#hawaii music scene

[perspectivelens]

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[hooked-on-elvis]

ꜱᴄᴇɴᴇ ᴄᴏᴍᴘᴀʀɪꜱᴏɴ — ᴇʟᴠɪꜱ ꜱɪɴɢꜱ ᴛᴏ ᴍᴀᴛʀɪᴀʀᴄʜꜱ/ᴍᴏᴛʜᴇʀ ꜰɪɢᴜʀᴇꜱ

"Love Me Tender" (1956)

Scene from movie "Love Me Tender" (20th Century Fox)

"Can't Help Falling In Love (With You)" (1961)

Scene from movie "Blue Hawaii" (Paramount Pictures)

"We'll Be Together" (1962)

Scene from movie "Girls! Girls! Girls!" (Paramount Pictures)

[king-of-tragedy]

Look, look. One of my favorite things--something that brings me utter delight every time I get to bring it up--is the context behind the I Can't Help Falling in Love song that everyone loves so much.

Maybe this is common knowledge and I'm just an unwitting pick me nerd. But in the movie that it originates from, the singer is singing to his girlfriend's grandmother.

[chiriwritesstuff]

The Girl in IT - Masterlist (Under Rework!)

A Boss! Joel Miller x IT Specialist F! Reader AU

Click here for The LIST

Series Rating: E (18+, MDNI)

Series Summary: When an IT specialist who feels behind in life stumbles upon a sexual bucket list on her boss's computer one night, what will she do once she finds out that it was written about her?

Series Warnings & Tags: No Outbreak! Joel Miller, Smut, Joel's Sexual Bucket List, Boss x Employee Relationship, Virgin Reader, All the Fluff, All of the Yearning, Mishaps, Awkward Sex, a small-ish Age Gap, Joel is a Forward and Healthy Communicator, Roleplay, Meddling Millers, Tess is a Boss, Sugar Daddy Lite, Daddy Kink, Smut, SO MUCH SMUT, Age Gap, Overstimulation, Squirting, Older Man/Younger woman, So much dirty talk, DD/lg (kinda? they're both into it), Virgin Reader, Loss of Virginity, PIV Sex (finally!!!!), Breeding Kink, Breeding kink, More tags to be added as series progresses

Chapter List:

The Night Shift - 5.6K

Off to the Races - 3.6K

Vroom Vroom - 6K

Gooey - 6.4K

Pony - 3.5K

The Adults are Talking - 5.3K / Deleted Scene - Sweet Revenge - 1.3K

The All Hands Meeting - 4.4K

The Panic! in the Breakroom (Christine's Version) - 8.2K

Fools Rush In - 3.9K (Undergoing Rework)

Looks Like We Made It - 4.1K (Undergoing Rework)

Love, Joel - From Joel's Eyes

The Tornado Watch - 2K

Who Wants to be a Millionaire? - Coming Soon!

To Build a Home

IT Ticket - Byte-Sized Microfics / Drabbles (1K words or less):

Print Job

I Fell

Moodboards:

Frank's Wedding Pinterest Board for Joel & Sugar, Honolulu, Hawaii 2024

I would choose you in every lifetime.

The Girl in IT Vibes

Behind The Scenes & Extras!

Behind the Music!

Joel's Headcanons!

Sugar's Headcanons!

Minor Character Headcanons!

NSFW Alphabet (18+)

Sugar's Style! - After Joel's Neiman Marcus Birthday Spree!

Joel and Sugar Fanart! - by the lovely @desuidesu

The Girl in IT meets The Office - Fanart by the lovely @babyispunk

Recreated Slack Visuals - Fanart by the lovely @babyispunk

Meet Cute NYC - 1.3K (A glimpse at the future!)

[sidetable-drawer]

Reasons why Lilo & Stitch is one of the greatest movies ever

- Gorgeous art style.

- The sister relationship between Lilo and Nani is beautifully (and accurately) written.

- Awesome character designs.

- Great music.

- REALLY funny and balances it out with some of the most emotional Disney moments ever.

- Jumba and Pleakley are clearly a gay couple and I love it.

- Adding to that I love how comfortable Pleakley is with wearing women's clothing and in the sequels/spinoff material he's referred to as "Aunt Pleakley" and really I just love Pleakley a lot.

- The entire "Hawaiian Rollercoaster Ride" sequence is just gorgeous. And it makes me even sadder now watching it because when I first saw the movie, I could swim in saltwater. Now I can't without getting sick.

- It's not THE last 2D Disney movie but it's one of the last ones and it's just so pretty to look at and damn I miss 2D Disney movies.

- "My dog found the chainsaw!"

- THE FOUND FAMILY...it's beautiful.

- If a movie makes you cry, that means it's doing the emotional scenes perfectly.

- "Wow. San Francisco."

- Lilo is one of the most perfectly written kid characters ever. She doesn't feel overly-cutesy and pandering; she feels like a REAL little kid, especially as someone who grew up as the "weird girl".

- There's more of it in the deleted scenes but the movie making fun of white tourists in Hawaii was brilliant.

- "This is my family. I found it all on my own. It's little and broken, but still good. Yeah. Still good."

- Kevin McDonald is in it.

