#he does have it in the manga tho so here it is

[jellyfishvibes]

I've been bullied into making Linked au oc's

In my head his name is just 'Traveler' because he has somehow weaselled his way out of telling anyone anything about him

Time is really unsettled by him and cant figure out why (its cause he's worn his face before and didn't like what it did to him)

His end point would be somehow becoming the Fierce Deity's Mask

[hinamie]

shhhh

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 3

Translation notes:

So, uh. Elliot's name is rendered with two t's in the og game, but a single one in the GBA version. I had never paid attention to that at all until I had already edited all these pages, and I don't care enough to change it.

Cain's sword causes an explosion here. In the game, it is indeed capable of summoning flames.

This is a perfect illustration of how I feel about these names, but I do wonder what the actual intention was, since Cain is supposed to be already gone. The original image is even cut off weirdly in the middle of the text, and i don't think it's a problem with the scan, since every scanned page has a black border showing that the paper itself doesn't cut there. I wonder about the production of this thing, but i'll wait until i translate the author's comments before saying more.

The map in the previous chapter was very accurate to the beta map of the game. The smaller map here showing Rindo however looks off, the coast is different, and there seems to be a river directly to the north of Rindo, as opposed to the path to Shade Abbey. Perhaps fitting since Shade is skipped here.

Metaphaluna, huh? Needlessly to say, the country of the gods/Ancients is called only Metapha in the final game. Also, in this panel, it pops up as an alternate reading for 前世紀 (ancient times), not the name of a country specifically. I chose to romanize the last part as "luna" for three reasons. One is that the continent of Rune is actually rendered as Lune in at least two guides. I take romanizations from JP guides with a grain of salt since they sometimes look bad/unnatural, or are inconsistent (Pelle's name for example has been romanized as both Peil or Payle depending on the book). I checked though, and town names however are consistent in both the books I've seen romanizing things. The second reason is that the beta map used at this point has a fairly noticeable crescent moon shaped island right in the middle. In the final game, we can't know exactly where Metapha is, because you only teleport there. But I wonder if this island had something to do with it at some point. The third reason is simply I saw no better reason. Metaphalna and Metapharuna would be just as valid, but don't have any meaning to them.

The biggest equation next to Tao as she explains the magic types is very clearly a E=mc². Look close.

I've retranslated Elliot's scenes from the game thinking it would be relevant to these notes. Now I feel it really isn't, but you get more content so you should be happy.

My main point with that is that Elliot does not say anything about Cain in the game. In the GBA version, Balbazak does try revealing Max, Cain and Darksol's identities before dying, but that's not a thing in the og. So yeah I really translated a bunch of stuff for nothing this time! Except not because Darksol is awesome in that scene and everyone should get to see it.

Now let's talk about Otrant. I have mentioned before that Otrant's gender is never explicitly said, and they speak in a mostly gender neutral way (I feel like there's a few masculine patterns in some lines, but I'm not confident enough to say for certain). What I hadn't noticed is that they also use lipstick in the games, which is probably what sparked these observations to begin with, but i'm uh, occasionally not smart. In any case, if any of these aspects were done at this point in development the artist here sure ignored them, and drew a regular old man who gets called an old man. They hate to see an androgynous boss winning.

I don't recall Otrant's third eye being called "Eye of Truth" anywhere else, but the manual of the game does say it can see the past and the future.

Otrant's naming of the Shining Force is a bit more elaborate here, but the wording is very similar to the actual game.

Finally, let's play spot the cameo!

We've got Gong, Zylo, one of the birds, and probably Anri. Easy.

Here, besides the obvious three who were actually introduced in the story, we again have a bird, Anri between Ken and Hans, Gong to the right, and Mae and Gort behind Luke. If you read the pre-release page you know that Gort was meant to be Mae's servant at some point, so this might be why they're together, or it's just coincidence because they still join around the same time in the final game. More importantly, to Ken's left we have...

Some guys. Who are these. They could be made up by the artist (there will be another case of this), but I find it curious that the artist had to do that when there are so many character to pick from, and he clearly wanted to depict official characters here. For one, there's evidence that Earnest was already designed at that point in development. However, that link also shows that Vankar didn't have a portrait by that time at least, and Vankar would have already joined by this point in the story. So could the bald centaur here be a beta Vankar, or the artist's interpretation of Vankar via unfinished art? Maybe, but just a guess in the end. Mostly I'm just fascinated by how detailed this guy is compared to even Mae and Gort's cameos. The other guy isn't so i don't think about them nearly as much.

[drbtinglecannon]

o(-(

I caught up on all of the spy x family manga and there won't be more until Feb but that also means I'll have to wait weekly for updates going forward, fuck

[nerice]

chensoman anime is so overproduced....

[inkykeiji]

As someone who admires the Todoroki family from a writing perspective and just Horikoshi's ability with characterization as a whole, I'm very, very scared that the series as a whole is just going to end cleanly. I'm invested in the Aizawa/Present Mic/Shirakumo/Kurogiri arc the same way you feel about the Todorokis, but I feel Horikoshi is going to go for a happily ever after for everyone somehow. I'm very fine with the idea of major characters dying, but I don't think Horikoshi has the balls to do it. That's just my two cents though.

That image of the Todorokis made me so happily sad in a way though. He's so SMALL next to Endeavor and Natuso!

YES oh my god

yes that’s my fear exactly, too. because i know hori has the talent and the capability to end these stories in gut-wrenching but well executed ways, but does he have the balls to do it????? to potentially upset a huge portion of the fandom that would rather have the fan-service happy fluffy endings instead of something that’s written beautifully but hurts so much??? i don’t know. i’m worried he doesn’t, but i’m really hoping he does >.<

i gotta be honest, it bothers me so much when people say dabi deserves a happy ending or that dabi dying is a ‘bad ending’ for his story, as if dabi didn’t kill TONS of innocent people just because he felt like it, like dabi didn’t consciously make the decision to take away mothers and fathers and brothers and sisters and sons and daughters from people, as if dabi doesn’t ENJOY killing, etc. it like genuinely makes me see red HAHAHA like alright, let’s say he lives. what happens? the only plausible answer is that he goes to fucking jail, because they got the man in 4k lucidly admitting to 30+ murders, among other crimes. what else could possibly happen??? the judge and the authorities and society as a whole just give him a slap on the wrist and ignore his laundry list of crimes because he’s ~got trauma~ and he’s ~the eldest son of the number one hero~??? dabi’s story as a whole is absolutely heart wrenching—and it deserves to stay that way!!!—but that doesn’t excuse any of his actions. like, at all. i’ve got loads of trauma too and yet i am not out there killing in the street lmfao.

or what? the whole todofam works out their YEARS long combined and convoluted family and personal trauma in one battle out on the battlefield and suddenly everything is resolved and happy and great again and they all love each other and everything’s been forgiven and dabi’s/touya’s severe mental illness just disappears??? just evaporates from the tissues of his brain like a fucking mist??? it’s borderline offensive LMFAO like i know this is a series about fucking superheroes but hori has done a pretty good job keeping several aspects of realism within it. my cousin and i have this talk often but it’s incredible and super interesting how hori has been able to take something so REAL (trauma as a whole, with all the league members) and portray it in a way that is relatable and realistic while still filtering it through this superhero lens and society. it’s brilliant. they all deserve well written endings, dabi and tomura especially.

anyway sorry i’m going on a serious rant here and i am going to stop HAHAHA but yeah, i totally feel you. and it’s like,, i get it, in a way; i understand the appeal of everything ending super happy and warm and feel good, but for me personally, i would rather things end in a way that hurts but is well executed, you know? i’ll take that over bad writing any day. the aizawa/mic/shirakumo | kurogiri storyline is SUPER interesting and they too deserve a properly written ending, even if it’s painful!!!!!

anyway moving on yeS HE’S SO TINYYYYY ugh i love how he’s like, taller than rei + fuyumi by a decent amount but so much shorter than enji and natsuo it just 🥺🥺🥺🥺🥺 it makes my heart !!!!! explode <3 he’s so cute <3 he really is his momma’s son like look at him!!!!!!!! he looks like her so much 🥺🥺🥺

[awearywritersworld]

my very soul demands you

sukuna x reader summary: you introduce sukuna to cuddling and romance novels. meanwhile, he's still struggling to make sense of his feelings for you, despite wanting to commit murder because another man had the nerve to touch your arm (which earns him a lecture from yuuji). w/c: 2.5k tags/warnings: enemies to lovers. angst to fluff. jealous!sukuna. aged up!yuuji. features yuuji x reader. cursing. banter. hopefully not too ooc for sukuna. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: this could maybe be read as a stand alone, but it'd flow much better with the context of the previous two parts. lots of denial and begrudging softness from sukuna here. definitely more fluff than anything tho. this series has been fun to write, so thanks for reading<3 i appreciate reblogs or feedback! let me know if you'd like to be tagged in any additional parts. series masterlist // masterlist

when you crawl in between sukuna's legs and curl up against his chest, it's a foreign experience that makes his body stiffen.

he'd been with countless women during his lifetime, but while fucking is one thing, he never once found himself in a position that struck him as this... intimate.

"hold me," you whine as if you can sense his unfamiliarity with such matters.

he rolls his eyes, beginning to wonder if your habit of throwing orders at him is actually some sort of compulsive need. "didn't anyone ever teach you manners?"

despite his irritation, he acquiesces to your demand and once he envelops you in his arms, some of his rigidness dissipates.

you hum contentedly. "isn't that better?"

"it's tolerable," he asserts, his chest vibrating against your cheek.

"whatever you say." tangling your legs with his, you turn your attention back to the movie you've both been watching.

he doesn't understand this... tedious display of affection, nor does he particularly enjoy it... right?

and he only allows it because he can't rid his mind of the image of your tear stained face... right?

yeah, that has to be it. he figures he can endure this, given that he was the reason you were so upset earlier.

it goes without saying that he doesn't realize it when he begins to rub absentminded circles on your back.

and the way the warmth of your body forces his usually tense muscles to relax goes unacknowledged.

when the credits begin to roll, sukuna's wearing an expression of unimpressed disinterest. "that's seriously how it ends?"

you don't respond, so he looks down only to find that you're fast asleep.

"tch. you ask to watch a movie, force me to pick it, and then you don't even have the decency to stay awake." he's not sure why he's chiding you even though he knows you can't hear him, but he keeps his voice low enough that it won't disturb you.

sukuna's spent more time than he cares to admit watching your sleeping form, but this is the first time that it's actually him you're pressed against. it's the first time he can reach out and touch you.

your hair has fallen across your face, so he pushes it back behind your ear gently. the pads of his fingers brush against your cheekbone, a ghost of a caress, and his gaze lingers on your parted lips.

he lets out a deep breath, tearing his eyes away from you. "impertinent brat."

reaching for the remote, he flips off the tv and casts the room in darkness.

upon waking up in the morning, yuuji's confused once he notices that he's on the couch and you're sleeping against his chest.

he may have been half asleep when he arrived home, but he's still positive he went to bed. stretching his arms above his head, the movement jostles you from your slumber.

"mornin', baby."

"good morning, yu," you yawn in response, shifting to sit up.

"how'd i wind up on the couch?" he asks, though he's already got an inkling of the answer.

"oh," you blush. "sukuna kind of made an appearance last night."

"that so? how'd it go?"

you think there might be a shadow of a smirk playing on his lips. is he teasing you?

"good," you offer. "we watched a movie."

"watched a movie with the king of curses," he muses before his face breaks out into a lopsided grin. "you sure are somethin', baby."

returning his smile, you lean in and press your lips to his. "hm. says you."

it's not uncommon for you to meet yuuji for lunch if his mission is short and nearby, and today is one of those days, so he eagerly makes his way to the cafe you agreed on.

he's still a few hundred feet away when he spots you through the window, chatting with a man he recognizes as your childhood friend.

his gaze drops to where his hand is wrapped around your forearm as you both share a laugh together.

it doesn't really bother yuuji, he trusts you implicitly and jealousy isn't an emotion that's really on his radar. the same can't be said for everyone, though.

sukuna watches on as well, his thoughts much darker than his vessel's. who does that wretch think he is, putting his hands on you?

you're not his to touch.

"give me control," sukuna growls, his mouth appearing on yuuji's cheek.

"and why would i do that?"

"so i can rip his heart out and gift it to her since he seems so interested in offering his affections."

"duuuude," yuuji begins, somewhat amused. "i don't think she'd be super crazy about you murdering her friend."

"fine," sukuna bites back, well aware that yuuji has a point. "but he can live without his filthy hands, can't he? perhaps i'll pull each arm from his torso—"

yuuji snorts. "you have some serious issues, man."

he can feel sukuna trying to take over and easily curbs the attempt, though that only fuels the king of curses' irritation. "my only issue lies in the fact you're allowing this to happen."

yuuji reaches the door, a bell chiming through the cafe as he pulls it open. "she's a big girl. she doesn't need either of us to dictate what can and can't happen to her."

once you see your boyfriend, your face lights up and you call out his name. you place a kiss on his cheek and snake an arm around his waist in greeting, and the space it puts between you and your friend is enough to keep sukuna from protesting further.

"you two have met, right?" you ask.

"yeah! hey, itadori! it's been a while."

"it has! good to see you, yamada."

"i'd love to stay and chat more, but i have to get going," he states, leaning in to give you a hug which you return. "we should all go out together soon!"

"absolutely not, you deplorable knave—" yuuji slaps a hand to his cheek before sukuna can continue and yamada gives him an odd look.

your eyes widen for a split second and you have to stop yourself from facepalming.

"what'd you say?" yamada asks, sounding a bit hesitant.

"i said absolutely, sounds like an enjoyable night!"

the men exchange a handshake before you and yuuji make your way to a table.

"sukuna, what the hell was that?" you hiss once yamada's out of earshot.

"i don't know what you mean," he responds smugly.

you meet yuuji's eye and he just shrugs his shoulders, but you swear the corners of his mouth twitch upward.

you can't imagine anything good coming from the two of them colluding with one another, but let it go anyway.

opening up your menu, you sigh in defeat. "if you say so."

"what do you mean you'd rather disembowel yourself?" you question the man sitting across from you.

it's becoming more commonplace to see those dark marks adorning yuuji's body during the nighttime hours. you sometimes wonder if he's letting it happen or if sukuna's just getting better at taking over, but you're too nervous to ask.

"do you need a dictionary? there's one over on the shelf—"

"no, asshole. i know what disembowel means! i just don't understand your refusal."

he raises his eyebrows at the obscenity, but doesn't comment on it. "i'm not reading some inane romance novel."

"but brontë's one of my favorite authors!"

"it makes no difference if it was penned by the gods. the thought alone is absurd. can we move on now?"

you don't respond. instead, you cross your arms and stare at the wall defiantly. your face is contorted into an expression that lets sukuna know you're clearly affronted.

"very mature, you silly little girl."

"sorry you find me and my interests so childish," you huff.

"oh, please. that's not what i said."

you continue giving him the cold shoulder, having no desire to argue further, but more than willing to die on this hill.

"fine, don't talk. it's no matter to me," he claims (despite it being the furthest thing from the truth).

as the minutes tick by, he keeps looking at you from the corner of his eye and exhaling dramatically.

eventually, he calls your name in an exasperated tone, and while it makes your heart flutter, you still don't spare him a glance. you just hold the book out for him and to your surprise, he rips it from your grasp.

"you're ridiculous," he grumbles, opening the cover to reveal the first page. "i hate you."

when he glances over to see you're beaming at him despite the insult, he adds (albeit half heartedly), "i mean it, brat."

the two of you sit in silence, each of you reading your respective books. a few chapters in, sukuna comes across the following conversation:

"do you know where the wicked go after death?" "they go to hell," was my ready and orthodox answer. "and what is hell? can you tell me that?" "a pit full of fire." "and should you like to fall into that pit, and to be burning there for ever?" "no, sir." "what must you do to avoid it?" i deliberated a moment; my answer, when it did come, was objectionable: "i must keep in good health, and not die."

to your astonishment, you actually hear him chuckle, but when he looks over and finds your self satisfied smirk, any hint of humor disappears from his face in the blink of an eye. your hand quickly moves to your mouth to stifle a giggle.

"something you want to say?" he baits you.

"nope, nothing at all!"

two nights later, he's already nearing the end of the story and you refrain from commenting about how quickly he's made his way through.

you doubt he'd allow your current position if you had— you're laying on your side, your head resting comfortably in his lap, one hand occupying the space above his knee.

when you asked if it was okay, all he offered you was a clipped, "i suppose."

your hair is splayed across his thigh and your eyes fluttered shut a while ago. when he agreed to this, he didn't realize how distracting it'd be. his gaze flickers between you and the words on the page with embarrassing frequency.

he's decided what you call cuddling is absolutely suffocating. how anyone could actually enjoy it, he's sure he'll never comprehend. he can hardly concentrate on the novel that's right in front of him—

"read to me, 'kuna," you mumble, interrupting his thoughts. it surprises him that you're still awake.

he scoffs. "what do i look like? your personal audiobook?"

"you didn't even know those existed until like a week ago," you laugh. "c'mon, pleaaaaaase."

he stays quiet for a few moments, so you're under the impression he may just ignore your request. as such, you're exceptionally pleased when his voice fills the otherwise still apartment.

you think the sound of his voice is comforting, an idea that would more than likely make him cringe, so you keep it to yourself. after all, you don't want him to stop.

at some point or another, he begins twirling a strand of your hair around his finger whenever he's not turning the page, an action that seems to take place without his noticing.

occasionally he'll pause to ask if you're even listening. it's an odd feeling that blossoms in his stomach when you assure, "mhmm. every word."

as he reaches the second to last chapter, he reads a line that makes you question whether your heart's stopped beating. you're not sure if it's because of the tone of his voice, the words he's imparting, or some mix thereof.

"no—no—jane; you must not go. no—i have touched you, heard you, felt the comfort of your presence—the sweetness of your consolation: i cannot give up these joys. i have little left in myself—I must have you. the world may laugh—may call me absurd, selfish—but it does not signify."

he stops reading, as if he too feels the sense of unease that's invaded the air. against your better judgement, you turn to look at him. his eyes are glued to the page, almost like they're avoiding you, and his jaw is tense.

"my very soul demands you: it will be satisfied, or it will take deadly vengeance on its frame.”

when his gaze finally lands on you, his expression is almost pained. it's a strange contrast to the warm fondness you spot in his eyes.

you quickly push that thought away, however. whatever you believe you may have seen, you're probably just deluding yourself. you know you aren't his least favorite person, but surely he'd never feel even half of that sentiment toward you—

your breath catches in your throat when his hand reaches up, his thumb brushing over your bottom lip. he still marvels at the fact you don't shy away from his touch, that you're usually the one to seek out contact with him.

perhaps the story is not as asinine as he expected it to be. rochester presumes jane will find him revolting, yet she still agrees to be with him, even after his selfishness has been made plain to her. after the sins of his past have caught up to him.

no, no, no.

to be so desperate for some woman's approval, or her devotion for that matter, is despicable. rochester's nothing less than foolish and sukuna isn't anything like him.

but you're certainly like jane, aren't you? fearless, passionate, and determined: all things he can't help but find endearing...

gods, what is this turmoil? it's making him feel pathetic and there isn't an emotion in the world he hates more—

you distract him from his internal monologue when your fingers wrap around his wrist and bring his knuckles to your lips. "you okay?"

"of course," he mutters, pulling his hand away. "just trying to get past all the mawkishness."

"really? you think it's that bad?" you question, the frown on your lips igniting that ache in his chest that appears whenever you're upset.

"it's not terrible," he sighs, realizing there may indeed be one thing he despises even more than feeling pathetic. "although i don't understand how jane is so taken with rochester."

you seem to ponder this for a moment before shrugging. "love is weird."

"what a clever analysis."

you slap his chest playfully. "oh, whatever. just keep going, you're almost finished!"

and you're right. he does reach the end of jane eyre that night, but not before you fall asleep on his lap. he closes the book, running a finger down the creased spine and setting it down carefully. it's obvious you've read it several times.

admittedly, he can see why, but he'd be caught dead before he'd ever tell you as much.

left alone with his thoughts, he considers the impossibility of jane and rochester: a charming, headstrong woman and a cruel, arrogant man.

leaning forward, he whispers your name to make certain you're asleep, then places a lingering kiss to your forehead.

"..sweet dreams."

[silverwarewolf]

DUNGEON MESHI EPISODE 24 THOUGHTS

Oh, I had asked to see what the party's thoughts regarding the changeling situation were, especially when it came to their lifespans, but I didn't think it would turn out like this!

GOOD FUCKING JOB, CHILCHUCK. YOU'VE TRAUMATIZED MARCILLE EVEN FURTHER. Oh but I do so love the horrors of this situation of theirs. Marcille babygirl I would like to hug you and have a nice chat.

Anywya, on we go to think about Falin and any solutions that might help us here. Which is great! I love how much foreshadowing there is (in terms of what I've been vaguely told about the manga).

Laios Touden's problem solving skills, everyone.

That's honestly the SICKEST weapon design, I'm so on board with you Laios. This could be Kensuke's Halloween makeover. BUT DONT JUST TAKE THOSE MUSHROOMS WITH YOU OH MY GOD

... was this the opening sequence foreshadowing everyone was freaking out about? was that it? (don't actually tell me, though. if it was it, say yes. if it wasn't, don't say anything)

no comment here I just love them.

I just will never get used to elfshi's hands being Like That. But it's also kinda nice to see him and Izutsumi working along so nicely! Like, don't even get me started on how Izu is presented as the pickiest eater of the party (Marcille has been dethroned severely) and usually you'd see that presented as a Hassle, but here in DM, Senshi doesn't even bat an eye. He knows and respects Izutsumi's tastes and preferences and works his meals out around it! That's such a based thing for him to do. <3

This is a renaissance painting. (I love it when they adapt Ryoko Kui's visual gags and I LOVE when she does zoomed in faces like this. Truly one of the artists ever)

I did not have "Laios gets Pissed On" on my bingo card but every day I grow more and more convinced that the animators KNOW what they're doing and - OH MY GOD IS THAT SENSHI'S DWUSSY. ELFSHI ALTERNATIVE TO PANTY SHOT.

Ah, yes, Izutsumi sprawls all over them when sleeping, we been knew, again it's a little unexpected to see it front and center but I guess it works to demonstrate them returning to - THAT WAS LAIOS??? AND CHILCHUCK IS JUST LIFTING HIS LEG LIKE THAT?? OKAY THEN. SURE.

(and then there's a few more seconds of laiosfoot and laios bedhead)

BUT HEY THEY'RE BACK TO NORMAL

1) Yep, they're back to normal.

2) Laios I love you and I love Gothsuke but someone needs to be careful about biohazards and it's not going to be you.

3) Add this to the "Marcille Donato gets threateningly close to you in three steps" folder.

4) Truly only they can match each other's freak. When the NECROMANCER is telling you not to do something, don't do it! I know last time you smuggled a "normal" sword, it turned out to be useful, but I'm sure that's not the case here!

5) Poor Laios tho. I'll learn to blacksmith just to give you a cool sword. <3

I'm so glad they kept this. One of the silliest touden siblings moments. 10/10 no notes. Also, Falin is never beating the blunt force trauma allegations.

IS THAT CHILCHUCK'S WIFE. ARE YOU - MA'AM. HELLO?

"Why aren't you a twink like I thought you'd be?!" gets adapted! (I'm pretty sure that's the scene meant to be here, anyways)

I get it, girl.

Oh dear, they're going to eat Falin. And SENSHI was the one to suggest it! For a guy who was just fighting the doubts of accidental cannibalism a week ago, you're taking bold steps forward.

(I do love how it mirrors Laios' kindness back then, in truth. Even if it's an idea so shocking and dire at first, it comes from a place of reason and logic and love)

Marcille "I said I wanted to eat her OUT, not eat HER" Donato Izutsumi "That's going to taste gross as fuck" Izutsumi Chilchuck "If it brings her back..." Tims Laios Touden, the man with a thousand things on his head right now, two of which I reckon are "I don't want to eat my sister" and "Dragon-Chicken... what might it taste like?"

Yes, well. Valid as your concerns are, Laios, because how the fuck would five people eat THAT much meat, you can't just ramble on about what dishes you're going to make out of your sister.

(...I get it, though. I mean if you're going to eat, might as well make it good, right? I know no one wants to grill one of Faligon's ribs but I'll go ahead and say it would be worse to tell them to eat her raw)

FUCK! we DID lose those scenes about the twin bell that toshiro kept!! forever sad about that.

oh my godddd they're going back into the dungeonnn we're going to reunite with themmm

I know they're really fucking competent, I mean, Namari and Toshiro are already described as pretty formidable warriors (and we've seen it), and Kabru is... admittedly much more geared to fight humans but he's a decent fighter either way. And a good leader!

Speaking of, where the fuck is everyone else.

I know they're meant to be scary (and I suppose they are! If we have the reference that, firstly, marcille is an excellent spellcaster so these elves could be just as good in their own areas of expertise, yes?, and secondly, the canaries are Well Known)

... plus, Namari, Toshiro and Kabru are wary of them. Namari, Toshiro and Kabru are wary of them.

BUT damn it Lycion, I need to- (gets dragged off stage)

Anyway, while we wait for the next season (WHICH HAS BEEN GREENLIT! WOHOO!), have these wonderful images of chicken falin being a cathedral painting (...if cathedrals ever added dragons, i guess) and my beloveds, who have finally returned!

