#hazzardous products

[jessicazoe]

Practicing The Pitch

I was listening to a podcast in which a journalist was talking about how they pitched a project to National Geographic. And it struck me – what if we…Practicing The Pitch

[wheelsgoroundincircles]

1968 Dodge Charger R/T

Introduction

The 1968 Dodge Charger R/T stands as an enduring symbol of American muscle car history. With its distinctive design, powerful engine options, and thrilling performance, this legendary vehicle has captured the hearts of car enthusiasts for generations. In this article, we’ll take a closer look at the 1968 Dodge Charger R/T, exploring its history, specifications, and the enduring appeal that makes it a true automotive icon.

The Birth of a Legend

The story of the 1968 Dodge Charger R/T begins with its debut during the golden age of American muscle cars. Dodge, a brand known for its commitment to performance, introduced this model to compete with other muscle car giants of its time. The Charger R/T was an instant hit, thanks to its sleek, aerodynamic design and powerful engine options.

Design and Styling

Striking Exterior

1968 Dodge Charger R/T

One of the most distinctive features of the 1968 Dodge Charger R/T is its unforgettable exterior design. The fastback roofline, hidden headlights, and full-width grille give it an aggressive and unmistakable presence on the road. It was a design ahead of its time, setting trends that would influence future generations of muscle cars.

Luxurious Interior

While the Charger R/T was known for its performance, it didn’t compromise on comfort and luxury. The interior featured high-quality materials, bucket seats, and a driver-oriented cockpit. This combination of style and comfort made it a versatile car, equally suitable for daily driving and spirited weekend getaways.

Heart-Pounding Performance

Engine Options

1968 Dodge Charger R/T

Under the hood, the 1968 Dodge Charger R/T offered a range of powerful engines. The most iconic choice was the 440 Magnum V8, producing a whopping 375 horsepower. For those seeking even more power, the legendary 426 Hemi V8 was available, delivering an astonishing 425 horsepower. These engines ensured that the Charger R/T lived up to its reputation as a high-performance machine.

Thrilling Performance

With its potent engines and well-tuned suspension, the Charger R/T delivered an exhilarating driving experience. It could accelerate from 0 to 60 mph in under 7 seconds, a remarkable feat for its time. The combination of raw power and precise handling made it a favorite among drag racers and car enthusiasts.

1968 Dodge Charger R/T

Enduring Popularity

Cultural Impact

The 1968 Dodge Charger R/T wasn’t just a car; it became a cultural icon. Its appearances in movies and television shows, most notably in “Bullitt” and “The Dukes of Hazzard,” cemented its status as a symbol of American automotive excellence. Even today, the Charger R/T continues to inspire filmmakers and car enthusiasts alike.

Collector’s Item

1968 Dodge Charger R/T

In the world of classic cars, the Charger R/T holds a special place. Its limited production numbers and timeless design have made it a sought-after collector’s item. Restored and well-maintained models can fetch impressive prices at auctions, reflecting the enduring demand for this iconic muscle car.

Conclusion

In conclusion, the 1968 Dodge Charger R/T remains a timeless classic in the world of American muscle cars. Its bold design, powerful engines, and cultural significance have ensured its place in automotive history. Whether you’re a car enthusiast or simply appreciate the beauty of a well-crafted automobile, the Charger R/T is a vehicle that continues to captivate and inspire.

1968 Dodge Charger R/T

FAQs

Is the 1968 Dodge Charger R/T still in production? No, the 1968 Dodge Charger R/T is not in production today. It is a classic car from the late 1960s.

What is the price range for a well-maintained Charger R/T from 1968? The price of a well-maintained 1968 Dodge Charger R/T can vary widely, but it often falls within the range of $50,000 to $100,000 or more, depending on the model’s condition and rarity.

How fast can the Charger R/T accelerate from 0 to 60 mph? The Charger R/T could accelerate from 0 to 60 mph in under 7 seconds, thanks to its powerful engine options.

What are some notable appearances of the 1968 Dodge Charger R/T in pop culture? The Charger R/T is famous for its appearances in movies like “Bullitt” and “The Dukes of Hazzard,” where it played iconic roles.

Were there any special editions of the 1968 Charger R/T? Yes, Dodge offered special editions and performance packages for the Charger R/T, including the 426 Hemi engine option, which was a favorite among enthusiasts.

