#having big thoughts about the way steph's journey as a hero evolved to allow her to become more and more emotionally vulnerable
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Batgirl by her very nature should be immediately relatable to the reader. Thatās why we gave her a costume where you can see her eyes and, more importantly, her smile. Sheās a hero with emotion, which is both her biggest vulnerabilityā¦ and her greatest asset. And in that space in between, thatās where Batgirlās sense of hope comes from.
Brian Q. Miller on Stephanie Brown
#having big thoughts about the way steph's journey as a hero evolved to allow her to become more and more emotionally vulnerable#as her layers of cynicism were stripped away down to her optimistic bones#also thinking about how Miller said he was upset about the way they covered up her smile in the N52#(can't remember where)#and how it effectively reverted her years of character development#ough#stephie my beloved#stephanie brown#batfamily#dc#sketchies
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IGNās recent Bat-focused article (Batman: What Does Red Hood Need to Do to Get A Good Story?) praises fanfic writers and also is an amazing critique of how stagnant Jason has become under recent DC management and Iām so surprised at how good it is and how well thought out the solutions were
Hmmm. I just looked it up and I mean, Iām not trying to start anything but I both agree and disagree? Like, it makes some points for sure, I mean, its not like its saying things that I havenāt said a thousand times about Dick, like.....these characters need to be allowed access to a full range of emotions, both good and bad, in order to be fully fleshed out, so I mean yes on that premise alone I absolutely agree this is as true for Jason as it is for Dick or anyone else.
Tbh my only real criticism of the piece is it thinks Jason exists in a particular predicament the other characters arenāt in as well. And that I just donāt agree with, like they kinda lost me a bit with their first paragraph:
His complexities and moral ambiguity make him a compelling and distinct character among his more strait-laced Robin-brothers. Sadly, the character has seen little growth since his rage-filled reintroduction into comics. The āformer Robin becomes a villainā idea was enough for DC to coast on for a while but since rejoining the heroes, Red Hood has done little else.
First off, this may just be me being pedantic but Iām ALWAYS going to go fetch a grain of salt before continuing reading anything that pits Jason against his brothers in a war of his moral ambiguity against their strait-lacedness. Because to me, thatās just a fundamentally shallow view of the Batfam that caters to the idea that they each must have their own distinct niche in order to be fully viable individual characters, when a) no, and b) they donāt fit neatly into the niches people keep trying to slot them into and it never ends well for anybody.Ā
Like Jason is morally ambiguous in a lot of ways too, yes, but umm, even if we assume that the writer is only speaking of Dick, Tim and Damian, weāre talking a guy who beat the Joker to death with his bare hands and has ten assassins and mercenaries on his speed dial and who co-led the Outsiders, a guy who was deeply immersed in weighing the pros and cons of getting revenge for his father by getting Captain Boomerang killed and is forever being DMed by Raās because heās convinced he can get Tim to say He Has Some Points Actually, and the kid who was an assassin with a body count by age ten and who has struggled constantly ever since his debut to define his OWN personal view of morality that is not wholly predicated on what he was taught by any single individual.
And this is a big part of where I part ways with the article, because I think it falls into the same trap that a lot of people do by believing fanfic is inherently better by doing the same thing from just a different angle. Fanfic CAN be better than the canon, I absolutely believe that, I believe it is at times, but to do so, it has to like, BE BETTER. It has to do things differently, and not just paint a slightly different veneer over the same things. Like, pedantic though it might be, I outlined the above issue because its a mode of thinking the canon absolutely falls into again and again, and just like the writer of that article themselves, like....I think fandom as a whole is no different?Ā
Like, yes there are great stories about Jason out there, some writers have done great and interesting things with him, but that doesnāt mean thereās not a huge trend in fandom of doing the exact same thing I see here.....which is honestly a huge part of the exact same problem the article is decrying canon for......LIMITING Jason (and all the Batfam) by reducing them and their stories to finite niches as a way of spotlighting them as different from their siblings.....except theyāre not that different! And thatās okay! They donāt have to be! Families can have lots in common, families DO have lots in common due to like.....shared variables during their formative years.Ā
I mean Jason was heavily influenced by environmental factors in how and where he grew up before he ever met Batman, but like the article goes into itself, he was no less influenced by Bruce himself as his father figure.....which is something he absolutely has in common with his siblings, thus its not hard at all to see how his siblings could have similar complexities and moral struggles that stem from trying to reconcile Bruceās influence with the many other things and people that have influenced their childhoods.
And similarly, while the article is dead-on about Jasonās stagnancy....this is something that applies in equal measure to the rest of his family, because theyāre all facing the same issues in terms of how DC views and utilizes them, and fandom as much as it likes to condemn DC for doing just that....frequently does the same thing. Like, Jasonās stuck in canon, absolutely......but Dick keeps being popped out into his own microcosm to experience a couple years of stories that essentially turn him into completely different characters isolated from every communal part of his characterās history, and then ERASE everything thatās happened at the end of each of these stories and reset him to square one.....and thatās just a different kind of stagnancy that again, still never allows for actual character progression or development. Tim has LITERALLY been regressed back to Robin, like a hard reset thatās its own kind of stagnancy and Damian has had years of character development upended just to kick him back to where he started, effectively strip away all the connections heās developed at least in any meaningful way, etc.....and the same holds true for Babs and Cass and Steph and even Bruce himself IMO, in a lot of ways.
