You disagree, normal schools don't usually teach students how to make love spells. You hope at least. Do non-magic schools teach similar yandere stuff? "It's not exactly what I expected, but at least this collar won't be much of a problem after all."
"You with me on that, Grim? ....Hm?" Grim's silence hadn't struck you as weird until Ace said that. Your loudmouth, tuna-loving cat monster hadn't thrown up a complaint since you left your last class.
"Grim?" You search for Grim among the legs of traveling students but you can't find him. A bad feeling sinks into your stomach. Ace and Deuce couldn't do it. They were right next to you the whole time, so what happened to him?! Did he get-
"Oh! Look out the window! i just saw a ball of fur running across the yard!" Deuce exclaims. You transition the fear of his imminent demise to anger for his abandonment of you.
"Where!?" You nearly collide with the window in your haste, as Deuce points him out down below. A small grey blur races quickly across the courtyard, "He's cutting class!" The Headmaster's going to be furious. And the LAST thing you need is being kicked out into a world where MURDER IS OK!!!
"Boy, that guy is not a fast learner." Yeah, Deuce. Clearly!! He just left you alone in a yandere school! You're definitely withholding his tuna for this.
"Not a good look to lose your only student in your first week as a prefect. Want some help catching him?"
"YES!" You yell, not caring about the future implications. Two IOU's in one day is not gonna be good for you in the future. But right now, your present is on the line! "Please just help me!"
You don't know what you looked like when you said that, but considering how the both of them blushed, you'll have to worry about that later.
Right now, you need to get Grim, preferably before he burns something down.
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And so you began the chase of Grim through the courtyard. With your legs still burned from the exhaustion of Coach Vargas' training, you could barely keep up with Ace and Deuce and nearly collapsed once on the way.
But thankfully, the fear and rage from earlier turned into adrenaline that propelled you forward.
And propel you it did, into a person.
You had been a few paces behind Ace and Deuce, but you were far enough to lose sight of them as they turned a corner into the courtyard.
So you hadn't seen the person you ran into, but inertia wasn't your friend today.
You had expected to hit the floor of the courtyard, concrete or grass, whichever was softer, and braced mentally for impact. Only for an arm to swiftly wrap around your waist.
Fast, so fast that you can't even get a letter out of your mouth in sheer surprise, whoever caught you had slipped an arm round your waist, saving you from your unlucky fall.
And so the charming prince that caught you was...
Blonde, with his hair cut into a mid-length bob. Perched on his head is a brown hat sporting a pale white feather. His green eyes are like a falcon's, sharp and piercing. He smiles down upon you. Your noses are practically an inch away from touching. The way you're positioned is straight out of a romance novel, the male lead saving the clumsy MC from a nasty fall.
The embarrassment of the situation you've found yourself in doesn't escape you as you feel the blood rush to your cheeks. "I-I’m sorry!" You blurt out. Thank the seven that there aren't many people around.
" , . I'm just lucky that I caught you." He's speaking French? But how does.....y’know what, nope not touching that one.
"Yeah, thanks." He still hasn't let you out of his hold, and you'd like it for him to let you go now. "Could you, uh, let me up now."
"Bien sûr, mon cher," he says something in French that you don’t understand, but he does help you to your feet with a flourish. He even spins you for some reason.
OK. Another weird one.
You dust yourself off, "Thanks, sorry again," you say somewhat sheepishly.
The smile your savior has is seemingly unshakable, and the laugh he gives you in reply reflects that, "Non non, ce n'est pas un problème du tout, though chérie, will you not grace me with your name?" He even speaks like all the lovelorn princes in your childhood storybooks, well minus all the French.
"It's _______. Have you seen a grey cat run through here?"
"Oui, filou he went that way," Great, you prepare to turn but he stops you with a hand on your shoulder, "though it is best if you head that way if you wish to find him." He points in a direction very far from where he originally pointed.
One of your eyebrows quirk up in confusion, "How do you know that?" You ask.
"Call it a hunter's intuition. You wouldn’t want to be late for Arithmancy, ______" He says with a smile.
You thank him before running in the direction he told you, and in no time at all, you find Deuce dropping a struggling Grim into a net Ace is holding.
And so the Great Grim was captured.
"Mrrah! I've had it with these boring classes!" He squirms in the net Ace took from one of the grounds men, even with his claws he can't escape the netting.
"Grim, you'll never be a great mage if you don't attend classes!" You scold but Grim doesn't stop complaining.
"Ugh! When did you get all bossy?!" Grim continues his complaning as you cross your arms.
You ignore his pointless pouting. You got all bossy when you found out that a single screw up could either result in you getting attacked by a obsessive lover, or get thrown out of here on your rear end with no one to protect you from the aforementioned obsessive lovers.
That and he trapped you into another  IOU five minutes ago that might bite you in the ass later. You can't afford to get into any trouble. With Crowley, with the teachers, with the other dorm leaders, the other students. And Grim....is also someone you need to keep yourself sane.
"Pout about it all you want, Grim." You remove him from the net, holding him against your hip like he’s a troublesome toddler so he doesn't run away again. You turn to Ace and Deuce, and smile softly, "Thanks, you guys."
Again, that light returns in both their eyes. Ace smiles mischievously and slings his arm over the two of you in a half hug, "Glad to help clean up the mess made by the worst prefect to ever set foot on campus!"
"It wasn't that bad, Ace. Let her go! Like the last time, Deuce pulls Ace's arm off of you. The two glare at each other, as if silently fighting. Unlike Ace, Deuce tends to respect your personal space only ever doing this when Ace gets too touchy or too close. That and he always tries to defend you when Ace or anyone else teases you. Maybe it really is in your best interest to get closer to Deuce.
"Alright you two, we're gonna be late. Our next class is...." Aw man, it's Arithmancy. No wonder Grim ran off. You say such and Ace groans.
At least they can't censor this class, too. A part of you would like it if they did.
"C'mon, let's not get caught 'skipping' class."
On the way back, you wonder about the man you ran into. Now that you thought about it, he never gave you his name. And you gave him yours immediately, damn it!
Still, the likelihood that he was a yandere for you was too unrealistic. Sure, Ace and Deuce might have budding feelings for you, but the likelihood that four different people were all yandere for you was already rare, even for this world.
Besides, you've already met some people with a lot of character today. So maybe he's just a little weird.
Maybe. Hopefully.
Wait, if he didn’t know who you were.....how did he know that your next class was Arithmancy?
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"Woo! Lunchtime at last!" You can't mirror the excitement Grim is feeling right now, even if this a refuge from the classroom confusion from earlier. The cafeteria's as full as ever, and you feel different from the last time you entered it.
Last time, you were surrounded by your fellow students and peers. This time, you're surrounded by the human equivalent of sheep among wolves.
You are the ideal prey of everyone in this room, and some of them might already know about that. Cater's words earlier had terrified you and rang back in your head, "Darling~" You hadn't even known him long, so how could he tell? Would everyone around you just know on sight? Maybe they discovered it before you had?
Still, you skipped breakfast for Ace's apology, so you don't really get the luxury of skipping another meal right now. Even if you don't exactly have an appetite. Despite the volume of delicious smelling food, Grim is piling on your tray, and you feel more like puking than eating.
Even so, you don't really have an appetite right now, despite all the good smelling food that Grim's raving about right now. It's fancy, and Grim doesn't even eat half of it but is piling it up all the same. Can cats even eat onions?
"Shh! Dude, inside voices! Where was this energy earlier today?" You nod in agreement with Ace. Your legs already hurt from PE, and now after chasing Grim, they practically burn.
"_____, grab me the grilled chicken! There's only one left! And an omelet, too. And that jelly-filled bread. Just fill your whole tray with 'em!" You struggle to balance the sheer amount of plates and food that Grim piles on one after the other. Seriously, how does one cat demon thing eat so much?!
"Grim, that's enough. Save some for everyone else!" You finally relent, but unfortunately, you made that decision a few seconds too late.
