#he doesn't let people suffer alone

[brown-little-robin]

moment of all time...

[carveredlunds]

"I'm sorry it hurts. I really am." "I’m with you. I’m with you."

[thelittlemermage]

The most disappointing thing about the TBOSAS movie is that you will occasionally get the impression that Coriolanus is doing something out of the goodness of his heart, which is false. He has no goodness in his heart. Everything he ever does good or bad is for the sole purpose of wanting to get ahead and benefit from it either now or in the future and the only genuine thing he ever felt was love for Lucy Gray and perhaps not even THAT because if she wasn't His Girl and he didn't practically own her for a portion of time would he have ever even loved her?

[helloilikepurple]

DC X DP - DeAged

The Nasty Burger explosion took a lot from Danny.

Stopping Dan meant nothing when Danny lost everything. His friends, his parents, his sister, his teacher - all gone. Danny, desperate to not become Dan, fled. He would not let Vlad destroy the only thing he had left; himself. He didn't turn human again if he could avoid it. Let Danny Fenton die with his family.

He did what he could, trying to keep it all together. Avoid Vlad. Catch havoc-wreaking ghosts. Try to not have a panic attack every time he saw his reflection. FentonWorks became out-of-bounds. No one was sure how to turn off the portal or any of the house's defence mechanisms so it was taped up instead.

Danny kept the GIW away. They wanted his parents' research, even if they had to bend the law to get it. Danny would not let them have it. Never.

But the GIW was persistent and Danny weak from nearly two months of being Phantom and nothing else. He was so tired. Tired from grieving, from fighting, from wandering around, completely lost and alone.

The GIW got a lucky shot in. Danny went down. He woke up, still ghost, somewhere white. He'd trained himself not to have to turn back. He was grateful he did.

The GIW studied him. Danny did not have the energy to fight back. The will to survive. Curled up in his cell, bloody and becoming less human with every passing day, Clockwork finally intervened.

He could not let the future High King wither away into nothing.

With Nocturn's help, he whisked him away. His world was dying anyway. With no one to maintain the portal, it would soon overload and explode. The radiation would kill all life on Earth, leaving nothing behind, and taking with it the potential for new life. One world among infinite realities meant nothing. But Danny, as High King, is a singularity. A unique existence, only found in one reality. Clockwork, for the sake of everything that lives and dies, could not let Danny fade away.

Danny slept at the Far Frozen, dreaming of his family, his friends, and the stars he would one day rule over. He healed, wounds knitting together into scars and fractured core slowly, ever so slowly, repairing itself. A future Ancient, bound to protect all that is and will be, was bound to be very badly hurt from such a loss.

Clockwork only wished he could have done more, but to remove Danny too early would have spelt disaster worse than the deaths of billions. This boy would someday be someone he'd proudly call his grandson. Seeing that future alone was enough to make his own core ache for the young one.

The Infinite Realms wept for its child, still but a babe yet having suffered so much. It embraced its future King, blessing him with its loyalty and adoration. The ghosts of the realms, spread far and wide over distant realities, timelines and worlds, felt the loss too.

Danny healed, unaware of how loved and precious he was to so many - how far he was from alone. The dead's sudden quiet unsettled many. Enemies froze in the silent mourning, animosity forgotten. Raging wars came to abrupt ends. So many, unable to bear the ever-reaching, unidentifiable pain in the air killed themselves. Good, kind people cried alone.

Magic users, like Constantine and Zatanna, hid, waiting out the Infinite Realm's despair for its child. No one spoke of it, for fear of disrespecting the dimension between dimensions. But they hid, and they waited, and they couldn't help but worry for themselves and everything and everyone else.

Danny got a lot of visitors. Ancients, regular ghosts, crowded around his bed, gifting him blessings and support. Danny slept, he healed, and his world died, taking with it all he'd known. He wouldn't remember or know of any of this when he woke  - even the memories of his pleasant dreams will have left him. He'll awaken and think himself entirely alone.

But he'll know, someday.

Clockwork will make sure of it.

---

Danny doesn't know where he is or who he is.

He has a vague idea. His name. His life and his death. But so much is so distant, like impressions on sand, washed away by the ocean. He knows he should be bigger. He knows this isn't home. He knows there is no home anymore.

He knows there are people he misses, but he doesn't know who they are or where they've gone. He knows so little yet so much. White walls and orange hair, green (toxic, writhing green) and hazmat suits, white and black and orange and blue. Expensive, Packers-branded cologne, burning flesh, the scream of an alarm and laughter and fear and hope and love and pain and loss. Disjointed flashes, snippets of another life.

And this isn't familiar - this city and these people. These crowded, filthy streets aren't home, but there's no home anymore so of course they aren't. And maybe Danny should be afraid. He doesn't know where he is, or how he got here. There are people, so tall, walking around him not sparing him a glance. It's loud and smelly and so much to process all at once.

But Danny doesn't care because he's so tired, and he wants nothing more than to curl up in bed and sleep the day away. But he doesn't have a home, so obviously he doesn't have a bed either. He looks around for somewhere else to sleep, rubbing at his chest subconsciously as he does.

There, a building, on the other side of the road. The windows are tinted, but the doors open and Danny, through the crowds and passing traffic, catches a glimpse of what has to be a couch. Maybe the people that own the building will let him sleep on their couch for a little bit.

So he crosses the street, sticking close to the legs of some lady with skinny heels that go tap-tap-tap so the cars don't go because they can't see him. The lady turns to go a different way after but it's okay because Danny is in front of the building now.

He pushes the door open and slips inside. It's quieter inside, and warmer. Danny wasn't cold outside but in here there's a nice heat that makes him feel even sleepier. He looks around at the fancy chairs and potted plants and lights, and is happy to see there are couches. Long couches, with lots of pillows and space for him to spread out.

He walks up to the desk. He's too short to see over it, and it makes him kind of angry because he's sure he's supposed to be taller. But he figures maybe he remembers wrong because people don't just shrink. Except, he's a halfa so maybe ghosts do?

"Hello?"

There's a lady here too, behind the desk, but unlike the one he followed across the street she has short, curly hair. Danny wonders if she's wearing skinny heels too. Leaning his head back, he can see her look up, glance around, and then look back down.

Danny pouts. Did she not see him?

"Hello?"

He waves an arm this time, reaching as high as he can to catch her attention. She finally sees him, eyes widening in surprise. "Oh, sorry! Hello." She has a nice voice.

"Your voice is pretty."

She smiles, and Danny decides her smile is nice too. "Why thank you. You have a pretty voice too. Is there something I can help you with?"

"Can I please sleep on your couch? Just for a little bit."

"Of course you can. Would you like a blanket? I could fetch one for you from the staff room."

Danny shakes his head. "I'm okay. Thank you."

"Alright. But if you change your mind, do tell me."

"You're very nice."

"Thank you, but it's really no problem. Not much to do today anyway."

"You should sleep too then. Sleep is good."

She giggles. "That is a very good idea. I just might take your advice." Danny nods. He has lots of good ideas. "Okay. I'm gonna' go nap now. Bye-bye."

"Sleep well."

There are a few couches, and for a bit Danny's not sure which one to sleep on. He chooses the one with the most pillows. It's very comfy, and the pillows are nice too. He puts one under his head and hugs another, curling up around it. He falls asleep in seconds.

-

When a toddler with black and blue eyes asked to sleep on one of the couches on in the reception hall of Wayne enterprises, May had assumed he was one of Bruce's boys. He certainly fit the type Gotham's favourite playboy liked to adopt, and it wasn't unusual for his wards to show up out of the blue.