[glennk56]

Dennis Burkley in the 1980s (Part 1)

Dennis Burkley replaced Demond Wilson on Sanford and Son became Sanford in March of 1980.

He also appeared in episodes of The Dukes of Hazzard, Young Maverick, The Misadventures of Sheriff Lobo and Tenspeed and Brownshoe (photos above).

In 1981, while still playing Cal in Sanford,

he managed one guest appearance in The Greatest American Hero as a biker.

In 1982, Dennis Burkley appeared in an episode of Gimme a Break as the founder of a Miracle Weight Loss Product who is still trying to sell it even though it is obvious it isn’t working. Lots of terrible fat jokes that were just mean, especially when delivered by other fat people.  

In 1983, Dennis appeared in Knight Rider as a big, bad guy.

He also appeared as a big, bad guy in The Fall Guy.

And another big, bad guy in Scarecrow and Mrs. King.

 He also played a man named Sonny Crockett for 4 episodes of Hill Street Blues and made an appearance in Bea Arthur’s short-lived Amanda’s. He also appeared in the TV Movie Sutter’s Bay.

In 1984, Dennis Burkley played a trouble-making biker on the beach in TV Movie Summer Fantasy.

He played an angry man that is snowed in on Night Court.

He also made appearances on ER, The Yellow Rose and The Rousters.

[jasonsutekh]

Giant (1956)

A tale of a Texas ranch owner and his family across the course of one generation’s lives.

As an epic it has the benefit of showing an entire lifetime in one film, including the contrast in outlook for each characters as they develop such as how they feel stifled when young but deny their children freedom to make decisions for a time later. The acting was fair and the cast get the opportunity to show some range as the characters age.

It’s a very long film, as is the hazzard of an epic, so one really has to submit to investing in the characters even if they are a little too repressed, in order to experience enough of the story without it swiftly feeling like a tedious family reunion. There are few really dramatic scenes and the ones there are often end up being generic fist fights.

The genre was a combination of Western and soap opera which was an odd mixture of dramatic elements and iconography but it worked effectively enough and the characters had the chance to develop more than they would in a typical Western. There was also some race subtext that was handled rather well for the time.

Some of the cast were perhaps a little too young for the older versions of the characters but it would have been somewhat disappointing if they had switched to different actors too. The race and class politics were the main thing elevating this from an omnibus soap drama, although few of the main characters could be described as lower class considering how big the houses are.

3/10 -This one’s bad but it’s got some good in it, just there-

-James Dean died in a car accident around the time production on this movie concluded.

-Many fans were said to have crowded the premiere, expecting Dean’s death had been a publicity stunt.

-Dean and the director had a bad relationship that included insults and at one point Dean reportedly yelled “Cut!” and urinated in front of the crew and visitors.

[fastmusclecar123]

New Post has been published on https://fastmusclecar.com/exploring-the-timeless-appeal-of-classic-vintage-muscle-cars/best-muscle-cars/

Exploring the Timeless Appeal of Classic Vintage Muscle Cars

In the fast-paced world of automobiles, where each passing year brings forth innovations and modern designs, a class of vehicles seems to defy the sands of time. With their roaring engines and iconic designs, classic vintage muscle cars maintain an enduring appeal that transcends generations. This article explores the reasons behind the timeless allure of these automotive legends.

The Birth of an Icon

Classic muscle cars arose in the mid-twentieth century, fueled by post-World War II optimism and a thirst for speed. Sensing a demand for excitement on the road, American automakers developed muscle cars. The Ford Mustang, Chevrolet Camaro, and Dodge Charger emerged as trailblazers, representing the spirit of defiance and power that defined a period. These brands are characterized by unique engine and body parts that ultimately make the automobile stand out. You can see more info here about various automotive products from these brands.

The allure of classic muscle cars lies in their performance and their symbolism. These vehicles were born when the open road symbolized freedom and driving was not just a means of transportation but an expression of individualism and adventure.

Some of the most iconic classic muscle cars that have left an indelible mark on the industry are:

Ford Mustang

Model Years: 1964-1973

The Ford Mustang is an American icon and one of the pioneers of the muscle car era. Its introduction in 1964 created the “pony car” class, offering a blend of style, performance and affordability. The 1967 Shelby GT500 is particularly revered, featuring a powerful 428 Cobra Jet engine.