Your hand, already tired from Coach Vargas' class, finally yields, and you lose the grip on the tray and plates Grim's stomach piled up.
Now for the good news and bad news.
The good news is that you managed to save every plate of food Grim haphazardly stacked on your tray. A gew crumbs were lost, but otherwise, you managed to save everything. Which was great because with cheapskate Crowley's micro food budget, you were pretty strapped for cash and didn't want to waste food.
But then there's the bad news.
The bad news is in your haste to stop the mountain of plates from crashing to the ground and bringing more attention to yourself, your shoulder may have collided into the back of the student in front of you.
You were just getting into accidents today, weren’t you?
"Hey! Watch where you're goin'!" The student you were unlucky enough to bump into, and their buddy for some reason, to whirl around in anger.
"I'm so-" You start to apologize only for him to interrupt you.
"M-my carbonara!" Ah, man. Did you ruin someone's lunch? That's-,"You broke the yolk!".......what?
"Whoa, that's messed up! Pokin' the egg is the best part!" Ok, not ruining someone's lunch, he might be a bit sad, but all is o-
"You better make this right, pal!" He grabs you by your tie and you nearly fall with all the food on your tray.
"I-it's just a yolk?" Is all you can say, completely struck dumb. You already knew this world had it's priorities messed up but this had to be the dumbest argument ever made. "I didn't ruin your lunch, you were gonna poke it anyway, so I saved you a step!"
"Yeah, so get your filth hands of my henchman!" Grim backs you up. But the delinquents don't back down.
"I'm gonna need that grilled chicken of yours as compensation." Normally you probably would have let the guy take it. Let Grim learn a lesson of not carrying his own food and move on.
But this was a matter of principle, damn it!
Also you weren't completely sure if darlings were naturally meek, so backing down was not an option here.
"No." You say point blank. The delinquent stupid enough to fight in the middle of a crowded cafeteria balks like you said something incredulous, "What?!"
"You heard me. NO. Go eat your soggy yolk-y carbonara, while I go eat my grilled chicken." After all, that trouble you went to get this you were commandeering that chicken for yourself. Take that, Grim.
"Hey! That's no way to speak to an upperclassman! Catch me outside and I'll teach you some respect!" Alright, so just won't go outside for a few hours, got you there dumbass.
At this point, Deuce must have gone through the lunch line and caught sight of you. They must have heard the foregoing argument because Deuce steps in to play peacemaker, separating the delinquent from your tie and shielding you behind him. "Um, excuse me, sir, but it said int he handbook that fighting with magic was prohibited....."That's a rule?! Sick! Now you won't have to worry about tha-
"Fighting? You got it all wrong. This is just me helpin' an ignorant freshman know their place." Ok, so much for that. Two advance magic pens at hand, and you're forced to shrink behind Deuce and Grim.
"W-wait a second, I don't have any magic. That's an unfair fight." You hate how powerless you feel right now.
"Who care about that!? If I end end up killin' ya, we just gotta call one groundmen." You forgot about the whole 'murder is not bad' part of the school rules. Does that mean no one will intervene? Damn it again!
You can hear Deuce growl at their threat. Withdrawing his own pen, he shouts his signature, and by that you mean only, spell. Grim
For a student that probably knows one spell Deuce puts up a hell of a fight. You wonder where he's getting all the cauldrons from. The two 'upperclassman' must've been flunkies, because there was no way these people would be able to lose so badly and so easily to two people that barely know anything about offensive spells. Your one worry was the mountain of food you were holding would fall. That and hearing Ace grumble about not fighting. For your honour, for your praise, you'd didn't know. At this point, you're starting not to care.
Surprisingly, or not if it didn't, the battle is done and won without the hundreds of students present even hesitating in their respective conversations.
"Whoa, didn't know you had it in you...."
"Look, I'm gonna let you off the hook this time, but only 'cuz I don't want my pasta gettin' cold." Sure and it's not like you 'upperclassman' lost a cat and student who only knows how to summon a cauldron.
"Pffft! I knew you were all talk! You better hope I never see you again!" Grim taunts as if Deuce hadn't done nearly everything. You keep quiet this time, redirecting your silent fury into mocking.
"Whoa! Two upperclassmen being beaten by students who were nearly expelled in the first week. That's kinda sad." You mock as you watch two delinquents shrink back with their figurative tails between their legs, departing with their, hopefully, cold lunch.
"Thanks Deuce," You turn to him and say with a smile, and his earlier anger dissolves into a soft smile. Like you being grateful for his help and protection sucked the rage out of him. You hate that you know it wasn't as wholesome as it was on the tin.
"N-No problem," he stutters, cheeks flushing.
"Yeah, yeah enough of that." Ace grumbles, pulling Deuce away by his arm. His anger hadn't been pacified by Deuce's victory, in fact it worsened. If how deep he's frowning is any indication.
"If you guys are going to fight again, can you help me carry all this to a table?" It's been two days and their near constant warring over you is starting to become normal.
They snap out of it instantaneously, "Sure, Prefect!"
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Grim had been bitter when you told him you were taking his grilled chicken as compensation for the mess he got you in. But he eventually relented to stuff his face with all the partially lukewarm food. Speaking of, the food's good if a bit cold.
Hearing Grim rave abut how good his food is makes you chuckle lightly, stroking your fingers back through Grim's fur. He purrs again, and that sense of peace from earlier return. Maybe this morning was just a fluke, and all will be well now.
Mid bite, Grim asks, " So, I saw your guys' dorm, but what are the other ones like?" A part of you wants to know but that's a question for another day. You need to get through today first, and then-
"I'm sure you're familiar with the statues of the Great Seven? Night Raven College has a dorm themed after each one." You choke mid bite on the half-chewed chicken in your mouth. Cater's voice took you by surprise, so much for a peaceful rest of the day. You weren't the only one.
"Bwah! You're that guy from this morning!"
You turn and face him as well as an unfamiliar face. Green hair, glasses and a clover stamp underneath his left eye. The last card suite you were left meet. Another card soldier, now just needed a tyrannical queen.
"You tricked us into paintin' those dumb roses."
"'Tricked' is such an ugly word. Do you think that I wanted to spend MY morning painting roses? It's dorm policy, I'm just following orders."
"And grinning like a fiend all the while..." More than that if what he last said too you was any indication.
"Now, now Deucey. Outside of the dorm, I don't care what rules you follow. Here, I'm just a friendly mentor figure." Like earlier, you feel that he isn't being genuine again. If his dorm is so full of people, why couldn't they help instead of trying to trick you into it. Still, brownie points are brownie points, and they better pay it forward when things get tough.
"Please. Do NOT call me Deucey."
The mystery man laughs, "That's how Cater shows he cares." he finally says. He gives of the air of that one dad friend that prevents the friend group from going up in flames. You feel a small pull at your heartstrings, you're starting to miss your friends back home.
"So, who are you?" You ask.
"Ah, i should introduce myself. The name's Trey. Trey Clover. I'm a junior at Heartslabyul, like Cater here." So you've finally met the three of clubs, or clovers if that's what you call it.
The ace of hearts, deuce of spades, three of clubs and four of diamonds, were ALL Heartslabyul students named after playing cards because this seems comical now. Also, how drunk were their parents to not recognise how ridiculously silly naming your kids after the numbers when their last names, sin Ace, are all card suites was.
Though considering the possibility that one half of their parents were probably being held hostage, you probably shouldn't judged their naming skills.
"And you must be _____, the new prefect from the dump of a-ah, I mean, the 'rustic' dorm." Ramshackle can't seem to stop catching strays, huh?
"Alright, Ramshackle might be a dump, but it's my dump. Can we please stop insulting where I sleep at night!" Your anger receives a few laughs in response. You hope you weren't a cute angry in their eyes. Last thing you need is them looking at you like you were an angry kitten.
Trey's laugh warms you a little, the dad friend energy feels a little safe. You don't feel the lingering worry from earlier, after all what is the likelihood more than three people are in love with you?
