Tumgik
#has just become the new head archivist following the last one’s mysterious disappearance’
headofocs-inklesspen · 7 months
Text
Delighted the work child today by my description of Jon Sims, head archivist as “just a tired sad wet rat of man. Experiencing the horrors except he did kind of agree to be there” apparently “wet rat of a man” is their new gender identity, is this what being cool to teens is like? I would not know, I was not a popular teenager
0 notes
soveryanon · 6 years
Text
Reviewing time for MAG128 /o/
- I!! Hate!! The!! Parallels!! In!! This!! Series!!
(MAG128) ARCHIVIST: Why are you here? BREEKON: Dunno. ‘t’s not right… on my own… not right… No point in doing it on my own. Don’t know what happens now…
[…] “I fed her to it. She took him from me. Made us a me, and she doesn’t get to die for that. […] I am without him, now. I. am. I can feel myself fading. Weak. No reason to move. Nothing to deliver. […] I have never known hate before. I have never known loss. But now, they are with me always, and I desire nothing but to share them with you.”
[…] ARCHIVIST: I, I saw that… thing’s mind, i–it’s lost on its own. No partner, no… purpose, I… I honestly think it just wanted to do another delivery.
The ~ surviving part of a half~ explaining how his whole existence is pointless and driveless now that his partner has been killed… sounded so, so much like Basira’s own situation regarding Daisy since:
(MAG112) DAISY: Elias is… keeping me busy. Hunting. Takes a while. [FALTERS] I’m used to working… with a partner. … It’s fine. BASIRA: Daisy… DAISY: It’s fine. BASIRA: Right. … But it’s not, though, is it?
(MAG117) BASIRA: […] But at least Daisy’s coming along. I mean… I know she’s… difficult. Everything they say about her, it’s true, it’s fair. But… she’s solid. She’s a fixed point. And if she’s there, I know exactly where I stand, exactly what I’m doing relative to her. She has no doubts. We go in, we plant bombs, we leave, we blow it all to hell. Or we die. I don’t think I’ll ever have clarity like that. Despite everything she’s done, she’s… she’s still the best partner I ever had.
1°) Basira and Breekon both are the remaining part of their own duo; the difference between monsterhood and humans being maybe… that Basira’s existence isn’t intrinsically tied to Daisy’s; that humans can feel loss and pain, but won’t get their literal raison d’être, sense of purpose and belonging shattered if they lose part or one aspect of them. In a way, that makes monsters’ existence more tragic, since they’re not even able to overcome, to thrive and to survive?
2°) I can’t help but wonder, flipping the situation: and if Daisy had been fed to the coffin first, and if Basira had stumbled upon Hope right after, would Basira have tried to hurt (one of) them the same way they had hurt her by taking Daisy’s life? (Would Jon have done it, too, if given the opportunity to hurt the ones who had hurt Tim and Sasha? He… actually did hurt Breekon here, and it is so, so easy, now, to perceive him as a Monster from the monsters’ point of view…)
3°) Jon’s summary of Breekon’s current state to Basira felt… quite cold compared to the statement itself, I felt? It wasn’t just “another delivery”: it was Breekon trying to viciously hurt what had hurt him. It was achieving a personal revenge before disappearing. I’m… a bit surprised that Jon went so clinical about it.
4°) But it could have also been a kind of protection, since… Yes, “Breekon” and “Hope” tortured and killed, delighting in others’ suffering and misery. And Breekon also confirmed something that we had seen through Jude’s erh, fascination with Agnes: that monsters and avatars are sentient. They have feelings. They are able to form attachments, to feel loss, to desire revenge. So… just because someone cares about a selected few, wouldn’t prevent them from hurting bystanders, innocent or people who just don’t personally matter to them. That’s not something especially encouraging when we have Jon in mind – he cares about the assistants and about Georgie, and he felt sad for the victims in previous statements, and I hope he will be able to remain this way, but… what will happen, what will be become when he “drowns”, indeed?
- I’m often struck with waves of awareness about how much I love this friggin’ series when listening to new episodes, and it happens in various ways – this time, my heart got full of love with the way Breekon’s statement definitely connected the dots between previous ones, through his point of view and in chronological order? And in the midst of it, we got a confirmation of what had actually happened in the second episode of the series!! How rad is this? How rad is it that, while the statements in themselves provide a story that works on its own since the beginning of the series, we’re able to revisit them with information that adds so much more meaning to things that were already there?
* Jon had wondered about “Breekon” and “Hope”’s alignment since they appeared to be involved with various powers, but seems they were indeed part of The Stranger in the end:
(MAG093) ARCHIVIST: But Breekon and Hope? Speaking Russian and helping transport a victim of… whatever dark power rules over disease and rot. And insects, maybe? I was just about convinced that they served the Stranger, and their speaking Russian might well support that if it ties them to the Circus, but… this is not the first time they’ve been delivering things that seem to be tied to other beings. Are they a neutral party, carting round whatever horror needs delivering, just a piece of otherworldly infrastructure? Or are they fully part of the Stranger, just serving as allies of convenience for other things that need to be moved?
(MAG128, “Breekon”) It wasn’t the plague they feared; it wasn’t the death that awaited in our wagon; it was us. Two strangers rolling towards them, unstoppable and uncertain, wearing faces they would only half-remember, bringing a fate they would beg their god to forget. They could not hate us anymore than they might have hated the rock that falls on them from a crumbling cliff. They did not know us. But they knew what we might do to them. What we might bring them. And we did. […] We always take what jobs are before us, deliver whatever will bring that fear and misery, but there is no joy in carrying Meat and shifting, writhing Spiral things.
They followed various phases of progress and technology: long-distance boat journeys as they served on the Robert Small during the 19th century, crossing paths with prisoners from Millbank sent to Australia (“Poor wretches who emerged from Millbank, with tales of Australia and its cruelty on their lips, bundled into the cramped and creaking ship that would drag them away from everything they loved – and towards everything they feared.”); trains, as they became conductors; cars, as they delivered items for auction houses at the beginning of the 20th century.
* Pre-MAG024, MAG044: during some time, including from 1948 to November 1952, they joined The Other Circus, feeling like they belonged:
(MAG024) ARCHIVIST: […] on page 43 of Gregory Petry’s Freaks and Followers: Circuses in the 1940s, I found a reproduction of an old black-and-white photograph. It shows a small group of carnival workers: a contortionist, a fire-eater, two strong-men, a ringmaster and an organist sitting behind a calliope. The photograph is labelled as being from 1948 and taken in Minsk, Russia.
(MAG044, Yuri Utkin) As I scrambled back, I felt a large hand on my shoulder, and looked up to see two huge men in overalls. They lifted me easily, so my feet hung almost two feet from the ground. They talked fast, crude Russian, and their words seemed to shift back and forth between them, telling me that behind the tent was off-limits […].
(MAG128, “Breekon”) Then were the good times, the Circus times. […] with the Circus we were amongst our own kind at last. […] We carried and lifted and helped the Circus move towards its next destination, the next, doomed town. Sometimes we joined the show, lifting weights and things that looked like animals. Sometimes we lifted members of the audience. Sometimes we even put them down again. […]
They didn’t like Nikola at first, but were impressed by her, though they eventually decided to leave when she “lost the ancient skin” – that one is, I think, a mystery? Gertrude stole the gorilla skin from the taxidermy shop but that happened June 23th 2013 and April 4th 2015, so it can’t be the same incident.
* For some time, they picked up hitchhikers (and starved them to death), though they missed having clear destinations and carrying spooky items bringing misery to people.
* MAG096: From 1993 to 1996, they slowly took over Alfred Breekon’s delivery company “Breekon & Hope”, stealing from him its name aaaand the infamous Cockney accent (MAG096: “[One] turned to his companion and opened his mouth. ‘Breekon at your service. Who might you be?’ Instead of the Russian accent I had expected, he spoke in a broad, cartoonish Cockney that I assumed must be a mocking impression of my own voice.”). They went back to doing deliveries or moving items for different entities (MAG093).
(MAG096, Alfred/Arthur Breekon) They wore featureless grey overalls, and even now I’m not sure I could easily describe what they look like, other than to say they seemed solid. Somehow heavier than the world around them. […] Strange folk began coming around asking for Breekon and Hope, and when I told them who I was, they just shook their heads, and I knew who they were after. They often brought crates or boxes with them and, once, a sack full of hair. […] For all that, they do seem to have friends, or at the very least, people who come to see them regularly. Most I don’t remember, the features difficult to put together from memory, but I know that more than once I’ve seen the pair of them talking to a figure at the other end of the depot. They always make sure these meetings are in shadow, and I can never get close enough to see exactly who they’re talking to, but I think they’re dressed like a circus ringmaster.
(MAG128, “Breekon”) Driving aimless, waiting for the call, sat badly with us. We were meant to know our destination. We were meant to have a cargo and an address. So it was we found a man named “Breekon”, and we took everything they were until there was nothing left but the sweet taste of a broken soul’s disquiet and confusion. We took the van and started to deliver once again.