[officialspec]

can you pleeeeease post your dm sexuality/gender hcs on here.... 🥺 i don't have a twitter but i wanna know. it's like a pandora's box to me now i'm like scratching at the door. let me in

heres the link 2 the thread (mild spoilers btw) ill post a transcript under the cut for ppl who dont have twitter

first off i think laios relationship to sex is super removed for like 50 reasons without even getting into his actual sexuality

he grew up in a place with very repressed ideas about sex and has a lot of fear about asserting his presence in situations

his special interest takes precedent over any social interactions he has and the level of closeness he feels towards people

he has a hard time figuring out his feelings towards other people both bc hes autistic and bc he has freaky deviantart fetishes that make sex in his mind a very abstract concept <- this one is me projecting mostly

that aside, i feel like gender-wise hes attracted to ppl so infrequently it may as well be entirely case-by-case

the idea of him being gay appeals to me from the 'raised with traditional values he Does Not fit into/hasnt begun to question it yet' perspective, i lauve characters who put a lot of stock into performing a role thats expected of them and fail miserably for unknown (gay) reasons

from his perspective tho i dont think he would ever really label himself anything. hes going to pride parades in the shirt+shorts Ally Fit to clap for his friends

hes also 'cis by indifference' imo... i love tmasc laios hcs it just doesnt mesh w his personal history to me. i do think hes got some kind of therian gender thing going on (not trans or nb but a secret third thing) but i cant see him changing anything abt his appearance/pronouns to accommodate that post-canon. hes just doin his thang

falin is in a similar boat for gender. i LOOVE tfem falin but the village repression thing has been bugging at me so i dont think i subscribe to it anymore (canon purist sorry) BUT if u hold that hc i am clapping and cheering regardless

instead i was propagandised to a while back and i LOVEEE the idea that being fused w a male dragon and the residual traits she has after being revived have given her a type of gender euphoria she didnt realise she was missing. a little boygirl swagger if u will

sexuality-wise i also dont think she would care to label herself, shes a lesbian by virtue of only being interested in One woman and zero other people. without marcille i do think shes still exclusively attracted to women, and i like to imagine she might experiment around a bit during her travels post-canon (pre-relationship). hearing abt it might put marcille on the news though

marcille is very simple That is a transfem lesbian. she cant get pregnant, shes obsessed w being femme and all that combined w her half-tallman struggles to be seen as 'properly feminine' by elf standards reads very transfeminine to Me. also her bookboy crush REEKS of comphet its not subtle

i think a more comfortable marcy might have the space to experiment w being elf butch like her manga boys but thats mainly self indulgence for me. utena could have saved her

senshi is gay his whole thing is abt not being able to perform dwarven masculinity to a proper standard (soft hearted, not as strong or rugged as his peers) which is like gaycoding 101. also hes a bear. homosexuality be damned by boy can work a grill

adding onto this i rly think senshi got some type of euphoria from being an elf in the changeling chapters. he was feeling himself so much i think he was using it as an outlet to have fun being a little fem and fruity without needing to justify it. do u understand

i dont have any particular opinions abt him gender-wise beyond that. his bulge is an essential part of his character design but i also saw a transmasc senshi a couple days ago that made me nod my head thoughtfully so i could go either way

chilchuck is cis and bisexual this is just canon. not even just his old man crush on senshi altho i do think thats very funny but they put his ass on a cover themed like hes in a dating sim with all the men and women in the cast and then slapped it in front of a chapter called "bicorn". i simply cant pass up that kind of overt signaling. its so fucking funny what else is there to say truly

izu to ME is a transmasc aroace lesbian (this one has the least basis in canon i just know it to be true) shes a little genderfluid with it nd uses he/she i think. i like to imagine she consistently uses masculine personal pronouns to refer to herself either way tho (boku, ore)

i think izutsumis gender/sexuality is entirely secondary in priorities to her body dysphoria. she has a lot of learning and acceptance 2 do before that kind of self discovery is on the docket and in my mind eschewing gender on some level is part of that. get sillay

shuro is cishet but at least he feels bad about it. next listen listen to me i dont think he would ever actually examine this but i need u to put on ur tin foil hat with me for one second. i think estrogen could have saved her. i have more thoughts on this but im not gonna propagandise too much on this post just know that im right

kabru is a transmasc bisexual this is also practically text. his whole thing of being treated like a doll by milsiril to put in pretty dresses, plus i think it would be pretty easy for him to stealth in the west since tallmen are seen as inherently more masculine than elves

(i also think changing genders is just more common for elves. theyre androgynous enough that it wouldnt be hard and like who in their right miiiiind would be the same gender for 500 years. dwarves too)

i think he started presenting as male socially in the west but didnt need to consider medical transition until he moved to a more mixed culture where other races might see him as a woman

i dont have to explain the bisexual part. have u seen him

namari is a butch bisexual this is just canon straight up. shes not transmasc but i think the default settings for dwarven women is like 4 years of T regardless. shes a hit at all the local cruising spots despite her renfaire nerdisms i know this

and just bc im thinking abt em kiki and kaka are identical and kiki is tfem :} theyre both attracted to women but kaka is a sub so i forgive him

THATS ALL 4 NOW theres a lot of characters so i cant have thoughts abt all of them at once but i hope this was good. im right about everything forever as per usual

[paraphwrites]

so obviously the time period a character comes from impacts them. but i adore the analysis of dbda and loneliness so now i want to analyze the characters + their time period + loneliness

edwin. so, edwin is from the 1900s. he was raised with the knowledge that he would join the military, that he would get married. this was an accepted part of life. now, i do not wish to analyze the full scale of edwin's relationship with violence (at least, not here), but i do think it's interesting that edwin goes out of his way not to inflict harm on others. this is potentially because he was raised in such a way where that was the norm, and he always knew he did not fit traditional male standards. he has always preferred knowledge and books to fighting and sport. this would have been incredibly isolating, especially as a young boy in a school for children of military members. additionally, as a queer person, edwin would have been entirely socially isolated from his peers. whether they picked up on it like simon or just thought he was un-manly, the point stands: edwin would not have fit in with his peers and seemingly had no friends when he died. which is very sad. and very lonely.

crystal. crystal's parents neglected her for their work. she lashes out. she lashes out and pushes people away (or in front of traffic). she is volatile and destructive and she is like this because she lives in an age when parents are expected to care for their children, and her parents still actively chose not to. crystal is especially traumatized because even tho she is in upper class which may have a higher rate of willful parental neglect, the expectation is still that parents love their children. moreover crystal is psychic, and that's never really been fun. she'll be completely different from all her peers in a fundamental way which she probably never talks about with any of them! so, like, of course when david, a demon, comes along, she lets him in - she's finally with someone who understands and makes her feel less lonely. someone else who's weird and angry and pretty and supernatural. and then he, too, betrays her. there is also almost certainly a race element, which may further disassociate her from her peers, seeing as the upper class is usually very white.

jenny. so jenny grew up as a lesbian in the 90s. now, i don't know much about washington state, but i do know that they legalized gay marriage in 2012. which means for over half of jenny's life, she was living with the knowledge that she would never get to live the same type of life as her peers; though the white picket fence americana dream may have been less prevalent by the 90s, it still was very ingrained in american society - especially small town society. i wonder if part of jenny's gothic fashion is to distinguish herself from other people - if she cannot have the same lives as them, then no one will make the mistake of assuming she will.

so the night nurse is lonely in a very unique way. she is lonely because she does not have a proper conception of an actual human life. she has no friends or relationships - nor does she want to; she does not know what they are like. and, i think, because she exists so outside of time and removed from society, that it makes her inherently lonely. she is lonely because somehow she was created and somehow someone convinced her that her only purpose in life is to collect lost children and she is satisfied with this but she is also alone. she has no time period to be contextualized in, and that in itself is the context.

niko is lonely because her dad is dead and her mom lives in a different continent. and i think that because she is able to utilize manga and cartoons as a form of escapism, it allows her to fill that void of devastating loneliness a bit more. she lives in a world where if she doesn't want to think she does not have to. she is not obligated to be courageous. however, she also lives in a world where she is able to choose to self-isolate, even if that isn't good for her. so when she is sad she hides away because she can and it's scary and she doesn't want to do it alone but she doesn't want to do it with her mom. i've seen people saying crystal is such a teenage girl but niko? niko wants her mom to comfort her but doesn't want to talk to her mom. niko is horribly lonely and it's only a gay victorian twink who can get her to smile again. niko is lonely because she exists in a world which allows her to be and it takes someone who is not from this time to help her move past this

charles. god, we all know how lonely charles is. biracial, abused by his father, probably bisexual, good with people yet killed via hate crime, morally upstanding. charles is the epitome of loneliness because he grows up in such a particular moment of time. he lives in the 80s. feminism and queer rights have been radically shifting in the past two decades. the 80s have huge amounts conservative pushback from these movements. so, yeah, being gay isn't a crime anymore, but gendered expectations are being reestablished in a new harmful way. so, yeah, charles is growing up in a time of progress, but he's also growing up in a household which will absolutely be anti-progress, and ergo charles is stuck in this dichotomy of he could hypothetically have everything but that would mean losing everything, too. he's lonely because his dad beats him. he's lonely because his mom doesn't say anything. he's lonely because he has a piercing but his dad locked him in his room for three days after it. he's lonely because he attends a boarding school which rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone. and he isn't alone -he's got edwin- but their experiences with loneliness are vastly different.

as i have said a stupid number of times, dead boy detectives is a story about loneliness. and the writers made these characters so damn brilliantly because they all make so much sense in the context they were raised in.

we are all shaped by the context's we're raised in. everyone is raised at a different moment in history in different environments with different families. human experiences are so unique that everyone is inherently lonely. but lonely does not mean alone and lonely does not mean forever. it means when you were fourteen you cried yourself to sleep but now you're twenty and know how to play cricket and your friends come to all of your matches. it means you were raised in a world that was cruel and unforgiving, AND it means that because of that you don't have to be. dead boy detectives teaches us that we're all horribly lonely, and maybe that makes each other a little less lonely

i'll take some of your burden if you'll take some of mine, and whatnot

[redxx95]

How Cherry Magic avoids romanticising self-sacrifice

Alright strap in boys, this is gonna be a long one.

Spoilers for the manga (mostly the english volumes but I will include a bit from vol 12. I'll mark it tho so yall may skip it if you don't want to be spoilered).

So in this one I want to examine how cherry magic does a great job at portraying self-sacrifice in a relationship as an actual flaw rather than a romantic ideal to aspire to. Very often you'll see characters in media putting their own needs aside for their lover. A lot of people will swoon at that because it is usually presented as proof of how dedicated they are to their partner and their wellbeing. (See... well the thai adaptation actually).

But what has pleasantly surprised me is how Toyota handles this in her manga.

Starting from the beginning, we all know the millions of things Kurosawa did for Adachi to get closer to him. After all, that is what's usually expected of him if we talk traditional gender roles. But one of the reasons Adachi even starts falling for Kurosawa is because of how he was for once able to do something for him.

For someone with very low self-esteem, being able to help this super-capable perfect man is a big boost in confidence and also raises his own selfworth.

So now let's look at a few instances of selfless action and the consequences resulting from them.

First one is the disaster-date in volume 4

Kurosawa does his very best to choose activities that he thinks Adachi will enjoy. That is his primary concern.

The effect this has on Adachi though is that the gap between them feels impossibly wide, only worsening his already low opinion of himself.

Whenever Kurosawa does something big, it makes Adachi feel that much smaller. That's why he'd rather them be equals in everything instead of one giving more than the other.

Next is the argument they have in volume 8

Kurosawa attempts to, very selflessly, protect Adachi from his lowkey homophobic parents. He doesn't want them and their opinions to hurt Adachi personally, so he ends up lying to him to keep the peace. The effect this has on Adachi though is disastrous. At first he's just generally worried about why Kurosawa would even lie to him in the first place, but then they have that fight in their living room and you really get a good look at how negatively this affects Adachi.

The very first conclusion he jumps to is that he's not doing good enough for Kurosawa to feel secure with him.

The next one is even worse, where he thinks he's not good enough in general. Both of these show how when pressed, he will default to blaming himself, believing that he is the problem first and foremost.

And then, if all of that wasn't bad enough, this happens next:

He's actually being self-deprecating again, something he hadn't done ever since Kurosawa told him not to in volume 5. And yes you can actually go back and check for yourself. Whenever he has negative thoughts after this point he's always pushing back.

So there's an escalation happening here, one that is entirely caused by Kurosawa not sharing his burdens with him, by making their relationship unequal.

I think it also hurts him extra bad because they've had this argument before, just with their roles switched.

So to him it must feel like Kurosawa is betraying the important lesson Adachi learned from that argument, which is that communicating with your partner is important, even when you feel like it might hurt them.

There's also something to be said about how most people would've probably stopped prodding when someone says "it's something I can't tell you", but Adachi knows that Kurosawa has a pattern of hiding his issues from him thanks to the mind reading, which is the whole reason they had that argument in vol 6 in the first place.

So, to summarize: Whenever Kurosawa acts selfless it takes a toll on Adachi's mental health. Because of his low self-esteem he needs to feel on equal terms with Kurosawa to be able to see himself as worthwhile. (And obviously he also loves Kurosawa and doesn't want to see him in pain just in general.)

So after all that, surely Kurosawa would have learned his lesson, right? Surely he wouldn't just do it again, right?

... Spoilers for volume 12 start here ✨

So volume 12 is all about Kurosawa overworking himself because he's been assigned this big project by their chief to oversee their company's spot at a stationery convention. (I didn't look up whether or not that's a real thing but it is in the manga universe I guess lmao.)

Adachi tries to help alleviate his burdens with mixed success.

(On the left he feeds Kurosawa because he needs to finish his work and doesn't have time to eat. On the right he tries to take a phonecall for Kurosawa but gets told that Kurosawa needs to hear it personally so relaying a message won't do.)

Then Adachi muses to himself how Kurosawa was always helping him out in the past and how Adachi can't do anything for him in return, especially since they're in different departments. He feels very useless, which is once again bad for his mental health.

Later at home, he offers to at least take over the chores for the time being, but gets told that Kurosawa actually enjoys doing chores so there's no need for him to help.

Kurosawa tells him that all he needs is Adachi to be close to him, while making out with him on the sofa. And right here we see how he only got half the lesson he was supposed to have learned in volume 8: In their fight Adachi told him that they should both be happy and he should share "all the hurt" with him, too. Well, the simple solution to that is not to see all his burdens as burdens, then he's not hurting and Adachi doesn't need to bother fussing over him! Win-win. Epic mind gymnastics 😎 (To be honest, I feel like this is actually very relatable to people that tend to give more than they take. We get so used to the weight of the burden that we don't notice it slowly pulling us down.)

So Adachi obviously notices what's going on and berates him about not having understood anything he said from that fight.

Throughout the volume Kurosawa gets more and more overworked, makes mistakes and is confronted with unexpected complications. He's very adamant about not asking anyone for help though, stating that he "can't be bothering his senpais any more than he already has" and that he's "doing this all for the sake of his future with Adachi".

He also still has some hangups about people seeing him as just a pretty face, as you can see in that flashback in the second page. He constantly feels the need to prove himself to others, which prevents him from ever seeking out help.

So when he inevitably reaches his limit, Adachi is finally able to be there for him, being the only one that sees through his facade.

(That hand kiss is so precious 😭)

Also, on that first page Adachi asks him whether or not he's fine, which reminds me of this panel from volume 6:

He really knows him so well.

Emboldened by his husband, Kurosawa finally does ask for help and is, of course, met with understanding and sympathy.

.

Spoilers for volume 12 end here ✨

So all this to say: Sometimes, when we try our best to be selfless and to protect the people close to us, we do more harm than good. Sometimes we cause harm to others (see volumes 4 and 8) and sometimes we cause harm to ourselves (see volume 12). It is of course a noble cause but it's not something to strive for at all times and can sometimes be actually counterproductive to what we wanted to achieve in the first place.

As someone who breaks themselves apart to help all the people around them, this aspect of the manga resonated very strongly with me and is probably the biggest reason I got so obsessed with this silly little BL romcom.

I know that this manga is not like, the best in quality. I know it's super niche and silly and cannot compare to the big popular mainstream manga with lots of depth and thought put into it, BUT.

A piece of art doesn't need to be "good" in order to resonate with people. You don't need to paint the mona lisa to reach someone and make them feel seen. You just need some sort of medium and a will to communicate something to the observer. (Something an AI could never replicate but that is a whole other discussion.)

This manga reached me when I needed it and it communicated a message that resonated with me and that is all it needed to do for me to love it to the point of obsession. 💖

Finally I'm done with this essay it is so long oh my god. If you reached the end of this, I'm so sorry. I hope you enjoyed it tho.

[rotisserory]

Reo Mikage is Actually Great BPD Representation- Some Thoughts

So I had the extremely unfortunate experience of being exposed to Blue Lock (unfortunate because it's all my tiny pea brain can think about now), and while it is absolutely full of silly guys whose brains I want to pick, this little bugger really stood out to me. The second he came onto the screen, I KNEW I smelled the borderline on him. As I watched the series and read the manga, I noticed he is actually an incredibly well-written depiction of someone struggling with BPD. Reo is a super layered character and my favorite hobby is picking apart those layers and yapping incessantly about them, so here we are. I want to write this analysis for a few reasons:

1.) Too many people misunderstand Reo and categorize him as dramatic or childish without any elaboration and he deserves a proper character deep-dive. I think him being borderline explains a LOT of his reactions/choices throughout the story.

2.) Borderline representation is extremely important to me. I'm diagnosed borderline and have struggled with this disorder for around ten years now, so I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). This disorder can be so isolating, especially when the majority of people will never even bother to research or understand it. I know that some people like to chalk Reo's emotional reactions up to him being a moody 17-year-old, but I think I have enough evidence to prove that this is undiagnosed BPD that's festering in his noggin. Not to mention, literally nobody else acts like this in the series. Reo is incredibly unique and distinct in the way he behaves through this narrative and I think it's way past the point of normal teenage angst. Regardless, believe what you want. He'll always be my borderline princess tho <3

3.) I have a master's degree in English and what good is that if I don't write long, painful, pointless essays on anime guys? Not that this is exceptionally well written, I just like to laugh at myself for getting a whole M.A and then this is the shit I publish online lmao

By the end of this, I hope I can shed some light on wtf is going on inside of Reo's silly little head. (I'm also obviously not a psychologist, don't use any of this to diagnose yourself pls I don't need the scandal)

If you want to read, buckle up, because this is gonna be a long one!

First, let me define BPD- It's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. At its core, it is a disorder categorized by emotional dysregulation (the inability to regulate one's emotional responses) People with BPD feel everything EXTREMELY hard. That's important to keep in mind IMO, because while their reactions may seem dramatic or extreme, what they're feeling IS dramatic and extreme. Everything they're feeling is amplified, so their reactions are amplified. Obviously from the outside, people assume it's an overreaction since they can't see what's going on inside the borderline's head. When you sit down and dissect the thought process of someone like Reo, it becomes a lot easier to understand why they react the way that they do to certain situations.

(Also, I'm not going to reiterate more than once that an explanation is not an excuse to treat people poorly. I cannot read ANYTHING on BPD without hearing every 2 minutes how the disorder isn't an excuse to hurt other people. We get it!! I'm explaining it, not excusing it. This enter essay is an analysis of why someone acts the way they do, not whether or not it's excusable)

So then, what behaviors/signs does somebody need to exhibit to receive a borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

Someone would only need 5 of these to receive a proper diagnosis. Just with the main story and the spin-off manga that is currently released, I think I have enough evidence to argue that Reo has 8 out of 9 criteria for a BPD diagnosis. For the sake of organization, I’m gonna group some of those together though, indicated by a + symbol. I also want to define a few important terms before I start yapping, so that y'all without BPD can understand wtf I'm even talking about.

Favorite Person (fp) - This is someone who holds massive significance in a borderline's life. They emotionally depend on this person a lot and to a certain extent, their worldview almost revolves around them.

Splitting- the change in perception of someone or something caused by black-or-white thinking or dichotomous thinking. It is the devaluation of someone who was once idealized and vice versa.

Mirroring (aka: the chameleon effect)- the constant, unconscious change in one's identity or sense of self by imitating another person’s behaviors, characteristics, or traits. It is common in people who have a vacant or distorted self-image which is a general symptom of BPD.

Now, time for me to break down the most prominent moments where Reo showcases borderline behavior. As I mentioned, I'm going to try and organize this under each criteria point (with some being grouped together)

Unstable self-image; struggles with identity or sense of self:

Before I delve into Reo's relationships, I want to start with his baseline sense of identity. It’s established early on that Reo is a very bored, empty, unsatisfied person. Nothing excites him, nothing motivates him, and everything is handed to him. He’s frustrated because his parents notoriously try and buy his affection even though he doesn't want anything. For most of his life up until the narrative starts, he's wandering through life empty and frustrated. That is, until he finally sets his sights on soccer and decides to dedicate his life to winning the World Cup:

The wording, 'proves my existence' is interesting here. I think this is the first instance Reo has felt alive. So far, the only notable thing about him has been his family and his money. He hasn't achieved anything exceptional for himself, but now he has that opportunity. With this goal, he can really build something up from nothing and make it his own. It's almost like he's clinging to this dream to prove that he has some purpose in his life other than being the family heir.

Now, this dream changes when he meets Nagi, of course. I'm not gonna focus too much on their relationship in this section, but I will mention that meeting Nagi shifted Reo's entire dream, and not for the better. Through the narrative, his dream went from:

Winning the World Cup

Winning the World Cup with Nagi

Proving to Nagi that leaving him behind was a mistake

Improving himself and becoming a good striker on his own

Being a tool for Nagi to become the best striker

Had Nagi not come in and ask for Reo to come back to him, I think Reo could have done a great job at establishing his own sense of identity without Nagi. But no matter how much he works on himself, with Nagi in the picture, he's never going to value himself more than Nagi. Reo lets Nagi cloud his identity to the point where Isagi calls him out and asks what he's even doing at Blue Lock in the first place, since he clearly can't survive on his own, he needs Nagi with him.

After dealing with the turmoil of being abandoned by Nagi, Reo goes through a few stages. He starts with wanting to become somebody worthy of being beside Nagi, somebody that Nagi would want to choose. Devoting himself to becoming stronger and more versatile, his end goal is to have Nagi realize he made a mistake by leaving him behind. After a few more matches, Reo starts to realize that he needs to grow and change and become a stronger, better version of himself for himself and not for other people.

He decides that the fight was all his fault to begin with, that he should have never forced Nagi to play soccer and now he is going to get back to what his dream was originally, combined with his new desire to be a stand-alone player (and person, for that matter). Reo accepts the mistakes that he made, admits that he shouldn't have forced his ideals onto Nagi, and resolves to become a better person for HIMSELF. That's excellent!

Of course, Reo can't be happy for TOO long. Nagi comes out of the woodwork saying that he can't beat Isagi on his own and asks for Reo's help. Reo does stand up for himself a bit, saying that Nagi is being inconsiderate of his feelings and mentioning how long it took for him to recover from Nagi leaving. Now, the BPD trait here is how Reo not only forgives Nagi and is jumping on him and hugging him THE NEXT PAGE, but he also just disregards everything he said in this sequence. In a matter of two minutes, he no longer wants to be a player that can fight on his own or improve for himself, he wants to improve for Nagi. He starts ruminating again about how hurt he was when Nagi left, but now he's saying all of it wasn't so that he could get stronger individually, it was so that he could be reunited with Nagi again. Nagi asking for his help and saying that now they can play together again motivate Reo more than anything we've seen so far. (Nagi notoriously throws Reo little affection crumbs like this that Reo eats up, but I'm not trying focus on that) Now, Reo's alright with being a tool for Nagi's success again. Everything that happened was supposed to make him stronger so he could be a better partner to Nagi, right? Reo also says as the chapter ends, to please let him be a part of Nagi's dream until Nagi becomes the world's best striker. That's literally so sad!

He's also immediately back to the 'our' 'we' 'us' talk as well. If he can master his chameleon style in order to keep Nagi above the rest of the players, he wont get left behind again. If he devotes his time and energy into being a solo striker like the rest of these guys, Reo knows that he wont be able to keep up. This was always supposed to be his role, right? Building Nagi up to his full potential! :*)

I also like the detail that Reo is back to hugging Nagi and holding him, but Nagi never really touches him back. I think Reo's love language is touch for sure, not that it's incredibly relevant, but I do think it shows that Reo is back to being 100% comfortable around Nagi as if their fight never happened. I hear a lot of fans asking how Reo could have forgiven Nagi so easily, and I say this with my entire chest, it's the BPD. The black-and-white thinking combined with Nagi being Reo's fp and the excruciating pain of being abandoned by him in the first place ?? Of course he's going to take him back. Also, I've seen people blame Reo for not saying no to Nagi when he asks for help and I have to say that is an absolutely insane take. How are we gonna look at a panel where Nagi asks for help and then blame Reo for helping him?? I'm not going to focus on it too much in this post but in my opinion, it is crazy how little accountability both the narrative + fans give Nagi. Reo is pegged as responsible for both of their downfalls and it's nuts tbh.

Currently in the story, I think Reo's identity is still centered around Nagi. It's really easy for borderlines to structure their entire lives and personalities around their favorite person, but I can only hope that these two keep having open and honest discussions with one another. Hopefully, Reo will eventually learn that he can exist without Nagi and that he's more than just 'his arms and legs'.

Unstable or Changing Relationships:

The most notable relationship in Reo's life is Nagi. They're both each other's first real friends, which already sets up a less-than-ideal dynamic. Nagi has no idea how to communicate and he has pretty weak emotional intelligence. On the other hand, Reo is great at communicating, but he isn't used to regulating his emotions. For a lot of borderlines, they can go a very long time without experiencing any symptoms when they don't have a favorite person. When you think about it, the bulk of the disorder is shown through those interactions with other people. If Reo has never had a real friend in his life, I don't think he'd be used to the emotional turmoil that comes with having a fp.

The minute Reo meets Nagi, he's attached. All his classmates notice it, too. They question why Reo is suddenly so obsessed with this random kid who has no interest in him. Reo is ignoring everybody that isnt Nagi.