Once she found Tim Drake passed out on the floor under her desk. Apparently, he'd been hiding from Dick who was visiting from Blüdhaven and forgot to bring his coffee with him, consequently falling asleep while he waited for her to arrive so he could ask her to go pick some up for him. That had been an interesting Thursday morning. 

On another memorable occasion, Cass, Bruce's only official daughter, and her girlfriend Steph had shown up, said hi, went upstairs, then came back down after about an hour, giggling as they ran out with a wave goodbye. Not even ten minutes later, Bruce himself stumbled out of the elevator, absolutely covered in purple glitter. May remembers raising an eyebrow and asking if Bruce wanted her to have another suit brought in.

He'd ended up collapsing on one of the couches with an exhausted sigh, and said he'd have Alfred pick him up instead. He left a sparkly trail behind him when he walked, and the couch he sat on had to be replaced because, even after numerous cleaning attempts, no one could get the glitter out. He had glitter in his hair for months afterwards.

So, May hadn't bat an eye when the little boy came in. Well aware Bruce had several meetings scheduled that day, she sent him an email saying one of his kids was taking a nap in the reception hall and resolved to look out for the boy herself. Throughout the day, she made sure to check on him often, making sure no one picked him up ran (this was Gotham after all).

He slept soundly for most of her work day, barely shifting. She ended up putting a blanket on him herself during her lunch break and leaving him a water bottle and little snack for when he woke up. She also made sure security kept an eye on him whenever she left for whatever reason.

It was well into the afternoon when Bruce finally replied to her email and asked if his kid was still sleeping downstairs. She said yes, and not long after he arrived on the ground level. He walked up to her desk and asked if his kid had caused her any trouble. She smiled and assured him no.

Then Bruce asked where Tim was.

"Sorry? Tim isn't here today."

Bruce frowned, looking just as confused as she felt. "My apologies. You said one of my wards was asleep here. I assumed it was Tim."

"Oh! No, no, it's not Tim. Well, I don't actually know his name but the little guy has been here since this morning." She gestured to the toddler in question.

Bruce turned around, saw him, and frowned. "He's not one of mine."

"He's not?"

"No. Are you sure he's not an employee's child?" He kept his eyes on the boy, eyes narrowed in thought.

"Yes, I am. Only three employees brought in their children today, and all of them are ten or above. He can't be older than five." She frowned now too, turning to her computer to double check. "I'll send out a company-wide email to be sure. I should have done this sooner. I'm sorry, I was just so sure he was under your care."

"It's alright, May. I'm not upset. I'm just worried about him. When about in the morning did he get here?"

She glanced up, but Bruce was still looking at the sleeping boy. "A little after nine."

"And he's been sleeping all that time?"

"Yes, as far as I'm aware."

"Alright. Thank you for looking after him. I'll take it from here."

"Of course, sir. I'll reach out to you if anyone identifies him."

He nodded appreciatively and walked over to the boy. She watched, frustrated with herself. She's worked as one of Wayne Enterprise's receptionists for over four years. She should have known better than to just assume some random, black haired blue eyed child was Bruce's kid. She should have at least reached out to make sure that was the case.

She sighed as Bruce knelt down by the couch and gently shook the little boy awake, resting her head in the palm of her hand. This poor child. His poor parents. They must be worried sick.

She has to make this right.

---

[thereweredragonshere]

I've said it before and I'll say it again. Gobber must be so fucking fed up with Hiccup and Stoick at all times. Like he grew up with Stoick being a stubborn ass and then Stoick had a child who grew up and is also a stubborn ass.

I cannot imagine having to deal with one Haddock let alone two. Especially httyd1 era where they could barely even be in the same room as each other without there being audible cricket noises oh my fucking god. He would have been a permanent mediator between the two. Constantly listening to them complain about eachother (Which we do actually see in httyd1 funnily enough).

Them two actually beginning to fix their relationship after the red death must have been so great for him. Because yes his best friend and his sort of adoptive son thing are now actually engaging in healthy father son activities with one another but he also no longer has to deal with being sandwiched between two fucking donkeys that can't properly communicate.

But hahaha Gobber your torment doesn't end there. No no no you then have to deal with two of the most dramatic people in the archipelago (why does no one mention how dramatic Stoick is???) constantly wittering in your ear about different plans or inventions or wars and dragons and blah blah blah. You can never escape the incessant rambling of the two idiots you got cast to hell with. You will be forced to listen to a father and son that don't see any reasonable value in agreeing about things like 34% of the time and you will have to either pick a side or attempt to deescalate the awkward glances and frustrated sighs when they are forced to be around each other after a particularly bad episode of being unable to affectively have a conversation about their thoughts and feelings because they're both emotionally repressed and could both use some therapy.

Gobber has seen every single side of the relationship between Hiccup and Stoick and the whiplash from witnessing a heated argument about the meaning of existence itself in the morning and then watching as they joke and laugh about some random crap literally no one understands in the evening will probably end up breaking Gobber's psyche at some point.

That man's life was pain and suffering incarnate and it was purely the fault of the Haddock family.

[peachesofteal]

Light On - single mom/neighbors fic Simon Riley/female reader - reader POV

You have a problem.

You miss your neighbor.

He's been gone for two and a half weeks, and every day you catch yourself holding your breath, listening for him next door. Watching for the light on his balcony, checking your phone relentlessly.

You've been worrying, anxiety turning into a gnawing ache beneath your ribs, wondering about how he is, what he's doing, if he's okay. If he's safe.

He'll text you. Right? When he's home? He said he would, didn't he? You're not sure. Not sure of anything when it comes to him, confusing thoughts and feelings turning over and over in your head every second, twisted up and tangled in your heart.

You've friend zoned yourself, you know it. Relying on him too much, asking him for help all the time, inviting him for dinners but too afraid to try to take the next step. And didn't you do it to yourself anyway? Didn't you ask him to babysit for you, so you could go out on a date with some asshole that didn't even show? He's your friend. He's your neighbor.

Yeah but he asked you to go for dinner, the night you were sick. And he rushed to you and Emma when that creep was following you in the park. Doesn't that mean something?

He asked you AND Emmaline to dinner, not like on a romantic date. And he did the same thing anyone would do, if they thought their friend was in trouble, didn't he?

He doesn't act like your neighbor. He acts more like... a husband, than anything else.

Not knowing is confusing, and on top of your grief, it makes you feel a little more vulnerable than you care to admit, but you can't deny your own truth. You like him. Even Emmaline likes him, little face smiling up at him every chance she gets, staring at him like he's the whole world. Maybe he is. You can't help but swoon over the way she interacts with him, how she settles so easily with him, how she coos and babbles at him like she's having a whole conversation with him. When he walks into a room, she lights up like the sun, happy baby giggles and everything, the sweet sounds of her glee at her favorite person's face like music to your ears. So unfair. You suffered for sixteen hours trying to give birth to her, alone... and he comes around for a few months and all the sudden you've been replaced.

You can't blame her too much, you guess. You get it. He's... something else. Something you're not sure you understand. Something you don't know you're ready for.

Still, you think he might feel the same way.

You shake your head. Stop. You're getting so far ahead of yourself.

Which is why you've convinced yourself that when he's home, the next time you see him, you're just going to buck up and do it. You're going to tell him how you feel. No matter how hard it is.

You've even practiced what you'll say. Staring at yourself in the mirror nervously, reciting different ways to say 'hey Simon I really like you and was wondering if you want to go out on a date even though I have a baby and am basically a widow.'