[sissylittlefeather]

How the Web Was Woven: Chapter 13

A/N: Woof. This one took me a minute. Also, it's a short bridge-type chapter, but don't worry. Next chapter will be LONG and JUICY. This is just a necessary part of the story. Please don't give up on us! ICYMI this is the soulmate/time travel AU between Elvis and a fem!reader.

Need to catch up? Here's my Masterlist.

Warnings: cussing and angst (a smut-free chapter?! Who am I?! Don't worry. It's coming soon and they will be too 😏)

Word count: ~1.9k

"Why didn't she come for me?"

******

Elvis spends the next few weeks anxiously waiting for you to show up somewhere. It's clear his mind is elsewhere. Everyone around him notices that something is off, but he won't tell anyone what's going on. He just prowls around like a caged animal, nervous and waiting for something that no one understands. He goes back to Memphis before he has to be back in Vegas in August to film his concert documentary. The only thing that gets him out of his room is Lisa Marie. Otherwise, he mopes around or stays inside.

What no one knows is he's grieving. He's pretty sure he's lost you and his son too. The pain almost overwhelms him and he has a hard time living in his real life. He finds solace in music and spends a lot of time at the piano playing a whole catalogue of new songs. His favorite, though, is a song produced by the Beatles' record label, and he eventually asks to record it later that summer. It ends up on his album for the documentary That's the Way It Is and even makes it into a rehearsal scene with him playing it on the piano and singing. For some reason, the song makes him think of you, so he sings it as often as he can.

Even though it begins to look like he's back to himself, the pain of losing you is omnipresent. He resigns himself to the fact that he will likely never see you or his son ever again. As such, he leans into the documentary and even does a photo shoot with Priscilla over Thanksgiving to try to rekindle the affection he feels for her.

But he still feels like part of his soul has gone missing. It's the same old feeling he always has when he's away from you for too long, but this time it settles in his chest and becomes a part of him. 1970 slips into 1971 and he does his best to move on. 1971 slips into 1972 and he throws himself into work and lets his relationship with Priscilla sour. She moves out and he has a hard time even caring, except that she took Lisa Marie and it just twists the dagger of having already lost one child. There are other girls, like there always have been, but they never fill the void that you leave. He has a you-shaped hole in his heart that no amount of sex or romance or even love can fill. 1972 slides by, he films Elvis on Tour, and he plays shows across the United States. He plays Vegas again and then tours again, hoping that by keeping himself busy he'll notice your absence less.

Finally, he prepares for the Aloha from Hawaii concert that will be broadcast across the world. He tries to get back into peak physical shape and does everything he can to throw himself fully into this concert. In the process, he squashes the last hope of you ever showing up again. It's been three years.

You're gone.

******

Covid hits strong in 2020 and your world gets upended. You learn to work from home, host zoom call happy hours with your friends (even though you're pregnant and can't drink), and wear a mask anytime you're in public, which isn't often. In September, you give birth (alone and in a mask) to your daughter and name her Erin Love. She's perfectly healthy and looks so much like her brother you think you've given birth to his twin. And again you weep. Elvis is missing this and you know it'll break him if he ever finds out.

2020 fades into 2021 and you still can't risk going out with a baby. Every time you start to think it might be safe, a new strain or variant shows up and the world cowers in fear again. Vegas opens, but you're terrified, both of traveling and of the possibility of sending Covid back to 1971.

So, you wait. You wait and you wait and you keep waiting until your baby is old enough and the virus seems to slow down. Still, Vegas, with its masses of people, seems too risky. Finally, in December of 2022 you have an idea. You start making plans to head to Hawaii with both kids and your mom in January of 2023. Hawaii is much more secluded and you know exactly where he will be.

When you ask your mom to come with you, she wants to know why. This is going to be a very expensive vacation and she's not sure why you need her. You sit on her couch trying to decide just how much you should tell her. Eventually, you settle on something very close to the truth.

"John is there. We haven't seen each other in three years." You look down at the ring on your finger.

"I was starting to wonder if he still existed."

"I'm not even sure he'll want to see me..." You look at the ceiling to try to stop yourself from crying, but it doesn't work and the tears come sliding down your face.

"Oh, sweetie. I'm sure he does. He loves you."

"I hope so." She pulls you into a hug.

"I will go with you. I'll watch the kids so you two can get reacquainted."

"Thank you, mom."

Once she agrees to go with you, you drop an ungodly amount of money to stay in his suite and pack up both kids to fly to the islands. You decide not to tell John Jessie why you're going, just in case it doesn't work out. He's almost 6 now and he asks about his daddy damn near everyday. Somehow, he remembers him despite the fact that it's been almost 3 years since he's seen him. Erin's too little to ask questions. She doesn't even know she has a daddy, which breaks your heart every time you think about it.

******

After a rehearsal, Elvis heads to his suite to rest. He's 100% invested in what he's doing. But out of nowhere, he thinks of you again. He hums the song he's designated as yours and goes to work changing out of his jumpsuit.

He's got the zipper all the way down when he hears a sound that makes his heart stop. There it is, the old familiar buzzing. He hasn't heard it in so long. He turns slowly, sees the portal, and practically runs through it without thinking about the fact that he has no clothes packed and is wearing a jumpsuit.

