#harrison Steiner

[treason-and-plot]

Fifteen minutes later Harry is still fully clothed and still hoovering lines of white powder into his nostrils. He and his mates bought an ounce before the ink was even dry on his contract, he tells Crystal. His mother told him (jokingly) not to spend his newfound wealth on cocaine and hookers, so he decided to do exactly that. Not all of it, of course, but a decent sized chunk. You only live once, right? He leans back in his chair and sighs and closes his eyes and tells her that they’re all going clubbing later, after another mate drops round with some white llamas. Does Crystal want to join them?

“I’m working, Sweetiepie,” Crystal says. ”I’ve got another booking straight after this one. Otherwise I’d love to.”

“Aww, that sucks,” says Harry. “I bet you’re a really great dancer.”

“I think you probably are too,” says Crystal. “Soccer players have to be pretty light and fast on their feet, don’t they?”

“Hey, I know! Let’s dance together, right here, right now!” says Harry. He jumps up and grabs the remote and finds a music channel on the TV. “Aw, yeah! This is a fucking great song. You like this song?”

“Sure,” says Crystal. They dance together for twenty minutes. Crystal is enjoying herself; Harry is a good dancer, and apart from squeezing her arse several times is the perfect gentleman.

“We haven’t got much time left, Babycakes,” she says finally, as they slow dance to John Legend. “Is there anything else you want to do before I go?”  

“Yeah! Some more coke!" he says eagerly.

[madhattersez]

I finally got my hands on something I've been looking for (for a reasonable price) since I was just a lowly little level 12 hornball - A "Marvel Swimsuit Special!"

This is the second issue in the series (though the third book of its kind), and it was released in 1993 when... times were different.

The coolest thing about them (other than the totally radical '90s hunkeroos and baberinos in general) is the amount of really talented artists that submitted pieces - So many industry-leading folks putting their spin on the self-aware, low-brow, tongue-in-cheek project.

This first image was by Joe Jusko, a super popular cover artist at the time. I remember his Conan covers the most.

I'll eventually scan the whole thing in high quality, but for now, I'll take some preview pics to show you some of my favorite and/or goofiest pages:

Here is Domino, looking like we might need to race her to a Dermatology appointment. She's apparently tacky enough to wear a swimsuit with a domino print on it.

And check out Cable in the back - Sun's out, cyberbun out! He's ready to catch some waves on a totally-worth-the-money-and-production-time rocket-powered machine gun surfboard.

I really appreciate this artist's commitment to all the "Liefeld pouches" here. I hope they're waterproof, or all those Tic Tacs inside 'em are gonna get ruined. :(

Penciling by Chris Batista, ink by Hector Collazo, coloring by Mark McNaab.

Let's kick off the "after the jump" part properly with this glorious image of Pip. Because this is certainly what people bought this book for.

It just so happens that this fuzzy little asshole narrates the entire issue, so he's to blame for the inherently sexist captions on all the pictures.

Jesus Christ, he's got two big toes on each foot.

Pencilking by Darick Robertson, ink by Andrew Pepoy, coloring by Tom Smith.

I love me some Cloak and Dagger.

Tandy looks as gorgeous as ever. Surely she owns stock in boobie tape by now.

Tyrone, however, is getting so much sand stuck to him right now... I don't think he digs being used as a beach blanket. I'm... not even sure he's ever had to wash his cloak before today! Yikes. He's all like:

Penciling by Joe Madureira, ink by Terry Austin, and coloring by Gregory Wright.

I can't stop laughing at how much Thunderstrike looks exactly like the Genetic Freak, Big Poppa Pump Scott Steiner in this picture:

The work is entirely by Lou Harrison. It may not surprise you to learn he's also a Fantasy artist.

I've always had a thing for Silver Sable, and this page is just fantastic.

That being said, my favorite part is Sandman sitting there, looking like a dope, shaped like a sand castle. Which, while it seems silly, was probably the most challenging and detailed thing I've ever seen him do with his powers. Worth it for the shot, I suppose!

Line work and ink by Steven Butler, a favorite of mine. He did penciling for the "Silver Sable and the Wild Pack" series (which got me attached), but he's also known for designing the Scarlet Spider suit. Coloring by Gregory Wright.

If you thought I wasn't going to Morb out on this post, you were undead wrong.

Just look at that ridiculous batpackage. Also... Is he really serving a cape over a leather jacket, but with absolutely no pants? Damn, dude.

Penciling by Gary Barker, ink by Jimmy Palmiotti, coloring by Tom Smith.

I can spot Adam Hughes' work a mile away, wow. I guess I didn't realize he was doing work for Marvel this far back.

A fierce-as-ever, short-haired Natasha who looks like she got slammed so hard against a rocky wall that it cracked, got up, emptied out the rest of her clip, and still had enough time and energy to pose during a reload.

Black Widow, bay-bayyy. ♫

Oh my god, Ghost Rider is just so naughty. Wearing nothing but his birthday bones.

This scene just looks like it smells awful.

Artwork by Tristan Shane.

Shulkie in a metal bikini (function over fashion?), bursting out of the lava from an active volcano. You wanna talk "hot tub?" Sure, this gets a feature.

Penciling and ink by cover artist Steve Geiger, coloring by Paul... Mounts.

Deezamn, Bishop. Never seen guy looking so buff before.

Instead of just Bishop, this looks like Hank McCoy and Bishop had a child together. Does he have any other mode than "arm vein p-pop?"

Penciling by Dwayne Turner, ink by Mark Farmer, coloring by Gregory Wright.

Ah, one of the more famous '90s Psylocke images that wasn't done by Jim Lee.

This centerfold was used in lots of comic store ads for several years after this issue came out. I remember seeing posters in the shops themselves. Trading cards of this picture are one of the most costly to collect.

It's beautiful, and the colors/lighting/shading are all fantastic.

Penciling and ink by the wonderful Art Thibert, creator of the Raft max security prison and inker of some of the most iconic X-title covers.

Coloring by Paul Mounts, who did the coloring in hundreds and hundreds of just Marvel comics alone - I didn't mention that earlier because I was snickering at his name earlier in the She-Hulk feature. My bad.

Well, this wouldn't be Tumblr without a cat picture, yeah? Or a catgirl picture, I suppose.

This is the most adorable scene in the book. Just Tigra innocently taking a cuddle nap with some... um... wow, I don't know what the fuck those things are. Snuggle up anyway!

Penciling and ink by Amanda Conner, coloring by Gregory Wright.

Huh. Of all the characters in this book, I really didn't expect to see Dr. Cooper... Either which way, the swimsuit under the detective get-up is pretty choice, honestly.

This is, of course, another Adam Hughes line art joint. Ink by Mark Farmer, coloring by Gregory Wright (who did a lot of these, huh?).

What's this? A parody ad that you'd more expect to see in an issue of "What The--?!" that only '80s kids will understand? Yup, totally.

This was in the back of the book and doesn't fit the theme at all, but it gets a mention because of the weird inclusion and also to stall time until I had the final image ready, because I needed time to prepare...

THIS.

This is the one.

How could I not end this little "show and tell" without this beauty right here?

Here, we have remorseless killer Frank Castle flexing his best end-of-catwalk pose in front of a... wrestling match between a bunch of lady demon dinosaurs battling... for his affection? To tip him American cash? Or maybe all those hearts come from their love of beating each other up? I'm not here to judge.

And then there's a sign for 75 cent hotdogs, but it's been covered with another sign for... $20 tooth brushes? What in the shit is going on here?