Very quickly, Reo boils down his view of the world to being him and Nagi versus everybody else, and he makes that very clear. It also depicts something that I think is incredibly crucial to Reo’s character that a lot of people overlook; as Nagi develops to be Reo’s favorite person, Reo’s dream isnt ‘playing soccer’ anymore. It’s Nagi. It’s being with Nagi, playing soccer with Nagi, being useful to Nagi, taking care of Nagi, and being somebody important to Nagi. He doesnt teach Nagi the rules or how to actually play, he teaches Nagi how to play with him. He literally re-writes and re-structures the game so that it can center around him and Nagi. Nagi calls him out on this in the spin-off manga:

Reo doesnt care about the structure of the game, he cares about Nagi. The other people on the field don't matter. The other team doesn't matter. He also starts to unknowingly put Nagi up on a pedestal, which is another borderline trait. He starts reiterating that Nagi is special, he's different from everybody else, he's destined to achieve great things. The more he raises Nagi up, the more he isolates the two of them in his mind, reiterating the idea that it's them against everybody else. His language reflects this too: Reo exclusively talks with 'us' 'we' 'our', insinuating that they're going to do everything together.

When Ego says that there can't be two winners, Reo says that he'll make Nagi the best striker. His 'ego' will be making Nagi successful. Along with putting Nagi on this pedestal, Reo also very early on establishes the fact that he'd pick Nagi over himself any day of the week. He's the only person in Blue Lock who really couldn't care less about becoming a striker himself: his dream is to be a tool in Nagi's success. Or, in simpler terms, he wants to be useful and make Nagi happy.

These two were in trouble from the very beginning. Nagi is lazy as all hell, has 0 motivation to do anything, and his dream is to live a life of luxury and never have to work. Reo, being the borderline baddie that he is, is more than happy to do EVERYTHING for Nagi. Borderlines love extremely hard! It's one of our best traits and I think it's important to showcase that Reo is a massive sweetheart at his core. He clearly loves Nagi a lot and goes to extreme lengths to make sure he feels taken care of. To someone with BPD, NOTHING is too big of an ask for a person they love, especially if that person is their fp. I also disagree with the argument that Reo 'made' Nagi codependent. Nagi likes being taken care of, he says it all the time. If you ask me, I would actually argue that Nagi takes advantage of Reo a little bit because he knows that Reo will do anything for him. But regardless, I think that Reo starts to develop an unspoken expectation with Nagi that he'll provide him with everything he needs, and in turn, Nagi will stick around. I don't think he's doing this intentionally, nor do I think it's being done in a manipulative way. I just think that Reo has a dormant fear of being abandoned that he doesn't totally know he has yet.

It isn't just Nagi that Reo showcases having unstable relationships with, though. Zantetsu is another good example. Reo starts out disliking Zantetsu, he snaps at him a couple times, and calls him a moron more than once. He starts to warm up to him because Nagi tells him to. The favorite person has MASSIVE sway in the borderline's life. If Nagi likes someone, Reo likes them too. (This is, of course, on the condition that they aren't a threat, looking at you Isagi).

In the immediate next chapter, Reo is acting like they're all best friends. He's climbing on top of them in their big bed, saying that the three of them are gonna win their matches, being a little pookie. He goes from not liking this guy at all to considering him one of his close friends super fast. Also on the topic of Isagi, when they're making up the teams for the second selection, Nagi doesn't initially want to tell Reo that he wants Isagi on their team bc he's worried Reo will be upset. But, when he does finally say it, Reo is literally fine with it because like I said, who Nagi likes, Reo likes! On the condition that they don't replace Reo, which clearly happened soon after.

On the opposite side of the spectrum, Reo also shows how he can go from loving someone to despising him very quickly. After Chigiri and Kunigami tell him to get back up in the game post-Nagi's abandonment, we can literally see the switch flip in Reo's head:

Suddenly, he hates Nagi. Nagi's a jerk who abandoned him; he never cared about him, and he threw him away. Dude literally says "Let's kill the bastards that betrayed us". This act of unintentional devaluing is called splitting. What Reo's essentially doing is going from one extreme to the other: if Nagi isn't his perfect treasure, he's the devil that broke his heart. There's no room for a grey area. The reasoning behind borderline's developing this black-and-white mindset is rooted in self-defense. If Reo devalues Nagi into being nothing more than a traitor, then he's stripping away the power that Nagi has to hurt him. If he looks at him like a rival or a villain, it's protecting him from being hurt by Nagi again.

That doesn't mean that he genuinely believes any of this, more so, he's trying to convince himself that it's true. We see that at his core, the reason he's acting like this is because he's hurt. I'll go more into it later on, but he's constantly thinking, what does Isagi have that I don't? What do I have to do in order to win Nagi back? This black-and-white thinking is an automatic self-defense mechanism that I think he's doing subconsciously. Regardless, the shifting he's doing here can cause a little whiplash, which brings me to:

Varied or random mood swings + Problems with anger, including frequent loss of temper or physical fights:

I can’t think of a better way to describe Reo's temperament than the wiki, so let me quote it: "Generally, he seems to feel every emotion with full force and is extremely aware of his own faults and shortcomings, which is evident in several instances of painful breakdowns shown in the spin-off manga. Due to his high emotionality, he can even get violent when he loses his temper."

Reo is characterized as being emotionally unstable. When he's happy, he's elated! When he's sad, he's miserable. There are a ton of scenes between the manga and spin-off manga that show how fast his emotions can flip, but this one was one of my personal favorites:

In this scene, Reo has developed a little scheme in the dining hall where the guys are trading their side dishes. At face value, a throwaway moment. But, I think it's worth looking at because not only does this show Reo's emotional response being triggered in an opposite, semi-extreme direction, but the root cause for the reaction was that he felt rejected by Zantetsu. In his own weird way, he's asking Zantetsu to come over and hang out with him. He's not being exceptionally clear with that message, but I can still pick up on it. "You wanna join in, don't you?" He's extending the invite, making himself vulnerable, and Zantetsu shoots him down by saying nah, I'm fine with my noodles. Reo JUMPS on him like YOU KNOW WHAT? I TOOK THAT PERSONALLY! lol. Jokes aside, I think this moment is a great one to argue Reo's BPD tendencies because it's such a seemingly mundane interaction. Even Zantetsu is surprised by Reo's random outburst. This also sets up the fact that one of Reo's most obvious triggers is being rejected/abandoned/betrayed, an extremely common one between those of us with BPD.

Other instances of Reo having a bad temper are a lot more obvious. In the match against teams V and Z, Reo straight up elbows Raichi in the throat, and then tries to go throw hands with Kuon for hurting Nagi. He only stops because if he gets into any more fights, he’ll get thrown out of the game and won't be able to play with Nagi anymore. He’s visibly pissed though and calls Team Z a joke. Hell, even Reo himself can recognize on a certain level that he can't control his emotions: they control him. They cloud his judgment and make him react in ways that he wish he didn't.

He is constantly plagued by these extreme emotional reactions that are out of his control. Not to say that people with BPD are unable to ever control their emotions, because we can! It takes time and therapy and practice though, which Reo hasn't had. His lack of regulation is also why he has such a dramatic and extreme meltdown when Nagi abandons him.

Fear of Abandonment:

Reo's biggest trigger and the cause of his inner turmoil throughout Blue Lock is his fear of abandonment. I mentioned before that I think he's had this fear dormant inside of him for a while as so many borderlines do, since he hasn't had the chance to experience it before. He alludes to it early on when they first arrive at Blue Lock:

The thought of leaving Nagi for somebody else? Reo considers that heartless. They came together, after all. They're going to win the world cup together. Nagi could break both of his legs and Reo wouldn't leave him, because again, Reo isn't there to team up with the best player and become the best striker in the world: he's there to play with Nagi!! And, like I said, in Reo's mind it's him and Nagi vs everyone else-

Reo exhibits a lot of signs early on of being jealous while they're playing in Blue Lock. I mean, as we discussed, everything should be focused around him and Nagi. When Nagi passes to Zantetsu in the team V and Y match, Reo pulls up like 'hey, why didn't you pass it to me?? ):' There are a lot of little moments like that, but Reo's jealousy is a lot more relevant to my argument after he gets abandoned by Nagi.

Let's talk about that word: abandoned. It seems dramatic, right? Reo uses that term constantly and exclusively. Every time he brings that moment up, he uses the word 'abandoned', or he'll say 'betrayed' or 'chose'. These are very definitive words. He’s not saying Nagi ditched him or flaked on him or blew him off, no; he has abandoned him. That word choice may seem disproportionate to the situation, but that's Reo's reality. This was the ultimate betrayal to him. The constant use of that vocabulary reiterates that in Reo's mind, there is no grey area. Either Nagi chooses him, or he chooses someone else. In choosing someone else, he abandons Reo. Reo is paranoid that Nagi isn't ever going to come back to him and it's because of something that Reo is lacking. How can Nagi like Isagi more than him, anyway?

Now, I do fault Nagi a bit for not communicating better at that moment. I understand that he's bad at communication, but I don't think Reo could have been more obviously upset if he tried. The dude was in TEARS. Nagi saw him devastated and then expected everything to be fine when he met him in the bathhouse? Idk. I'm going to give him the benefit of the doubt and say that he didn't realize it would upset Reo to such an extreme: maybe he thought that they would miss each other, but Reo wouldn't take it personally. I'm doing my best not to harp on Nagi since this is about Reo.

Abandonment is detrimental to people with BPD. It causes extreme inner turmoil that we see with Reo as the story progresses because it is the only thing he can think about. If he isn't trying to cover up his hurt feelings with this idea of revenge, he's self-destructing over being abandoned. He becomes obsessed with wondering why Nagi chose Isagi over him. Was there something wrong with him? Isagi isn't that impressive, why would Nagi rather be with him? These thoughts torture him endlessly and fuel his desire to 'steal' Nagi back. He literally says to Isagi, that he's going to steal Nagi back. Much to his dismay though, Reo starts to notice that Isagi is bringing out some positive traits in Nagi. Nagi's entire vibe is different with Isagi. Nagi is having fun playing soccer without Reo. In fact, he's having more fun. He's making plays he's never made before. His face is visibly different; he's more excited than before.

This is heartbreaking for Reo. Not only was he right that Isagi did have something to offer Nagi that he couldn't, but Reo is having a massive self-hate spiral during this point as well, so he's internalizing all of his flaws and mistakes while the thought is sitting in the back of his head: did Nagi actually have a good reason for abandoning me? Was I not enough to satisfy him? Did I only drag him down? This gets significantly worse the longer he watches Nagi and Isagi play:

Everything is falling apart. Nagi is doing completely fine without Reo, and Reo is an absolute mess. We're circling back to Reo's lack of identity here as well. He's watching firsthand that he's losing Nagi to Isagi: what does he do? What happens to him if he loses Nagi, who is he without Nagi? He's overwhelmed during this match and at one point Reo literally screams that he's going to tear apart their connection. Jealousy is consuming him, but it's also those feelings of inferiority and wondering if he really did deserve to be abandoned. If Nagi is so happy without him, maybe he really did have a reason. These are the thoughts that are circling around in Reo's head. Not to mention, he is constantly tortured by the flashbacks of Nagi leaving him, which I think is a great detail. Some readers might say it's just pointless recapping but I disagree, I think it's depicting how traumatic that was for Reo. As a borderline, being abandoned by your fp IS traumatic. Reo relives that moment so many times because so many things trigger it for him throughout Blue Lock. He can't even look at Chigiri and Kunigami without thinking about him and Nagi. It's a really devastating experience that quickly deteriorates him emotionally.

Constant feelings of worthlessness or sadness + Suicidal behavior or self-injury:

One of my favorite things about Reo is the fact that he is self-aware that he's behaving somewhat irrationally, but he doesn't know how to stop. When we look at one of the several times that Reo is curled up crying over Nagi, he mentions how he really did want to tell Nagi to go and have fun, but he didn't. He couldn't. The visuals shift for this too:

Reo doesnt want to be acting this way, but he can't help it, and that's frustrating to him. It makes him start feeling ashamed of himself. His inner thoughts start to spiral and he feels weak and alone. He's reflecting here on what his true feelings really were at that moment, and how scared and lonely and weak he felt as a result of Nagi leaving him behind.

These feelings quickly evolve into Reo feeling worthless and falling into bouts of self-hatred. He's so ashamed of the way he's feeling and behaving but it feels so out of his control. He says, "maybe if I hadn't gone to Blue Lock in the first place, I wouldn't have to experience this feeling." As I said before, borderline's feel things EXTREMELY intensely; the disorder is described as living with third-degree burns all over your body. Everything hurts. His feelings are so intense and all-consuming right now, it's all he can think about:

I saw some posts in the fandom reddit asking why Reo is acting like this. One in particular reads: "I get that he is betrayed and stuff but he is acting like it’s the end of the world, is it explained later why he acts like this? Is it because he doesn’t think he can win without Nagi?" Not to call this person out, I just want to answer the question in this post-

It has nothing to do with winning; it was never about winning. It was always about Nagi.

If we're looking at Reo through the borderline lens, it IS the end of the world for him. Nagi was his world. What's worse, he's fully aware that he's not acting rationally and he doesn't know why, which is making him feel ashamed and weak and embarrassed. Now I know why he's acting like this, but there are no Blue Lock psychiatrists sitting around to wack him with the mood stabilizers or the DBT handbook, so he's gonna stay feeling like a monster.

He lets these thoughts, along with the resentment and anger from being abandoned in the first place, fuel him for the second selection match. As he's watching the game play out, as Nagi is about to score the winning goal, Reo's mind starts racing with intrusive, negative thoughts.

He's praying that Nagi fails, that he gives up, that he stops trying, anything to stop that solidifying moment where he scores the winning goal and proves once and for all that not only was Reo not strong enough to stop him, but Nagi doesn't need him anymore. He catches himself really quickly, because he realizes he's sounding just like his parents. Everything is spinning out of control so bad, Reo wants Nagi to end up in a vulnerable position so that he isn't the only one falling apart. As he catches himself thinking this, he's disgusted with himself. He calls himself 'utter trash', and as he watches Nagi score the winning goal, he falls to his knees, wishing he was dead.

As he sits there decomposing in emotional turmoil and suicidal ideation, Nagi's team chooses Chigiri to join them, and it's the nail in the coffin. This is probably Reo's lowest point in the entire story IMO. Nagi comes up to compliment him on his plays and Reo shows us another classic borderline move: he's anticipating how bad it's going to hurt to be abandoned by Nagi again, so he's trying to push him away before it can happen. We see the dichotomy of his spoken words and inner thoughts here, where he's talking big game to Nagi, saying things like 'you clearly don't care about me anymore, you're throwing me away, if you're going to abandon me just do it properly', while internally he's thinking 'I'm the worst, I wish I was dead, please take this bait and break my heart so that I can self destruct in peace'.

i LOVE the visuals during this moment. This is what Reo thinks is his last line of defense, the last thing he can do to preserve any part of his dignity is to make Nagi hate him so that he'll stop throwing these crumbs of affection at him. It's also really telling that despite his switch in behavior and the devaluing of Nagi, the root of all of that is STILL that he was so hurt by the abandonment.

I don't think I need to analyze the suicidal ideation because he just straight up says he wants to die like three times in this scene but, aside from that, the visual of his inner thoughts vs what he's actually saying is so powerful. Not to mention the chameleon imagery which i'll geek out about in a second, this is another example of his black and white thinking along with the reiteration that being abandoned was literally traumatic for Reo: he says they can never go back to what they were before. Speaking as a borderline, this is painfully true. When people break my trust even in a small way, I can never view them the same as I used to. I can forgive them and let it go, but I'll never be as open with them as I once was. In Reo's shoes, he had Nagi up on this pedestal that he was perfect and would never do anything to hurt him, but he did hurt him (in the worst way possible).

After Nagi tells him he's a pain in the ass and that he doesn't care anymore, Reo thanks him for 'finishing him off'. In his mind, they're done now and he can suffer in peace and quiet without dragging Nagi down anymore.

Bonus Point: The Chameleon Effect

I LOVE THE FACT THAT HIS THING IS CHAMELEONS AHHHH

The chameleon imagery with Reo makes me INSANE dude. As I mentioned towards the beginning of this post, a part of borderline that is seldom talked about is the tendency to take on 'the chameleon effect', or mirror the people around them. REO'S ENTIRE THING IS CHAMELEONS LIKE BFFR ?? That image where he was trying to get Nagi to hate him, was before he even started using his chameleon style, it was just something the authors thought was necessary to include during Reo's mental breakdown. Aside from the cool imagery, his chameleon style is a reflection of his relationship with Nagi. He gets called a jack of all trades and a master of none early on in reference to how when he’s without Nagi, hes not really exceptional at anything. He never really took the time to master one specific thing because he was always so concerned with helping Nagi. This rings my BPD bell for a couple reasons: first of all, when you have no sense of identity and you’re worried it means you have no real personality ?? Steal one!! Take the closest person to you and copy that one. That’s something us baddies know VERY well. Also, think there’s something about you that your fp doesn’t like? Change it! You can morph into anything they want as long as it means they won’t leave you !! :*) Before he makes up with Nagi, he copies moves in hopes that it'll make him stronger and appear more desirable to Nagi. After they make up, he copies whoever he has to so that he can get Nagi to that goal and make himself useful, make himself somebody that Nagi wants to have around. It is a literal direct metaphor for him changing anything and everything about himself for Nagi and graaaahhhh it’s so cool

Reonagi ?? Some thoughts-

I want to close this yap session with my thoughts on Reonagi as a ship. I do think that they can work and I want to make that clear. I'm not on board with the 'borderlines arent capable of having loving and fulfilling relationships' crap. That being said, they both have to put in a bit of effort. Reo has already recognized a lot of his own issues. He admits that he was wrong for pushing his ideals onto Nagi, that he needs to let Nagi grow and be his own person, etc. Nagi really hasn't accepted any fault. I stand by the fact that Nagi needs to be more sensitive with Reo. Way too often when a relationship like this fails, all the blame is put on the one with borderline. I'm gonna be the outlier here and say that if Nagi cares about Reo, he needs to learn about Reo's triggers and be mindful of them. I'm not saying that since Reo is sensitive to abandonment that Nagi should just isolate himself from everybody else, but what I am saying is that when he's going to do something that doesn't involve Reo, he needs to learn how to communicate that he still loves and values Reo. "I'm gonna go play soccer with this person right now, but I haven't forgotten about our promise. When I come back, we can play together. I still love you and I'm not going to leave you for whoever tf I'm playing with rn." (sneaking that 'i love you' in bc like..they're literally canon at this point asdfghjkll) But, I do think that Nagi loves Reo and cares about him in his own way. The two of them just have to keep working on their communication skills. Nagi has the potential to have a hot rich husband who will literally bend over backward for him and buy him all the robux he could ever want, he's gotta put in a shred of effort!

I also like to think that Nagi didn’t totally get the fact that Reo doesn’t gaf about just playing soccer. Nagi thinks soccer is what they do together, it’s what makes reo happy, right? He’s always pushing him to train harder and take the game more seriously because he likes the sport, RIGHT? It would make perfect sense to go play with isagi so that he can get better at soccer and come back to reo a more improved player. Maybe that’s why he was surprised when Reo was so mad in the bathhouse, bc he wasn’t making the connection that Reo cares more about him than soccer. That Reo puts all that energy into him playing soccer because he thinks it’s something that they can have as their own, and once Nagi notices how good he is, he’ll start enjoying it and the two of them can hold hands and run around the soccer pitch!! I think Nagi missed that part tbh, and I don’t think he know that even now in the story. Maybe Reo doesn’t even notice it.

Anyway, a shameless plug to my reonagi playlist if that's your thing (i cooked with this one, i fear) https://open.spotify.com/playlist/5CsvSqmuI4cxOl1nTaV4GJ?si=737a0f21e0bd482a

Closing Thoughts:

Reo is a bpd baddie and I love him very much. I think he's a sensitive guy with a lot of feelings who would benefit from taking time to work through his trauma and his emotions. I hope that he eventually is able to build an identity for himself that doesn't involve Nagi, but baby steps, I suppose. I think Reo is a great balance of positive and negative borderline traits and he reads as a really believable and sympathetic character. He is, however, definitely that friend that you have to slap to stop them from running back to their ex.

Jokes aside though, BPD can be extremely hard to live with, even more so when it's undiagnosed and untreated. If someone you love has BPD, take the time to read up on it and do your best to understand them. I promise you, it will mean the world to them.

If you managed to get this far, thank you for reading! This was a messy stream of consciousness and I appreciate your support by listening.

[oh-katsuki]

The Inbetween (Tendou x Reader)

masterlist | ao3

Pairing: Tendou x Reader

Summary: You and Tendou have been best friends since before you can remember. You share everything with each other and over the years have fallen into a friendship with clear boundaries but intimate values. When you start to notice Tendou growing more distant, you begin to worry that he’s keeping more secrets than you thought. 

"Tendou gets like this sometimes. He grows quiet for a few moments as if he is weighing something in his mind. You can see the inquisitive look in his eyes and every now and then, his bottom lip will bounce and it will tell you that he’s thinking about something. In these moments, you’re never quite sure what he’s thinking. You’ve never been able to tell and you’ve reserved yourself to thinking that it is not meant for you or for anyone else."

Content Warnings:  fem!reader (gender neutral pronouns but there is a line that references you as his girlfriend), it does include manga spoilers since this takes place after they graduate high school, slow burn, childhood friends to lovers, angst in the middle,  miscommunication, smut, fingering, oral (f!receiving), orgasm denial (just once), teasing, minor minor cockwarming (he lets it sit there for a little lol), there's no real mention of protection

Word Count: 25.8k (lol)

A/N: I decided not to break this fic up because I wrote it intending for it to be one piece. It ended up way longer than i thought it would be. I'm posting it all here, but I would def recommend reading it on ao3 if you prefer!!! i'm a little nervous about this one. i really struggled while i was writing it. i love him so bad tho... he's always a joy to write <333 hopefully i didn't miss too many typos. anyway, its finally here lol so i hope u enjoy <3

You think that there are periods of your life where growing pains become impossible to ignore. The change tends to hurt. Like rebreaking a bone to help it heal correctly. When you’re 8 and in bed, unable to sleep because your legs ache somewhere deep in your bones. When you’re 16 and you can’t seem to ever feel like something really fits, like you’re not doing a good enough job at being good enough. 

Sometimes, they’re agonizing. The steady roll of dull pain that you can’t quite pinpoint, sending you anxious and aching in a way you can’t quite verbalize. 

Sa-to-ri: U wanna get drunk tonight? 

You: Not particularly. 

Sa-to-ri: k

Tendou shows up at your apartment forty-five minutes later with two bottles of wine. He lets himself in, holding the both of them in one hand, his long fingers curled around the necks of the bottles. It looks assured but precarious and you watch as he shoves his keys back into his pocket, takes a bottle in each hand, and kicks your front door shut with a flat foot. 

“Thought I told you I didn’t wanna drink tonight?” You call from the couch, craning your neck to face him. 

Tendou is looking at his shoes as he slips them off, watching as he goes heel to toe and slides them past the curve of his foot. Then, he tilts his head up and looks at you with a lazy grin. He’s at ease here, padding into your house. 

He has a particular gait about him. When Tendou walks, he sways side to side as if the length of his limbs is too much to control and his head tends to follow. He leans one way and then the other, confident in his step but wobbling nonetheless. If you had to compare him to anything, it would be a more confident version of one of those floppy blue pillars that jerk back and forth at car sales on TV. You’re not sure what they’re called, but Tendou’s step reminds you of them. 

“I know you well enough to know that you’re a liar, you borderline alcoholic, you.” He smiles, sitting down on the couch beside you with a grunt and passing you one of the bottles. 

“No glasses?” You quirk a brow. 

“Absolutely not.” He twists the lid of the wine bottle off and tilts the spout towards you. Tendou always buys cheap wine so that you never have to worry about uncorking it. “Cheers.” 

You roll your eyes, twisting the lid off of your own bottle and clink the neck of it against his. It gives a high-pitched click when you do, the sound short and succinct with how full the bottles are. 

“Cheers.” 

“Can we watch Evangelion?” He asks almost immediately, leaning forward to reach for the remote in your hand. 

“Jesus, what on earth makes you want to get drunk and watch Evangelion?” You hold it away from his grabbing hand. “Are you insane?” 

Tendou chuckles, “I think it would be interesting.” 

“I think it sounds stupid. You’re just asking for an identity crisis.” You roll your eyes, setting the remote down on the other side of you. 

You bring the bottle of wine to your lips. It’s a Moscato, overly sweet and the slightest bit fizzy. Tendou likes these kinds of wines. The ones that don’t taste like alcohol at all. He watches as you sip it before bringing his own bottle to his lips, curling them around the spout of it and taking a long pull from the bottle. 

You’ve known Tendou since you were 13 and he’s always been like this. He likes sweets, anything with enough sugar to make a normal person pull a face. He likes weird music, the kind that makes him the least eligible person to be in control of music on long car rides. He hates tomatoes but forces himself to eat them anyway because it “builds character” and he never fails to treat it like he’s suffering through some great trauma.

Tendou, for as long as you’ve known him, has always been like a breath of fresh air after a long day inside. Either that or loud music emanating from a comically small car. 

“How’s your boyfriend?” He asks, taking another sip. 

“Dead.” 

“For real?” 

“To me,” you finish, rolling your head to the side and looking at him. 

Tendou huffs, leaning further back into the seat. “Need a shoulder to cry on?” 

“No, he was a cunt.” 

“I’ll drink to that,” he raises his bottle as if to salute someone far away and brings it to his mouth again. “How long did this one last?” 

“A month,” you heave a sigh. 

“New record,” Tendou chuckles to himself. 

“What is wrong with me?” You swallow a large sip, exhaling as you do. “It’s like- It’s like I’m just dicking around!” 

“Well, are you?” 

“No!” You rub your palms into your eyes. “I mean, I find a guy, I go out with him, and then… I lose interest or he turns out to be a total tool.” 

“Or married,” Tendou adds, taking another sip. 

“Or married,” You confirm, following suit. 