"I heard the whole story from Cater. Thanks for looking out for our boys yesterday." You beam, even if you were very, very inconvenienced last night and this morning, it's still nice to be praised. That is until you remember that the one doing it might find someone and spend the rest of their life making them miserable for the sake of love.
"It's no problem," You say regardless.
"I don't recall inviting you to sit with us...." You hear Ace murmur.
Cater slides in and seats himself between you and Ace, "Hey now, we're all from the same dorm, right? Let's try to get along. Here gimme your digits." He hands his phone to you, expecting you to put in your number.
Problem is, "I don't have a smartphone." and you probably wouldn't if you did. But regardless Cater looks at you as if you grew another head.
"For real?! I never thought I'd meet one of you IRL!" His eyes light up with that weird glow again, "I know a place that sells the latest models cheap. How about you and I go on a phone-shopping date?" NO. NO.
"NO!" You accidentally say out loud, way too loud and hurried to be brushed aside as you overestimating your volume. Some heads from nearby tables turn, to you and the others are silent waiting for something? But you don't know what.
You back track trying to amend what you said, " No, Crowley hasn't started giving me allowance yet, so I'm kinda broke. Maybe next time?" Please never ask me that again. Maybe you should join a club so you can say you're busy if he tries to ask you out again.
That glint in Cater's eyes darken, but it doesn't match the teasing look that he has on his face, "What is up with you, _____? You look so tense! It's okay, baby! Relax! Relaaaax!" He squeezes your shoulders in half-massage but it just makes you feel more tense.
Tret comes to your rescue, "Cater. You're freaking out the freshmen. Maybe take it down a notch?"
Cater laughs, still not backing away from how close he is to you, "Sorry! I can get a little extra sometimes. What were we talking about....The dorms, yeah? What fun to mentor new students. Go ahead, A-M-A."
Ant that what you all spent the next fifteen minutes talking about. The dorms and their super important history while completely ignoring the ramifications of that history have on at least half of the population, yourself included. You'd already read up on the seven dorms, but hearing about the crazy strictness of the Dorm Leader of Heartslabyul made you a little uneasy. But still, when you talk to the him maybe things will go well, maybe he's a sweetheart with a non-tolerance policy for the most extreme of rule breakers.
Still, there are so many different types of students with different personalities and different yandere types. You spotted a wolf beastman, two student whose style of dress reminded you vaguely of the Middle East the person you ran into earlier sitting at a table full of Pomefiore students, (you made a mental note to ask about him later) and the most powerful students on campus, of course from Diasomnia.
Cater continues his opinion piece in the unapproachability of that dorm. "The vibe they give off makes it real hard for regular schmucks like us to even approach them."
"It can't be that bad, they may look a little intimidating but otherwise they look like regular old students..." You say, sure one of them looks young enough to be your younger brother or a middle schooler and has the pointed ears of a fae, but they look so normal.
Then again, you were discussing animal-human hybrids and talking paintings earlier, and you're in a world full of yanderes, so what isn't normal and what is?
"And their Dorm Leader is that times a thousand." You crane your neck to the Diasomnia seating area and you don't see any features that would be capable of scaring off a whole school of students, they all look relatively fine.
"There's a little kid in that group!" Not so subtly, like their earlier pointing out of a rather androgenous purple-haired boy in the Pomefiore dining areas, Ace rather loudly points out the younger looking fae.
"Ah, we do get some child prodigies here. But that guy is no kid. He's a junior like us. Name's -"
"Lilia. Lilia Vanrouge."
"Ah!" You yelp rather loudly as midway through your turn back towards the table, only to be face to face with the same face you had just been looking at hanging upside down right in front of you. You nearly fell out of chair in a mix of shock and surprise.
You stammer in shock, "H-how did you-"
"H-he just teleported!" That can happen?! You really need to read more about this place.
Lilia, once standing upside down on the chandelier as if that was completely A-OK, floats down onto your table as if this was as normal as him walking over. He smirks, bending down to meet your eyes, " I understand my apparent age interests you? As this bespectacled fellow accurately noted..." His voice is completely opposite to his appearance, and he talks like a whimsical grandparent than a teenager. "Despite my fresh-faced, boyish good looks, it would be inaccurate to call me a 'child'." Yeah, seriously. Whoa.
"'Fresh-faced' he says." Trey seems to agree with your doubt on the young part.
He smiles and for some reason, you feel unbelievably uncomfortable. it's as if he read you like an open book without words being exchanged. The look in his eyes is unreadable, but it's not like the glint you'd seen in Ace, Deuce and Cater. Either way, it makes you squirm in your seat, "You need not gawk at us from afar. You may feel free to speak with us directly. We are schoolmates, are we not? All of us at Diasomnia House welcome you without reservation." Without reservation, he says and yet the two trailing after him are yet to say a word. And they're staring in silence, but it feels more like glaring. No wonder Diasomnia had the reputation it did.
"And yet, those guys over there aren't exactly rolling out the red carpet in terms of approachability..."
Lilia brushes that aside with a laugh, "Forgive me for appearing above you during your meal." I do hope we can speak again." Why does that part feel directed at you? Maybe you're being paranoid.
As Lilia and his entourage depart, Ace takes the opportunity to whisper to the table about the impossible feat of overhearing their conversation. Which you can agree with how on Earth, or in the Twisted Wonderland, did they hear you from across the room. You weren't even that loud. Ace was right, that was creepy.
"Well....Diasomnia House does have a bit of a reputation for having lots of special students." "Well, special is a word for it...." You say,
Trey explains further, "Some of them are extremely talented at magic. Their Dorm Leader, Malleus Draconia, is considered to be one of the five best mages in the world." Wow. Your decision to stay away from that Dorm was even more justified. How powerful is the top five most powerful.
"Malleus is reeeeeeal bad news. Though I suppose the same could be said of our dear Dorm Leader."
"He can't be that bad...." You whisper, spying a short, red-haired boy with grey eyes walking in this direction. Wait, wasn't that the dorm leader that.....collared...Grim...Oh no. "Hey Ace...?" You whisper.
Ace must not have heard you because he starts his own tirade. "No kidding! He collared me for eating one slice of tart! All his rule obsession is outta control!"
"My 'rule obsession' is 'outta control', is it?" Well, Ace is doomed. Maybe Ramshackle has a tent you can set up outside.
Completely oblivious to the new voice that joined the group, despite the fact everyone else here already has, Ace continues, " You bet it is. Riddle's just a petty tyrant who leans into the whole 'rules' schtick as a pretext to keep everyone under his puny thumb." You sigh, facepalming. Maybe you can get Crowley to buy a strong lock for your door.
Deuce takes one for the group and points out the obvious before Ace can unintentionally piss off the 'tyrant' behind him further. "Ace! Behind you!"
Ace, still not taking the hint, looks behind him and then appropriately freaks out. "Bwah!? Dorm Leader!" The Dorm Leader of Heartslaybul, Riddle Rosehearts (and the Red Queen in this abridged tale) crosses his arms in indignation.
This is not going to go well.
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horizon-verizon · 4 months ago
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On this here day, GRRM wrote an entry clarifying several things about the dragon lore in his novels, and it vindicates so many Dany stans/Daenerys as the Azor Ahai:
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Saying dragon "mysteries", in-world, will be revealed in the last two books AND Septon Barth got a lot right. I'm taking that to mean that dragons change sex (Viserion, here you come, baby!), like two particular Twitter mutes I have (danylanzhou and Branwynwitch). It also seems like he's confirming that dragons and the first 40 Valyrian families (which include the Targs, then and now) mixed dragon blood with their own in some long past ancient event AND that only these families, therefore, can bond with dragons to rides them safely or befriend them.
