#having thoughts. headspace appearance vs the body's appearance sort of stuff
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this body is very cute but god. god this thing is not mine
#evil words#having thoughts. headspace appearance vs the body's appearance sort of stuff#i think this body looks very nice. but it feels very wrong in many little tiny ways absolutely none of which i can do anything about#i'm fine it's just. a very strange feeling. i know what i'm supposed to look like and wheeewwww. it is not this#please give me my headspace appearance . Please god
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🎵 Been thinking about my kintypes, especially in light of all the stuff going around about voluntary vs involuntary otherkin and therians. Yes, I do think if the identity is something you actively choose all the time, that's a linktype, not a kintype. And that's fine. Otherlinkers are valid and part of our alterhuman community. But if it's something you don't choose - especially if it's just there, ingrained into your identity - whether you originally chose it or not, that's a kintype.
I've been questioning my own kintypes a lot. I'm a Canadian timber wolf, an African golden wolf, a coastal gryphon, and a kiko kitsune. There are vastly varying levels of choice involved in this.
To start with the completely involuntary, kitsune. I'm not just a fox, I am genuinely of the mythical variety. My body type is a big factor here, in that I'm built more like the statues you see outside shrines and I have five tails. I get strong phantom shifts with all of my kintypes and can therefore describe them pretty well. This particular kintype is not just involuntary, but against my will. I don't want to be this. I do not want this. I'm working on accepting it - because it's not going anywhere and ignoring it doesn't work - but I do not want to be this. For a variety of reasons. But I'm stuck with it.
My wolves are... complicated. It took me over 10 years to work out what sort of wolf I was because I thought I was just one. But the weird combination of phantom shifts and exomemories kept me from figuring out which one and I eventually let go of that question until I became active in the community again. I've been questioning them since realizing I'm a system, though. We have a wolf extranth, a coyote extranth, and another wolf therian in the system. I've felt sort of disconnected from my lupine identity because of all that and because of the questioning about whether my wolf theriotypes are real or a result of my sysmates. The timber wolf, which is the largest subspecies of grey wolf, could conceivably be attributed to Seer, who is a fictional - and particularly large - species of grey wolf. Likewise, the golden wolf could be attributed to Coyote Kid, as I did kinsider coyote while trying to figure out my second theriotype. At the end of the day, though, I've been a wolf all my life and it’s the first identity I associated with nonhumanity and therianthropy. It's part of me and part of who I am, even if sometimes I question that.
My gryphon is no less complicated, but for different reasons. When I first awoke as a gryphon, I did not want to be one. I was a wolf and had identified as a wolf therian for several years. And back then polykin were met with intense skepticism and the therian and otherkin communities were fairly separate. You were one or the other, you were not both. And my gryphon definitely fits more into otherkin. Even theriomythic doesn't work, as we weren't feral. But over time I got more comfortable with my gryphon and with being polykin and being both therian and otherkin, though I always (and still do, to an extent) considered myself a therian first. Lately, though, with how much I've been questioning my wolf theriotypes, I've kind of clung to my gryphon. No one else in here is a gryphon or even anything close to one. I've always been a wolf first and a gryphon second, including in internal sense of self, but with everything going on... I appear as a gryphon in headspace. I have a lot of really strong gryphon shifts, too. And I've kind of come to think of myself as a gryphon first and a wolf second. I didn't choose this identity, but I think that both consciously and unconscious I've chosen to make it my primary nonhuman identity.
#🎵 rowan#wolf therian#therian#otherkin#gryphonkin#therianthropy#wolfkin#otherkinity#gryphon kin#gryphonkind#kitsunekin#The extent of and reasoning for my resentment of my kitsune kintype kind of deserves its own post.#There's a LOT to say about that.#The impact of everything from discourse to fakeclaiming to the amount of time between awakenings is all important.#I don't hate kitsune or kitsunekin. I just hate that I'm one. I don't want to be.