******

When Elvis comes through the portal, he stops and stares at you. He's so in shock that he doesn't know how to respond. Your mouth pops open in awe of him standing there in the American Eagle jumpsuit fully unzipped. He looks better than you could've imagined. Obviously, you've seen the footage, but it really didn't do him justice. He zips it back up and gives you a hard stare.

"It's been three fucking years, y/n."

"I know-" You don't get any further though because John Jessie comes bounding into the room. He runs to Elvis and jumps on him. He's supposed to be napping with your mom in one of the bedrooms.

"Daddy! I heard you!" Elvis grabs him and holds him tightly.

"Heyyy buddy, I missed you so much!" You can tell he's trying hard not to cry. You look nervously towards the bedroom. If your mom sees him in this jumpsuit, it'll be impossible to explain.

"Bubby, where's your grandma?"

"She's asleep." You breathe easier and John Jessie turns back to his daddy. He launches into a monologue that only a 5-year-old can follow, but Elvis sits with him on the couch and listens attentively. You stand and watch the scene and Elvis glances at you every once in a while.

After about 15 minutes, you hear Erin cry from the room where she is taking her nap. Elvis looks up at you, shocked.

"Who is that?"

"That's my sister. She's little still." John Jessie answers knowingly. Elvis's head swivels to you so fast.

"Sister?" You nod and duck out of the room to grab Erin before her crying wakes your mom up. When you come back, Elvis looks at both of you and his eyes are shiny with tears. "Is she-?"

"She's yours." He stands up and immediately takes her from you.

"What's her name?"

"Erin Love."

"Love? Like my..." He trails off and looks at her lovingly.

"Yes. Like your mother." He holds her to himself and looks up at the ceiling, trying not to cry. He pulls back and looks at her again while she babbles to him.

"Baby, do you know I'm your daddy?" She looks up at him.

"Daddy?"

"Yes!" She smiles widely and he holds her close to him again. He looks at you incredulously.

"We have another baby."

"Yes, we do." He kisses her cheek and sets her down on the floor, turning to you. His eyes burn through you and he whispers angrily.

"Where the fuck have you been?! We have a daughter?!"

"Please, Elvis, I can explain."

"You better. I'm going to spend the evening with my kids, but you better have a damn good story when they go to bed."

You nod. How will you get him to understand Covid?

******

He changes into some clothes you have for him and helps you put the kids to bed. Despite not knowing the routine, he proves to be pretty helpful. You're amazed at how well John Jessie remembers him. Your mom seems to just know she should make herself scarce through the whole evening and stays in the room. Once you get both kids in bed, you sit on the couch facing him, heart pounding and stomach in knots. He looks at you with a mixture of sadness and anger.

"Tell me why, y/n."

"There is a new virus." You desperately try to explain everything that's happened over the last three years.

"So you couldn't come to me because of a cold virus?"

"Elvis, you don't understand. This was a global pandemic. Everything was closed and people all around the world were dying. They literally shut down Las Vegas."

"I've been other places." He responds, the anger in his voice obvious.

"I know, but I couldn't risk our kids. Or the possibility of you taking this virus back to your time. I finally feel safe here in Hawaii."

"I don't know, y/n, I'm glad you're okay and I'm especially excited to see the kids. But I thought I'd lost you. I buried you in my mind."

"Did you- did you move on?" For the first time, the reality that your marriage to Elvis might be over hits you in the gut and your eyes widen. Elvis isn't sure how to answer. He has a girlfriend, and technically another wife. But he looks at you sitting in front of him and can't help but feel the connection that's bound you together for over fifteen years. He wants to be angry so badly, but really all he is is sad. Sad that he missed the first two and a half years of his daughter's life. Sad that he went so long without all of you. Sad that you almost feel like a stranger now.

You sit on the couch staring at each other waiting for his answer.

******

Come back soon for Chapter 14!

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @rosepresley68 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @that-hotdog @eddiesgirlforever @helen06dreamer @returntopresley @rjmartin11 @noirrose21-blog @tacozebra051 @deltafalax

[aceofwhump]

Hi! Do you have any gifs or videos or recommendations for begging scenes?? I feel like i cant find much of them😭

Oh my gosh YES. I do. Here. Go forth and enjoy :D

Bonnie and Clyde musical

Hawaii Five-0 10x22

Werewolf by Night

Supernatural 8x17

Teen Wolf 3x02

My Lady Jane 1x06

Supernatural 2x21

Legends of Tomorrow 3x02

Lucifer 1x13

The Umbrella Academy 1x02

Once Upon a Time 5x11

Dark Angel 1x18

Followers please feel free to share your favorite begging scenes!!

[glitch-pep]

Aight, let's talk about the process behind CJ's creation. First up, concept art!

Second, the full explanation under the cut! 🩵

A few months before CJ was even a thing, I got the idea of a character concept. The concept was basically Charlotte having an older brother who is far more calm, level headed and cautious than she is. I liked the idea of it, but I didn't feel like working on it, I simply didn't feel inspired enough.

A while later, I was trying to figure out Milo's lore, and I thought to myself... "Heh... wouldn't it be really funny if there was a character, who is the complete opposite of Milo, and his only purpose is to piss him off?" and then I thought "Hm. I could reuse the old Charlotte's brother concept for that."

