#have no idea about these characters history lmao but i also need to have some hatesex with a vampire :)
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suddenly-frankenstein · 2 months ago
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gotta slaughter them when they expect it the least
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PROPAGANDA
BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)
1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.
2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks
3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.
Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control
I.E.
Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there
When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)
Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.
They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying
ALEX DEWITT (DC COMICS)
1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])
2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.
Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.
3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.
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alxxbee · 2 months ago
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Ok, I just saw your redesign of Lucifer for the 2P AU you did and I honestly like it a bit better than in the show, he actually feels prideful here since purple is in fact the biblically accurate color of Pride! :D
Also making him a brunette and adding bright blues (a biblically accurate color of Sloth) as accents was a nice choice :) and the golden eyeshadow! :)
But does he still rule Hell in the AU with Alastor coming from Heaven? And what's the latter's role IN Heaven?
(I’m actually not very familiar with 2P lore if there really even is one but i’ll try))
((i also haven’t rewatched the show since it literally came out i maybe have forgor about like many things LMFAO))
(this also got deleted like twice and i’m pissed for rewriting this again)
(anyways here’s 2P Lucifer in my own interpretation)
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2P Luci thrives in being alone, finding comfort and strength in it rather than misery. He doesn’t mind ruling Hell on his own. He doesn’t need anybody and doesn’t want anybody. His relationship with 2P Lilith has broken apart completely, due to their different views on redemption and the treatment of sinners. 2P Lilith is tricky since we know almost nothing of her, but i believe that she harbors a deep disdain for Hell and rejects the idea of controlling sinners for personal gain
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BUUUUT something that has been in my mind recently is how he is essentially the embodiment of Pride.. but since 2P is (technically) the opposite of something (an inversion) The opposite of pride would be HUMILITY. Instead of making him a sad, insecure ruler, ..I’d like to think he thrives on human’s insecurities, fear, humiliation and self-doubt instead.. (rather than in the show he puts ON a prideful face when in reality he’s quite timid and socially awkward))
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His relationship with 2PAlastor is quite decent (2P radioapple 🙂‍↕️) they still bicker but not in a hateful way like they do in the show, lighthearted jokes and banter, reflecting a mutual respect. (Lucifer knows how sensitive 2P Al is, and despite flourishing in humans despair and emotions, He has a soft spot for 2P Al.) ..Oh and they do not try to win over Charlie’s affection, ((2P Charlie actually does not really gaf about them XD))
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Does not care for Heaven.. maybe even hates. but is not emotionally affected by his fall, I don’t know if Lucifer actually misses Heaven in the show, we can see how deeply affected he still is by their rejection of his creativity.
so i guess id like to think instead of him feeling hurt or betrayed(?), he feels somewhat thankful. Thankful that he was able to flourish in HIS ideas at last, finally seeing the evil of the world like he intended to.. destroying the order Heaven worked hard to maintain. Maybe he wanted Eve to bite the apple because he WANTED evil to come and corrupt the world, He knew what came with free will. He was a rebellious angel who went against Heaven in every way, intentionally with malice. Implying that Lucifer does not regret his role in giving sinners free will. He also cares for his sinners but not in a good way, more like he wants as many as possible so he could one day potentially top over heaven in power. A power hungry bastard.
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He is serious, and a realist. NOT goofy and silly lmao. (Though he has goofy moments i shall not strip him of his whimsical fun entirely)
2P Lucifer and Original Lucifer share some similar qualities aswell. Something Both 2P Luce and Original Luce have in common is that they love Charlie.. and will protect her at all costs. Luci actually maintains a positive relationship with his daughter, He is close with her and tries to be in her life like a good father should, but 2P Charlie doesn’t usually give him the time of day. although she can be quite mean, and not the bubbly type at all like she is in the show, she still loves her father to a certain extent.
Again, we don’t really know much about the characters and the family’s history in the show.. And until we do, everything i said could be changed completely!! Like i said this is something for fun!! I haven’t really been thinking much about this AU, i designed him as a silly redraw but if i ever in the future add more details to his lore i will 🫶
Oh and as for the relationship with Original Alastor and 2P Luci…
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Ok that’s all idk i don’t write for a reason 💀💀💀 💔
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baphometsss · 13 days ago
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On Solas's romantic history
Okay. I know what the consensus is. That he’s way too smooth in Inquisition to be inexperienced but... (and I’m fully prepared to get shat on for this lmao don’t kill me)
When he kisses Lavellan, that doesn’t read to me like he’s super suave and seductive. It reads more like—endeared by them trying to run away after kissing him, then being so surprised by how good the kiss felt, that he grabs Lavellan, kisses them again, pulls back with a surprised look on his face, and then goes in for more. It’s touch-starved, desperate, hungry. It’s not really all that smooth because he’s literally bending them over backwards lmao like Solas can you chill maybe
He is very smooth when flirting with Lavellan, but he's also an absolute gobshite who's spent thousands of years sassing the hell out of wannabe gods so that's not a surprise. He's witty af and enjoys some back and forth.
Solas is a very lonely man. He keeps everyone at arm’s length because he’s seen what getting close to people can do to him. His biggest fear is dying alone, and he almost gives into that because it’s what he believes he deserves for all he’s done. His life has been so stressful for so long that he's almost totally unable to consider anything else but his battles. He even says explicitly that he's tired.
That doesn’t make me think of someone who was out there in Ancient Elvhenan sleeping around all those years. No doubt he considered it, but he likely didn't pursue much with anyone physical; he enjoyed spending as much time as possible in the Fade. (The banter with Blackwall doesn't count to me personally since Solas himself thinks the whole idea is preposterous, which speaks for itself really.) Especially after being a slave/servant to Mythal seems to have voided him of his agency for some time. Then he led a rebellion and fought for thousands of years against brutal tyrants. Any one of the people he was close to could’ve been trying to kill him. Lavellan, however, has no reason to do so, so he can flirt with them freely. In all that time, it seems as though the only people he allowed to get close to the real him were Felassan and Mythal. I don’t think he slept with either, because the relationship was familial. Felassan was also loyal to Mythal, but didn’t burn his vallaslin off. (Is this a right hand/left hand of the Divine parallel again? Two brothers and their mother? Idk, I need to think about that one). For creatures with bodies made from the blood of Titans, they don’t have blood families. They would’ve had to forge their own, which is what Solas did with Mythal and Felassan.
And then there’s his ‘it has been a long time’. Most have taken this to mean that it’s been a long time since he’s been intimate with someone, but given what we know now and that he spent thousands of years in the Fade while his body was in uthenera… I wonder if he’s actually saying-- ‘it has been a long time since I lived in a body’-- ie. ‘it has been a long time since I felt physical drives, a long time since I have felt so physically real’. To me, this makes a lot more sense than the ‘he’s thousands of years old he can’t possibly be a virgin/inexperienced’ take bc like... My friends. It probably didn’t feel like thousands of years to him bc he’s essentially always existed. Time is different for spirits. It’s not like he’s gonna go: ‘well I’m nearly 4000y/o, better lose my v-card’. Time is no object when you are a timeless being. Then, given the path his life took, it wouldn’t make a lot of sense for him to be that experienced given how hard it is for him to trust.
I also personally headcanon him as heavily demisexual/demiromantic too. His true nature is so non-physical that the idea of him being very promiscuous or something just doesn’t fit his character. He needs a mental connection, to feel something, before sharing much of himself, or allowing himself the vulnerability intimacy brings, something he clearly feels with Lavellan based on how shaken up by it he is.
And it’s also canon that Solas has never been in love before meeting Lavellan. So. If he went however many millennia without falling in love, it’s also possible he went without intimacy for a long time too.
To be clear I’m not trying to say that this is the correct conclusion. My opinion has just changed a little since Veilguard (I used to think he was being smooth etc bc he's old af/v experienced, but with confirmation of former spirit Solas it’s changed my perspective somewhat)
Also:
‘Things have always been easier for me in the Fade’
‘I am not often thrown by things that happen in dreams’ my man is shooketh guys SHOOKETH
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maarigolds · 3 months ago
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Since we all know how much of a shitshow umbrella academy s4 was, let's revisit the good old days. Here's my reaction to ep1 s1, which I haven't seen in like 5 years:
We're starting off strong with the sudden pregnancy scene: this is how you get the viewer's attention
Cunty shot of Reggie walking with the seven nannies and the seven baby carriers
Viktor playing the violin while all the other characters are introduced 10/10 stunning no notes
Rehab worker saying "We'll see you soon Klaus" and him immediatly overdosing and being reanimated in the ambulance. Now we know he probably just came back to life by himself!
"You got big, Luther! What's your secret, protein shakes?"
Pogo!!! I missed you, you ape butler!
Baby Viktor leaving sandwitches for Five 🥺🥺🥺
Klaus-Allison alliance going strong since the beginning I see
"Did you see Diego?" "Yeah, with that stupid outfit" "Do you think he wears that thing in the shower?" I love siblings being siblings
Ok I had forgotten about the Allison and Luther thing. Maybe it wasn't ALL great.
"Dad, could you just stop playing tennis with Hitler for a moment and take a quick call?"
"Ok, sorry, I'm just gonna go murder mom, I'll be right back"
Klaus is seriously the best
Bank robbery flashback!!!
"Guns are for sissies! Real men throw knives!"
"That's one badass StApLeR" god I miss five's voice cracks so much
*Ben covered in blood* "Can we go home now?"
Back to the present with Klaus spilling Reggie's ashes lmao
I THINK WE'RE ALONE NOW AKA BEST DANCE SCENE IN TV SHOW HISTORY
No seriously Diego absolutely killing it, Luther doing the hand-krabs, Klaus dancing with the urne
And then boom! Five is back! Honestly iconic entrance
Also Klaus trying to stop a temporal anomaly with a fire extinguisher whyyyy lmao
Five interrupting his speech about the future to look Klaus up and down and 100% seriously say "nice dress"
Klaus responding with "ah, danke"
"That makes no sense" "well, it would if you were smarter"
Also unrelated but Viktor being such a shy wallflower in s1... he's come such a long way!!!
