#he doesn't care for sun

[jakemyboy]

There is sun!!!!! 🌞🌞🌞🌞🌞🌞

[szynkaaa]

I think that would sum up their travel-relationship pretty well.

[fuzzyelfsbf]

Super religious Kurt who's unapologetically gay and a whore you will always be special to me

[cursio-neptune]

I just now noticed that sunflower and moonjelly are literally the only ones with expressions

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[crabsnpersimmons]

I can't help but love how u accessorize the dca boys~ but for the have you eaten au, have u thought of giving each of the dangle earing the boys wear a utensil? Like a fork spoon & knife lil accessorie?

aww thank you, sweet anon!

let's see what the boys think:

Moon: oughhhh but wouldn't it be cute? i would love a little spoon! or stars! or konpeito! or or--

Sun: The added accessories would affect our signal.

Eclipse (thinking about all the piercings he would get if he could get them)

Eclipse: sadly, these are just magnetic clip-ons. We only really wear them when we go out because some of our older clientele don't approve of them—a little too punk for them. They barely even approved of seeing robots in the restaurant, but at least back then we had Boss to vouch for us.

so basically the three DCA boys may have separate bodies, but their code requires them to stay within a certain distance to one another—which wasn't a problem when they still worked at their old pizzaplex.

but nowadays, sometimes they need to go a further distance (for example, two of them stay at the restaurant while one goes shopping). in that case, the earrings serve as a signal extender so they can run their errands (legitimately, i looked up wi-fi extenders as inspiration for the earrings 😂 that's why they all consist of bars of some sort)

Eclipse wears his the most often because he likes to go out sometimes and be alone. Moon will wear his often because he likes the dangling parts. Sun wears his the most sparingly because he doesn't get out much, so he sees no reason to wear them if he doesn't need to go out (so if you ever see me forget to draw his earrings... it's usually on purpose... usually)

[tvboxi]

it breaks my heart how everyone in this fandom is so happy to forgive and forget terrible things old moon, eclipse, bloodmoon, ruin, puppet, monty, literally everyone else has done, but nexus is where they draw the line at the possibility of being 'redeemed'.

like, bloodmoon killin people? meh, whatever. ruin destroying 5000+ dimensions? he was doing it for the greater good, he can still be redeemed! eclipse terrorizing and trying to kill sun and moon over and over? well he's making an effort now and the way he was treated was bad, so it's all okay. old moon treating sun the way he did for so long? he's had time to think and is doing better now, he's a good guy!

but nexus- nope. almost killed earth as collateral damage (like he wasn't even aiming for her at all) so he is just an evil guy now and can't ever be helped.

like, dude was so happy in the beginning until all the expectations of being like old moon but better were shoved onto him. he did so much to make sure everyone was happy and safe, even tried to forgive and forget with ruin, only for ruin to have been lying the whole time. then he looses solar, tries everything to get him back, finds out the one way to do that but can't, goes into his head to talk to old moon who basically tells him to die for his family to keep them happy, goes back to trying to get solar back by killing blood moon who has done pretty much nothing but cause problems, but then everyone is like, 'yknow, the best thing do do right now would be to just lock him up!'. then sun comes along and tells the computer to just fuckin shock him if he uses star power, monty come by too and says he's gonna talk to old moon, nexus is like 'no, i refuse' and monty actually shocks him into unconsciousness anyways to do it. puppet and monty want to bring old moon back, which would basically get rid of nexus, but i guess they think when they kill its 'justified enough' (but nexus trying to bring back solar isn't justified to them for some reason). then nexus finally snaps and goes to get bloodmoon, puppet gets him first, and then they send nexus to space. he joins dark sun who acually treats him like his own person, starts using negative starpower which is very very harmful to him, and he has a new look now to show that he is in fact not just a different version of the old moon and is his own person.

but yes, he's' just going through a stupid emo phase hahaha.