Dodge Charger

Model Years: 1966-1974

The Dodge Charger is known for its bold design and powerful engines. The second-generation Charger (1968-1970) is often considered the pinnacle, with the iconic “Bullitt” Charger R/T and the monstrous Charger Daytona, designed for NASCAR dominance. The 1969 Charger, immortalized in movies like “The Dukes of Hazzard,” is particularly iconic.

Chevrolet Camaro

Model Years: 1967-1969

The Chevrolet Camaro is another heavyweight in the muscle car arena. The first-generation Camaro, especially the SS and Z/28 models, is celebrated for its aggressive styling and high-performance options. The 1969 Camaro ZL1 is one of the most sought-after muscle cars, boasting an all-aluminum 427 cubic-inch engine.

Pontiac GTO

Model Years: 1964-1974

Often credited as the first true muscle car, the Pontiac GTO paved the way for the revolution. The early GTOs, especially the 1966 model with the potent Tri-Power carburetion system, are highly coveted. The GTO embodied putting a big engine in a midsize car, creating a formula that defined the muscle car ethos.

Model Years: 1964-1972

Chevrolet Chevelle SS:

The Chevelle SS is a classic example of Chevrolet’s prowess in crafting muscle cars. The SS (Super Sport) package, available on various Chevelle models, turned these midsize cars into high-performance beasts. The 1970 Chevelle SS with the LS6 454 cubic-inch V8 is legendary, boasting one of the highest factory horsepower ratings of the era.

Design Elegance that Stands the Test of Time

The timeless design of classic muscle vehicles is one of their distinguishing features. The sleek forms, forceful poses and eye-catching color palettes distinguish them from their counterparts. The union of form and function in these vehicles reflects a time when style was just as vital as substance. Even in the middle of a sea of modern automobiles, the timeless beauty of their design guarantees that these cars remain head-turners.

Classic muscle cars are not just machines but works of art on wheels. The aesthetic appeal of their design is not subject to the whims of passing trends, making them a testament to the notion that true beauty is eternal.

Nostalgia and Cultural Significance

Beyond their mechanical prowess, classic muscle cars carry a cultural significance that adds layers to their timeless appeal. These vehicles are not just relics of the past; they are living reminders of a bygone era. Nostalgia plays a pivotal role in their enduring popularity, as they evoke memories of when the automobile represented more than just a mode of transportation.

Movies, music and popular culture have all contributed to the mystique surrounding classic muscle cars. From iconic scenes in films to the rock ‘n’ roll tunes that echoed through the radio waves, these cars became intertwined with the cultural fabric of their time. Owning a classic muscle car is not just about having a vehicle; it’s about possessing a piece of history that encapsulates the spirit of an era.

Conclusion

In a world where trends come and go and technology advances relentlessly, classic vintage muscle cars stand as stalwart guardians of a bygone era. The birth of these iconic vehicles marked a turning point in automotive history, and their timeless allure continues to captivate enthusiasts across the globe. From the engine’s roar to the elegance of their design, classic muscle cars are more than just vehicles; they are living legends, embodying the spirit of an age that refuses to be forgotten.

[lboogie1906]

Patrick Henry Wade, known professionally as Adam Wade, (born March 17, 1935 - July 7, 2022) is a singer, musician, and actor. He is known for his stint as the host of the game show Musical Chairs, which noted him as the first African American game show host.

He attended Virginia State University but dropped out in his sophomore year.

After working for a time as a lab assistant on the polio research team, he began to pursue a recording career, signing with Coed Records. He had his first hit (#58) with the song “Ruby”, a cover of the hit movie song. Three of his recordings (“Take Good Care of Her” (#7), “As If I Didn’t Know” (#10), and “The Writing on the Wall” (#5) made the Top Ten in the Billboard Hot 100 chart. These songs made the Top Five of Billboard’s Easy Listening survey. He released the following albums in the UK: Adam and Evening and Adam Wade One Is A Lonely Number. He released an EP in 1960 And Then Came Adam. “Take Good Care of Her” reached #38 in the UK Singles Chart. His vocal style was generally compared to that of his contemporary Johnny Mathis. But it was a singer from an earlier period, Nat King Cole, who was his principal influence.