Which means Nettles is definitely of Valyrian/Targ-descent, which really should have been obvious. One of my mutuals also asserted that this makes the idea of Nettles-Sheepstealer/Rhaena-Morning being interchangeable for their supposed HotD merging GRRM-disapproved bc he makes a point to say that dragons don't tend to move far from their lairs that are usually very high up in mountains and volcanos. Sheepstealer can't be going to the Vale while having a lair in Dragonstone:
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As for the thought of Sunfyre flying miles to get to Dragonstone...this is where he/they were born and where the real magic that sustains dragons is coalesced from hundred of years. It makes sense for him/them to fly to this castle even if Aegon weren't there after he had been bodied by Meleys/Meleys & Vhagar, looking for recovery. This is where the Targs get most of their eggs/dragons and it is near where most dragons in Westeros make their lairs.
Note that he says, in the very last paragraph, how:
Fantasy needs to be grounded.  It is not simply a license to do anything you like. Smaug and Toothless may both be dragons, but they should never be confused. Ignore canon, and the world you’ve created comes apart like tissue paper.
It appears he is VERY not happy about something to do with dragons in the show's second season, how they bond in the show, how a certain dragon is "explained" to have traveled a too-long distance for a certain pale-locked young girl who has been trying to hatch her own dragon for years...I see you GRRM, fighting for Nettles AND Rhaena I see.
Oh, and just bc he said he liked epi 2, doesn't mean that he cannot critique anything about HotD ever again...he is the writer and creator of this universe that they are capitalizing on. As long as a writer of any genre stays logically consistent and relatively undiscriminatory in their original writing, they definitely can tell any of us readers what is real and not real or possible in their own creations! That this is even up for debate is a travesty to logic.
Mind you, this is the same man who said the show and the book are two separate canons AND that adaptations "nowadays" tend to fail bc the adapters think they can make the story "better" and ignore critical lore details. And in his latest commentary on HotD's S2 first two episodes, he says, and I quote:
“Rhaenyra the Cruel” has been getting great reviews, for the most part.   A lot of the fans are proclaiming it the best episode of HotD, and some are even ranking it higher than the best episodes of GAME OF THRONES.   I can hardly be objective about these things, but I would certainly say it deserves to be in contention.   The only part of the show that is drawing criticism is the conclusion of the Blood and Cheese storyline.   Which ending was powerful, I thought… a gut punch, especially for viewers who had never read FIRE & BLOOD.   For those who had read the book, however… Well, there’s  a lot of be said about that, but this is not the place for me to say it.   The issues are too complicated.   Somewhere down the line, I will do a separate post about all the issues raised by Blood and Cheese… and Maelor the Missing.  There’s a lot to say.
Note that the latest post was about epi4 and this one I just linked is only abt epi 1 &2....so where are his thoughts for the hated/comedic epi3?! (we see each other, George). (BTW, I gave my thoughts on his thoughts about 1 & 2, HERE.)
I'll say it once again: though GRRM praised the portrayal of grief, defended Cheese being lost, and loved the dog (the last I don't fault anyone for, I also loved them) in the Blood & Cheese episode, he also expressly talks AROUND how Blood & Cheese and Helaena actually interacted and comments on the Maelor-lessness (therefore the lack of Sophie's Choice) that many people--inclu myself--have been saying was a huge problem.
Now we have two different sources that seem to support the ideas of:
GRRM both not being as "involved" with the actual writing of this show for a bit AND not approving of a lot of critical changes
HotD's writers cannot create anything truly "canon" or "real/true" for this universe, it only can make any sort of "sense" if it also retrieves information from the original tale, which is not really just F&B but THE ENTIRE SET OF AVAILABLE BOOKS!
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breakandbuildfiction · 4 months ago
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The Danny Phantom Crossover Power Scaling Issue
The existence of the Ghost Zone/Infinite Realms in Danny Phantom should, in theory, make it super easy to create crossover stories between DP and other series. The Ghost Zone is literally a dimension that exists between dimensions and has literal doorways and random portals that lead to random points between time and space and to pocket dimensions. There would be no reason NOT to have Danny just decide to check out another dimension, to have one of his rogues go cause trouble somewhere that Danny has to chase them down. And yet most people here and on AO3 only do Danny Phantom crossover prompts and stories with DC Comics.
Why? Well, for one thing DC Comics is just very easy to do crossover scenarios with thanks to it having so many different original locations, teams, and power origins. But another reason, from what I have been able to gather, is the problem of power scaling.
Danny Phantom, even without adding in fanlore like Ghost King Danny, Eldritch Danny, and Ancient of Space Danny, is incredibly OP both in terms of raw power and because he has a such a wide range of incredibly powerful, useful, and dangerous abilities.
Danny has superhuman strength, speed, and reflexes, he can fly, regenerate, shoot lasers/plasma from anywhere on his body, has cryokinesis and telekinesis, can duplicate himself, can vanish from the visible light spectrum and phase through solid mater and most forms of energy, and more. And there is only so many of those powers you can ignore and how much you can weaken them before it becomes ridiculous and character-breaking.
How can you have Danny become part of a story like Harry Potter without either making it so he never uses his powers or just steamrolls the challenges that nearly get Harry and his friends killed every year? How can you have Danny throw down in the MHA universe without him negating the danger presented to him by becoming intangible and attacking at range or overshadowing his opponents? Or Game of Thrones without making all the dangers and power plays of that world looking like a joke when he can just fly into King's Landing and force Cersei to confess to her infidelity and incest or make Joffrey look so deranged that his allies have no choice but to abandon him? Hell, I brought up shows like Hazbin Hotel and Helluva Boss on this blog before and I had to be very careful to avoid anything that would boil down to Danny becoming part of the direct military conflict between Heaven and Hell or having to interact with IMP!
To make crossovers with Danny Phantom work you either need to use a universe that has powers that scale to Danny's own, like DC and Marvel, or you need to avoid stories that could be solved via direct combat, which means ignoring the primary genre of Danny Phantom and a severely major aspect of what makes Danny unique as a character. So people, including me, tend to restrict themselves to DPxDC to avoid the problem of powerscaling as much as possible and allow us to have Danny keep his powers and keep having a history of heroics and personality that is in line with protecting and fighting people.
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imagine-darksiders · 8 months ago
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A little respite...
A short Death/Reader oneshot about birthday presents, mugs, and how a Horseman without a heart isn't necessarily heartless. Enjoy! <3 xxx
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Birthdays, Death supposes, carry far greater significance when one only has a finite number of years in one’s lifespan.
If there’s anything he’s grateful for, it’s that modern humans seem to have tailored their annual celebrations to smaller, intimate gatherings, which, in his opinion, are far more tasteful than the ostentatious and plethoric affairs those pharaohs used to throw. If the Horseman thought he’d have to wade through a veritable ocean of humans just to get to your front door…. Well. He certainly wouldn’t have been best pleased, to say the least.
Nestled within the cup of his palm and safely hidden from prying eyes is a small, unassuming parcel. It doesn’t look like much, deliberately so. The tiny thing is wrapped in some old parchment he had to pilfer from Azrael’s study. It was the first and only thing he could think of after he belatedly recalled how humans like to peel away a layer of paper before they can lay eyes on whatever has been pre-emptively hidden within it.
You became quite prickly once after he pointed out the aimlessness of the custom.
‘Some traditions,’ he begrudgingly yielded after several hours of trying to see past your cold-shoulder, ‘are better left undisputed.’
Trudging along the newly rebuilt street in the direction of your home, Death makes every conceivable effort to avoid the stares and shocked gasps from the few humans who are still milling about in the golden light of the evening.
Even after the Resurrection and the frequent comings and goings of the Horsemen, angels, makers and even the occasional demon, Humanity still hasn’t grown accustomed to seeing the Grim Reaper skulking about on their planet.
In the corner of an eye, he sees a man haul a small girl into his arms and scurry to the opposite side of the street, and it takes everything in the Horseman not to sigh.
It isn’t long before he finds himself turning onto the short, gravel path leading up to your front door. His footfalls make no sound on the loose stones, and the parcel is starting to carry weight in his palm now.
Coming to a halt on the step, his eyes drift down to the faded mat by his boots that reads ‘Welcome.’
The Horseman scoffs, as he does every time he sees it. Sometimes you’re too hospitable for your own good.