Luther throwing reggie's ashes on the ground "probably would have been better with some wind"
Luther and Diego beating the crap out each other. Viktor: "stop it!" Klaus: "hit him!"
Also Klaus trying to protect Five and him having none of it, too cute
"An entire square block, 42 bedrooms, 19 bathrooms, and not one single drop of coffee" "dad hated caffeine" "well he hated children too, and he had plenty of us!"
"Alright, guess I'll see you guys in another ten years, when Pogo dies" Diego please 💀💀
"You know, every time I close my eyes I see a diarrheatic hyppo about to shit on my face" this was robert sheehan improvising and honestly what the fuck how does someone even come up with that
The Istanbul was constantinople fight was honestly art. This was really the moment I knew I would love this show with all of my heart. Also masterful way to show exactly who Five is in just a couple of minutes
BEN!!! I MISS OG BEN SO MUCH!!! He was baby
Five going to Viktor when he needed help. Honestly we should have gotten more of them being besties it was so good
"The world ends in eight days, and I have no idea how to stop it" and that's how you end a first episode! I'm hooked! Except I'm not cause I know how it ends 🫠
Well this is it. This show was honestly so good in the beginning. I have no clue what happened. At least we'll always have season 1.
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midnight1nk · 1 month ago
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So, WOTFI 2024...
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[Spoilers below cut]
I'm so excited! Got my bingo card ready and my popcorn, we gotta manifest good things here.
(the following is my live reaction:)
3... 2... 1... HAPPY NEW YEAR Oh wait, wrong thing oops
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happy to be here, Leggy (WE'LL SAVE YOU GUYS DON'T WORRY)
TENDER TUNNEL?! ...oh nevermind then. it's so over guys
OH Four, Mario!
this would've been such a Mar4 moment if it was still the Tender Tunnel cuz this reminds me a lot of the SMG34 tiktok kiss challenge
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...wait is that... OMG IT'S TV TIME ARRANGEMENT OMG LET'S GOOOOOOOO marking this on the bingo card
the FNAF models....
"...a portrayal of my life." YES PLEASE give us more
the fact that Puzzles made a puppet of his child self just for this reenactment (i don't think he's ok guys)
oop, Leggy don't drop the child!
"Papa" gives so many flashbacks to other characters who call their abusive father "papa" (me, an Ace Attorney fan)
hold up, I need to talk about this for a bit. I know it may seem like random graffiti, but because it has gears and such, his future might've been set in stone. To become TV.
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"I locked myself in my room and watched TV all day!" and no one checked up on him? Did he stay in that room all the way to adulthood?! Okay, the SMG4 universe has a different way of how time and body necessities work. But hunger and time are still things. The implications are kinda of messed up if you think about it: Mr Puzzles stayed in his room for YEARS without food or even sleep, watching everything on TV. He would've been a CORPSE by adulthood. No wonder Mr Puzzles has a thin waist.
"And the rest is history." No, Puzzles, you can leave us like this! I need more! What happened after he cut off his head, did he replace every limb of himself? What happened to his dad?
Well, we got more of his backstory ig, marking that for the bingo card
WOAH I knew Mr Puzzles swore before but DAMN
I might have to mark "Grudge against Four" box but we'll see
NEW OUTFITS OMG THAT GETS A MARKER
"We'll just have to go along with his twisted games for now." Hell yeah, you gotta be part of WOTFI, boys :)
AY SPECTACULAR TITLE CARD, LOVE THE ART
Blast-off Fire
this reminds me of Toy Story for some reason
C'mon guys, you can do it!
What's your idea, Mario? NO FOUR let him talk
WOW I LOVE [*ragdolls*]
OH IT WORKED
Insult-2-Dunk
OH the frame of what the challenge says has the 5 stars, I'm going to mark that
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This is giving the hallway scene in IGBP, where Four has his thoughts on display
Yeah I'm going to count that as an IGBP reference
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they really are boyfriends 💙💜 gay people do be sitting
really tempted to mark the "You Saved Me" box but I'll wait
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That's... actually sad if all the negative thoughts SMG4 had in IGBP came from the YT comments. Not surprising but it makes sense why he would try to keep everyone happy.
"This is nothing." OH THAT'S EVEN WORSE SOMEHOW, SMG4. THE AUDIENCE IS ONE THING BUT KAREN, A CLOSE FRIEND, TOLD YOU TO KYS
idk I could just imagine Four saying a lot of horrible things to himself
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DAMN MARIO
but also Four's been flirting with Three, you already know that Mario /hj
Slap Box
TARI WE'RE SORRY BUT WE HAVE TO SAVE YOU GUYS
well you did get a bit of karma for what you said earlier to Four, sorry Mario
HOLY SHIT YOU KILLED HER DUDE oop Four said it for me nvm
Ferris Wheel Frenzy
I got jump scared and thought it was my minigame lmao
"Survive"? OH, are they going to get stuck on the Wheel ride?
please 34 please 34 nooooooooooo fuck
Missed opportunity man, still pretty funny
Fire Bonanza
Wow, Bob, that trick was pretty good ngl
Did somebody say arson? :)
even I'm clapping!
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Marware shippers, how are y'all feeling?
Tightrope Terror
OH just like in the trailer, right?
OOH THREE VS FOUR
...yeah, Three would win, I'm not even surprised
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That's so sweet, like actually
This feels familiar... oh that's right
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:)
Hey, I did say "love wins, love always wins"
And that didn't work for Leggy... but it worked on Four back then so that's nice :)
Sword Showdown
poster reference!
Can Mario even defeat Bob? and also, reference to the poster?
Oh shit Mario did the Sephiroth shot from the Smash announcement
Knife Throw
boyfriends throwing knives :)
also poster reference
"...avoid hitting our volunteers" IS IT THREE?! oh no it's just Boopkins and Tari
I WANTED A "YOU SAVED ME" MOMENT NOOOO
....blindfolded?!
FOUR DOESN'T WANT TO HURT HIS FRIENDS
So uh yeah definitely a grudge
Four, that's Gmod. THIS IS NOT THE SAME
Three's the one throwing the knives at Tari right? ...yep *sigh /aff*
Balloon Blast
*looks at Luigi's creations* ....say what now?
"Supper Mario Balloon" I... shouldn't be surprised
He kinda looks like Pedro ngl
Pie-a-Ton
HI KAREN
NOOOO MARIO'S FIRST LOVE *prowler music*
...wait, "Mario Die"? OH well, the universe is doomed lol
Touch Grass
alright then *goes outside and touches grass* we did guys!
Clowns Clowns Everywhere
Puzzles, Four has boots on and Bob has no shoes at all. Does it look like we have time to put running shoes on?
ACE ATTORNEY? IN MY SMG4 WOTFI? :D
"King of Clowns" PFFT That never gets old
What did you expect Four? You make memes for a living, become the clown
Bomb Ski Ball
What type of SAW trap is this?
OH RIGHT Karen is still a cat
Yeah Mario, you celebrated too early
Ducky Mania
poster reference(???)
Well, thanks Luigi, we're dead
BELLS (ok, it might not count cuz they used this before)
YAY FOUR GOT ONE
Free-Fall Frenzy
And of course, Three and Karen and Saiko are all using the things they are skilled at
OH SHOOT MELONY'S SWORD
GO ON MARIO DO YOUR THING! MEGGY'S BACK!! IT WORKED
NO PUZZLES WHYYYYY
Whack a Leggy
Oh I love that Mario screen reference
SWORD FIGHT SWORD FIGHT SWORD FIGHT
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...goop!4..?
oh nvm, cameras. that should've been obvious *slaps face*
SMART THINKING FOUR
OH hi Puzzles
LET'S GOOOOOOOOO
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DUDE I'M GONNA CRY STOPP THIS IS SO SWEET OMG
"YOU'RE RUINING EVERYTHING", welp Mario Ruins the Show confirmed, checking that off
I just love how this scene was animated (edit: it turns out that this is a scene Anaidon animated, no wonder this was so good!)
THE KEYBOARD MONSTER FROM IGBP!!! IT'S BACKKKKK
AND EYES IN GENERAL
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Marker for the bingo :)
AND PARK (kinda) DESTROYED, another mark (yes it counts)
Superhero landing!
Wait... what is it, Four?
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...oh I hate this *IGBP flashbacks*
AND PEACH nooooooooo
I get that it's supposed to be Didney stuff but like that's past trauma right there for Four , seeing the castle and Peach costume again *checks off the bingo*
and we're seeing it through Four's right eye *head in hands* eye of horus
It's Rap Time? IT'S RAP TIME
Carnival-themed too! Another one for bingo
"Pay for what you've done" KARMA "We'll make him pay" KARMA
(edit: it turns out Shadow animated this scene, it looks great dude great job :D)
[*points at background at 22:31*] BELL THERE IT FUCKIN IS
MORE BELLS AT 22:55
and also I realized that there was a lot of "death", huh
Doomed Yaoi(TM)
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Yeah, we can count this as the Freak Show
"Puzzlevision+" ...puzzlevision 2...?
hold up, what the hell is that? NO NO WE CAN'T JUST PASS BY THAT
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Huh, how interesting is that Mr Puzzles, being controlled by wires, looks like a puppet when he's the only usually puppeteering hmmm
MEGGY CONFRONTS also she tried to give Puzzles a chance when she couldn't do it for Wren
"That child is gone... Six feet under right where you and your stupid friends belong." Oh, shit. That got me somehow.