In the poems Obverse and Reverse, the line:

"...the concept was a joke at first I gotta admit,

but I think I've gone too far with the bit."

Is me referring to this. CJ and Milo's whole relationship was based on a joke I thought was funny, but eventually I started to actually take it seriously and it just all went haywire from there.

I still find it slightly funny at times... but of course, this isn't CJ's only purpose anymore.

Anyways, let's get into the rest of his creation.

The first design idea I had for him was more surfer dude and Hawaii inspired, which made ultimately no sense considering that Charlotte and CJ are from Vermont. The one thing I kept from that are the hair and the flower.

His hair was a struggle to figure out, at first I wanted to try to make it curly like Charlotte's, but that didn't feel right. I still don't really know what's going on with it even now, but it has that slightly modern, fluffy and messy look I was going for. I guess it's shawed on the sides? I don't know, let's not think about it too much.

He has a flower hairpin on each side of his head, because when I only put it on one side it looked empty. I was debating about the flower as well. I had the idea to make it into a specific flower that has some sorta meaning but I couldn't find one I liked, I also looked up flowers from Vermont and ended up with the purple flower but I didn't like it. Eventually I just looked through the show, found a scene where there was a flower, and took the flower from it and used it for the hairpins. I made it into a flower because in the show Charlotte is often depicted with them.

I did consider giving him a bow so that he could fit in with Charlotte and Grandma Charlene, but I decided against it for a lore relevant reason that I won't talk about just yet. Besides, I think he still fits in just fine the way he is now.

For his color I just took the colors of the whole family and adjusted the settings until I got this shade. I was considering to make the color lighter but he just looked washed out.

His name was an easy decision, it had to start with a C and I was debating between Cody and CJ but I'm glad I chose CJ, I really like it!

The only thing that's really changed is that he used to be far more music, singing and comedy themed, but I scrapped the idea of it.

Everything else stayed the same most of the time... well, I did scrap two characters during the development process, but CJ was always the same.

At first CJ was only supposed to be Charlotte's cousin, and he had a different sister named Carol. Carol had anxiety, and the interest of botany and gardening used to be her thing. She had an intense fear of fiends. She was supposed to be some sorta yellowish color and had a headscarf with a flower pattern on it as well as long messy hair. I had the plan that she's related to Mr. Milk and that would explain their similarities, but I just ended up scraping her cuz I couldn't find a place for her in the plot that made sense. I do wanna make a character like this but in a different font one day, we'll see.

The second character was named Faith, and she wasn't related to CJ or Charlotte in any way. Her name was supposed to be a nod to the word fiend since they both start with F. She was orange/dark orange and she wore a black headband with some sorta black pattern on it. She also had some really tired eyes with eyebags and too much eyeliner, and a messy bag with a bunch of random papers. She was basically the new girl in town who got there a while after CJ, who developed an intense interest in fiends, with the intense desire to study and understand them. She'd spend hours observing them, writing things down, and conducting experiments. After a while her and CJ would form some sorta alliance and they'd slowly become friends. I ended up scrapping her because I couldn't find a place in the plot for her either. I do like her, but I think she'll fit better in a different universe.

Also, random addition that has actually nothing to do with CJ's creation.

I recently went through my sketches when I randomly stumbled upon these, and then I remembered that I actually had a Making Fiends oc idea even before I thought of Milo.

Her name was Megan, she was a sort of dusty blue color, and had long hair that slightly covered her eye. She was literally just Maggie but even more stoic and monotone and instead of poetry her thing was drawing... I thought of her before I watched the show, but after I watched it I immediately gave up on the idea the moment Maggie stepped on screen. I think I tried to make it work with making them best friends? I don't know honestly, very boring idea, dunno why I thought it was a good one.

Figuring out CJ was fairly simple, I took Milo and flipped everything about him on its head, polished it, added new stuff and made it into an actual character and not just Milo but in an opposite au.

Still, CJ and Milo are obviously narrative foils. I tried to make that clear with A LOT of different details. In fact, there's so many of them that I'll have to eventually make a seperate post for it...

No idea when I'll do that since I keep adding parallels to the bunch... I'll probably make a character analysis thing or something one day-

[writinginthestars]

RC May Update Highlights

So, the May Updade is finished for me, I've played every book that I loved and am mostly happy with the new episodes. Watch out, there's spoilers in this post!

My highlights this time were:

The One Vol. 2 - Aww, Joel came all the way to Hawaii to tell MC that he wants to be with her! He's The One for me, sorry Ben. 😇😁 Also, that secret meeting at the beach ... 😍🔥

Chasing You 2 - I like the new case and it was a pleasant suprise to see the twins in this AU too! But my favourite was without question Alexander (I love bickering with him!) and that scene in the carriage ... 🤤🔥🥵

W: Time Catcher - Three great episodes by Arina, I love her storytelling so much! Also this beautiful CG with Renato and the scene in the last episode! 😍🥰

Astrea's Broken Heart - The more I read, the more intriguing it gets. Also, why is every LI so attractive? I lost soo many diamonds on that story and don't regret it one single bit. I'm still flirting with Raphael and David because I just can't not do it. But I know that Mikael is going to be my main LI. There's no doubt, not after the diamond scenes in the last episode where we could talk about him and his book/literature. It was nice to get to know him a bit better and I'm determined to wrap him around my little finger. Also, just look at him, he is soo beautiful. 😍 💖💋

Kali: Flame of Samsara - Uff, that season finale was pure madness! And the ending hurt so much! 😭My heart was broken when Devi died in Christian's arms, just hours after he sent her that little love letter and called her his bride. 😭 And I have so many questions! What happens now? Is Devi going to be resurrected or reborn? Are we even going to play her in the next season or somebody else? If so, what happens with the current storyline and the LIs? Who was the traitor, who was the maid that Sara ... disposed of ... worked for? Arrgh! I really hope Remy gives us at least one new episode next update (and doesn't pause the story like she did with SCN this time) because I need to know what happens next!