* MAG002: In the 90s, they helped “John” carry an item from The Buried, when he was trying to test its powers – except it backfired badly, since the test subject he had picked turned out to be the Most Practical “Would Survive A Horror Movie” Statement-Giver Ever, and Joshua Gillespie managed to resist the coffin’s temptation for almost a year and a half. We already had a hint about “John” being from The Stranger in MAG002, because of how Joshua had trouble describing him:
(MAG002, Joshua Gillespie) I’ve tried to describe the man who now sat opposite me many times, but it’s difficult. He was short, very short, and felt like he had an odd density to him. His hair was brownish, I think, cut quite short, and he was clean shaven. His face and dress was utterly unremarkable, and the more I try to think of exactly what he looked like, the harder it is to picture him clearly. To be honest, though, I’m inclined to blame that on the drugs. […] John had to take a second to look me up and down, almost in disbelief, as I asked if they’d come to collect their coffin.
(MAG128, “Breekon”) And so we took the casket, a hungry thing of the Earth, a crushing, choking tomb that will not let you die because it is too much what it is for Death to find you there, within its mocking shape – buried alive. It was one like us that found it. A thing of shifting names and déjà-vu. A fool, that believed because it found a coffin in chains, it would be an easy thing to control, to bargain with. But there was no remorse when the test finally failed and it fed on the thing that considered itself the master.
Since Joshua had managed to not open the coffin, “John” was swallowed by it instead when they went to retrieve it.
* Breekon and Hope ended up stuck with the coffin and had to carry it around.
(MAG128, “Breekon”) But there was no mention of us in the deal. No thought towards what might happen should a victim pass the test. And what happened was… we were stuck with it. It was still our cargo. Nowhere to take it, no address or destination, so back in the van it went. A long time, we’ve carried it. Keeping it as close as it wants, not listening to it sing in the rain.
When Jon was sequestered by Nikola, she had made her distaste of the coffin clear, hinting that it wasn’t from The Stranger, while Breekon and Hope had said they couldn’t separate from it:
(MAG101) NIKOLA: Oh, don’t worry, it’s not for you. You won’t even need a coffin – we’re going to use every piece of you. ARCHIVIST: [MUFFLED EXCLAMATION] NIKOLA: Now could you two please move that thing somewhere far, far away? BREEKON: Not really. HOPE: Needs to be near us. NIKOLA: Well, just… just move yourselves away, and take it with you.
* MAG061: The coffin notably ate Daisy’s partner, Isaac Masters, on the 24th of July 2002 while they had stopped Breekon&Hope’s van (accompanied by a “Tom”) on the motorway for driving too slow.
* Overall: in MAG078 (2001, the Web table now binding the Not!Them), MAG024 (2004, the calliope), MAG020 (2009, Father Edwin Burroughs’s pale yellow stole), MAG054 (2013, stopped in front of the Taxidermy shop), possibly MAG083 (2013, taking the ringmaster “mannequin”), MAG035 (July 2016, bringing the Web table and the Web lighter to the Institute for Jon), MAG099 (May 2017, Jon was the (unwilling) package.), Breekon and Hope carried and moved things around, being mostly active for Stranger-related activities.
(MAG128, “Breekon”) Even when the mannequin that now called itself Orsinov came back to us, told us we could help the world Unknow and fear again the coming of Strangers, still we had to drag it with us: an unclaimed package.
* MAG119: during the Unknowing ritual, we heard Daisy as she snapped and tore Hope apart, Breekon then trapped her into the coffin.
(MAG128, “Breekon”) But I suppose it was worth it in the end. When that Hunter killed him, when she took her violence of mindless instinct and unleashed it on us… it was there. It was waiting. I fed her to it.
* MAG128: with Hope dead, Breekon realized he wasn’t tied to the coffin anymore and delivered the coffin to the Institute. Breekon fled, but will probably fade away soon.
- We got some additional information / some confirmation about Nikola’s creation, too:
(MAG097) ARCHIVIST: Who are you? NIKOLA: Well, my father called me Nikola, and then I killed him, so I thought I rather deserved to have his second name too. Which makes me Nikola Orsinov. Pleased to meet you at last. ARCHIVIST: You, um… You killed Gregor Orsinov? NIKOLA: Yep! He got really boring, and I’m a monster. I mean, what do you want me to do – not pull him apart? I did use all the bits.
(MAG102) ELIAS: […] There is also one, the “Danseuse Étoile”, that requires a costume of special power or distinction. Gertrude believed that Orsinov and his circus created a dancer specifically for this role. ARCHIVIST: I–I’ve met it. Calls itself Nikola.
(MAG119) ARCHIVIST: Yes… Yes, I s… I see the sad clown, b–bitter and hateful. I see him finding his way into a ci–circus where nobody knew him. I see him torn apart, becoming the mask, remade by a… a cruel ringmaster. Sometimes a doll, sometimes a mannequin, always hiding in somebody else’s skin. Somebody else’s name. NIKOLA: Not always, and it’s far too late for any of that. Nothing you see can help you.
(MAG128, Breekon) We didn’t like the puppet, when Orsinov began to carve it. It seemed wrong to us to try and bring one like us about; to create or remake it in such a solid, static shape. We were wrong, of course. When Orsinov carved into the thing that had once called itself Grimaldi, and fed the pieces they didn’t need to the shuddering organist, even we found ourselves impressed. And when the faceless puppet peeled its creator and moved itself with their tendon strings, he looked at me… and laughed… and laughed… We followed her a while, but she was unpredictable, while we are things of point and purpose. When she lost the ancient skin, we went our separate ways and found ourselves a lorry, long and dirty grey.
I had assumed that “Nikola” was the Hellish Lovechild of Gregor Orsinov (the ringmaster) and Nikolai Denikin (the organist), but it sounds like Denikin did Not Have A Great Time in that process after all, oopsie – we knew, according to Gertrude, that he had left the circus by the 70s (MAG044), so it might have been precisely because of what was done to him during Nikola’s creation. I wonder if he fathered his child before or after he was fed Grimaldi’s pieces, though? Because if so… is Leanne (statement-giver from MAG024), his granddaughter, kind of part-monster?
- With the chronology given through the courriers’ point of view, Breekon’s mention that he felt itself fading, and Jon’s following comment:
(MAG128) BASIRA: And there’s no chance more of the Circus survived the explosion? ARCHIVIST: I don’t think so. At, at least… Breekon didn’t think so.
… it sounds like Breekon’s statement served mostly to close The Stranger’s chapter. It feels… very weird, in a way. The Stranger had been the most prevalent of the entities since the beginning of the series: it opened it (MAG001), it was the invisible enemy through season 2, it was the shared target through season 3. It took Sasha. It took Tim. And now, the close future doesn’t sound much brighter: there are still books, monsters and avatars roaming out there, there is still the New Unidentified Menace, there is still the possibility of The Watcher’s Crown, there is still The Web weaving Her/its plans. The only satisfaction is that The Stranger’s ceremony won’t be a concern again for a few centuries, but there are still so many other threats to deal with…
- I’m also so fond of the way… things in Magnus tend to be hilarious and heartbreaking at the same time? That statement went full-on burlesque, twisting the deep-rooted complementarity and love into grotesque, and then bam, the conclusion just felt… sad? Tragic?
(MAG128, “Breekon”) They knew this and feared us in kind, and we drank it down, the taste of it sweeter than the food that now rotted on our plates or the drink that curdled in our cups. And we both tasted it together. When we left our destination, the mule whining at the new weight behind it, he would reach behind us and find a face, sagging, sloughing off its skull, and would pull it to him. He’d place it over the one he wore already, and he would laugh, and laugh, and laugh. Sometimes it fell off. Sometimes it stayed for weeks. I kept the face we chose, but I loved him for our levity, and the corpses piled ever higher. […] We knew she wouldn’t scream as she was hollowed out and drunk, but still he thought best to cover the sounds with a laugh. He was always our humour. […] And when the faceless puppet peeled its creator and moved itself with their tendon strings, he looked at me… and laughed… and laughed…
[…] She took him from me. Made us a me, and she doesn’t get to die for that. […] I am without him, now. I. am. I can feel myself fading. […] I have never known hate before. I have never known loss. But now, they are with me always, and I desire nothing but to share them with you.
ROMANCE!! IS!! NOT!! DEAD!!
- I’m very serious about how WOW did Breekon and Hope sound like soulmates, in a romantic or queerplatonic way. That “I remember our first automobile” too, felt like an old couple taking a look back on their whole life together. “Things” pretending to be “humans” and at the same time… demonstrating genuine emotions? And the whole use of pronouns! Breekon was avoiding them in his first sentences – sometimes avoiding to say I because he couldn’t say “we” anymore! Sentences being short and segmented, as if waiting for Hope to complete with the next part!
(MAG128) BREEKON: [HUFFS] Yeah. Just like when we… when I… fed the copper to the pit. […] In here. Realized that I’m not tied… to it anymore. Not on my own. Thought you could have it. Pay your respects, lik– […] Dunno. ‘t’s not right… on my own… not right… No point in doing it on my own. Don’t know what happens now… Thought I might kill you. Missed my chance. Thought I might just… deliver something. So here’s a coffin. [RATTLING SOUND] In case you want… to join your friend.
And in the statement, too: Hope was The “He” for Breekon, while humans tended to be “they”, even when identified as male/female (only exception being the old woman taken by The Web). Nikola was a “she”.