There is something in philosophy called "Ship of Theseus" that basically is: what if, gradually over time, we replace every part of a person and the question would be, are they the same person anymore. It could apply to Mr Puzzles here. Bring back to my corpse question, his child self and his current self are not the same. Not anymore. Metaphorically and perhaps literally, the real man before Mr Puzzles came to be is already dead.
Some people do say that they can be "reborn" so.... *shrugs*
SACRIFICE! No one dies but they're risking their lives here!
Meggy going into Puzzles' mind reminds me a lot of Melony getting into Zero's, except for the meeting younger self stuff
Interesting, why did Little Puzzles cower from the woman shadow figure? They could've just put Meggy there but they didn't until a few seconds later... hmmm......
Well Meggy confronts Little Puzzles but it's more like her demanding him to set her friends free, which is understandable
THE CLUB PENGUIN DANCE IS BACK!! :D
ONCE AGAIN Little Puzzles gets scared of someone coming towards him. jesus what happened for you to react like that, dude?
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THIS IS ACTUALLY MAKING ME FEEL THINGS DUDE. IF MR PUZZLES DIES AND THIS IS THE LAST THING HE THINKS ABOUT.... *head in hands* THIS IS SO SAD
And more of the Engine Room gets broken down
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silly little goobers :)
MR PUZZLES LIVES
and I oop [Mr Puzzles will remember that.]
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....oh, this might be a fate worse than death. I don't blame the Crew for not trusting him and after what he did to Meggy but damn I don't think this is the right choice, gang
But it is probably the best ending the Team could've given him.
Yes, painting is nice. Oh, a puppy too!
"...OR we could assassinate our enemies and anyone who's ever double-crossed us!" OH NO IT'S MAKING HIM WORSE
To destroy Four and the others, yeah that makes sense. But he must've taken Meggy's confrontation as a double-cross. He's going for everyone!
Dynamic Change, everyone!
but also.... puzzlevision 2 maybe....
OH HEY CHRIS AND SWAG HI
well, the park isn't completely destroyed but some of it did so....
"Hopefully Mr Puzzles will change for the better." HMMMM I don't think so, Meggy. Actually, are they aware of where he is now?
Aw, Mario checking up on Meggy is very sweet, the M&M siblings
YOU ALL NEED THERAPY
"Turning into Leggy was really taxing on my body but...I think that version of me has escaped off to a better place." Meggy, you must've inherited Phoenix Wright's invincibility when you were a lawyer because you were literally SCREAMING IN PAIN when you were forced back into Leggy, and all you get is just a bit of a sore back?! Girl, you must've broken something. I do hope they bring this back so that she can't do sudden maneuvers or fancy tricks due to what happened to her. There has to be some consequences here.
And now, Leggy's not coming back (I'm sure that's great news for the people who find her annoying, not me tho)
and I oop 2: electric bagaloo
MORE RIDES FOR THE SHOWGROUNDS HELL YEAH
Happy ending and all but hold up... Why is this the last shot of WOTFI? They could've had the Ferris Wheel, the entrance, or any of the other rides. WHY?! *shakes the crew* ANSWER MEEEEE
Well we didn't get a challenge relating to Tender Tunnel but since it appeared in the final shot, I'll count it just for appearing (and also because it might be important later but we don't talk about that now)
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Of course, MERCH
"And, who knows? Next year, there might be even more things to come..." WHEN I GET YOU
Hoodie, poster, keychain I CALLED IT
baby leggy :3
"You'll just have to wait and see." Oh I'll be waiting *wiggles fingers together like a cartoon villain*
the great milk heist of 1899 :)
.・-: ✧ :--: ✧ :-・.
Here's my bingo card:
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I think it's all of it, let me know if I miss or need to change anything. Can we count all the Four & Three soulmate parallels to the "You Save Me" box? Please? *sneaks a marker on there* To those who participated, I hope you guys had fun with my bingo card!
I'm still going to cherish that Ferris Wheel chase scene from the "Welcome to Puzzle Park" episode
Well, Ben, Shadow, you got anything to say?
Ben: Well that was fun We should really do this again sometime…
GOD DAMMIT BEN NOT AGAIN/affectionate
Shadow, in voice clip: "Hello once more, Twitter and SMG4 community! As always, I'm The Inverted Shadow and yeah, War of the Fat Italians 2024 has come and gone... and uh, as it is customary with a lot of these big events with SMG4, I have things to say but this time, I'm actually not going to make a big show out of it this time like what I did for Puzzlevision and..." *clear throat* "The things that came before because I'm going to be completely honest, guys, I was really fucking nervous for this one because, um, to be completely honest, this rap battle for this WOTFI is, I can safely say, one of the hardest things I had to do when animating for SMG4 thus far. And I was really really scared and nervous about (one) if it would actually come out good and (two) if people would actually like it. But just based on the reactions from the watch party with the SMG4 team and also just seeing everybody's reactions to WOTFI this year, um.... Yeah, you guys surely showed me I still must be doing something right." *laugh* "But, no no no. In all honesty, once more, thank you all genuinely. Genuinely, thank you all once again to the SMG4 community, to Luke, to Kevin, the SMG4 team. Everybody. Thank you all so much for showing me that I apparently still got it and I can still do the thing as it were." *chuckle* "Um, I do really hope you all enjoyed WOTFI this year. For now, I need to go get me that new Mr Puzzles plushie 'cause I need it. So, genuinely thank you all again and uh, peace!
Oh, we enjoyed this year's WOTFI, SMG4 Team! As Mario would say, that was-a loads of fun! The animation, the art, the music, everything was really really good. There are a few plot tweaks here and there that need a bit of work, but otherwise, it was great! Props to everyone on the Team! I can't wait to see what you guys do next.
"Silly little meme show" Right, and it's the same people who gave us horror, I'm on to you guys. please puzzlevision 2 please goop!4
Make sure you all support them bc they deserve it :) As for what will happen to the SMG4 crew, Mr Puzzles, and the Showgrounds, we will just have to wait and see.
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;)
ink, it's not even a theory what are you talking about?
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whetstonefires · 2 years ago
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Do you have any opinions on Scholomance?
I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.
Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.
Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.
Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.
I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.
I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.
Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?
I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.
Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.
And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!
Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?
The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.
...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.
Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'
I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.
Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.
Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.
Aadhya and Liu are also characters who fucking delivered.
Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.
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chaylattes-art · 4 months ago
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✨️THE CHAYNEMATIC GALA 2024✨️
PART II: AIR
this past month i've been imagining what various OCs of mine-- some from a DECADE ago, some of which i've never talked about publicly-- would look like in MET gala style outfits! the theme was THE FOUR ELEMENTS and characters were sorted into whichever element i felt suited them best.
water | air | earth | fire
director's commentary below the cut!
Valyan Lacroye (Andromeda Rogue). i don't really have much to say about them lol. they're just a cute little cloud bard <3
Amina Khadir (Girls With White Teeth). while looking for inspiration i came across this instagram account and she always does these incredible themed outfits. one was this sunset cloudy dress and i immediately was like. i NEED Amina in something like this. my version is frillier and sparklier, though.
Kalen & Illiana Dyonas (The Gemini Heist). there was a moment where i was tempted to make them the Jenner sisters of this gala and have them show up in underwhelming outfits... but i knew in my heart of hearts the space twins would never. for Kalen i wanted something heavenly (bc she has this saintlike, religious role) and also doves as a symbol of peace (which is ironic. considering her family's history. but i digress). for Illiana i wanted something to complement Kalen but also oppose her, so i have her a crow-themed look. (there could also maybe be something to say about her being in a heist team... and me being inspired by Six of Crows to write a heist... but that wasn't my original intention lmao)
Nicole Skye (Girls With White Teeth). i actually put Nicole in air because she was an aspiring tennis player. (this made sense in my head somehow.) peacocks have this rep of being proud but i think they can also be viewed as confident, and i think that's how Nicole would see it too. confident.
Regan Takada (Strangewayes Library of the Arcane). Regan is the new assistant librarian in a magical library who always tries to use magic to fix things and ends up making bigger messes. her outfit is space-themed but more specifically, the Aquarius constellation, an air sign. take a wild guess what Regan's sign is.
Scarlette Vaughn (Aurora Hearts: Mirage). Scarlette is a super old OC that i repurposed for a friend's universe. the thing with that group of OCs is that they each perfectly fit in one of the four elements lol, and Scar has air and wind powers. are butterflies a transgender symbol or am i making things up? either way it just felt fitting for her.
Azami Black-Mizuhara (Andromeda Rogue). deep sigh. oh, Azami. she was in fire at first bc it fit her personality, but i was NOT getting any good ideas (also couldn't think of putting her in any other colour but pink, and what am i supposed to do with that? pink flames??) so i ended up switching her to air, and the idea of a big poufy cloud dress just came naturally. but then the dress was... too big. so big she needed a two page spread in the magazine for it to fit. what else would one expect from Azami?
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natasharswifey · 27 days ago
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Nothing's changed <3
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Natasha Romanoff & Transmasc!reader
Requests open <3
Summary:
Natasha finds out your secret
---
Tags: Accidental outing, hurt/comfort
It had been a long day, the mission that was supposed to take you and the team only a day had been stretched out over three and you were just about ready to snap if anyone so much as breathed in your direction for the next few hours.
To be fair, the others had all retired to their rooms as well, most catching up on much needed rest.
You stepped into the comfort of your own room and shut the door, forgetting to lock it behind you with your fatigue.
You hadn't had the time to consider how long you would have to keep your bandages on, but being cramped in a cabin in Siberia with the team didn't exactly give you a chance to let yourself breathe.
As you were halfway through peeling off your shirt to have a much needed shower, you noticed the sound of small footsteps and whipped your head around to see Morgan's small figure peeping around the corner of the doorframe.
“Morgan you have to get out im trying to change!” Normally you wouldnt shout at the her, she was sweet. But you were stressed out and having anyone, including the most adorable kid in a hundered mile radius, snooping around wasn't going to help.