Its absolutely a problem, but its a problem that extends far beyond just Jason even if he is a great example of it. And its also a problem that extends into fic itself, and thatās why I donāt agree with a lot of the conclusions that article draws beyond just the fundamentalĀ āthese characters need to be allowed access to a full range of emotions.ā
Yes. That. That right there, THAT I think is crucial, but I think that writer needed to widen the scope a little to take in the full impact of what that actually MEANS for the characters....so as to not accidentally repeat the same problem theyāre being critical of by essentially arguing for a full range of emotions for Jason....while still defining or viewing Jason through a finite lens ofĀ āthe more morally ambiguous Bat character, at least as compared to his brothers.ā
Because its that last part thatās so detrimental, because it seems like such a little thing at first, until you realize that essentially its just putting a ceiling, a cap on how far those full ranges of emotions can be expressed. Like the problem with Dick Grayson in canon and fanon is NOT that he canāt be written with a full range of emotions.....its that his character absolutely can encompass a wide range of opinions and viewpoints and emotional stances fromĀ āI donāt believe in killing as a first optionā toĀ āI absolutely can, will, and have beaten a damn clown to death for joking about murdering my brotherā.....and he can still walk away as Dick Grayson after expressing both those things, because his character is big enough to include them both. HEāS not limited as a character, its canon writers and fandom writers that both heap artificial limitations of their OWN on him, say that his character is so defined in such a specific way that thereās no way for the latter expression of his character to actually be IN character.....and the fatal flaw here is fully fleshed out characters are never just one thing. They donāt fit in niches anymore than people do, and notice the problems we all run into when we try and pigeon hole people as being just one thing, like humans canāt be contradictory or act against their own self-interest or be hypocritical or evolve or even regress past prior viewpoints....basically, any time you try and sum up a human being in one line, no matter how accurate that description is, thereās still SOME things that are going to be left out of that picture.Ā
Now, these things donāt always have to matter that much, like if I look at a serial killer and say thatās a serial killer, like, I might be leaving out of the picture that once he helped an old lady across the street and didnāt kill her and he doesnāt even know why, and I for one, simply do not care that I leave that out of the picture. Its irrelevant to the big picture for me. I can acknowledge that it adds a smidgen of nuance to that particular picture and then go yeah but also I donāt care, nuance denied.
But in terms of fictional characters, these things that get left in the discard pile when we try and sum up characters as just one thing, like, they can be hugely significant, because characters unlike real people, are simply WHAT WE MAKE OF THEM. That stuff thatās been left out of the big picture look at that character because its stuff most people to DEFINE what that character looks like have deemed irrelevant....its still there, and still perfectly relevant for anyone who wants to pick that stuff up and make something of it, use it to change the overall picture or even just point to ways and places that picture can absolutely encompass and include these other elements and STILL fundamentally be that same picture, that same character.
And this isnāt to say that characters can never be written out of character, its to say that usually IMO what ACTUALLY makes the difference between something being out of character and something just being an unexpected but still valid character choice is just.....how these things are executed. The latter is when writers make the effort to JUSTIFY their character choice, to sell audiences on why and how this is absolutely something this character would do, to take them on a journey of what led the character to making this choice and let them see how those steps actually line up, thatās an actual journey that character might take. The former is when writers just donāt bother and are just like, well hereās a thing that character did, and you know it was in character because well thatās the character and thatās what I wrote them doing lol, what more do you want. No. Yawn. Next.
But the trick is if youāre going to try and make a character a SPECTRUM of emotions and choices rather than just a same datapoint recurring over and over again endlessly, a literal sticking point that never advances, never progresses, never changes......you have to actually give that character free range to utilize that spectrum of emotions and choices.....not just confine them to accessing all those possibilities but ONLY within a narrowly defined niche that is its own kind of limitation.
A character can START from a logline, absolutely. Can BEGIN in a narrative niche as a way to INTRODUCE them as seemingly different from their surroundings or their peers when they do not yet have the backstory, the evidence of past stories and character choices readers can use to interpret their actions or guess their choices.....but narrative niches, IMO, are meant to have a shelf life, an expiration date. Theyāre a seed for characters to grow FROM, to grow PAST, not return to over and over again.....because thatās when a niche just becomes another house that stagnancy built.
Anyway, thanks for the thoughts and the article mention.....it was an interesting exploration of thoughts for me even if I didnāt ultimately agree with a lot of what was already said....still a worthwhile read though I think and I mean hey, its cool if you still agree with it more even if I donāt, lol. This is just my take.
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