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the meme man full analysis
Yeehaw here we go. Analysis of Mikoto Kayano’s video and song, along with some theories about the many themes and symbols in the video. Note: If there’s any other supplemental material for him out there, I haven’t read it. This is just an analysis with the music video we were given. If I happen to miss stuff that was mentioned before, I may talk about it in another post lmao
I was SUPER invested in this video as I watched it and soon realized “Oh shit, I think Mikoto’s plural”. Cuz, you know, I’m plural too (not disclosing what kind) and it felt SO good to see some actual parallels to stuff I go through- though of course not to Mikoto’s degree.
That said, I feel I should make a disclaimer in passing: yes, portraying your only plural character as homicidal ain’t the best representation. But, you know, we’ve seen other cases like that in Milgram so I’m just gonna leave it at that. Personally, I’m not that offended because the execution is SO top-notch. Though, hey, I totally understand how this can be very frustrating to other systems to see plurality depicted in such an unhealthy light- if it’s not for you, it’s not for you.
Keep in mind the point of the Milgram series is to make you uncomfortable in so quickly incriminating someone; if you’re hesitating to determine someone as guilty, hey, that’s probably intended and good! It’s about personal decision, so I’m not going to judge you one way or the other in voting. I just find it fascinating how these videos can put us in such conflict. This is all just my own perspective, BTW, so if you disagree with some of these points, good! I’m just hoping to share my thoughts since I can make a lot of connections. I’m by no means an expert in plurality or tarot, I just have some background in both and decided to try my hand at this analysis, so I really don’t the final say on what’s going on in the video.
Now, onto the actual video analysis.
I’m sticking with the basic idea that Mikoto is split into two parts; his more loveable, gentler side, which I referred to in another post as Softboy Mikoto, and the more violent side which may be acting as a catharsis to his frustrations. I referred to this side previously as the Devil alter, as he is depicted with the Devil major arcana tarot card. I can see how this could be taken badly, so for now I’m just going to refer to him as the shadow alter. There are many themes of duality in the video, most commonly with the symbol of the half moon which appears so many times. Shadow of the moon etc etc. I’ll be bringing this up several times as I analyze the lyrics. I’ll be breaking down the lyrics as evidence to support the idea that Mikoto is plural, and to show how softboy Mikoto (and shadow alter Mikoto) view this particular relationship and how this culminates in murder. Sometimes I refer to Mikoto (as a whole), softboy Mikoto, or shadow alter Mikoto depending on what I’m trying to describe in the below.
First piece: the title. MeMe. Me x2. A dead giveaway, like Umbilical. Also, it can be a meme, which is interesting taking the definition of the word meme in this context: “an element of a culture or system of behavior passed from one individual to another by imitation or other nongenetic means” (Oxford Dictionaries). HMMMM. I know memes are generally within the context of a community, but I think it’s interesting to actually apply this to Mikoto. What exactly is being passed on? Could we argue that Mikoto’s frustrations from one of his parts is being passed on to the other? Interesting to think about, though it may not be relevant.
Going into the lyrics:
So from here I’m guessing there was a point in Mikoto’s life where his plurality was not an issue; or, potentially, there was a time before his split. These were the good times.
Playing dead vs. being alive – representing duality. May refer to how, when one side has their way, the other is locked away in the headspace with no control, thus feeling like being dead. In the context of “if only”, perhaps he’s wishing that he just didn’t do anything if only to prevent things from getting this far.
“If” I could end- I believe Mikoto (particularly softboy Mikoto) is saying “Hey, I have no control over my other side. If I did, would things still be the same? Would I still be ‘letting’ this happen?”
“Keep it” and “hide it away” I feel like are both representative of his shadow alter and of the desires that alter represents. Many words related to destruction are tied to this alter, so it could be seen as Mikoto trying to hide those urges as well.
“’I’ will save ‘me’”- this is a very interesting line that I think very well encapsulates the shadow alter’s initial motives; he’s saying “hey, I’m going to take care of us,” I believe to try and convince softboy Mikoto to let him out. As far as if softboy Mikoto can actually “let” him out is TOTALLY up for debate.
Part of the reason I refer to the other alter as softboy Mikoto is because there are softer words I notice used by him in the song; here’s I’m seeing “snuggle”, so I think this side of him is more vulnerable and soft.