___☆___
Morgan clambers into a tired Natasha’s lap, “Aunty Nat, did [……] get hurt on your adventure?”
“No, honey we all came back safe.”
“But he had a big bandaid on.”
Natasha sighs and ruffles Morgan's hair. You had a history of dealing with injuries alone. Being part of a team, let alone an organisation, was still new to you. Which also meant the idea of having entire medical staff dedicated to dealing with injuries was foreign and definitely unwelcome.
Once after Natasha had suggested getting you checked out at the medbay you ended up disappearing for two days. She'd been worried sick, you were sort of taken under her wing after joining the team. She felt responsible for you.
Although as it turned out Fury was watching over you for the time you were missing. He'd convinced you to get a check up from someone who wasn't connected to S.H.I.E.L.D, or the Avengers.
That was when Natasha had begun to get curious about you.
She had tried getting access to some background information, but it was heavily protected under Fury's specific orders.
She had seen the mention of a girl about your age once or twice, but she assumed it was a relative or something along those lines and had nothing else to go on.
___☆___
Natasha opens the door to your room after knocking, looking worried and doesn't beat around the bush, “Are you hurt?”
“No. Why d’you ask?” you reply, hesitating to look up from the yaoi you were reading.
“Morgan said you had bandages around your chest.”
You turn your phone off and look up at Nat with the realisation, “I'm not hurt.”
She turns around, her worried expression now slightly riddled with confusion, “Then why do you have one on? I told you before, kid you can't hide injuries you'll only injure yourself or...” Natasha trails off as she sees the look on your face.
“Hey, what's wrong?” She sits beside you
“I've been lying to you- to everyone.”
It takes Natasha a second to realise what you mean, but it all made sense now. How cryptic you were about your past, the avoidance of medical staff… the girls’ name she had found.
She doesn't reply immediately, and you assume her silence means anger, “I'm so sorry, I should've just told you- please don't be mad at me, Natasha.
Before you can say anything else you feel her arms wrap around you in a comforting embrace.
“You have nothing to be sorry for.”
Notes
In a kinda confused place rn, but this helped, I hope you enjoyed <33
Also, I love ally Fury why is he lowkey becoming a comfort character 😱😱. I think it's bc of the fic I'm writing actually lmao.
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bookwormbynight · 1 month ago
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The idea behind this fanfic (Null Hypothesis) has fucking grabbed me by the balls guys this motherfucker set off my ryulawlight spiral.
Now, the author has gone in a very different direction than my mind went (more power to em, we're not all Light-obsessed freaks lmao). The main ship is Ryuk/L and Light is only technically involved by both character's shared histories with him which brought them together in the first place. Light has fucked off elsewhere to get comphet married to Misa as the author put it. Poor Light 😭😭 If where that's going interests you, please go check it out because the first chapter is well-written and seems like some pretty good set-up.
Here's what my brain did: saw this in the summary (which hasn't been changed with the author's redrafting as far as I can tell? mayhaps I'm misinterpreting) and went O_O
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Guys. If you fucking combined this premise?? With the timeline of my Yotsuba arc headcanons (compiled in Looking For Heaven, Found the Devil In Me)?? And that one post I made where I lamented the fact that that L didn't just fucking burn the notebook?? Hhhhhhhh I'm so mad this fic only exists in my head I would like to read it so much 😭😭
L gets a confession or some shit, finds the other notebook, sends Light off, and burns both death notes, but not before Ryuk is like "oh shit notebook ownership" and comes down to earth JUST in time to watch him do it, which surprises him enough that he drops his own death note on accident and now he's trapped because L snatches it up. L owns his notebook. So he can't kill him and he's stuck following this motherfucker around. In the meantime, Light's memories are permanently destroyed (unless?)
L and Light are sort-of exes but also sort of not bc their relationship was never official, Light breaks it off IMMEDIATELY with Misa because he now has literally zero reason in his head that he should possibly stay with her (I'm sure that would cause fallout too more plot Misa gets a character arc?? Villain arc to redemption and self-acceptance arc?? God I want that for her let her be evil and then let her realize boys are overrated and she's kickass all by herself). L's like 👉👈 well I'm staying in Japan for now 🥺 if u want to have sex again 🥺🥺 and maybe we could go on a real date 🥺🥺? For mixed reasons - a good chunk is just that he would like to and another driving factor as opposed to just letting it go is he and Ryuk are NOT getting along and he is AWARE of how Ryuk feels about Light. Ryuk would be screaming and might (probably will) cause invisible shinigami shenanigans. Light would kinda (really) like to take L up on his offer but their relationship is also hindered by his own trauma that L fucking caused and also he's Very Concerned because Light ALREADY had suspicions that he might be Kira against all of his hopes BEFORE they found the notebook and all of a sudden the case is just resolved and he's totally off the hook and he can tell Something Happened but L just keeps insisting "no no, no Kira here don't worry Light you are not Kira :)". It would be setting off so many alarm bells for him. All of these plot threads weave together and resolve themselves in a satisfying way that I can't discover by reading for myself because it doesn't fucking exist. I need sleep and help.
Edit: Y'all the original author is on Tumblr! @main-exam
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A while ago, you wrote that you were planning on writing an essay about the "subtextual queer-coding" of Louis's character... I want it bad, CJ.
I've said that a few times now; to quote myself from my Javier's bisexuality essay, "-one day I'll crawl out of my bog to write my analysis on the queer-coding/subtext of Louis' character because if I read "lmao Louis is such a Straight" one more time, I'm going to let the gators take a bite out of me just so that I can feel something other than irritation for once."
Dramatic, but that's how I felt in the moment of writing that essay.
I have two twdg essays I'm working on with other ideas on the backburners, not to mention essays and other projects for other fandoms on my side blogs, among more personal works... so y'know what, anon? For you, I'll do a impromptu mini-essay right now since I don't know when or if I'll ever have time to dedicate a full-length deep-dive essay to the topic.
Also, big thank you to @pi-creates for once again providing me with screenshots!
Louis is bisexual-coded and CJ's gonna prove it [probably]
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First thing's first: queer-coding, what is it?
Just so that we're all on the same page, here's the basic idea: implications that a character is queer through intentional [but not always] subtext, and/or the use of stereotypes to indicate a character's queerness without outright stating it. It's been around forever; look up the history of The Hays Code to learn more, but essentially the film industry was like, "That's it! no swearing! no more blasphemy! no drugs or alcohol! and definitely no homosexuality! good, clean, god-loving movies only!"
So, what were writers and film makers to do? Why, they code their characters, of course.
There's a lot to learn about the history of queer coding, the good, the bad, the in-between--but I'm not here to give you that lecture. I'm here to talk about Louis.
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Ah, Louis. My favorite TWDG character. Love him. Adore him. Written countless thought pieces on him. Definitely bisexual.
Well, to me he is, anyway.
It's like a spidey-sense in the back of my head, I look at Louis and I go, "I know what you are."
When it comes to interpreting media, my stance is that while authorial intent is important, it doesn't dictate my interpretation.
I lean more into "Death of the Author" in all the media I consume, whether that be books, movies, TV, video games, etc... unless there's a circumstance where I feel learning more about the author would benefit my reading of their material... hence why I care little for what the writers/devs of TFS say about the story/characters as I don't want their influence, yet I'm reading all of Tillie Walden's books in order to better understand the Clementine books for my analysis.
As a bisexual myself, it's true that I may just be projecting onto my favorite character due to my desire to see a bi4bi couple in one of my favorite video games. That's how most headcanons come to be, no? We wish to see ourselves represented in characters we love, especially when we feel mis/underrepresented in media.
I believe Louis has some queer coding going on. I don't believe it's intentional, but it doesn't need to be in order to exist. It's there, I feel it when I play the game, no one gets to tell me otherwise.
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First let's tackle the idea of, "how can Louis be bi if he's never seen flirting with any guys?" ...because I have a feeling that might come from the same people who say "he's such a Straight," y'know?
We know for sure that Louis likes girls--he has a crush on Clementine no matter what, and he makes a point of saying he's never had a girlfriend before... so if he's bi, why doesn't he also point out that he's never had a boyfriend before?
Because Clementine's not a boy.
No, really, it's that simple. Clementine is his only love interest in TFS, and having him bounce around flirting with everyone wouldn't be in character for him. He's friendly, sure, but friendliness and being flirtatious aren't the same thing.
But if he's bi, why wouldn't he flirt with his best friend, Marlon, or with Aasim? Mitch? What about the great chef god Omar?
I don't know--why doesn't he flirt with Brody? Or Ruby?
Again, I must point you to my essay on Javier and how much I disapprove of this notion that all bisexual characters have to "prove" they're bi by flirting with all genders--if they aren't running around DTF with everyone, then are they really bisexual???
First of all, stop that. A lot of people, usually straight, are under the impression that bisexuality is about who and how many people you're dating/sleeping with when no, that's not it.
Second, why would he flirt with them? He's not that type of character, and none of them are his love interest. His love interest is Clementine.
In ep1, during the card game, Louis asks Clementine if she's ever had a boyfriend [he wants to gauge her interest in boys since he's a boy], and he says she can ask him if he's ever had a girlfriend before [letting her know he likes girls] and that he hasn't, by the way. Hint hint.
Louis has no reason to add that he's never had a boyfriend, either. The game's making its intent clear with this: Louis is a potential love interest for Clementine.
It does this with Violet, too. It's just different. Violet doesn't need to explicitly state that she's only into girls, the game goes to great lengths to show us this through the writing. C'mon, we all know what "Minnie and I... we were close," really means. Your spidey-senses were tingling, especially if you're queer, too.
If you go fishing with Violet and Brody, you've told the game you're more interested in Violet than Louis at this point, so you find the heart with her and Minerva's initials carved in it. That's the game making another thing clear: Violet likes girls, she's the other potential love interest for Clementine.