He starred in a stage production of Guys and Dolls and hosted the talk show in Mid-Morning LA. He co-starred in a production of Same Time, Next Year. On TV he was seen in The Guiding Light and Search for Tomorrow, and was a familiar presence on Sanford & Son, The Jeffersons, and What’s Happening!! and Good Times. He began to concentrate on acting and appeared in several movies, including Gordon’s War.

He returned to recording, producing a self–titled album on the Kirschner record label, which was distributed by Columbia Records. He appeared in one episode of The Dukes of Hazzard. His latest theatrical appearance was with the 2008 touring company of the play The Color Purple. He and his wife have a music production firm, Songbird, whose headquarters are in New Jersey. #africanhistory365 #africanexcellence

[fantasyfantasygames]

Re-Review: Dukes of Hazzard

The Dukes of Hazzard Role-Playing Game, Yee-Haw Entertainment, 1983

When someone pointed me to this old review of the The Dukes of Hazzard RPG, I had to check it out. There's a whole range of games that came from the side of the hobby that gave us the Dallas RPG, and they really don't get enough attention. I decided to give it a look and see whether I agree with the original reviewer.

There's a glaring issue with this game and I'm going to talk about it last. Rest assured that I have not missed it or forgotten it.

I agree with the reviewer that some of the rules are totally broken. The resource-building phase is the worst of that, especially in that you have three actions to spend and most things cost zero of those. That you can stock up as much gas and exploding arrows as you want seems fine. That you can loop "go broke" (zero actions, -$500) and "beg and borrow" (zero actions, +$1000) to net $500 cash as many times as you want really destroys the "blue collar country life" vibe right away. Chargen is unbalanced on a MSH level - you might end up with five great stats, you might end up with five lousy ones, and there's no compensation.

The cards, though, those provide a level of chaos I think is appropriate for the game. Sometimes you get away instantly, sometimes you get run into a trap instantly, sometimes you have a running chase for half the episode. In a more modern game you'd do it with an explicit momentum mechanic, but for a game of its age this is pretty reasonable. None of the cards really end plotlines, they just change venues and alter resources.

The setting part of the book is part TV-Guide-level episode synopses, part stills from the show (which print really poorly in black-and-white), occasional maps for pieces of Hazzard County, and weird trivia about the show's production, the actors, and the characters. It reminds me a little of the setting part of the Tenchi Muyo RPG. If you don't know the show, it gives you some idea of what you'll have to work with, but if you don't know the show you're almost certainly not buying this game.

Ok. Time to deal with the real issue with the game.

When I was a kid I loved The Dukes of Hazzard. This is because I was a child, and one who grew up in one of the whitest states in the union. I just liked that Country Man Drive Fast Car Shoot Bow Go Boom. The goddamn car has the supposed Confederate flag on the roof and I genuinely had no idea what it meant. Seriously. That's how deficient my education was. I'd hear people say "The south will rise again!" and my thoughts were generally "Sure it will, loser" and not "Let me take a few steps away from this racist." So yeah - whole game's rotten from the core. Like Boomslang, you could strip it for parts, but you're better off borrowing things from a better game.

I did manage to get in touch with the original reviewer. He said that he would definitely bring up the series' inherent racism if he were to redo his review. My guess is that he was kind of in the same place I was, though I couldn't say for sure. We're both lucky that we got the chance to learn.

And we're also lucky, as he said in his review, that the game failed to gain a foothold. You won't find this one for sale any more.

[justforbooks]

The Grammy and Emmy-winning director Bruce Gowers, who has died aged 82 of an acute respiratory infection, enjoyed huge success in American television through his work on high-profile awards shows including the Emmys, the MTV awards, the Academy of Country Music awards and the Comedy awards. He also directed nine series of American Idol: The Search for a Superstar, which brought him an Emmy award in 2009. He masterminded a string of TV specials for music legends including the Rolling Stones, Prince, Fleetwood Mac and Rod Stewart, and oversaw coverage of President Bill Clinton’s inaugural concert at the Lincoln Memorial, which gathered artists from Michael Jackson and Aretha Franklin to Tony Bennett, Bob Dylan and the rapper LL Cool J.