Giving his shaggy head of hair a bemused shake, he reaches for the doorknob, only to pause.
Another custom best left undisputed… Humans don’t like it if you enter their home unannounced.
Curling his hand into a fist, he instead gives the wood three, solid raps with his knuckles before letting his arm drop back to his side, briefly giving a thought to what it must seem like for an onlooker to witness the ancient Nephilim ceding to human habits.
With a grunt, he leans back on his haunches to wait, idly counting the cracks that have formed in the plaster surrounding your doorframe, each one betraying the frequency of visits made by his younger sister, Fury. It’s a wonder the entrance is still intact with how often she barges in and out, scuffing the paint and chipping off wooden flakes with her armoured shoulders.
Sometimes she forgets that while she might have the slightest build of the Horseman, she’s still unconventionally large from the average human’s point of view. Regardless, you haven’t said a word to her about the marks, as far as Death is aware, and somehow, he doubts you ever will.
His ears prick towards the sound of shoes trotting hurriedly across linoleum, approaching your front door.
“Coming! Coming!” your voice calls out, instantly shaking loose that little fragment of unease that sits between Death’s ribs every time he comes to your home and waits outside the door. There’s a private part of him, a part he’ll never reveal, that dreads the day he knocks without receiving an answer.
The handle rattles, a lock slides out of place, and once again, he hears you speaking from the other side of the wood.
“You guys are early!” you laugh, “I haven’t changed yet, but I’m-“
Your sentence trails off into silence as the door is tugged open and you poke your head into the light outside, brows scrunching together as your eyes fall upon a pale, cadaverous chest.
Blinking, you dart a look up, only to gasp at the sight of an all too familiar bone-mask tilting down towards you, inclined in acknowledgement.
“Death?” you gape, your expression falling open in shock.
Another oddity of humans, he finds. Even when you can clearly see what’s right in front of your nose, you still feel the need to ask for clarification, as though you can never fully trust what your eyes are seeing.
“In the flesh,” he says, gesturing up and down at his emaciated waist and sinewy chest, “I’m pleased you still recognise me, given our months apart.”
And it has been months. Six and three days, to be exact. Not that he’s counting.
It happens the moment he drops his arm back to his side. Like the sun rising over the peak of a dark mountain, your face bursts open with bright, glimmering warmth.
The corners of your mouth retreat from each other, spreading your lips into a grin so wide that your cheeks round out and squeeze your eyes halfway shut with unbridled delight as a laugh gushes out of you, bouncy and awestricken.
“Death!” Without warning, you bound across the threshold and - showing no hint of a reservation - throw your arms around the Horseman’s lean torso, burying your face into the concave dip below his chest, “Oh my god! I didn’t think I’d be seeing you today!”
And because he still hasn’t grown used to your displays of affection, Death forgets the etiquette and freezes in place, arms hovering rigidly above your own and his chin tucked into his neck, as though he’s mildly alarmed at your sudden proximity.
And because you know he isn’t used to affection, you don’t hold him hostage for long.
Pulling away only seconds later, you sweep a hand through your hair, clutching loosely at the strands as you take a step back and give the Horseman a quick once-over, beaming all the while.
“I can’t believe you actually made it! This is the best birthday ever!”
Well, if that isn’t the most flattering thing he’s heard all year.
“Oh! Would you like to come in?” you ramble on, stepping aside and sweeping your hand into the hallway behind you, “I’ve got people arriving for a party, but not for, like, another hour. So, you can stick around or…”
“Ah, regrettably, I can’t linger for long,” he interrupts, holding up a palm to quiet you. He truly can’t stay. And not just because he’s disinclined to ‘party.’
He’s heard whisperings of a demon uprising stirring in a city across the sea. He and War have made plans to travel there under the cover of darkness to investigate, and he’s already behind schedule. He notices that you make a considerable effort not to let your expression droop, though he can tell by the pinch of your lips that you’re disappointed.
He… hopes he can make it up to you with the tiny package hidden safely within his palm.
Clearing his throat, Death flexes his fingers, wrestling with doubts for a moment before he gives himself a mental kick and forces his hand out from behind his back, thrusting the parcel under your nose.
“Here,” he grunts as he gives it a gentle shake, willing you to take the damn thing rather than continue to blink down at it in surprise, “I understand gifts are customary on one’s… birthday, hm?”
… For a long time, you don’t say a word. You merely look at the Horseman’s palm as though he’s holding a live grenade, your eyes round and wide and uncertain. In fact, you remain silent for so long, that for once, Death is the one who feels compelled to explain himself.
“I… wrapped it,” he ventures, frowning behind his mask at the parcel, “… Although, I suppose it isn’t very good, is it.” Now that he's presented it to you, he's only just noticing how shoddy and rushed the job must look. In fact, he realises he must have stolen parchment that Azrael was in the middle of writing on, judging by the ink smudges that are only half hidden beneath the thin twine he used to bundle the whole thing together.
Mind racing, he scans your expression for tells, anything that’ll clue him in as to whether he’s made a mistake in bringing you something at all…
Perhaps… he was misinformed. It might be a grave insult to give a human something on their day of birth. Damn that half-wit brother of his, Strife. If he’s fed Death another lie to make him look foolish in front of you, why, he’ll-
A soft touch alights upon his palm.
Death’s gaze snaps down to see your tiny fingers curling tentatively over the parchment, and it takes a lot of concentration to keep his appendages from twitching as you slide the parcel out of his palm, brushing your thumb over his in the process.
“You… got me a present?” you ask gently, staring down at it before flicking your eyes up to peer at the Horseman from beneath your lashes.
Slowly, he retrieves his arm, giving it a shrug and sniffing, “It’s nothing particularly special.”
But you’re already pulling at the twine's lacklustre knot, delicately peeling away crinkled parchment to reveal the gift inside.
When you finally unfold all of the paper, a soft sound of wonder escapes your parted lips, and your face is illuminated in a soft, green glow.
It’s a flask. A tiny flask no larger than your thumb, cut from thick, crystalline glass and stoppered at the top with a chunk of cork. The flask itself has had a silver chain welded to the neck that glints in the sunlight as you bring it closer to your face to peer inside. Clinking around behind the glass, you spot a piece of shard, green as a summer field, glowing prettily like a captured firefly, small and dainty but luminous enough to cast its light through its crystal prison.
“I’m sure Muria could have made you something prettier,” the Horseman mumbles, “I’m no maker. But, I always did have a knack for crafting these talismans… You wouldn’t believe how hard it was to convince Fury to carry one…
“…Death…” you breathe.
“Yours is modified, of course," he ploughs ahead, clearing his throat, "Now, it won’t keep you safe indefinitely.” There's a pause, and you think you hear him mutter ‘yet’ under his breath before he continues, “But it will serve as a shield, of sorts. If you’re ever injured-“ Reaching out, he taps his nail against the glass. “- This will bear the worst of the damage. So long as you wear it, your skin will be harder to break. Your bones will only splinter where they might have shattered. You will be, in a word, protected.”
You can’t reply for a moment, your throat is too clogged with things you don’t know how to say.
You know this talisman. You know it because you’ve seen the one Fury keeps tucked beneath the high neck of her cuirass. She insists that Strife and War carry them too, though the brothers have yet to relinquish that secret to you just yet.
Nephilim’s Respite. It’s a protective trinket made by the eldest Horseman to safeguard his brothers and sister on their travels.
Death made them for his siblings. His family.
And now, here you are, holding the self same talisman in your hand.
You try to maintain your composure. You really do try. But when you blink, you’re slightly dismayed to find your vision blurring and a warm dampness tickling your lower eyelashes.
“Ah,” Death utters, drawing his head back to regard your gathering tears, “You’re crying. That… wasn’t my intention.”
A watery laugh tumbles out of your mouth, and you raise your unoccupied hand to sweep a wrist across your eyelids. “It’s oka-“ you start to sniff, though the Horseman jumps in before you can finish the thought.