Emmaline cries, announcing that she's awake, and you're so quick to soothe her, holding her to your chest, whispering a good morning to her, rubbing her back and tummy as you always do. You think some people might say you're spoiling her, that you're not letting her cry long enough, that you're teaching her bad habits or manners but you can't help it. Her father died before she was even born. You're the only thing she has in this world, the only person that gives her love, that makes her feel safe-

or at least, you used to be.

You hear your neighbor in his flat hours and hours later. Well past sunset, Emmaline already sleeping in her crib, your dishes already done, little chores taken care of, and you're sitting on the couch with a glass of wine, watching a movie at a low hum.

Was that- is he?

You sit straight up, straining to listen. It takes a second, but eventually, you recognize the tell tale sound of an interior door closing, and then the balcony glows with the light from the inside.

He's home. You take a large gulp of wine, and a deep breath. Just go over there, and tell him how you feel.

Your fingers curl into a fist, hesitantly knocking at his door, holding your breath. When there's no response, you try again, a little louder, and then feel immense relief when the lock clicks.

Until it opens.

Simon doesn't look like himself. He looks lost. Haunted. There's remnant of black grease around his eyes and instead of being maskless or wearing the usual cloth one, his head is mostly covered by a balaclava bearing a skull, and his eyes are blank. Dark. Something is off.

"Hi." You squeak, and cringe inwardly, stomach flipping like you're on a carnival ride. You raise the two bottles of beer that you brought over with a meek smile, gesturing to them and the monitor. "Thought we could um... try this again?"

"No." His refusal is flat, rough, and you blink in surprise. No?

"Oh- I uh... just thought-"

"It's not a good time." He cuts you off, and then before you can even get another word out, the front door closes in your face, leaving you outside in the hall, bewildered. Hurt.

Guess he doesn't like you after all.

[a-hazbin-reader]

OK SO WHAT ABOUT ALASTOR X FEM READER EXCEPT READER DOESNT KNOW HOW TO REACT TO HIS CHIVALRY

So this takes place before they start dating and the beginning of the relationship. Reader basically has never met a guy who has chivalry(or is respectful) like ALASTOR, so when Alastor’s mannerisms come out, reader just looks at him like “wtf are you doing?” BUT NOT IN A MEAN WAY, more like in a confused way because they’re from a time where chivalry isn’t as popular(especially to women in general) and reader was raised to be tough(but it’s still nice to get treated like a lady). So whenever alastor acts like that reader just gets awkward and shy.

IM ASKING FOR THIS CUZ LIKE THE GUYS NOW HAVE NO RESPECT OR CHIVALRY like alastor😔😒 (ik not ALL guys but most guys now and days are jackasses)

Hnnng I fucking love this ✨️

Alastor X Reader Headcanons

✅️Romantic

❌️Platonic

TW: Harassment, Men being nasty

Description: ☝️⬆️

Back when you were alive, men never did the sort of things that Alastor does unless they wanted to get laid

Most of the men you knew had tendencies to act like frat boys or old perverts

Only having one goal in mind and if they got rejected then they got fucking nasty as hell with you

On top of that, you didn't have the luxury of growing up to be soft and helpless like some people

You had to be strong and look out for yourself, you rarely looked to others for help

Not even your own family

Some people didn't even look at you as a woman, just as some tough badass who didn't need anyone's helping hand

At least you hoped that how they looked at you

Not that you would've rejected the offer if anyone actually tried to help you out, everyone needs a hand now and then

The only people who ever offered any sort of help were horny guys who offered to help you let off some steam with them

Fuck off

But Alastor grew up in a very different time than you and his way of treating you always gave you whiplash

He would never dream of asking you to fuck within the first few days of knowing each other, or even the first month wtf kind of animals have men turned into??

You don't even wanna know, Alastor

His little pet names alone made you flustered but his actions??? A whole other monster in itself

When you first met him this crazy guy kissed your hand like you were in some regency movie

You were so shy afterwards that you couldn't look him in the eyes, your cheeks hot and pink

One time, Alastor actually took off his coat and put it over a puddle for you step on

Didn't you just beat up some guy for ripping it???

You could've just stepped over the puddle in the first place??? Why did you do that??

"I did what any proper gentleman would do for a lady such as yourself, Y/N..!"

You gotta look away at that point or else he would see how hot your face is getting, feeling flustered

Alastor actually asked you to dance to a song that wasn't meant for grinding and sweating on each other??

You blush and mumble something about not knowing how to dance to music like this and instead of making fun of you Alastor teaches you how

He's a wonderful dancer and leads the entire time, not letting you make a fool of yourself in front of everyone

You've never felt your heart do skip so many beats before

You're trying to ignore what some random lecherous demon is saying about your body and the things he would do to it??

Guess what-

"Now that is not the way to start a proper conversation with a lady of Y/N's status, or any lady for that matter."

Alastor scares him off for you and won't even accept your thanks in return, making your legs wobbly

Once your suffering with feelings for Alastor then every little thing he does makes you turn into a gooey puddle

It doesn't stop when he's suddenly courting you, only getting worse with each romantic act

He brings you flowers, dedicates entire broadcasts to you, asks you to take evening strolls with him

He does all this and never even expects a parting kiss from you, simply happy to be in your presence

When/why the fuck did men stop acting like this?? This is so much better than how they were back when you were alive-

You get flustered just at the sight of him now, wondering just how he's going to make you swoon today

Alastor is slowly getting you accustomed to how he believes you should always be treated, happy that you're no longer confused by his actions

This motherfucker just Pavlov-ed you into falling for him

This was so fun to write!! I hope I did a good enough job!!

[warmilikeit]

Yandere Batfam x Camp half-blood (Neglected reader)

Dc x Pjo

Part 5

________________________

Diana is seething, she's filled with rage, the lies Bruce fed her?

"I'm very worried for their wellbeing..."

"I miss them very much"

"they're so young, I don't want anything bad to happen to them"

Asshole.

She kicked the door of the justice hall down, startling the kids who had gone back on patrol from trying to find (Name)

"hey what gives?" Flash asks

Superman raised his eyebrow "you left so suddenly, mind telling us where you've been?"

She looks at batman's sidekicks and then at him, while staring him straight in the eyes "the kid is dead" she says

"what?"

A silence washing over the entire room

"the lady who attacked your house, that wasn't an ordinary lady, in the eyes of mortals she may look normal, but in the eyes of divine beings... It's a monster, that monster was an empousa, a poisonous fire breathing monster who feeds on the blood of mortals and divine beings alike" Diana thinks about how she'll explain everything to J'onn later, but figure that he's probably reading her mind right now

Her suspicions are confirmed as J'onn nods at her

"your kid, (Name), they're a demigod, because of that they're a target for monsters, they're gone, eaten, sorry Bruce"

Crap Diana thinks, was she too harsh? She was just too angry

Ignoring the fact Diana just announced Bruce slept with a god, Superman placed his hand on Batman's shoulder "My condolences Bruce"

Everyone was giving their apologies to the bats

She didn't look at the widened eyes of batman's sidekicks, she noticed but chose to ignore the sound of Dick collapsing into a chair, she heard didn't pay attention to the footsteps of Damian who had to run out of the room

Cass stiffened up, she trembled as if resembling a cracking statue, Steph wants to cry, but she knows very well that she doesn't deserve to cry over you, Barbara just- it's like she just stopped working

As much as she feels so cruel right now, she knew it was the only thing that will keep you hidden, if not, they'll keep trying to find you