On another note, the CG video in the end was amazing and I loved the music and the visuals so much!

[perspectivelens]

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[hooked-on-elvis]

"Beach Boy Blues" (1961)

Written for the King by Sid Tepper and Roy C. Bennett, Elvis recorded "Beach Boys Blues" on March 23, 1961, at Radio Recorders in Hollywood. The tune is featured in Elvis’s 1961 film "Blue Hawaii", as the scene above shows.

The soundtrack for "Blue Hawaii" was released in October 1961, a little time before the movie would be released on November the same year. The soundtrack LP for "Blue Hawaii" includes 14 songs in total, more than any other album from Elvis' movie soundtracks.

[canmom]

NieR Automata anime episode 6

Continuing commentary from [part 1], [part 2-3], and [part 4-5].

Ooof, I left myself with a big not-so-live blog backlog again. Never done that before! [shoves The Flower That Bloomed Nowhere under a blanket]

So where we left off, I'd covered the Simone episode and the Pascal episode. OK! Next up we have... the YoRHa stage play episode!

episode 6

This episode recounts the story of the YoRHa stage musical! Putting it alongside four different productions of the play, the official novelisation, the text version in the game from Anemone's point of view, and the ongoing manga YoRHa: Pearl Harbour Descent Record. You can never have too many.

In the present frame story, Lily walks with 2B (who looks almost the same as her old friend YoRHa No. 2) and tells her of the past events.

If you're not familiar with the play by the way, it's just about the sickest shit. Youtube won't embed this for some reason but here's the intro number Normandy...

Just like in the play, this episode of the anime tells the story of an experimental YoRHa unit on a mission to attack a machine lifeform server in Hawaii, and the android resistance unit they encounter, the gradual process of building trust between the two groups of androids, and their eventual brutal deaths as it turns out that the YoRHa command never actually intended for any of them to survive the mission.

The cast is broadly similar to most versions of the play, but in keeping with this version of the story, here Lily rather than Anemone is the focus and sole survivor of the Resistance unit. Not that this really makes a huge difference in practice.

Where the anime really benefits is that it can convey the setting a lot more clearly than a play or even a manga. This episode is full of lush forests, and the mountains of Hawaii loom in the background.

Given they're compressing the events of a two hour stage play into a twenty minute episode, naturally a lot needs to be cut, but they do a very solid job of making it flow through montages and character moments. And of course we get the key moments in the play still: Lily getting infected with the Logic Virus and being saved from a mercy-kill by the intervention of YoRHa No. 21. Added in this version are some embellishments; when No. 21 hacks Lily, she gets a brief glimpse of some memories:

These flash by too quickly to really see what's happening in the episode, but it appears that Lily was being sexually assaulted by another android, but Captain Rose intervened and invited her to the Resistance unit? I believe this storyline is further elaborated in the manga, but I haven't read that far.

The portrayal of the Logic Virus, and the earlier Red Eye Disease (basically the same thing), varies across the series. Often it's just mindless violence disease, but at its best, it exposes the simmering tensions and resentments in the character - something emphasised to great effect in the YoRHa Boys play. Here, Lily resents her helplessness - that she is always the one who has to be protected. We also get a new physical symbol of a relationship: the bullet which Rose fires at Lily and No. 2 deflects. The addition of water to the scene adds to the staging.

Another benefit of the anime is that it can portray the scale of the machine army in a way the play can't. The CG in this episode is not exactly great, but we do see swarms of machines crawling up towards the mountain...

Notably at this stage the Machine Lifeforms clearly haven't yet developed the Stubby models - they're this kind of insectoid orb design, similar to Ko-shi and Ro-shi in the game (as well as the individual segments of Hegel). It's a nice visual way to show how the machine lifeforms are developing.

The final battle montage is very well edited in general, hitting the key moments of the play without getting bogged down in details. Anemone is once again the one to stay behind to mercy-kill No. 21 after she gets infected (which explains why she survived). However, as a new addition in this version, Lily and Rose are told to evacuate before the final confrontation with the Red Girls, and Rose sends Lily up alone. Lily tries to kill herself, but Rose once again prevents it, and orders Lily to preserve the YoRHa squad in memory. The theme of memory being core to NieR...

At the end, we get our first brief glimpse of A2, who survived - with Lily still unaware. A closeup of her chin mole confirms her identification with No. 2.

The credits are also different this time, a gradual pan over the YoRHa squad members, fading away in turn as the familiar ED song Antimony plays. The final shot is notable...