Another standout addition to his CV was Michael Jackson: 30th Anniversary Celebration (2001), a record of two concerts at Madison Square Garden, New York, peppered with guest stars including Marlon Brando, Liza Minnelli, Ray Charles and Elizabeth Taylor. He won a Grammy for the Huey Lewis long-form video The Heart of Rock’n’Roll in 1986, and a Directors Guild of America award for his work on Genius: A Night for Ray Charles (2004).

But if there was a single event that seared Gowers’ name into the history books, it was his work on Queen’s video for Bohemian Rhapsody (1975). He had already worked with the band, having directed a video of their live performance at the Rainbow theatre, London, in 1974, and they then hired him to make the promo clip for Bohemian Rhapsody to avoid them having to mime it on the BBC’s Top of the Pops. Chunks of the six-minute film show Queen performing the song with their customary flamboyance, but what makes it unforgettable are the sequences where the band’s spectrally lit faces loom against a black background as they sing the song’s multi-layered harmonies. The video took a mere four hours to shoot at Elstree Studios in Hertfordshire at a cost of £4,500, but it became recognised as the moment when the pop music video arrived as an invaluable promotional tool for pop musicians, paving the way for the launch of the MTV music channel in 1981.

“At that time it was a new world, the world of videos, and I didn’t think anyone was that into it for making money,” commented Gowers. “The video was just made for Top of the Pops and I don’t think any of us thought it would go beyond that – certainly not to be used live on stage for over 40 years.” In 2018, he claimed that he had been paid a mere $590 for his work on the project, though a proposed lawsuit to reclaim royalty arrears never materialised. The clip has now been viewed more than 1.5bn times on YouTube.

He was born in West Kilbride, to Robert, a teacher, and Violet. The family later moved to Enfield in north London, and Bruce attended the Latymer school in Edmonton. After a stint at the BBC Training College he entered the industry as a cable puller, cameraman and production manager. Subsequently he worked for Rediffusion and London Weekend Television in both directing and producing capacities, involved in programmes at different times with Kenny Everett and Stanley Baxter, before moving to the US in the late 1970s.

As the music video developed into an increasingly powerful dimension of the music industry, Gowers delivered some of its most memorable specimens. His clip for Prince’s 1999 captured the louche exoticism of Prince and his band, while for the Bee Gees’ How Deep Is Your Love he relied merely on some coloured lights and closeups of the artists’ faces. Gowers matched the sheer preposterousness of Rod Stewart’s Hot Legs with a video that resembles a parody of TV show The Dukes of Hazzard, while for Van Halen’s Dance the Night Away he exploited the band’s dynamic stage presence with a punchy live-perfomance video. For Chaka Khan’s I’m Every Woman he presented viewers with multiple Khans in a contrasting array of costumes.

He proved himself flexible enough to move between a variety of genres. Much in demand for comedy spectaculars for the HBO and Showtime networks, he worked with a string of the biggest names in the business including Robin Williams, Jerry Seinfeld, Billy Crystal and Eddie Murphy. He directed episodes of the showbiz magicians Penn & Teller’s Sin City Spectacular, and enjoyed much success with programming for children in the form of the Teen Choice awards and the Kids’ Choice awards. With his third wife, the writer and producer Carol Rosenstein, whom he first met on the video shoot for Rod Stewart’s Tonight’s the Night in 1976, he created the long-running Kidsongs franchise, which includes a TV show, DVDs and music CDs. Gowers and Rosenstein had been resident in Malibu for 23 years.

She survives him, along with his son, Sean, his stepdaughter, Katharine, and four grandchildren.

🔔 Bruce Gowers, television director and producer, born 21 December 1940; died 15 January 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[bettyjonas31]

‘In The Heat Of The Night’ Cast Then And Now 2024

Before there were any versions, or even visions, of Law and Order, there was In the Heat of the Night. Starring Carroll O’Connor as police chief Bill Gillespie, and Howard Rollins as police detective Virgil Tibbs, Plus, who could forget Bubba? Did you know the theme music was composed by the great Quincy Jones? This critically acclaimed show was loosely spun off of the 1967 film and 1965 novel of the same name. Every week we got to go back to our favorite small-town police department, and they tackled crime, but also tough issues like racism and domestic violence. Certainly why this show was on the air for so long — from 1988 to 1995 to be exact.

Today we’re checking back into the rough and tough city of Sparta, Mississippi. Not a real city, by the way — the production took place in Covington, Georgia, so it did move a little slower than LA. Covington was already famous for as the location for the first five episodes of The Dukes of Hazzard. The Covington Public Library was transformed into the Sparta Police Department and that’s where it all happened… Now let’s get to it.