There is one thing I do know, though. The artist wants you to think that The Punisher has at least $2.75 worth of hotdog under that massive crotch skull.

[paralleljulieverse]

To mark the recent announcement of a release date for the long awaited Blu-Ray of Duet for One from Kino Lorber -- June 27, folks -- here is a rare behind-the-scenes shot of the cast and crew from the final day of principal shooting at Stonor Park in March 1986. Principals in the front row are from L to R: Margaret Courtney, Rupert Everett, Alan Bates, Julie Andrews, Cathryn Harrison, Andrei Konchalovsky, Macha Méril, Max von Sydow, and Nicola Perring. Absent, presumably because they were not involved in filming that day: Sigfrit Steiner, Liam Neeson, and Siobhan Redmond. Here’s hoping the new release of Duet for One brings this criminally neglected gem of a film the belated love it deserves.

[betterthanthemovies]

ੈ✩‧₊˚ about me ੈ✩‧₊˚

jess, 31, she/they, #userbttm.

my 2024 reading log is here.

favorite genres: contemporary romance, romantasy, YA, poetry.

some of my all-time favorite books are: cackle by rachel harrison, better than the movies by lynn painter, when in rome and practice makes perfect by sarah adams, book lovers and beach read by emily henry, and you deserve each other by sarah hogle.

some of my favorite authors are: lynn painter, sarah adams, emily henry, b.k. borison, hannah bonam-young, sophie sullivan, kandi steiner, and elsie silver.

anti jkr!!!

i also enjoy writing, playing ukulele, and spontaneous road trips.

pls feel free to tag me in your posts using #userbttm!

[harrisonstories]

George Harrison and Jackie Lomax during the recording of Is This What You Want? (1968)

The Roof: The Beatles’ Final Concert (by Ken Mansfield) Excerpt #1:

George took on the responsibility for wrapping up the tedious task of mastering the “White Album” (officially titled the Beatles), and because I was involved in the process, I was very aware how fried he was over that never-ending project. It was roughly three months prior to these contentious Let It Be sessions, and once again he was definitely not having fun being in the world’s biggest rock band anymore. He made the comment to me that completing a double album project had become extremely stressful and overwhelming.

After the “White Album” sessions were completed, he left London prior to the running order of the songs being determined. He came to LA to work on Jackie Lomax’s album Is This What You Want? During a break from the Lomax sessions, he dropped by the Capitol Tower to listen to Capitol’s acetates and did not like what he heard. He insisted that he be allowed to work with Capitol’s engineers to re-master the album. Capitol destroyed thirty-three sets of lacquers that were going to be used to press the album. New lacquers were cut with the new mastering instructions developed by George and the engineers. Had he not intervened, the album would have sounded much more compressed in America.

The re-mastering session was very peaceful and laid back, with occasional fellow local artist friends dropping by Sound Recorders, a small Hollywood studio he had chosen for the re-mastering, to chat, burn one, listen to the music or just hang out. (Sound Recorders Studios was a somewhat plain, bare bones Hollywood studio owned by legendary sound engineer Armin Steiner who was known for the integrity of his facility and precise recording standards. It was located at 6226 Yucca, a side street behind the Capitol Tower. Armin closed Sound Recorders Studios in 1971 and soon after opened the much bigger, state of the art, and very prestigious Sound Labs across the street.)

At that time, I had no idea who Armin was; but, years later, after leaving the corporate world to become a full-time producer, I spent years producing albums at his Sound Labs and soon understood why George wanted to work in Armin Steiner’s environment. George knew what he was doing and chose to work with the best the industry had to offer. Armin’s studios, although tastefully designed, were not known for aesthetics–it was all about true sound with him. George sensed that, and, as we all came to find out, it was not about the material world with him, it was about the art and it was about…the sound.

On the lighter side of life, I will never forget the day George’s good friend Mama Cass breezed in and plopped down a joint as big as a three-pound Italian salami next to the console. She looked over at George and said, “Well, big boy, what are we going to do with this?” (I can’t remember what we did after that!)

[midnightsson]

...glad to have these for a mellow night. Six on ice. The top is Ruben Dario; Nicaraguan poet.

[to-be-frank-i-dont-care]

Blorbo List

I got bored so I decided to make a list of all my blorbos. feel free to ignore :P

Note: "blorbo," in my book, is any character I would die for, not necessarily my top favorite character in the fandom. I would die for all of these, but my favorites are marked with the sparkle emoji. my all time favorite character is noted with a mushroom

(fandoms are not in order)

Fantasy

The Lord of the Rings– Merry Brandybuck🍄, Pippin Took, Frodo Baggins, Boromir, Legolas, Gimli, Aragorn, Eowyn, Faramir 

The Chronicles of Narnia– Edmund✨, Lucy, Reepicheep, Eustace, Caspian, Peter, Susan 

The Silmarillion– Turin Turambar✨, Finduilas, Beleg Cuthalion, Finrod Felagund, Beren, Luthien  

Pirates of the Caribbean– Jack Sparrow✨, Will Turner, Hector Barbossa, Calypso, Syrena, Philip Swift    

Peter Pan 2003 – Peter Pan✨, Wendy Darling, John Darling, Slightly 

Crime/Detective

Endeavour– Endeavour Morse✨, Joan Thursday, Shirley Trewlove, George Fancy, Reginald Bright, Fred Thursday 

Death in Paradise– Humphrey Goodman✨, Camille Bordey, Florence Cassell, Catherine Bordey, JP Hooper, Ruby Patterson  

Shakespeare and Hathaway– Luella Shakespeare, Frank Hathaway, Sebastian Brudenell✨

The X Files– Fox Mulder✨, Dana Scully 

Period/Historical Dramas

Pride and Prejudice– Elizabeth Bennet✨, Fitzwilliam Darcy, Jane Bennet, Mr Bingley, Georgiana Darcy, Maria Lucas 

1917– William Schofield✨, Thomas Blake, Lauri, the convoy gang

Newsies– Jack Kelly✨, Crutchy, Spot, Sarah, pretty much all the Newsies

Our Mutual Friend– Lizzie Hexam✨, Eugene Wrayburn, John Harmon, Bella Wilfer

The Scarlet Pimpernel– Sir Percy Blakeney✨

A Tale of Two Cities– Sydney Carton✨ 

Wives and Daughters– Molly Gibson✨, Roger Hamley 

The Book Thief– Liesel Meminger, Rudy Steiner✨, Hans Hubermann  

Les Miserables– Enjolras, Courfeyrac✨, Combeferre, Jehan, Joly, Grantaire, Feuilly, Bahorel, Bossuet, Eponine, Gavroche 

Anne of Green Gables– Anne Shirley, Gilbert Blythe✨, Diana Barry 

The Man From Snowy River– Jim Craig✨, Jessica Harrison

Action  

Tintin– Tintin✨, Captain Haddock, Professor Calculus, Snowy

Marvel Cinematic Universe– Peter Parker✨, Loki Laufeyson, Steve Rogers, MJ Watson, Ned Leeds, Wanda Maximoff, Peggy Carter, Natasha Romanoff, Yelena Belova, Sylvie 

The A Team– HM Murdock✨, Faceman Peck, Amy Amanda Adams 

Macgyver– Macgyver✨, Pete Thornton 

Six of Crows– Kaz Brekker, Inej Ghafa✨, Matthias Helvar, Nina Zenik 

Animated 

Miraculous Ladybug– Marinette Dupain-Cheng/Ladybug, Adrien Agreste/Chat Noir✨, Alya Cesaire, Nino Lahiffe, Jessica Keynes 