Green arrow crossed his arms, but it was clear he was disturbed by the death of a 12 year old kid "Diana, please elaborate"

"Bruce here, had intercourse with a god, that led to (Name) being born, monsters attack demigods, people who are half god half human such as myself, without proper protection monsters kill demigods easily, and (Name) suffered that fate, monsters attack demigods while they're young and tasty and leave them alone as they grow older, they don't feed usually on humans, just animals and demigods"

It seemed like Batman or more appropriately for this situation Bruce wasn't even listening, his mind still stuck at the announcement of your death

"If it'd make you feel better, you can take a break for a while... I know what it's like to lose family, we all do, let yourself grieve Batman, you might be a hardcore vigilante but you're still a father" (to everyone but name) Barry suggests

Starfire has been trying to calm Dick down, his breathing has become irregular and unstable, switching between deep and short breaths

_________________________

Jon runs after Damian, it looked like any second, the unbeatable demon spawn fell to his knees

"Damian! Are you okay!?" Jon asks

"I-i thought it'd only last a few days... Maybe a week if they're incompetent, or maybe months if we're unlucky" Damian started to cough

He took off his robin mask and took a deep breath "Since there was no body, I was fine, I thought they're okay, maybe a few injuries here and there, but they're alive so it's fine, but- the reason there was no body... Was because she was eaten- by stupid, how'd -" Jon didn't know what to do, between the both of them, Damian was the composed one

Then two of his siblings came, Jason and Tim

"what the fuck? Demon spawn?" Jason was surprised, and immediately glared at Jon, accusingly looking at him for making his brother this way

Jon put his up defensively "I didn't do anything, promise, I'm trying to comfort him!"

Tim knelt down with Damian "what happened?"

"(Name) is dead"

And suddenly it feels like nothing matters anymore

____________________________

"okay! And this'll be your bed!" Selina ended the tour of the cabin

Selena Beauregard, Daughter of Aphrodite, she was your sister, Gosh you have a sister! And she was nice! She wasn't like Cass who for some reason, closed her eyes everytime you tried to communicate with her

Barbara pretended to be busy, too busy, what do you mean you have to work? Didn't your workplace get burned down by two-face two days ago?

Steph- at least she was honest, she straight up told you she' didn't want anything to do with you

A guy with blonde hair and blue eyes walked out of the bathroom, a nice change from the black and blue eyes you're used to

"hey! You're our new sister! The one who was flirting with that Hephaestus kid-"

"Aster! (Name) Told me they were just friends and if they were flirting what's wrong with that? Love is love" Selena came to your rescue

Aster tilted his head confused with the way you're shifting "what's wrong?" He asked

"aren't people in Greek mythology who are named after flowers turn into them?" You nervously fiddle with your fingers

With that some of your siblings who are in their respective spaces burst out laughing and Aster is hugging you laughing whilst explaining that in Greek mythology "the people came first, not the flower"

That seemed to calm you down a bit, then another girl, whose name is Drew spoke up "so (Name) who's your mortal parent?"

You freeze up at this question but the other kids seemed normal about it

"don't worry (Name) it's some game we play, cause mom's standards are high, we compare mortal parents" Another one one your brothers said, his name is Castillo, he had a faded hair color of blue to purple that reminded you of Ramona flowers

(this is actually canon in Pjo, lmao)

He continued "my father was a famous k-pop idol" he bragged

A little girl then shouted "My dad was a model for Designer clothing!"

Selena rolled her eyes "So whose your dad (Name)?"

You didn't want to answer that, but at the same time- this is the first sibling playing you've ever been in, you're included here!

"my dad is Bruce Wayne... You can look me up on Google- but he, he really wasn't the best- umm dad"

"THE BRUCE WAYNE?" Someone gasps

"i thought his name was Brucie?"

You hear in the background

"I didn't know he was an asshole" Aster muttered

"come on bro, the guy parties all day and he's with children, how could you ever think that guy's a good father?" Castillo shrugs his shoulders

"that's okay (Name), a lot of mom's lovers are vain, taking it too seriously in their heads that they slept with the goddess of beauty, that's why mom stopped revealing herself, there are rare moments, but they're rare" another sister of yours says

You honestly feel so at home here...

________________________

I'm now realizing that the "Neglected daughter" fandom is literally so small, I just saw like three of my readers in another fic I was reading XD

Let's support each other!!!! :3

Also the characters without description are canon characters, people who are actually in pjo

The one with descriptions are OC's!

So Drew and Selena are canon characters! :3

Callisto and Aster aren't

I hope you enjoy the chapter!

@wpdarlingpan @mountvesuvu @nathaly36 @delias-stuff @vanessa-boo @bat1212 @sadslasher13 @ellaprime7

[battlekidx2]

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

[narcjsistx]

𝐕𝐀𝐑𝐈𝐎𝐔𝐒 𝐇𝐂𝐒 𝐈𝐍 𝐀 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄𝐌 | reo, isagi, kaiser (part one)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

— reo mikage

✶ don't even remotely expect to lift a finger in his presence. the princess treatment in his relationships is MANDATORY, he simply loves to do the things that the people he loves want. it would be something like "I know you can do it, but I'm your boyfriend, so let me do it for you"

✶ I think one of the things he loves most about his partners is when they are dressed in shades of purple or maaaybe white, in clothes given by him. do you want to bring him to his knees? do as I tell you, trust me!

✶ kind of guy who would post you everywhere, like: his ig profile feed is made up of 80% of posts with you or dedicated to you, the remaining 20% ​​are photos relating to soccer. he loves to show you off, and above all he does all those trends (even the cringe ones) like posting your girlfriend with a certain song on a certain day

what would he post on socials ↓

✶ his concept of family is quite normal, sooner or later he would like to have a family, actually, the idea of ​​getting married has never displeased him. as a child, being the only heir of the Mikage, he had to bear all the expectations alone... therefore, his idea would be to at least have two children, not that he wants to share the expectations between them! simply as a child he suffered a lot from being the only child

✶ jealosy level: 4/10 (he's not the jealous type! he might only be more so in cases where he sees someone trying with you EXTREMELY too hard)

✶ flirtiness level: 6/10

✶ pet names: "babe" / "precious"

—————————————

— isagi yoichi

✶ even though on the field he seems to have bipolar disorder, isagi is literally one of the most possibily boyfriend in the entire verse in my opinion. he's just a chill guy who takes soccer a little too seriously, but hey, you love him for that reason right? yeah, absolutely yes

✶ he's someone who would be embarrassed by a kiss even after years and years of being in a relationship. at the beginning of your story, he had to take a lot of his courage just to ask you if he could hold your hand, but over time he got used to it. with kisses, well... he still gets embarrassed, even though he's often the one who initiates them. he's just a sweet coward in this things

✶ he is someone who, in my mind, cares a lot about gifts related to the phases of the relationship, such as those for the first month together, the six months and so on. not huge gifts, he keeps those more for more important dates, but gifts like letters, stuffed animals or bracelets found at random moments of the day and which immediately reminded him of you for some reason that only he knows

what would he post on socials ↓

✶ his concept of family is actually based a lot on what he had. he doesn't exactly have a preference on the number of children, one or five would be fine, he just knows that he will love them no matter what. getting married has never been a thought he's actually spent 5 minutes thinking about every now and then, but now with you he's pretty sure that asking you to spend your life with him is a great excuse to see you in the white dress

✶ jealosy level: 2/10

✶ flirtiness level: 3/10 (more in private, but absolutely not in public, he just can't do it)