“I knew you wanted to drink.” Tendou gives you a wry grin. The corners of his lips pull up pleasantly and his voice takes on a lower and more knowing tone. 

“Shush, it’s only ‘cause you’re doing it.” 

“Peer pressure really works wonders.” 

You smile, scoffing lightly as you pull the bottle from your lips. It pops when you do, pressure releasing from how you’d been sipping.

Tendou offers you a smile, the kind that you’re so familiar with that it aches. He rolls his head across his shoulders, letting it rest on the back of the couch cushions. 

“Maybe you just haven’t found the right person for you.” He says, half to himself as he lifts the bottle. 

“Maybe.” You agree, “or maybe I’m just eternally cursed. Maybe I’ve got a rotten bloodline.” 

His eyes slink across his lower waterline to look at you. 

“I doubt that.” He laughs and you can’t help but smile. 

Tendou has a certain way about him. If you know him well enough, he is reassuring to the point of relaxation. He never fails to comfort you in moments of need, winding you down on days you feel particularly tight. 

He seems like someone who knows everything. Tendou feels like he’s got it all figured out and when you talk to him he maintains a certain confident air that is pleasant to be around. Sometimes it feels like Tendou knows you better than you know yourself and you’re grateful that at least someone does. He maintains that particular aura about him and you think that it belongs to him like it does no other. 

Tonight he seems particularly mellow, lounging comfortably on your couch. You eventually give in to Tendou, resigning yourself to watching Evangelion with him, and he seems content to just sit beside you and watch. 

His arm is tossed over the back of the couch, the other nursing the half-empty bottle of wine. You follow the line of it with your eyes, lingering for a moment on the curve of his knuckles, flushed pink against the pale color of his skin. 

You follow his fingers, admiring the ways his skin is pulled taut over them. They’re long like he is, spanning the entire top of the couch cushion short ways. His wrists are thinner, the bones of his fingers coming to connect nicely where his lower arm meets his hand. You admire the even quality of his skin, following the lines of lean muscle up to his shoulder. Muscle and sinew form a trail up his arm, tucking itself away under the sleeve of his sweatshirt where it hides until the fabric meets the delicate skin of his collarbones. You watch his neck, his pronounced Adam’s apple bobbing slightly when he swallows at particularly nerve-wracking scenes. Still, he keeps a slight smirk on his face. It’s like he’s glad to just be here, eyes low-lidded as he peers at the TV.

By the top hem of his sweatshirt, you can see the beginnings of his collarbones and you know that beneath it, he is hiding an evenly toned chest. You can imagine the familiar dip and curve of his abdomen, his pale, almost sallow, skin stretched evenly over it. Tendou is all lean muscle. He’s built tall and long and you’ve seen the somewhat toned physique he hides beneath the thick cloth of the red sweatshirt. Still, you know that to the touch he is soft. Tendou has some give to him from the sweets he eats so regularly but, like the rest of him, you think it is beautiful. 

You follow the trail to his neck where he has a few freckles, three to be exact. One sits above his collarbone, the other on the tendon that connects his neck to his head, and the third just below his ear, covered right now by his dark red hair which collects around his neck. It’s as if the sun deliberately placed them there, dotting up the fine muscle as if it were Orion’s Belt glimmering across the winter and spring sky. 

His hair is at his shoulders now, unruly and almost unmanageable on most mornings. At the moment, it sits delicately just above his shoulders, collecting in what looks like pools on either side of them. Normally, Tendou ties it up to keep it out of his face. Tonight, he’s keeping it down, letting the wavy tufts of dark hair hide the blushing nape of his neck from you, red from the wine. 

Tendou’s face is long, you follow the trail his neck makes to his cheekbones. They’re high, complimenting his somewhat soft jaw nicely. His cheeks maintain a delicate pink tone, barely visible unless you look closer but aided tonight by the flush of wine. When he’s embarrassed, this quality shines red regardless. Tendou, in his more shy moments, lights up like a switchboard. 

Just above his cheekbones, Tendou sports light under eye bags. They are partially from being tired, but you also know that they are owed simply to the quality of his face. Tendou has distinct upper eyelids. They crease heavily when his eyes are open and you’d almost describe them as somewhat hawk-like if it weren’t for their round nature. 

Tendou stays up late at night. His job as a bartender keeps him working until the early hours of the morning and you know from texts he’s sent you that he takes a few hours after to unwind before going to bed. Sometimes he’ll play games, spurred on by Kenma’s gaming channel, but he always loses interest in them after a few weeks. Tendou keeps his interests and hobbies short and sweet, though you don’t think that diminishes their value to him. No, in fact, you think that it means that Satori has a lot of things that he loves. Still, this latest love of his has contributed to the dark under eyes he seems to sport around the clock. 

Part of you knows that’s just how he looks, but the other part thinks that if he went to bed earlier, that quality would lessen. You’ll never tell him that though. You quite like that quality of his. It’s distinctive, as most of his features are. 

Then, you shift your gaze down to his mouth. Tendou has a thin upper lip which—when combined with his all-knowing eyes—makes him look a little scary. His bottom lip, however, is full and pink. When he’s thinking, it moves slightly. It bounces as if Tendou is rehearsing what he wants to say, running through his thoughts at a mile a minute. You believe it to be endearing and Tendou, who has never been particularly vain, thinks that if you think so, it must be. 

All of these things are things you’ve come to know about Tendou since you met him. You’re accustomed to his body language, comfortable (unlike so many others) with his gait and the way he moves. You think that there is only one other person in the world who is as comfortable with him as you are and that is Ushijima Wakatoshi, someone you both met in high school. He, like you, is someone that Tendou clicks with like a piece of a puzzle. 

He talks to Wakatoshi every night on the phone. They talk about their lives, maybe about girls. Wakatoshi usually just listens though. What Tendou cannot say to you, he says to him and you’re not nosy enough to pry. You’re positive that whatever you need to know, Tendou will tell. When you finally stand and go to the other room to get ready for bed, you can hear him through the thin wall, talking quietly into the phone so as to not disturb your nighttime routine.

You pad between your bedroom and the bathroom, occasionally passing close enough for Tendou to catch you in the corner of his eye. He raises his hand or his eyebrows when that happens, swiveling his head to acknowledge you as he leans back against the couch cushions, one arm thrown over the back and the other holding his phone to his ear. 

The fan hums to life when you flip the light switch in the bathroom. Sometimes you wish they’d be separate switches because when the apartment is quiet the noise is jarring and disorienting, but today the sound is just another addition to the symphony of noise in your home. It whirs softly as you put on a headband and run the sink, letting the water get warm before splashing it up onto your face. 

You take your cleanser, pumping some of it into your hand, and slather it onto your skin in soft circles. The motion is familiar and you feel the way your shoulders relax a little as the cleanser turns white with foam against your skin. When you are ready to rinse, you dip your head down, cupping water in your hands and splashing it onto your face. 

“You always do that so messily,” Tendou chimes from beside you. 

You jump, flinching to the side as you wipe the cleanser from your eyes quickly, “Jesus, you scared me.” 

“Sorry,” he chuckles, leaning against the doorway. 

Tendou is lithe like a cat. He’s long and slender, his body nearly dwarfing the doorway he stands in. His shoulder presses against the white wood and he crosses his arms pleasantly over his chest, hovering just outside of your space. 

He watches with a content smile, eyes half closed as sleep starts to take over him. The corners of his mouth pull up curiously and his eyes follow the movements of your face as you gently rinse it with warm water. Occasionally, he will act like you’ve flicked water on him, raising his shoulder lightly as if to shield himself from it, and you scowl in response. 

“Move over,” he says as he steps around you and nudges your hip with his own. 

Tendou slides in front of the sink beside you, grabbing one of your headbands and using it to push his hair back. It swishes when he does, revealing the rest of his forehead before he takes some water and wets his face. Then, he takes your cleanser and copies your previous movements, scrubbing his face lightly before dipping down and rinsing it. You watch, fighting the heat that bullies its way to your cheeks. 

He’s a lot cleaner at this than you are, cupping the water in his big hands and lowering his face to rinse it. His eyes flutter closed, lashes batting slightly before he pushes his fingers against his skin and then wipes downwards. A few stray drops of water roll down his forearms, following the path his lean muscles make until they drop onto your bathroom counter. For how lanky he is, the movement is strangely graceful and you watch with a tilted head as he repeats the process. It keeps the counters relatively dry and when he’s done, the only evidence of his having washed it at all are the few drops of water on the counter and the clean quality of his skin. 

Tendou peers at you through the corner of his eye, smiling lightly as he stands to his full height and grabs his toothbrush from the holder. He keeps one here now. Given the amount of time he spends here, it only makes sense. 

Sometimes you think that the intimacy the two of you share is too much. Sometimes it is difficult to reconcile that you could be this close to a person but Tendou is someone who begs closeness. No, he demands it. Tendou is as affectionate as he is adoring. Intimacy, be it platonic or romantic, becomes him and though you sometimes worry if things can continue like this, you quickly forget it in favor of simply being close. 

To an outsider, Tendou has the feel of someone very far away. You’ve heard from acquaintances that he seems aloof and somewhat cocky, though you think that only the latter half is true. Tendou is particularly involved, however distanced he may seem. It comes with intimacy. He remembers almost every little thing about the people he loves. Should you visit the same restaurant twice, Tendou remembers what you ordered and if you enjoyed it. Should you be deciding between one shirt or the other, Tendou will recall what you already own and suggest the best possible option. He’s attentive like that. 

“This face wash is new,” he comments, running a knuckle along the side of his cheek as if to feel how effective it is. 

“Yeah, my skin got used to the other,” you shrug your shoulders, popping your toothbrush into your mouth. 

“What does that even mean?” He laughs. Tendou’s voice is warbled through his toothpaste. It sounds thick, the tenor ring of it dropping to a baritone hum through the thick white foam. 

“Dunno,” you shrug, “pretty sure it’s just a wives tale or something but I still believe it.” 

Tendou laughs again, the corners of his eyes crinkling as he leans forward and spits into the sink. You follow suit, waiting for him to pick his head up and continue brushing. The toothbrush looks smaller than usual in his hand, his long fingers curled around it as he guides it over his teeth, spitting for a second time and then reaching for your mouthwash. 

“You sleeping over?” You ask, taking the bottle when he hands it to you. 

Tendou nods his response, swishing the liquid back and forth in his mouth. Then he leans forward and the smell of winter mint hits your nose. Honestly, you don’t much like the taste or smell of it, but you’ve found that it keeps your mouth feeling fresh for the longest. Besides, you don’t mind it as much when it’s on Tendou. For some reason, the smell suits him. 

You’re relieved to find the reprieve of your bed. It hasn’t been a particularly busy day, but the wine is getting to your head. It makes you sleepy and your duvet cover feels far more comfortable than usual. 

Tendou usually sleeps on the bed with you. It’s another facet of the intimacy you share with him. Your bed is large enough to fit the both of you comfortably with a pillow between you, though it almost never stays there the entire night. Both you and Tendou tend to toss around in your sleep and more than once have you woken up with either yours or his body splayed across the other. 

Still, you’re only like this when neither of you is in a relationship. Your friendship has always maintained very clear boundaries. There are unspoken dos and don’ts that accompany the closeness of your friendship. If either of you is dating someone, you wordlessly agree that Tendou sleeps on the couch. It’s a respect thing for both of your sakes, as well as the sakes of your partners. 

“Are you bummed about your breakup?” Tendou asks, facing the ceiling. He’s no doubt watching the fan spin in circles in the dark. You know because you’re doing the same. 

“Not really,” you sigh, “I mean, this might be shitty to say but I really wasn’t all that attached.” 

Tendou shakes his head against the pillow, lacing his fingers together over his chest as he lets out a deep exhale. “Nah, it’s not shitty. That’s natural.” 

“I guess.” 

“Let me know if you do get sad about it, kay?” He says, tilting his head sideways to look at you. 

“You’ll be the first to know.”

You smile lightly at him and Tendou hums his satisfaction. He rolls over in bed with a soft goodnight before the room falls silent. You listen to the sound of his breathing and when it finally comes to an even pace, you smile. Sometimes Tendou struggles to sleep but tonight is not one of those nights. 

You drift off after you are certain that he’s asleep, lamenting to yourself about the potential loss of his characteristic under eyes. Man, Tendou would really rip you a new one for thinking that. 

—

“I like your hair like this,” you comment, reaching up to flip a piece that sits across his cheek. 

Tendou turns to you, watching the way your fingers play with the soft end of it before giving a small laugh and a smile.

“Yeah? I feel like it’s too long,” he hums, looking at you and then to the coffee maker as it hums from its place on the counter. “Think m’gonna cut it soon.” 

“Nah, don’t. It suits you. Kinda devil-may-care, ya know?”

Tendou’s hair is too long by normal standards. It comes down just below his shoulders, falling in thickly layered wisps that frame his face and make it look delicate. Somehow, having his hair around his face softens his features. It gives him a more gentle, off-beat look. 

“Oh? If it makes me look so cool then maybe I won’t,” he glances at you through the corner of his eye, smiling a cat-like smile. 

“I wouldn’t go that far,” you snort, bumping him out of the way as soon as he takes his coffee from the coffee maker. 

Tendou feigns an offended look before leaning against the counter beside him. He looks sleepy, still somewhat tired as he raises his mug to his lips and loudly sips his coffee. It’s always too hot when he takes the first sip but he does every time nonetheless. Tendou says it tastes better that way. 

“By the way,” he starts, pulling the mug to his chest and partially resting it in the dip in his stomach, “I gotta leave right after I finish this.” 

“Work?” 

Behind you, Tendou shifts a little and furrows his brows. “Nah, got some errands to take care of.” 

“‘Kay,” you turn to him, leaning against the counter opposite him. 

Despite Tendou’s affinity for skinship and attention, he is surprisingly independent. 

That’s something you admire about him. Tendou’s actions are sure and calculated and he’s comfortable going off and doing his own thing more often than not. Sure, he’ll invite you with him, but should you opt not to go, Tendou doesn’t let it stop him. He’s fiercely independent and it balances out well in your friendship.

He doesn’t really say anything about where he’s going and you figure that he doesn’t have to. He’ll go off and do his own thing and you will go do yours. 

You and Tendou are quite like-minded, as is Wakatoshi. Perhaps that’s why you all get along so well. When you interact with people, they tend to understand the three of you as independent beings who just so happen to choose to be around the other two. You’ve heard from others that looking at the three of you is like looking at a gaggle of oddities that somehow found themselves magnetic to only each other. Since Wakatoshi moved away though, it has just been you and Tendou and you’re content to be perceived as an odd pair. 

The living room is littered with evidence of your evening with him and you peer out at it from the kitchen, the sunlight from your curtains filtering in and casting a warm glow over the light-colored wood. The more than half-empty bottles of wine sit on the coffee table, their lids placed randomly on the countertop from when you’d tossed them down after opening them. The bottles catch the light from the small glass patio door and the white Moscato inside glimmers in the morning glow. 

When Tendou leaves, he grabs his keys from your kitchen table. They jingle in his grasp and he shakes them to get your attention. 

“I’m leaving now!” He calls even though you’re only a few feet away. 

“Have the day you deserve!” You laugh. 

Tendou swings your apartment door open, his legs leading the way as he keeps his head around the corner so that  he can look at you. You watch as he cracks a smile that spreads from one side of his face to the other, upper lip curling. 

“Sour old bat.” 

“I’m only 24!” You protest as he chuckles and shuts the door behind him. 

You walk to the door, locking it behind him and shaking your head lightly. Briefly, you think about what he might be doing. It could be groceries, though he usually brings you with him, or maybe he needs to service his shitty old car. He never uses it which means that when he does it breaks down easily, but he keeps fixing it nonetheless. Tendou can’t bear to part with the characteristic hunk of junk. 

Tendou works as a bartender. He stands behind the counter in a black dress shirt and black slacks, fixing customers' drinks before pressuring them into buying more. He’s good at selling things because Tendou is a notoriously difficult person to say no to, whether you know him or not. Sometimes you’ll go in and see him, sliding into a seat at the bar and waiting for him to notice you’re there. You usually don’t even make it to the counter before he spots you, giving you an easy smile and tilting his head to the side. 

You suspect that he is only working to make ends meet while he decides what he really wants to do. You always figured it would be volleyball given his gift for it but he told you in the third year of high school that he’d be quitting. It had never been something he was particularly set on doing and though he enjoys the sport, he thought the constant rigor of its training to be tiresome. You understand to a degree. It is very like Tendou to do things only because he wants to. Even Wakatoshi accepted it after a little while, though—in a fashion that is much like Ushijima—he still pushed for Tendou to further his gift with the sport. It was to no avail though, that’s just the way Satori is. 

Still, you’re not sure if there is something in particular that Tendou wants to do. He doesn’t talk much about the future and lately whenever you ask, he waves the question off like he can’t be bothered to think about it. 

He has a plethora of interests and for now, his job suits him. He spends his time talking to people and though he works late into the night, you think that he enjoys the time he gets in the hours after his shift. Besides, during the day it means that Satori gets to bake. It’s an odd hobby for him but he does it regularly enough that it has started to make sense, though you’re not sure if it is a fleeting hobby or one that will stick. Tendou likes to play around with flavor. His eye for new combinations is admirable and it’s not a rare occurrence for you to go over to his place and immediately be fed a new recipe he’s been testing out. 

He is, in general, a hard person to pin down but once you do, you’ve got him memorized for life. It’s not unusual for you to be able to guess what he’s doing, though sometimes he will surprise you and be doing something entirely different. Still, you’re confident enough in what you know about him to know that once he does choose, it will be good for him. Tendou is someone who begets a good and honest future. 

You spend the day tidying around your apartment. You’ve got no particular plans today and with your recent breakup, you’ve no one to really make plans with. In high school, when Tendou was busy without you, you’d often sit with Wakatoshi and watch him practice. You’d listen to the sounds of the ball hitting his palm and then the slap of them on the smooth linoleum of the gym floor. That, or you’d spend your time with the other people you met with the both of them at Nationals, goofing off on the phone while you waited for Tendou to wrap up whatever it was he’s doing and walk home with you.

You’ve been to see them at nationals every year that the two of them have gone. In your third year, Tendou and Wakatoshi did not attend the tournament as players nor spectators, but the three of you sat in Wakatoshi’s room and watched the games together. You recall watching Karasuno fight their way through the ranks until they tasted a bitter loss once the promising first year, Hinata Shoyo, fell ill. Tendou had chided early on into the tournament that he was pushing himself past his limit and Wakatoshi agreed but you didn’t have the eye to see it until he had collapsed on his hands and knees on the court. Still, the three of you sat shoulder to shoulder in front of Wakatoshi’s computer screen, knuckles tight against your thighs. 

Sa-to-ri: shall we grub tonight? 

Your phone lights up sometime around 3 pm and you open it to see Tendou’s distinct contact name light up across the screen. 

You: u miss me? lol

Sa-to-ri: nah

You: what’s on the menu? 

Sa-to-ri: ramen

You: then yeah okay

Tendou has one particular ramen shop that he likes to frequent with you. It’s a bit of a tradition and when you both go there, it is either in work uniforms that make you look silly or house clothes so comfortable they could hardly be considered outfits at all. 

Some nights, you both trudge into the shop, you in the remnants of your work uniform and Tendou fully dressed in his, ready to attend his shift once you finish eating. Tendou wears his black slacks but rolls them to the knees and his black dress shirt is untucked in the front. He looks silly, but you know from visiting him that he always fixes it before he clocks in. You usually wear something business casual to suit your desk job, dress pants and a white shirt of sorts. On other nights, you both will come in wearing whatever it is you were wearing around the house. 

The shop is a few blocks from his place and if you weren’t looking for it, you would miss it. It is tucked behind two brightly lit shops in a back alley. Still, when you’re hungry for a particularly good bowl of ramen, you can smell it from down the block. The aroma of garlic and miso wafts through the streets from the alley it sits in and both you and Tendou find that you would know it by smell alone. It beckons to you both in a homely manner. 

“You’re so late,” Tendou comments as he meets you at the bottom of his stairwell. 

“Were you tracking me?” You furrow your eyebrows. You hadn’t agreed to meet him outside his place, so to see his lanky figure descending the outdoor steps is a bit of a shock. Still, you wouldn’t put it past him to check your location for where you are. In fact, you suspect he does it often and for fun. You don’t mind though. After all, you do the same to him. 

“Yeah,” he shrugs, putting his hands in the pockets of his sweats. Tendou leans forward, shifting his weight onto his hips and letting his shoulders droop. 

“Eugh, creepy,” you shiver slightly and smile at him. 

Tendou tilts his head to the side and gives you an affectionate grin. It spreads across his face and his eyes narrow in a familiar way. For a moment, you think he is about to say something that makes you want to cross one of your well-defined boundaries but instead, he comes out with, “if you were on time, I wouldn’t have to.” 

You shove him to the side plainly and turn to stride down the sidewalk before you can watch him wobble back and forth like a card house. Your heart hammers lightly in your chest. This happens sometimes. You find yourself getting tripped up on the familiarity of his expressions and the way his smile curls like dry paper. Then, you hear the sound of his sneakers against the floor as he jogs to catch up with you in the direction of the restaurant. 

“Wooaaahhh, so hostile tonight, huh? What happened to my nice BFF from this morning?” He leans forward as he walks so that he’s in your eye line, trying to catch your avoidant gaze as you suppress a smile. 

“They remembered that you’re an irritating little shit,” you huff, pretending to be mad. 

“Harsh.” 

The two of you walk the short distance to the restaurant in near silence. It’s nearing 9 pm and the streets have gone dark, illuminated only by the streetlights and sign shops that stay on through the evening. Their electric glow casts the sidewalk pavement in artificial blues and yellows, elongating your shadows until they dip into the street where cars and cyclists zip by on their way home. You watch people bustle through the street, their lively chatter creating a city soundscape that you’re familiar with. Groups of men in business suits walk into nearby restaurants and bars, finally off the clock for the night but not quite ready to return home. Girls wearing colorful spring clothes move in gaggles as they head into a new and trendy spot that recently popped up. 

Some of these girls stare at Tendou as he passes. They watch the lazy nature of his eyes and the way he hunches over himself slightly. They marvel at his height and the cool exterior he wears as he looks somewhere past them at the buildings lining the somewhat busy street. These girls giggle into their mouths when he passes because, for every person who has ever called him creepy, there are an equal number of people who call him handsome. They glance behind them as they walk, asking each other if you are his girlfriend to which you chuckle internally. Tendou pretends not to notice, though you know from the way that he is careful not to look at them that he does. 

Every now and then when this happens, Tendou’s gaze will slink over to look at you. You can feel the way he watches your expression, his gaze fixed on you through the corners of his eyes. Sometimes you will look back at him and raise your eyebrows and he’ll shake his head. Other times, you will keep staring straight ahead just to see how long he will look at you for. You’ve learned that it will be until he needs to look ahead for fear of running into someone. 

When you reach the door of the small ramen shop, which consists of a blue curtain with kanji lettering, Tendou holds it to the side for you with his forearm. He reaches ahead of himself and puts it against the doorframe, pinning it against the wood frame to keep the cloth out of your way before ducking his head to follow you in. When you look behind you, Tendou is straightening himself up again to his full height. 

The chef inside calls a welcome to you before he asks how you’re doing. He knows you both well by now and whenever you enter, it seems that he’s pleased to see you. He’s an older man with heavy wrinkles beside his eyes and between his eyebrows. He’s expressive and the lines of age on his face demonstrate that very clearly. The chef has sharp features that soften considerably when he smiles and a low, gruff voice that seems to somehow match the interior decoration of his hole-in-the-wall shop. 

“You together yet?” He leans onto the counter after asking which particular bowl of ramen you’d like. 

The chef is an old man and far too cheeky for his own good. Every time you come in, he never fails to ask if you’re dating each other yet. Through a tenacious grin, he poses the question you both have been asked countless times over. Tendou’s response is different every time. 

“Oh yeah, we’re so in love now.” You take the liberty of responding and Tendou leans his cheek onto his hand and raises his eyebrows at you. 

“Yeah?” He questions, the fat of his cheek smushing his lips into a slight pout. 

“No.” You turn to the chef and shake your head. “It’s not gonna happen.” 

The chef clicks his tongue and shakes his head with a small laugh and Tendou sits up and drums his fingers on the table as he leans back in a stretch. 

“Aw, never?” He teases. 

You nod at him, exaggerating the movement. 

Tendou closes his eyes and laughs, his fingers still drumming against the surface of the table before he reaches a resting position. You hear him mumble bummer as you look away and when you look back at him, you find that he is staring blankly at the drink menu in front of him. His expression is unreadable. 

Tendou gets like this sometimes. He grows quiet for a few moments as if he is weighing something in his mind. You can see the inquisitive look in his eyes and every now and then, his bottom lip will bounce and it will tell you that he’s thinking about something. In these moments, you’re never quite sure what he’s thinking. You’ve never been able to tell and you’ve reserved yourself to thinking that it is not meant for you or for anyone else. 

Then, just as quickly as he falls into the slight moment of silence, he pulls himself out in his same usual manner. Tonight, he remarks on how hungry he is and how he doesn’t want to work tomorrow night. Then, he’ll let you talk until you’ve nothing left to say. Whereas Tendou does most of the talking with Wakatoshi, you do most of the talking with Tendou. You can appreciate the way he just wants to listen, his eyes trained sleepily on your face as he listens to you chatter on about something mundane. He knows you would and have done the same for him and you imagine that he feels the same about listening to you talk that you do listening to him. 

You both slurp at your noodles through idle conversation. He talks about work and you converse about what it is that you want to do next. Sometimes, in moments like these where you are both discussing your precarious futures, it feels like you’re in your third year again getting food after evening practice. The only difference now is that Wakatoshi is not with you and you are no longer 17. Instead, both you and Tendou are 24 and in the inbetween of life, floating between present and future in a perpetual cycle of uncertainty. Somehow, the only thing that seems to quell it is the familiar presence of one another. The small ramen shop, with its sounds of boiling water and conversation, grows smaller still. 