The timid Lily of the past reaches out and clasps the hand of the Lily of the future who now leads the Resistance.

Honestly, despite the fact I've seen so many versions of this story, it's still affecting. I watched it again to write this post and got caught up watching the episode. It's full of quite wacky turns if I'm honest, like let's be real nothing YoRHa (the military organisation) does makes much tactical sense, but the core character dynamics are strong and they're well captured here so it never really matters.

The post-credits puppet skit this time focuses on Adam and Eve getting dressed up in uniforms. Eve is in gakuen and Adam is in a suit, each of which gets a pinup-style illustration to go with it (we get a full pan up from the feet)...

Eve annoys adam until he decides to just leave...

Yeah, that's it.

That's as much as I'm up to writing up now, but lots more NieR to cover until we're caught up!

Huge props to [GLORY] for the excellent fansubs.

[unholyverse]

waterparks // alternative press issue #341

(full article text under cut)

WATERPARKS

THESE POP-PUNK UPSTARTS HAVE CATCHY SONGS, AN ENDORSEMENT FROM THE MADDENS AND AN UNIRONIC LOVE FOR HAIR DYE AND FUNKY-COLORED JELL-O. THEY ALSO HAVE A LOT TO PROVE-AND THEY'RE READY TO GET TO WORK.

STORY: EVAN LUCY x PHOTOS: JONATHAN WEINER

Awsten Knight knows what you're thinking: This time last year, his band, Waterparks, were veritable nobodies. You'd probably not heard their two EPs (2012's Airplane Conversations and 2014's Black Light), and the band's SEO was likely so suspect, there's no way a Google search would place the Houston-based trio above their hometown Wet 'n' Wild.

What a difference a trip around the sun. makes. Since late last year, the group scored a record deal with Equal Vision, picked up Good Charlotte's Benji and Joel Madden as their managers, performed at the 2016 APMAS and even graced the cover of AP's Warped Tour issue-all before releasing their first album. Along the way, they've cultivated a passionate (and ever-growing) fanbase, thanks to an irreverent sense of humor, insatiable work ethic and saccharine-sweet pop-rock sound. But as their star has grown, so have the rumors and confusion about just how they ended up on a collision course with success.

"I saw somebody online say, 'Isn't this that industry-plant band? Like we were made by a label or something." Knight remarks from Los Angeles, where he and his bandmates are putting the finishing touches on bonus tracks for their debut full-length, Double Dare, and filming a video for the album's first single, "Stupid For You." "People are always like, "Where'd this band come from? This band blew up overnight! That's really not the case."

Indeed, it's been a grind for Waterparks, who formed back in 2011 and, after years of hustle and hard work, got signed last year after a demo serendipitously ended up in Equal Vision's online submission box. Even today, as Waterparks—Knight, guitarist/vocalist Geoff Wigington and drummer Otto Wood-seem to have an indefinite amount of momentum and a limitless future, there's always some humbling experience to remind them the big time is still a few steps away. Look no further than their method of transportation for this summer's Warped Tour: a modified Sprinter van handily equipped with sleeping quarters- but no air conditioning.

"The van didn't have A/C until we got to the North, Knight remembers. "We did Texas and Florida, the whole South, with no A/C. People thought we were in a bus. It'd be like, 'Oh yeah, when you guys go back to your bus…" He laughs. "How can you be egotistical when you're sitting there in a sweaty van going, 'Fucking kill me?'"

Lifestyles of the rich and famous it isn't, but that's fine with Waterparks. They're used to surprising people, whether it's with their origin story or their music. A testament to both their artistic vision and desire not to be pigeonholed as just another pop-punk band, Double Dare sounds like an album made by three men raised in iPod shuffle culture. The album opener "Hawaii (Stay Awake)" skews toward more standard pop-punk fare (a sound that definitely provides a backbone for the 12 tracks that follow), but the band are quick to add bits of pop, electronica and (surprisingly) hip- hop to the melting pot, leaving Double Dare feeling instantly reminiscent, yet wildly unpredictable. There's the unabashed pop charm of "Take Her To The Moon," a DeLorean ride back to the scene's neon days that's awash in glassy synths; the biting "Little Violence," which takes aim at "fake-ass band guys," along with the now-defunct site AbsolutePunk; "Stupid For You," a roller coaster of vocal runs mixed with razor-sharp hooks; and the jittery "Dizzy," which combines mile-a-minute rapped verses with a towering half-time chorus.

Knight, a textbook over-writer, wrote and demoed more than 40 songs for the album, which the group whittled down to the 17 or so they actually tracked in Los Angeles with producers Courtney Ballard and Benji Madden. What makes Double Dare such an engaging listen is not just the songwriting, but the way Waterparks dress it up. Throughout the album, Knight's voice serves almost as a third guitar, cutting in and out and swirling around the mix to give things added depth and a secret sonic weapon their peers lack.

"Listen to Kesha," Knight implores. "People have heard a lead guitar a billion times-no one gives a shit about a sick guitar lead. What's going to sound sonically cooler to the average human: a lead guitar- which people have been hearing for the longest time- or the literally unlimited sounds I can cut my voice up into and make it [serve the same purpose]? It just sounds cooler."