✶ pet names: "cutie" / "y/n chan"

—————————————

— micheal kaiser

✶ your relationship is certainly interesting, maybe not one of the healthiest, but you can't say you don't care for each other. Kaiser definitely has some problems related to trusting or in any case "letting himself be discovered" by other people, but surely you are the closest person to him at the moment, hell, you are literally the emperor's girlfriend!. micheal knows very well that he is not a simple person and just the fact that you continue to not let him go, and he wouldn't blame you, means a lot. will he ever admit it? no, obviously not, because he also has a problem, or perhaps more than one, with expressing himself

✶ Ness, one way or another, will have to worship you too. Ness probably just wants to strangle you because you stole the little attention Kaiser gave him, but if Kaiser says he has to worship you like he would him, Ness will do it without a word. Kaiser doesn't even minimally accept someone saying anything remotely comparable to an insult to you, let's say his love language is to protect your respect. he wouldn't mind throwing a punch at someone who even called you "stupid", it's something he can't stand

✶ even if you are not cheering for him at the stadium when he plays, which is quite strange because you are there all the time, you already know beforehand that if he scores a goal, it will obviously be dedicated to you. it's something he always found beautiful when he was little, when he saw videos on public screens in Berlin: seeing then-famous footballers dedicate goals to their girlfriends seemed so exciting. he's the emperor now, right? he must repay his empress somehow for always being so good to him

what would he post on socials ↓

✶ well, we all know that Micheal didn't grow up with any concept of family, or rather, he never actually had one. having children actually scares him, and the same thing happens even if he just thinks about getting married. he is simply afraid, and indeed he is sure, that sooner or later everything would turn into what he experienced in Germany with his father. it would take a LOT of reassurance, and maybe therapy, to eventually have children and get married. he actually wouldn't be a bad father, because he knows what it's like to live in a toxic house with someone who doesn't really love you, and he doesn't want his heir to go through the same thing he went through when was a kid. Kaiser is not like his father, and never will be, and just the thought of being like this with his kids makes him vomit

✶ jealosy level: 8/10

✶ flirtiness level: 9/10

✶ pet names: "schatz" / "mein liebling" / "doll"

[nocturna-iv]

You're a loser, baby~

I love the level of detail in "Loser, baby" on a narrative level and how much it can tell us about HuskerDust. Husk didn't want to go after Angel; Charlie sent him. But at that moment, when the mask began to fracture, Husk extended his hand to the real Angel.

The smile? Husk has a plan. The kind of plan that involves pure nihilism and stopping self-judgment so Angel knows he's not alone. Husk doesn't need to do this, but he already knows the real Angel (when he's drunk) and likes him. So, Husk is offering the real Angel his company.

Angel is waiting for the typical “everything is going to be fine” talk. How many times has he heard it? Cuddles, hope, and light But Husk surprises him by treating him like an equal, someone who won't break. Obviously, it bothers Angel, and he gets defensive. Is this guy kidding?

The same guy who was annoyed by Angel's presence is now all over him, with the most pretentious smirk in the universe, calling him a LOSER (and baby). Angel is so confused by the turn of events.

So, obviously, Angel thinks Husk is playing with him. His face says it all! And Husk is still all over him, telling Angel the truth.

In this part, Husk shares his insecurities. Yes, there was a time, but the pain is still there. And from what he's gotten to know Angel, Husk feels like they could connect there. “You are not alone” goes both ways.

Husk manages to get Angel to open but does it with sarcasm. At this point, Angel doesn't think anyone is going to accept him as he is. So, he says something that many know: his contract with Valentino, who has a dangerous reputation. That's the opening Husk was looking for.

This part isn't Husk making light of Angel's situation. He's making it clear to Angel that he's not “unique”, that is, he's not alone. His suffering is not something that separates him from others. Husk is breaking into Angel's self-isolation due to his abusive relationship.

Obviously, Angel doesn't believe him. Years of abuse made it clear to him that no one is going to care for the real Angel. But he's indulgent with Husk, playing along, visibly skeptical, wanting to know where this is all going.

And Husk takes him by surprise again. He is gentle, guiding Angel, giving him space, always offering his hand. It's a fun dance for two. They are both losers. Husk isn't insulting him. He is telling him that it's okay to make mistakes. They both have done it.

So Angel decides to trust. Just a little. Because he knows how people react when they know who he is. Angel is barely singing, not fully entering the song.

And when Husk tells him that he's fine with Angel being like that, it's liberating. Angel sings, there is a crack in his voice, because he is having fun! He is not acting, he is being sporadic and exaggerated, almost a parody of his flirtatious mask.

Now it is Angel who seeks out Husk, recognizing him as the one who can understand him and is liberating! And Husk reaches him, reminding Angel that they're in all of this together. And Angel smiles. A big and real smile.

Husk shares his addictions to give Angel the opportunity to share his in a safe space. And now Angel sings with all his potential, being himself and having fun. And Husk reaffirms him. This is Angel, the real Angel that Husk met when Angel was drunk.

And that is the theme of the song. Embrace who you are and don't be ashamed. Take every self-destructive comment, dirty insult, and don't let them sink you. Say "So what?", it's you, you're fine, you're good.

Accept your mistakes, your failures, your flaws, and stop being your own enemy. It's hard to escape, but there is someone who understands you, and you aren't alone. Existence sucks; bite it with a smile!

And that's the point. Things aren't magically going to get better. The problems are not going to disappear. Life sucks, but you're not alone. The burden doesn't disappear, but it may be more bearable.

Angel is the one who comforts Husk, telling him that yes, existing is difficult, but he's not alone. He has him. And for Husk, that's something. The song is about them, after all.

And Husk tells him that maybe he and Angel can be losers and find happiness.

And now it's Angel who offers Husk his hand. Now it's Husk who puts his hand on Angel's. And Angel can't erase his surprise and smile.

Now Angel is the one accompanying Husk. Angel's voice becomes an instrument that follows Husk in harmony. The fun dance of two returns, but Angel includes his style. Husk no longer has to guide him.

They both reach for each other. Husk extends his hand almost at the same time as Angel, with his eyes closed, extends his.

And in the end? They both support each other, literally and symbolically. They are equals. Husk and Angel meeting in the middle. The real Angel being accepted by Husk.

[huginsmemory]

On ad astra per aspera ✨

Can we talk about the repeated use of ad astra per aspera? Cause uhhhh it shows up twice, once on the website and once in the Book of Bill, and OH BOY this has connotations, both for Bill and Ford's relation in the literal and figurative meaning on the word, and for Bill's own history:

(extra addition added 16/09/2024! 🌝 )

First, in the website (if I recall correctly) if the phrase ad astra per aspera is inputted into the computer, you get the two pages on Bill's 'funeral':

And within, in the pages, at the very end before signing there names is the phrase itself (highlighted in red) .

Secondly, a joke version of it is seen in the Book Of Bill, specifically on the night where Bill and Ford fucked 'one thing led to another':

In this one, it's clearly a joke off of aspirin used for his hangover, used again to close the entry.

Now the phrase ad astra per aspera itself means 'through suffering to the stars', which also has... wider connotations then just these two piece alone, which I'll unpack later. But first, the interesting choice of connection of these two pieces;

Both times the phrases occur, they occur closing the entry; a bit too much of a coincidence to me (and in this fandom there is no such thing as a coincidence). Considering that the 'one thing led to another' night is a night that was important to their relationship as it hints at the intimacy they had with each other, it showing up again in Ford's 'funeral' entry about Bill feels very much like an allusion to that night. Especially considering in the funeral entry Ford is very open about how much he cared about Bill, with how he at one point "considered him the centre of his life". The entry from Ford reads as someone who is moving on, and part of this is acknowledgement of the grief and sadness for the more positive part of the abusive relationship that he lost. As a result, having him acknowledge the intimacy of their relationship, it makes sense for him to tongue in cheek allude back to his first writing down of the phrase, where they were quite clearly implied to fuck be intimate.