—

Tendou is weird. He’s always been weird. He somehow manages to seem like he knows everything. He has wide, unsettling eyes that look like they have x-ray vision. He can guess what just about any of his friends are doing at any given moment and he’s open about it. All of it is weird. It’s not as if he’s been particularly normal up until now because there is truly nothing normal about Tendou and you like him that way but recently… he’s been weirder. 

You can’t exactly pin what could be off because he hasn’t done anything in particular. He still texts you to hang out, he still wears that familiar smile that you adore, he is still as attentive as usual, but he’s weird. Something is weird. 

You imagine that what you’re sensing is a radar you have only for Tendou. The feeling comes to you as more of a sixth sense rather than anything based on evidence. You know him like the back of your hand. You’re likely to notice even the smallest new detail. That’s how it is with Tendou. Hand in hand with the particular closeness you share, is the ability to tell when he’s off.

Tendou lately has been spending more time on his phone. He stares and clicks it on and off like he’s waiting for something. The screen will occasionally light up his features before he clicks it off again upon seeing nothing. Occasionally he will swipe his phone open and check whatever it is he’s waiting on directly, though you can’t tell if it’s news or a conversation. You watch the way he holds the sleek rectangle in his long fingers, drumming them against the smooth side of it and waiting for it to vibrate in his grasp. More often than usual, while he drums his fingers across the back of his phone, he will wear that blank look and stare into space, thinking about something you’re not privy to. 

The thought pops into your mind that it could be a girl, though you’re not sure that’s the case. If it were a girl, you think Tendou would tell you and if he didn’t… well, that thought makes you more uncomfortable than you’d like to admit for reasons you can’t quite pinpoint. Tendou is his own person, as are you, but if there is one thing you pride yourselves on it is the way you share openly with each other. You inhale, letting your gaze slink from where he fiddles with his phone to the television screen. You won’t dwell on it. You’re not nosy enough to dwell. 

The feeling isn’t particularly uneasy and any anxiety that may have manifested while you were considering Tendou’s predicament quickly melts away once Tendou begins talking to you. You find yourself at ease while he chats, telling you that his job wants him to pick up more hours but he’s not sure if he wants to. It’s so boring, but it’s not. This topic is such a mundane one but you feel that familiar fondness bloom through you as he speaks. Nothing seems boring when you’re with him.

Then, the phone in his hand begins to vibrate. It hums to life in his somewhat limp grip and Tendou, in one smooth and slow motion, checks who exactly it is. There’s no rush to it. In fact, Tendou finishes his sentence before shifting his eyes down to look as he flips the screen up to face him but you can tell that he’s eager. He tilts his head, reading the words across the screen as the jingle of his ringtone plays softly from the muffled speakers. Tendou dropped his phone in water once and as a result, his ringtone sounds like it is playing through glass. His expression shifts from one of barely readable anxiety, to disappointment, to happiness.

His gaze slinks over to you and he gives you a lopsided and lazy grin.

“It’s Wakatoshi.”

“Yeah?” You peer over his thumb, looking at the familiar name across the screen, “can I say hi?” 

“Duh,” he sticks his tongue out like you’ve said something stupid before answering the call, “Wa-ka-to-shi! I’ve got _____ here,” he holds the phone out to your mouth, “say hello!” 

“Hi Wakatoshi.” You speak and you can hear the gruff sound of his acknowledgement before Ushijima’s rich baritone spills through the speaker. 

“Hello,” he says your name, even across his tongue, “it’s been a while since we last spoke.” 

“Yeah, well, you never call!” You fake a pout and you’re certain Ushijima can hear it through the phone. 

Ushijima gives a soft exhale, “I could say the same about you.” 

You roll your eyes even though he can’t see it and Tendou fakes being hurt on your friend’s behalf. 

“But don’t worry,” he starts, “I’ll be back in Japan in a few weeks.” 

“No way! Really?” You feel the excitement bubble in your chest before it shows on your face and Tendou tilts his head at your expression. You watch the way his eyes slink across your features, soaking in your joy through his skin like the sun until he is kissed with it. 

“Yeah, visiting family,” the response is short, much like the way Ushijima usually talks. 

“Man, the off season works wonders,” Tendou hums from beside you, wiggling a little in his seat. 

“You know there’s no off season, Tendou. We train year round,” Wakatoshi states. 

“Minor details,” he says, waving his wrist back and forth as if he were erasing the sound of the words from the air around him. 

Tendou gives you a wry grin before pulling the phone back and switching off speaker mode. Vaguely you can hear the sound of Ushijima giving a brief apology about not calling you, but you’re not actually mad enough to warrant it. In fact, you’re elated that he’s coming to visit. You and Wakatoshi are very good at clicking right back into place, so worrying over why he doesn’t call isn’t exactly in the front of your mind. Besides, you figure he still thinks about you because every morning you receive an influx of tiktoks and new articles that he’s sent you through the night. So thoughtful, that one. 

“So what’s up?” Tendou speaks, placing the phone against his ear and pinching it there with his shoulder. 

He reaches in front of him, unscrewing the top of his water bottle and taking a sip as he listens somewhat intently to what Ushijima has to say. Tendou leans back, extending his arm over the back of his couch and leaning deeply into the cushions with a sigh and mumble of confirmation. 

He looks like he’s at his leisure here. The lean muscle of his neck is relaxed and the tilt of his head makes him look like he’s scheming something. A small smile plays at the corners of his lips as he gazes thoughtlessly at the table in front of him. It tugs the ends of his mouth upwards and you recognize it as one that is entirely subconscious. Satori doesn’t even realize he’s doing it and the thought sends a fond flood of warmth through your chest, honeyed and heavy. 

You stand, exhaling deeply when you do. It’s best to leave them to their chats. Satori and Wakatoshi’s time together is limited, so when the other calls each night, it fulfills a certain (and private) routine which you know they both value. 

Tendou’s eyes slink over to you as you move. His eyebrow quirks up as he pinches the phone between his ear and shoulder, pulling the bottom of his phone from his mouth as if he’s ready to respond to whatever you say. You opt to mouth at him, as you can still hear the baritone hum of Ushijima’s voice on the other end of the line.

“I’m gonna go take a shower,” You point behind you to his bathroom. 

Tendou makes the OK symbol with his hand before he smiles at you. Then, he turns his attention back to his phone and you can hear him start the sentence ‘it’s going okay’. You watch as the smile falls and his face returns to a somewhat pointed resting position. He glances sideways at you one more time, his eyes tracking over your figure as you eavesdrop in a somewhat obvious way. All he offers is the slight upturn of his lips, but you can’t shake the eerie feeling the smile gives you. It looks like it’s made out of glass and as you step away, you hear the way his voice drops to a hushed whisper before it fades entirely through the thick wood of his bathroom door.

You start the shower, turning the knob in Satori’s bathroom. It’s familiar here and you don’t need to pause to think about which way is hot and which way is cold. Coming to his home is like walking into your own and part of your relishes in getting to use his shampoo and conditioner. 

It smells like him, somewhat rich and musky, with a sharp and clean aspect to it. You think that his shampoo smells a bit like men’s deodorant, but far more gentle. It’s less masculine than that, somewhat sweet, but it still retains this aspect to it that maintains whatever it is Tendou has going on. You like wearing that smell. It’s like a homecoming and sends your stomach flipping. 

His bathroom is decidedly western. Blue tile decorates the shower wall, it’s white grout somewhat tinged with age. The tiles are clean though. You know because Satori reminds you constantly to go over it with the squeegee when you’ve finished. It gives his bathroom this particularly polished quality. 

You lather his shampoo into your hair, inhaling deeply as you do. It smells like him. It smells like Tendou after an evening practice, coming out of his mother’s bathroom as he rubs at his then-shorter hair. It smells like the way he does when he’s at home and you feel it in your lungs when you take a breath. 

You think of his strangeness. You think of the odd way he carries himself, the way he walks, the way his eyes slink back and forth in a decidedly lazy way. You imagine the cadence of his voice, the soft tenor hum of it when he speaks and the pointed way he says what he means while simultaneously saying the opposite. 

Then, you think about his recent behavior. You think about how tense he is, the way he clicks his phone on and off like he’s waiting for something. 

You’re not particularly sure why the concept of it rubs you the wrong way. It’s a particular feeling of uneasiness and one you haven’t felt with him before. It’s new—somewhat exciting—and dreadful. As you shower, rinsing his body wash from the planes of your own, you ponder on the feeling of it. Weighted in your gut, it sits like poison. You feel like you’re watching an anvil hang from a fraying rope, the weight too much to bear, though why you feel it, you don’t know.

When you leave the bathroom, Tendou is still seated on his couch. He doesn’t seem to hear you leave, and if he did, his body language doesn’t betray it. He sits, his legs extended out onto the coffee table in front of him, one ankle crossed over the other. The phone is still pressed to his head with one hand, his long finger holding the back of it to the shell of his ear. 

“I haven’t,” he says quietly.

There’s a pause and you can only presume that Ushijima is talking. 

“Yeah, it’s just-” he rubs a hand up under his hair, scratching at the back of his head, “it’s a hard thing to bring up.” 

Another pause, except in this one, he stares distantly into the space in front of him. You recognize that look, the one that tells you he’s somewhere far away. The corners of his lips pull flat and you watch as his eyes cloud over with a consuming thought. It’s the same as the night in the ramen shop, placid and somewhat melancholy. Tendou wears this look often lately, though it’s meaning is one that you can’t figure out. 

It casts over his face like a mask and even now, as he nods into the phone as if Wakatoshi can see it, you wonder what runs through his mind. You have Satori figured out but this expression is an anomaly, one that you can’t place your finger on. 

“What is?” You pipe up, walking around the side of the couch and plopping down. 

Tendou jumps with a start, his hand coming up over his chest before he gives a short laugh.

“Jesus, someone needs to put a bell on you,” he breathes. 

“I wasn’t even that quiet,” you laugh a little, “what’s so hard to bring up?” 

Tendou gives you a wry smile, dispelling the expression he wore a moment ago and donning another. You see it tug at the corner of his mouth before answers, “it’s a secret.” 

You roll your eyes, huffing a little. “C’mon, thought we didn’t have any?” 

“None that I want to share,” he says, giving you a lopsided grin. 

“I really hate you.” 

Tendou puts his head on your shoulder, peering up at you. “You promise?” 

You bark a small laugh and Tendou turns back toward his phone, his head still resting on your shoulder. You can feel his tufts of dark red hair at your neck, tickling your skin through the fabric of your pajama shirt and you lean into the touch absentmindedly. His free hand fiddles absentmindedly with a stray thread on the hem of your shirt and he mumbles to Wakatoshi that you just got out of the shower. Their conversation, now that you’re present, feels much slower than it previously was, like they’re deliberately trying to change the subject. 

Despite the touch, despite Satori’s blatant affection, the prospect of a secret tastes bad on your tongue. You’ve never been the type to pry. You’ve always believed that whatever you need to know, Tendou will tell. So why is it that you’re so uneasy right now? Distrust sews itself into your skin like a badge and you furrow your eyebrows a little as you watch the planes of Tendou’s face twist with lively expressions through his conversation, the lamp on the side table casting him in a faint orange glow that feels homely and somewhat eerie. 

You and Tendou head to bed together a short while later, dragging your feet across the carpeted floors before collapsing into bed. Tendou rolls over quickly, mumbling an absent-minded goodnight and while you stare at the ceiling and wait for his breathing to slow and steady itself, you ponder the inbetween. You’re not so sure which inbetween you’re thinking about though— whether you’re thinking about the inbetween of youth and stability—or something else entirely. 

— 

“Did you get the text?” Tendou calls from your living room. He’s posted himself up in there today, his laptop open as he clicks away at something he won’t show you. 

The text he’s talking about is one from none other than Ushijima Wakatoshi himself, telling you and Tendou that the three of you should meet up for dinner tonight. He suggested a restaurant downtown, near the station and you were thrilled to receive the text. 

“Yeah, I did,” you call, leaning back on your heels to peer around the corner at him. “Wanna meet up here first?” 

Tendou is quiet for a moment in the other room before he agrees, telling you that he’s going to send a message to Wakatoshi and let him know. You thank him briefly, returning to whatever it was that you were doing on your phone. 

You must admit, you have ulterior motives for wanting to go to dinner. It’s not that you aren’t thrilled to have the three of you back together. You are, deeply so. But secretly, you are hoping that it will bring back a sense of normalcy you’ve lost in the recent month. To you, it feels like the last normal night was a month ago in your apartment when Satori brought over wine after your break up. That was the last time he felt the way he always has. 

Recently, he’s been stranger than usual. You can’t help the rot that rises in your throat when you think about it. It’s an uneasy little bug, sending you queasy and anxious over the smallest changes, though you aren’t quite sure when it started happening. It’s hard to place, especially because it is about Tendou of all people. Until now, you’ve always felt comfortable telling him everything but for some reason, you worry that bringing this up will make him vanish altogether. Still, you hope that attending something nostalgic like this with him the way you always have will fix it somehow. You hope that maybe you’ve just been too sensitive and that after seeing Wakatoshi and eating a meal together, things will just click back into place. 

Maybe that’s just wishful thinking though. 

—

Sa-to-ri: u ready? I’m downstairs 

You check your phone, seeing it light up on the top of your bed through your mirror. You’d been checking something irrelevant about what you are wearing, fiddling with the waistband of your bottoms or the way your hair falls on your forehead. Nerves rise in your throat as you put on your shoes and lock your apartment door behind you, hopping down the stairs. 

“Well, don’t you look pretty,” Tendou hums, smiling up at you.

He’s wearing an oversized t-shirt and joggers. They cut off just above his ankles, revealing a worn pair of black high top sneakers. The sleeves of his shirt rest against his upper arms nicely and his hands are tucked into his pockets as he shifts his weight forward. It bunches up around his forearms, creating big, sloping pockets across the front of his abdomen where the hem of his shirt covers his waistband. You roll your eyes, catching the unusual heat rising to your cheeks and swallowing it down. 

“Thanks,” you exhale, “you trying to butter me up or something?” 

Tendou gives you a wry grin. “How’d you know?” 

You sneer lightly at him, “because you’re awful at hiding shit.” 

Tendou presses his lips into a small line. His eyes glass over a little as he starts to walk, keeping his hands in his pockets. 

“Anyway, what is it?” 

“What’s what?” Tendou raises an eyebrow. 

“The thing you want to butter me up for?” You furrow your eyebrows, laughing a little. 

“Huh? Oh, nothing. I just want to be on your good side.” 

“Scared or something?” 

“A little,” he hums, looking at his shoes before glancing sideways at you as he raises his chin to peer at the tops of the buildings lining your walk to the station. 

The restaurant is a few stops away in a newly painted building. It’s a few blocks from the station, lit up by electric blue lights characteristic of Kokubunchô. The crowds, which you should be used to, overwhelm you a little and you’re grateful for Tendou, whose height makes him impossible to lose. You’re surprised that Wakatoshi would suggest a place downtown, just off from the izakaya and clubs that make Kokubunchô such a popular destination for people our age. After all, he’s never been much of a partier, often choosing to abstain and stay in shape. 

It’s been a long while since you’ve seen him. Wakatoshi spends most of his time traveling around Japan and Asia, playing volleyball in countries you’ve never even thought to visit. He competes in global competitions and will most likely be recruited for the Japan National team for the Olympics. 

When you arrive at your designated meeting spot, Wakatoshi is standing outside. You know that before you even see him because people round the corner he stands behind while glazing backwards over their shoulders. They mutter about how big that man was, if they’ve seen him somewhere before, if he’s a celebrity. Tendou snickers under his breath, his head tilting a little like it’s on a spring, and you smile in response. 

You run ahead of Tendou and round the corner, greeted by Ushijima’s tall figure standing outside of the entrance to the building, lit up by the neon sign above him. 

“Finally!” You shout, bounding over to him and embracing him into a hug. 

“You should really announce who you are before you hug someone,” he says, his voice low and baritone as he wraps his thick arms around you. 

“I did,” you laugh a little, your excitement at finally being able to see him again climbing in your throat. 

“I wouldn’t consider that enough warning.” 

You pull away, pouting a little at him before cracking a wide smile. 

“How are you?” he continues. 

“I’m good,” you exhale, “Jesus, look at you. I think you got taller.” 

“I didn’t,” he says matter of factly, “they measure me a lot for the team. I would know.” 

“Still straightforward as ever,” you huff a little and Wakatoshi gives you a gentle smile. It’s barely there, but you’ve known him long enough to be able to notice it now. 

“No greeting for Satori?” Tendou feigns injury behind you, shrugging his shoulders and scuffing his heel against the floor. 

Wakatoshi scoffs lightly before stepping close. Then, the two boys hug each other, clutching tightly around the other’s shoulders as they mumble about how long it’s been since they’ve spoken in person. Satori makes an off-handed comment about Wakatoshi getting more handsome and Wakatoshi jostles his shoulder in response, saying something about Tendou being smoother around the edges too.

You watch, stomach swimming with a familiar feeling you get only when the three of you are together. It’s like you are all 17 again and nothing has changed. The way you speak, the way you feel, the uniquely comfortable atmosphere the three of you set with each other, blankets you like snow. 

Tendou walks into the restaurant first, followed by you, and then Wakatoshi behind you. People inside of the restaurant turn and stare when they duck under the doorway, standing to their full height in the restaurant. Even among people with similar heights, the two of them stand out. Tendou with his knowing eyes and Wakatoshi with his undeniably good looks. You are in the middle, caught between two magnetic forces that you’ve spent the majority of your life around. 

You settle at a small table in the back. It’s clean and hardly has enough room to fit the three of you around it comfortably. It’s a trendy restaurant, mostly famous for its matcha desserts which mix western cooking with Japanese flavors. The majority of the menu are smaller appetizers, but there are sandwiches as well as seafood options which you hungrily stare down. When the time comes, you settle on a salmon dish with miso seasoning, Satori decides on a spicy curry, and Wakatoshi orders the same thing you do but with a small side of tempura. Looking at the place now, you figure that it’s probably closer to an izakaya than any other type of restaurant. You look forward to dessert. 

“Are either of you getting drinks?” Tendou leans forward on the table on his elbows, giving a wry grin. 

You peer at him from the side, smiling slightly. “And you say I’m the alcoholic.” 

“You are,” he states, leaning forward and smiling at you. 

“I’m not,” Wakatoshi adds. 

“Well spotted, Ushiwaka,” Tendou snickers. 

“Yeah, you’re a regular Sherlock Holmes,” you laugh. 

“I meant that I’m not getting a drink,” he says flatly, pressing the ghost of a smile between his lips. 

You and Tendou glance at each other before bursting into a fit of giggles. Then, Wakatoshi follows with a laugh that’s deep seated in his chest. 

“I don’t know. Are you?” You ask Tendou, exhaling deeply. 

“I want one,” he shrugs. 

“Of course you do,” you chuckle a little. “Then, I’ll have a beer too.” 

Tendou tilts his chin upwards, his eyes narrowing as he gives you a little smile. It’s like he expected you to do the same, an affectionate and knowing little curl of his lips that sends heat rippling through your stomach. It takes a lot of strength to tear your eyes from him and when you do, you find yourself trying to shake the new feeling from your stomach as you inhale. 

“So Wakatoshi, how’s the team?” You ask as Tendou flags down the server and orders two beers and a glass of water. 

“They’re fine,” he says, smiling a little. “Team practices still happen even in the off season, but what’s important is weight training to make sure we stay strong.” 

“Is that why you were able to come back to Sendai for a bit?”

“Mhm, though I still train every day,” he offers, leaning back so that the server can set down the drinks on the table. 

“So driven…” Tendou smiles. 

“You should be playing, you know,” Wakatoshi says to Tendou. 

He waves his hand in response, dispelling the thought. “Me? Go pro? Nah, I think I’d be miserable. Volleyball was just a high school thing for me.” 

Wakatoshi shrugs his shoulders. 

“You gonna be on the Olympic team, ‘Toshi?” You pry a little, leaning forward. 

“I don’t know yet. We’ll find out next year.” His expression doesn’t betray anything, but you can hear the excitement in his voice. It makes the sound feel tight, like he’s trying to keep from shouting about it. You smile to yourself. 

“Look at you, you’ve got a whole career. Meanwhile, Satori and I have no clue what we’re gonna do in the future,” you chuckle, taking a sip of your drink. The condensation sticks to your hand. 

Then, Wakatoshi furrows his eyebrows and looks to Tendou. He looks back at him and for a moment, they sit there like that, communicating telepathically (most likely). It makes you uneasy, like there is something about Tendou that you’re not allowed to know. The uneasy feeling that’s made itself scarce the entire evening bullies its way to the base of your throat. You try to swallow it down, but to no avail. 

Tendou inhales and the moment is broken. The two boys settle back into their seats and glide past the strange occurrence. 

“I’m sure you’ll both figure it out,” Wakatoshi offers, smiling gently at you. “You’re very capable.” 

“I applied to a temp agency a week ago, so hopefully something comes of that,” you take another big sip of your drink. 

“Temp agency? Why didn’t you tell me?” Tendou pouts a little. 

“I mean, it’s not a sure thing. Just an application. Didn’t want to get ahead of myself.” You laugh. 

“Awww but I wanna hear about your life,” Tendou whines lightly. 

“Bro, you are literally in my house five days a week. You know just about everything.” 

Tendou shrugs his shoulders and leans back in his chair, mood shifting from the false sadness into something of realization. Has he only just now realized how much time the two of you spend together. 

“_____, Satori told me you and your boyfriend broke up.” Wakatoshi says. 

“Damn, seriously dude?” You shrink into your chair, letting the server place your food in front of you. It looks good and your cut of fish steams on the bed of rice it sits on. Your mouth waters. 

“Sorry, he asked about it,” Tendou shrugs his shoulders, picking up his chopsticks to start eating. 

You wave off the apology. It’s not like you weren’t going to tell Wakatoshi anyway. 

“Yeah, we did,” you say, swallowing the first bite of fish. 

“What happened?” he pushes. 

You shrug your shoulders, sitting back in your chair a little and pushing the fish around your plate. “We just weren’t compatible. I didn’t like him the way I thought I should and he clearly didn’t like me very much. He was kinda mean.” 

Tendou swallows his bite of food beside you and Wakatoshi glances up toward him. They exchange another look and Satori shakes his head, returning his gaze to the food. 

“That’s terrible. I’m sorry,” Wakatoshi offers. 

“Nah, don’t worry. I’m not all too beat up about it,” you laugh a little. “It might sound twisted, but when we broke up I didn’t really care all that much.” 

“I can vouch for that. They called him a cunt.” Tendou adds, smiling over his drink. 

“I did do that,” you confirm. 

“Sounds like them,” Wakatoshi gives a small laugh. 

The rest of your meal is spent in idle chatter. You and Satori have a few more drinks, trying to get Wakatoshi to order one in the later half of the evening, to which he dutifully shakes his head. You blather on about how much you miss him and when the next time he’ll be in Japan is while he smiles fondly and tosses sideways glances to Tendou who just shrugs because he knows you get like this. 

You realize, at some point, that unlike you and Tendou, Ushijima is not in the inbetween. He’s got a well-established career with a clear future path. He is not stumbling around blindly, but rather taking deliberate steps towards his future. You and Tendou, it seems, are caught in that particular place, walking yourselves in circles until you finally find the courage to walk in a line. You’re relieved to know that someone is in the circle with you. 

Briefly, you think about the looks Satori and Wakatoshi exchanged. Pointed, deliberate looks that exchanged information between the two of them. You’re not sure why it bothers you the way it does. It’s not as if they’ve never had secrets between the two of them before. This one, however, feels somehow heavier. It feels like it’s an elephant in the room between the two of them. You hate the inflated feeling it gives off. It swells and presses you against the wall, stealing the air from your lungs and sending panic to rise up through your throat. 

You’re sad to part with Wakatoshi, offering him a long hug and doing your best to squeeze the air out of him. He pats your back, laughing lightly about how he’ll be back eventually. You whine, telling him that he needs to call more. He promises that he will, though you know it will probably remain the same. The two of you have engaged in this perpetual cycle for years now. 

Satori hugs his friend goodbye as well, mumbling something to Wakatoshi that you don’t catch, to which he says that they can talk about it later. 

You scuff your feet against the floor the whole way home, trying to pretend that your plan to make things feel normal worked. 

—

You and Satori have clear boundaries. You always have. There are things you can and can’t do with each other that you both follow religiously. It’s not as if you’ve ever actually discussed it with him. The two of you have never sat down and actually talked about these rules you have in place. They are unspoken but mutually understood. 

You suppose that drawing those types of lines started in high school. Before then, it had never even crossed your mind that skinship or your particular ways of showing affection to each other could be taken as anything but platonic. Satori was the first of the two of you to get a partner. In your second year of high school, he’d started going out with a girl in his class. You’d never met her before then in earnest, though you’d certainly seen her around, mostly out of the corner of your eye. 

Tendou wasn’t all that popular in high school. Not just because of the way he looked (which you’ve always thought to be above average), but because of the somewhat aloof attitude he maintained. Between snide comments and a generally over-confident demeanor, most people found him off-putting. It didn’t take long though for a few girls to notice his better qualities. They noticed his fingers, long and lithe and wrapped in bandages. They noticed his smile, the coy kind that affects one side of his mouth before it affects the other. They noticed his height and stature, the lazy way he carries himself so that he always seems a little off kilter. 

To you, these things have always been obvious. His good looks have always been something that you’re keenly aware of. Whatever unique qualities he has only seem to add to them. 

Still, when he started seeing her, you and Satori seemed to fall in sync about these unspoken boundaries. One day, the line in the sand between you both was drawn into being, separating your friendship from anything beyond that. 