That’s… very fair, considering how Jon and others tend to use “it” for monsters: Jon began the episode by calling Breekon a “he”, and then switched after the statement (“I, I saw that… thing’s mind, i–it’s lost on its own. No partner, no… purpose, I… I honestly think it just wanted to do another delivery.” Rude, Jon, rude!!! Especially since the monsters just proved themselves to have feelings :w)
I never thought I would grow sad for effing Breekon and Hope, godsdamnit!
- Since MAG127 already mentioned Millbank and its possible ties to the Institute (through Jonah Magnus), and Breekon also consecutively mentioned both here, it sounds more and more likely that we’ll dig a bit into that part of history later:
(MAG128, “Breekon”) Poor wretches who emerged from Millbank, with tales of Australia and its cruelty on their lips, bundled into the cramped and creaking ship that would drag them away from everything they loved – and towards everything they feared. That was the first time we saw what would become this place, The Eye’s Pedestal. But we were drunk on the dawning horror of transportation and took no heed of it.
It’s… curious how Beholding has been grounded in the same place for so long? It seems to be the only entity to have become sedentary like this – Elias even mentioned that “Should I, or the Institute, be destroyed, you will all, unfortunately, follow suit.” (MAG092). That made it practical to feed The Eye (with people giving statements to an identified place), and now a danger since other entities know where The Eye’s people reside. Given how the place sounds so important, is The Watcher’s Crown supposed to take place right there? Though we don’t know how long the Usher Foundation in Washington DC and the Pu Songling Research Centre in Beijing have been around and whether they have the same status and history as the Magnus Institute (there wasn’t any mention of Archivists being tied to them, though; Xiaoling even explained how she had suggested someone from her centre for Elias…)
(I don’t know if the word “pedestal” was used on purpose here but… etymological root has to do with a foot. Elias had also said that “Basira is now tied to the Institute. All of you are. Like fingers on a hand. And I am the beating heart of it.” We’re completing the anatomy analogy?)
- Overall: HOLYYY MEEWWWWW, even though I’ve relistened to the episode multiple times by now, I just get chills every time when Jon… freezes the scene. The sound effects were so good, too!! Regular static, encasing that high-pitched buzz… and I loved the echo so much when Jon gave orders We’re so used to Jon getting slapped around that this sudden moment of control and authority was!!! The fact he sounded more offensive, aggressively protective!!
Even at the beginning of the episode, the fact that Jon was in charge of the situation was audible, since there were some shared elements with Nikola’s debut:
(MAG097) ARCHIVIST: [SHARP INTAKE OF BREATH FROM THE ARCHIVIST] NIKOLA: You don’t want to do thaaat~ [FOOTSTEPS] I mean, you can if you really want to, but you’re not going to like it. Sometimes not being able to see something is actually quite a good thing. […] Don’t turn on the light.
(MAG128) BREEKON: Don’t say a word. [SILENCE] BASIRA: [LONG EXHALE] [DOOR OPENS] BASIRA: Jon. Don’t turn on the light. Go get Melanie. Quickly. ARCHIVIST: It’s alright Basira, I know he’s here. BASIRA: So what are you doing? ARCHIVIST: I imagine he’s here to deliver something. Thought it might need signing for.
Light off, a Stranger who sneaked their way into Georgie’s house/the Archives. With Nikola, Jon was startled, stuttering, afraid, toyed with, dominated; with Breekon, Jon… managed. Stayed put. Snarked and used his powers. Stopped Basira and Breekon when they were on the verge of fighting. Neutralized Breekon.
(Though I think that Breekon might have punched/tackled Jon on the ground when he fled, and Jon collapsed right after reading the statement aloud so, eh, Order Is Restored in the world. Jon also still a punching bag.)
- Aaaaand in-universe, it was awful, thanks!!! So, Jon finally used compulsion again. He’d really held back until now, and mostly used it when Breekon was refusing to answer Basira’s own questions:
(MAG128) BASIRA: Is he here for revenge? ARCHIVIST: I don’t, I don’t know. Ask him. BASIRA: Like he’s going to answer me. ARCHIVIST: Fine. [INHALE] [STATIC–] Are you here for revenge? [/STATIC] […] BASIRA: What do you want? Why are you here? [SILENCE] ARCHIVIST: [SIGHS] [STATIC–] Why are you here? [/STATIC]
That was a lot of compulsion, but expected from an interrogation, and mostly to back Basira up. Jon also knew that Breekon was there – probably from another ~insight~. The new thing was how… Jon then proceeded to very naturally use a brand new power? Not 100% sure whether he was driven by a will to prevent harm to Basira (she was ready to fight Breekon) or by a desire to know Breekon’s story, or a mix of both, so intentions are not absolutely clear. The process, however, was worrisome in the mere concept of EXTRACTING a statement out of someone; the fact that Breekon clearly didn’t want it, told Jon to stop and was suffering from it… made it absolutely horrifying.
(MAG128) ARCHIVIST: Stop. [HIGH-PITCHED BUZZING SOUND OVER STATIC–] BREEKON: What’re you doing? BASIRA: … Jon…? What are you doing? BREEKON: What’re you– Stop it… Stop it! ARCHIVIST: [ECHOING] No. BREEKON: [STRUGGLING, BUZZING INCREASES] Enough! Stop… looking at me!
(And I’m not sure that Jon didn’t actually contribute in Breekon’s feeling that he was “fading”: Jon got to know the unknown. I doubt that it can do any good to an agent from The Stranger – it seems like hurting their nature.)
+ Bonus point for Jon possibly developing night vision, since the whole scene took place in the dark (Basira told him to not turn on the light, and we didn’t hear the clicking of any switch). Though Basira also managed, so maybe Jon didn’t need to see.
(He looked at Breekon, however: did it feel like the whole weight of Beholding, like Jon experienced in his nightmares?)
- Basira had just summarised Jon’s powers last episode (MAG127: “So. You can’t be killed by a collapsing building. Major injuries scar up fast. You can force the truth out of people and knowledge pops into your head whenever you need it.”) and we’re already adding one more to the list – and it turns out to be that Jon can extract the story of an unwilling person out of them. It might have been in order to protect Basira here, but it also feels like the slope from one thing to the next could be so, so slippery… (from there to using his powers against a monster that wasn’t directly harming them, because they need its information; to using his powers against… anyone, really, as long as it’s protecting the assistants, even against people who never wished harm to them). Just this would make it understandable that Basira refuses to trust Jon or to get too close to him, since he’s proving that he’s developing, and fast, and that she can’t know what he will (become able to) do.
… At the same time, Jon would definitely need anchors and moral compasses around. (Martin, while you’re busy and involved into Peter’s schemes, and maybe truly fighting an actual threat, Jon is turning into another one ;;)
- Added horrifying bonus: it… sounded a bit like the “statement never given” that Elias did to Daisy? There was static when he gave it:
(MAG082) ELIAS: Here’s what’s going to happen. I’m going to make a statement. Your statement. […] Statement of Alice Tonner, regarding the crimes and death of Calvin Benchley. Statement never given. […] Everyone calls me Daisy. I like that because it sounds so gentle, and I’m the only one left who knows about the scar on my back.
Jon’s and Elias’s powers had sounded very distinct until now, but some bits are making them sound more similar, this season? Thinking about MAG102 again, I remember the sudden burst of static just before Elias mentioned that Melanie was coming up with a knife: had he seen that, or had he known about it (like Jon’s insight, same burst of static), since I doubt that Melanie’s knife was in clear sight in the corridors leading to his office?
(It wasn’t the same thing as what Elias did to Melanie in MAG106 and Martin in MAG118, since Elias didn’t present those as statements and used the third person, and, overall, the whole concept of it felt different: it wasn’t about extracting their stories, but about carving information they didn’t yet know in their brains. Putting in knowledge that wasn’t there. Will Jon become able to do that too eventually/soon…?)
- MMMMMMMMMMM
(MAG127) ELIAS: Possibly. Then again: you are beset by enemies on all sides, Basira. And unless you expect Jon to record them into submission, it would seem you’re in rather dire need of another option.
DID YOU KNOW ABOUT THAT NEW POWER, YOU AWFUL MAN :| (Since Jon “extracted a statement out of them into submission” and it was recorded.)
It also sounds less and less likely that Elias’s reasons to not be face-to-face with Jon are truly about ~*Jon’s own good (according to Elias)*~, uh.
(MAG128) BASIRA: […] So you won’t see him, but you’re happy for him to hear our conversations. ELIAS: He can listen all he wants, but he’s at a very delicate stage right now, and I… fear my presence would be a… a distraction. I’ve made it clear my cooperation’s contingent on his not seeing me, and my terms have been accepted thus far.
YEAH L-O-L ELIAS. Are you actually fearing that not only Jon could compulse the heck out of you now, but also pull out your own fucking statement out of you without you having a say in that. Hilariously (/horrifyingly), is the fact that Elias was thrown in jail… actually protecting him from Jon?
(I’m not saying that Elias wouldn’t be into Jon forcefully extracting his statement out of him. He was really into getting compulsed, even while fighting off the effect of it. But it would mean that Jon forcing information out of him probably wouldn’t be serving his plans right now, which means… he indeed Has Plans and things he wants to hide.)