While it alludes to their Bill and Ford's intimacy, the literal and metaphorical meaning of the phrase also rings true here; through suffering to the stars. If we talk literally, then through Ford's relationship with Bill, something that ultimately was full of suffering, he built the portal, and ended up wandering the myriad worlds out there in space; one may say out there among the stars. He literally was out there wandering the stars as a result of suffering.

Now metaphorically, the phrase means through suffering/adversity one gains beautiful/worthwhile things. Considering this entry is Ford moving on from Bill, this is very apt; again, their relationship caused Ford immense suffering, and as he is now letting that relationship and suffering go, he's instead prioritizing creating healthy relationships with Stanley, the other twins and Fiddleford (the something beautiful and worthwhile part!). In fact, the entry on Bill's funeral is half on him strengthening his relationship with Mabel, the shooting star, another layer of wordplay; case in point about the healthy relationships. He's weathered through his abusive relationship, to discover and create a loving family.

It doesn't quite end there however; although that's fairly it for specifically Ford and Bill's relationship, we also haven't talked about what the stars mean to Bill himself. Which, well; it's very clearly implied that Bill accidentally killed everyone in his dimension in an attempt to show his parents (and other people in his dimension) the stars. And on top of that, to quote; "I looked up and saw the stars. And I was ready to become one of them". Which he then in a way, becomes, considering the page in journal 3 on constellations, in which Ford remarks that one of his favourite constellations is the constellation 'William' (obviously Bill). It's a bittersweet immortalization of himself after everything that occurs around trying to see the stars for Bill.

So I find it very interesting that for Ford, a phrase about suffering and stars is something he ends up correlating to his relationship with Bill, considering that to Bill, to get to the stars is something he deeply suffered for as a result. It's also important to note that Bill's suffering was something that occurred out of love, and ultimately an attempt to be understood and create a deeper relationship with his parents where they could trust him. And then for Ford, all this while later, to look up to the stars (to see them) and to see the Bill constellation and go 'oh that's one of my favourites' is fulfillment. Because Ford during that time trusted and cared deeply for Bill, fulfilling that relationship of trust, love and understanding(at least surface level, considering the way they banter together), that Bill had yearned for when he was younger and killed his plane.

So all in all(tldr): ad aspera per astra, (through suffering the stars), is quite the fun phrase to unpack in regards to Bill and Ford's relationship, considering the deliberate reference to the phrase on the entry about the night 'where one thing led to another' and Bill's funeral entry. The phrase is a combination of references; tongue in cheek allusion to the intimacy, but also references to the literal (space fugitive) and figurative (abusive relationship, to loving family again pipeline) hardships Ford endured as a result of the relationship. There is also irony in the way that Ford seems to correlate this phrase about suffering and stars with Bill and his relationship, considering that out of an effort to be understood and share the stars with his parents, Bill accidentally killed his whole dimension; later he also made a constellation of himself. As well, as Ford says that one of his favourite constellations is a constellation that's clearly Bill in Journal 3, it alludes to that Bill's wish to show his parents the stars and be recognized is fulfilled by Ford (pre-portal incident that is).

EDIT: extra details added on the constellation piece as of Aug 14 2024 (less than 24 hours after og posting, because I'm deranged). Big thanks to @bowl-o-nudel for the nudge :)

Edit (16/09/2024): I've had a few people say that the saying has appeared in Journal 3 multiple times, and having reread journal 3, to my delight it is indeed correct! And oh the CONTEXT they give. The two instances are those seem below; the first appearance in the title page of Journal 3, and second time is a page from when the twins graduate.

As well as all the parallels of how the phrase is applied for both Bill and Ford, as @zoizyboigy suggested, it seems to be a phrase that Ford takes as his own motto. It seems to be a highly personal motto to him; after all, they all are written around important turning moments in Ford's life; graduating, the journals which where to be his ticket to fame, fucking a triangle finding acceptance and intimacy with Bill , and lastly, moving on in his life from Bill and his destructive obsession with recognition. 

And it makes sense WHY this motto is one that is highly personal to Ford; the first time it is seen chronologically is when he's graduating, chosen when he believes he's going to be accepted into the university. It's a motto he chose because he was excited, because he thought he was already through his suffering and arriving to the stars of his fancy university, where validation and acceptance would abound; only that doesn't happen, and the suffering part within the motto is the only thing that's accurate, especially as that's when he rejects Stan. It's a motto chosen in celebration, that becomes a reminder of the failure to become someone who is accepted and important (and his prioritization of validation over relationships); it's now something he holds that reminds him of the validation he believes he deserves and he obsessively chases. 

And that's why you see it in the journal pages, because these journals are going to change his life, he's going to become finally a person of importance and be accepted with the information he's compiled in the journals. And in the same way, you see it after Bill (and interdimensional being of ancient knowledge) and him are intimate; he's become someone of importance to Bill, he's been accepted by Bill, even attractive to Bill (romance Ford seems to have terrible luck in).

And that's why you see it at the end of Ford's farewell to Bill; it's another turning point, it's Ford letting his obsession with world validation go which characterized it's meaning from the beginning, Ford letting go of his relationship with Bill, which it also came to mean, and instead celebrates his acceptance within his family and the strengthening of those bonds, and of prioritizing healthy, loving relationships.

Ps, if you enjoyed this meta post, I've also made another one, on exceptionalism!

[qqueenofhades]

There is no law that prevents a convicted felon from running for and becoming president, nor a law that bans someone from being president in prison. Also, if Trump gets incapacitated in someway, many ultra right republicans who equally despise trans people and immigrants and Muslims would happily take his place

And I ask, with all due respect, what is your point?

Do you think I don't know that?

Do you think I am somehow convinced that everything is hunky dory now and we don't have any work left to do?

Are you just determined to be the first of the gloom-and-doomers who show up like clockwork in my inbox, every time some consequence happens to Trump, to morosely insist that no consequences will happen to him? First it was "he'll win re-election." Then it was "the coup will succeed." Then it was "he will never be indicted." Then it was "2022 will be a red wave!" Then it was "he will never be tried." Then it was "he will never be convicted." Now we've moved on, within less than 2 hours of the first US President ever to be convicted of ONE felony, let alone THIRTY-FOUR, "he'll never be sentenced or face a real consequence or lose the election." The goalposts keep moving RIGHT along without even a single pause to acknowledge the difficulty and the value of the progress we have made thus far, and it makes me CRAZY.

Do you people realize how fucking rare it is, both in the world today and historically, for a former (and would-be future) head of state to be held to criminal account by a jury of 12 anonymous ordinary citizens? When that one person, Trump, is the center of the malignant fascist cancer that has spread through this country ever since 2016, and plenty of his cultists are still insisting that it's Trump or nobody for them? When we've actually reached the stage of holding him legally accountable for (some of) his crimes for the first time in his miserable misbegotten life? I suspect that most of you are so deep in the "America is totally broken and the system is useless and we can only Revolute!!!1" rabbit hole that you're bound and determined to argue away every step we take, however slow, as Meaning Nothing TM. Voting? Fake. Fighting to make real progress? Also fake. Everything is fake except our belief that everything is broken and we need the Keyboard Warrior Glorious Revolution!!! As long as you can keep inventing ever more contorted twists of logic to ignore everything else that's happened so far, this makes sense... or something. I guess?