You’ve always been grateful for that little line, you think. It keeps things from getting confusing. It protects yours and Satori’s platonic relationship as much as it protects your romantic ones. You don’t read too much into things. Your heart doesn’t flutter when he touches you (or does it). You keep your pesky emotions at bay. It’s all thanks to that lovely little line. 

Sometimes though, like now, that line stares at you. For some reason, it feels like whatever is going on with Tendou is on the other side of it. You feel like he’s moved the line farther away from him, drawing a bubble and preventing you from stepping close. His situation, whatever it may be, is now beyond your grasp and you feel as if asking would be stepping over it. 

It’s the first time in your friendship, you think, that Satori has drawn a line all on his own. 

He’s back in your house today, lounging on your bed with his head hanging off the end. You can see the way his neck protrudes and bobs each time he swallows. It’s got a lovely angle to it and you can see the lines of lean muscle running up the sides of his neck. 

When he’d walked in, you’d found yourself shocked to see that he’d not only decided to get a haircut, but to buzz off all of his hair entirely. You’d gaped at him, reaching up to touch his head and lamenting the loss of his shoulder length hair. 

“What? You don’t like it?” he’d asked through a coy smile. 

“It’s not that it’s just… why?” you’d questioned, unable to shake the feeling that it has something to do with his secretiveness. 

Tendou adopted that familiar far off look and shrugged. “Needed the change. Kinda felt like I was going in a circle.” 

Then, he’d brushed past you and into your house, asking about something to drink. 

Satori’s looking at his phone now, scrolling through social media like he’s a robot stuck on repeat. Every now and then, his lips will quirk up a bit when he sees something funny, but otherwise, the only thing that moves are his thumbs and the gentle bob of his neck. 

You stand facing the mirror in your room, watching him through it as you busy yourself with something on the shelf adjacent. You’d been looking for a book to read but had been quickly distracted by your train of thoughts after seeing a photo of you and Satori from high school.

You keep it framed on your nightstand in a cheap wooden frame you bought from a thrift store before going to college. It was taken a few weeks before your graduation, standing in front of the school gym. Satori is in his volleyball uniform after playing a final skirmish with his team before he passed down his jersey. His hair is spiked up and his forehead is slick with sweat. He’s pulling you close to his body in the photo, his arm wrapped around your shoulder and his fingers secured on the other end of you. You can almost recall the feeling of his jersey, damp with sweat, and your smile in the photo betrays a slight grimace at the feeling of it. 

Satori, however, is beaming. His smile is radiant and his eyes are half closed in what looks like the beginning of a genuine laugh. He’d found it amusing to pull you close to him that day, relishing in the way you whined a little about how gross he was. Not that you really minded. You don’t mind much of anything if it’s Satori doing it. He’s special that way. 

A notification on Satori’s phone draws you from your thoughts and your eyes wander habitually to the reflection of his screen in the mirror. It looks like an email and Satori shifts when he gets the notification, sucking in a quiet breath as he quickly reads over it. Then, he closes the application. 

“Why are you staring?” He speaks abruptly, satisfied at the way you jump at being caught. 

“I was just wondering what you’ve been waiting for on your phone lately,” you admit, toeing the line he’s drawn. 

“Mmmmmmm,” he hums, not turning to look at you as a smile creeps up his features, “you curious?” 

“Mhm,” you answer, turning to face him properly. “Is it a girl?” 

At this, Tendou’s eyes slink backward to look at you over the crest of his eyebrows. His lips quirk up in a wry grin. It smooths across his features like liquid metal. 

“Why? You wanna date me?” 

You’re not sure why the teasing question flusters you so much, but it does. Heat bubbles in your stomach and rises to your face just as quickly and you chide yourself for the way you turn away from him. 

“I was just curious,” you huff, rolling your eyes to try and dispel the new sensation rising in you. 

Tendou gives you a cat’s smile through the mirror before he stretches his arms above his head and lets them hang over the side of the bed. 

“It’s not a girl,” he answers, laughing a little. Then, he pauses like he’s debating something before growing quiet and adopting the strange look he’s been wearing. “Nothing important really.” 

You furrow your eyebrows and eye the line in the sand. 

It’s killing you, not knowing. This melancholy and secretive facade Tendou has adopted is making him feel like a stranger and it’s eating you up inside. But you trust him. You trust Satori with your life and more, so you swallow down the uncertainty. It’s coming from somewhere unfamiliar. Somewhere possessive and needy. You ignore the fact that the feeling is coming from a place you previously thought your feelings for Satori didn’t come from. 

“You sure?” you press, clenching your jaw after the words leave your lips. 

“Yeah.” Tendou doesn’t look at you in the mirror, stretching his arms above his head. You think about growing pains. 

Lukewarm. The inbetween. You know what this off feeling is. That subtle space in which your lives have been in for the better part of the last five years. A delicate balance between present and future. A delicate balance between friends and something more. This feeling is different. You worry that it is the inbetween of affection and indifference. It’s going to eat you alive.

—

Tendou’s apartment is pleasantly disorganized. It is one of those spaces in which everything looks out of place, but never really is. Tendou knows where each thing is, even if you’ve always had trouble learning. While this is true for all of the places that Satori inhabits, you think it is especially true for his bedroom and the office. 

His room is littered with small boxes for little items he’s collected over the years. His shelves are stocked with manga he’s liked enough to collect. They aren’t organized in any particular way except by series, but the pattern seems to make sense only to Tendou. His nightstand always has a half drank glass of water on it and on nights when you stay over, there is one beside it for you.

In the corner, there’s a tall dark oak dresser full of his clothes, all of them folded neatly in drawers and tucked away until he needs them. On top of it, there are framed photos of his childhood, as well as one singular nationals trophy that he didn’t have the heart to throw out. You think all of it is endearing. There’s something lovely about entering this space and feeling him all around you. Any stress seems to melt directly off of your shoulders. 

“Wanna order in?” You pad into the living room where Satori is posted in front of the television playing some rendition of the Legend of Zelda games. 

“Huh?” He says before quickly interrupting himself. “Oh, yeah sure. What did you want?” 

Tendou glances at you over the couch, his eyes catching yours for a moment. He grins, his lips curling up in a delightful way, before he turns his focus back to the TV. 

“I dunno, chicken?” 

He chuckles, pausing his game and putting his arm over the couch cushion. Tendou tilts his head to the side and smiles. “You always want chicken. Same place, I assume?” 

You shrug. “Yeah well, I like their spice blend.” You lean your weight against the wall beside you. “So can we order chicken or not?” 

Tendou tilts his head up, pressing his lips together in a smirk and narrowing his all-seeing eyes. 

“Spice blend,” he chuckles, humming pleasantly like he’s mulling something over. Then, he clicks his teeth and you wonder briefly about the motion of his tongue when he does. “Yeah, let’s do it.” Then, he turns back to the TV and presses play. 

“Kay, I’m gonna order from my phone then,” you hum, rolling your eyes and unlocking the screen. 

“Sure,” he says and you pad over to his bedroom to sit down as you pick out what you want. “Oh! ____!” 

“Huh?” 

“If you’re ordering from the place down the street, I’m pretty sure I have a voucher for a free plate.” He calls.

“Oh, where?” 

“Office, I think. Somewhere on the desk.” 

You chuckle to yourself, walking down the hall and into the small makeshift office Tendou has set up. It’s in what should be a closet, with only enough space for a light and a small desk set up. When he’d moved into this place, he’d proudly told you about his plans, to which you told him that if it makes him happy, he should do it. 

“Who even keeps physical coupons anymore?” 

“Me, bro,” he laughs. “Just use it though, I’m pretty sure it’s gonna expire.” 

“Kay!” 

His desk is littered with paper. Most of them are things he’ll never use again; flyers he was handed on the street, takeout menus he usually looks at online, printed receipts for things he bought years ago. Only a few things are actually useful; printed recipes from the internet, a small booklet full of drinks from his job, and a thick recipe book with papers and post-its sticking out of it. 

You shuffle through the papers, looking for the coupon. You’re expecting something bright red and gaudy. Something that feels like it’s trying too hard to get your attention. When you find it tucked beneath the thick book of recipes, you almost just grab it and go. If it hadn’t been for the way your eyes lingered on the spot where it was for a moment, you never would have seen it. 

Underneath the coupon, is a clipped together stack of papers. A wax-covered yellow paper clip holds them together and at the top, it reads Le Cordon Bleu and then Diplôme de Pâtisserie. It’s been hastily translated into Japanese and you can’t beat the curiosity or the way dread begins to swirl in your stomach.

It’s an enrollment confirmation and clipped underneath it, there is a confirmation for the rent of a studio apartment in Paris. The date for the enrollment is two months from now and you grimace at the paper, making out what you can of the sloppy translation and French writing. 

In your hand, clipped with the yellow-paperclip, is all of the evidence of Tendou’s intention to leave. Worse yet, his intention to leave without telling you in advance. An inky black substance rises in your through, swelling there like lead before realization rounds the corner. In your head, the ball that’s been looming over your head for months now finally drops and you manage to make sense of his behavior the last few months. It wasn’t a girl, it’s never been a girl. It was this.

It’s hard to tell exactly what thoughts run through your mind as you register what you’re looking at. The first is that he’s been keeping this secret for longer than three months judging from the paperwork, the second is that he deliberately chose not to tell you, and the third is the phrase you’ve repeated to yourself since high school. Everything you need to know, Tendou will tell. 

You try not to spiral. You try to keep your feet rooted on the ground at the idea of this person you’ve known since adolescence simply going away so suddenly. None of it works. The secrecy of it cuts you like a slow-dragging knife, pressing into your skin and cutting a fine line from your stomach to your forehead. 

“_____!” Tendou calls. His voice startles you from your thoughts. “If you haven’t ordered yet, can you get me extra hot sauce please?” 

You don’t answer, instead starting to make the short walk from the office to the living room. 

Tendou says your name. When you don’t answer, you hear him pause his game and stand up, calling your name again. 

By the time he’s turned to start walking in your direction, eyebrows furrowed, you have reached the entrance to the living space. The papers are clutched in your hand and you can feel the edge of them pressing into your palm. 

“What are these?” You ask, attempting to keep your voice steady. 

“What’s what?” He tilts his head, smiling before he glances down to your hand. 

You hold it up so that he can see. 

When his gaze settles and he registers what you’re holding, his smile falls. You see the blood rush to his face and a look of shock cover his usually calm features. The expression is foreign on him and it sends a pang of dread through your chest. You had hoped that you were wrong. You had hoped that maybe he was going to tell you, that you’d show him and he’d laugh casually about how he just found out and wanted to tell you once it was settled. 

“What is it?” You say softly and Tendou struggles to find the words. 

He opens his mouth, closes it, and then opens it again. You watch as he scrambles, your lips pulling deeper and deeper into the frown that you can feel taking over your face. 

“Are you going away?” 

He nods. 

“When?” 

“September.” 

The air is knocked from your lungs and your voice comes out as barely a whisper. “That’s in two months, Satori.” 

“I know.” 

“How long have you known?” 

He doesn’t answer and when you look up at him, you can see the way that his eyes are growing red. 

“How long?” You say, a little more forcefully. 

“Since March.” 

“Jesus,” you scoff, “March? That’s nearly five months.” 

He nods, slightly defeated. 

“Why didn’t you tell me?” 

Tendou scrambles for the words again, and suddenly you feel like you’ve been poisoned. Your stomach turns and your vision goes a little dizzy and you consider the type of sickness that this will bring to your friendship. How sick will it make the both of you? How long will it be until you are well again? Tendou, whose face has fallen into something of dread and uncertainty, clearly feels it too. You blink, staring at him with wide eyes to give him the opportunity to salvage what small bits of your trust remain. 

Somehow, the expression he wears looks like he’s been about to form it for months. Like that blank expression he adopted was somehow an early version of this and it’s with a heavy heart that you realize that what you’d been seeing on him was the expression of keeping an awkward secret. 

“Why didn’t you tell me, Satori?” 

“I wasn’t-” he swallows. “I didn’t-” 

“You didn’t know how?” You frown, finishing his sentence. You feel the way your brows press in the middle. “You’re my best friend, Satori. There’s nothing you can’t tell me.” 

It hurts to know that he didn’t trust you with this. Unlike the secrets he keeps with Ushijima, this feels like a secret he’s deliberately kept from you. It wounds you to know that there is something Satori didn’t want to tell you, especially something this huge. You feel yourself bleed out onto his floor, though you’re not sure what the other emotions that come with this are. Something adjacent to hurt, like heartbreak. 

“You didn’t know how to tell me, so your solution was to just fuck off to France one day without warning?” You raise your voice a little and Tendou, who is usually so fearless, flinches back from it. You press your lips into a line.

It feels selfish and you can’t figure out why. None of this makes any sense at all to you. 

“You’ve kept secrets before too,” he says like he’s just thought of the justification. Satori scrambles like a young boy caught in the act, clamoring for a way out of the hole he’s dug himself. The more he reaches for his footing, the worse it hurts you.

You furrow your eyebrows. “Sure! I’ve kept secrets about who I fucked in high school. You kept secrets about your entire fucking future!” The words sting the front of your tongue. “Does Wakatoshi know?” 

Tendou doesn’t answer. 

“Does Wakatoshi know?” You say again, forcefully this time. Hurt makes its way into your lungs like a fever. 

“Yeah,” he says quietly, shoulders slumping forward. “He does.” 

You let out a laugh, reaching up to your face and wiping away the tears that have started to well up. When Tendou sees this, his eyes go wide and he takes a step towards you. Instead of letting him take you into his arms the way he always has, you step back. Then, you walk to the entrance of his apartment, grab your bag, slip your shoes on, and open the front door. 

“Congratulations. On the school,” you muster, though it feels spoiled. 

You want to mean it, but you don’t and the realization sends you out of the door and down the street. When you get on the train home, you finally allow yourself to cry, trying to put together why all of this hurts so much. Why are you spiraling the way you are? You wipe hot tears from your face with the backs of your hands, sniffling quietly while people struggle not to stare. The summer heat in the train car is stifling, clinging to your skin and making your face sticky with tears and sweat. 

��

You’ve never fought with Tendou like this before. Sure, you’ve had small spats that lead to a few days of not talking, but this feels bigger than that. This feels like the earth has somehow cracked between you both and opened a deep rift. You’re not sure how long it’s been forming, but you know it isn’t sudden. Pressure builds behind you both like a damn fit to burst. 

It’s not as if it’s only the move that’s doing this. You think it’s more. You think it has something to do with that line in the sand or whatever these new feelings for Tendou are. All of it has been somehow funneled into this one secret, spilling out in a messy and jumbled way that confuses you about feelings (or lack thereof) that you’d been certain about for over 10 years. 

The floor of your apartment is cool like glass. It’s always colder on the floor than it is standing. You lay down to escape the heat, clinging to the wood like a seastar to a rock. Humidity clings to your skin and makes you sticky. You grimace, rolling over slightly. 

It may seem dramatic to lay on the floor and think about Satori, but you often find yourself on the ground when you need to think about something important. The energy flows better down here. There have been several times in which Tendou has laid down on the floor with you to think. He did it when you needed to decide where to go to high school, he did it when you needed to think about saying yes or no to a confession, he did it when you were deciding where to take the entrance exams for at 17. Come to think of it, all of the major decisions in your life were made on the floor. Satori had been there for all of them. 

You breathe out an exhale and more heat sticks to your skin. Even the breeze coming in through the window is unbearably hot, though you suppose that’s just the nature of July. 

It’s been almost a week since you last saw Tendou, which isn’t too long in the grand scheme of things, but feels like a lifetime because it’s him. You can’t remember the last time you went so long without seeing or speaking to him. You can’t bring yourself to respond to his texts. He’s left four of them, each asking to talk to you about it. Every time you try to respond, you lose the courage to do it, sputtering to a stop just before you start to type. 

He’s been with you for all of the major decisions in your life, but you weren’t privy to even know about this one. Sure, Satori is allowed to do what he wants. You know that he’s not obligated to tell you everything, that he doesn’t have to inform you of every small change in his life, but you wouldn’t consider this a small change. Shit, this is bigger than any decision he’s ever made and he didn’t tell you about it. 

You’re not sure what’s worse, the idea that he kept it from you all this time or the idea that had you not stumbled upon those papers, he might have just vanished one day. It’s difficult for you to wrap your head around, the idea of Tendou just going away. For you, he’s been a constant presence in your life. Even when you went to college in Kyoto, he’d come to visit. The train ride was never more than a few hours and he would stay through the weekends or you’d make your way back up to Sendai where he attended the local university. 

Paris is thousands of kilometers away. Forget visiting on weekends, you might not even be able to visit him on holidays. Then comes the question of if he would even want you to visit. If he didn’t tell you he was leaving, maybe he wouldn’t want to have you there. It could be that Tendou’s closeness with you was too much and it had reached a boiling point you’d never noticed. 

It’s hard to believe that the boy you’ve known since 13 could think to go so far away from you. It’s difficult for you to wrap your head around, almost like the thought is presented to you in another language. It’s vaguely familiar, but deeply confusing, so much so that it sends you reeling. You’ve been reeling for the past few days, spun like a top and left to settle on your own. 

This summer is hotter than most and the air doesn’t aid your thinking. It leaves you feeling stagnant, distracted by the sound of cicadas outside your balcony. Heat and anger cling to your skin like sticky black tar and the more you think about you and Tendou, the more you feel the poison in your bloodstream. You wonder briefly if Tendou is feeling it too, though of course he’s brought it on himself. Even through your anger, it hurts you to know that he might also be hurting. 

When you met Satori, he was only an inch or so taller than you. He sprouted up around your second year of middle school, turning into the beanpole that he is today. He didn’t have a lot of friends when he was younger, not until halfway through your first year of middle school when he became a regular on the volleyball team. 

You suppose that he didn’t have many friends because of his name, or maybe it was because of the way he looked. Before Satori grew up, his big eyes and thin upper lip were even more pronounced than they are now and when he was 13, he hadn’t yet grown out of that awkward, middling phase all children go through. You never minded but the other kids certainly did. 

In fact, you always liked that Tendou matched his given name so well. Satori, referring to a yokai that can read minds. His all seeing eyes. The way he seems to know everything about you before you know it yourself. It all suits him so nicely. You’ve always liked that about him, those qualities which he’s owned from a young age and maintained throughout the majority of his life. 

They’re as dear to you as he is, and you know that they’ve become dear to him as well. 

When you were young, you never cared much for the gossip of other children, so when Satori joined your middle school class and was greeted with the whispers of your classmates, you paid them no mind. It seemed that Satori didn’t either, instead focusing on volleyball, which allowed him to realize a certain twisted kind of satisfaction he craved. Your friendship unfolded quickly, moving through the awkward acquaintance stage and into the friend stage quickly. 

The first summer you both spent together was one of the most memorable. Come to think of it, you and Satori had somehow managed to skip over the awkward part of making friends at 13, barrelling into the summer season together as comfortable friends. He’d sat out on your back porch with you often, eating cut watermelon your mother had prepared for you both. She was just glad to see you’d made a friend. As a young child, people found you unapproachable, as you’d always had an agency over yourself which other kids didn’t have. 

Satori was the same, though he was always more immature in his teasing. Tendou has always gotten a kick out of toying with others and in high school it half-way earned him his nickname of Guess Monster, which plays on the word “gesu” meaning “low-life”. You always thought it was mean, but it would be a lie to say that Tendou didn’t earn that name with his opponents. He always somehow managed to come across as somewhat sleezy to them, even if you know he’s anything but. 

It happens to be another part of him that you adore deeply. The way he makes you squirm has always been an enjoyable aspect of your neatly kept friendship. 

Still, that first summer and all the summers after, went the same way. On the porch or balcony with a plate of fresh watermelon, laying across the slightly-cooler floor and debating through bored slurs what to do next. You can recall every version of him. 13 and immature, grinning over the tops of sunburnt cheeks. 17 and laidback, with a cheshire-like grin and a penchant for teasing. 20 and in college, with long hair and an easy, attractive grin. 24, with freshly buzzed hair, sitting between the past and the future, getting ready to leave you behind. 

You know it’s unfair to think that way. He’s not leaving you behind. Not really. Satori is just moving forward. He’s taking another step towards his future and that’s supposed to be a good thing. It’s supposed to be good that he knows what he wants next. But you can’t find it in you to be happy for him. 

You think it’s selfish. It’s selfish of him to not tell you. It’s selfish to want to go so far away. It’s selfish to want to be somewhere that you aren’t. Most of all though, it hurts that you didn’t know. It aches somewhere deep and ancient in your chest, a kind of pain you’re unfamiliar with. Foreign and dull, pressing right up against your sternum from the inside. It feels like heartbreak, as alarming as that is. 

Satori has a side to him that you didn’t know. A secretive one. One that allows him to just slowly withdraw if he wants to. It makes you wonder what else he keeps from you. Everything you need to know, Tendou will tell. How far does that extend? What other things don’t you know? 

While the ache is there, you can also feel confusion. It’s a deep, skin-tingling sensation, like something not quite realized. You have no idea why you’re reacting as adversely to this as you are. It’s not as if him not telling you this yet means anything that you’ve spiraled into believing. It’s not like it means he doesn’t care about you, it just means that he was as tongue tied as you feel right now. 

Your friendship has always had clear rules and boundaries and you think that feeling the way you are and Tendou keeping this secret has somehow broken them. It’s like, in breaking your unspoken rule somewhere else, Tendou set off a chain reaction that caused you to break another. Now, all you can think about are the inbetween moments. The liminal space between friends and something more that you and Satori have occasionally crossed into. 

It’s not because you are fantasizing about it, nor is it because you necessarily want it to mean something, but it is because they mean the most to you. Those little moments are when you’ve felt the closest to him, as if your relationship were strengthened by your physical proximity and the feel of his hands on your arms or face. 

You think about those easy summers. About the way girls pass him on the street and giggle into their mouths when he glances at them. About the way he looks at you when he walks. All of it piles up like sand, heavy and easy to sink into. You could get lost in these feelings and it terrifies you. 

You’re so deeply uncomfortable with the change, both in Tendou’s life and in your steadily rounding realization. Why is that? You’ve separated from plenty of friends before just like this and never felt so hopeless. Leaving for college was no different. Even when Wakatoshi moved away permanently, you weren’t half so torn up. You didn’t mourn the loss of some unplacable thing that had yet to exist. But here you are now, laying down on the floor of your apartment and thinking about what it means that he’s going away and what it means that he didn’t tell you. What makes Satori so different? 

You’ve never had to do this before. Thinking about how to respond to Satori feels so strange that it’s making you sick. You used to always know what to say. What’s making this any different? Why does it feel like there’s a lump in your chest that’s going to make you sick? 

Maybe it’s because you can’t figure out his motivations. There are very few instances in which you can’t tell what Satori is thinking. After all, he’s the person you spend the most time with, of course you’re able to tell what he’s probably thinking about. You wonder what you could have done to hurt him, rolling onto your back and clenching your fists to quell the crack you feel forming across your chest. 

There’s so much anxiety, so much uncertainty. All you can smell is that first summer. All you can hear is that hot and humid day when you were 13. You wonder why it comes to you so clearly now. Is it because this is the last? Is it because you both have already been poisoned beyond healing? Or maybe it’s simply because that is when these feelings started to take root. 

Maybe they started to take shape a long time ago, this uncertain, swelling ache in your chest that feels so adjacent to love you could have mistaken it for exactly that. The only reason you haven’t is because you know better. You know better than to break the rules, than to love him like that when your friendship has never been anything more. 

You’ve been staving it off for so long, you think. This unplaceable desire has been curbed time and time again. You think back to all of the times it’s felt like Satori was about to cross a boundary and you wonder if he ever actually was or if you’d just imagined it because you wanted it so badly. Even now you’re not sure. You think about your past boyfriends, why it never worked. Had you ever actually cared about them or were you just seeking out traits you thought you saw in Tendou? 

Even if it is more than friendship, even if he does mean more to you than you thought, all you know is how angry you are. It swells in your chest, ballooning until it presses against the inside of your ribcage and makes you ache. You know this can’t be fixed alone. You could run yourself in circles and none of it would make any difference. None of this introspection will matter until you can talk to him, until you can be in his presence again. 

The threat of loss looms heavy over you, like an anvil tied to a string, it swings precariously above your head. Satori, even after keeping the monumental secret, is still your best friend and losing him, distance be damned, is unfathomable. He’s everything to you and the situation, its precariousness, makes you afraid. How long have you been in the space between loving him and losing him? 

—

Sa-to-ri: hey i won’t text you anymore after this, but please come by when you’re feeling up to it. i can explain. 

You read the text over and over in front of his apartment. There’s a thrumming in your chest, like nerves come alive, and you can’t seem to just open the door. 

Satori opens it first, swinging it open with one sharp pull and staring at you. 

“Were you tracking me?” you ask softly. 

“Yeah,” he admits. 

He steps to the side to let you in and you quickly remove your shoes, stepping into his apartment. 

Satori looks like the Satori he always has. Tall and lanky, with big, heavily creased eyes and his thin upper lip. His bottom lip, full and round, bounces slightly as you turn to face him. You rake your eyes over his buzzed hair, still not quite used to the way it looks on him. You remember running your hand over it a few weeks ago and feeling the soft, spiky texture of it. Part of you misses the long hair, though you think this suits him more somehow. 

His eyes, which are usually low-lidded and laidback, look swollen, and the bags under his eyes which you admire so secretly, are more pronounced. Satori looks tired and as soon as you register that it’s probably your fault, you let your shoulders fall. 

“How are you?” he questions softly, the familiar tenor ring of his voice tentative and needy as he follows it with your name. 

You shrug. “I’m okay. How are you?” 

“Been better,” he says, giving you a lopsided grin that you struggle to return. 

You nod at him, swallowing thick, and Satori lets out a shaky exhale and runs a hand over his buzzed red hair.

“I can explain what’s happening, if you want,” he offers. 

“It seems pretty straight forward,” you say. “You applied to a school in France, got in, and it spiraled out before you got the chance to tell me. Right?” 