SWITCH, shake up that brain- wow couldn’t be any more obvious here
This is where the chorus starts. This I think is from softboy Mikoto’s perspective, PARTICULARLY when he’s trapped in the headspace. There are many forms of plurality IRL in which alters cannot simultaneously front, so one or more are “pushed” back into the headspace. This very act occurs several times throughout the song in the weird minimalist vaporwave shadow realm room, where the tarot cards are. During this time, we can assume that is when the shadow alter is fronting. Softboy Mikoto slowly starts to become more helpless and fearful in this space as the song goes on, and this is where he makes his celtic cross tarot spread that quite frankly defines the whole song. I discussed that in my other post.
Another facet of plurality that is applied here is amnesia, which is common, especially when alters are pushed back to the headspace. Within the headspace, there may be a lack of awareness to the outside world, which Mikoto seems to express in his confused sentiments like the above (in the video, he is also scratching his head, which as a gesture can represent being confused). “Why am I here?” can act as a double entendre, both referring to “Why have I suddenly been pushed to this headspace?” as well as the whole point of Milgram- “Why am I in prison?”. He may not be aware of exactly what he did, hence why he feels it’s a mistake. He may be experiencing amnesia of what his shadow alter is doing, so he doesn’t even know what crime he committed. However, he at least has enough awareness to tell someone else is present in his body doing things, so he begs the viewer “Hey, just watch whatever my body is doing and it’ll all eventually make sense. I don’t have access to this information, but you do.” I thought this was an interesting fourth wall break.
The truth revealing itself could also be the truth coming to light from the particular tarot reading he does in the headspace; note that the cards only seem to be appear in this place and not in the outside world. So softboy Mikoto is trying to figure out what’s going on this way. If he can’t figure it out himself, maybe the cards can give him some direction.
Another duality- “I won’t forgive you if you reveal the truth” vs. “However I know I’m right when I say I’m innocent”. Or he could be right about something else.
I’m wondering if the breaking here is just reflecting the shadow alter or is softboy Mikoto actually wishing he could end the shadow alter. He at least wants things to change; the way things are right now is not something he’s okay with. Though, it sounds like he isn’t getting help with this and has no idea if he can even arrest full control again. It seems at this point, this has been going on for a while so he’s stopped trying.
In the video, the shadow alter is doing a GREAT job hiding the evidence; while of course probably just trying to not get caught, the shadow alter may also be trying to hide his crime from softboy Mikoto so he’s none the wiser.
He’s hoping he can be rid of the shadow alter side, but I think he also is dumping all his difficult feelings onto the shadow alter. Maybe he feels its some sort of release, even if he can’t control it, so he feels a lot of guilt over the shadow alter’s existence, even though that alter is serving a purpose as a conduit for those emotions.
I really really think though that there IS some connection between softboy Mikoto and shadow alter Mikoto. Maybe they are both truly aware of each other, hence the scene where they are viewing each other through the mirror. I think here, softboy Mikoto might be admitting that it feels good to let the shadow alter out, like a hug. The “minus energy” probably refers to the shadow alter.
“Maybe it’s okay that we’re separated like this?” he wonders. There seems to be a sense of feeling alive at least that is conveyed through the shadow alter.
SPLIT IN HALF- yeah, again, pretty encompassing.
In the video, I think this is when we have a switch, as Mikoto’s expression changes in the outside world mirror.
The chorus again, softboy Mikoto is shoved into the vaporwave shadow realm headspace. He’s asking the audience to investigate him here, but I also like to joke that he’s like “uwu look at me I could never harm anybody, pwease let me out”, which may be true only so far as softboy Mikoto is out.
I wonder if in “I will NEVER forgive you if this is happening to me” is directed at the shadow alter instead of the audience? Like softboy Mikoto is saying “I swear to god if you murdered someone im gonna be so pissed, but I also already kinda know it’s happening.” Just another take.
In the video, softboy Mikoto is THROWN into the headspace, where he is gifted with just one hint of what’s going on: The Devil tarot card.
You DARE accuse Miette of murder? Oh! 1000 years jail for Milgram viewer!
Now the vaporwave space starts to turn into a bloody mess; perhaps now softboy Mikoto is starting to put two and two together.