Now we're onto "removing Trump won't matter :(" when a whole lot of people have been fighting day and fucking night to get all the privileged-princess Online Leftists to get off their Che Guevara cosplaying asses and cast a single fucking vote to keep us from full-on-sliding into fascism. A slide into fascism that, again, has been spearheaded and centered around Trump's toxic cult of personality and which is still tied to him in almost every way. Apparently holding him to account (again, which has never happened to him in his life) already doesn't matter because wah wah he won't suffer any consequences. If he loses this election he's probably going to jail for the rest of his life! We would have electorally defeated the greatest threat to the American democratic experiment in 250 years, and frankly a huge part of the fascist far-right hydra that is currently attempting a comeback around the world! This is, yet again:

THE FIRST TIME ANY AMERICAN PRESIDENT, EVER, HAS BEEN CONVICTED OF MULTIPLE FELONY CHARGES IN A COURT OF LAW BY A JURY OF HIS PEERS

and yet we're still hearing that nothing matters and no work has been done and removing him will have no effect???

Come on. Come on. I know it's tiring and it's slow and it doesn't go as fast as we want. But every single damn time the process goes another step, here you people are in my inbox insisting that we're still at zero progress and it means nothing, and lemme tell you, I am Tired of it. Come on. You don't have to jump up and down (my own feeling is glee and vindication but still not relaxation, I will not relax until he loses the fucking election and goes to jail), but you also don't need to keep myopically pretending that all the effort thus far by so many people means nothing. Come on.

[distort-opia]

There's so much that's insane about the scene in First Class where Charles is waiting for Erik, knowing he'd stolen the CIA files and was planning to run away. But upon rewatch what's getting me is realizing that in so many ways... in it, Charles is doing the same thing he did with Raven. As a child.

He catches her stealing, but realizes she's like him. And essentially, the next thing he does is provide. He tells her she can take the food, that she never has to steal again, because he'll give her what she needs. And in return she stays, in return Charles isn't alone in being different.

With Erik, it's even more intense, but it's the same. Charles believes that if he can provide, then people will stay. After saving Erik from drowning, Charles deep down thinks he's already owed staying. He tells Erik that he can help, and scoffs at Erik when he rebukes it. "Don't kid yourself. You needed my help last night. It's not just me you're walking away from," is a pretty crazy thing to say to a guy you literally just met, and with such bitterness. Then he empasizes how he could force Erik to stay, but won't... because "Shaw's got friends, you could do with some." It's once again a play on what advantage staying could give Erik.

Which is why Charles holding Shaw still, suffering through all that horrible pain, makes me want to chew glass. Charles had more than one option, if he didn't want to let things unfold the way they did. I always did wonder-- couldn't he have controlled Shaw so that he knocked Erik out, and then put him to sleep? Control Shaw's powers through Shaw? Put Shaw to sleep, period, and then never suffer what came after? But no, Charles literally chooses to serve Shaw to Erik on a platter, all while Erik's counting down. His revenge, the thing he wanted the most, frozen in place and aware as he died slowly.

But Erik doesn't stop at Shaw, doesn't change his way of thinking, doesn't choose Charles' path. All that Charles gave wasn't enough-- not for him, and not for Raven, who ultimately leaves him too.

[a-aexotic]

HEYYYY! So like every other mf on the planet right now I am in my hunger games era!!

Please could you write a Finnick x Reader where she is selected for the quarter quell (Maybe in her games she was lethal and killed like 10+ people?)

And when Katniss shoots the arena in catching fire she gets taken by the capitol (Like Peeta) and they torture her and shit? Then Finnick and her get there reunion she’s all like battered and bruided and it’s dead sad? Not sure if this made sense because i’m half asleep and dyselxic but let me know😭🤣

Maybe he says “It’s okay baby i got you” ??? x

hey of course i can! i hope u enjoy it babe <3 its a tiny bit long! my apologizes

cw's: angst, mentions of killing/dying, typical thg stuff, torture, ptsd, lmk if i missed anything

You were one of the youngest victors alongside Finnick, being only 15 and having won your games. You were also from District 4. You won the 68th Hunger Games, a few years after Finnick.

When you were reaped, Finnick and Mags were your mentors. Finnick came off as self absorbed and arrogant but once you started talking to him, the more you realized that was total bullshit. He wasn't how the Capitol portrayed him, he was much more caring and compassionate. He was very sympathetic to your situation, having gone through the same things.

During your time in the arena, you were one of the most ruthless tributes of all time. In the beginning, you were easily overlooked. The tributes weren't thinking that you were going to be much of a challenge because of your size and the way you carried yourself.

But that was exactly how you wanted to be portrayed. You tricked the Careers into thinking you were some naïve little girl, stabbing them in the back (literally) the first chance you got. The Capitol loved the turn of events, cheering you on.

When you had come back home, you had finally understood the intensity of what you had done. You had killed a whole group of people, ending their lives permanently. Those people had lives and family who loved them, and now they're gone because of you.

You suffered through months and months from never ending nightmares. Even getting consoled by your mother didn't help anymore; she doesn't understand. You didn't even feel worthy of food anymore.

You closed off Mags and Finnick when you had come home, driving yourself into isolation and depression. You rarely went out anymore, eating one meal a day and slept more than 80% of the day. Even sleeping couldn't mend the eternal tiredness you had, the void that filled your body.

Finnick had felt more than responsible for your pain. He gave you time before he realized he was just adding to your pain. Even when you didn't communicate back to him, Finnick visited you every day. He gave you advice and told you what he had went through after the Games as well. Eventually you opened up more to Finnick, and slowly, he had become your best friend.

He had told you that numbing it wasn't going to make it go away. He reminded you that you had him and Mags to help you with this process, and that you weren't alone despite of how you felt.

He helped you regain your sense of purpose again, your self image again. Finnick had singlehandedly helped you rebuilt your sense of self again.

He saw a part of you in him, that scared 14 year old boy who was trying to go back home to his parents. He never wanted anyone to feel that, especially you.

He promised you that he would never let anything bad ever happen to you again.

During your Victor's tour, Snow had suddenly deemed you desirable by the Capitol, wanting to sell you as he did with Finnick. Finnick couldn't risk getting involved, wanting to protect his family.

Every night in the Capitol, you were always consoled by Finnick. Every time you had to do a favor, you remember walking to Finnick's room to sleep, not baring the thought of having to sleep alone in the cold bed. He was always there, holding your hand comfortingly as you both slept.

The Capitol adored you both, nicknaming you the princess and prince of Panem. The more time you spent with Finnick, the more the media had speculated a relationship between the young victors.

You and Finnick had connected in many ways. Both having the same trauma, it was easy to talk to him and for him to understand how hard it was.

You and Finnick eventually got together a few years later, then getting married (in secret, of course) almost right after. You were both deeply in love.

Finnick found solace in the thought of always having you by his side, remembering that no one could tear you apart. That was until the Quarter Quell was announced.

You and Finnick were sitting at the edge of the couch, listening to Caesar's words carefully as he explained that this year's Hunger Games was going to be very different.

When it was announced that there will be only be Victors in this year's games, you heard dropped. You looked over at Finnick and he shared the same terrified look on his face.

--

When Annie's name had been called, you without any second thought, put up your hand. "I volunteer as tribute."