Satori tilts his head, surprised. You’ve hit the nail on the head. 

“I’m sorry,” he says quietly. “I didn’t mean- I didn’t think that-” 

You nod, biting back the familiar sting of bile rising up your chest. “I know. I’m trying not to be mad.” 

“Are you?” he asks. “Mad, I mean.” 

You nod. 

“Why?” 

“What do you mean why?” you say, giving an incredulous snort. “You’re going away and you were going to do it without telling me.” 

Satori tosses his arms up a little, beginning to grow frustrated. “I thought you just said you understood what happened?” 

“I do!” you shout back. “Do you expect me to leap for joy because you’re going 9,000 kilometers away?” 

Tendou tries to step towards you, reaching out with his lithe fingers to attempt to soothe the anger he can feel rising in you. 

“I have no real idea why you didn’t tell me,” you admit, crumbling a bit. “I think I could go over it a million times in my head and never really understand. But I think the worst part is that I don’t even know what I’m mad at. I’m just mad.” 

He falters, opening and closing his mouth in an attempt to find something to say. You feel your eyes grow wet with tears. 

“Why is it so easy for you to just leave me behind?” You question quietly, your voice cracking as tears start to spill. You feel silly and selfish for asking him this, but it’s what comes up. That unfamiliar swell of emotions you’ve been experiencing for the past week all bring you here. “How can you just up and leave just like that without even asking me about it? Didn’t you ever consider that I’d want to know and celebrate with you?” 

“____,” he says quietly. 

“And I feel so dumb because I know I should be happy,” you cry, wiping your eyes. “I know I should be happy that you’re taking the first steps toward your future, but I can’t be. I’m so hurt, Satori and I’m so sorry that I am.” 

You shake your head a little when Tendou steps close to you, unable to lift your head to look at him. 

“I know you have your own life and your own future,” you say, nodding your head. “I know. But I don’t know how you could ever want to go so far away from me. I don’t think I could ever do that.” 

It’s not accusatory, but uncertain, like you’re weighing the words on your tongue. It almost sounds as if you’re questioning your own feelings. It even surprises you and you stare at the floor between your feet to try and ground yourself. You can hear Satori breathing. It’s a steady sound, occasionally hitching and giving away his emotions. 

“Do you love me?” he speaks up quietly. You raise your head, eyebrows furrowed. “Do you love me like that?” 

You don’t know what to say or how to answer. The question has forced your gaze back up to him. His small eyebrows are pulled together in the center and his lips, usually tinged with a small grin, are pulled downwards. You ache at seeing him like this. 

“Because I do,” he adds, staring at you. 

“You what?” It shocks you, and you shake your head a little as if that would clear up the misunderstanding. You watch as he breaks every boundary you both have ever created. 

“I have for a long time. I love you and I’m not leaving because I don’t,” Satori looks almost unrecognizable, so deeply passionate and emotional, but there’s something familiar in it. There’s an emotion that you’ve seen somewhere before. “I didn’t keep it from you because I don’t.” 

“What are you saying?” You can hardly hear your own voice over the sound of your heartbeat. 

“Do you love me?” He steps towards you, adamant in receiving an answer. “Because I really need to know, man. I can’t do this without knowing.” 

You try to gather your thoughts. All of the teasing, all of the little lost glances Satori would adopt, all of the secrecy. It was because he loved you? It was because he loves you? Even the thought feels heavy, like it’s coated in lead. The idea drops into the pit of your stomach, weighing you down and for a moment you think you may be sick. 

Do you love him? Do you love him the way he wants you to? You look at him, fingers trembling. 

“I don’t know,” you swallow. 

“Come with me,” he pleads, “just come with me.” 

“Why didn’t you tell me?” 

“I don’t know,” he says, running a hand forward on his head. “Because I love you. Because you drive me insane. Because I didn’t even realize I was hiding it until it was too late to not be hiding it. I never meant to let it get this far I never- I never meant to make you cry,” he says, stepping forward and taking your hands in his. “You’re my best friend. I never wanted- I never wanted to lose you and I was so scared and I didn’t- I didn’t know what to do.” 

You take in his explanation, nodding slowly. “So your solution was to say nothing?” You frown at him. 

Satori stares at you. “I’m sorry,” he squeezes your knuckles, “come with me anyway. Even though I didn’t tell you. Come with me.” 

You stare at him for a second, attempting to process the speed at which your brain is moving.

“I can’t do this without you,” he admits, letting his shoulders fall forward and casting his eyes toward the floor of his apartment. 

This sends you reeling more than anything he’s said yet. Satori, by nature, is fiercely independent. He’s fiercely driven and internally motivated. Most people, when they meet him, can recognize this instantly. It makes the admittance heavy, like it’s waterlogged. You gape at him. 

Your eyes follow the familiar planes of his body. His round, double-lidded eyes which are so familiar to you that you would know he’s watching you without even looking. The sharpness of his cheekbones. The undereye bags that you love so deeply. You follow the trail his cheeks make to his mouth, slightly parted and glossy with spit. His neck, leading down to his collarbone. The exposed parts of the muscles, now visible to you from any angle since he cut his hair. 

He’s looking at you with a desperate, wild look. It would be frightening if it were anyone else, but it’s Satori. It’s your most loved person. The one person you could do anything with and be okay. 

The boundaries which you’d relied on so often in times like this, don’t exist anymore. There’s no inbetween to fall back on, no safety net to keep you from falling completely. If you want you, you could give into this entirely. You don’t have to catch yourself. You don’t have to sleep on the couch. There’d be no more side-stepping and avoiding and wondering if you wish it or if you dread it. 

“Okay,” you say quietly, inhaling. “Okay.” 

Tendou looks at you for a minute, blinking. His face is so familiar and being able to look at it like this is like a homecoming. 

“Are you still mad?” he asks quietly, his hands still gripping yours. 

“Yeah,” you admit. 

“Can I kiss you?” He breathes out. 

“Yeah.” 

Satori leans forward, bringing his hand to the side of your cheek gently. He’s so close. The boy you’ve known since 13. You can feel his breath on your face, trembling slightly as he draws closer. You screw your eyes shut as his lips meet yours. Familiar is the word that comes to mind. You’ve never done this with him before, but you can map out the way they look from the feeling of them alone.  

You inhale sharply and Satori leans in closer, bringing his other hand to your face and deepening the kiss. He cups your face firmly with both hands, pulling you close to him as his shoulders drop and he lifts your face to get a nice angle. Everything about his touch is different, but somehow deeply familiar. It’s like you’re meant to be here like this with him. Like you’re meant to be in his arms, which your face cupped between his long, lithe hands. 

He pulls away from you, leaving you dazed and breathless. Looking at him from this close feels like a privilege. It’s like you can see every single detail about him that you’ve ever loved. You reach up to touch his face, running your thumb across his under-eye bag. 

“I’m sorry,” he says again, his lips swollen. 

You shake your head. “I should have been happier for you.”

“Mmm, you always worry about other people like that,” he says softly. “I’m the one who acted like an asshole.” 

“I still don’t want you to go away.” 

“I know,” he leans forward, pecking your lips. “But it’s not for a little while. We’ve got time.” 

You kiss him first this time, pressing forward until your lips find his. Tendou immediately licks into your mouth, deepening it with a groan and pulling your body flush against his. 

There’s so much relief in touching him like this, in feeling the slip and slide of your skin against his. It feels right, so right that all of your previous experiences begin to pale in comparison.

He is so dear to you that it is overwhelming. All of it comes at once as he lays you on the bed, hovering over you with his eyebrows pulled together. Everything that he is is so dear. His hair, his smile, his low-lidded and heavy creased eyes. Oh, how you love him. Any anger slips away in the realization. 

You’ve never seen him look quite so shy, nor so hesitant. His hands, which are usually so sure, run up your sides at an awkward pace, like he can’t quite get a hold of what’s happening. You feel that your expression mirrors his, that the pace of your breath betrays the nerves you’re feeling. 

Satori hovers over you, his shirt pulled off to reveal the pale expanse of chest you’ve seen a million times. His chest heaves, like he’s out of breath, his round shoulders supporting the weight of him as he looks at you. His eyes betray a sense of adoration. It’s an emotion you’ve seen in him a few times, similar to the expression he wears when he plays volleyball. It looks like he’s being consumed. Then, he tilts his head at you and smiles. You smile back at him, reaching to hesitantly touch the back of his head and pull him close to you. 

His buzz cut feels soft to the touch and Tendou gives in when he feels the warm pads of your fingers at the back of his neck. He lowers himself closer to you, shifting onto his forearms and then dipping his neck down to kiss you, beckoned by your gentle touch. You feel his knee press into the mattress between your legs and gasp when he moves it up to brush against your center. 

There’s a strangeness to being touched there by him. Along with the relief of friction, comes the oddness of who. That’s not to say that it doesn’t feel right. It does, though to ignore the years of history between you two would be a disservice. That strangeness, however, only fans the flames of your desire. This is a part of him you’ve never seen before. 

Satori’s fingers snake down your abdomen where your shirt has ridden up. They’re cold and you can almost imagine the round and somewhat pointed look of them. You glance between you both, admiring the knobby curve of his knuckles and the way he toys lightly with the elastic of your waistband. 

“Can I?” he breathes out, barely above a whisper and so laced with desire that you almost think he might whine. 

“Go ahead,” you exhale and he gives you a little smile before dipping two fingers between the folds of your cunt and pressing lightly on your clit. 

You gasp, arching your back up at the cool sensation of it, slowly relaxing as he starts to move his fingers in a steady circle. When you open your eyes, you see that he’s watching you, his neck craned down to peer at the expression you’re wearing. 

“Stop that…” you laugh lightly. 

“Stop what?” he croons, pressing lightly at your entrance with the pad of his finger. 

“Staring…” 

Satori leans down and kisses you while sliding one finger in. You feel him smile against your mouth when you gasp, the corners of his mouth curling up delicately as his mouth leaves yours. 

“You have no idea how long I’ve waited to touch you like this,” he says quietly, still against your mouth. Then, with that lovely upward lilt to his voice, “let me stare a little longer.” 

You huff a little, fighting the heat rising to your cheeks and he laughs a little bit, kissing down the exposed parts of your neck. 

“I could do this instead,” he hums, teasing a little as he pushes your shirt up and places a kiss between your breasts. 

His lithe fingers cup up to cup your chest, pinching your nipple over your bra with two fingers as he smears his lips down your stomach. You don’t know how to respond, instead watching the rise and fall of his head with your breathing as he leaves a trail of kisses down your abdomen. 

When Satori reaches your waistband, he pulls his hand from you and hooks two fingers around it, shimmying it down your legs. 

It’s not as if you haven’t undressed in front of him before. Satori has seen you at your best, your worst, and all of your inbetweens. You’ve changed in front of him more times than you can count, even going so far as to skinny dip together the summer before college. Still, this time is different. This time, when Satori undresses, he’s looking at you with his eyes that see everything. He’s watching the expanse of your body, gaze crawling up each inch of exposed skin until his gaze rests on your now exposed cunt. 

You let out a subconscious whine when his breath hits you and his lips curl up a little when you do. He rests his head on the inside of your thigh, looking up at you from between your legs. 

“Feeling shy?” 

“Obviously,” you force out, covering your face with your forearms. 

“Aw, what?” he pouts. “Don’t hide from me.” 

His voice is so sincere and so fond that it draws you out from behind your arms. He’s still looking at you, smiling from where he lays between your legs. 

“There ya are,” he says, a lopsided grin spreading across his features. “I’m gonna touch you now.” 

Then, he spreads you open with two fingers and licks one long stripe between your legs. You shiver, your hand instinctively flying up to his head where you grow frustrated that his long hair isn’t there to hold onto anymore. He gives you a small smile from between your legs, holding your pussy open, before dipping back down and securing his mouth around your sensitive clit. 

Something about this is so deeply embarrassing. Maybe it's the fact that it’s Tendou, or maybe it’s because you haven’t had someone go down on you this well in a long time. Either way, you feel the humiliation in your teeth like sugar, your knees knocking inward every now and then when he hits a particularly sensitive spot. 

Satori hums into your cunt every now and then, tongue lathing over your sensitive bundle of nerves. Everytime you twitch or gasp, he gives a pleasant little hum that you feel buzz through you, then he looks up to check on your reactions. His hands, which are so familiar you think you’d know them only by touch, wander over your thighs and up your stomach to your breasts. They don’t stay in one place for long, instead running all over your skin and leaving goosebumps in their wake. 

You’ve always liked Satori’s hands. Ever since you met him, you’ve thought they were nice. They’ve got a gentle look to them. They’re big and his fingers are long, but they’re thin, with smooth and somewhat knobby knuckles from injuring them so often in volleyball. They’ve always been hands that you wanted to be touched by and now that they’re running softly over your skin, you find yourself shivering at the overload of sensitive touches. 

Every one of Satori’s touches are gentle. Even his tongue between your legs, which winds the coil in your stomach tighter and tighter, is gentle in his appreciation for you. It’s like he’s experimenting ever so slightly, like he’s cherishing you while simultaneously figuring out what makes you tick. He already knows everything about you in a platonic sense, now he gets to learn in a sexual sense. 

Still, despite the gentleness of his touches, it is all too much. His hands, his mouth, the feel of his tongue as he sucks on your clit. Even just the way he looks, eyes closed and brows pulling upwards, is overwhelming. He moves his face side to side slowly, smearing you across his face, before he looks at you with low lidded eyes. 

The knot in your stomach tightens and you begin to swelter. Your face grows hot, lightheadedness flooding the space between your ears as you’re worked closer and closer to your high. You gasp, reaching to run a hand over his buzzed hair. 

He reaches up behind his head and knots his fingers with yours at either of your sides. You squirm against him, desperate as you build higher and higher. Satori groans lightly as you choke out a light warning, trying your best to not sound as broken as you feel. He nods, lapping at your cunt with a flat tongue until you feel you are fit to burst. Your chest heaves, your head spins, you begin to peak and then, Satori stops. 

Your voice catches in your throat. It’s a feeble, pitiful sound that catches and tapers into a low whine. You buck your hips forward, legs feeling like white-hot sandbags as your climax slips steadily away from you. 

Satori tilts his head at you, giving a wry grin. His signature smile is coated in you and his mouth and chin glistens in a way that feels incredibly vulgar. You tremble lightly as he wipes his face with the back of his arm and sits back on his heels. You watch the heave of his chest, lean muscle shifting underneath pleasantly warm skin. Starry freckles dot pleasantly across his chest and you briefly wonder where on earth he got them. 

As the frustration wanes, you find yourself wanting to be closer to him, desperate to build your high back up. 

“I kind of liked that reaction,” he drones lightly, leaning over you as you beckon him. 

“You’re such an asshole,” you breathe out, catching his mouth with yours. 

He hums into it, lips curling as he kisses you softly. 

“Uh oh,” he says against your mouth, “am I on your bad side now?” 

“Yeah,” you respond, reaching down between you both to run your hand lightly over the bulge in his boxers, “the worst of it.” 

Your response is absent-minded and quiet, not retaining your usually snarky attitude. Right now, the only thing you’re thinking about are the points of contact between you and Satori. There’s only touch. 

Satori doesn’t respond, instead letting his head hang between you both as you reach under his waistband and wrap your hands around him for the first time. He’s long and not particularly thick and you drag your hand up the length of him just to test his size. Satori’s so hard that you think it must hurt him, his tip wet with precum. 

He shudders over you, his shoulders tightening as you run your thumb over the tip of him. He’s more sensitive than you would have expected and you tilt your head slightly to watch the way he screws his eyes shut. 

He looks so new to you like this. Everything is new. It’s so new, in fact, that you can push aside your own desperation in favor of witnessing it. Though the person is familiar, the situation is not. It makes you feel like a virgin. Well, it makes you feel like a virgin and not a virgin at the same time. You’re having fun just playing with him, running your fingers along the length of him. It’s like getting to show him what you know, all with the butterflies of a virgin. 

You suppose he feels the same. Maybe that’s why he’s got his head tilted down, only looking up to give you a strained smile whenever the head of his cock brushes your slick cunt. 

There’s so much feeling. That’s the only way you can describe it. There is so much feeling between you both, humming and shifting and pressing against your sternums from the outside, begging to be let in. It’s tangible between the two of you, so present that you think you could grab it with your hand, but neither of you move to take it. Instead, you press closer, letting it sit heavy in the air between your faces. 

Satori doesn’t move to push himself inside of you and you don’t move to guide him there. Instead, you let the tip of him press lightly against you, running your fingers up and down it. The tension, made up of your frustration and feelings, balloons until you are certain it will burst. Your lower stomach winds and coils despite how gentle the touches are and desire makes its way into your throat where it sits leaded and heavy. 

He groans lightly over you, his hips shaking lightly with how long he’s been holding himself there. You run one hand over the curve of his shoulders, feeling the way the lean muscle shifts as he tenses and untenses. 

Finally, he pushes past the tight ring of your cunt with a low whine and you move to wrap your hands around him. The pads of your fingers press into his back, leaving marks in skin that you’ve seen a hundred times over. He trembles over you and your focus is pulled between your legs where you feel the pressure of Satori there. He presses forward until his hips are flush with yours and you’re made breathless by the sticky pressure of his pelvis against yours. 

He stays still for a while, tilting his head to the side to catch your mouth. You feel his breath come in quick bursts, but he never moves to fully kiss you, instead brushing his lips against yours as if to draw the desperation from it. You grow antsier by the moment, pushed to frustration quickly by the stillness of his hips and the distance of his mouth from you. When a low whine escapes your mouth, Satori smiles silently and flicks his hips forward once. 

You tip your head back and Satori chases your mouth, finally kissing you lightly as he starts to rock back and forth. 

He finds a slow rhythm. It’s deep and overwhelming, each thrust pushing deep into you until you feel the press of pressure in your stomach. He doesn’t so much thrust his hips as he does roll them at steady intervals, pressing the tip of himself up and into that gummy spot inside of you. 

You’re sticky between the legs. You can feel it each time he pushes into you, dripping from your pussy down to the mattress. Satori smears it with his hips on purpose. You can tell from his expression that he’s enjoying the mess, his familiar face watching for your reactions as he experiments with you. 

“You’re so fucking pretty,” he says through gritted teeth. His hand comes up to brush the side of your cheek. 

You don’t know how to answer, cut open by the affection in his voice and the way pleasure sews itself through. 

“You’ve always been so pretty,” he says again, bending down to kiss your neck. “But you’re even prettier like this. I don’t want to share it.” 

You shiver, “Then don’t.” 

Satori hums lightly, dragging his mouth down your chest to take a nipple in his mouth. He speaks around it. “I like the way you sound when you try and talk while I’m fucking you. Talk s’more.” 

The sentence is so dirty that it feels like your face is lit on fire, “No.” 

“Come on,” he teases, popping your nipple from his mouth and sitting up completely. He hits you deeper like this and you feel him twitch inside of you. “Just a little?” 

“Satori,” you whine a little, breathless. “I’m embarrassed.” 

“Of what?” He questions, reaching to take your hand and press it to your stomach. 

“I don’t know,” you grunt, gasping when he adds pressure to your stomach. 

“Of that?” he grins, fucking his hips into you sharply. You can hear the sound of your wetness. 

“Yeah,” you gasp, “that.” 

“Don’t be,” he mumbles, leaning over you again to speak against your mouth. “It’s really hot.” 

Your stomach flips, turning over as the pressure and his words come to a head in the space between your ears. Your cheeks heat and your stomach seems to roll beneath your skin. You’ve heard Tendou say all sorts of things about all sorts of people, but for some reason, the idea that he finds you hot sends you syrupy. 

“Satori,” you breathe out, tipping your head back to let him nip again at the sink on your neck. 

“Hm?” 

“Nothing,” you sigh. “Just wanted to say it.” 

“Again,” he says, punctuating his sentence with his hips. 

“Satori.” 

He groans, laughing a little. “Sounds different when you say it now.” 

He’s right. You’ve said his name a million times, but it sounds different now. There’s more intimacy to it, like you’re not just calling to him, but for him. The distinction to you is important and the sharp sound of the syllables leaving your mouth only serve to heighten your desire. 

Pressure mounts in your gut like water against a dam. You feel it build there while Satori presses his hips deeper. You repeat his name, embarrassed but calling out for him nonetheless. He obliges every time, meeting your pleas with heavy sighs that give away the closeness of his peak. 

“I’m gonna-” you choke, grabbing at his shoulders. 

“Yeah, baby,” he breathes, “me too. Whenever you’re ready, okay?” 

You nod, meeting your high with a dizzy head. Satori holds you still while your hips buck and your knees buckle beneath him. He follows not long after, spurred on by the press of your thighs around his hips. 

It takes a long while to come down. The haziness fades away but even after several long minutes, the glow does not. It sticks you to both like summer heat, inescapable and rich. Satori plays with the small baby hairs by your forehead and you let him, resting your cheek on his sticky chest. You’re not sure of what to say. It’s difficult to orient yourself. 

“Shit,” he mutters softly. 

“What?” Your stomach drops. 

“Nothing,” he says, running a hand down his face. “I think I’ve just got it way worse for you than I thought.” 

“Oh,” you say, nodding, letting silence settle over both of you before you break it once again. “I think I love you.” 

“Yeah?” he says quietly, lifting his head from the pillow a little. 

“Mhm,” you say softly. 

Satori presses his smile into the side of your head. 

“I’m a little nervous,” you say, laughing quietly. 

“Of what?” He grins. “That you’re gonna like me too much?” 

You slap his chest lightly, “Definitely not.” 

“Harsh,” he laughs a little. 

“I’m nervous because what if things don’t work?” you admit quietly. “We’ve known each other for so long, Satori, but what if one day we can’t stand each other? What if in the future we don’t even talk anymore?” 

“You trying to jinx it?” he laughs a little. 

“No,” you pout. 

“Well, look,” he says, lips curling in the corners, “there’s no way in hell I could ever get tired of you and I’d never let you get rid of me. I’ve been haunting you since we were 13 and I don’t really plan to stop.” 

“Haunting?” You scoff. “You know, Satori, you’re really fucking weird.” 

“That right, baby?” 

“Eugh,” you laugh a little. “Gross.” 

Satori shrugs. 

“I’m still upset you didn’t tell me about France either.” 

“I know,” he says a little softer. “I really-”

“You don’t have to defend yourself,” you say. “I think I’m just going to be mad about it for a while. You’ll just have to put up with me.” 

“Okay,” his voice sounds small and you turn over onto your stomach and press your forehead to his chest. 

“Everything feels so complicated now,” you say softly.

“Hey,” he tilts your chin up. “Do you love me?” 

“Yeah,” you answer, fighting the heat rising to your cheeks. 

“Good,” he says, giving you a boyish grin. “I love you too. That’s not so complicated, right?” 

The words of affection feel strange in the same way new shoes do. They fit, but they’re foreign. You have to orient yourself to the way they make you feel, but the joy of wearing them hums to life in your chest like a stringed instrument. Satori’s lips curl into a cheeky grin and the expression is so familiar that it makes you ache. It’s mischievous, like he’s not quite being serious and if you didn’t know him better, it would make you nervous. But you do know him better. You nod lightly and let his smile infect you the same way it has since you were 13. 

The glow remains. 

—

Sa-to-ri <3: you ready? 

You: ya coming now. 

Sa-to-ri <3: kk i’m outside. 

Your heart leaps into your chest. It swells there, heavy and affection filled. When you step outside, Satori looks up at you, pressing his palm to the wall behind him and pushing forward in one fluid motion. You watch recognition flash across his face the same way you feel it flash across yours and then, his eyes soften. His lips melt into an affectionate and easy going grin as you approach him. 

You fly down the steps, unable to choke back the small laugh bubbling at the back of your throat. 

“Satori,” you breathe as he takes you into his arms. You bury your face in the extra fabric of his sweatshirt, inhaling his familiar smell.

“Hi,” he chimes softly. You feel him rest his head on yours then, he sways a little bit. 

“I really missed you,” you sigh, unwilling to let go. 

“I missed you too,” he laughs a little and you feel his fingers come up to cradle the back of your head. 

How long has it been since you’ve seen him? Four months? Maybe five? Since moving to France, he’s come back to visit once for only a few days and though you talk to him on the phone almost every day, it’s not enough. It’s never enough unless he’s here. 

When you pull away, he takes your face in both of his hands and looks at you like he’s cataloging everything that’s changed about you since you were separated. His eyes trace the lines of your face and yours do the same to his. 

“You got prettier,” he smiles lightly. 

“Liar,” you laugh a little.

“Nope.”��

Satori leans forward and places his mouth on yours gently. You suck in a sharp inhale, heart racing against your ribcage. Even a year later, he still makes your heart leap out of your chest. You missed the way he tastes, relieved to finally be able to taste him again. 

“You buzzed your hair short again, baldy,” you laugh, reaching up to run your hand over the spiked surface of it. 

Satori rolls his eyes, They glide upwards as his head follows the motion of them and then, he scuffs the tip of his shoe against the floor. He’s wearing a pair of worn black high top converse. You’ve seen them many times before in the entryway of his old apartment, but in his time away they’ve become so well worn that they’re gray in certain areas. 

Tendou gives you a wry smile. It’s a ghost across his face as he narrows his eyes a bit in a familiar way. “Easier to manage this way at school.” 

“Mm, I bet. You sure you’re not just losing hair?” You tease. 

“Even if I were, I think you’d date me anyway.” 

“You got me,” you laugh, turning to walk down the street with him. 

Satori’s fingers automatically tangle with yours. You feel his knuckles slide past your own, the tips of his fingers cool but his palm warm and wide. Your mind runs at a mile a minute and you realize that you have no idea what to say to him. Right now, his familiarity and your longing for it are overwhelming. All of your thoughts are abstract and the warm, fuzzy feelings are unplaceable. They live in your throat. 

