#haven't even finished arc 1

[feenixmork]

Seeing people post about the new event is reminding me that the reason i got more active on magia record discord was because I saw people posting CGs and sprites of arc 2 chapter 10 and went "what the fuck. why is Ao baby." and then was answered by repeating Sailor Moon memes and now I'm stuck here I guess. What the fuck. Thank you baby Ao.

[azems-familiar]

it's finally time to work on super emotional leadup to reconciliation in the spyscrapper fic davi and i are working on (this is about taste my pain for people reading it lmao) and instead of writing i keep getting distracted doomscrolling tumblr. help.

[im-no-jedi]

the amount of times I’ve come across a post or video that reminds me of an OC that I haven’t introduced yet is driving me insane, I need to start writing in MLWTBB again y’all 😫

[thejediexile]

Why does everyone on reddit say p4 has the best cast?

Like honestly of the three "persona" games i think it has the worst

[angelpuns]

Kid Leo Au: New Normal Part 2: "Training"

Part 1!

Finally, finally posting Kid Leo again. I don't usually like to start posting til I've finished at least 2 pages, but truthfully I haven't even finished sketching this arc yet, so we're just wingin' it :)

Also I didn't forget to draw Leo's glasses ( yet), so yay! I really hope everyone enjoys this arc, I've got some really fun stuff planned (and some slight behavior changes for Leo)

Side note, this arc takes place a few days after the glasses interlude!

Kid Leo Au Masterpost | Next

[ariaste]

Hello, published author here who just noticed a thing in the s3 teaser that may help us to determine the timeline:

This is not an ARC. ARCs, aka "Advance Review Copies" or "Advance Reader Copies" are sent out in advance of the publication of a book in order for magazines/newspapers/whoever (and these days, online book influencers) to review it, and for booksellers to have a chance to read it so they can order copies for their store and hand-sell it better on publication day. ARCs usually go out around 3-4 months before publication.

ARCs are also sometimes called "advance uncorrected proofs" because they usually haven't been through copyedits yet (aka typo-finding and punctuation-checking). ARCs are always clearly marked on the front cover as what they are, to make it harder for people to sell them online and so that bookstores don't accidentally put them out as merchandise.

We know that the IWTV team knows this becaaaaause, from the end of s2e8:

*THAT'S* an ARC. You can see how it says so all over, both "advance reader's copy" and "advance uncorrected proof". It's also a paperback (as ARCs usually are) rather than the hardback that Lestat is holding -- all very typical and correct.

And here is a finished copy. And we know exactly how far after publication it is, because:

Daniel also gives a shout out to a "book fair" and Atlanta, which I take to mean the Decatur Book Festival, which takes place in October. So that means the book would have been published in June -- nice timing! Get all that good Pride Month promo for this gay-ass vampire memoir. So far we are nailing the Expected Publishing Industry Timeline And Behaviors.

So the only thing I can tell you definitively about what this means is that Louis got that ARC probably in February, aka around eight fucking months ago at the end of s2, and still hasn't even skimmed it, and that is HILARIOUS of him. not a shred of guilt on him about it either. (if you get a print ARC (as opposed to an e-ARC) and you don't even read it, it is polite to be a little embarrassed about that. not my personal best friend Louis DPDL tho.)

As for whether Daniel is a vampire during the s3 trailer -- the thing we are all clamoring to know -- I have two possible ways the timeline could be working, given the publishing industry stuff:

OPTION 1: Louis leaves Dubai -> Goes to New Orleans for Depression Hovel reunion, refuses to get back together with Lestat -> Lestat "I will woo him back with a Song, just like last time. ok that didn't work I'LL GO BIGGER. that didn't work. BIGGER" Lioncourt starts his rockstar career as a Gotta Get My Man Back tantrum -> Daniel finishes the manuscript, delivers it to his publisher, and sends an ARC to Louis (February) -> Book is published, bestseller (June) -> Daniel (who was turned at some unknown point) goes on TV about it (October) -> famous currently-bestselling journalist gets in touch with up-and-coming rockstar to get his side of the story -> Lestat has a mental breakdown on camera about how Louis is not even paying attention to all the albums he is recording, hurtful, tragic, heartbreaking

or

OPTION 2: Daniel DEFINITELY got out of Dubai alive -> [all of the above up to "Daniel sends an ARC to Louis"] -> book is getting great reviews -> already-famous Pulitzer Prize-winning journalist gets in contact with up-and-coming rockstar to do the sequel even before the book is out (slightly odd publishing choice but when you have two Pulitzers, the rules are different, so it's not implausible) -> Daniel gets his finished copies of the book (which brings us to probably May at the earliest; you don't usually get your finished copies more than a month in advance) and has one on set for interviewing Lestat -> Lestat has his sexy little rockstar breakdown on camera -> Daniel is human for interviewing Lestat but gets turned by Armand somewhere in the five-month span between finished copies arriving in May and his TV interview in October.

Option 1 gives the show writers a little more timeline wiggle room, which can be useful, but Option 2 is more Dramatic and builds extra tension if Daniel is trying to do this interview while not having a good time with his Parkinson's. Either way Louis is just out here not answering anybody's phone calls or reading the lovely ARC he was so thoughtfully sent bc he's busy redecorating his house.