“Hurting it, holding it down, it doesn’t change anything, does it”- I definitely understand this being plural, like if your alters are causing problems, you may try and chastise them, or you may try and lock them away deep inside, but that often doesn’t stop them from existing. It’s really cool how that idea is present here. Like YES that’s how it is quite often. So even if softboy Mikoto TRIES to smother or accuse his shadow alter, that’s not going to change anything.
It being the same anywhere he goes makes me think he’s been putting up with this for a long time, that it’s not about what environment he’s in because his shadow alter is with him everywhere he goes.
“It’s like what’s wrong isn’t wrong”- may be referring to multiple things:
-the shadow alter having a different morality (hence why murder is okay for him, his indulgence in smokes and…redbull/alcohol, etc)
-OR, how softboy Mikoto’s amnesia isn’t letting him understand the full picture so everything is okay when he’s out fronting (shadow alter cleaned the place up and stuff, perhaps hiding all evidence of murder)
-“I’m already the fake one”- a very common sentiment for plural folks, worrying if you as an alter aren’t “the original” or if you’re not actually split and it’s something you’re making up, etc. I think softboy Mikoto is having these feelings. Poor boy, wish we could get you some therapy instead :/ (all of Milgram would be very different if only most of these people could get therapy, let’s be honest)
Now, what’s special here is that BOTH alters are in the headpace, with shadow alter Mikoto looming ominously behind softboy Mikoto.
During this next instrumental, just a side note: we see what’s going on through security footage. The security cameras reflecting a third person perspective is kind of neat in context of pluralism, where someone else fronting can feel like a third person awareness to another alter. I may be thinking too much into this one, but it’s a fun connection.
Another thing many plural folk go through: DISSOCIATION FROM REALITY. Ah yes, my good friend dissociation. Especially like in Mikoto’s case, where the consequences of being split have drastic consequences, he could be running away from the truth which may always be partially concealed to him. Something’s VERY wrong, he knows this for sure, and it may be at this point he really realizes “Oh shit. I just committed murder.” But instead of taking responsibility in any way, he’s trying to imagine that it’s a fabricated reality. I’m not going to say if this makes him bad or not, but it is a known coping mechanism.
I know I mention that the bad habits of smoking and drinking may be the shadow alters habits, but they could also be softboy Mikoto’s own methods of escapism, which definitely fits with the above lyrics. “I need to wake up soon”- but he still realizes that he’s going to have to face the harsh truth of reality soon.
Now this point indicates a marked change in softboy Mikoto and shadow alter Mikoto’s relationship: I believe there may be a time when softboy Mikoto expects to come back out to the front, but now the shadow alter is starting to take over fully and keep softboy Mikoto locked inside. This is supported by the Outcome card in his celtic cross spread being The Devil. Not only does this card have its own meanings, but here it may mean that the more violent side of him takes over.
Again, don’t know if he’s talking to the audience or his shadow alter in never forgiving this outcome. I believe softboy Mikoto does have a clearer morality in that murder is NOT okay, and if he were to fully acknowledge that he as a whole was capable of that, I think he’d break down. So he’s like “it better NOT be true” because he doesn’t know how he’d be able to deal with that.
Interesting in the video is when Mikoto snaps and the headspace turns red again; I would think this is when the shadow alter is entering the scene and taking over. The snap here is symbolic of the switch.
Now presumably softboy Mikoto is like “PWEASE WET ME OUT MISTEW OBAMA”, which, again with the double meaning, can refer to letting him out of the vaporwave shadow realm headspace OR letting him out of prison. Both apply.
“That it’s a lie
That I’m right”- a nice duality here. Mikoto is having difficulty separating the truth from reality.
Also NOW he is forgiving. Forgiveness vs not forgiveness (grudge)
I think it’s gotten so bad that he’s like “okay fine. Fine if I committed murder, fine if you’re accusing me of murder, but please help me understand what’s going on. Let me out”. Maybe he’ll forgive the shadow alter if only he fesses up to the murder.
Of note for the scene however is that shadow alter Mikoto is holding up The Fool card, which represents softboy Mikoto in this case. “I’m right” may be the shadow alter’s sentiment.