Instead of talking, you look over at him. The hair he’s just recently buzzed again highlights the delightful round shape of his head and you think it suits him. He looks clean and trimmed, something unusual for Satori, but you don’t find yourself missing his shoulder length hair. Instead, you like this metamorphosed version of him, somehow grown from the man he was when he left. You resist the urge to reach up and run your hand over the top of it again. 

It’s nearly 9pm and, as usual, the sidewalk is littered with people on their way home or out with friends. Girls pass Tendou in the street with little glances. They peek to the side as he walks past them, admiring the sway in his step and the alluring way he slouches forward the way they always have. These same girls giggle into their mouths the same way they always do. It’s easier to see now that you know how to feel about him, that Tendou is attractive. He’s always been that way, but now, as these girls whisper about you being his girlfriend, you find yourself giddy to be able to say that you are. 

You take stock of him beside you. He’s long and lean, staring ahead at the building just beyond the sidewalk in its seemingly endless stretch into the sky. His eyes slink back and forth between the screens illuminating the street with ads and every now and then, his gaze will stop on one he finds interesting and he will squeeze your hand. You watch him through the corner of your eye until you have to look away. 

The walk to the ramen shop is longer from your apartment than Tendou’s old one, but it’s familiar. You’ve not been back there since Tendou first moved to France last September. Still, each step that you take feels so natural that you could do it blind. 

When you reach the familiar ramen shop by Tendou’s old apartment, you notice that the blue curtains in front of the door have been replaced. The kanji is cleaner now and the bottom isn’t fraying quite the same way it used to. Tendou still holds them to the side for you, unlacing your fingers and ducking through the doorway after you. When you walk in, you find that now there are two ramen chefs behind the counter. The old chef, the one you grew up with, is toward the back of the bar and in front is a young man with features like his. 

You settle evenly into the bar, smiling softly at Tendou when he looks at you. When the old ramen chef sees you, the corners of his eyes crinkle in a welcoming smile. 

“It’s been a long time since you two have been here! What’s been keeping you away?” he exclaims, placing his hands on the bar. “The same usual orders?” 

“Oh, this and that,” Satori hums. “I moved to France and they hate coming here alone.” 

“That so?” The chef smiles. 

You both nod and Tendou slips into an easygoing rapport with the man, leaning his chin onto his hand as he talks. You watch the way the muscles in his arm flex and the way the corners of his mouth curl into a smile, sinking quickly into the comfort of the space. 

“You two together yet?” The chef glances between the both of you. 

Satori leans back lightly, looking sideways at you before he shrugs his shoulders. He doesn’t offer a verbal answer and you find yourself following suit in his shrug. 

“Yup, we’re in love,” you say, leaning forward and fighting the heat that rises to your cheeks. 

The chef waits for your subsequent denial but when it never comes, he smiles knowingly and pats the counter softly. He doesn’t offer his usual chiding remark. There’s no reason to anymore and instead he turns to fix your bowls. The soup will take 8 minutes to prepare. You have 8 minutes to sit here with Tendou and ask him everything you want to ask before you both become inevitably engrossed in your meals the way you always have. Tendou no longer adopts that signature spacey look he would have at times like these.

“How’s Paris?” you ask. 

Tendou’s eyes slink along his lower water line and he turns his head—still resting on his cheek—to look at you. “It’s good. Kinda cold. Make sure you bring lots of jackets.” 

You nod and think back to your apartment, filled with boxes that will be moved out and shipped ahead to Tendou’s Parisian apartment. All of your things, your life, are packed into those boxes. Scores of memories and matter, evidence of the years spent with him, neatly organized to be transplanted somewhere else. The apartment itself doesn’t matter much though, your home, you’ve found, is wherever he is. 

“Yeah? How’s school?” You lean forward to be closer to him. 

“Really good,” he sighs a little. “I’m really happy. Gonna be happier when you’re out there to see me graduate though.” 

“I’ll be there to see the other stuff too, like when you open your own shop.” 

“Mhm,” he laughs a little. “Did I send you the picture of the new place I was thinking of?” 

You shake your head a little. “Not yet, show me now.” 

Satori gives you an excited grin before he pulls out his phone to show you. The tab is already open on his phone, like he’d been staring at it only moments earlier and daydreaming about his future there. It’s on a street corner with big glass windows. The space looks empty from the photos, already cleared out and ready for him to move in. 

You can just barely see past the clear glass door into the cozy space inside. In fact, it looks to be only a little larger than the ramen shop you’re in now. 

“It’s got an apartment upstairs,” he says, a little quieter now. “I was thinking we could tour it once you get out there. I’ve already put in an application.” 

You bite back a giddy smile, the prospect of living with him becoming more real as he talks to you about it. There are several things you’re grateful for since you started seeing him, though perhaps one of your favorites is his continued openness with his wants and feelings. Even this small conversation makes you feel loved in a way that you have trouble describing. It’s so full that you have trouble swallowing it. 

“‘Course, you’ll stay with me in my old apartment till it’s all squared away,” he smiles a little. “I’ve got enough room, though it might be a little tight.” 

“I hope so,” you laugh a little, rolling your eyes. “I’m really relieved.” 

“Relieved? Why?” He gives you a small laugh. “You like being that close to me?” 

You shrug a little, rolling your eyes at his gentle tease. “I was worried you’d get out there and realize everything was wrong… or something.” 

“Weird of you, but okay,” he laughs a little, playing with your hand on the table. 

“Though you’d really be fine anywhere,” you laugh a little. “I think you’re just that kind of person, Satori.” 

“Only if you’re in my corner,” he says, giving you a sly grin. You shove his arm at the cheesy remark. Despite dating for a little over a year now, things like that catch you off guard. After all, in hindsight, being with him like this was the next natural step, you’d just been too stubborn to see it. 

It’s been a long while since the two of you have spoken in person and you soak him up like sunshine. He seeps into your skin through proximity alone. The distance made you nervous at first. Though you’ve gotten over the initial lie that separated and then brought you together, for some reason there was still some part of you that felt that when Satori left for Paris, he was leaving forever. You know now that that feeling was just your affection for him, but it doesn’t make the relief any less sweet. 

You can recall the teary-eyed confession he made like it was yesterday. The image of him with his hands at his side, asking if you loved him is burned into your brain. If you could go back, you don’t think you would change a thing. Your only regret was not being able to formulate those vague feelings which became so overpowering earlier. If you’d known earlier, you’d have been able to have loved him longer. You’d have been able to consciously love him the way you do now, the way you think you always have. Loving Satori comes easily, like breathing, up until that summer you’d just been too young and dumb to see it, your head underwater. It’s only been a little over a year, but hindsight is 20/20. 

When silence falls over the two of you, you lean close and let him scroll through the pictures from his time in France. You’re so deeply content. You’re so prepared to move to be near him, so ready to take that next leap and follow where he goes. It’s a secure feeling, one that grounds you in the moment. 

The chef places two bowls in front of you and Satori perks up, sliding his phone away and moving to crack garlic into his soup. He hands you the chili oil, remembering how you like yours and you smile warmly when his eyes meet yours. If you could, you’d kiss him right now just for remembering. The smell of ramen wafts up in thick clouds of steam, hitting your face with warm and heavy moisture as you lean over it and inhale. 

“It’s none of my business but,” the chef says, clearing his throat a little, “you both have been coming here for a long time and I think you’ve grown into fine young people. Take care of each other.” 

You’re too emotional to find the words, but the chef looks at you with something of a fond stare. He’s known you both long enough to understand to some degree how long it’s taken to get where you are. You stare with a childlike wonder, unable to say anything to this man who created the space you found so inviting through your adolescence, but Satori finds the words easily.

“It’ll be my privilege,” he smiles, the corners of his mouth turning. 

It’s such a simple statement, but it’s definitive and somewhat serious for Tendou. It implies longevity, the kind that lasts a lifetime. He sounds so certain of himself that you find yourself nodding firmly beside him, heat rushing to your cheeks. 

“Eat up, kids,” the chef smiles, glancing between you both and patting the counter with a smile. 

Tendou thanks him and you stare at the noodles in your bowl, feeling oddly introspective. What you’re feeling now is not quite elation, nor is it indifference. The best you could describe it is as a hopeful nostalgia. Beside you, Tendou begins to slurp at his noodles and when you glance sideways at him, he meets you in the middle. You can’t help but mirror him when he smiles around his chopsticks. 

You eat your ramen through idle conversation. Tendou talks about his future shop and you talk about the job you’ve managed to secure overseas with your previous experience from the company you’ve worked at the past year. You both have stable jobs now and it’s strange to talk about your future together as if it has already arrived. 

Suddenly, you are in your third year again, discussing futures that have long passed after an evening practice. Satori is in his volleyball sweater, concealing a sweat-drenched uniform, and you are wearing your skirt with sweatpants underneath it. That’s what this feels like. You’re no longer in the in-between. There is no precarious balance between past and present. There is only future. There’s only the future that you’re living in and the one you’ve both begun to make with each other. The in-between, that space between adulthood and adolescence where present and future find their middle ground, is finally beyond you. Though you can sit here and glance behind to recall all of those little choices, you’re here now, already arrived at the place where all of it has always led you. 

Two people, two collections of memories, each winding and twisting in their own individual ways. They’re what makes you both, the decisions that have brought you to this inevitable finish and this endless beginning. You remember the choice to say yes and it is with a nostalgic fondness that you realize, in all of your future glory, that there are more choices to come.

In this little ramen shop where your past meets your future, you and Tendou Satori, the boy you’ve known since 13, in the after. 

[senseearly]

so things i love about the ep:

i love the choice of VAs for the canaries, especially for mithrun (love uchiyama, he is the reason why i started reading/watching dunmeshi)

i love how mithrun is visible in the scenes in comparison to the manga where he is off frame until he starts speaking (i think it's neat choice of trigger to do that)

u can see who the canaries were in Utaya such as milsiril, lycion, cithis, etc. and it's a neat detail that mithrun is not there

i love how animated (yes, a pun, i know) pattadol's fairy was! the studio could've easily drawn it as part of the background, but it acted like a separate character in its own way, despite not being a character at all)

(i always forget is that it was implied that cithis, lycion, fleki, otta were deployed to utaya, perhaps not at the beginning, but by the end stages of the dungeon, when the brunt of the damage was over, as the clean-up crew if you will. they knew milsiril and the details they knew about the utaya incident was not something that you can just simply learn by hearing it from others)

one thing tho that i wished the ep did include is this:

the elf intimidation

in the manga, the canaries were introduced in such a way that they were like the 'bogeyman' or the 'bad guys' of the dunmeshi world. There's so much hearsay and bad rumors going about them, and Kabru adds to the tension for simply being so apprehensive while talking about them (not to mention really that you cannot fault people for having those rumors about the elves, given the way elves do see short-lived races and are so different from other races in general)

of course, the ep itself already builds up the tension and all of that. but i think the manga just does it so well that u can't help but be intimidated by them, be intimidated with kabru. and you'd think as well that they're here to ruin things for others. and the next chaps subvert that quickly

[l-in-the-light]

Trafalgar Law and shreds of closeness part 3: Donquixote Family Edition

What can I say, I got struck with inspiration yet again, the thoughts just do not want to leave me. This time it will get dark. And it will hurt, so feel warned. I will take a closer look at Law's closeness to the Donquixote Family and also do a small case study of affection between Doffy and Cora and their dad as well, to get a fuller context. Main focus will be on physical affection, yet again.

So what do you think, did Law get support and affection from his "second family"? I would say, very little. But let's look at evidence:

We have verbal support from Doflamingo himself when Giolla and Buffalo start to fear to touch Law or to even stay in the same room after they learn he's sick. That's 1:0 for him, I'm sure Law appreciated and remembered it. In retrospection, it would have been better for him if he didn't.

Then we have Giolla and Machvise who handled him like he's an object. Giolla keeps touching Law on the head, probably not caring why he seems displeased with it. She's just reinforcing the trauma, but I think overall she means well, she just doesn't think much about it. Giolla also shows Law the most physical affection and I swear it feels like she's trying to make up for her initial reaction, she's just not going the right way about it, making it worse instead.

Meanwhile we have Doflamingo, who despite defending Law before, never touches him. And I mean, never ever. Doffy remains cold not only with Law though, which we will see in a moment.

And then we have Baby5. She feels sorry for Law and even cried for him when she heard the story of Flevance (not in Law's presence tho), but she herself is bad with affection and care, because she also never received much, it also doesn't help that she is genuinely scared of Law's angry glares. All she can do to show him she cares is to smack and scold him. And of course when she does smack him it's on the head, which only becomes a trauma trigger over and over again. Those two just completely miss each other by a mile.

That's it. No other Donquixote Family's member ever tried to show some care in front of Law. They train him of course, but would you count kicking and punching him as a positive experience? Yeah, I don't think so.

And let's not forget Corazon, who carried Law like a bag of potatoes (and threw him around) for a long time, even after he kidnapped him. The Trip to Hospitals All Around the World kinda made him become better, holding Law close, trying to make him smile, carrying him all the time and at one point he even begs Law: "please give me the chance to do things right, stay strong for 3 more weeks!". Doesn't change the fact the touches he did give Law at the beginning were brutalized forms of affection, and we can't really forget that fact: that's exactly how Law's trauma of being touched on the head even started in the first place.

He already trained for awhile, but he still failed in the confrontation, and I think it was because of the touch. Being pinned down made Law probably freeze and unable to move. But even after being saved by Doflamingo, Law doesn't even try to seek support in him, unlike Baby5. Here we can see Doflamingo is alright if someone seeks comfort in him, but he will not give it by himself. That makes Doflamingo-Law combo the worst possible match up, a person who will never give it first and a person who will never ask for it, no wonder things were always cold between them.

Thanks to the fight against Smoker in Punk Hazard we learn that Law managed to overcome his trauma of being pinned down to a significant degree, because he manages to escape on his own. This scene gets an extra focus in the manga (it takes like 5 different frames!) which further convinces me it's that siginifcant. Law probably trained himself not to get overwhelmed like that ever again. Still, I can't help but notice soon after this happened Law starts to have troubles breathing, which means it still didn't leave him unaffected. He pushes to finish the fight faster afterwards as well.

One of his trauma triggers is feeling helpless and being pinned down definitely counts for that. I don't think this started with Vergo, I would say it was already a thing after Flevance, when he had to discover more and more dead bodies of people dearest to him, unable to do anything about it.

Let's look at his symptoms thanks to which we can recognize he's going through a triggering situation. Visible shivering, heavy panting (to the point of weezing which makes me think it can even go as far as bordering on hyperventilation or the opposite - apnea). And then in the last image he just goes stiff which I interpret as him completely freezing up. Damn, that's actually a lot. It's very similar to Robin's trauma responses in Water 7.

You can also notice that Law clenches his fists and it seems to be a sign that he's struggling or forcing himself to be strong. He still does it *a lot* when he's an adult. I think it might have honestly became a habit. He does that just before a battle, in most stressful situations when he knows he can't show his emotions (or just doesn't want to), and well, if we go by the anime version, also when he leaves Wano with his own crew. Basically any time he makes a firm resolve or a hard decision, he also does that. I swear sometimes it feels like he struggles for half of the Dressrosa and Punk Hazard, which you know what, might be way too accurate.

Also bonus wholesome points for Luffy caring more to support Law and Muucy than caring for falling into water himself. I'm not sure how much that helped Law when he was dealing with a triggering situation, especially that unfortunate contact with the top of his head. I guess it's still better than similar situation but with Law completely alone.

This puts this scene into a completely new perspective, right? He's shivering here and definitely froze up, even his speech bubble looks distressed. He's not getting angry here, his trauma trigger kicked in. I did check if he ever shivers or freezes up when he tries to, for example, stop himself from feeling angry, but no, we never see that happen. I'm sorry for ruining the comedy :( tho to make it better, he's also shocked, because just moments before Strawhats feared him, and now they already don't and even laugh at him. Damn, I'm now so torn about this scene, I mean, Strawhats couldn't have known!

Now a promised closer look at Donquixote family's approach to closeness and touch. When they were still Celestial Dragons, they barely touched each other. No small touches on the back, hand holding or anything else you usually share with kids. The closeness starts only after they're all starting to be persecuted. First time we see Doffy holding his mom's hand is when they run away from their burning house. First time we are shown Homing hugging his kids is when village people are beating them up and he is just trying to cover them with his own body, so he takes the beating instead of his kids.

The last memory Rosinante has of his father is the hug. And the first memory he has of Sengoku is also a sort of half-hug. Might be why he got so attached to him.

Little Doflamingo and Rosinante are always together, but they never touch in any way. It's clearly Doffy who takes care of his younger brother, probably also telling him to toughen up.

Weird mocking touch on the head from Trebol. And like always, no one ever touches Doflamingo, not even his own officers, and that's true ever since Doffy was a child.

He even tells Trebol he's too close. Doffy doesn't want touches anymore, because it seems in his mind he understands them as someone protecting him, and he doesn't need protection. Ever since he killed Homing, Doffy took the role of being a head of the family and protecting Rosinante, so no more hugs or hand holding for him. In other words, Doflamingo associates physical affection with protection and incoming abuse. And whenever he touches someone it's exactly for that reason: to hurt them.

An interesting parallel because this happens in exactly same chapter: Law is trying to move away because Luffy's "too close". He even lets him take the transponder away and just stands there and waits. And you might wonder: what for? Is he hoping Luffy will give it back by himself?

No, it just took some extra time for Law to brace himself to touch Luffy and shove him to the side. Even though both Doffy's and Law's first instinct here is to move away, Law is struggling but actually tries to overcome it, contrary to Doffy, who seems content in his "no touching" comfort zone.

Let's take a look at Dressrosa now. Doffy is carrying Law by his clothes, Law is unconscious, but he will not touch him directly anyway. Cora-san used to do it as well at first to Law.

But then, you might ask, they fought so much in Dressrosa, surely some kind of touch had to happen as a result? I mean, most of them were indirect touches with Doffy's strings, kicking Law or stopping him by grabbing his sword. But you are right, exactly two touches do happen. You're not gonna like it.

This is literally the first time Doflamingo ever touched Law. To stop his attack he forcefully grabbed his hand. Law is shivering, this actually triggers him, and there's just no way Doflamingo doesn't know that, he can feel it.

And then he makes the full use of the situation. Doflamingo holds Law up in the air, but we can see by the onomatopeia that he's literally holding him up by his hand alone and Law is just freely dangling there, Doffy's not using any strings to immobilize him, not even armament haki. He doesn't even need to. Finally he gave Law the touch he must have been craving when he was a child from him, but it's not a caring one, and what's the next thing Doflamingo does to that hand he just touched? He cuts it off, ripping open the psychological wounds, making them deeper, perhaps hoping Law will never recover from them. Because that's the easiest way to control him later if he wishes to do so, to make him pliant, defenseless and unable to fight back and terrified. But also to punish him for the "rebellion" against him... but also to punish Law for his need and fear of touch. This is a lesson: never want affection, closeness or touch, you're never getting any. Unless it's this: abuse. And if you don't think this is terrible enough, let me remind you: this is their first touch *ever*, Law probably waited for it when he was a kid.

And Law is just hanging there, not even trying to move, and it lasts for like three or four pages long, and I remember when I reread this a couple of times, I was a bit puzzled. Why isn't Law struggling to release himself? Why is he just letting this happen? Especially when it's becoming very clear what Doflamingo is gonna do next. So I have my answer: Law froze up, it's his body shutting off on it's own and all he can do is to just be there and wait for it to be over. It's painful, because we know Law always struggles, always fights back, and he tries here, with words, but he can't do anything else and he just watches it happen.

And this is the second time Doflamingo touches him. It's after the Gamma Knife attack, Doffy knows what he's doing here, he chooses to make contact with Law's head/face (he must have noticed Law's discomfort to it before when Giolla often did it to Law as a kid, and now he utilized this knowledge). He tries to make Law freeze up so he can't finish his move and who knows, maybe that was the final factor of why Law failed to kill off Doflamingo.

To wrap things up, I will share the interesting parallel that I think can be drawn between two rather unexpected characters: Law and Boa.

Both Law and Boa are most comfortable around Bepo (and the snake in Boa's case). Both are victims of brutalized touch and lack of loving and caring one. But while Law fearfully accepts what's given to him, Boa rejects it (even symbolically by kicking fluffy animals away or refusing any show of affection like gifts). Both are touch starved, but Boa will never even try to touch Luffy, and the only time Luffy touched her was in that stealth mission in Impel Down (they didn't have the choice) and hugging her after she gave him the key to Ace's cuffs. Boa doesn't return the gesture, she is very flustered and falls to the ground afterwards, which reminds me a little of her later scene with Rayleigh. Not even Boa's own sisters are shown to share any sort of physical affection with her, Boa shows cold and manipulative attitude to almost everyone besides them. The only other person Boa ever touched was Rayleigh (she's on the ground here again) after he helped them fight off Blackbeard's assault on Amazon Lily and it might be a traumatic response: Blackbeard tried to strangle her after all. Boa's love is passionate and platonic, she shows her affection and caring with indirect gestures (food preparation, offering support and help etc.), probably because that's what she remembers others tried doing for her before. She can't even deal with intimacy face to face and Law also tends to act cold to very open displays of affection and emotions.

Big thanks to @tae-rambles for mentioning the scene with Boa that completely slipped my mind <3 added it in the edit!

[ju1cyfru1t]

hey!! if you are taking requests, i wanted to request the tmnt mm! boys having a crush on a fem! reader who’s EXACTLY like raph. she loves fighting, may or may not have anger issues, cursed with resting bitch face, BUT, she’s actually really sweet and outgoing. never afraid to speak her mind, so, she may come across as rude sometimes, but, she never really means to be. (lowkey a biased request but SSSHH, we’re not gonna talk about that)

MUTANT MAYHEM REQUEST⁉️⁉️ AYO THANK YOU

Mutant Mayhem! Mikey, Leo, Donnie, Raph x crush! fem! reader

tmnt mutant mayhem x reader

reader with a Raph-like personality

fluff! :D hcs, fem! reader, cursing

PSA: I HAVE ONLY SEEN THIS MOVIE LIKE TWICE SO I TRIED MY BEST 🤞🤞🤞

Let’s just set this up by saying you have a class with them in school and you get partnered for a project or sit next to each other or WHATEVER YOU WANT. Any class you want bae; math, English, science, idc. all of them IDC

Mikey 🍉

- the moment he met you, he made it his goal to make you laugh or at the very least smile

- “*insert dumbass joke here*, am I right? HAHAha…hah..ha…”

- Lowkey intimidated at first, he doesn’t really know what to say

- will not stfu tho

- ^not in like a bad way or anything. he’s just outgoing

- and when you finally show your outgoing side? pure relief for him

- really starts to like you after seeing your sweeter, softer side. he appreciates that you seem to trust him.

- again, he is not giving up until he can make you laugh or at least smile just a little bit, no matter how long it takes. 5 minutes? 5 days? NEVER BACK DOWN NEVER GIVE UP ‼️

- talks a lot, but is also a fairly good listener while you talk about your interests

- lots of compliments from him

- still a little intimidated by you and really does whatever you tell him to

- ^ “yes ma’am.”

- it’s giving golden retriever + black cat. sunshine + midnight rain. or a tornado or something

Leo

- You know that moment when he saw April in the movie? Shhhhh just pretend it was like that when he saw you

- except with your RBF

- nervous af but he’s trying his best

- “your number? for the project? uh, I mean, yeah that’s cool-“

- really wants to impress you in some way

- “I mean not to brag or anything, but-“

- AND you’re opening up to him? have mercy

- shocked at how actually nice you are despite your intense demeanor

- admires your confidence more than anything as he gets to know you

- “you like wrestling? yeah, my brother does that…it’s cool.”

- speaking of his brothers, they are FLAMING him

- him??? with a girl like YOU?? preposterous

- the type to agree with almost anything you say so you’ll like him. esp if you’re really outspoken and opinionated.

- if he ever saw you get into a fight, he is freaking tf out and not in a good way

- asks to borrows pencils or paper just to have an excuse to talk to you when he can’t think of anything else

- SIMP. he will walk you to class, would offer to carry your books, the whole shabang.

Donnie

- your RBF is really catching him off guard

- like, why are you looking at him like that???

- lowk scared of you but would never admit it, not even to himself

- the only way you’re really speaking for the first time is if you’re partnered for a project or if you talk to him or wtv, but he is not starting a conversation with you on his own

- IMMEDIATELY recognizes that you seem eerily similar to someone he knows really well…

- heaven forbid he find out you have a common interest. whether it be k-pop, anime, comics/manga, technology, ANYTHING. he is info dumping whether you want him to or not

- really prefers your nicer, outgoing side over your anger any day

- it would take a really long time for him to recognize that he’s interested in you

- I mean, it’s kind of unexpected for him to like someone who’s so…rugged? tough? intimidating?

- probably easy to argue with if you don’t agree on something

- thinks it’s hella funny to see you put someone in there place and thinks it’s so amazing to be able you can stand up for yourself like that

- unsure on how to express his emotions properly, but he’s trying his best. I mean, he’s not exactly experienced-

- videos any fight you get into while shouting “WORLD STAAAR”

Raph

- what a dream duo /sar

- being so for real, you would probably not get along at first. angry + angry does not mix well.

- he would start to like you after getting to know you better

- you know when you meet someone and you just have so much in common that it just like clicks???

- feels like you won’t judge him for his issues bc you’re the same way. not that he cares what others thinks, but it’s still nice yk?

- even though it is easy for you to get into stupid arguments but shhhhh

- DENIES DENIES DENIES

- “ ew, I do not like her.” even tho he totally does

- lowk rlly wants you to come to his wrestling matches after you talk about liking fighting

- “yeah, you could come watch sometime…or whatever.”

- utilizes the ‘playing it cool’ method. tries to at least.

- you’re getting into a fight? hit him up. TRUST he will be there

- ^cheers you on

- brags about all the crazy shit he and his brothers do to impress you even if you’re really not all that impressed