THAT SAID, please take all of this with a grain of salt, i have been losing my mind over the s3 trailer and i may have missed something

this has been your war correspondent a report from the publishing industry. thank you and goodnight

[witchinatree]

i'm on episode 5 of season four of TUA, i AM going to finish it reluctantly but i'm sooo pissed

five, diego, and lila are being talked about the most (rightfully)

but why is klaus' arc just returning him right back to where he was in season 1? and why did they take this "struggling sober guy" approach with him in the beginning?? he was sober for a long time and was NEVER like this. it also just felt like they were using OCD 'germophobia' as comedy because of klaus' entire previous character

i liked some of his scenes when he got to be real, but they felt like they came out of nowhere (same with viktor's monologue to his dad tbh..)

this was so disappointing and i haven't even finished the show.

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)

[batbabydamian]

Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!

Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).

Maya is incredible. I loved her.

I haven't finished all the issues yet, but do you have any other recommendations?

WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;

i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.

Main Books

Batman and Robin (2009)

Dick as Batman with Damian as his Robin!

#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series

*Batman and Robin (2011)

Bruce and Damian figuring out their relationship as both Batman & Robin and father & son

imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd

Batman Incorporated (2012) #1-10

events leading to Damian's death - affects Batman and Robin (2011) from issue #18

kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."

Robin (2021)

another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)

Batman and Robin (2023)

currently ongoing! after a number of events, Bruce and Damian are back as a duo

Damian Dynamics!

Batman: Streets of Gotham (2009) #7, 10-12

arc where Damian meets one of his first Gotham friends, Colin Wilkes

Batgirl (2009) #5-7, #17

Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo

Red Robin (2009) #13-14

early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL

Teen Titans (2003) #89-92

Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)

Batman: Gates of Gotham (2011)

Damian meets Cass and has a brief team up

Gotham Academy (2015) #7

Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!

Robin War Event (2015)

Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2

Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins

Nightwing (2016) #16-20, #42, #43

#16-20 Nightwing and Robin arc!

#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon

#43 Dick, Roy, and Damian team-up

New Talent Showcase 2018 "Catwoman: Pedigree"

Selina, Damian, and Alfred the cat

Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)

Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)

Monkey Prince (2022) #1-4

Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event

Superman (2016) #10 - 11

the beginning of the Super Sons! featuring Maya!

Super Sons (2017)

solitary arcs but there’s a few event tie-in issues later

Adventures of the Super Sons (2018)

literally more Super Sons adventures lol galactic shenanigans yeehaw

Challenge of the Super Sons (2020) 

Super Sons time shenanigans feat. the Justice League

Robin 80th Anniversary (2020)

"Boy Wonders" - brief Damian feature as Tim considers his next step in life

"My Best Friend" - Jon's thoughts on Damian and their dynamic

"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin

Extra Comics!

Superman/Batman (2003) #77

Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol

DCU Halloween Special '09 "Cavity Search"

Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!

DCU Halloween Special 2010 "Robin the Vampire Slayer"

a Dick!Batman and Robin story featuring the vampire Andrew Bennett

Cursed Comics Cavalcade (2018) "The Devil You Know"

Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy

DC's Terrors Through Time (2022)

"Trick or Treat" a Super Sons Halloween story

"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release

Batman: Li'l Gotham (2013)

lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly

Secret Origins (2014) #4 "A Boy's Life"

a retelling of Damian's origin story

Detective Comics (2016) #1001-1005

Batman and Robin vs the Arkham Knight (unrelated to the game)

Truth & Justice (2021) #6/#16 - 18 Digital First version

cute story of Damian’s birthday! Juni Ba’s art is so fun!!

DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”

short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"

DC VS Vampires (2021)

Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!

Batman: Black and White (2021) #5

“Father & Son Outing” short story written and drawn by Jorge Jimenez!

Batman: Urban Legends (2021) #20-23

#20 “My Son” Talia and Bruce focus

#20 - 23 “The Murder Club” 4 Parts

Tiny Titans (2008) #33, #39, #45, #47

a few appearances but SO CUTE, LOOK AT HIM

*Batman and Robin (2011) reading guide

i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so

#0 Someday Never Comes

Talia and baby Damian before he grows up to meet Bruce

#1-8 Born to Kill

just an incredibly solid arc for Bruce and Damian!

#9 Court of Owls Tie-In Issue

Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11

#10-12 Terminus

Damian challenges the previous Robins sans Steph

Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that

#13-14 Eclipsed/Devoured

mostly solitary arc! end of it leads into the Death of the Family event

#15-16 Death of the Family Tie-In Issues

Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17

#17 Life is but a Dream - Death of the Family Epilogue

a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events

#18 Undone "Requiem"

Bruce dealing with Damian's death from Batman Incorporated #8

other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18

#19-23 Denial, Rage, The Bargain, Despair, Acceptance

Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.

Batman (2011) #19-20 also addresses Bruce's loss

#23.1-23.4

these could be skipped - villain stories, also related to Forever Evil event.

#24-28 The Big Burn

optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!

Damian's resurrection and return

#29-32 The Hunt for Robin

Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.

-> Robin Rises: Omega

continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.

#33-37 Robin Rises

Bruce hellbent on retrieving Damian from Apokolips and reviving him

-> Robin Rises: Alpha

necessary to read and continues events from #37! Damian's back with a bang lol

#38-40 Superpower

Damian adjusting to having superpowers and being alive again

Annual #1 2013 Batman Impossible

sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit

Annual #2 2014 Batman and Robin: Week One

one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.

