#hayati azis

[gael-garcia]

Sweet Dreams (2023) directed by Ena Sendijarević

[robynsassenmyview]

The maid, the boss’s wife and a pile of sugar

'The maid, the boss's wife and a pile of sugar', a review of 'Sweet Dreams' on the European Film Festival in South Africa, 10-20 October 2024.

ALWAYS watching you: Agathe, the madam (Renee Soutendijk) at rest, in Ena Sendijarevic’s film Sweet Dreams, on this year’s European Film Festival in South Africa, 10-20 October 2024. Photograph courtesy asianfilmarchive.org TAKE A PERFECTLY insane tale of paternal love and marital abhorrence, the filthiest vagaries of colonialist practice, the prospect of freedom and untold wealth. Toss them in…

[mortispbf]

[ingatlah]

New Honda Scoopy Resmi Hadir di Sumbar, Desain Ikonik dan Fitur Modern

INGATLAH.COM – PT Hayati Pratama Mandiri (HPM), Main Dealer Sepeda Motor Honda Sumatera Barat, secara resmi meluncurkan varian terbaru motor matik New Honda Scoopy di Padang Youth Center, Jalan Bagindo Azis Chan, Sabtu (07/12). Acara peluncuran berlangsung meriah dan penuh antusiasme dari masyarakat. New Honda Scoopy hadir dengan konsep Totally Unique yang membawa sejumlah pembaruan…

[movienized-com]

Sweet Dreams (2023)

Sweet Dreams (2023) #EnaSendijarevic #ReneeSoutendijk #LisaZweerman #VerdiSolaiman #HansDagelet #PeterFaber Mehr auf:

Jahr: 2023 Genre: Drama Regie: Ena Sendijarević Hauptrollen: Renée Soutendijk, Lisa Zweerman, Verdi Solaiman, Hans Dagelet, Peter Faber, Muhammad Khan, Bart Klever, Chris Nietvelt, Hayati Azis, Florian Myjer, Rio Kaj Den Haas … Filmbeschreibung: Stürmische Ereignisse, ausgelöst durch den Tod des Besitzers einer Zuckerplantage in den Niederlanden, der schließlich sein Anwesen auf einer Insel…

[lemagcinema]

Sweet Dreams d'Ena Sendijarević

Un film de Ena Sendijarević Avec: Renée Soutendijk, Lisa Zweerman, Hans Dagelet, Verdi Solaiman, Bart Klever, Chris Nietvelt, Muhammad Khan, Rio Kaj Den Haas, Hayati Azis, Florian MyjerSur une île indonésienne isolée, à la fin de l’ère coloniale, Jan, propriétaire néerlandais d’une plantation de sucre, et sa femme Agathe sont au sommet de la chaîne alimentaire. Jusqu’à ce que Jan, de retour de sa visite nocturne à sa concubine Siti, tombe subitement raide mort sous les yeux de sa femme. Désespérée de ne pas pouvoir conserver ses privilèges, Agathe oblige son fils Cornelis, dont elle est séparée, et sa femme Josefien, qui est enceinte, à venir d’Europe pour reprendre l’entreprise familiale. Au milieu d’un soulèvement ouvrier, Cornelis présente ses projets de changement progressif. Mais lorsque le testament de Jan place Siti à la tête de la propriété familiale, les idéaux s’avèrent vains et le sang plus épais que l’eau.

Retrouvez l'article complet ici https://lemagcinema.fr/microcritique/sweet-dreams-dena-sendijarevic/

[haroldgross]

New Post has been published on Harold Gross: The 5a.m. Critic

New Post has been published on https://literaryends.com/hgblog/sweet-dreams/

Sweet Dreams

[3 stars]

This Netherlands submission for the Best International Feature category is an interesting one. Writer/director Ena Sendijarevic weaves a dark, and often darkly funny, tale of colonialism and greed for her audience.

One of the most  striking aspects of the film was how much, by design or not, it reminded me of Peter Greenaway’s early work. Her sense of composition and color is equally painterly, evoking portraits and art from the era as well as setting moments in our view. The effort isn’t consistent nor through the whole story, but the first third, which sets up the main frictions and background, uses the approach often.

The story is, to say the least, disturbing, but only slightly inflated from reality. That close tracking and credibility is part of its power. Renée Soutendijk (Suspiria) and her creepy son, Florian Myjer are on one side of the racial divide, while Hayati Azis and newcomer Rio Kaj Den Haas straddle it. Muhammad Khan flat out rails against it, but in ways that also make him less believable.

The ending, also like Greenaway, takes off into a near surreal direction, but not one without meaning or a point. It will leave you thinking about the story for a long while after the lights come back up.

I don’t know if this has a chance or not at the awards yet, but it is one of the better I’ve seen so far. It is executed well and provocative in an engaging way, with just enough wry humor to make it all go down without choking you. I’m not a period piece fan, typically, but this one worked for me, so that says something.

Where to watch

[driflloon]

rinjani, hayati, and nada by ikmal awfar cr. by astrid chu

[softestaura]

rinjani thalib, hayati azis, and nada wasisto by astrid chu

[representedmodels]

Hayati Azis  |  Indonesian

Represented by persona mgt

Shot by Andhika Dharmapermana

[worldwidefashion]

Hayati Azis for GIFT Exhibition — May 2018.

Photography: Sally & Emily

Stylist: Andhika Dharmapermana

MUA: Talia Subandrio

[komiktaksa]

Hayati 🇮🇩 .

I never thought that my country would have such talented personalities in fashion!

- September 2018

[prettiefaces]

hayati azis by rafiu wibi

[herfleur]

https://www.instagram.com/p/BZG1fyilEUl/

[fashionarmies]

Hayati Azis by Leandro Quintero for Patrick Owen S/S17 Campaign

[multiculturalmodels]

DIGITALS  |  Hayati @Persona Management