- At least, Jon’s new power sounds like it’s taking its toll on him, which I’m taking as a good thing (since it will force him to be cautious about that, the sheer immorality and violence and cruelty of the power in itself notwithstanding):
(MAG128) ARCHIVIST: Statement… ends. [RUFFLING OF CLOTHES ENDING WITH A THUD AS PROTAGONIST, WHO DEMONSTRATED A FAIRLY SURPRISING AMOUNT OF USEFULNESS THIS EPISODE, PROCEEDS TO SLIDE OFF CHAIR AND PASS THE FUCK OUT.]
I’ve laughed too many times on that stupid moment, I have no excuse for feeling like it’s Comedy Gold, but. But. Listen. It’s so… so Jon.
Another reason for Jon’s tiredness could also be due to the amount of statements he’s been handling lately. He has had periods like this: the end of season 2 was… pretty intense, only three weeks from MAG071 to MAG080. Right now, less than twenty days have passed from MAG121 (15th February 2018) to MAG128 (3rd March 2018). Assuming that MAG122 also took place on February 15th, 2018: MAG122: February 15th MAG123: February 17th (“Two days out of a coma, and I’m already tired.”) MAG124: February 24th (“It’s been a week and… Melanie’s attitude towards me hasn’t softened.”) MAG125: ? MAG126: ? MAG127: ? MAG128: 3rd March That means that since MAG124, Jon has been reading a statement about every other day (and at least once two days in a row). The current rhythm feels very close to the streak from MAG091 to MAG094, April 28th and 29th, which resulted in Jon giving up at the end of MAG094 and blaming it on the amount of statements (“Are you alright? You look like you’re about to keel over.” “Uh, no, I– I just… Ther– There’s been a lot of statements, in not a lot of time. I’m… I’m exhausted.”)
The average rhythm was around once a week usually, I don’t know if this means that Jon has been exhausting himself lately (to be fair, he doesn’t have a whole lot to do, since nobody wants to talk to him and he’s unable to do satisfying follow-ups) or that he feels withdrawal faster than before… and/or, in any case, if he’s just “obeying” the tape recorders when he sees one running.
- I feel Basira’s distrust very deeply, since… since Jon chose to write Breekon’s statement before recording it.
(MAG128) ARCHIVIST: It’s fine…! [/STATIC] Get me a pen… please. [CLICK.]
[…] ARCHIVIST: Basira, we, we can’t– BASIRA: Yeah, I can read.
It’s not a given at all. Why did Jon decide to write it down, when he probably could have just recorded it right away?
I’m obsessed with this but: I can’t help but think that it might be related to Jon’s dreams – did he assume that recording right away would have made it count as a live-statement and that he would be “given” another dream, Breekon’s?
Assuming that Jon still sleeps. But at least, we know he can pass out! And he still drinks. He had asked for water back in MAG122, and Basira brought him another glass in MAG128 according to the sound.
(MAG122) BASIRA: […] Anything else? ARCHIVIST: Water. Please. BASIRA: Sure thing. [OPENS DOOR] ARCHIVIST: … Oh, or a cup of t– BASIRA: [CLOSES DOOR]
(MAG128) BASIRA: Here. [GLASS CLINKING] ARCHIVIST: Thank you.
- Now that we’ve had confirmation that Daisy is actually alive, reminder that:
(MAG120) ELIAS: […] All through it, the shadow is above him; the shape that gazes down upon him, bloodshot and unblinking. The rain is still there, though it is empty; the long and desolate road, slick with the downpour, a police car’s lights flashing over the unmoving van. The doors are open and the two familiar statues stand either side of the well-worn wooden box. He looks around, his eyes scanning this forever road and the clouds of iron grey, looking for her – but she is not there. The Archivist expects, he hopes, to find the violence in her looking back at him, hungry for pursuit and murder. But the emptiness of the place is complete, the only sounds the gentle singing of the box, and the pounding, bitter rain. He knows the writing on the coffin has changed, though is still carved into the splintered wood: [STATIC INTENSIFIES] “I am for you.” He knows it is not addressed to him, but he reaches down and pulls the chains off all the same. It opens, and he walks slowly down the steps into the earth; but even as it closes above him, the great shadow still Sees him. There is nowhere in this universe that it would not blot out the sky.
We don’t know what is supposed to happen if a live statement giver dies. Daisy’s case, though, was already an oddity, since her dream was still there – without her. Breekon did imply that The Eye couldn’t access the coffin when mentioning “John”:
(MAG128, “Breekon”) It was one like us that found it. A thing of shifting names and déjà-vu. A fool, that believed because it found a coffin in chains, it would be an easy thing to control, to bargain with. But there was no remorse when the test finally failed and it fed on the thing that considered itself the master. No face to Change in the cold, dark earth, and no Eye to fool, where it is now.
So although The Eye is all-powerful in Jon’s dreams, the coffin seems to be out of its reach in our world. Is that an overall property from The Buried, or specific to the coffin? I wonder if Leitner’s pamphlet, A Disappearance, is actually a Buried book too? (My suspicion had been The Spiral until now.)
(MAG080) LEITNER: Hardly a book. Barely twelve pages. It is entitled A Disappearance. If read cover to cover it removes one from the world. I cannot say precisely what that means, only that the assistant I assigned to it, Jacob Feng, was never seen again. I have found, however, that reading only one or two words is sufficient to hide me from the prying eyes of your master. It allowed me to talk with Gertrude in relative safety, and occasionally come above ground for my own ends.
(We… don’t know the status of that one, by the way, since Leitner had it close with him when Elias butchered him. So Elias probably got his hands on it.)
Overall: Jon still hasn’t mentioned anything about his dreams so far, while telling Basira that she could trust him and sounding very transparent and honest… I’m still not sure if Basira is suspicious of Jon having an active part in the dreams she used to have before becoming an assistant (and that Daisy still had as of MAG112, since she wasn’t an assistant), but if she is: that’s another reason to be wary of Jon. She would know there is something else that he’s not telling her anything about. What do you know/remember about your dreams, Jon…
- YOU KNOW WHO CAN FIND PEOPLE/THINGS THAT ARE “CONCEALED” THOUGH? THINGS THAT THE EYE CAN’T REACH?
(MAG101) “MICHAEL”: The Eye watches, and the Stranger conceals, but me… I lie, Archivist. I am the throat of delusion incarnate. They can’t hide you from me.
Jon! Jon!!! Could “Helen” help to reach the inside of the coffin…? (Really not sure about it, since it was about The Stranger, not The Buried, but then… Breekon was able to tell that people didn’t die inside of the coffin. How could it know? There might be ways to know/feel what is alive down there…)
- Basira time because Holy Mew did I get feelings all over.
(MAG128) [CLICK–] [SILENCE] [MOVEMENT, CHAIR RATTLING] BREEKON: Don’t say a word. [SILENCE] BASIRA: [LONG EXHALE] [DOOR OPENS] BASIRA: Jon. Don’t turn on the light. Go get Melanie. Quickly.
BASIRA, gdi!!! The fact that she was still level-headed enough to give instructions right away while threatened!! (I wonder if she told Jon to get Melanie to protect her, or if she thought that Melanie could still… be well enough to act as their fighter again, even when not under The Slaughter’s influence and recovering?)
And SSSSSSSSHHHHH you felt the shift when Breekon alluded to Daisy; Jon needed to act with her like she had acted with Daisy in the past, that really meant that she was ready to snap hard.
(MAG092) DAISY: Bouchard. BASIRA: Easy.
(MAG128) BREEKON: Yeah. Just like when we… when I… fed the copper to the pit. BASIRA: [ANGRY INHALE] ARCHIVIST: Easy, Basira. BASIRA: [EXHALE]
(And towards the end, was ready to FIGHT BREEKON…….)
(MAG128) BREEKON: In here. [KNOCKS ON SOMETHING] Realized that I’m not tied… to it anymore. Not on my own. Thought you could have it. Pay your respects, lik– BASIRA: Daisy’s in there.
Her voice and my heart broke at the same time with her “Daisy’s in there” AOUCH AOUCH AOUCH…
I’m still so fond of the way Basira is able to assess things very quickly and efficiently… and for once, she tipped over and lost her cool. Breekon made her crack, and holy Arceus, the fact that it was about Daisy…………….. hhh.
- Given how Basira announced that she would leave right after Jon stated that the coffin was from The Buried…
(MAG127) ELIAS: I might have an idea, yes. BASIRA: And what does it cost? ELIAS: Just some of your time, Basira. Just your time. BASIRA: … [SIGHS] Okay. Let’s hear it. [CLICK.]
(MAG128) BASIRA: Where does the coffin lead? ARCHIVIST: … The Buried. BASIRA: Right. [SILENCE] [INHALES] Right. Keep it safe, I’ll be gone a few days. I have some leads I need to follow up. ARCHIVIST: Sorry…?! BASIRA: You heard me.
I’m suspecting that Elias might have told her something cryptic and Buried-related, and that Basira pieced it together at that moment? What Elias told her could have been totally unrelated but it feels like an odd coincidence (especially since Jon had just proven that he could use his powers to neutralize enemies after all) and… going back to MAG120:
(MAG120) ELIAS: Hello, inspector. Martin. I’m… sorry to hear about Tim. MARTIN: Don’t. ELIAS: And Daisy, I suppose. MARTIN: Don’t. you. dare.
It sounded, back then, like the usual joke of belatedly remembering Daisy’s existence. But it could have also been Elias knowing that she wasn’t dead like Tim.
- I’m worried about what Elias told her, though, and what Basira will have to do ;; Assuming it’s all to bring back Daisy: is she supposed to go fetch an item that could help? Or someone: a Buried avatar? A Vast avatar (as they’re opposed): Simon Fairchild, since Jon doesn’t want to meet him? (He’s probably deaaaad but ;; can’t help but think about Jan Kilbride? He “disappeared” after going back to Earth but we know that he was still around in February 2008, when he gave his statement (MAG106), and probably June 2008, where he was implied to be with Gertrude when she went to stop The Buried ritual in America (MAG097). Probably died countering the ritual, but if he survived… he has already fought against The Buried, had met Gertrude, had collaborated with her to stop an apocalypse. Could be an interesting option. Though, once again: is probably long dead.)
… or is Basira supposed to ultimately take Daisy’s place in the coffin…
And I’m so worried over the fact that it… doesn’t seem like she told Jon anything about her meeting with Elias? Though Elias had told her that he didn’t mind Jon hearing their conversations (so she’s not coerced into hiding information, it’s her own decision)? It’s also unclear if she’s given the tapes to Jon, but we’ll see if Jon mentions them while she’s away – or… not at all. Jon will complain about Elias if he’s hearing anything from him.
- ;; We got Basira’s own summary of the events following The Unknowing and… indeed, her point of view clears up a lot of why she’s been so cautious and distrusting. Her previous situation was strongly tied to Daisy’s, and based on the assumption that she could more or less trust the others (though she wasn’t very confident in Tim and Jon’s abilities to fight):
(MAG0117) BASIRA: […] I don't want to be here. But by the end, I didn’t want to be police either, so… guess I don’t really know what I do want, which… maybe that’s just as well. My options… they’ve gotten a lot narrower over the last year. I don’t know. I feel kind of bad. Everyone seems to be having a much worse time of it than me, and I was meant to be the hostage. It’s amazing, how much you can ignore when you keep your head in a book.
Basira had been involved in the Institute against her will (MAG092); it has never been a place she chose. But in order to get out of The Unknowing, she couldn’t rely on anyone. She managed on her own, and since then: Daisy was officially dead, Tim was dead, Jon was in a coma. The only remaining people were Melanie (who had been unstable since then, while infected) and Martin:
(MAG128) ARCHIVIST: […] You can trust me, Basira– BASIRA: Stop saying that. [SILENCE] Do you know how I survived the… The Unknowing? ARCHIVIST: I… No. No, I don’t. BASIRA: No powers, no… magic or… help. I was trapped in that place, and so I tried to figure it out. And I did. A little. So I kept doing it. I kept going through until I got out. I… reasoned my way out of that nightmare. ARCHIVIST: Good lord… BASIRA: Then everything ended, and Daisy was gone. And you were gone. And Tim. And then I got back to the Institute, and Martin sent me to meet the new boss. Then I stood alone in an empty office for more than one hour. I can trust me, Jon. That’s it. ARCHIVIST: [SIGHS]
It officially answers why Basira said that she had never met Peter Lukas in MGA123 (“Never seen him. As far as I can tell, Martin’s the only one who has.”) despite the fact that Peter had asked Martin to bring Melanie and Basira to his office in MAG120 (“Well, if you could send Melanie and Basira up to see me, I’d like to introduce myself.”). I get the impression that Martin’s behaviour really was what convinced her to not trust easily? She… hasn’t been mean towards him since the beginning of season 4, actually defended him, acknowledged that he has had a difficult situation, but at the same time… I wonder if she isn’t having the same suspicions as I am: that Martin and Peter are one and the same, or that Peter is rooted in Martin, without Martin being aware of it? And the conclusion would be that just because someone is genuine and wishes you no harm doesn’t mean that they can’t actually be a threat to you. Hence her wariness towards Jon, even though he insists that they’re on the same side.
(Ironically, it’s… a bit like Tim’s reasoning in season 3: when he got back on his feet and driven by his desire to avenge Danny’s death by destroying the Circus, he also began to avoid everyone since he couldn’t be sure that they weren’t something like the Not!Them or plainly didn’t know them, and he decided to only rely on himself. We know how that ended for Tim; that doesn’t bode well for Basira… ;;)
- Basira used to like Jon’s sense of humour and… it’s not the case anymore, uh.
(MAG088) BASIRA: I just, I mean he was good company. Y’know, when he wasn’t being a paranoia machine. He was funny, you know? MARTIN: What, Jon? BASIRA: Yeah. MARTIN: I don’t think I’ve ever heard him tell a joke. BASIRA: Maybe you weren’t listening.
(MAG123) ARCHIVIST: […] So: we’re under siege; Melanie is aggressively unstable; Martin is working very closely with The Lonely, who is, predictably enough, isolating him; and, oh, yes, Tim and Daisy are still dead. Which is at least easy to keep track of! BASIRA: That isn’t funny, Jon. ARCHIVIST: I know it’s not–! … Sorry. It’s just… it’s a lot.
(MAG128) BASIRA: And don’t open the coffin. ARCHIVIST: [HUMOROUS EXHALE] It is addressed to me! [SILENCE] … Yes, alright. … Alright.
I COULD JUST FEEL BASIRA’S GLARE IN THESE LAST SECONDS. Jon relenting and changing his tone was so beautiful.
Too bad for Jon he mentally scarred the only person who was still finding him entertaining:
(MAG128) BREEKON: … That’s ‘s name? Then sure. ‘t’s in there. Whatever’s left. Find out if you like. ARCHIVIST: Would you please drop that ridiculous voice?! BREEKON: [DIFFERENT ACCENT] Apologies. Is preferred like so? ARCHIVIST: Christ, that’s worse… BREEKON: [CHUCKLES] ARCHIVIST: [STATIC–] What is your real voice? [/STATIC] BREEKON: [CHUCKLES] Nikola said you were funny. Didn’t believe it.
Jon, why do you do this to the people who at least appreciated one (1) thing about you.
(I’m still rolling on the floor about how, while a MONSTER had SNUCK INSIDE the Archives, and was partially THREATENING THEM, and had proven in the past that it could WRECK YOU in a fight, and had even PUNCHED JON HIMSELF before throwing him in its van back in MAG099… Jon’s priorities involved getting irritated about its fake accent. Jon. Joooooooooon. You’re especially funny when you’re not even trying.)
- At the same time, Basira didn’t absolutely cut Jon out entirely. She’s still probing him with questions, still waiting for him to share his discoveries. She brought him water. And… the fact that she’s leaving the Institute for a while incidentally puts Melanie and the coffin in Jon’s care – that’s… actually… a form of trust, in a way? I wonder if she might be, despite it all, trying to test whether she can trust Jon on some matters.
(MAG128) BASIRA: You heard me. Don’t ask about [my leads], and don’t know about them either. ARCHIVIST: I can’t exactly control that! BASIRA: Learn. ARCHIVIST: … [SIGHS] I’ll do my best. […] BASIRA: I’ll try and be back in a week or two. Don’t think about me. ARCHIVIST: Right.
^Could be a way to check if Jon can prevent himself from spookily knowing or trying to investigate? Forcing himself to find a way to refrain it even if he has no idea about how at the moment? (Basira is absolutely the reverse of an enabler, which… makes sense, since she keeps finding new ways to get herself out. She managed to survive The Dark. She was the only one who managed to find her way out of The Unknowing, by herself. At the same time, what she told Jon is… easier said than done. But indeed: it’s that, or enabling and probably accelerating Jon’s downfall.)
(- At the same tiiiime, re:Martin, maybe it would be Very Too Much Hopeful, but. But.
(MAG128, “Breekon”) […] The Spider’s always an easy job – no fuss, no complication, everything planned and prepared. It knows too much to truly be a Stranger, but hides its knowing well enough to injure.
YES, it sounds awfully like The Web and what it’s probably doing right now with Jon/the Institute. But I also thought about Martin, here, and I can’t shake the idea now: it’s clear that Martin is wary of Peter and he explicitly said he didn’t like to be manipulated – he’s not oblivious to what Peter is doing, though… he’s also been opening himself a lot more than feels necessary (Peter knows how to push Martin’s buttons and to persuade him). But what if it’s actually more about Martin trying to manipulate him – Martin showing some parts of him only to get closer, pretending to be vulnerable, trying to establish how Peter operates and what his weaknesses are, for when Martin would have accumulated enough knowledge to take care of the new threat? I mean, Martin took down the previous Head of the Institute through dissimulating and deceiving. He’s done it before. He could do it again.) (/ realistically: yes, it’s me trying to still hold on to the possibility of Web!Martin, sssssh >> I… was so fond… of the aesthetic of Martin being in control, albeit awkwardly…)
- Breekon breached into the Institute and mentioned that he’s felt “loss” since Hope’s death. So. You can’t convince me that Peter Lukas, Agent Of The Lonely, didn’t know that he had entered the Institute. And yet, he didn’t help, didn’t do anything at all.
He had mentioned that Elias was “very protective of his people” (MAG100), which wasn’t super-reassuring regarding how Peter himself takes care of his people, even less for people that are not even his, but… we still don’t know why Elias chose him as an interim director (… if he indeed did), and after The Flesh attack and now Breekon, it seems less and less likely that it was to protect the Archives or Jon himself. So: why was he chosen? What is he supposed to do?
- It sounds like what Peter had hinted at the end of season 3 worked exactly how we could fear – “giving everyone some space”, from a Lonely agent, sounded… very bad and worrisome. And indeed, they drifted apart:
(MAG120) PETER: […] After that, I’ll put through a couple of weeks of paid leave for you all. I think giving everyone some space, to try and deal with the loss of… Tim and… Daisy, might do everyone some good.
Hey!! Peter and Elias, so far, totally succeeded in shattering the Archives team. They’re not even able to collaborate on a common project like they did in season 3 (trying to stop The Unknowing, getting Elias into jail). Martin has been persuaded that his “isolation” will help to fight the New Threat; Basira is adamantly choosing to not trust Jon; Melanie has been refusing to talk to Jon so far. Jon has been successfully isolated, too. Was it the point, or one of the points, of what Elias and Peter did overall…?
- Jon, please, don’t say anything ever unless you’re being pessimistic/negative, since:
(MAG123) ARCHIVIST: […] and, oh, yes, Tim and Daisy are still dead. Which is at least easy to keep track of!
Daisy is not dead anymore! You were wrong again and things did get more complicated! Rejoice!
… Although Daisy is probably having it worse than death and has been for the past seven months; it could be that they’ll manage to get her out of the coffin only to have to mercy-kill her shortly after. Or will she have to make the same kind of choice that Jon did in MAG121? Like Jon, she’s in a place The End can’t reach:
(MAG121) OLIVER: […] The thing is, Jon, right now, you have a choice. You’ve put it off for a long time; but it’s trapping you here. You’re not quite human enough to die, but – still too human to survive. You’re… balanced on an edge where The End can’t touch you – but you can’t escape him. I made a choice. We all made choices […].
(MAG128, “Breekon”) And so we took the casket, a hungry thing of the Earth, a crushing, choking tomb that will not let you die because it is too much what it is for Death to find you there, within its mocking shape – buried alive.
I would really like to see Daisy back and functional; the fact that she was Basira’s anchor makes me fear that ahaha nop, would be too hopeful (and she snapped during The Unknowing...), but I loved the familiarity they shared with Basira… And I loved Daisy and Jon’s weird little friendship, gosh!!
(MAG096) ARCHIVIST: So, what? Now you sell dead animals? What is this place? SARAH: The Trophy Room. A taxidermist shop in Barnet – it says above the door. Surprised to meet an Archivist who can’t read. ARCHIVIST: No, I– DAISY: [LAUGHS] Nice! […] DAISY: Come on. Before the Met get here. ARCHIVIST: Whatever you say~ DAISY: And wipe that grin off your face.
- In the meantime: how much will it sting, for Jon, to… keep watch over the coffin, knowing that Daisy is inside and that they might ultimately find a way to save her… while Tim is dead-dead and won’t come back, and there is no hope of him coming back ever again. When one glimmer of hope happens, it’s often hard to refrain from thinking that others could follow suit.
- We’re now 1/5th into season 4! And even if Jon feels ~static~, we’ve technically learned quite a lot? In the six months following the Unknowing, not strictly chronologically: Elias stayed in prison; Peter Lukas “managed” the Institute without revealing himself to anyone except Martin, only sending emails and memos; some researchers disappeared after ignoring his orders; Martin’s mother died; Melanie’s frenzy worsened; Basira tried to keep things afloat; other Fears have been targeting the Institute to prevent The Eye from completing its ritual in this cycle; the Flesh attacked the Archives and was defeated thanks to Melanie; Melanie & Basira have begun to live in the Institute; Martin visited Jon in the hospital, begging him to wake up and help, and given the lack of answer, accepted to work with someone (most likely Peter) with the promise that the others would be “safe”, and has indeed been working with Peter Lukas since then, getting more and more estranged from Basira and Melanie.
Since MAG121: The Dreamer, Oliver, revealed that he had turned into an avatar of The End. Jon ~made his choice~ and woke up. Georgie decided to stop taking care of Jon. Jon said that he didn’t remember everything about the Unknowing, learned that Tim and (presumably) Daisy were dead. We learned that The Web might have intertwined itself with the Institute for (at least) the past years, or at least that Annabelle might have intentions regarding the Institute or Jon in particular. Jon has used many powers other than compulsion, at an alarming rate: Knowing things, being directed towards specific statements (and feeling the presence of written ones), forcefully extracting a statement from someone’s brain, being able to See an otherwise undetectable spooky item (Melanie’s bullet). Basira and Jon removed said bullet from Melanie’s leg; Jon got stabbed in the shoulder, healed quickly. Melanie’s anger was confirmed to have been at least partially supernatural and Slaughter-induced, though she is still currently deeply hurt by the whole ordeal. Jon and Martin briefly saw each other, with Martin intentionally avoiding contact: he indeed made a deal with Peter Lukas, they’re working on Adelard Dekker’s suspicions of a new Menace, which requires Martin getting more powerful (and balance “between the two”), hence his “isolation”. Martin has been taking care of the Institute’s admin tasks for Peter, who “can’t stand computers”. We learned what happened to Albrecht von Closen a few years after he had sent his letter to Jonah Magnus: Jonah stole the mausoleum books from Albrecht, who turned out to have had sons by the time he died (his body filled with eyes). Basira visited Elias in prison: Elias gave her a tape recorder that had appeared in his cell, for her to give to Jon, and explained that he doesn’t want Jon to see him. He tipped Basira off about another potential “defender” for the Archives. Breekon brought the coffin to the Institute, confirmed that Daisy is inside and not dead; Jon used a new power on him to prevent him and Basira from fighting, unrolling his backstory. Basira is leaving for (she thinks) about one or two weeks, to follow up on “some leads”, potentially Buried-related, and forbade Jon from trying to Know what she is doing.
Tl;dr It feels a bit like things are dragging on and that not a lot is happening since Jon is back to being sedentary (after moving, going out and travelling a lot in season 3), that we’re waiting together with Jon… but at the same time, the shrouds around some mysteries are becoming a bit clearer, and a lot of elements have felt like they’ve broken the new status quo already. We’re getting a few missing pieces and completing new parts of the puzzle, while we’re advancing towards… something. (It feels a bit to me like the slow initial ascend of a rollercoaster, too: and there is the dread that when things will pick up for real, the velocity and savageness will simply be mind-shattering…?)
- I have a few ideas about Jon’s options but no certainty nor ~insight~ about what he could choose to do right now, since Basira left? Will he wait? Will he keep pushing his powers, trying to get redirected towards a statement that could help them… with the whole situation, or for the coffin? Will he try to actively research on The Buried or The Hunt? Will he try to focus on something else to avoid accidentally prying into Basira’s business: trying to get Martin back, digging a bit more into the Institute’s foundation or Gertrude’s notes again?
Now that Basira has left, though, a discussion with Melanie… might be coming ;; I’m eager and anticipating Pain at the same time, though… She had been aware of a change in her when she was influenced by the bullet (MAG117: “Elias thinks he’s got this ingenious way to hurt people, but it’s just the same old bullshit in a creepy new package. … asshole… God! I just want to rip his…! [BREATHES] When did I… start to lose the parts of me that weren’t just anger…? … Hm.”), so I’m really curious to hear her again, now that she’s been presumably freed from it – with rightful resentment and distrust… but also a clearer mind.
(I wonder if we’ll hear about Georgie again through her ;;)
MAG129’s title has been given on Patreon: statement-wise, I’m suspecting a Buried one (though could also be The Lonely, or The Dark attacking the Archives, maybe). As for the second meaning, I’m flipping a table in fear that it could be about Jon’s metaphorical inner door already – but at the same time… it would feel very early for that. So, hum. Could be about Melanie’s impressions from when she was under the bullet’s influence? Could be about Jon getting emotionally overwhelmed by everything and having a breakdown, without any door opening? … Could be about Martin and Peter again.
22 notes · View notes
crystal-siren · 6 years
Text
Other Worlds (Obi-Wan x Reader) Pt.2
@dovies666 :) <3
Part 1
“I know you’re not supposed to look to other people to save you, but whenever I’m around you, the world becomes simple. My moods lift and the skies shift from the smoke and smog to the softest blue. I know I’m meant to save myself, but the fact is, with you, I don’t have to.” ~ Beau Taplin // The Softest Blue
The Coruscant night-life was never something that had ever particularly appealed to Obi-Wan. The constant pulsing lights almost drove him to distraction. Instead, he chose to focus on catching up to Anakin after he had impulsively jumped from their speeder while a good 30 storeys above ground level.
With his Padawan’s errant lightsaber in one hand, Obi-Wan soon spotted his apprentice.
“She went into the club, Master,” Anakin spoke upon noticing Obi-Wan. He pointed to the club entrance in illustration. They had been chasing Padme’s would-be assassin for what felt like the entire night. Anakin’s decision to jump from their speeder onto her’s, had led them here.
“Patience. Use the Force. Think,” Obi-Wan had lost count of the times he had reminded Anakin of this.
“Sorry, Master,” Anakin replied, trying to keep the adrenaline rushing through his system under control. He was impatient to find out just who was behind the assassination attempts.
“She went in there to hide,” Obi-Wan could clearly see his Padawan’s eagerness and impatience. “Not to run.”
“Yes, Master,” he was struggling to keep still.
All of a sudden, his view was obstructed by Obi-Wan holding his lightsaber, the very same one that had flown from his grasp just a short while ago. “Next time try not to lose it.”
Trying not to appear too relieved at having it back, Anakin nodded. “Yes, Master.”
“This weapon is your life,” Obi-Wan emphasized, hoping the message would get through to his headstrong apprentice.
Taking his weapon back, Anakin followed his Master into the club. “I try, Master.”
~ ~ ~
She had to inform the Council. That was the only thing Y/N knew for certain. Her disbelieving eyes followed row after row of white, armour-clad soldier.
Reaching for her utility belt, she found it to be empty and that her lightsaber was missing. Trying hard to stay calm, Y/N took a series of deep shuddering breaths. This couldn’t be happening.
“Lost something?” A refined voice shook her from her panicked state.
Looking in the direction of the speaker, Y/N came face-to-face with an elderly man who seemed vaguely familiar. Although, she could not quite place where she had seen him before.
“You know,” the man stepped forward and began to circle her. “A Jedi, such as yourself ought to be more vigilant.”
Then it slammed into her. She knew this voice, she had heard it not an hour ago. Now she had a face, but not name. “Who are you? Why am I here?” She saw no point in wasting any time.
The man stopped his circling and came to a stop in front of her. His smile was unpleasant and put Y/N on edge. “Come now young one. There is no need for that.”
Y/N ground her teeth at the title. She hated it when people called her that. Lifting her chin, she looked him straight in the eye. “What do you want from me?”
The man smiled again and Y/N really wished he wouldn’t. “You have a gift young Y/N. The gift of knowing what the future holds.”
“Gift?” She stared at him incredulously. “I would hardly call it that and,” she narrowed her eyes at him, “how do you even know my name? Or about this supposed ‘gift’ of mine.”
“The Council doesn’t believe you do they?”
He was beginning to really get on her nerves. What was he playing at? Why wasn’t he answering her questions? Just who was he anyway?
Her e/c eyes remained as slits as she shook her head. “No.”
“Good.” His answer startled her.
“Pardon?”
That irksome and unnerving smile faded a little and became a smirk. “I’m counting on that.”
Y/N opened her mouth to ask for clarification when she felt two strong pairs of hands take hold of her arms. Before she could turn to see just who it was, a sharp prick in her neck distracted her. Turning her attention back to the man, she asked, “what was that?” Her imagination began to run wild with possibilities.
She received no answer, or at least, none that she could hear. Her vision soon swam before her world went black.
~ ~ ~
Something was wrong. Obi-Wan felt it as soon as Zam Wesell died in front of them. It wasn’t her death, nor the strange shaped dart he found lodged in her neck.
“Master?” Anakin’s voice brought him out of his thoughts. “Is everything alright?”
“Perfectly, thank you Anakin,” Obi-Wan replied, looking down at the dart he held. This could be the key to finding the true assassin’s identity. But there was something else that didn’t feel quite right, something Obi-Wan could not quite put his finger on. “You have to get back to the Senator.” His eyes met his Padawan’s surprised ones.
“Don’t you mean, we have to get back to the Senator?”
“No,” Obi-Wan shook his head, “I have to get back to the Temple and see just where this,” he held up the dart for Anakin to see, “came from.” And find out what else was going on. There had been a shift in the Force, and not a good one. Before his apprentice could launch any further protests, he disappeared into the crowd.
Anakin stared after his Master. This behaviour was new and unusual and Anakin wasn’t sure if he liked it. Sighing heavily, he stood up and brushed himself off before heading off to find a speeder that would take him back to Padme.
~ ~ ~
Upon arriving at the Temple, Obi-Wan headed straight to the Analysis Archives. He hoped to find some much-needed answers there. These hopes were soon shattered when the Analysis droids could give him no definitive answer.
More than slightly annoyed, he left the Archives but soon came to a halt as another possibility entered his mind.
It did not take him long to locate the diner in which his besalisk friend worked as it’s chef. His arrival was announced by the droid waitress who rolled into view. “Someone to see you honey,” her high voice was loud enough for the whole planet to hear her. “Jedi by the looks of him.”
Obi-Wan couldn’t help but smile when he saw his friend’s scaly head poke out of the kitchen. “Hello Dex.”
“Take a seat. I’ll be right with you,” the besalisk said by way of greeting.
Having accepted the waitress’s offer of Jawa juice, Obi-Wan did just that, before getting up shortly after to officially greet his friend.
Sitting down in a nearby booth, Obi-Wan showed the mysterious dart to his companion, who eyed it curiously. “Would you happen to know where that came from?” He dared not raise his hopes.
Dex, however, knew exactly where it came from. “This baby belongs to them cloners. What you have here is a Kamino Sabredart.”
Obi-Wan’s eyes lit up at this information. But he soon turned thoughtful, “I wonder why it didn’t show up in the Analysis Archives.”
Dex chuckled at his friend’s confusion. “It's these funny little cuts on the side that give it away.” He pointed them out to Ob-Wan who nodded, still thinking. “Those analysis droids only focus on symbols. Huh! I should think that you Jedi would have more respect for the difference between knowledge and... heh heh heh... wisdom.”
At this remark, Obi-Wan grinned and took the dart back. “Well if droids could think, there'd be none of us here, would there?” He preferred the living and breathing over the cold mechanic nature of droids. Upon further inspection of the dart, another thought entered his mind. “Kamino. I’m not familiar with it. Is it in the Republic?”
Dex shook his head. “No. It’s beyond the Outer Rim. I’d say about 12 parsecs outside the Rishi Maze. Should be easy to find.” He shot his friend a sly look, “even for those droids in your Archives.” Leaning in close, he spoke in a slightly quieter tone. “These Kaminoans, keep to themselves. They’re cloners, dead good ones too.”
All this new information made Obi-Wan think he was finally getting somewhere. “Cloners,” he said thoughtfully, “are they friendly?”
Dex grinned, showing two rows of sharp teeth. “That depends.”
“Depends on what Dex?” His companion asked, smiling.
“On how good your manners are,” the large alien chuckled, “and how big your, uh, pocketbook is.”
Shaking his head, Obi-Wan couldn’t help but laugh. But this was good, this wealth of information meant he was finally making some headway. There was just one last piece of business, getting there.
~ ~ ~
Staring at the screen, Obi-Wan began to wander if he was imagining things. He had entered the coordinates digit for digit, but the Kamino system did not show up. Even when he had requested the help of the Jedi Archivist Jocasta Nu, nothing had come up.
There were only two people who could help him with this and one of them he had not recently seen around the Temple. Had the Council given Y/N a mission? But surely she would have told him if they had. Her mysterious absence only served to confuse and worry him further.
Having no other choice, Obi-Wan made his way over to one of the Temples smaller training salles. The ones used for the youngllings. Before he entered, he could clearly hear Master Yoda gently instructing a group of children.
Upon noticing his presence, Yoda paused in his teaching and introduced Obi-Wan to the group. Their chorus of, “hello Master Kenobi,” made him smile before turning to Yoda and proceeded to explain his reason for coming.
“Mmm. Lost a planet, Master Obi-Wan has, How embarrassing. How embarrassing,” the Jedi Grand Master chuckled before becoming serious. “Find it, we will try.”
Obi-Wan nodded in thanks before placing a holographic planet-reader on small stand in the centre of the now darkened room. In an instant a miniature holographic model of the galaxy appeared. Pointing to Kamino’s coordinates, he explained his problem. “This is where it ought to be, but it isn't. Gravity is pulling all the stars in this area inward to this spot. There should be a star here, but there isn't.”
Yoda nodded thoughtfully before speaking. “Gravity’s silhouette remains, but the star and all its planets have disappeared. How can this be?” Silence answered him as everyone tried to think of how this could possibly have happened.
The silence was broken by a young boy, “because someone erased it from the archive memory.” Obi-Wan glanced at the child and smiled slightly.
Yoda was equally as impressed and delighted in his pupil. “Truly wonderful, the mind of a child is. Uncluttered. To the center of the pull of gravity go, and find your wayward planet you will.”
Nodding his thanks, Obi-Wan paused at the entrance of the salle. “But Master Yoda, who could have erased information from the archives? That's impossible, isn't it?”
His colleague seemed to agree. “Only a Jedi could have erased those files.” He frowned in thought. “Much harder to answer, that question is.”
Obi-Wan, satisfied turned to leave when Yoda’s voice stopped him. “Something else on your mind have you?”
Knowing that concealing the truth would do him no good, the younger Jedi nodded. “Yes Master. I felt something. I felt something shift within the Force.”
Yoda eyed him curiously before speaking. “Right you are to worry Master Kenobi. Felt that shift too, I did.”
Obi-Wan didn’t know whether to feel relieved or troubled. “What do you believe it is Master?”
“Unclear it’s nature is,” Yoda murmured. “But meditate on it, I will.”