Centaurworld– Horse, Wammawink, Rider, Durpleton✨, Glendale, Stabby, Nowhere King/Elktaur, Mysterious Woman, Waterbaby

How to Train Your Dragon– Hiccup Haddock✨, Astrid Hofferson, Snotlout Jorgenson, Fishlegs Ingerman, Ruff and Tuff Thorston, Toothless, Stormfly 

Tangled– Rapunzel✨, Eugene Fitzherbert 

Spirit: Stallion of the Cimarron– Spirit✨, Rain, Little Creek  

Skyward Sword– Link✨, Zelda, Skipper, Gorko, Pipit, Karane, Ghirahim, Fi

Twilight Princess– Link✨, Zelda, Midna, Shad, Ashei  

anyway there you go :P

[writeforget]

References in Salman Rushdie's "The Golden House"

Lady Chatterley's Lover- D.H. Lawrence

Le Fantôme de l'Opéra

Goodbye to Berlin

Moby-Dick

The Purple Rose of Cairo

Breakfast at Tiffany's

Mémoires d'Hadrien- Marguerite Yourcenar

Woodcarver Steiner- Werner Herzog

Pina- Wim Wenders

The Vagina Monologues - Eve Ensler

Two Philosophers Deep in Meditation - Rembrandt

The Longest Journey - Forster

Auto-da-Fé - Canetti

Wired

The satyricon - Mennipe

Cyclops - Euripides

The Net Fishers - Aeschylus

The trackers - Sophocles

The Trackers of Oxyrhynchus - Tony Harrison

The Golden Ass- Aesop

Rain Man

Sad- Eyed Lady of the Lowlands- Bob Dylan

La Belle Dame sans Merci

The Man who Was Thursday - GK Chesterton

Monty Pythons Flying Circus

Spamalot

Oklahoma!

West Side Story

Dr Mabuse The Gambler - Lang

One Thousand and One Nights

The Diamond as Big as the Ritz

The Privilege of Owning Yourself- Nietzsche

Tokyo Monogatari

Orfeu Negro

Le charme discret de la bourgeoisie

Water Lilies - Claude Monet

Adoration of the Magi - Peter Paul Ruben

Wild is The Wind - Bowie

Famous Blue Raincoat-Cohen

Under the Bridge-RHCP

Pierrot le fou

Arthur Schlesinger

Gayatri Spivak

Baba Yaga

Green Eggs and Ham- Dr Seuss

Twilight

The Silence of The Lambs

The Hunt for Red October

Metamorphosis- F Kafka

The Graduate

Mansoon Wedding

The Deer Hunter

Kill Bill: Vol. 2

The Princess Bride

Yellow Earth- Chen Kaige

The Godfather- the trilogy

Uncle Boonmee Who Can Recall His Past Lives- Apichat Pong

Rosemary's Baby

Fedorovskaya icon of the Mother of God

V for Vendetta -Wachowski

The Great Gatsby- FS Fitzgerald

Jeeves series-PG Woodehouse

Odyssey

Six Feet Under

The Seventh Seal- Ingmar Bergman

Hannah and Her Sisters

Flash Gordon

Invisible Cities- Italo Calvino

Closely Observed Trains- Jiri Menzel

Sanjuro- Kurosawa

Bonnie and Clyde - Arthur Penn

Amarcord- Fellini

L'argent de poche- Truffaut

The Hustles- Rossen

L'année derniere à Marienbad- Resnais

Knife in the Water- Polanski

La belle noiseuse

Breathless

Le mépris

The Jungle Book- R Kypling

Aguirre, the Wrath of God- Herzog

Funes the Memorious. L Borges

The Dignity of Man- Pico della Mirandola

2001: A space Odyssey- S Kubrick

Birdman

The Cabinet of Dr Caligari

Marx Brothers comedy

Reservoir Dogs- Q Tarantino

Within You Without You. Tomorrow Never knows. Norwegian Wood. Love to You- The Beatles

The Inheritors- Golding

Alexander Nevesky. The Battleship Potemkin- Sergei Eisenstein

Seinfeld

Le feu follet- Louis Malle

The Best Bits

La La Land

Arrival

Manchester by teh Sea

Oedipus the King

Sheppey- Somerset Maugham

Night Watch- Rembrandt

Madame Bovary- Flaubert

Beetlejuice

Age of Innocence- Edith Warton

Poetry & Aeroplanes

Mars Attacks!- Tim Burton

The Court Jester

The Golden House (the film)

Citizen Kane

Porky's XXII

Dumb FucksXIX

Titanic

Rear Window

I Confess- Montgomery Clift

Bombay Talkie

Kuch Nahin Kahin Nahin Kabhi Nahin Koi Nahin( Nothing Nowhere Never Nobody)- Maratha Mandir

Company- Raj Gopal Varma

Shootout at Lokhandwala- Sanjay Gupta

Once upon a Time in Mumbaai (1&2) - Milan Luthria

Shakspeare in Love

Psycho- Hitchcock

Ran-Akira Kurosawa

Pather Panchali-Satyajit Ray

The Outcasts of Providence Street/the Exterminating Angel- L Bunuel

Some works might have been missed.

[tawneybel]

Male Werewolf Characters

Note: And werecanines in general. Be free to suggest more! They’re one of my fave popular monsters. 

David Kessler from An American Werewolf in London

Ted Harrison from Bad Moon

Woodsman from The Brothers Grimm

Daniel Osborn from Buffy the Vampire Slayer

Huntsman from The Company of Wolves

Young Groom from The Company of Wolves

host from Doctor Who (“Tooth and Claw”)

Beast from Ginger Snaps 2: Unleashed

Krisztian Ajandok from Grimm (jackal)

Al from Grimm (coyote)

Anubis prisoner from Grimm (jackal)

Jed Baim from Grimm (coyote)

Boyd Baribeau from Grimm (dog)

Bart from Grimm

Doyle Baske from Grimm

Richard Berna from Grimm (jackal)

Sam Bertram from Grimm (fox)

Ray Bolton from Grimm (hellhound)

Freddy Calvert from Grimm (fox)

Lance Calvin from Grimm

Casey Darwell from Grimm

Felix Dietrich from Grimm

Nigel Edmund from Grimm (fox)

Father Eickholt from Grimm

Ian Flynn from Grimm (jackal)

Food Cart Santa from Grimm (jackal)

Sig Ganz from Grimm (jackal)

Otto Gruenwaldt from Grimm (jackal)

Ian Harmon from Grimm (fox)

Karl Herman from Grimm (jackal)

Takeshi Himura from Grimm (dog)

Richard Hooke from Grimm (jackal)

Diego Hoyos from Grimm (coyote)

Harold Johnson from Grimm (jackal)

Jarold Kampfer from Grimm (coyote)

Akira Kimura from Grimm (jackal)

Laszlo Kurlan from Grimm (coyote)

Hap Lasser from Grimm

Sam Leoni from Grimm

Lieutenant Marshall from Grimm (jackal)

Gabriel Martell from Grimm 

Monroe from Grimm

Scott Mudgett from Grimm (dog)

Richard Mulpus from Grimm (coyote)

Postman from Grimm

Cole Pritchard from Grimm

Emilio Quintana from Grimm (dog)

Max Robbins from Grimm

Charlie Riken from Grimm

Jonah Riken from Grimm

Hans Roth from Grimm (jackal)

Ryan Showalter from Grimm (fox)

Stancroft from Grimm (dog)

Weston Steward from Grimm (dog)

Oscar Vasicek from Grimm (jackal)

Hayden Walker from Grimm (coyote)