[jules-has-notes]

Disney Girls Like You (Disney Evolution) — PattyCake Productions music video

Art is often inspired by other art. When the PattyCake guys saw the music video for Maroon 5's "Girls Like You", they got the urge to recreate its visual style with their own established roster of Disney princesses, heroines, and villainesses. Come along for a journey through 80 years of animation brought to life.

Details:

title: Disney Girls Like You – The Evolution of Disney Ladies (feat. Maleficent Mistress of Evil)

performers: Mike Marin (animator), Olivia Adkins (Snow White), Michelle Knight (Evil Queen), Leah Lowman (Cinderella / Elsa), Andrea Stack (Lady Tremaine), Rachel Copeland-Evans (Alice / Vanessa), Jaimz Dillman (Queen of Hearts), Anna Ricks (Aurora), Helaina Wize (Maleficent / Mother Goethel), Tiffany Trilli (Cruella De Vil), Emma Dahlin (Ariel), Emoni Wilkins (Ursula), Tiana Akers (Belle), Briana Fogden (Jasmine / Esmerelda), Ciara de Leon (Pocahontas), Raven Wynn (Mulan), Katie Leatherbury (Giselle), Breauna Horsham-Washington (Tiana), Allee Otwell (Rapunzel), Emily Gorsuch (Merida), McKenzie Helene Callahan (Anna), Darian Taylor Waes (Moana), & Tony Wakim (featured vocals)

original song / performers: "Girls Like You" by Maroon 5, feat. Cardi B

written by: Adam Levine, Henry "Circut" Walter, Brittany "Starrah" Hazzard, Jason Evigan, & Gian Stone

arranged by: Layne Stein & Tony Wakim

release date: 15 March 2019

My favorite bits:

swapping out the pop-rock instrumentation for more a Disney-esque orchestral sound

the panning of the echoed lyrics to match the movement of the camera

getting a closer look at so many of the amazing costumes they'd made over the previous few years

the flash from Vanessa to Ursula and back (and Emoni's fantastic villain laugh 😈)

those octaves on ♫ "Maybe I know that I'm done…" ♫

reversing the direction of rotation after the bridge

Trivia:

Most of the actors reprised their roles from PattyCake's "Unexpected Musicals", "Villains Lair", and "Princess Academy" series. Some have doubled up or subbed for someone else due to availability issues.

There are a few new characters, though. Alice, Esmerelda, and Giselle all make their debut here. Giselle returned later in the year for the Princess Academy holiday special, and the following spring for the third episode.

The video title makes special note of Maleficent because the live-action sequel was released later in the year. Ironically, that was one of the roles they recast. Leah, who played the sorceress in their "Unexpected Musicals" series, was already doing double duty as Cinderella and Elsa. Alejandra, who plays her in "The Villains Lair" wasn't available during the filming schedule for this.

In addition to providing the vocals and costumes, Tony also drew the artist's sketches. He'd studied animation at the Rhode Island School of Design with the ambition of working at Disney before the studio shut down its 2D division.

The circling movements were created with help from The Strolling Piano, who Layne knew through his sister-in-law.

Sharp-eyed VoicePlay fans will recognize the studio as Rayne's Room, where the guys have filmed many of their music videos, particularly before PattyCake had a space of its own.

This video reached 200,000 views in less than a week, which Layne and Tony were pretty excited about.

PattyCake released a nifty making-of video a week after this one.

The first Royal Vanity video that the guys teased was released three weeks later.

[jessicazoe]

Tax exemptions proceed to extend via newsdirectory3.com

The overall funds for the monetary yr 2024-2025 gives for various tax exemptions with the purpose of stimulating investments. Nonetheless, beneficiaries ought to be cautious of makes an attempt at misuse. Let us take a look at some merchandise that profit from exemptions. Regulation No. 1/19 of June 28, 2024 which units the final funds of the Republic of Burundi for the fiscal yr 2024-2025 gives…

[hipposfashion]

The Dukes of Hazzard Service Repair Garage Baseball Jersey Price From: 35.99$ | | [Buy it now at] : https://hipposfashion.com/product/the-dukes-of-hazzard-service-repair-garage-baseball-jersey/ https://www.facebook.com/HipposFashion/✅ https://twitter.com/hipposfashion✅ https://www.instagram.com/hipposfashionstore/✅ https://www.tumblr.com/hipposfashion✅ New at luxuryandsports Relive the Glory Days with the Dukes of Hazzard Service Repair Garage Baseball Jersey Relive the Glory Days with the Dukes of Hazzard Service Repair Garage Baseball Jersey Embark on a nostalgic adventure as you don the iconic Dukes of Hazzard Service Repair Garage Baseball Jersey. Paying homage to the beloved television series, this jersey transports you to the heart...