Y'know, in case all the "Louis or Violet" choices weren't enough of an indication.
The first card game is usually what I see pointed at when someone goes, "lmao Louis is such a Straight" for asking Clementine that, and I'm like... this? Are you sure?
Honestly, my theory is people really want Louis and Violet to fit into the straight himbo/lesbian friendship dynamic, which like... you can still do that if he's not straight. I'm just sayin'.
"But CJ, how else would we know he's not straight if he doesn't show attraction to boys?"
By looking at literally everything else about him. He doesn't need to openly flirt with other boys to be bi. Bisexuality is more than that, it's a personal queer experience. There are things in the subtext of his character, and TFS in general, that lead me to believe he is.
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Heteronormative thinking could be playing a part: "cis/straight's the default until proven otherwise." Hence why some need more "proof" of him expressing interest in people who aren't female...tbh I think some people are just dumb and miss the point of headcanon in fandom culture. It's not about what's objectively true with heaps of evidence, it's about looking at canon and interpreting it through our personal lens... but whatever it's fine, ignore me, I'll just continue on then-
I believe the Ericson crew don't operate under that line of thinking.
I touched on this a little before, but TFS's narrative is steeped in queer themes; an oppressive older generation who uses force to try to shape the Ericson crew to be like them, and if they fight back, they're punished; found family and acceptance, love in a world that doesn't want you; the troubled youth of Ericson being abandoned because parents didn't want to deal with them, sending them away to be "fixed." There's no getting away from it.
I think Louis puts it best when you appeal to him in ep1: "This is how adults do things, not us."
They're a generation who only had each other, abandoned by the adults who were supposed to love them, supposed to make them better. They're a generation of genuine acceptance when it comes to each other. Clementine and AJ are able to integrate with them because they're the same way. When AJ sees the heart with Violet and Minerva's initials in it, he doesn't question how two girls could be together, he just says, "Oh. Love." and then he moves on. He grew up differently than you and I, they all did.
We also need to consider where Louis came from before Ericson.
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Louis has an artistic hobby in music, something we haven't seen before in TFS as we're often too busy trying not to die to explore hobbies. The most we see of something similar is when Mariana listens to music on a cassette player.
TFS introduced characters who have interests they pursue outside of survival, and they're more artistic things. Louis plays piano and writes music. Tenn's an artist who reintroduces AJ to drawing. Aasim writes and openly journals about the days as a record. Omar takes great pride in his cooking, which is an art in of itself. Violet mentions not being into arts and crafts, but she still makes Clementine a pin when you take her route, and she wants to dance with Clementine if they're romantically involved. Minerva had a talent for music, and Sophie for art when they were there, too.
I don't think I need to tell you that many look down on the arts--I think we're well aware. We're also aware of the stereotypes of men in the arts, no? "A boy who likes art?? Son, why can't you be normal and like sports!?" That nonsense.
Louis grew up wealthy with parents who gave him everything he ever wanted, except for one thing. As he tells it, he wanted singing lessons so he could be a real musician, but his father denied him; "You get to be happy, or you get to be rich, can't be both."
Huh... can't be both, can't have both, can't like both... where have I heard that one before?
Alright, maybe interpreting the use of the word "both" here as a metaphor for bisexuality is a major stretch. I know, but listen, in my experience there's always this feeling of "pick one" when it comes to outsiders who don't understand. The fact that Louis' father tried to teach him a "dad lesson" in this specific way is... interesting, to say the least.
The implication is that Louis was a spoiled brat and his father tried to teach him that you don't always get what you want in life... but why draw the line at music, specifically? Music is something his father could've thrown money at. Louis could've had the privilege of the finest vocal coaches at such a young age. He could've become a glowing success and never ended up at Ericson.
Music isn't gendered nor is it inherently queer... but I often wonder if his father would've had the same approach if Louis came to him and said, "I want to be a professional baseball player," instead. After all, in many circles it's more sociably acceptable to have a son who plays baseball, or any sport, rather than a son who takes singing lessons, no? And the fact that his father presents it as a "choice" between the arts and conformity.... C'mon, it's representative of a "choice" people try to enforce on bisexual people: pick the "gay" option and face the consequences, or pick the "straight" option and adhere to easy heteronormativity. That's not how that works, by the way.
But I digress, it's probably not that deep, but still.
Louis' response to all of this was basically, "Fuck you, I'm gonna destroy your marriage. That'll teach YOU a lesson." Real chaotic bisexual behavior here... Okay, I joke, but he's always been one for the dramatics, I suppose.
What I'm getting at is the concept of a character, typically masculine, enjoying the arts only for their more conservative family to disapprove makes an appearance in a lot of stories containing queer themes. It's understandable to raise an eyebrow at Louis for having a backstory like that, even if it's "not the point."
Now, let's examine his relationship with Clementine.
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I will die on the hill that clouis is bi4bi.
Louis is peak bi love interest energy.
When we think of a typical straight male love interest, what do we think of? Specifically in the romance genre? I don't know about you, but I read a lot of romance, and well... the leading men tend to have some things in common. Y'know, he's unbelievably handsome and broody. He's an asshole but it's kinda hot? I guess? Not really, but the leading lady's into it. He's what you'd find under the definition of "toxic masculinity" but it's fine, she's going to fix him! With her love! He's really not that bad, he's just sad about his tragic backstory! And also, he's really hot!
Every time I pick up a book and I get the sense this is where it's going, I take a moment to debate with myself whether I'm willing to power through this in hopes that the book does something actually interesting with it... it usually doesn't.
Louis doesn't exactly fit in this mold, which in my opinion, is a good thing. Instead, he's charismatic and friendly. He cares about people and isn't afraid to show it. He watches over AJ until Clementine wakes up, and gives him his food after AJ eats all of his. He's interested in music, but he's not a weak survivor. He struggles with his self-esteem and the guilt of his actions hurting those he cares about. He's hurt and traumatized over Marlon's death and it causes him to lash out, but he gives Clementine a genuine apology. He strives to be better for her, AJ, and everyone at Ericson.
He's sweet with Clementine even before they're romantically involved, and if she doesn't share his feelings, he accepts that. He doesn't feel entitled to her. He isn't the "Nice Guy" trope.
He respects her autonomy, and admires the strengths she has rather than feeling threatened by them. He doesn't get jealous or possessive. He's never physically aggressive with her, and he never makes any sexist comments about how she can't do this, or how she needs to do this, because she's female.
It's the fact that he'd like Clementine no matter what. Louis feels like someone who likes who he likes regardless of gender.
Louis is soft, something that can be construed as weak, even though that's far from the case. It's not just his personality, either; let's take a quick look at his physical appearance.
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Louis has a softness to him; long hair, freckles all over his face, his lips are fuller, he's tall and thin but not exactly broad in the shoulders, especially when compared to the other men in TFS. His appearance isn't considered intimidating, and I wouldn't say that his traits lean heavy into the masculine.
We joke about him being so fashionable in the apocalypse, but his long jacket is more evocative of "fashion over function," a stereotype often thrown at feminine fashion... though I suppose you could argue that's where he keeps Chairles so it is functional.
There's the way he presents himself, and yes, even the way that he stands at points, I have no other explanation for other than, "......it's the vibe, there's bisexual energy there."
Look, I'm no body language expert, okay...
...but c'mon, what is this?
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I know it's dumb, but there's something to it, that's why so many of us make the "Louis ain't straight, look at how he stands" jokes.
All of this contributes to the subtext of Louis being a bisexual character. It's not about how many genders he openly flirts with, it's about how he's written, both as a character and as the male love interest. It doesn't matter how intentional it was because it's there, I recognize it.
Again, I'll reiterate that this is how I interpret TFS, clouis, and Louis as a character. As a bisexual myself, I'm going to have bias toward this topic. At the end of the day, it's fiction and Louis is a character, y'know? Headcanon is all in good fun, and I'd like to hear y'all's thoughts on this subject.
I don't know what else I can say other than, "Dude, just look at him!"
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FINALS
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PROPAGANDA
BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)
1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.
2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks
3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.
Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control
I.E.
Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there
When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)
Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.
They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying
CORDELIA CHASE (BUFFY THE VAMPIRE SLAYER/ANGEL THE SERIES) (CW: Pregnancy)
1.) (downs an entire bottle of vodka and slams it back on the table) SO. CORDY. Cordy started off as a supporting character in Buffy the Vampire Slayer. At the start she was your typical high school mean girl character, but as the show went on we got to see more depth to her character: her insecurities, her courage, her capacity for incredible acts of kindness. Then after the third season she moved into the show’s spin off, Angel, where from the beginning she was basically the show’s secondary protagonist. Her and Angel were the two mainstays of the show’s main cast, she gets the most episodes centered on her out of all the characters aside from Angel (and yes, I’ve checked), and we really got to see her grow from a very shallow and self-centered and kind of mean person to a true hero who was prepared to give up any chance at a normal life to fight the good fight while still never losing the basic core of her character. There were some… questionable moments like the episode where she gets mystically pregnant with demon babies and things got a bit iffy like halfway through season 3 where the writers seemed to run out of ideas for what to do with her outside of sticking her in this romance drama/love triangle situation with the main character but overall, pretty good stuff right? THEN SEASON 4 HAPPENED. In season 4 she gets stripped of literally all agency and spends pretty much the entire season possessed by an evil higher power, and while possessed she sleeps with Angel’s teenage son (who BY THE WAY she had helped raise as a baby before he got speed-grown-up into a teenager it was a whole thing don’t worry about it) and gets pregnant with like. the physical manifestation of the higher power that’s possessing her. it’s about as bad and stupid as it sounds and also is like the third time cordy’s got mystically pregnant in this show and like the fourth mystical pregnancy storyline overall (you will be hearing more on that note in other submissions I’m so sorry). after giving birth she goes into a coma, in which she remains for the rest of season 4 and the first half of season 5. SPEAKING OF WHICH DON’T THINK SEASON 5 IS GETTING OFF SCOT FREE HERE. yeah so in season 5 the show just FULLY starts trying to erase cordy’s existence. she gets mentioned ONCE in the first episode and then never again until halfway through the season where she wakes up, helps out Angel for a bit and encourages him in his fight against evil, and then goes quietly into that good night and dies so it can be all sad and tragic. I’d call it the worst fridging of all time but even THAT feels generous because the whole point of fridging is killing off a female character so a man can be sad, and after Cordy dies basically no one’s even sad about it because the show immediately goes back to pretending she never existed. she is not mentioned ONCE in the two episodes after she dies. in the whole stretch of time between her death and the end of the season she gets mentioned exactly four times. again, I counted. anyway the fun twist to all of this is that all of this happened because the actress who played cordy got pregnant before season 4 and joss whedon was so pissed off about this affecting his plans for the show that he decided to completely fuck over her character and then fire her and write her out of the show. so cordy’s a victim of both writing AND real life misogyny!! good times!!