Kyle Walker from Grimm (coyote)

Todd Walker from Grimm (coyote)

Edgar Waltz from Grimm (dog)

Woden from Grimm

Adrian Zayne from Grimm (jackal)

Fenrir Greyback from Harry Potter

Remus Lupin from Harry Potter

Caleb from R.L. Stine’s The Haunting Hour (“Nightmare Inn”)

Jillian’s dad from R.L. Stine’s The Haunting Hour (“Nightmare Inn”)

Vernon Boyd from Teen Wolf

Deucalion from Teen Wolf

Garrett Douglas from Teen Wolf

Ennis from Teen Wolf

Derek Hale from Teen Wolf

Peter Hale from Teen Wolf

Kincaid from Teen Wolf

Scott McCall from Teen Wolf

Demarco Montana from Teen Wolf

Jordan Parrish from Teen Wolf (hellhound)

Theo Raeken from Teen Wolf (half-coyote)

Aiden Steiner from Teen Wolf

Ethan Steiner from Teen Wolf

Brett Talbot from Teen Wolf

Sebastien Valet from Teen Wolf

Jackson Whittemore from Teen Wolf

Taha Aki from the Twilight Saga

Quil Ateara from the Twilight Saga

Jacob Black from the Twilight Saga

Embry Call from the Twilight Saga

Jared Cameron from the Twilight Saga

Paul Lahote from the Twilight Saga

Sam Uley from the Twilight Saga

Velkan Valerious from Van Helsing

[papermoonloveslucy]

JOY OF LIVING

May 6, 1938

Directed by Tay Garnet

Produced by Felix Young for RKO Radio Pictures

Written by Gene Towne, Graham Baker, Allan Scott, based on an original story by Dorothy and Herbert Fields

Synopsis ~ Broadway star Margaret Garrett (Irene Dunne) has spent her whole life working to support her sponging relatives. When she meets carefree Dan Webster (Douglas Fairbanks Jr.), she learns how to have fun for the first time.

The film was in production at RKO Studios from December 6, 1937 until February 8, 1938.

PRINCIPAL CAST

Lucille Ball (Salina Pine) makes her 36th film since coming to Hollywood in 1933. 

“Do you expect me to support this family of leeches?” ~ Salina Pine 

Irene Dunne (Margaret "Maggie" Garret) had appeared with Lucille Ball in 1935′s Roberta. Between 1931 and 1949 she was nominated for five Oscars. 

Douglas Fairbanks, Jr. (Dan Brewster) also appeared with Lucille Ball in Having Wonderful Time (1938). 

Alice Brady (Minerva) won an Oscar in 1938 for In Old Chicago. This is her only film with Lucille Ball. 

Guy Kibbee (Dennis) also appeared with Lucille Ball in Don’t Tell The Wife (1937). 

Jean Dixon (Harrison) also appeared with Lucille Ball in I’ll Love You Always (1935). 

Eric Blore (Potter) appeared with Lucille Ball in Old Man Rhythm, I Dream Too Much, and Top Hat, all in 1935. He also appeared with Ball in Fancy Pants (1950). 

Warren Hymer (Mike) also appeared with Lucille Ball in Kid Millions (1934). 

Billy Gilbert (Café Owner) appeared with Lucille Ball in His Old Flame (1935), I Dream Too Much (1935), So and Sew (1936), and Valley of the Sun (1942). 

Frank Milan (Bert Pine) makes his only appearance with Lucille Ball. 

Dorothy & Estelle Steiner (Dotsy & Betsy Pine) were real-life sisters making their first and only appearance with Lucille Ball. 

Phyllis Kennedy (Marie) appeared with Lucille Ball in 1937′s Stage Door. She was also Tallulah Bankhead’s maid in “The Celebrity Next Door”, a 1957 episode of the “Lucy-Desi Comedy Hour.” 

Franklin Pangborn (Band Leader) appeared with Lucille Ball in Stage Door (1937), A Girl, A Guy, and a Gob (1941), and Lover Come Back (1946). 

James Burke (Mac) appeared with Lucille Ball in Blood Money (1933), The Bowery (1933), and The Affairs of Annabel (1938). He was also seen on “I Love Lucy” as the owner of “The Diner” (ILL S3;E27) in 1954, and would go on to make an appearance on “The Lucy–Desi Comedy Hour” (1958) as the man who deliver Whirling Jet the racehorse to the Ricardos. 

John Qualen (Oswego) appeared with Lucille Ball in The Three Musketeers (1938). 

Spencer Charters (Magistrate) appeared with Lucille Ball in The Farmer and the Dell (1936) and Look Who’s Laughing (1941). 

UNCREDITED CAST

Richard Alexander (Angry Man in Revolving Door)

Stanley Blystone (Cop at Dock)

Bill Cartledge (Boy at Skating Rink)

George Chandler (Taxi Driver)

Joe De Stefani (Waiter)

Bill Dooley (Courtroom Janitor)

Pat Flaherty (Autograph Hound)

Tay Garnett (Man on Phone in Newspaper Office)

Chuck Hamilton (Court Bailiff) 

Al Hill (Look Photographer)

Kenner G. Kemp (Roller Skater)

Fuzzy Knight (Sideshow Piano Player)

Mike Lally (Backstage Photographer) was a background performer who did ten films with Lucille Ball as well as two episodes of “I Love Lucy,” and at least one of “The Lucy Show”.  

Charles Lane (Fan in Margaret’s Dressing Room) was a ubiquitous character actor appeared in 7 films with Lucille Ball between 1933 and 1949; four episodes of “I Love Lucy” from 1953 to 1956, all as different characters; two episodes of “The Lucy-Desi Comedy Hour”; and four episodes of “The Lucy Show” as Banker Barnsdahl.

Frank Moran (Cop with Gravel Voice)

Clarence Nash (Donald Duck Voice)

Dennis O'Keefe (Man in Building Lobby)

Franklin Parker (Third Producer)

Bob Perry (Seaman)

Russ Powelll (Man Leaving Elevator)

Cyril Ring (Man in Margaret’s Dressing Room)

Bert Roach (German Waiter)

Grady Sutton (Florist)

Frank M. Thomas (Arthur)

Charles Williams (Pitchman at Recording Studio)

Harry Woods (Cop)

JOY OF TRIVIA

“Why do you always smile when I talk to you?” Miss Ball queries Doug [Fairbanks] between takes. "Because I’m a polite little boy,“ he replies. "You Rat” says Lucille coldly.

The film features the hit song "You Couldn't Be Cuter," written by Jerome Kern and Dorothy Fields.

The working title of this film was Joy of Loving.

According to an October 1937 news item, John Barrymore was set for the lead in the production.

It seems that the entire town of Tulare, California go on board to promote Joy of Living, with a give-away contests and all the local merchants participating. 

On April 16, 1942, a tragic car accident happened outside the Tudor Theatre in New York City where the film was playing. A car plowed into a pole by a drunken driver, killing his passenger. The press flashcubes also captured the ironic marquee in the background as the police attempted to cover the body.  

Ty Garnett's production budget quickly ballooned out of control, topping out at over a million dollars, an astronomical sum for films at that time. Despite the priceless talent, Joy of Living didn't have a chance at recouping its costs and was a financial failure for the studio.

A publicity photo of Lucille Ball taken for Joy of Living. 

Lucille Ball remembered watching the stars and comparing their styles; "Hepburn 'telegraphed,' she said - 'Well, I'm going to be funny' - whereas [Irene] Dunne always surprised, even in repeated takes of the same scene. But I watched her do takes-literally, one day there were thirty-two takes-and twenty-five must have been different. She really worked on how to do that scene. Where Kate would do it the same way every time and telegraph it every time.'"