“If the gift isn’t to your liking,” he concedes, reaching out to take the talisman back, “I can always-“
“-No!” Clutching the gift defensively to your chest, you throw Death a scandalised look, tears trickling lazily towards your chin, “It’s perfect, it’s just – it’s so much, Death! My god, I got you a mug for Christmas!"
And a fine mug it is, he reflects. Bone china, a yellow warning label with 'Warning, prone to sarcasm' scrawled across its surface in thick, black lettering.
It's one of his most preciously guarded items. He almost fed War's remaining arm to Harvester when the younger Horseman knocked it off his table.
But... you're fretting, and his reminiscing of the the humorous crockery will have to wait.
"You... accept the gift, then?" he asks, halfway convinced your eyes are misted over because he'd committed a faux-pas he isn't aware of.
There are times when Death wonders if you must think him quite dense. Such as now, for example. Short of throwing your hands above your head, you positively erupt in exasperation as you exclaim, "Wh-! Of course I do! This is the kindest thing anyone's done for me in my life!"
"Kinder than saving said life?" he quips, "Repeatedly?"
You only shoot him a wide, watery grin in response. Tossing the parchment over your shoulder, you hurry to slip the silver chain around your neck, clutching the flask delicately in a palm and thumbing the glass with fond, gentle strokes.
"I'm never taking this off," you murmur around a beaming smile.
Grunting, the Horseman folds his arms across his chest and replies, "See that you don't. With how attractive you are to trouble and disaster, this is the most efficient way to ensure you are kept relatively safe when I... when one of us isn't around to keep an eye on you." Pausing, he quirks a thoughtful brow behind his mask and adds, "Well... I suppose I could always enlist Nathaniel to play human-sitter..."
Your bright, incredulous peal of laughter cuts him off, but before he can lament on how much different he is now for allowing himself to be interrupted by a human and feel no malice, you suddenly plant a hand on his chest, spreading warmth from the tips of your fingers straight through to the hollow cavity that used to house his heart.
Death's mask tips down, his golden eyes calm, but curious as they fold into yours, old and new, sharing a moment of vulnerability on the steps of your home.
"Thank you, Death," you tell him sincerely, but oh so softly, "I mean it. Thank you."
And then, as if the thanks alone isn't quite enough to break a chip off his unassailable walls, you rise onto the toes of your shoes, reaching a hand up to hook a finger beneath the chin of his mask and drawing his head down inch by inch. Death, taken wildly aback by the boldness of laying your hands on the Executioner's mask, forgets himself, and follows the tug of your will until-
A layer of solid bone may separate you from the Horseman's skin, yet he'd still swear he feels the tender press of a warm, guileless mouth against his own, just for a moment, then you withdraw almost as soon as you leaned in, releasing his chin and letting your arms flop back to your sides.
"Well," you say, voice a little pitched like you've caught yourself by surprise, "Again, um... Thank you..."
Slowly, Death draws back to his full height, resisting the sudden urge to press his fingertips to the space near the bottom of his mask.
"Don't suppose you've got time to come in for a cup of tea?" you blurt.
And if the Reaper's thin, pale lips twitch up at their corners unbidden... Well... There's a reason he decided to keep his mask, after all.
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whatami365 · 1 month ago
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Why did you hide it? (Poly! Alpha Male Rick Riordan Characters x Omega Male Reader, Part 1)
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Percy and Jason: It had only been a month since the giant war had passed. Already there was another war on the horizon but several years in the future. Rachel, a female omega and the oracle of delphi, had wandered out of her cave with her grey and glazed and walked up where M/n was talking with his alpha younger brother, Nico, and several others including two alphas, Percy and Jason, who were the sons of Poseidon and Jupiter respectively.
She looked right at M/n with her unseeing eyes. "A evil most ancient awakens. It's name lost to the sands of time. Only the children born from womb of a omega child of death and seeds of children of the Roman sky and the Greek sea can defeat it.", she said in a eerie tone. Then she collapsed.
Everyone rushed to get Rachel to the infirmary before. Then started discussing what the prophecy could mean while Nico, Will, and M/n stayed silent. They knew what at least part of it meant. M/n was the omega child any death god had ever produced. So obviously it was M/n who was meant to give birth. However the only people who know M/n to be an omega were Nico, Will, and M/n.
After someone started pointing fingers at Nico though. Saying he was the one who was secretly an omega due to small stature. They started telling him it was okay to be an omega and could tell them.
M/n buried his head in his hands. "It's me, okay. It's me. Not Nico. I'm not an alpha. I'm an omega. Will and Nico have been helping me hide it.", he said.
All around him was silence. He looked up to see everyone starring at him but Will and Nico who were glaring at the others. Percy was the first to speak. "Why would you hide it? There's nothing wrong with being an omega.", says the son of the sea god.
"Maybe not now a days but I was born in the 1920s when omegas were still seen es property or whores, or abominations if they were males like me. If I had presented in the 20s or 30s my nicest fate would have been death and lots of people still have that view on omegas even today. I was just trying to protect myself because you never know what is going through someone's mind.", says M/n.
The room lapses into silence. Finally Annabeth, an alpha daughter of Athena speaks. "I think I know what the prophecy means. M/n is meant to give birth to Percy and Jason's children. Who will then defeat an ancient evil.", she says.
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Leo and Jason: It had only been a three days since the giant war had passed. Already there was another war on the horizon but several years in the future. Rachel, a female omega and the oracle of delphi, had wandered out of her cave with her grey and glazed and walked up where M/n, the secret omega son of poseidon, was talking with his alpha half brother, Percy, and some of his friends, Jason and Leo, who were also alphas and the sons of Jupiter and Hephaestus respectively. She looked right at M/n and spoke in a eerie tone.
"An ancient evil has awoken. So old it's lost its name to the sands of time. Only the children born form the womb of the omega child of water and seeds of the alpha children of greek Fire and roman sky may stop it. Hurry. Hurry. It awakens.", she says and then she passes out.
Everyone rushes to get Rachel to the infirmary. When she's taken care of everyone starts trying to figure out who the omega child of water is except for M/n, who is slowly sinking in his seat, and Percy, was the only person who knew M/n was a omega. When it became clear his little brother would not say he was the omega Percy sighed. "It's M/n. He's the omega child of water. I've been helping him hide the fact he is an omega.", says Percy.
"Dude, why you gotta out me?", says M/n. "It's an emergency, little bro. They needed to know.", says Percy.
"Why would you hide that, M/n? There is nothing wrong with being an omega.", says Jason.
"Says the alpha. There omegas who everyday get rapped, beaten, or even kill just because they are omegas. Sure some lead happy and peaceful lives but a lot do not. My own omega mother isn't. She's was forcefully mated off to a piece of crap after I was born by her parents. He beats her and my younger half siblings regularly and I'm not allowed to see them to help. Plus my father is Poseidon. He's never produced an omega before. I have a lot to fear with people knowing I am an omega.", says M/n.
Everyone went silent. No one had any idea what M/n went through. Finally Piper, a female alpha and daughter of Aphrodite, spoke. "Well, complicates things as the prophecy said to hurry up have kids to save the world. Most likely with Leo and Jason at that. We can't just force M/n into having kids like that. We need him to be comfortable with the idea.", she says.
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Will and Nico: It had only been a year since the giant war had passed. Already there was another war on the horizon but several years in the future. Rachel, a female omega and the oracle of delphi, had wandered out of her cave with her grey and glazed and walked up to where M/n, the secretly omega demigod son of Ares, was talking, well fighting, with Will Solace, the alpha son of Apollo, while Nico Di Angelo, the alpha son of Hades and boyfriend of Will, watched looking done with the world. Rachel got directly in M/n's face and started screeching a prophecy.
"The most ancient evil awakens. It's name is lost to the sands of time. There only is only one hope now. The children born from the womb of a omega demigod child of war and seeds of alpha demigod children of the sun and death can defeat it. Hurry. Hurry. All hope will soon be lost without the children. Hurry.", screams Rachel and then she passes out.