2.) OH SO MANY THINGS they menaced by giving her terrible hair cuts, making her seem like she’d get together with the guy she loves (and who loves her back) but instead she was killed and when she was brought back, she got possessed by an evil entity who used her body to give birth to itself. afterwards she was in a long coma and died. her character was so throughoutly assassinated
3.) She got demonically pregnant TWICE - there was this real sense of a womb/ability to get pregnant as like, a place for evil to get in. She got positioned as femme fatale and evil mother. The actress basically got fired for being pregnant, and when she agreed to come back for a single final episode she specifically said they could do anything but kill off the character. Guess what happened
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sayakxmi · 4 months ago
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Finishing chapter 6 in Reverse1999:
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Thoughts under the cut. Including spoilers, obviously.
Boy do I have thoughts. Most of them already shared with Yudja, as usual, but I felt the need to post them, too, lmao.
These bitches weren't lying, when they were saying that the writing of this chapter [6] elevated R1999 to one of the best written gacha games, because, man. Don't get me wrong, R1999's writing is fantastic in general, but the last chapter especially had me go through such a rollercoaster of emotions and opinions that I found myself changing my pfp to Kakania on discord out of respect. It sounds funny, but after going on and on as to why I liked her, I thought, you know what? Time for a change. I don't think I've ever changed my Sayaka pfp there, lmao.
Anyway. Silly thing first is that I was super proud of myself, bc in the 5th chapter when that plane appeared, I guessed that it was around 1914. And kept guessing until I had it confirmed in the 6th chapter. Listen, if it was stated earlier, I overlooked it, and I just went on my history knowledge & I'm very happy with myself.
Which also kinda made me go "uh oh" when I checked the date under some of the parts early on, and saw 1/7... and then I realized it was the USAmerican date format, so it's just January. Lmao.
Anyway, the chapter was a ride, and the sheer amount of dread it had caused me was something else. You just things were about to go horribly wrong, but I had no idea how and what exactly would happen.
Also, funny thing is that aside from the fact that it was supposedly super well written (turned out to be a fact), I also got spoiled on two things, Hofmann's death (I just knew she was going to die, not how), and that yuri was doomed.
Man, was that yuri doomed.
Honestly, I'm super glad I got spoiled on this factTM, bc I ended up with assumptions, which ended up being compltely wrong in the best way.
Ngl, maybe it was some internalized ableism from me, but I kind of expected Isolde to be the "victim" in the doomed yuri, as in, Kakania doing something that would cause Isolde to turn away from her. But I was wrong in the best possible way, because I think it managed to write a tragedy for the both of them that wasn't some form of character assasination.
I think the writers took a bit of a risk with Isolde that ended up paying off. I mean, they wrote a mentally ill character who causes lots of deaths, but managed to do it in a way that didn't demonize her, but also didn't excuse her actions. Imagine stricking that kind of balance these days... And aside from that, you can even understand what led her to that kind of state of mind. I mean, aside from curses and expectations and being deemed hystric, she was a medium for ghosts, which included ghosts from the future. I'm fairly certain she references both world wars when she explains things to Kakania, and all in all, it's difficult not to sympathize with her. And it's easy to see why Manus sought her - she was suffering, especially from her mental illness, and aside from Kakania, nobody really treated her with respect and gentleness she deserved (no wonder she fell for her), so she made an easy prey for them.
But, you know, she still got a bunch of people killed.
It's as good time as any to talk about my favorite character of this chapter, Kakania - it took me by surprise. The media made me really distrustful of fictional doctros & psychologists, huh. But anyway.
What I loved about Kakania is that she wasn't fine with any of this. Even if Isolde said she'd done it for her, to realize her dream, it was so refreshing to see a character be genuinely horrified by another character's actions, regardless of the intentions or mental health.
It's such a popular trope, accepting somebody who'd done awful things because of love, and I do like it (when it's well written), but it was so incredibly refreshing to see R1999 not go for it. Reverse1999 really said that it was still awful, and there was no justification for that.
By God it was all so painful - it was painful for Isolde, because she just wanted to make Kakania happy, and it was painful for Kakania, because she was essentially betrayed by her dearest friend, and indirectly caused so much pain and destruction. You'd truly want nothing but for these two to make up somehow, for Kakania to hold Isolde close and tell her everything's gonna be alright - but Kakania doesn't do that. And you know what? I fucking respect her for it. She values human life too much to budge out of love. Even if it hurts. Isolde has simply caused too much pain and destruction to swipe it under a rug.
And, god, the last part, the hypnotism. As if I wasn't in enough pain already. It hurt to see Kakania, who hates hypnotism with burning passion, use it on somebody she cares so deeply, and it hurt to see Isolde in the end just accept that. Even if it gave the Foundation a fighting chance against the Storm, it was still hard to watch. It still meant Kakania crossing the kind of boundary she'd never wanted to cross, and for yet another person to take Isolde's agency away from her. But in the span of this entire chapter things changed, they changed. And Kakania was willing to do anything to help, after indirectly causing that hell.
I think in a way that ending... honestly this entire chapter speaks volumes about the dangers of "idealism" and "meaning well". There's a reason why the saying "the road to hell is paved with good intentions" exists. Idealism alone can lead to a catastrophy, and at the same time, sometimes something that goes against your principles might be more helpful in the long run.
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As Madam Hofmann had said.
Honestly, moving to another character - Madam Hofmann. Not gonna lie, if I didn't spoil myself that she's gonna die, there's a chance I would've grown more attached to her... but watching Marcus beg her not to die was still heartbreaking. In general, her death was painful to watch. For most of the chapter she was so composed, but in the end she was stil just a person, and being in so much pain naturally broke her. Seeing her fight with her thoughts, clinging to her more rational side was painful.
I also loved her relationship with Marcus, especially since at first I was a bit unsure, given her rather cold demeanor, but, again, that one was on me and my assumptions. Hofmann was a great mentor. [*] A few quotes that I especially liked:
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I think I like this one especially, because it manages to explain the problem, reassure Marcus, and at the same time doesn't bagatelize the issue. Like, that's how people your age are, but that's still not great and you need to get your shit together eventually.
A different quote, from Kakania's monologue this time:
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But anyway, last but certainly not least, Marcus. I'm gonna be honest, I don't care about her all that much, but that is to no fault of her or her writing. Sometimes you just don't vibe with a character the right way. That being said, watching her growth throughout the entire chapter was a fantastic experience, and by the end I felt proud of how far she'd come. You did it, Marcus, you saved that mission. Madam Hofmann is definitely proud of you, too.
What a banger of a chapter.
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tzuu-died · 10 months ago
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braven and superbia theory :]
so my discord server allowed me to be stupid on main and rant about bravern at 11:30pm my time, so here’s just.. everything copy and pasted LMAO
also, posting this before ep4 drops, i can’t wait to see if any of my ramblings made sense
theory under the cut, spoilers for bang brave bang bravern ep. 1-3 and ep. 4 preview
the theory is this: bravern and superbia are the same species, possibly related to the deathdrives
firstly, in episode 1 and episode 3 we see bravern with a mask thing covering his face. and when you look at superbia, it seems as though they have something similar
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i wouldn’t say that part is superbia’s actual face, due to the purple highlights/crystal looking things on their body. bravern’s eyes are green, and he does have a green crystal or piece of glass on that gold part of his face
and also, bravern has a green background in his transformation sequences and when we first meet him.
there’s also a green trail left by him when he flies in the intro + uses his blade.
the show’s logo briefly flashes green in the op
and the green in bravern’s cockpit + the weird green liquid from ep3
and superbia’s eyes do flash purple in the op, so i’m willing to bet superbia wears a mask much like bravern when we first meet him
and now when you look at bravern and superbia, they do seem very much alike
plus, the opening hints at superbia being somewhat relevant at least, due to the fact that in most anime openings, the fight featured in it is at least somewhat relevant to the story
and also, bravern knows superbia
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the “you never change” implies that bravern’s fought against superbia before, or known them in the past
plus, the opening and show kind of confirmed lulu pilots superbia
1. lulu and isami have very similar outfits when piloting
2. this scene in the opening. the character does resemble lulu and the necklace looks like it was made to resemble superbia
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3. again, the weird liquid in the mechs’ cockpits
so in other words, bravern and superbia are definitely very similar
plus, we saw that bravern was losing to superbia without isami
without a pilot
and lulu magically appeared on a beach after superbia was defeated. and coincidentally, superbia was in the deep waters when we first see a hint of them.
and i just wanna point out that smith had no idea what lulu meant when she said her name, but bravern understood.
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and he didn’t look too happy about that
and in the preview for episode 4, we see a few scenes of bravern essentially being in a shitty mood. kind of looks like he’s lashing out here?