The film enjoyed a worldwide release.  Here are film posters for France (left) and Belgium, which include both the Flemish (”Levens Vreugd”) and French titles. 

The film was released on DVD (Warners Archive Collection) on April 20, 2009. 

[treason-and-plot]

Roy: Here we are, lads. Room 719.

Harrison: Oh, crap.

[heroicsignature]

MUSES BY FANDOM

BELOW   is  a  list  of  muses  that  i  play.   this  page  will  be  updated  with  some  frequency,  adding  and  subtracting  muses.  muses  are  identified  with  fandom,  name,  face  claim  and  priority.  requestable  means  we  must  have  an  agreed  set  plot  for  me  to  play  the  character  and / or  i  do  not  have  the  necessary  icons  yet  to  play  them  more  frequently. 

MARVEL

BILLY  KAPLAN   -   timothee  chalamet,   michael  johnston    -   primary

HARRY  OSBORN    -    harrison  osterfield,   froy  gutierrez     -    primary

ROBERT  “BOBBY”  DRAKE     -    joshua  bassett   -   primary

SHARON  CARTER     -    emily  vancamp   -    primary

NATASHA  ROMANOFF    -    scarlett   johansson    -   primary

WANDA   MAXIMOFF    -    elizabeth  olsen     -    primary

MICHELLE  “MJ”   JONES    -     zendaya    -   secondary

PETER  PARKER    -   tom  holland   -  secondary

JEAN  GREY    -    madelaine  petsch     -  secondary

JESSICA  JONES    -    krysten  ritter   -   tertiary

MATT  MURDOCK    -    charlie  cox    -   tertiary

ELEKTRA  NATCHIOS    -    elodie  yung    -     tertiary

TOMMY  SHEPHERD    -   timothee  chalamet,   -  requestable

TEDDY   ALTMAN   -     mason  dye    -   requestable

SCOTT  SUMMERS    -     jacob  elordi     -    requestable

EMMA  FROST     -    kathryn  newton   -   requestable

DC

TIM DRAKE    -    brent  rivera,   michael  johnston,   matt  cornet   -   primary

JASON  TODD     -    curran  walters     -    primary

DONNA   TROY     -     conor  leslie    -    primary

DICK   GRAYSON     -    brenton  thwaites,   jacob  elordi    -   secondary

DAWN  GRANGER      -     minka   kelly     -     secondary

ROY  HARPER     -     colton  haynes    -   primary

BARBARA  GORDON      -     holland  roden     -   primary

LOIS  LANE        -       elizabeth  tulloch      -    secondary

BART  ALLEN     -    froy  gutierrez    -    secondary

HAL  JORDAN      -     ryan  kelley       -     tertiary

DINAH  “LAUREL”   DRAKE    -     katie  cassidy     -   tertiary

WALLY   WEST      -      kj  apa       -       tertiary 

SELINA  KYLE     -     zoe  kravitz      -      tertiary 

BRUCE  WAYNE     -     brett  dalton     -    requestable

CONNER  KENT    -   joshua  orpin    -   requestable

ROSE  WILSON    -    chelsea   zhang     -    requestable

KORY  ANDERS   -     anna   diop   -  requestable 

RIVERDALE

KEVIN   KELLER     -   casey  cott,  mason  dye    -   primary

CHIC  WESTON   -     hart  denton     -   tertiary     (canon divergent)

BETTY   COOPER     -    lili  reinhart     -   requestable

VERONICA  LODGE     -     camila  mendes     -    requestable

TEEN WOLF

COREY   BRYANT    -        michael   johnston     -     primary

JACKSON  WHITTEMORE     -      colton  haynes    -    secondary

ETHAN  STEINER       -   charlie  carver     -     secondary

NOLAN   HOLLOWAY     -      froy  gutierrez    -     secondary

GLEE

BLAINE   ANDERSON    -       darren  criss    -    primary

STAR WARS

AHSOKA   TANO      -    animated,  rosario dawson     -     secondary

PADME  AMIDALA      -     natalie  portman      -   tertiary

HEDATHE  ANCHAI    -   original  character     -    timothee  chalamet    -   primary

SHADOWHUNTERS

MAGNUS  BANE     -     harry  shum  jr.    -   tertiary

ALEC  LIGHTWOOD    -    matthew  daddario    -    tertiary 

DETROIT: BECOME HUMAN

SIMON     -     animated,  will  tudor    -    secondary

ORIGINAL CHARACTERS

WYATT  BRASS      -     fandomless,  multi-fandom    -   joshua  bassett   -   primary

KALEB  YOUNG      -    fandomless,  multi-fandom   -   mason  dye   -    primary

[hogibebeleri]

eski model listesi

bunu temizleyip yürürüz diycektim ama çok varmış o yüzden eski ünlülere isimlere bakmak için buraya bırakıyom kalsın sdfojdsoğjısıdjğods

ay daraltçam bu ne aq

- A -

Aaron Johnson - Leo Constantine

Aaron Tveit - Ezekiel Wymond

Abbey Lee Kershaw - S

Adam Brody - Cedric P. Powell

Adelaide Kane - Alana Windsor

Aidan Turner - Blaise Lynch

Alicia Vikander - Lily Marzia Lewis

Alona Tal - Claire Jenkins

Alycia Debnam Carey - Faith Franchot

Amber Heard - Edith Mori de Oliveira & Aureola Diana

Amy Poehler - Apple Corin

Ana de Armas - Riley Polanco

AnnaSophia Robb - Olivia Maeve

Andrew Garfield - Christen Austen

Andrew Lincoln - Desmond

Andy Samberg - Milo Dexter

Anna Christine Speckhart - Maria Sparrow

Anna Kendrick - June Lynwood

Ansel Elgort - Landon Scotty

Armie Hammer - Nikolai Fedosov

Ash Stymest - Wilford Grayson

Ashley Benson - Lexie Mallaith

Astrid Berges-Frisbey - Anthea Harrison

Aubrey Plaza - Zoya Everdene

- B -

Barbara Palvin - Annie Lancaster

Bella Heathcote - Fern Weinberg

Bill Skarsgård - Hermes Wolfhart

Boyd Holbrook - Hugo Montague

Bradley Cooper - Adonis Dard

Brett Dalton - Aldous Riordan

Brian J. Smith - Ä°.