[jammiedoggo]

Animal hazard stripe

A simple design artwork featuring Giraffe, Spider monkey, Ribbon tailed astrapia, snake, weasel, munchkin cat, basset hound and camel.

Long body, neck and tail has become long strip in this hazard warning will easly caught attention and become aware of hazzard.

It was all inspired from Angy paws's design (https://www.angypaws.com/products/mono-sosig-sockies) that gave me idea.

My other social media: https://linktr.ee/jammiemonstadoggo

[fastmusclecar123]

New Post has been published on https://fastmusclecar.com/greatest-muscle-cars-of-all-time-ranked-a-journey-from-1963-to-2024/best-muscle-cars/

Greatest Muscle Cars of All Time, Ranked: A Journey from 1963 to 2024

Muscle cars have long been an emblem of American automotive culture, celebrated for their powerful engines, bold designs, and high performance. These cars have not only dominated drag strips but also captured the hearts of car enthusiasts worldwide. In this article, we’ll explore the greatest muscle cars of all time, from the classic 1963 Pontiac Catalina to the iconic 1992 Dodge Viper. For those interested in specialized transportation needs, consider https://www.divinetrans.com/page/transportation-of-pharmaceuticals-by-professional-company

  1. 1963 Pontiac Catalina 421 Super Duty

The 1963 Pontiac Catalina 421 Super Duty marks the beginning of the muscle car era. Equipped with a 421 cubic inch V8 engine, it produced an impressive 405 horsepower. This powerhouse set the stage for the high-performance vehicles that followed. The Catalina’s lightweight body and massive engine made it a force to be reckoned with on the drag strip, and it remains a beloved classic today.

2. 1964 Ford Mustang

The introduction of the 1964 Ford Mustang revolutionized the automotive industry. While initially marketed as a “pony car,” its performance capabilities soon classified it as a muscle car. The Mustang’s affordable price and customizable options made it accessible to a broad audience. The 289 cubic inch V8 engine, delivering up to 271 horsepower, provided the power and speed enthusiasts craved. Its timeless design and cultural impact have cemented the Mustang’s status as an all-time great.

3. 1967 Chevrolet Camaro Z/28

The 1967 Chevrolet Camaro Z/28 was Chevrolet’s answer to the Mustang. With its sleek design and robust performance, it quickly gained popularity. The Z/28 variant featured a 302 cubic inch V8 engine, designed to comply with Trans-Am racing regulations, and produced 290 horsepower. The Camaro Z/28’s balance of power, handling, and style made it a standout in the muscle car arena and a favorite among collectors.

4. 1970 Plymouth Hemi ‘Cuda

The 1970 Plymouth Hemi ‘Cuda is often regarded as the epitome of muscle car excellence. Its aggressive styling and 426 cubic inch Hemi V8 engine, churning out 425 horsepower, made it a legend. The Hemi ‘Cuda’s stunning street presence and track performance have made it a popular muscle car. Its limited production numbers and enduring appeal contribute to its iconic status.

5. 1969 Dodge Charger R/T

The 1969 Dodge Charger R/T gained fame not only for its performance but also for its appearances in popular culture, most notably in the television show “The Dukes of Hazzard.” The Charger R/T featured a 440 cubic inch V8 engine, producing 375 horsepower, with an optional 426 Hemi engine. Its distinctive design, with a fastback roofline and hidden headlights, has made the Charger R/T an enduring symbol of the muscle car era.

6. 1970 Chevrolet Chevelle SS 454

People often hail the 1970 Chevrolet Chevelle SS 454 as the king of muscle cars. With its 454 cubic inch V8 engine, the Chevelle SS 454 delivered an astounding 450 horsepower, making it one of the most powerful muscle cars ever produced. Its combination of raw power, classic styling, and unmatched performance has solidified its place in muscle car history. The Chevelle SS 454 remains a favorite among enthusiasts and collectors alike.