Annual #3 2015 Moonshot

one-shot Batman and Robin adventure on the moon!

...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!

[utilitycaster]

This question is entirely in good faith: I’m currently watching campaign 2 for the first time, and you’ve said multiple times that you are a mighty nein girlie above all else. I am enjoying it, I think it’s fun and characters are great. But I find myself preferring campaign 1 more. I know this is a minority opinion as everyone loves campaign 2, but I just can’t really find myself embracing it the same way. What is it that draws you about the MN?

So I do want to preface this with the statement that I think it’s extremely valid to prefer Campaign 1 to Campaign 2. Plenty of people whom I respect do! The Mighty Nein happen to appeal to a lot of my sensibilities specifically but I don’t expect it to appeal to everyone else in the same way.

I also want to note that while it's true Campaign 2 is the fan favorite, firstly, the correct response if you prefer something that isn't the fan favorite is to commend yourself on rarified taste, and secondly, statistics are a funny thing. It's worth remembering that what you see as the Critical Role Active Fandom mostly doesn't include people who dearly loved Campaign 1, didn't like Campaign 2, and drifted away entirely in 2018; whereas people who loved C2 and didn't click with C3 are a little more likely to be around just because it's been less time and because there's more non-main-campaign stuff to hang around for (ie, people who haven't kept up with C3 might still have watched EXU Calamity or Downfall, or might be interested in Midst or Candela stuff, or are hanging out for TLOVM/Nein Animated reasons). You are not seeing Every Person Who Ever Liked Critical Role; you're seeing this segment in time.

ANYWAY. Getting to the actual point, I think Campaign 2 is my favorite because I think I take a fairly holistic view of fiction. I have my favorite characters and ships and themes and all that, but it is difficult for me to enjoy something if I don't enjoy a significant portion of it. I can't just watch for one blorbo, because the character should feel deeply rooted in a world, and have a plot that engages with who they are. This is what drew me to D&D and actual play in the first place!

Campaign 2 is the CR campaign that, in my opinion, achieves this to the highest degree. Hilariously, if you see the campaigns as a trilogy, while usually the middle of a trilogy gets slammed for being all moving pieces and no resolution, that actually works out great for a D&D game. Campaign 1 had the responsibility of introducing an entire world that was being built as the game went on (and introducing the players to TTRPGs); Campaign 3 is the realization of all that plot set up. Campaign 2 gets to explore, build out the world, and delve into characters who are inextricable from their setting, and that's what I love.

I started with Campaign 2, but decided to start catching up on Campaign 1 concurrently as I watched C2 week to week, and I started this quite early and finished C1 in about 4-5 months, and I happen to remember that I watched C2 episode 12 and an early Briarwoods Arc C1 episode back to back, and at the time, I preferred Campaign 1. Campaign 1 has its rocky starts, but the cast had already found their characters (even if the mechanics were being ironed out still) and there were very clear tasks. Early Campaign 2, while I still enjoy it, has a lot of milling about and aimless fucking around, and, understandably, the cast is still figuring a lot out. If you put, say, the Nein in Alfield next to Vox Machina at the Briarwoods Banquet? Yeah, one of these is stronger.

The thing is, that aimless fucking around led to character moments, which is the absolute heart of why the Nein are my favorites, and why I think many others love them as well. Without a clear mission or benefactor, this party had to figure out an identity and what they wanted to do, and in doing so, we got incredible moments between pretty much every party member. Vox Machina has no shortage of incredible conversations, but, for example, Keyleth and Scanlan just straight up don't interact one-on-one very much. You can't point to something like that in the Nein. I also think the fact that none of the characters knew each other terribly well helped with this. I've brought that up to contrast with the bonds in Campaign 3; it's not a bad thing to have a person your character comes in with and knows well, but much as I adore a twins conversation, the reason those conversations are so good are because Vex and Vax both spend a lot of time with other people as well. With the Mighty Nein, everyone has to do that because really, with Yasha gone half the time and then with Molly's death early on, we've got Fjord and Jester (have known each other like a month longer than anyone else) and Caleb and Nott (six-ish months and they're both hiding a lot.)

I really do get if people prefer that Vox Machina has two clear missions (with plenty of fuck around time built in) to start, the show-stopping Briarwoods arc next, and then the Chroma Conclave, especially watching after the fact - I am not sure how C2 is if you binge it vs. watch week to week, and it may suffer from a binge watch whereas C1 honestly might benefit. But the payoff is so great; you do not get the interpersonal relationships the Nein eventually have with each other without that early need for them to set their own direction.

Moving on from there, I love the setting of Wildemount and how much slow travel there is (which, to be fair, Vox Machina didn't have because that was all pre-stream; the Nein started teleporting at level 9 and Campaign 1 starts with the party at level 8). I love, as I mentioned, how tied to the continent everyone is and how relevant that is to most of their stories. I do think Molly's abrupt and unfair death early in the story is a crucial part of who the Nein are, and serves as a defining moment that is impossible to replicate but is very meaningful to me.