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and then at the end we see a scene of lulu looking confused, and we immediately cut to this?
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so to just tldr the point that bravern and superbia are part of the same species:
1. they share similar traits and visuals in the show (mainly the colours i talked about)
2. they both have pilots
3. they have a history together (we see superbia scoffing at bravern a few times, and bravern’s quote: “you never change”)
4. bravern shows a clear dislike for superbia and isn’t all too happy about lulu
and now, the other thing: bravern and superbia are some advanced form of the deathdrives, or are related to them
so first off, when the deathdrives are defeated, they go kaboom and explode into this weird cube shaped stuff
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and what happened to superbia after bravern and isami’s attack?
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additionally, when battling superbia, bravern attacked them with a punch, which they stopped with a purple shield
and what else uses a purple shield?
yup. the deathdrives
and in episode 2, bravern explains that they’re inorganic, metallic organisms that gained something like a conscience. and both bravern and superbia show to have that
bravern’s can be sean very clearly. he talks a lot.
superbia? all we hear from them are shrieky noises and scoffing. and what do we hear from lulu? also that
so to just tldr this entire rant/rambling:
bravern and superbia show signs of being from the same species. they both needing a pilot to achieve their true strength, without them they’re not as strong.
the deathdrives also show similarities to them; that being the similar way they “die” (we’re not sure if superbia actually died in ep3, so i’m putting the word in these “ ”guys), similar abilities (barriers/shields, flight, weaponry?).
so basically, to put all of this short: bravern and superbia are some advanced form of the deathdrives, probably existing to be something like commanders in an army, seeing how superbia kind of teamed up with the deathdrives?
anyway, hope this makes sense LMAO 😭
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redactedshapes · 9 months ago
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Alright let's go - Ramblings regarding Saga, in comparison to Jesse and "The World"
if anyone feels like expanding on any point please do, I'm gonna leave this text as it is because otherwise it's gonna torment me for weeks
I don't recall in which interview, a couple writers said Casey was developed because Saga needed someone to bounce ideas off of and/or because she needed something to externalize her personality without relying on awkward exposition (or something along those lines).
And that's kind of noticeable if you compare Saga's and Jesse's treatment from a writing/presentation stand point:
Jesse as a character is far more obscure and details about her inner life are limited, while Saga is established and very detailed without relying on exposition.
Jesse, from a technical standpoint, suffers the "new character introducing an audience to a new IP" syndrome if you will.
Jesse's past is presented in vague details and a general sense of direction: finding Dylan who is a stranger to the audience. Her inner monologue is to Polaris and it works as exposition but by Polaris' nature there's no back and forth.
When Jesse talks to a character it is always a one-to-one conversation, and an important portion those are about the history of the FBC, asking questions that require exposition. Not to mention there's no interaction between the main cast other than with Jesse.
Some information can be inferred from Jesse's "epilogue" lines after the end of the game. But that's about it regarding the main text.
And that goes in line with the thematic difference I feel between Control and Alan Wake games - the former (heh) is about The World, the later, about the people in it.
Overall it can feel quite isolated and lonely, or well, mechanical. You have to fill in a lot of info yourself. And I believe the writers identified this and tried to change where they could with Foundation and AWE - with the way Jesse and Emily are far more comfortable with each other as they joke and tease during their dialogue, and getting a deeper look into my beloved Langston's personality (which is quite self-aware because lmao, finally it's Jesse who's at the end of a one-way "conversation").
But Saga's has an already established and rich life before the story and details bleed all through the text.
A partner and friend she's known for years and their history is spoken and written, there's no need to infer and fill in details yourself that much.
Their relationship is detailed enough in "side tidbits" (all of her Mind Place stuffs) and in actual conversations, which often enough involve a third party.
Casey works as exposition for Saga's character but, by virtue of Casey being character apart from Saga, the information is introduced far more organically (and arguably, in a more detailed way).
Remedy also gave Saga a huge advantage Jesse didn't have: The Collectible and Missions menus are hers.
So not only we get to hear Saga's thoughts on the current situation, we also get a sneak peek into her mind and inner life.
Some people in Saga's life also have a detailed enough history that they stand on their own rather than solely working as Saga's motivation because the story requires them to be at stakes.
Dylan is, technically, a stranger to Jesse, she's clinging to the past idea of him: we are motivated to find Dylan because we're told to care about him. While Logan and Casey are present in Saga's life and we get more details upfront to care for them.
Saga got curious, shit started to go down and we want them to be safe because otherwise it'd be painful for Saga.
Unlike the ghosts that Trench and Darling were to Jesse, Saga gets to actually talk to Tor and Odin. And well, the entire plot of the game is her undoing and confronting Alan's work on her life, rather than cleaning the mess done by the previous administration that are now gone and cannot be held accountable for.
And I suppose that's another improvement in the writing: the Hiss as the antagonist force is basic (and if you've played Mass Effect they're nothing new, and to me they're the least interesting part of the wolrdbuilding). There's not much room to maneuver, so Jesse's got one way to fight them (so far).
Saga could've gone several ways in dealing with Wake, and we see her struggle when she's about to give the Clicker to Alan/Scratch, she didn't mince her words in that confrontation and she had all the right to go even further. And yet she kept it together, unwilling to fully give herself to despair.
AND!
She chose compassion in the end!
And, honestly? Their final conversation is such a good and rich detail.
Saga's motherhood could've remained as basic reminders to the player that she has a daughter who's the victim and that's your motivation girl! As well as her silly jokes because parents do that sometimes teehee.
Saga's compassion is informed by her motherhood but not limited to it. As a mother she knows that everyone needs someone who believes in them unconditionally, as a daughter she knows how good a reminder of your good qualities can be, and as a detective she knows how to gather, read and act on information.
So when she reminds Alan that he had defeated the Dark Presence before and that he can do it again, she's not saying it because she's desperate, and she's not being patronizing due to Alan's loneliness and isolation.
She's saying because it's true.
And she doesn't rub his missteps and mistakes on his face. She knows how to get the point across without being mean.
She needed very little guidance: information to fill in the blanks of her life from Tor and Odin, short and vague phone calls from Alice, and a portal to the Writer's Room from Ahti. (Rose's lunchboxes were technically not necessary but she gets a honorable mention.) I don't know if there's enough information to conclude whether the reminders that helped her find a way out of the Mind Place were sent by someone else or came solely from her own resilience, and either would be neat, but I would like to think there's someone who's been looking out for her the same way she's been looking out for other characters.
And she's not flawless, but in working her flaws I believe the writers treated her with well deserved respect. She's not a caricature and the story has enough characters being tortured, any more and it'd feel cruel and it'd be permission granted by the horror genre anyways (although, to be honest, I believe Cynthia's treatment was a tiny bit too cruel and that's mostly due the last stage of her boss fight).
I love her first conversation with Norman because she's being a bit patronizing (I believe that's the correct word?), but he's like, nope! No dementia here! Not cool you brought it up :]
Her Nightmare Mind Place is as explicit as it gets. And the few times she loses it are not unearned. I love it when she gets frustrated with Rose and her "Oh fuck this", as well as her pained "My daughter is dead because of you. What is wrong with you?" to Alan in the holding cells.
Her biggest flaw is being a fed.
She's an extremely well put together person and integral, rich character. Her pain and suffering are palpable and the developers did an excellent job in showing it without being cruel (or well, knowing where to place the cruelty *cough* the white man *cough*).
And that's, in general, where I'd call attention to the leaps in improvement to Remedy's writing, right alongside the development and treatment Alice got, and the departure that is from Marshall in Control (the one character of color of any sort of relevance to the story, who got the least dialogue or details about her life and involvement despite being part of the old guard, and that gets killed in the end).
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I have the same criticism (affectionate) with Control and Quantum Break: the world, its history and other characters are more interesting (to me) than their protagonists.
I wanted to get far deeper into the inner lives of Beth Wilder, Paul Serene, William Joyce and Martin Hatch than Jack's. William's and Beth's specifically, the one who ruined everything and the one who's struggling with the fact it can't be fixed, respectively. Sure I got my fix from the novel, but that is not part of the main text, so my comment still stands.
Ahti and Polaris/Hedron's goals, The Oldest House and all the places and events and phenomenon it connects to is what makes my mind wander. Jesse's involvement with all of them and her relationships with other characters remain only as possibilities at the end of the game.
I would feel far less affection or attachment to either Jesse and Jack if it weren't because of the sibling element. That's my huge bias/weakness there I'll admit.
But with Saga, I do care about her entire world, everything and everyone that surround her. She likes weird, morbid stuffs and romance stories, she's extremely curious which got her in trouble but was responsible enough to go deal with it.
As a new protagonist character that stands right next to a well established one as Alan Wake, I think there's very little Remedy could've done to make her better.
She's just amazing, Remedy and Melanie Liburd deserve so much praise for her.
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The only gripe I have about her treatment is extremely petty and it's the same I've had in previous games, which is technical - she could've had more animations that showed her body language given she didn't have as many live action scenes (and also watching some of previous Melanie's work, she's got an incredible voice range for certain emotions that weren't explored in the game). But that's a matter of presentation and technical development.
AND
Remedy flexed the leaps in improvement they've gone through already! I mean, Saga's animation of picking up things anyone???.
So here's hoping they got more plans for her and they include more live action.
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slowdrippingnoise · 4 months ago
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I cannot stop thinking about Fords dream. Plan sexual? Is this aroace confirmation??
"Attracted to planning" my ass. What happened to attracted to strange and the strange was always attracted to him?? You are a weirdo, except it
I an aroace and i was concerned that Ford will be straight in TBOB but now i am just confused???