Brit Marling - Euria Madlyn

- C -

Candice Accola - Evanora Eckhart

Carey Mulligan - Ophelia Delfino

Charlie Cox - Darcy Hemingway

Charlie Weber - Wardell Jon

Chloe Bennett - Miroslawa Waljewski

Chris Pine - Azure Welkin

Chris Pratt - Dux Stanton

Chris Wood - Atlas

Christian Bale - Mars Brant

Christian Cooke - Conor Lynton

Chyler Leigh - Cassandra Evans

Claire Holt - Karyna Gwen

Clark Gregg - Christopher Hart

Courtney Eaton - Night Haven

- D -

Daisy Ridley - Monica Myles

Dakota Johnson - Barbie Riley

Dan Stevens - Damien Delacroix

Daniel Radcliffe - Michael Genim

Daniel Sharman - Clementine Quinton

Danielle Campbell - Calista Apostolou

David Tennant - Hunter Chandra

Dianna Agron - Isis Chamberlain

Domhnall Gleeson - Jules E. Lincoln

Dominic Cooper - Quentin J. Lloyd

Dominic Sherwood - Dimitri Wolf

Douglas Booth - Vasco Delacour

Dylan O''brien - Nathaniel Hawkins

Dylan Sprayberry -Ove Stanford

- E -

Eddie Redmayne - S

Ebba Zingmark - Eloine Heaven

Eiza Gonzalez - Veronika Boleslava

Eleanor Tomlinson - Calleigh Gardenar

Elizabeth Debicki - Pippa Voughan

Elizabeth Henstridge - Gwendoline Cler

Elizabeth Olsen - Corinne Constantine

Eleanor Tomlinson - Calleigh Gardenar

Ella Purnell - Dolu

Elle Fanning - Rosie Van Laren

Ellen Page - Lydia Carrington

Elodie Yung - S

Emeraude Toubia - Elena Dimitriou

Emma Stone - Alexandra Zaleski

Emilia Clarke - Maya Davenport

Emilie De Ravin - Astrid Blanche

Emily Bett Rickards - Ocean Highmore

Emily Blunt - Lilla Arverne

Emily Browning - Ava Marlowe

Emily Deschanel - Hannah Montiel

Emily Didonato - Vera Isabel

Emmy Rossum - Vivian Gardner

Emily Rudd - Antje Griet

Erin Richards - Glory Constance

Eva Green - Verena Gray

Evan Peters - Viktor Chekov

Evangeline Lilly - Blue Marchand

Ewan McGregor - Acse Lemoine

Ezra Miller - Eugene Irwin

- F -

Felicity Jones - Macey Raphaelle

Felix Kjellberg - Silvestre César

Finn Jones - Buster

Freya Mavor - Olivia Fitzgerald

- G -

Gabriel Luna - José Espina

Gaia Weiss - Freya Kjellfrid

Gal Gadot - Cerys Ryan

Garrett Hedlund - Vitto Carlevaro

Gemma Arterton - Sabetha Belrossa

Georgina Haig - Calypso

Gigi Hadid - Mitchie Finnegan

Gina Rodriguez - Ida Castillo

Grace Phipps - Mia Kayleigh

Gustaf Skarsgård - Vincent Valente

- H -

Haley Bennett - Graciela de la Fuente

Hannah Simone - S

Harry Lloyd - Valentin Veaceslav

Hayden Christensen - Kristoff E. Petrov

Hayden Panettiere - Skyla Chavira

Hayley Atwell - Carmela di Chimici

Henry Cavill -Â Chester Norton

Hunter Parrish - Francis Rousseau

Hwang Jung Eum - Hana Godfrey

Ian De Caestecker - J.C. Murphy

Isabel Lucas - Helen Ambrosia

- J -

Jack O''Connell - Roy Whesker

Jai Courtney - Téo Teixeira

Jake Johson - Tony Thompson

James Franco - N/ash Carrington

James McAvoy - Sebastian Van Laren

Jamie Chung - Irene Weitz

Jane Levy -Â Elsie Rodgers

Jasmine Sanders -Â Liesje Lijsbeth

Jason Statham - Rafael Romero

Jay Baruchel - Cal J.W. Fox

Jeffrey Dean Morgan - Zed O''Callaghan

Jenna-Louise Coleman - Cecilia D. Chandler

Jennifer Morrison - Penny Black

Jensen Ackles - Florian W. Hoffman

Jeon Jeongguk - Jeon Jeongguk

Jeremy Renner - Dorian Dixon

Jesse Soffer - Grover Alen

Jessica De Gouw - Vera Guthrie

Ji Sung - Yong Jae Sun

JoAnna Garcia Swisher - Pacifica

Joe Gilgun - Desmond Gallagher

Johanna Braddy - Reva Keegan

John Krasinski - Jesse Wescott

Jon Kortajarena - Aaron Anderson

Josefine Frida Pettersen - Dolu

Jude Law - Andrei Pavlov

Julian Morris - Wesley Franklin

Julianne Hough - Madelyn Weaver

- K -

Karen Fukuhara - Yuki Nakashima

Karen Gillan - Emma Fray (<33)

Kate Mara - Tuesday Beckett

Kate Mckinnon - Myrna Morgenstern

Katherine McNamara - Norene Harland

Kaya Scodelario - Quinn Jenae

Keira Knightley - Mystral Roux

Kevin Zegers - Damon Wallner

Kit Harington - Joel Paxton

Kristen Bell - Vivien Rouge

Krysten Ritter - Iris Thorne

- L-

Lauren Cohan - Wonder B.