Also, and this is getting into some very idiosyncratic stuff: I love wizards and clerics and paladins and we get all those. I like gruff or overly formal characters with tragic backstories and good hearts and that's most of the party (unsurprisingly, Vex and Percy, in that order, are my favorite VM members). As someone who is constantly fighting the "Dump WIS not INT" fight, the fact that the Mighty Nein is fairly smart and has multiple characters specifically interested in history and politics and lore is right up my alley (the twins and Percy and Scanlan in C1 serve a similar purpose, and the fact that C3 doesn't have anyone really like this...shows).

I also like that the Mighty Nein are never famous, and I think some people don't like that. For all they are heroes of the Dynasty and end up with connections in the Empire, they aren't council members or tied to anyone specific, and this floating mercenary nature means they are setting their own pace. The only part where I think things get frustrating after some of the rockier early days is when they're hunting down Obann, and that's only a few episodes. While Molly's death is a defining moment, what is honestly a more defining moment is a few episodes earlier, when they decide against the multiple institutionally-backed job offers and decide to take a couple of jobs that will get them out of the city. I think it was jarring for people used to Vox Machina, with their duties to the council of Tal'Dorei, who dedicated a third of their campaign to saving the continent from dragons; but the Mighty Nein's greatest duty is always to each other and to becoming better people. The focus is always on them. Yes there are fetch quests, yes there are NPCs who give them some unavoidable tasks, and yes people use the term "player agency" in weird ways all the time; but the Mighty Nein are, I think, the zenith of what a player agency driven campaign can be. The story is, above all else, theirs and theirs alone.

I don't know if there will be a Campaign 4 - I'm a bit more sanguine about the prospect than I was earlier in C3 - but for what it's worth I don't think Campaign 2 is irreplicable. Or rather, it can't be replicated, obviously, but I think they could do another campaign that is deeply tied to its setting and lets the party choose their own adventure in the same way. It just takes a little more prep up front, and a little more flexibility once it actually starts. If there is a campaign 4, I really hope they do it in that same style.

[luckywolfsbane]

One Piece spoilers for episode 1033. If you haven't finished the Wano arc, don't spoil this for yourself. I'M SERIOUS. You're going to want to react to this as you watch it... if you catch it.

Are you fucking kidding me!?! They snuck this in here and got away with it?!? These absolute legends. And I discover this on June 1st, too? I'm dying. I'm dead. I'm fairly neutral as far as ships go, but... This is outright shipper bait. I'm not exactly the best at catching these things, but this was so blatant that even I couldn't miss it.

We can say, "That's not how he meant it," until we're blue in the face; but Sanji said what he said. There may be double connotations, but THAT'S THE POINT. THAT'S WHY IT'S SAID THAT WAY. He's the cook. We all know he's gonna talk about food prep. They could have worded it a thousand ways to avoid that connotation. They didn’t. They know EXACTLY what they did. (At this point, if you don't understand, message me if you're 18+ and I'll explain.)

This comes promptly 3 episodes after--during the Film Red Tie-In fillers--Zoro called Sanji "Kinky Cook" instead of one of his typical cook-based insults. Don't believe me? That's fine! I have receipts! If you want yhe clip, all you have to do is ask bc tumblr has a limit of 1 video per post, and I can't add it. But! It was episode 1030, 21:28. Typical antics, but... the word choice. Istg.

The zosan shipper bait in these more recent episodes is killing me. You're laughing. I'm fighting for my life over here, and you're laughing.

[pensbridge]

This is going to be my only post I ever do THIS. It needs to be said (if even only for me). Be warned. (& I'm totally being a little funny & unserious with my words, but I also mean it). but really I just need to be so silly for a moment..

I've been in some fandoms and every fandom goes through this, but...There's no fandom on earth that quite literally walked in with no changes to the picture of the Community meme like the Bridgerton fandom. yayyy! we made history again We are the exact same picture, because it wasn't that bad! I can nearly guarantee you, people noticed the quality change, but it literally wasn't bad like you say! Some of us truly stumbled in here like wtf, and still haven't gotten the answer. Stumbling into Part 1..was stressful, but Part 2 was actual insanity!

like, I honestly don't think some people watched it all the way (i saw something about ppl finishing in 2 hours)! If they even went back, who knows?! But the takes are just literal fables!

I actually think the blind trolls coming back from the dead & thin air for part 1 have deluded some of you into thinking that part 1 was bad (it wasn't; it was good), and as a result made you think that part 2 was worse than it is. I totally respect your differing opinion, but you're wrong!

There are 2 real "issues" with this season and the other stuff is artificial grass.

#1 The lack of happy couple moments that get replaced by boring side plots (part 1 was actually enjoyable to me, but this one I actually almost fell asleep watching Benedict before I was awoken by his bi awakening). But to be frank, it's always been an ensemble, and I find it funny that people forget: People bitched about polin season 2; they bitched about Penelope since season 1.

The fact that they don't get a full episode 8 of being happy in love was criminal (but i will admit my wrong expectation, because this is Bridgerton (what else is there to expect, lol). However they are cute! Naysayers, deny it all you want, but they are literally perfect! They are literally a cute engaged couple, the moms including Lady Danbury cannot help but squeal over them, and the only thing holding them back is that this conflict is seemingly dragged on, BUT it doesn't even go on long! (perhaps it felt that way because there were only 4 in this batch of eps). And I get you can be upset, but stop the bullshit because "WE WERE ROBBED." You are lyyyyinnnnnggggg.