Everyone rushes her to the infirmary. When she is all squared away in a bed Will and Nico turn to M/n. "So since she screamed it in your face I'm guessing you're the omega demigod child of war. Why didnt you tell anyone? You have probably missed so many regular check ups you need to make sure your healthy for an omega. What were you thinking, M/n? Was this about pride or something? There is nothing wrong with being an omega.", says Will.
M/n scowls. "No. It was not about pride. It was about my safety. Lots of omegas lead normal lives and our happy but lots also do not. There are omegas being hurt everyday simply because they're omegas. My own omega father is beaten and ridiculed to the point he is a hollow shell every day by his alpha mate that he was forced into mating with after I was born. I'm not even allowed to see him anymore to help. It's not all a pride thing its a fear thing.", says M/n.
Will and Nico say nothing for a minute. "Well, that makes this especially hard as your most likely supposed to have kids with Will and I in order to save the world. I know it said to hurry but we can't just rush into it.", says Nico.
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cuppajj · 22 days ago
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Is there anything that could, hypothetically or potentially, cause distrust among the neo beasts towards one another? Something that may cause them to turn on each other is what I'm trying to say.
Also, would it be alright to ask a rough estimate of how many years the entire story spans across?
Oh definitely, the neobeasts are already trying to maintain their whole alliance themselves. Unlike when they were ancients, their relationships have been fraying. Not that it’d be necessary easy to turn them against one another, but there are factors already present:
Save Lily, everyone already doesn’t like Saint Vanilla. They are fully aware that when the threat of the original five beasts are dealt with, when he gets his soul jam half, or if he—makers forbid—actually succeeds in his fruitless ascendancy quest, he’ll kill them all. Cacao, Dragonberry and Cheese have found orchids in their kingdoms already (the former more than the latter), and Cacao is *staunchly* against him to the point he will grow hostile if Saint steps foot in his kingdom.
Versely, Saint still wants to purify all of them, seeing them in the same vein as the rest of life: suffering in sin, desperate for salvation. There’s no changing what he wants to do to them, only ways that will stall him from doing it.
Berry and Cheese are already at odds with each other, frenemies by definition. They constantly bicker over lands both of them are interested in taking, and they gave each other inferiority complexes to varying degrees (Berry more than Cheese). They can be friendly one second, but a powder keg will be enough to sever that connection.
It wouldn’t be hard for Lily to cut ties with all of the beasts (except for Saint) in general. She doesn’t need their help, and she doesn’t need to ask for their approval.
Cacao is really the easiest and hardest one because of his extreme isolation and natural avoidance of the others
As for the second question, right now I’m thinking BAAU takes place over 7 to 10 years? No idea what Crepe’s canon age is, but if they started at 6-7 years old then they’re 16-17 by BAAU’s conclusion, for reference.
However, I also need to figure out how long it’s been with the Neobeasts around, because I want the world to have already been in the process of accepting them as the new normal (enough time for Saint to have his cult, Cacao to have tamed the licorice sea, Berry and Cheese to have conquered and the latter to have rebuilt her kingdom, etc)… so that alone might be three years at least, making BAAU from Lily’s corruption to the finale upwards of 10-13 years. BUT don’t take this as gospel because this has to do with my very incomplete and very jumbled timeline, this is just a rough idea of what I have lol. You can still enjoy the au without making this info canon. Bottom line, it’s a long time
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the-magiarcheologist · 10 months ago
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Hogwarts Legacy Timeline
I've gone deep into research to try to put together a timeline of events that happened before the start of the game.
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Ok, let's break it down! (I'll provide my sources for all of this)
And let's start with the most shocking: when anne gets cursed.
Almost everyone assumes (logically) that she got cursed sometime during the fourth year or the summer before the start of fifth year. But, in the book "The Art and Making Of Hogwarts Legacy" there is a short paragraph introducing Sebastian and here is what it says:
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If we take this info as legit (and I think it is since that book was written by the people developping the game) then Anne has been suffering from that curse for far longer than anyone thought!
That also means that Ranrok opened the first repository over a year before our MC starts at Hogwarts and discovers ancient magic.
Before we start the mission 'It's all Gobbledegook" with Amit, Lodgok tells the MC that Ranrok orginally unearthed Bragbor's journals that had been long lost. From these journals, he discovered that wizards had hidden for 'repositories' full of magic that Bragbor had built for them. He knew all of this was connected to five names: Rackham, Fitzgerald, Bakar, Morganach and Rookwood. Ranrok then sent Lodgok to begin the search at Rookwood castle.
Sebastian also confirms that Goblins first arrived at Rookwood castle. Before we visit his sister, he tells MC: "No one has felt safe here since Ranrok's Loyalists took a peculiar interest in that castle over there - Rookwood castle."
Miriam was actually already at Rookwood castle, conducting her research on ancient magic, before the Goblins arrived. That is how Lodgok meets her. She had already found the container (with the portkey inside) and was studying it. (Lodgok tells us this after we complete the mission with Amit).
Other Goblins join Lodgok at Rookwood castle to search it. At this point, Rookwood must have joined hands with Ranrok and allowed the Goblins to tunnel under Rookwood castle to search for the repository. (We overhear Rookwood telling Ranrok: "I allowed you to tunnel under my family home!" when we first visit Rookwood castle to start the second trial from the Keepers).
The Goblins find the first repository and Ranrok is thrilled. That is when Lodgok tells him that he met Miriam and that he trusted her and allowed her to continue her research on the container independently. Lodgok does not really know what happens after that but we know that Ranrok eventually found her and killed her. So Miriam died sometime between Ranrok finding the first repository and the start of the fifth year.
The only other thing we know to try to piece together when Miriam died is that shortly before her death she first sent George Osric a letter warning him about Ranrok's activities (presumably she knew that he had accessed the first repository) and then "before [George] could respond" she also sent him the container. Since George himself says he had not had time to respond to her first letter before he received the container, that probably means only a few days went by between Miriam being worried about Ranrok's activities and when he found her and killed her. (We learn all of this from George Osric in the carriage going to Hogwarts.)
The other interesting thing is that George tells Prof. Fig that he had received Miriam's first letter (and the contained shortly after), "months ago". Rookwood sort of confirms this when he tells Ranrok that he spent "months and countless Ministry favours" locating the container (he says this when we overhear his conversation with Ranrok at Rookwood castle). So this means that Miriam died several months before september 1890.
This raises a lot of questions: Why did George Osric wait that long to tell Prof. Fig that he has received a mysterious container from his wife before her death? Also, why did Miriam send the container to George and not her husband? Were Prof. Fig and his wife estranged? Did Miriam not trust Prof. Fig? But that's the topic for another post I suppose...
Anyway, after Goblins started searching at Rookwood castle, they also started searching at other locations connected to the 5 names of the Keepers. (We know this, again, from Lodgok before we start the mission with Amit). That is when they arrived at Isidora's house. We don't know the exact timeline between them arriving at Isidora's home and the fire during which Anne got cursed. This could have happened before Ranrok found the first repository. But it happened after Ranrok and Rookwood started their alliance since Rookwood was at Isidora's house with the Goblins. So I think it happened after Ranrok had already found the first repository but we can't be sure.
Anyway that's all I've got! Have I forgotten something?