-THE CARDS AT THE END-
Then, all the cards show up in more detail, all depicting weapons instead of the standard minor arcana that you might see in your standard Rider Waite tarot deck (which these are based off of). The Wands are baseball bats, the Swords are kitchen knives, the Cups are…poison cans? Acid? The Pentacles are….records but I can see these being rotary saws if you squint. The Wheel of Fortune has car wheels with a snake….GTA time baby (the snake being hidden danger, the devil’s temptation, etc). The chariot is a really weird motorcycle death machine. I was thinking how like, people would drag people along behind them while driving a vehicle as a method of torture so there is that.
Now we see some cards not in the original spread- I think this represents shadow alter Mikoto inserting himself into the headspace and changing things to fit his goals. We see a couple placed in the original spread, but some don’t and are just free-floating, but you’ll see below we have enough context to decipher their meaning.
First, it’s the Page of Pentacles, which has taken over the position of the 7 of swords as the current challenge affecting the issue. This card indicates “Manifestation, financial opportunity, skill development”. I think this means the shadow alter is finally learning to take full control.
Then we see the reverse 2 of swords, which represents “Indecision, confusion, information overload, stalemate”. This could probably represent softboy Mikoto not suddenly understanding why the shadow alter is ALSO in the headspace. Maybe his dual presence in the outside world AND the headspace is indicative of exactly when he learned to take full control. This was NOT in Mikoto’s original spread.
Wheel of Fortune again, which was in the original spread. “Bad luck, negative external forces, out of control”. Yup, that confirms it.
Next, the Five of Swords from the original spread comes up. “Conflict, tension, loss.png, defeat, win at all costs, betrayal”. Softboy Mikoto is now being completely taken over. There is a facedown card on the chair. This might be the one that reads as Death later, so it may be that softboy Mikoto is…KILLED OFF?
Cup of Ace, “Love, compassion, creativity, overwhelming emotion”. I think this one is also meant to represent softboy Mikoto, but it could be that the shadow alter sees it as an act of mercy to take full control for softboy Mikoto. Maybe he feels his alter can’t handle reality and he’s going to take over full time. Or more likely he just has ulterior motives.
Reverse King of Cups. “emotional manipulation, moodiness, volatility”. Softboy Mikoto was lead along, thinking it was okay to leave things to the shadow alter or to exist alongside him. Now we see that isn’t a viable solution.
Reverse Five of Wands. “conflict avoidance, diversity, agreeing to disagree”. I went over this more in the other post.
Chariot is the last one, WHICH ALSO WAS NOT IN THE ORIGINAL SPREAD. “Control, willpower, success, action, determination”. The shadow alter Mikoto has taken full control. Which is very quickly followed by…
Shadow alter Mikoto drawing Death. Also not in the original spread. Perhaps effectively “killing off” softboy Mikoto and betraying him.
Concluding Thoughts.
Now, I understand I do take most of these lyrics from softboy Mikoto’s perspective, but I’m sure there’s a layer of deception added on by his shadow alter. The Challenge card of the 7 of swords did represent betrayal. So softboy Mikoto’s only context into what’s going on outside may be his headspace tarot reading. If you want to question some of the lyrics, or even think one of the alters is lying, that would add SO much to the complexity of the situation, and I wouldn’t put it past the Milgram team to add something like that.
Common Themes/Symbols:
The mirror, both in the headspace and in the outside world bathroom
The Hanged Man- in a painting in the headspace and on Mikoto’s shirt. Indicative of being wrongly accused or martyred. Softboy Mikoto is likely represented with this, as well as The Fool. The Fool painting probably is there to show that he doesn’t know any better, that he is without the knowledge of what his shadow alter is doing (or doesn’t believe he’s doing anything wrong)
The Half Moon- a light side and a dark side. Pretty self-explanatory. Symbolically, it can also represent life and death. NICE.
Sorry if the conclusions end up being kind of vague. That’s the way a lot of this video is; what’s really going on, as it usually is, is up to viewer interpretation at this stage. I was just hoping to provide a bit of context into the images in the video, plural life, and narrator interpretation. I just really love this video and after this full analysis hope others can at least appreciate the work that went into it.
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