He finds out in 6! Anthony was with her sister for 6 eps ... Simon....avoided her til she had to make the move at the end. If we're including Queen Charlotte, George got the most cohesive story, but we'll chalk that priviledge up to the fact that he got only 6 eps; and also don't lie, the recycle-rinse-repeat episode was boring(!!!!) minus the last scene & the visitation of his trauma (u can disagree w/this, but I was bored the first time watching and didn't ask for the copy & paste same episode).

#2 is the pacing (really the last 1⅓-ish episodes is the problem)- because I wish they made up by the end of 7, which is really more of the same of what I said about them being happier in the final one. However, (which brings me to my point) if they'd shifted him finding out earlier... (again they only had 1 episode prior to do this in (because there was no way it was happening in part 1 even if the 2 part split never existed), ...it could have fixed most likely all of this: if everything was moved up an episode (+ they switched Cressida's reveal + Colin finding out), they'd be fighting in 7 but united for Cressida's lie, then they'd make up by the end, and they wouldn't still be struggling with differences between them in the first part of episode 8 at all, thus there would be the happy couple moments from my point #1.

And I newly realized how this aspect of polin's season arc compares to the others. The conflicts of the other 2 seasons have been more heavily external obstacles preventing them from really getting together, while visiting some internal demons later after the drama; but this season is pretty much just them with internal conflict between them (if not for all of part 1 then for the entirety of part 2! (i personally think that the Debling stuff is less love-trianglry than what they've done in the past & fr he is in 2 eps really and not even fully courting her for majority of it)! Enemies to lovers does have internal conflict between them in the beginning, but it's not something actually between them that's "preventing" them from riding into the sunset (other than fake fighting like they hate each lol i say w/love 4 the characters & E2L). But since Colin and Pen's conflict is actually her (Whistledown) it maybe feels like they are more at odds than what is truly going on under the surface. Because they are established to love each other already unlike the other couples, who you are seeing the journey and getting to the end. While Part 2, you are seeing the unraveling of an established couple even though the love is there and the only important reason you need to get how they can work it out. We won on complexity and realness harder than the people w/bad takes can fathom, they have to make stuff up!

The other (kind of related for some) stuff:

The sex scenes: I get it! They lied (lol)! I hope we get them! But we know why it's lacking; they're deleted scenes; they exist! But the carriage scene - HOT. The mirror - HOT. The 30 second scene (lol) - HOT. But again: K*nthony got 2 spicy scenes their season! S*phne got a montage but it kind of sucked looking back (i'm not seriously hating but you know that it was too much, literally even then i think ppl knew) but plz don't start the ship discourse again & PLZ DO BE LOUD ABOUT THESE SCENES THO, I NEED THEM (lol)

But the love confession.....sssssssss. There were so many!!! *that book one is not good, i'm sorry (i'm being lighthearted here; you can disagree w/it but I do kind of hatttte it!)

"They didn't include..." don't know if you know but the writers make the story. Their story is not the book. You knew what you jumped into. (you can be sad but..) [i am not touching the conversation on Fran. But if we're really being real that side shouldn't wanna be grouped w/the side of The Departeds who are forever the head of online harrassers....by - now causing official pages to disable their comments (you don't have to tell me it wasn't all of you. I know 😔). it's actually kind of funny how I did not know like 95% of the actual discourse those first couple days (and there's a lot of discourse to see). but, anyway my main concern this whole post are my top 2 mcs. [ps the Departeds I meant traveling; i'm not that mean]

The misinterpretation of Colin: if you hate him, then go away! Thnx 4 the record-breaking views!

The baby? Cheers to 2 years in the future w/baby No Name! *lol* I'm not gonna say you shouldn't be upset about the name. For me, it was fine, because I knew they'd be back for s4. Also, preparation guys, I doubt we will even see the child that much if Daphne is any indication.

This show has never been comparable to your favorite Oscar-worthy film (literally obviously!), but the show is not terrible like some very widely popular of what's out there (and i'm not even talking about bad shows that everyone knows are bad). There is some depth to the characters and some ingrained-trauma to living in a male-dominated society with no autonomy, and traumas to the men as well. Re: the choices and drama every season. It's... a drama show! People need to go re-read the fantasy books if they want happy, lack of conflict all the time (and men yanking their wives by the wrists)... Go read fanfic if you don't like the show and a certain couple. Bridgerton is escapism and in some crazy overtaking of loud voices in the fandom, this fandom has been one of the least escap-ist fandoms ever. Because people will be like "*suspending my disbelief*" every 2 secs, but ...babe that's not doing what you just said. There's embellished "Based on a True Story" documentary fans that do this better than you tbh (i'm being a lil funny here, but honestly)

And I simply need to say this, regardless that it won't change, I need the acknowledgment jokes and the mental cleanse. if u don't want to read × The fandom...bro. I'm not even upset, I actually laughed at some of this - like, there's 3 types of people:

#1 offended people responding to op posts, because they don't like what they said; lol, the hypocrisy! The amount of people in my comments in this past month alone if I said something positive...abt the show, abt the characters...anything (new posts, old post) is more hatred than ever ever. The good polin fans are sensitive, but any and every bad typists in the comments are so easily offended...over positivity. Why.are.you.bitter?

"I'm bitter cause.." I literally don't care

#2 people reblogging things they hate to say what they hate. thnx for the notes??? bro, some comments on other ppl's gifs (rants on what they didn't like, crying abt a character/why they hate a character, and sometimes it has nothing to do with the scene gifed).