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romanceyourdemons · 4 months ago
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a fantasy story where a wizard is given a statuette head in honor of their getting tenure. it’s more a tchotchke than anything else, but it’s a high quality tchotchke, and imported from foreign parts too, so the wizard keeps it on their desk and uses it to hold down letters when they open their window. then one day they get back from teaching a lecture and the statuette is gone. they contact the university’s department of rectification, and the department finds a janitor who claims she saw the statuette begin to shake violently before splintering into fragments, dissolving into fine dust before the fragments had a chance to hit the desk. the wizard is skeptical. if they had a magically affected item on their own desk for months without noticing, they wouldn’t deserve their own tenure. but then a curator from the university’s gallery of artifacts enters in a panic: several of their more expensive foreign items have vanished, shaking violently before splintering into fragments and dissolving into dust. the wizard’s curiosity is piqued, and their worry is awakened. consulting both the receipt for the statuette and the gallery’s records, they find that the statuette and the first of the artifacts to vanish were made in the same workshop, and each of the other artifacts originated from a steadily expanding region of the foreign parts. this is truly odd. the wizard studies the records for any mention of a spell that might do this, coming up with nothing, although an ancient book from foreign parts does disintegrate in their very hands. by now a petition has come in from a merchant city a hundred miles away, stating that a warehouse of very expensive imported fabrics vanished overnight, leaving nothing but impossibly fine dust. the wizard checks the origin of the fabrics and is not surprised with what they find. the university has a guest lecturer from the same country as these vanishing items, a slender, sharp-mustached man with a vast store of medical knowledge and an insufficient store of patience. he brushes off the wizard’s question with offense—he left his home country twenty years ago, what special knowledge does he have?—but after a pensive moment he adds that the letters from his mother have all vanished. he seems uncertain whether to shoo the wizard out or let them leave on their own, but before he can make up his mind a terrible expression crosses his face. he begins to tremble, violently. the wizard rushes to steady him, but the moment their hands meet his shoulders, his entire body bursts into meaty fragments, baptizing the wizard in gore that sloughs off in fine dust before it gets the chance to drip. as though he had never been. the wizard fights to refocus their eyes and mind; when they succeed, they see items in their deceased colleague’s office bursting and vanishing one by one—densely scrawled papers, delicately constructed medical equipment, even the elegant painting of the colleague’s mentor the brusque doctor had made with his own hands. the wizard is so old and so dignified, but they flee the room. across the campus, people are coming undone: students, faculty, staff, birds in the duck pond the wizard’s deceased colleague had loved to frequent. in the chaos, the wizard hardly bothers to ask permission to pack their staff and go wandering. they journey toward the foreign parts where this curse originated, tracking its progress in reverse as they go. items from that country are the first affected, and people from that country are next. those deeply intertwined with victims become victims themselves—now that the wizard thinks of it, the colleagues and students who they saw vanishing had all been patients of the guest lecturer at some point or another. as they travel further and further, the cities grow emptier and emptier, the fields more barren—if a farm was planted with imported seed at any point in the past twenty years, its crops have without exception crumbled away—and the wizard consults every school, sage, and recluse they can find, looking for an explanation. searching for a cure
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rocketbirdie · 2 months ago
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fic recs pls zakkura legend?
YOU'VE ACTIVATED MY TRAP CARD
recs below the cut, in no particular order:
and things never change by andrewwtca
My personal favorite fic of all time. This one's a little less zakkura and a LOT more doomed post-AC Cloud+Tifa. Cloud mourns Zack, Tifa mourns Aerith, they try so hard to find comfort in one another, but things never change. This fic unlocked new sensations in me that I didn't even know existed, like guttural heartbreak so brutal that it makes you dry heave. If that sounds like your idea of a fun evening, give it a try!
skadii
Literally everything from skadii. This author right here is the true legend of zakkura fics. I can't really summarize it because they're all SO GOOD. Just. *chef's kiss* *EXPLODES, BADLY*
Mako-Soaked Kintsugi Bathed in Brutal Daylight by FeralSunshine22
While on the run from Shinra, Zack and Cloud take a tumble through spacetime and wind up in the FF15 universe, where they reunite with Kunsel. Now that they're safe, Zack has a LOT to process mentally about the shit they've been through in the past few years. This fic is the most realistic depiction of PTSD and recovery from a coma that I've ever read. Even if you know next to nothing about the FF15 universe (like me!), the writer does a fantastic job of easing you into this unfamiliar world.
the only one for me (Light of the Universe) by anonymous
Craving something wildly out of character? Desperately need a dose of dark!Zack? This one's an acquired taste, but if you're looking for some jaw-dropping plot twists and morally objectionable behavior, then I can absolutely recommend this 4-part fic in which an obsessed stalker Cloud gets a teeensy bit more than he bargained for. This author has several other lovingly crafted zakkura fics as well!
Hello Once Again by hrelics9
An interpretation of the consequences of Remake's ending, a Zack lives AU that follows many of the plot points of the OG, while exploring Aerith's powers as an ancient, and Jenova's powers as an eldritch monstrosity. Zakkura mind-melding content! Sadly, this fic was never completed, but the almost 300,000 words that we do have are awe-inspiring.
not the same as loneliness by crookedspoon
Cloud is in a coma. Zack is trying to hold it together for both of their sakes. But as time goes, it gets more and more difficult for Zack to cope with the isolation. Short and sweet, very dubious consent. Highly recommended.
This is by no means a complete list, just a couple favs off the top of my head. Happy reading!!
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roy-dcm2 · 5 months ago
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Ruminations on the Fierce Deity, and other Masks
What is the Fierce Deity? That's been the question since Majora's Mask came out. Aonuma told us something a few years back - The Mask contains "the memories of all the people of Termina."
What does that mean?
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Let point out that in the land of Termina, Masks are Magic. This is not limited to Link or the Happy Mask Salesman. In Kafei's sidequest, we see the couple put two masks together, and a new Mask is born out of thin air.
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Some fans believe that the Fierce Deity might have been an ancient God. But, with this observation in mind, the Fierce Deity's Mask could have genuinely manifested wholly by itself.
How did Majora get the Feirce Deity's Mask?
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(Side note - there used to be a theory that Majora created the Fierce Deity Mask, but I think we can discard that because we never see Majora create any masks.)
Did you know that the Gossips Stones mention the Fierce Deity's Mask? "The Fierce Deity Mask, a mask that contains the merits of all masks seems to be… somewhere in this world…"
Gossips stones are like hubs used to communicate gossip between the Sheikah and their allies. The FDM allegedly contains the merits of ALL masks, not just the ones Link acquires in game, you can assume. So that would make it a very powerful mask.
We know that the HMS likes to collect rare masks, so it is very likely the Happy Mask Salesman had it with him when he was attacked by the Skull Kid. It is also likely that he carried the Boss Masks that would be used to "imprison" the Four Giants.
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What are the Four Boss Masks?
Majora's Mask takes place in the three days leading up to "the Carnival of Time" and it is tradition to wear masks during the carnival. Let's remember that The Legend of Zelda series has a lot of it's roots in Japanese Shinto traditions, and in Japan there are several festivals where masks are very popular, including ones of demons.
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The four boss masks could be common Festival Masks in Termina, representing powerful monsters from each of the regions folklore.
Or, they might actually be rare masks worn by the real monsters, that he Happy Mask Salesman managed to collect.
Majora imprisoned the Four Giants in the form of each Boss Monster, maybe as a way of mocking their helplessness in the situation. (Or very simply to get them out of the way, while he destroys the world.)
That is also essentially what he did to Link. Skull Kid transformed him into a Deku Scrub to get him out of the way.
(I guess the Triforce of Courage allowed to Link to remain in control of himself, instead of "disappearing" into his new identity. There could be an alternate universe where Link assumed the role of the Deku Butler's son.)
The Four Giants became linchpins of Majora's plans. Since the Giants protect each of the territories, he to get them out of the way. Once the Giants were under his control, Majora could wreak havoc across the four lands. It's a bit strange that the Boss Monsters are disconnected from whatever ails the land. For example, Ghot isn't making things cold, and Gyorg isn't what is making the seas boil. They're just the fulcrum where Majora's curse radiates from.
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It could be the Feirce Deity was the one who slew the original versions of the Boss Monsters. Or, more accurately, in the ancient times Termina was beset by monsters, and the feelings of the people of Termina manifested a powerful Mask that a hero wore to destroy the monsters.
Alternatively, an ancient hero performed so many good deeds, that a mask he carried, could have transformed into the Fierce Deity Mask after his passing. Then the mask itself was revered and worshiped as the mask of a Hero.
The Fierce Deity represents the positive energy, good feelings, and good deeds of all the people in Termina. The perfect foil for Majora's Mask, that thrives on the energy of despair and misery.
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