7. 1971 Plymouth Road Runner

The 1971 Plymouth Road Runner brought a mix of performance and affordability to the muscle car market. The Road Runner, named after the popular cartoon character, boasted a range of engines, including the formidable 426 Hemi V8. The 1971 model featured updated styling with a “fuselage” design, enhancing its aerodynamics. The Road Runner’s blend of humor, performance, and iconic status makes it a standout in muscle car lore.

8. Buick GNX (1987)

The 1987 Buick GNX represented a new era of muscle cars, blending turbocharging technology with classic muscle car attributes. The GNX’s 3.8-liter turbocharged V6 engine produced 276 horsepower, but its real strength lay in its torque and acceleration. The GNX could outperform many contemporary sports cars, making it a sleeper hit in the muscle car world. Its limited production run and impressive performance have made it a highly coveted classic.

9. 1992 Dodge Viper RT/10

The 1992 Dodge Viper RT/10 ushered in a modern muscle car renaissance. With its 8.0-liter V10 engine producing 400 horsepower, the Viper emphasized raw power and minimal electronic intervention. Its aggressive styling, lightweight construction, and exceptional performance made it an instant icon. The Viper’s influence extended beyond its era, inspiring a new generation of high-performance vehicles.

10. 2024 Ford Mustang GT

The 2024 Ford Mustang GT continues the legacy of the classic muscle car with contemporary advancements. Featuring a 5.0-liter V8 engine, the 2024 Mustang GT delivers 450 horsepower, combining power with modern technology and comfort. Its design pays homage to its predecessors while incorporating state-of-the-art features. The 2024 Mustang GT exemplifies the evolution of muscle cars, blending tradition with innovation.

Conclusion

From the 1963 Pontiac Catalina to the 2024 Ford Mustang GT, muscle cars have evolved while maintaining their core essence of power, performance, and style. Each model on this list represents a milestone in the history of muscle cars, showcasing the diversity and enduring appeal of these automotive legends. As we look to the future, the legacy of these iconic vehicles continues to inspire car enthusiasts and manufacturers alike.

[luxuryandsports1]

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[sohannabarberaesque]

So what could a trailer for a Trollkins movie be imagined looking like?

Although there is nothing abroad suggesting anything on the order of a movie based on the one-season Hanna-Barbera-produced flicktoon Trollkins as is in any stage of at least pre-production, at least it's good to imagine the likelihood of what a possible trailer therefor could be imagied looking like, particularly where the film is done up in 3D CGI animation in such manner as pays homage to the Smurfs wannabe, essentially what one fan described as "Dukes of Hazzard meets J.R.R. Tolkein," as in grafting Northern European troll lore upon the American South, but having a little fun in the bargain.

Such, as I imagine it, would be narrated by Pixlee Trollsom, something of the tomboy sort of Troll, even if she's the daughter of Troll County Sheriff Pudge Trollsom, of all trolls ... and the scene would open on a misty sort of Southern evening in what passes there for autumn, a little fog in the bargain, with Pixlee maybe wearing a decent little T-shirt and ripped troll jeans fashioned into shorts and sitting on the porch of such treehouse shared with her boyfriend, the somewhat crazy Blitz Lumpkin ... pan in on the porch and--

The name, in case you're wondering, is Pixlee Trollsom ... and I admit taking it upon my little ol' Troll self to be something of a chronicler and keeper of the troll lore in these parts--which can be rather fascinating in and of itself. Especially in a crazy little sort of place like Troll County, which can get to be crazy in its own way, howbit a likable sort of way, you understand.

And you folks simply can't help but find Troll stuff as much as Trolldom itself to be fascinating in its own way. Which we're trying to do in Trollkins: The Movie, as should be in your local picture show soon, which this little ol' trailer can't seem to do proper justice to....

Whereupon Flookie, the pet drawg of Pixlee and Blitz, comes along and gets a loving sort of head scratch from Pixlee, along with some drawg-style chuckling to show approval.

(Meanwhile, folks, what could be your ideas for a trailer for Trollkins: The Movie, were it ever to be considered for production? Go ahead and reblog away.)

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