Leighton Meester - Anastacia Bouvier

Leonardo diCaprio - Jerry Arlexa

Lily Collins - Frankie Chandra

Lily James - Anaïs V. Grimaldi

Lindy Booth - Camilla Weitz

Lindsey Morgan - Zenobia

Lizzy Caplan - Ramona Fade

Logan Lerman -Â Harley Langley

Luana Perez - Elizabeth Burton

Lucy Hale -Â Sheri Payne

Lyndsy Fonseca - Daisy de la Vina

- M -

Mads Mikkelsen - Ä°

Maeve Dermody - Athena Zoega

Maia Mitchell -Â Lynda Stine

Margot Robbie - Josie Lesniewski

Maria Valverde - Valerija Roque

Marie Avgeropoulos - Ljubica Solvej

Marion Cotillard - Marika Lamora

Martin Wallström - Fabio Chepe

Mary Elizabeth Winstead - Amelie Steiner

Matt Hitt - Douglas Roswell

Matt McGorry - Corbin Renwick

Matthew Daddario - Diego Mendoza

Matthew Gray Gubler - Patrick Descoteaux

Max Irons - Marc Janko

Max Riemelt - Ziggy Hildebrand

Melanie Martinez - D

Melissa Benoist - Charlotte Evans

Melissa Fumero - Catherine Winters

Michael Fassbender - Franco Locatelli

Miguel Ángel Silvestre - Rico A. Moreno

Min Yoongi - Min Yoongi

Morena Baccarin - Tulip Talitha

- N -

Natalie Dormer - Gem Julep

Nick Blood - Isaac Wyatt

Nick Offerman - Alfred Castillo

Nico Mirallegro - Jack Daniels

Nikolaj Coster-Waldau - Theos Volantis

Nina Dobrev - Emmaline Winslow

Norman Reedus - Harley Harford

Noomi Rapace - Yulia Utkin

- O/Ö -

Olesya Rulin - Ceku Balım

Olga Kurylenko - Zelda Croft

Olivia Holt -Â Rylee Cantrell

Oscar Isaac - Aldo C. Ferreiro

- Q -

- P -

Paul Rudd - Marco Polo

Paula Patton - Winter Willford

Penelope Mitchell -Â Caitlyn Weatherly

- R -

Rachel McAdams - NavoÅŸ Lancaster

Rashida Jones - Jean Cardellini

Rebel Wilson -Â Lauren Dwyer

Reeve Carney - Dylan Breckendridge

Richard Madden - Tristan Windsor

Rinko Kikuchi - S

Rosario Dawson - Eve Blanchett

Rosamund Pike - Daniela Carlevaro

Rose McIver - Skyler Freestone

Rosie Huntington-Whiteley - Leona Lane

Ruth Negga - Lara Tailler

- S -

Sabrina Carpenter - Louise Linn

Sam Claflin - Mathias Clayton

Sarah Gadon - Nina Buchvarov

Sarah Hyland - Marceline Apostolou

Sebastian Stan - Maximillian di Chimici

Seychelle Gabriel - Leila Beaumont

Scarlett Johansson - Diamontina Dixon

Shailene Woodley - Joy Cappella

Shantel Vansanten - D

Shelley Hennig - Nora Simmons

Sophia Bush - D

Sophie Cookson - Rain Gisbourne

Summer Glau - Rhea Crisanta

- T -

Taron Egerton - Caleb Lysander

Tatiana Maslany - Margo Wiggins & Felicia Makovecz

Taylor Marie Hill - Milla Alexander

Taylor Swift - Melanie Phoenix

Teresa Palmer - Dora Desjardins

Theo James - Keiro Padmore

Tom Ellis - Hector A. Whittemore

Tom Felton - Alpha Rigorous

Tom Hardy - Dito Delfino

Tom Hiddleston - Newton F. Windsor

Tom Holland - Flynn Holdsworth

Tom Mison - Armitage Cromwell

Toni Garrn - Audrey Tyler

Torrey Devitto - D

Travis Fimmel - Forrest Dickson

Tuppence Middleton - Mia Santiago

- U/Ü -

- V -

Victoria Justice - Lotus van Boven & Selo

- X -

Xavier Samuel -Â August FridtjofÂ

- W -

Will Smith - Dante di Mercurio

Willa Holland - Ethea Middlesworth

- Y -

- Z -

Zendaya - Izzy McGowan

Zoe Kazan - D

Zoë Kravitz - Thalia Hardy

Zoe Saldana - Kiara Kingsley

Zooey Deschanel - Hailey Montiel

Zoey Deutch - Myra Blackbourne

[architectureofdoom]

Tags - Architects/designers I-Z

I.M. Pei Ignaty Milinis Ignazio Gardella Igor Vasilevsky Ilia Golosov Isamu Noguchi Ivan Fomin Ivan Leonidov Ivor Smith and Jack Lynn J.B. Hourlier J.B. Ingwersen J.F. Staal J.J.P. Oud L.J. sert J.M. Lamuniere J.M. Stokla James Gowan James Stirling Jan Duiker Jan Wils Jean Bourgon Jean Dubuisson Jean Prouve Jean Renaudie Joao Filgueiras Lima Joaquim Guedes Johann Georg Gsteu John Andrews John Bancroft John Dinkeloo John Hejduk John M. Johansen John Madin John Pawson John Portman John Storrs Jorn Utzon Jos Bedaux Josef Schulz Joseph Salerno Jozsef Fischer Juan O'Gorman Juliaan Lampens Jurgen Sawade Justus Dahinden K.L. Sijmons Kalff Karl Ehn Karl Moser Karl Schwanzer Kenzo Tange Kevin Roche Kisho Kurokawa Kiyonori Kikutake Konrad Wachsmann Konstantin Melnikov Kunio Mayekawa Kurt Schlauss Kurt Schwitters Le Corbusier Lebbeus Woods Leonardo Savioli Leonid Vesnin Leslie Martin Lev Rudnev Lina Bo Bardi Louis Fumet Louis Kahn Louis Noiray Louis Sullivan Lucio Costa Ludwig Hilberseimer Luigi Figini Luigi Moretti Luis Barragan Luis Peña Ganchegui Lutyens Malevich Manfred Hermer Marcel Breuer Marcel Lods Marcello Piacentini Mario Pani Marius Duintjer Mart Stam Martin Elsaesser Martin van Treeck Max Abramovitz Max Berg Mendelsohn Michel de Klerk Mies Minoru Yamasaki Moholy-Nagy Moisei Ginzburg Moshe Safdie MVRDV Neave Brown Neutra Nicholas Grimshaw Nikolai Kolli Noi Trotsky O Studio Olivier-Clement Cacoub Olson Kundig OMA Oscar Niemeyer Oswald Ungers Otto Herbert Hajek Ove Arup Owen luder P.V. Jensen Klint Pancho Guedes Panteleimon Golosov Paolo Portoghesi Paolo Soleri Paul Baumgarten Paul Ludwig Troost Paul Nelson Paul Rudolph Paul Stohrer Paul Virilio Paulo Mendes Da Rocha Pei Cobb Freed Peter Behrens Peter Eisenman Peter Märkli Peter Zumthor Philip Johnson Pier Luigi Nervi Pierre Jeanneret Pierre Koenig Pierre Parat Piet Blom Piet Elling Piet Mondriaan Piet Zanstra Pietro Belluschi Pietro Lingeri Pot Keegstra R.M. della Rocca Raimund Abraham Rainer Disse Raj Rewal Ralph Erskine Ray Eames Reinhard Gieselmann Rem Koolhaas Renaat Braem Rene Gages Renzo Piano Ricardo Bofill Ricardo Legorreta Richard Meier Richard Rogers Richard Seifert Richard Sheppard Robert Geddes Robert Mallet-Stevens Robert van ’t Hoff Robert Venturi Roger Anger Rudolf Schwarz Rudolf Steiner Ruy Ohtake Sachio Otani Sant'Elia Sérgio Bernardes Sergio Musmeci Shoji Sadao Sigurd Lewerentz Simon Ungers Smithsons SOM Speer Stanley Tigerman Superstudio Sverre Fehn Tadao Ando Team X Terragni Theo Bosch Theo van Doesburg Tony Garnier Ulrich Franzen Val Michelson Valerio Olgiati Van den Broek en Bakema Vann Molyvann Vico Magistretti Victor Bodiansky Viktor Vesnin Vilanova Artigas Viljo Revell Vittoriano Vigano Vladimir Bodiansky Vladimir Shukhov Vladimir Tatlin Volker Theissen Wallace Harrison Walter Forderer Walter Gropius Walter Netsch Wang Shu Wassili Luckhardt Wells Coates Werner Allenbach Werner Düttmann Werner March Wiel Arets Willem Dudok Willem van Tijen William Pereira Willy Guhl Willy Kreuer Willy Van Der Meeren Wim Quist Yakov Chernikov Yoshinobu Ashihara Zvi Hecker

[matildainmotion]

A Fairy Tale School, and A Chance to Change the Story

Once upon a time there was a very special school. It was the flagship Steiner school, the longest-running one in the UK, on the edge of a great forest. Let me tell you about it.

The grounds are stunning – great old oaks, rolling lawns, deer, a stream, an iron spring. The facilities are amazing – a big gym, a proper theatre, a huge vegetable garden, a carpentry workshop, even a forge where you can make a real sword which they showed us on the school tour, the jewellery, the axes and blades that students had made in the fire, like something straight out of a story. I could see my son, the proud owner of three lightsabres, being happy there. My husband and I are theatre-makers and writers: story is the stuff of our work, and here was an educational system with stories at its heart - fairy tales, fables, saints’ tales, Norse and Greek myths, shaping the curriculum.

So we went for it. Like many others we made momentous changes in order to bring our son, now aged 7, to this school, and in time my daughter too, now aged 2. My mother sold the family home after 55 years so that she could buy a small house in Forest Row where she and I and the children could live. My husband had to stay in London because of work – we’d see him at weekends and in the holidays. It would be hard but it was worth it, for the school. I have heard many similar tales – of people coming from much further afield than London, from Japan, from America so their children can come here.

To make such major changes people are following big dreams, high ideals, deeply held convictions. What are mine? I do not necessarily want ‘the best for my children’ – I think ‘best-ness’ is overrated. Coming from a family of highly powered Oxford academics I tried to be the best and get the best for many years and it left me in a mess. I want rather to give my children a good chance of coming out of school in one piece, whole, connected to themselves, to a community, not ready for the big wide world – that old narrative of adventure and conquest – but rather already in it, present in the world and ready to care for it and each other as well as they can in these uncertain times. Wholeness, community and connection, an ability to be vulnerable and to act from a place of integrity - those were the things I was after when we upped and moved ourselves here at the end of last summer, ready for the start of the new school year.