#3 "I'm allowed to be upset." why are you fighting for this? You can! Go in peace. Some people had no issues with what you say, but you are fighting this because you are determined to make people agree with your negativity no less. If you cared about the courtesy (i know that you don't) you'd let some ppl bask in what they weren't disappointed in & were excited to end the journey with (*and i expect nothing from the haters, but some of this was coming from inside the house lol). The reason you were wrong for this is because YOU WERE WRONG! There are ppl that liked it. You have no control; I get it. dw i'm sure you'll be fine.

Anyway, if anyone even read this far, you rock 4 that. If you got it, we're healing from this dumpster fire together; and if this even made 1 person laugh or feel better, it's worth it. I'm actually good now but it was rough that first stepping into the chaos and I had so many thoughts at first, so i wrote a lot from the initial shock those moments, [and now i'm in the laughing about this bullshit phase] so if u get it u get it (and can maybe have a chuckle) >>> This is literally just your neighborly (if ur nice here) joke!post *we're laughing thru the pain* / w/e to you (if you're not because i need to & this stuff isn't new & that one goes for all divisions of the fandom not just the main contented one of this post)

[a-secret-bolton-vampire]

I finished arc 13 of Ward today. So far, arcs 9, 12, and 13 have been my absolute favourites. In finishing 13 it really hit me just how incredible this story is.

I was scared to read Ward at first, because I loved Worm so much and I wasn't sure how it could top Worm. I was also scared because it hit a lot of personal trauma triggers and became very much worried that it wouldn't do justice with it. In my mind, the worst things that Ward could do was try to get Victoria to forgive her abusers, that her bio family is the most important and she should reconcile with her mother.

My best friend (my co-author for Mending Constellations, etherealDesign) sang the praises of Ward and I eventually decided to try it out. I expected that it would be almost or just about as good as Worm. I'm more than halfway done, and I know how the rest of the story goes, but I honest to god think Ward is even better.

Taylor as a protagonist rules, she's one of the best characters I've ever read and she is insanely compelling and her arc is so beautifully tragic that I can't help but watch that tragedy unfold in awe. There are some parts of her I relate to, such as the bullying, the feeling of being a sort of social outcast, an introvert who loves reading and learning. I also really love the way her morality is written and it's so unbelievably rare for a female character to be written that way.

But Victoria is far far far more relatable. So many takes on her are so shallow and missing the nuances within her. She's so different from Taylor and yet so similar they work perfectly as foils. Taylor didn't have a social support network but had a loving family. Victoria had a social support network but not a loving family. The writing for her PTSD is so insanely on point as someone with PTSD that it hurts to read at times. I'm so happy the narrative is not punishing Victoria for not wanting to forgive her family, especially her mother and Amy, for what they did to her. In so many stories, so many that it actually boggles my mind, family is the most important thing and something that can transcend any and all hurts. Makes that moment in arc 1 where Carol wants Amy and Vic to reconcile mean so much in that context. Sometimes, a hurt cannot be reconciled with, no matter how close you once were to the person who hurt you.

I feel people who haven't experienced familial abuse might not get how much Ward gets right about it. For sure, she has a complicated relationship with her parents still, it isn't pure hatred like it is for Amy, but there is no doubting that the relationship is strained, to put it mildly, with her parents. And also, very very very much happy that there is no attempt at rehabilitating Amy's image to downplay what she did to Victoria. This is not something you downplay and even if Amy is still (somehow) a sympathetic or even relatable antagonist, this is something that just cannot ever be forgotten or forgiven.

Also, Victoria reads as unbelievably transgender. She spends 2 years as the Wretch in the hospital, and in Ward her forcefield makes her visibly uncomfortable with herself and her body. And then her costume is literally a dysphoria hoodie... Her and Sveta especially are such great examples of transgender allegories (and in the case of Sveta she literally, canonically IS trans). And on top of the PTSD, the abuse, the gender dysphoria, all these things that make me relate to Victoria so heavily... then there is the very blatantly textual dissociative plurality. There is no way that Wildbow didn't intend for Victoria, the Warrior Monk, and the Scholar to be all different people in a plural system. Not even a doubt in my mind.

Oh, and this is JUST talking about Victoria! I could go on and on about how well Ward writes mental illness, including some really, really vilified mental disorders. Ashley is (at least likely from what I've gathered from the notes Dragon sent to Vic's laptop) bipolar and definitely a clinical narcissist, but it isn't vilified, and in fact she is heavily, heavily humanized. Even Cradle, someone I'd call as close to pure evil in Parahumans as you can get, has some really really phenomenal writing that shows that he could have lived a normal life as a functional person despite a lack of empathy or remorse.

In general, mental illness in media is important to me as someone who has a personality disorder, and being able to show people who are narcissists or have antisocial tendencies as ultimately just being people and not inherently dangerous is very, very big for me.

There's so much more I could say, but Ward is nothing like I was initially led to believe. It's miles better in every way than I could've hoped for, and it has quickly come the vector for some of the best and most relatable writing of trauma and mental illness I've ever seen in media.

Ward is a story first and foremost about trauma recovery. The fact it is in the backdrop of a literal post-apocalyptic setting is not accidental. It's the best way to frame a sequel to Worm in my mind.