The crowd gasped and you looked over at Annie and you could tell she was a bit relived but still scared nonetheless. You immediately embraced her tightly, letting her let out a small sob. "It's okay, you're okay."

Mags looked just as terrified and you took her hand. When Finnick's name was called, you felt your stomach drop. Not only were you back in the arena, but you were with Finnick.

You looked over at Finnick and he looked prepared to fight. You both stood up and he grabbed your hand, raising it up in union.

The trainride to the Capitol was pretty uneventful. Finnick had wanted some time to think about the plan and so did you. A part of you knew what he was planning; he kill everyone else in the arena and then eventually himself, all for you.

As you sat on the bed, you felt the sadness and anger turn into numbness. No amount of crying was going to stop the Quater Quell and you had to be smart.

You didn't want to survive without Finnick. You were either winning with him or dying with him. Life would be meaningless without him.

Finnick knocked on your door slightly, before walking in. You looked up at him and he gave you a small smile. He took a seat next to and took your hand.

"I have a plan."

"Finnick, I know what you're thinking, and no. You're not killing yourself for me."

Finnick looked defeated. "One of us has to survive, Y/N. For Annie. For Mags."

You look a deep inhale, looking away from Finnick. "I don't want to life without you, everything would lose all it's meaning without you."

Finnick felt his heart burst into two pieces as he squeezed your hand. You felt your eyes watering again and you couldn't help but let out another quiet cry as Finnick pulled your head in, as he embraced you tightly.

"Shh, it's okay. I promise, I won't... I won't leave you."

--

It had all happened so fast, you couldn't even comprehend what had just happened. One moment, you were with Finnick trying to find Johanna and Katniss and suddenly there was big loud boom. You were relieved for a moment; Plutarch's plan had worked. Until you realized how far away you were from the others.

You were wandering, trying to find anyone until you heard people behind you. You turned and then you saw some unfamiliar faces; suddenly, your vision went black.

Then, you woke up in a white room. You felt like your stomach had dropped out of your body once the realization hit you; the Capitol captured you.

You were strapped down to a bed and you couldn't move or shake it off. The severity of the situation had hit you; even if by some miracle you did escape, where would you go? How would you find your way to 13 and back to Finnick?

You knew how ruthless the Capitol was to everyone who disobeyed them. Your worst fears had come true and there was no getting out of here.

You heard the door open and you saw some Peacekeepers come in and then you saw the person you dreaded to see most; Snow. You felt like your whole had come crashing down, how could this nightmare become any worse?

"Hello, Y/N."

You didn't respond, resorting to stare at the wall in front of you instead.

He tutted disappointedly. "Out of all the tributes, you were the one I expected least to be involved in this mess. You are the Princess of Panem... What a shame."

You still hadn't replied and you hadn't dared to look at Snow. Months and months you spent trying to heal the trauma he had caused you, you were sure if you had to look at him now, you would break.

"I want to take mercy on you, dear Y/N. If you tell me everything you know about the rebellion, I will make sure the Peacekeepers are gentle with you."

You shook your head. "No."

He let out a small chuckle. "Sorry, I couldn't hear you. What?"

"No." You said again, louder.

He hummed in disapproval. "Okay then, you leave me no choice. You are going to regret this."

He nodded to the Peacekeepers and walked out of the room. You were then met with Peacekeepers, loosening the straps then taking you to another room.

If Snow knew one thing about you, it was that being only physical with you wouldn't hurt you enough. He had to hit you were it hurt most.

They threw you in the seemingly vacant room and immediately locking it. You were confused until you heard it.

"Y/N, help me!" Finnick's voice screamed. "Please, help me! Get up and do something, they're killing me! Please."

You looked everywhere in the dark room, trying to find the source. It kept going.

"Y/N, please! Help! What the hell are you doing, just sitting there? You are such a disappointment!" The voice started shouting. "We should've just left you to died in the arena! You are useless!"

Now this was something new. Your body was filled with panic and fear and even though you knew it was fake, you felt like you were going to throw up from all the noise.

Suddenly, Annie's voice came in as well. Then Johanna's. Then your mother's. There was nonstop noise filled with screams for help, shouting with disapproving messages. Your body couldn't handle it; it was so overwhelmed with fear that you started shaking on the ground, putting your hands on your ears but that did little to nothing.

You wanted it to stop. It was too much, you were trembling. It felt like days, just sitting there in that room listening to all those demeaning voices of your loved ones. You couldn't even think straight anymore.

It was so bad you had started to pound your head on the ground, screaming and crying. You had have enough. And then, it all stopped. Silence was foreign for you; your ears were ringing.

You were sitting on the ground, almost lifeless as the Peacekeepers took you away. Your eyes hurt from the tears, your body sore, your ears ringing and your head was pounding.

But you knew that was just the beginning.

--

You were asleep in bed and you were awakened by the door opening, you instantly jolted up. You looked over to see a group of masked men in front of you and you had started to tremble again, silent tears rolling down your face, thinking that the Peacekeepers had come again.

"No, no, no." You started to mumble to yourself.

A man came up to your and took your bruised hand slowly, rubbing it gently in silent empathy. That was the first soft touch you'd felt in a few weeks and it almost stung.

"It's okay, you're safe now. You're going to 13 now."

You had to blink a couple times, trying to process what he said. Was this a dream? You went to pinch yourself but it was real life.

He then helped you up but you couldn't help but stumble; your legs were weak, you couldn't remember the last time the Peacekeepers let you walk for this long.

As you got into the hovercraft, you saw Annie. Your eyes widened as you both ran up to each other, embracing each other. She had started to cry a little bit and so did you.

That was when it hit you. You were going to see Finnick. You were going home. You started crying into Annie's shoulder as she held you. "We're safe now, we're safe."

You had seen Johanna as well but she didn't seem too responsive. Neither did Peeta. You fell asleep on Annie's shoulder on the ride back and for the first time, you actually felt yourself drifting off calmly.

--

There were lots of doctors and nurses looking at you and asking you all sorts of questions and you tried your best to answer them. You were still in shock; you were safe. They couldn't hurt you anymore.

"Y/N?" You turned around to see Finnick. You immediately got up from the examiner's table and ran into his arms, your eyes starting to water up again.

"Finnick," you sighed slowly. You pulled away, putting your hands on his face and touched him as if he wasn't real.

"Are you.. Are you really here?"

"Yes, I'm really here." Finnick looked at you and suddenly his voice transported you back into the dark room. You quickly twisted out of his embrace and his expression changed.

His voice was back and you heard all of the nasty things he had to you. You back away, stumbling into the examiner's table and your breathing became heavy. "No, no, no, please-please go away. No."

You slid down to the floor and you closed your eyes, putting your hands on your ears and rocking back and forth trying to get that voice to stop.

Finnick ran up to you and put his hands on your knees, trying to get you to look at him. His heart broke in half; he didn't know what the Capitol had done to you but now he knows it has something to do with him.

Of course the Capitol would try to ruin him. His eyes started to tear up at the sight of you, in so much pain and panic.

You opened your eyes, Finnick in front of you. You started to cry some more before Finnick slowly went up to you, wrapping his arms around you.

When he had started wrapping your arms around you, your instinct was to push him away but his warmth was welcoming and safe and you started to focus on his touch. The voices slowly drifted away, the sounds of your silent sobs only being heard.

You then gave into Finnick's touch, falling into him and putting your head in his chest as he caressed your back gently, shushing you.

"It's okay baby, I got you. You're safe now, they can't hurt you."

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis