#harukamitsuki

[khrfandomconfessions]

One of my favourite things about Tsuna, that I don't think people really enjoy, is that he's useless. A lot of ff, especially on wattpad or ff net, change his personality a lot by making him a martyr or a cold-blooded assassin. I just think it's a shame. He's useless, and I love that about him. Even in the ending, he's still dumb and clumsy and terrified and it's him. I love that Amano wasn't afraid to keep that when he made KHR more serious. A true zero to hero. (Bottom line: Tsuna's great.)

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[my-rewrite-academia]

New Blog!

Hi. This is @harukamitsuki speaking.

So... I decided to make a blog specifically for rewriting MHA.

It's been on my mind for a while now, ever since I started ranting a whole lot about My Hero's shortcomings, and since I my post about Kurogiri and Shigaraki abandoning AfO.

I will absolutely tone down any bashing of characters, such as Bakugou, Aizawa, and Shinsou. I will still be critical, but I won't declare them as unredeemable pieces of shits, and all that jazz.

First and foremost: this is not canon compliant. It will change before canon, though not by much. (Basically giving Izuku's dream of being a quirkless hero some ground.)

The timeline will be stretched out further, with the final arc being in Izuku's third year, rather than in the first. It always bothered me how fast everything was happening, to the point that we rarely ever see the characters getting any sort of down time.

There will be no bashing of characters, with the uncertain execption of Endeavour as I'm not sure if I want to redeem him or not.

As for rules for this blog...

1 - Asks regarding opinons of certain characters are not allowed. Instead, please send them to my main blog, @harukamitsuki

2 - Asks should be pertaining to this blog specifically. Any asks not related to the rewrite will be deleted and ignored.

3 - I do not want to see asks demanding that I do this or that. If I see them, they will be promptly ignored and deleted. Asking if I will be doing this or that is perfectly fine.

4 - If I decide to implement romance, it will be my decision, and mine alone. Feel free to interpret different relationships however you want, but if I include any shipping, it will be my decision alone.

5 - This will be going arc by arc, so please don't ask about arcs that come into play much later on. I will be focusing on only one arc, and maybe setting up foreshadowing for later ones.

6 - Bakugou, Aizawa, Shinsou, and Endeavour stans will not enjoy this blog, so if you are any of them, I suggest that you do not read and/or interact. Just keep scrolling man

[kite2013]

I love seeing posts like these

It explains the problems with MHA better than I could

Thanks harukamitsuki

(spoilers ahead)

honestly, i think one of my biggest issues with my hero is how horikoshi is really good at setting things up, but fails in the execution of basically anything and everything. especially when everyone wants to see it prosper.

a world where everyone has quirks, except for our main character, who strives to be a hero despite that

the number two hero is anything but when behind closed doors.

the number one hero comes off as endlessly joyful, yet is more tired than anything

a world where your worth is based on your quirk

a world that is so obssessed with heroes that hidden crimes are just forgotten

a boy who was so hurt that he could only hurt in turn

a girl who was so restricted that she can't understand personal space

a boy who was neglected for being weak so he strives to become stronger and in turn only hurts himself more

a boy hated simply for looking different so he rejects the world for the world rejects him

and a boy hurt by everyone around him, but uses that to make the world a kinder place.

all of this is present within mha, but none of it is expanded on, or if it was, it felt like lip-service at best, and downright insulting at worst.

the powerless mc gets an incredibly powerful quirk and forgets he was ever quirkless.

the number two hero is abusive but it's totally okay because he regrets it and his abusive scenes are treated lightly later on

the number one hero goes back to his old ways when he finally gets a chance to be himself

there is no commentary on quirkless discrimination, and we barely see the impacts of having a 'weak' quirk

hidden crimes are explored, but there isn't anything regarding how the future generation will solve this issue

that boy who could only hurt after he was hurt so much? yeah he dies despite the mc wanting to save him so desperately, and there is no satisfaction in it. because he still didn't want to be saved

that girl who was so restricted that she couldn't understand personal space and boundaries? yeah, she never learns what they are, and nobody directly calls her out on this

that boy who was so neglected for being weak and only hurts himself the stronger he strives to become? well, it's actually his fault because he couldn't forgive his abusive father. his misplaced envy towards his abused brother is never delved into

that boy who rejected the world that hated him for being born? yeah, he's never shown any kindness from the people who should be showing it. instead, he's taken down while he's lost his mind and becomes a massive hypocrite

that boy who was hurt by everyone around him yet still wants to save others? yeah, he's still being hurt by everyone around him and is never praised for helping people, only scolded by others. he loses everything and isn't even allowed to work for it again.