[voxofthevoid]

Poll time, yet again ❎

This isn't what I'd call a problem per se, but I'm writing at a pace my posting cannot keep up with, even with me currently posting 5 fics a month—4 for JJK from a roster of 5 and 1 for MCU/Bleach. This'd be fine, but posting for MCU and Bleach long after leaving those fandoms has made it clear that I will significantly slow down on posting for those regardless of the size of my backlog. While I continue to love sharing those stories, the editing process becomes more of a chore than usual, and I just...sit on those. I'd like to avoid that as much as possible with JJK.

I'm still very firmly in the JJK sauce and haven't slowed down any, but I'd rather do this while I'm at the zenith of my inspiration, so these fics (which are the longest among my unposted JJK fics) can see the light of Ao3 while they and I are both hot, so to speak.

I'm upping my ongoing JJK roster from five to six, though whether the updates will increase to five a month or stay four a month remains to be seen. I can handle both based on monthly energy levels and have drawn up schedules for each, but I might run another poll for that to see what y'all can take. But that's for later.

For now, pick a fic ✨

Descriptions, titles, and choice WIP Wednesday links for the fics under the cut. I'll reblog the poll once a day or so till it's over.

Amnesiac Yuuji

the ghost in me was true (but you were haunted too): No-Shibuya AU where Gojou sends Yuuji out of the country after he eats all the fingers. Yuuji goes AWOL a year in and reappears 12 years later without any memories. Gojou doesn’t deal with that too well. Goyuu.

Shibuya Swap

(this is also part of the story) how the story changes: Just as the PR ensnares Gojou, canon!Yuuji switches places with his older self from an alternate dimension where he’s Gojou’s teacher. Goyuu.

Mundane Unclekuna

bloodstains on the collar means just don't ask: Mundane AU Yuuji’s sexual awakening is his big, mean uncle and then his high school teacher makes him realize he just has a specific type in men. Goyuu and Sukuita.

Surprise Rut Sex

taking the flesh is the only virtue: Yuuji goes into premature rut after the vs Mahito arc, and Nanami ends up “helping” before Gojou shows up to escalate matters. Goyuu and Nanaita.

[self-loving-vampire]

That medium post is highlighting just how fucked people get when they treat gender norms like a Serious Thing you must abide by. Like, what?

1- "A weak thing really wanting to be strong is pathetic" is the kind of thing that is like... who is even saying that?

The virtue of wanting to become stronger (be it for altruistic reasons or even just to master your art) no matter how pitiful your starting position is seems to be something that repeatedly comes up in fiction.

It's not just shonen training arcs to help you overcome someone who outclasses you in every way but also things the RPG journey of starting out at level 1 barely knowing your left from your right and becoming strong enough to kill god at the end.

In fact, this is what makes games like Gothic and Dark Souls so appealing. You start out so weak that everything obliterates you in one or two hits and you're pretty much just another doomed soul in a horrible situation, but if you persevere you can overcome anything.

Maybe stop thinking of strength or weakness as something inherent to gender rather than something you need to cultivate through training and experience? Sure there's geniuses like me who get a huge experience multiplier but that's not gendered either.

2- Boys 100% do cry. They often get beat up for it because they're not supposed to cry, but they still do it regardless of how things are "supposed" to be. Because humans are humans and extremely few people naturally fit the platonic ideal of what their gender is supposed to be at all times. Crying is not exclusively a "girl" thing, and it has nothing to do with weakness, bravery, or intelligence.

See, the thing is that the people who actually get good at video games are usually people who enjoy playing video games and do it on their own rather than just when they pick up something they have never done before in an effort to get validation while being anxious the whole time because they arbitrarily decided that video games are "boy things".

You're not just missing out on the confidence buff but also jumping into a mid-game area before finishing the tutorial. What did you think was going to happen?

"Fantasy story where a woman is doing cool stuff" is like... not even abnormal if you ever engage with anything outside the absolute most mainstream of media. Maybe it won't feel so shameful if you realize it has been done extremely well countless times before.

Also gendering romance seems like a mistake as well. Like, from the exact same story as the above image:

Yeah, it turns out stories can have both romance and women doing cool things and mature, non-sexist men will not necessarily hate either of those aspects.

I'm one of those people who got physical abuse to transition to mainly just threats by fighting back, and you know what that was actually like?

I never was even remotely as strong as big as my father was. I'm 170 cm and grew up malnourished (about 100-110 lbs before I left). I eventually also developed a major disability. Meanwhile he was huge and has literally killed people before. Most of those teens who fought back against their abusive dads? They probably were still physically weaker than said dads too.

But none of that matters, because you don't need to actually win, you just need to show your will to fight. You need to make it clear that there's going to be serious costs if they are violent towards you, and even children who haven't gone through puberty at all are capable of doing that if they give zero fucks.

Even an unarmed 10-year-old who was truly willing to do so is capable of causing lasting harm to an adult. I don't blame anyone for not trying something like that themselves since most people don't want to harm their parents and are averse to pain, but it's definitely dumb to make it into a gender thing that is just impossible without a specific type of puberty.

Also I should note that in a lot of cases this doesn't make the abuse stop entirely. It didn't in my case.

This is literally just applying that one comic to yourself.