I see you want to scream about the book of bill. Please scream at me i need someone else in this madness
OK!!!! so this is an extremely interesting question, and my perception of it is very heavily influenced by this interview being fresh in my mind (you've probably already read/watched but if not go do that it's great) towards the end you can find alex answering a question about ford being interpreted as queer- and basically talking about how ford is written as extremely romantically/interpersonally repressed in general- I won't try to summarize it i genuinely recommend just going and reading that, he describes it all better than I could (and again maybe you already have idk)
I feel like the tbob dream note could be taken a number of ways (and, while I wouldn't actually ask it cause i feel like leaving it up to imagination is actually more interesting in a creative engagement kind of way, i'm desperate to know what hypothetical answers are hiding behind that "usually" oh ford) but the thing that sticks out to me is. i mean it's very difficult to read it as straight isn't it. ford has recurring dreams about being quizzed on "what he's attracted to" and consistently dodges the question (doesn't even give a straightforward answer like "nothing", he misdirects back onto his logical smartguy persona) it's definitely a nod to fans too, sure, but in-character it's no-way-out firmly establishing that his sexuality specifically is on the Grand List of Stanford Pines Insecurities. we definitely got a nod to this way back in j3 of course- the ford&fidds campout conversation- but this i think this new tidbit betrays a much more internal fixation/anxiety than "it's confusing to me and I don't really want to think about it for more that a minute at a time" (<-the vibe his j3 stuff had more of to me) TL;DR whatever he is, i do not think you can call this man canonically straight at all lmao. W
(ok i'm losing track of my own thoughts a bit here. i should've outlined this like an essay lmao. back on track-)
In terms of what I personally believe/headcanon? honestly i'm in a funny in-between place right now- if you asked me last week i'd just say "he's gay probably" but this has me Thinking now in a more "ok, what cooperates best with canon and how I personally view him" way and the "ford aroace" people are making some interesting points. my most recent idea of him that i've been rolling around in my mindscape like a shiny rock goes basically like this:
(putting this under a cut)(also this goes wildly off-topic for a while because i love talking about ford. i promise it is tangentially related and relevant to my argument)
ford is repressed in how he deals with people because people are confusing and often scary (history of bullying and ostracization, we all hc him as some kind of autistic, etc.), and this extends to how he views romance/sex- if you don't see yourself as safe/belonging among other humans it can be extremely difficult to imagine yourself in such intimate dynamics with them (accepted, loved) and ford is very well established to close himself off to keep himself safe. the prospect of "romance" is by default more unsettling than it could ever really be comforting to him (within his ability to imagine it, at least) outside of the rarer "what if i was just normal and nobody bothered me for existing" fantasy, which is its own can of worms,,
another part of this is my (more arbitrary/i know because im right forever/because i lived it) hc that the elder pines twins' parents didn't really love each other by the time they were raising stan and ford, it was more of a "we both pay the rent/keep the family going, we may not strictly like each other and yeah there's a screaming fight or two every few years, but divorce is off the table because it would leave us both financially up the creek, so you do what you gotta do" situation. which has the potential to do. things. to how you think about Traditional Ideas of Couples and Suchlike. take my word for it.
another important part, though i find myself getting technically off-topic for a ways here, my apologies- i've been thinking about ford's Patterns with his attachments, in that he generally has one Main Person to focus on and trust at a time, and for a most of his life these attachments end Badly- throughout his entire adolescence he has stanley as that person, they exist in constant contrast to each other, their own self-perceptions are defined by their existence as a duo, covering for each other's weaknesses (to the extent that they can ignore traits in themselves that "double up", so to speak- stanley is the dumb muscle and ford is the booksmart genius with potential- no way out of that)(their dad affects this too)(oof) he and stan have a really awful falling-out that leaves ford with the belief that his One Person was willing to sabotage his future, completely disregarding ford's own feelings or sense of security and agency, just to get his way. (strike 1.5? against ford's ability to trust people) --- in college he attached to his roommate, fiddleford- and they genuinely get along and compliment each other really well! they're besties for life! yippee! so ford has a Person again, to exist next to, to prop himself up. but their lives go in different directions- they both move on with their studies/careers, and ford winds up in gravity falls, alone, where he has trouble again interacting with the locals and spends all his time wandering the woods, with endless hours for introspection. --- enter- Bill! :) bill becomes ford's 3rd Person, and he flatters ford and manipulates him and validates him and offers him everything he could ever shallowly imagine would solve all his problems and patch up the gaping hole in his self-worth forever definitely (while reminding him of what he remembers/imagines of his brother most likely, ow) bill is also more "safe" than other people, he's an anomaly, a supernatural phenomenon, even, and he lives exclusively inside ford's head. he's a perfect, safe, obsession target. (billford situationship essay for another day)
until he's not, of course.
until his college bestie Person is back too, and he's more Real than bill in a way that's very comforting, but fidds is another strong influence, one for the better, and bill can't have that around, he has to go. after that his relationship with bill also turns sour extremely quickly in a terrifying way, which leaves ford shaken and unmoored and desperate, which leaves... stan.
which also falls apart. (strikes 2, 3 and 1.5-the-sequal in rapid succession)
the 30 years spent multiverse-hopping are interesting to me too in how they affected ford- i think being around so much "abnormality"/being disconnected from his own world's ideas of normal did a lot to mellow him out- but he still couldn't really stick around anywhere to form deeper bonds with anybody, he's a wanderer until bill is dead, which may well end up killing ford in the process, so...
then! he's back home! which is bad! (from his perspective) but gives him the opportunity to try to Attach to a 4th Person- dipper! this was a secret essay on why i think he's Like That about dipper all along not about romance at all haha trick'd'ya! (i'm joking)
anyway you get the idea- fortunately he has a slightly wider support net by the end of the show between stan, fiddleford, and the kids- but to me it's relevant in that ford has a very limited network of people who he is close to at all, considering that his view on romantic relationships seems to orbit around "don't wanna think about that/that's scary, I don't know/etc.", and that for a long time the relationships(platonic or otherwise) that he did have were defined by their ending in trauma, guilt, and shame. it makes sense to me for him to not really be able to figure himself out, how do you dissect all the layers of the bonds you do manage to form, tease out one strong emotion from another, especially when you're always afraid of ruining something because this is all you have?
I guess, given all that rambling, to me he lands within some combination of demi-aroace(attraction of any kind is rare and difficult to distinguish from other emotions, needs a strong base first) and too repressed and deeply, deeply traumatized to really say what comes naturally and what's his brain trying to protect him from being hurt. he knows that something is, by the standards of humanity, "wrong" with him, but it's just another note on a long list of "reasons normal people don't like him". and he's gay.
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ok i probably forgot some stuff but i think thats my thoughts on that lmao. anyway BOOK OF BILL this makes me. so crazy. hasnt left my brain for days. i will never be the same i called these shots i CALLED them. but i couldn't imagine. anyway-
while i'm still talking about ford, i love that this book let him be more emotionally vulnerable than j3 did, i feel like there was a harsher impression of ford among fans for a long time (at least, with people who weren't already Obsessed with him) because he has limited time in the actual show for his character to be established, and a lot of j3 either had him on the defensive, or still stuck in "everything ever is my fault" mode. getting a better view both of how bill manipulated him, and how he's still affected by it "postcanon" puts him way more in line with. how i've seen him all along basically!! augh. he's lonely and insecure and afraid and wants so, so badly to connect to people,, "the ego of a king. the insecurity of a circus freak." compare to "my immense self hatred vs my delusional god complex" we were so right.
his last section of the book is. so so perfect i'm so glad we have that- it wraps up what felt like a loose end with other pieces of canon leaving him on "i'm the biggest idiot in the world" which felt. bad. all things considered. but tbob lets him air out that soul-crushing shame in such a beautiful way- both in letting us the audience actually See how it was with him and bill before, and his family reassuring him that they love him and don't carry some massive sense of Blame for him being manipulated... it hurts good man. perfect place to end on. he's gonna be ok it'll be ok.
related- possession pages go crazy. like that is some "i've read fanfiction less fucked up than this" shit and I [the rest of this sentence redacted for my dignity] what was i saying. the dream scene was so viscerally upsetting. the "light switch". the stretching. (alex drop a link to your ao3 account. urgh) bill is so so so scary for that brief moment which is an amaaazing essential addition to the book that actually made me feel horrifically personally sorry for the little bastard for the first time maybe ever. i mean this so genuinely he's the worst he's been he's the saddest he's been it's a beautiful tapestry drawing me in. it's gonna occupy my brain for weeks. maybe months. he's desperate to hold on to ford he's desperate for his plans to work for once and he's pissed as hell but also now he has an excuse to cut loose- he doesn't have to hide his angry, shitty, abusive side from this little human that he's grown so attached to(who he sees himself in)- he can see ford and ford can see him (or, what he's willing to think of as "himself")(where did you all go-) and ford is just living a nightmare that he couldn't have possibly imagined. incredible
i'm practiced at being emo about ford i've been emo about ford since 2015 but the bill thing is new to me (not strictly the lore, i was around for the reddit AMAs/the axolotl poem, but the elaboration-) and it's killing me. he's so fucked. he's hopeless. he's fucked himself up so bad and refuses to get any better because just looking at it inside his head is too much. there's a loud buzzing in his ears and he blacks out for 30 seconds. everyone loved him he was the best baby ever. sixer, it would eat you alive. the doctor says three sips a day will make the visions go away. where did you all go. he's fine, he's fine, he's fine. it's all hitting me fresh like it's brand new, funy nightmare triangle abandonment issues go brrrr-
he wants ford to want him so bad he wants to not be alone so bad. hes awful he ruins every chance he gets and it's all genuinely his own fault. fuck (im not gonna talk about "pain is hilarious" im not gonna be cringe im not gonna do it) blacked-out list of exes love and fear are the same love cage you're my property if lost return to bill cipher covered in blood all alone in the universe-
I was gonna elaborate on those last scraps but. i am running out of brain. big week for ford enjoyers. big week for me being so so sad (/pos) ☀️
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