As a teenager, Knight studied raps by the likes of Busta Rhymes and Ludacris (he even performed a cover of Fergie's "Fergalicious" at an early show), and he thinks it would be "sweet" to be in a boy band. "You have to stand out, otherwise there's nothing interesting about what you're doing," he explains. "We've always tried to do different shit. A lot of our songs are a pop-driven thing, but it's a band. Girl-pop, to me, is the best genre [in music]. Even if you don't speak English and you hear a Kesha song or a Katy Perry song, it's going to sound so good. The melody is everything: It sounds so happy. Put those songs next to whatever progressive metal band and their fucking guitar sweeps. That's the difference between being a band people like and being a musician's band. [Adopts nerdy voice] 'Oh, that time signature change, blah blah! No one gives a shit except nerdy dudes, and nerdy dudes aren't going to buy your record, anyway. I want to make shit my little sister and her friends would be into."

If Knight is that unabashedly honest about his musical intentions, the words he writes take it a step further. At its core, Double Dare is the antithesis to the public image Waterparks have cultivated over the years. From their irreverent music videos to any number of off- the-rails interviews (including some from this summer's Warped Tour where Knight donned a wedding veil), the band's public persona is that of perpetual Peter Pans. While that might be true (Knight frequently drops words like "butthurt" in conversation), the open-book nature of his lyrics here reveals life isn't all fun and feces jokes.

As such, the songs on Double Dare read like pages ripped from a personal journal. Whether he's dealing with crippling insecurity ("I wish I was as brave as my last name"), self-doubt ("And I'm doing all right/ But is 'all right' enough?/Because I'm living my dreams, but I live at home") or true love ("If you died, I'd hope you'd haunt me"), Knight's words are blunt, painstakingly detailed and instantly relatable. He might project as a court jester, but he's deadly serious about his art.

"There's a time when Awsten can be serious, and that's when he's talking about his music, Benji Madden offers. "In order to sell records or magazines, people feel like they have to be sensational or play a funny game. If you talk to Awsten about anything other than music, you'll get totally jokey, bullshit answers-which I love. But if you talk to him about music, he's a really smart, intentional, thoughtful guy."

"Being honest about it is the best way to go about it," Knight says of his songs. "I've never liked the vague lyrics, like, [jokingly sings] "I've gotta find my way. I've gotta get out of this place! All my favorite lyricists are killer with metaphors or are able to uniquely describe things. I like getting into things and being specific." He references the acoustic ballad "21 Questions," easily one of the album's highlights, but a song slated for the cutting-room floor until Madden stepped in. ("I feel like that song could be one of those scene classics," the Good Charlotte guitarist offers.) It's hard to imagine the album without it.

Outside of being a steady hand in the studio, the Maddens are the perfect mentors for Knight, Wigington and Wood. After all, it was 15 years ago that Good Charlotte went through everything Waterparks are currently navigating, claims of being a test-tube band and all. They've learned everything is cyclical, and they're passing on the lessons they learned to the bands they manage.

"They're so wise," Wigington explains in a separate interview. "You shut up and listen. They've told us, 'Hey, things are going to start getting weird. There will be things you haven't been used to, especially if you're out on the road! But they've told us to look out for each other and have each other's back and helped instill a sense of camaraderie so we can deal with whatever weird shit comes our way."

If their current career trajectory continues, things will be getting weirder and weirder in the Waterparks camp soon. The band have secured the opening spot on Sleeping With Sirens' fall tour, and they're already making plans well into 2017. With a new album ready and the furthest reaches of the scene at their fingertips, it seems like there's really no limit to how big this thing can get. It's already surpassed their wildest dreams in the past year; imagine what one more could bring. Not that it would change their demeanor, of course.

"I'd like to be able to live comfortably to the point where I could ride a bike into a swimming pool filled with Jell-O and have it not be a big deal," Knight says unflinchingly, when asked what success would look like for him. "I was thinking blue or purple because I like cooler colors. Red seems messy. Not yellow or orange, because I don't like those flavors as much. I used to be allergic to blue dye when I was younger, so I'd probably pick that just so I could be like, 'Fuck you." alt

[rlmfanfic]

been thinking about you and how incredible you are and how you continually inspire me to write!!!! for enrichment in our enclosures, what would be seven songs on a "cherry girl" playlist? or perhaps some songs for each of your fics?? hope you're well!!! xx.

Hello Dash! Lovely to hear from you! I'm honored to hear I inspire you to write! WOW! Thank you!

As far as a Cherry Girl playlist, I just made one! Here's a full soundtrack for you (and anyone else interested).

The songs I reference in the story itself are:

This Must Be the Place - The Talking Heads

Tequila - The Champs

Rocket Man - Cover by William Shatner

Mr. Sandman - The Chordettes

Halloween Theme - John Carpenter

Dead Man's Party/Weird Science - Oingo Boingo

Take My Breath Away - Berlin

Pure Imagination - Gene Wilder

Pony - Ginuwine

Don't Move - Phantogram 

Hip to Be Square - Huey Lewis and the News

Power of Love - Huey Lewis and the News

If You Leave - Orchestral Maneuvers in the Dark

I also reference a lot of Tarantino movies, so I'd add some of that to the mix as well. Plus songs from horror films for the nightmare sequence, the title song from Hard Ticket to Hawaii and the Miami Connection soundtrack for the movie nights and a smidgen of music from Pink Flamingos.