Nodding thoughtfully, Obi-Wan considered leaving it at that. But worry for his friend got the better of him. “Master? Have you by any chance,” he paused and took a deep breath, hoping to appear calm. “Seen or come across Y/N today?”
Yoda’s green eyes met his sea-shaded ones. Silence hung between them for a short while before Yoda shook his head. “Absent she has been. Longer than usual. Strange that is, for her.”
“Strange?” Obi-Wan cocked his head to the side in thought. His friend had not exactly been the same since her injury but he wouldn’t go so far as to call her strange.
“Indeed,” Yoda agreed, interrupting Obi-Wan’s train of thought.
“How so?”
“Take her ship, she did not. In the Temple, seen her, no one has, for two days.”
This news was not the kind Obi-Wan had been expecting. “Is it possible that she borrowed someone else’s craft?”
Yoda shook his head. Obi-Wan knew better than anyone Y/N’s attachment to her ship.
“Taken she was. In grave danger she is.”
Obi-Wan looked down at the Grand Master, praying that he had misheard. But the look in Yoda’s eyes confirmed what he had heard him say. “Taken? By whom?” He tried not to sound too desperate and to keep a tight rein on his emotions.
“Cloaked, her attacker was.” Yoda leaned heavily on his stick and he suddenly looked his age. “Difficult to find, they will be. Focus on Kamino, you must Obi-Wan.”
The younger Jedi nodded wordlessly. Bowing respectfully, he turned and retreated down the vast hallway. Could it be possible that Padme’s would-be assassin had targeted Y/N as well? This thought fueled his determination and steered him towards the Temple’s hanger bay, where sure enough, her ship waited patiently.
To be continued...
Part 3
16 notes · View notes
sburbian-denizens · 7 years
Text
Land of Ink and Frogs
A Land for @everydayoneechan, a Page of Space
A Land of grand epics, powerful tales, and famed legends. Or at least, the books about such adventures. The Land is covered with a number of truly colossal libraries, collections of books of all kinds gathered within each of them. These Athenaeums are more like sky scrapers or arcologies, each built out of several Tiers, each growing smaller as they go higher. They resemble gigantic burial mounds, and are just about as quiet. Each Tier is a collection of several floors, typically three to five. Though the highest Tier of each Atheneum are only a single floor, one for the Head Archivist of that particular library to do their work.
Within the Athenaeum's lie vast collections of books, some having been mass printed and sent to other libraries, others completely unique and only found with a single Atheneum. The halls are surrounded with bookshelves, high things that reach up to the ceiling and capable of keeping hundreds of volumes by their lonesome. There are hundreds of them on each hall, their line only broken by the occasional windows. All of the books are intricately arranged, following a strange yet completely logical sorting system. Consorts wander the halls, reading, writing, taking, returning, and sorting books. There is a hush in these libraries, for none dared to break the sacred Vast Hush of the archive. There are an uncountable number of books within the Atheneum, but all of them are mundane. None hold even a trace of majyyks or Aspect or Shenergy.
Until recently, that is.
The new Grand Archivist, the Denizen herself, has brought along several books of a distinctly magical nature. All of which were written by her. Some contain vast Majyykal powers, others whisper the secrets of the Horrorterrors, still more promise a glimpse of Skaia’s Wisdom. But the greatest among them hold entire worlds and civilizations within their pages, and may very well hold the secrets of Genesis as well.
After all, what better way of creating a Universe than learning first hand?.
Once Upon A Time…
Within the libraries are the occasional magical books. Some of which contain worlds of wonder and adventure. These worlds are often in immediate and obvious danger, such as through some evil overlord, a prophecy of impending doom, an ancient evil that shall return, or simply a war that shall ignite between two sides. By simply opening the Storybook and reciting the spell written upon its first page, the Player, along with any companions they may have, would enter the world of the Story and take the place of two of its inhabitants. It is then, that the Page shall assume the Role they have been given.
Sometimes, they shall be the Questor. Saving villages from bandits, slaying monstrous dragons and beasts, vanquishing evil doers across the land.
Sometimes, they shall be the Friend. Granting whomever it is that takes center stage a shoulder to cry on, an ear to hear their woes and worries, and advice towards their journey.
Sometimes they shall be the Villain. They who gives the hero a purpose, and enemy to fight that is more tangible than a concept, a rival to compete against and to overcome.
Sometimes, they shall be the Wiseman. Setting the young hero upon their path and guiding them through it, granting them powerful weapons and knowledge for their quest.
Sometimes they shall be the Witness. No one to the hero but a civilian in need or a person in the background they hardly notice, a person who is simply there to observe their deeds.
Sometimes they shall be some other Role, one they have never been or have never been encountered before. A Role they must learn to master and to Complete.
Should the Page Complete the Role, they shall be rewarded. Failing their Role, or not learning why that Role is important shall forcibly Eject the Page, and anyone that came with them, from the Story, forcing them to try again at the beginning. Though only the Page could gain the reward through completing their Role, anyone else that comes with them shall also gain Roles of their own. Though they shall not be bound to fulfill it on pains of Ejection.
…And They Lived Happily Ever After
Once the Role the Page has been given is completed, they shall be granted what they require to breed their Universe, sometimes an actual living Frog is deposited in their Sylladex, sometimes a line of DNA Code or a piece of advice written on a piece of paper, sometimes a powerful Weapon or Tool, sometimes a Device required to actually breed the Universe in the first place. All of these pieces are equally important, just as all the Roles that the Page had played were equally important. For it is through the efforts of all Roles that a Story is born. Once the Page learns that, the Denizen shall allow them audience in order to make the Choice.
Locations
Traveling Directory - An enchanted directory that the Denizen has granted to the Page for the use of quick travel. It only works within one of the Athenaeum's or Archives, but would it’s cover shall shimmer a green light once it enters one. Its contents changes depending on which Athenaeum or Archive it is currently within, but it would always show a list of all the available books within said library. Even if such would be impossible given that it's no thicker than a phonebook. Should the Page select a volume listed within it, they and whoever happens to be touching the at the time shall be transported directly towards the general area where that book resides. Of course, which of these books are magical and which are mundane aren’t exactly labeled on the Directory. And the magical ones are often scattered all over the library anyway, so finding them first would be the priority.
Grand Athenaeums - The great libraries that have been built everywhere upon the Land. Each of them are constructed of Seven Tiers of three to five floor each. Each floor has a number of halls, which are packed end to end with hundreds of thousands of books. Needless to say, finding the magical ones are going to be difficult. Thankfully, the Consorts have taken to calling the Athenaeum's home, and many have stumbled upon majyykal instructions of power and have been pulled into the Storybooks. Finding rumors of a disappeared Consort or of a mysterious flash of light and a scream should really help the Page find their books. They could even pick up a few side quests along the way. The Consorts are amiable enough to trade with, though most of that happens down in the food court or bookstore sections of the library, and are sort of obsessed with ensuring the quiet is kept in the main book containing sections of the Athenaeum.
Storybook Worlds - The world described within the Tales. The only things all these books have in common are the Spell that shall transport whoever reads them into the worlds they describe, the fact that their inked words shift around each second as the worlds they tell of are simulated, and the fact that they are all handwritten books made by the same author. These worlds vary from fantastical worlds of medieval sorceries, futuristic worlds scattered among the stars, a western cowboy’s adventures, a mundane world with mundane problems, to a mix of any of these. They are as real as any other world, save for the fact that certain ‘undefined’ areas and objects in the book would appear to be constructed entirely of floating descriptive words instead of actual matter. Once someone enters the Story they cannot leave until the Page either Completes it or are Ejected from it. Which basically means that anyone who enters is trapped until the Page comes along. Everyone enters the story at its start, should someone enter while someone else in in there, the world shall be reset to its starting conditions, with only those who came from outside aware of what is happening. Once the Story is Completed its contents shall freeze and the book shall become mundane
Lost Archives - Beneath the grand libraries lie forgotten rooms and secret passages. Passages filled with lost books and ancient knowledge. While the Archives are built as part of each Athenaeum, the Directory, and everyone else for that matter, treat them as separate structures. The Archives are often filled with rotted and decaying furniture, cobwebs, and old books. Though there may be some forgotten treasures hidden within them. While each Athenaeum came with their own Archive, not every one of them remained intact, some has collapsed upon themselves, and others are filled with terrifying and dangerous monsters.
The Forge of Genesis - An Athenaeum built within the caldera of a massive super volcano. The Forge is present in all viable Sessions of SBURB, for it serves as both the incubator for the nascent Universe, and as the Palace of the Denizens of the Space Aspect. Within the molten caldera of the volcano’s peak lies an island, and on that island is the last and most ancient of the Athenaeum's. It is the Palace of the Denizen, for she rests at its highest Tier. It is here that the Page shall confront the Denizen, the one who created all these Stories, and find the final piece to breeding their Genesis.
Denizen
Calliope, Muse of Epics - Wisest of the Nine Muses. She has been promoted to the position of the Grand Archivist, who rules over every Athenaeum upon the Land as her domain. She has written many books, most of which are of an adventure or romance genre, but only a fraction of which has become true Stories. As the very author of the worlds the Page has dived into and experienced, she shall know everything that has happened within them, and would know all the requirements to creating a grand and healthy Universe.
9 notes · View notes