Hope you're sitting down for the next bit:

Playing cool video games is the modern day equivalent of fighting war??? How does that even occur to you? Video games are literally entertainment. More like reading books or playing sports than killing people for real.

Also like, war still exists? That's kind of a big thing that is going on right now. War exists and people are fighting it. If this person grew up in the US then their country has been at war in some capacity for the vast majority of its existence. The modern day equivalent of war is war, and war is not actually cool or respectable like gaming is.

Putting up a bright billboard that reads "You know you don't have to be like that just because of your gender, right?"

Like, who cares if the other women you know personally only improve their skills for the sake of dress-up and horses? Do you not have things you want to do? I don't know what to say other than that this reads like NPC behavior.

Tip: You can be a man if you want, but also that probably won't give you instant competence or respect like you think it will. You're still going to have to Get Good at whatever it is you want to do.

So the kind of person who tries to fake an interest in "boy things" in a completely half-assed and insecure way actually exists and has terminal gender essentialist brain. I see.

I do think that's kind of shameful not just for the essentialist garbage but also in the sense that it reads like someone who is too invested in trying to insincerely impress others at the cost of their own individuality and pursuits.

If you're going to be taking right-wing types seriously then maybe you should at least notice that they also don't seem to respect tradwife types at all. They want to own them, sure, but they don't respect them. Attraction is not respect. Those people just don't respect women by default for reasons that are patently bullshit.

This is, from multiple angles, a personal problem. Some of us actually do like video games rather than using them as a way to get respect.

In fact, I'd hate it if people made a big deal out of the fact that I'm a woman who likes video games. That is and should be just a normal, unremarkable thing.

You know, maybe that whole thing where you see yourself as an eternal, inherent weakling not just physically but technically is unhealthy and holding you back from even considering that you could ever be good at anything besides child-rearing and clothes.

Good thing that she rarely feels like this anymore as an adult who is (according to the comments) no longer in a religious cult but this is like... putting my sexist father's thoughts in a self-loathing woman, basically?

[desicanary]

Some thoughts after finishing the double that I need to expel from my consciousness:

1. I haven't enjoyed a show so much in a while. It had all the drama, and it didn't sacrifice it for the romance

2. Princess Wanning! She killed her dad and I think that was queen shit. She should have killed more people, frankly. She deserves to do so much murder

3. Shen Yurong how I hate you. This man is not only a murderer and a coward, he's also incompetent. None of his plans have ever worked. Mans couldn't manage to successfully kill his wife even if every god were on his side. I loved every time Xue Fangfei did psychic damage to him simply by existing

4. Xue Fangfei! Xue Li! Jiang Li! Xiao Limao! A'Li! Many other terms of address I've missed! She truly is that girl. She is gaslight gatekeep girl boss. She's a girl's girl. She stabbed a man in the dick 7 times. She has the man who once called her a pawn wrapped around her pinkie. When her man tells her he has to get into a political marriage for the nation she says do it then, and then he has to admit he was never gonna. She inflicted +9999999999999 damage on those who wronged her and Jiang Li. She can't fight to save her life (as evident) but can and will confuse her opponent into tripping over their own nonexistent shoelaces

5. I loved the progression of the relationship between A'Li and Xiao Heng. They weren't immediately lovers or friends. They fully used each other until they were willing to be used. The chemistry, the flirting, it's too much and too good. Also, Xiao Heng serves. See: the fans, the fucking gold plated murder fan, a walk-in closet full of capes, the most dramatic entrances known to cdramas, and all the audacity

6. BUT what were the last 20 minutes! They don't exist to me! My buddies Wen Ji and Lu Ji are watching their boss embarass himself at Duke Su's mansion and sharing in the hot goss, to me

7. Plus, I've gotta be missing something about the Longwu army. I do not understand them at all. Not a single one of them would survive the Nuremberg precedent. Not only are they not guided by ethics and morals, they're also not guided by loyalty or revenge or anger or hate or any understandable motivation. Instead, they're guided by a rock carving of a fish. wut. They find out the dude holding the fish works for the guy who betrayed and killed their general, their comrades, and even some of their family. And their response is: "How could they?!?!?! But we still have to listen to them because they have the fish!" Truly what. Someone explain this all-powerful rock fish to me

8. I do think that the Jiangs deserved more. And by more I mean worse. I think Xue Li should have told Jiang Yuanbai exactly how Jiang Li lived and died, and that she hated him for his negligence. I think she should have told the grandma too. They had their hand in this and they deserve to feel the full weight of Jiang Li's life and death and hatred

9. Also Jiang Yuanbai being like "It's not that I didn't know what was going on at home it's just that I was so busy working for the nation uwu". Sir, disrespectfully, no. You had not a clue. And if you did, that makes it worse. Like "Oh no! I'm so busy working that I have no choice but to let my wife frame my 8 yr old for her own attempted murder! The murder of the same stepmom that she, until yesterday, adored! Oh well, I gotta go to work so I'll just let that happen and abandon her for 10 years until politics makes it necessary for me to bring her home! And I'll feel really bad about abandoning her now, but I'll also never believe a single word out her mouth!" Actually, I think he should be hunted for sport

10. Anyway, that got off track! But I love this show, and how even the antagonists have arcs and backstories and aren't countering our girl just cuz. I love the fleshed out characters, all the looks it serves, the drama, and the adorable Wen Ji and Lu Ji and Jiang Jingrui