If I HAD to narrow a playlist down to seven, I'd say the most important are:

This Must Be the Place - for Jay's morning alarm. I also see it playing in the reader's mind when she's alone and melancholy in the tub.

Tequila - for the embarrassing dancing at the bar scene.

Halloween Theme - Jay's ringtone 🎃

Dead Man's Party/Weird Science - for the album that the reader gives to Jay for his birthday.

Pure Imagination - the reader seeing the viewing room for the first time.

Don't Move - slow dancing in Jay's living room in wet clothes just before they... well, you know...

If You Leave - I guess I just see the story ending on this song. Like the camera pulls back and fades to black while this song plays.

[fandomtrumpshate]

Unlisted Fandom Challenge - 2024

In our earlier Numbers post we shared the top ten spots for the unlisted fandoms. Below is the full list of the remaining write-in fandoms - yes, all 105 of them.

For the first twenty, a single additional signup will move them up to join the tie for third place. If ANY of them should manage four additional signups, they'll snag the lead.

Know folks who work in these fandoms? Share our signup post and encourage them to participate —we'd love to have them join us raising funds for great causes via the creation of awesome fanworks. As ever, we welcome even more new fandom write-ins, too. (But please do not use the ' | ' character in the fandom name - or elsewhere in your signup form!)

Putting the list under a cut for length -

2 Alan Wake/Remedyverse 2 Ancient Greece Religion and Lore 2 Cosmere 2 Detective Conan 2 Dune 2 Formula 1 RPF 2 Glee 2 Guardian/Zhen Hun 2 HBO War 2 Imperial Radch Series 2 Mob Psycho 100 2 Mobile Suit Gundam: The Witch From Mercury 2 Riverdale 2 Shades of Magic 2 Ted Lasso 2 The Bear (TV) 2 The Stormlight Archive 2 Venture Bros 2 Wolf Pack 2 Persona 5 1 A Plague Tale (Videogame Series) 1 American Gods 1 Among Us 1 BBC Ghosts 1 Bendy (and The Ink Machine/Dark Revival) 1 horror 1 Blue Beetle 1 Buffy: The Vampire Slayer 1 Buzzfeed Unsolved/Watcher Entertainment RPF 1 Call of Duty 1 Cats the musical 1 Cherry Magic 1 Chronicles of Narnia 1 Cobra Kai 1 Coffee Talk (Video Game) 1 Criminal Minds 1 CSI: Crime Scene Investigation 1 Death Note 1 Dice Punks (podcast) 1 Digimon 1 Donten ni Warau / Laughing Under the Clouds 1 Dungeons and Daddies (podcast) 1 Endeavour/Morseverse/Inspector Morse (ITV/Dexter) 1 Fallout Video Game (Bethesda) 1 Falsettos 1 Fargo FX 1 Farscape 1 Fire Emblem (4-10, 13, 14, 16) 1 Firefly 1 Five Nights at Freddy's 1 Grantchester 1 Greek Mythology 1 Grey's Anatomy 1 Gundam 1 Hatchetfield 1 Hawaii 5.0 1 Honkai Star Rail 1 Horizon Zero Dawn 1 IT (Movies - Muschietti) 1 Jeff Satur - music videos 1 Law and Order 1 Legend of the Galactic Heroes 1 Live Free or Die Hard (Die Hard 4) 1 London Spy 1 Magi: The Labyrinth of Magic 1 Magnificent Seven 1 Mrs. Davis 1 My Little Pony 1 Narcos (TV) 1 NU: Carnival 1 Omniscient Reader's Viewpoint 1 Omori 1 Orphan Black 1 Pacific Rim 1 Professional Wrestling - New Japan Pro Wrestling 1 Professional Wrestling: All Elite Wrestling 1 Re-Animator 1 Simon Snow Series 1 Slam Dunk 1 Slow Horses (TV Show) 1 South Park 1 Starry Musical 1 Super Sentai 1 Sweeney Todd 1 Team Starkid 1 Teenage Mutant Ninja Turtles 1 The Adventures of Buckaroo Banzai Across The 8th Dimension 1 The Adventures of Tintin 1 The Artful Dodger 1 The Empyrean Series - Rebecca Yarros (Fourth Wing) 1 The Good Place 1 The Last Kingdom 1 The Lunar Chronicles 1 The Mechanisms 1 The Mummy (1999 franchise) 1 The Pairing (Casey McQuiston) 1 The Radiant Emperor Series (She Who Became The Sun & He Who Drowned The World) 1 The Saint of Steel 1 Three of Hearts 1 Tin Can Bros 1 Tower of God 1 Undertale 1 Voltron: Legendary Defender 1 Wayfarers (Becky Chambers) 1 Yu-Gi-Oh! Duel Monsters

[agentbootyreportingforduty]

started season 5 of hawaii five-0 and honestly i’ve noticed this season feels different in a GOOD way like everything feels upgraded?? idk how to describe it but the cinematography, the music, the acting, the action scenes, the storylines so far, clearly the budget too, like it feels really refreshing and exciting in a way the last season was missing a little imo and all i can say is i’m praying it STAYS this good and they keep this energy fr