[seeminglyseph]

Apollo's entire vibe in God Games feels like "Dad Said I Had to Be Here" and I feel like that's so Golden Child of him

[lady-a-stuff]

This is insanity this is wild this is unbelievable this is the most romantic thing someone has ever done and it only happened in his head while Inej is there completely oblivious that she's making him dumbfounded and I'm blushing and kicking my feet in the air and giggling

[dirtytransmasc]

I think I need MelVik connecting when Viktor was on his sick bed. they had been amicable before, maybe a little more than that due to their connection through Jayce and her presence around Hextech and such. but they weren't entirely friends. not yet.

and she goes to see him. perhaps she feels a tinge of guilt at assuming the worst about Jayce, or her bleeding heart makes her feel responsible for keeping Jayce out of the lab when Viktor had needed him. maybe Jayce needs to step out for a moment, and she soothes his worry by promising to sit with Viktor. maybe she just wants to be closer to the man that's so painfully important to the one she loves, wants to befriend him, wants to know him, all before it's far too late.

maybe it's a little bit of each.

but she goes to see him. she sits in the chair that Jayce has nearly worn a hole through, and keeps a semi-awkward distance between them, not knowing what is too close and too far.

this man is dying. he is dying and he has accepted that. he looks like a corpse. cold emanates off of him. he is something she doesn't fully understand.

she doesn't know how to approach.

but she does.

she greets softly and speaks softly and hesitates to touch, but rests a hand over Viktor's and feels how cold he is, even as a sickly warmth brews in his bones, leeching the warmth from his skin and the energy from his body.

he seems surprised she's there. it feels out of place. like the song and dance of their dynamic has shifted, and now he needs to relearn the steps. and now this is a dance of two, not three.

she will tell Viktor, in enough detail to be understood and not enough to be awkward, where Jayce was. because it feels right to confess. it's not an apology, but the avoidance of keeping something like a secret from a dying man.

Viktor will probably just nod and say something self deprecating, because what else do you say when your body is already making a joke of itself? before assuring her that Jayce is not his keeper, that she is not to blame, but even that comes off as some twisted attempt at humor. sue him for being sardonic as he lay dying.

but unlike Jayce, who will cringe at the jokes, she will hide a smile behind her fingers, muffling a soft, if not saddened, chuckle in her palm.

Viktor's eyes will light up ever so slightly.

she'll feel awkward once more. should she have laughed? was this playing into a complex? was this right of her?

Viktor will smile weakly.

she'll feel a little less awkward.

she will realize Viktor needs someone to laugh with. that Jayce, bless his soul, cannot be that person for Viktor. his worry has brewed too long. it's too strong.

but maybe a fresh face like Mel's can be there to smile when Jayce cannot. will laugh when Jayce cannot. can make cheeky jokes and pokes and prods.

the three fit together like 3 pieces of 3 broken puzzles. they fit together, not perfectly, but they fit, and create a finished object, even if off kilter her and uneven there. but it's ok, they're making due.

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[akemi-snow]

KakaIru + Those Four Guys From Naruto

I'll assume you've seen the original versions with the canon couples. (I'd link it but have no idea what the OG really is). Now it's the gae version.

[starheirxero]

Yk. maybe instead of dark sun refusing 2 have the crescent on his face to dispose of any moon connections he has, he could own it entirely in a sort of... reclamation? he's very set on being sun. he is set on giving no distinction unless its for the viewer's sake. he wants to blend in, sorta, maybe. so instead of giving people the recognizable trait of having No Crescent, he keeps it anyways because its not a matter of "i have half of moon's face", it's just like "suns have it too, so why stress it?" or something. yk????

[hashileio]

An Error and Nightmare bitty? Please? ;w;

completely different energies

[fake-married-my-dead-fiance]

Lovely Runner being like, "Our version of time travel makes zero sense but you don't care."

To which we all replied, "Thank you very much for the wedding scene, we'll all shut up about logic."

[clowndensation]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[storybookstr4nge]

something something Nico's comical lack of self preservation skills stems from the fact that he is basically guaranteed immortality because no matter what happens to him (especially in tartarus) hades would keep him safe/bring him back. and so because of this seemingly positive thing, Nico doesn't value his life whatsoever. and then having will solace show up and is the first person to be like: no, your silly quirky 'if I die I die' attitude is NOT funny and is actually quite CONCERNING and I want to keep you SAFE despite your imperviousness to death. and how this is such a poignant pillar of their dynamic that I don't even think rick realized he inadvertently created. in this essay I will....