the set-up for everything is so good, but the pay-off and the execution is just not.

i feel like horikoshi was winging it half of the time, hence why he forgot about the traitor plot point. something fans were speculating about for years, horikoshi just forgot. it's like - he set it up as early as the usj, forgot to build up aoyama's character, and speedran it. because of this, it didn't feel earned.

'you can still be a hero,' does not feel earned at all. why should we care about aoyama when the creator himself doesn't? the traitor could have been anyone, and it wouldn't have changed a thing, because the set-up was gone. by the time he'd remembered there was a traitor, everyone else forgot about it.

the same goes for the deaths.

i've seen people commend mha for killing people off, but, the things is, do we really care about who was killed off?

nighteye? he was a dick, and it was clear horikoshi was trying to do a whole 'redemption in death' thing, but let's be honest. we only care about the impact it had on mirio, which wasn't even much. it could have been anyone. nighteye surviving wouldn't have changed anything.

midnight? we did not spend nearly enough time with her to give two shits about her death. maybe if she were 1-a's homeroom teacher, as was originally planned, it may have meant more. as it was, who cared? she didn't even die on-screen. it could have been anyone.

native? i don't even need to explain. nobody cared.

star and stripe? did anyone really get attached to female all might? no, because there were no dimensions to her.

stain? what did his death serve? what would have changed if he survived? nothing

like, if you kill someone off, it has to mean something. what was learned by nighteye's death? heroes die? we learned that ages ago with the water hose heroes, and with stain's mini-arc. maybe it was to show, yeah, we're not afraid of killing people off.

but it didn't mean anything! at least have nighteye learn something. make it a proper tragedy - maybe he wants to apologise to all might but all might arrives too late. maybe he finally acknowledges that it was never his right to dictate who gets ofa and really apologises to izuku. maybe he can't even say goodbye to mirio.

maybe, in trying to do something, his sacrifice means nothing... until, when he's already dead, it's revealed that it did.

killing a character off to show how serious you're getting is fine... if it weren't already clear that it was serious.

people say killing off so many was mha being realistic, but they don't understand two things.

one: if you want to be realistic, kill someone off in the usj, because a bunch of kids just starting school should not be able to hold off against actual villain. if you want to be realistic, have the kids be shoved into counselling after the usj. if you want to be realistic, have aizawa die against the noumu. that's realistic

two: NOBODY GOES TO ANIME FOR REALISM!! seriously, if you want realism, go watch an indie movie or something. not anime, where everything is drawn and people have superpowers and tripping over means you accidentally grope someone.

the thing about killing characters off is that it has to mean something to both the characters and the audience. if we do not care if a character dies, it does not need to be there.

example: (spoilers for one piece ig) whitebeard from one piece. even now, people still quote his dying message. 'the one piece is real'. both this line and his death have a massive impact in-universe, and we the audienced cared, despite the relatively short time we go to know him. his death actually mattered. had whitebeard not died in marineford, i guarantee that nothing would be the same.

fishman island wouldn't have been taken over by big mom. marco and izou would not have appeared in wano, or if they did, the entire whitebeard alliance would have shown up too. there would still be a balance in the emperors. sengoku would not have retired.

there are ripple effects from whitebeard's death, and everyone one piece fan still remembers it clearly. and the same goes for every other death in one piece: ace, bellemere, kuina, hiriluk, tom, the rumbar pirates, rojer. every death had its meaning and affects either the world as a whole or specific characters who would go onto impact the world anyway.

mha just doesn't let you care about the characters it kills off, nor do their deaths have meaning, because there isn't a pay-off.

the set-up is there. the pay-off is not.

and that, guys, gals, and nonbinary pals, is my biggest issue with mha. horikoshi's execution.