Very soon after our arrival on the edge of Ashdown Forest, full of hope, I was struck by the amount of cynicism I encountered. I suppose I shouldn’t have been surprised – where you find dreams that big, you are going to find disappointment on a similar scale. In the woods where Winnie the Pooh lives, there also dwells Eyeore: “Your son’s going to Michael Hall? Oh well, good luck with that – I hope he fares better than me, but I doubt he will,” – heavy sigh, returns to thistles and damp, lonely corner. The pessimism, juxtaposed with the optimistic dreams that also surround the school, have reminded me not only of Eyeore’s gloom but even a level up - the desperate, intractable situations found in many fairytales and myths: the most beautiful king’s daughter that has fallen terribly sick and cannot be cured; the monster that haunts the lands that were once full of wonder; the evil empire that is trying to take over the universe and kill off the amazing Jedi.

Meanwhile, sometimes all is well in the woods, the kingdom, the universe. Peace reigns. I have heard hopeful stories too. I was amazed and encouraged by how many parents are old scholars. I am much more used to the narrative of “I am never letting my child go through what I had to endure” than the story of “I had such a great time at school, I want the same for my little one.” My son was and is having a good time in class one. He is an intense lad, with big emotions and grand ideas, and so far the school have been very quick to respond to his needs and challenges. His teacher is wonderful and there is a gradually growing sense of community amongst the parents of the class. For all of this I am deeply grateful.

As far as I can tell, from the anecdotes I have gathered in the short time I have been here, the school is brilliant until it isn’t - until something goes wrong, until the monster/ sickness/ evil fairy turns up. I realize this is tautological – the problems begin when the problems begin – but problems will always show up, so the true problem is not the monster but how we respond to it. All too often our knee jerk response is to blame another, and with this ‘us’ and ‘them’-ness kicks in, the good guys and the baddies, the innocents and the guilty. First off, inside this story we are in, there is the parent body versus the school – ‘us’ being the parents and ‘them’ being the school - how the school does not listen and never changes. I have encountered the story the other way round too- the school versus the parents – the parents who are always complaining, ready to attack, but rarely listen, or turn up in low numbers when the school has tried to lay on an event in response to a parent request. I have also heard about internal ‘us’ and ‘them’ dynamics: the teachers versus the management and an iteration of the same story and Eyeore-like complaint, “They never listen. No one understands.”

I tried to learn more about the structure of the school and found it incredibly difficult. Even those who have apparently been here for many years could not easily explain to me how it actually operates. I gathered there were different elements- a council, trustees, an Education Management Team, teachers, office staff – but how these positions fitted together and ran everything remained mysterious, a kind of tangled thicket of roles growing around the mansion and keeping princes and parents from being able to break in and have any impact. I had come in quest of wholeness, connection, community, integrity and I was finding people who felt disempowered, fractured and stuck.

           In the absence of any head teacher, a hallmark of traditional Steiner schools, from the way people talked ‘The School’ had become in itself a kind of mythical authority figure, hard to reach and impossible to change. I like a challenge and I am not very good at cynicism (though I do a good line in imagining terrible happenings and did, in fact, identify with Eyeore as a child) so I joined the Parents Working Group (PWG) to see if I could make a positive contribution to the school. I had spent the first term feeling like a failure as a Steiner parent because I cannot sew to save my life, had to buy instead of make my son’s crayon roll and could be of very little help in crafting anything for the Advent Fair, so I figured I had better find another way to play my part in the school community.

           When I told people about the PWG and its aim to initiate and hold space for constructive dialogue with the school and support positive change, I was hit by a fresh wave of cynicism: “Ah, be careful the school will take all it can get from you, suck you dry and spit you out!”; “Well, good luck with that. You might make a small dent in its side but that’ll be it!” So there we have it – the school as the monster, the dragon that can devour you and that has such massive scaly flanks it can barely be dented, despite the beautiful swords that its pupils forge on its grounds. Or the school as an institution wrapped in creepers and thickets, under a heavy curse that cannot be lifted.

           Enter stage right a strange knight in heavy armour with clipboards for shields and a knife of regulation, an outsider, called Sir Ofsted - hero or villain? He rode from the city to the woods, slashed through the thickets, confronted the dragon, gave Sleeping Beauty an “Inadequate” kiss – blessing or further curse? - and lo and behold we all woke up. And, as in the original story, everyone woke up: the kings, the courtiers, the cooks and the gardeners, the parents, the teachers and the management. After 100 years of Steiner education we all have an amazing chance to wake up and decide what happens now, shape how the story unfolds from here. Let me pause at this cliff hanger to introduce a new strand of narrative.

           15 years ago my husband, Phelim McDermott, was feeling fed up. He works in theatre. He runs a company called Improbable, which makes big shows and tiny ones, with improvisation at their core. He had dedicated his whole life to theatre, he felt passionate about it, and he spent much of his time complaining about it. He was often angry about how it was carried out, about how people did not listen to each other and things did not change (notice the parallels to our other story). He was doubly fed up – frustrated by the ways things were done and frustrated by hearing himself moan about it but unable to do anything effective. He came across a book: Open Space Technology, A User’s Guide by Harrison Owen. It described a way for groups to self-organise around issues of shared concern, a way that was radically non-hierarchical, refreshingly playful, able to cut to the heart of complex situations really fast and allow truths to emerge and change to begin. He thought he would give it a go. It sounded like a good improvisation exercise. He followed the instructions in the book and wrote an invitation (step 1). He called it ‘Devoted and Disgruntled’ because that’s what he was feeling. It’s a good title and if I could I would steal it to use here at Michael Hall for all the many deeply devoted and disgruntled people whom I have met here. To his amazement and delight people responded to his invitation – about 200 people turned up (step 2). And it was incredible. Now, instead of the constant moaning, people were getting to work, fuelled by their passion and devotion, connecting, taking action, agreeing on change (step 3). 15 years later Devoted and Disgruntled has transformed the landscape of the performing arts in the UK. We have run literally hundreds of Open Space events under this banner, in every corner of the country and even overseas. We have an entire website dedicated to this great, unfolding conversation. Check it out: www.devotedanddisgruntled.com. Some people worry that it is ‘just’ a conversation, a talking shop – but almost all change starts with a conversation and an enormous number of actions have come out of our Open Spaces: shows made, companies formed, new initiatives, collaborations, even marriages (my own included) have emerged out of our events. It is an amazing practice, a brilliant tool – not a sword, but a circle, an open space.

           Having witnessed first hand the impact of opening space on the UK theatre scene, how it harnesses the devotion and helps to shift the disgruntlement, I want to bring it here, to our school, now in this moment more than ever. I think it holds the power of a forge – the hot, glowing place that can make hard things soft and malleable again, where change and transformation is possible. And yet it is beautifully simple. You send out an invite. (I have done this– it was in the last Friday Flier (You can read it here: http://www.michaelhall.co.uk/friday-flier) People who want to be there come along. We sit in a circle and a facilitator explains how it works – anyone who wants to call a session can do so, by writing the title on a piece of paper and putting it up on the wall. Together we co-create an agenda. Then we get to work and we follow the magical and yet entirely pragmatic ‘law of two feet’: you don’t stay where you don’t want to be, you follow yourself and go where your time and energy will be best used, and only you know where that is. This is the radical non-hierarchy of it – the fixed roles can fall away and a new fluidity is possible. Not ‘us’ and ‘them’ but me and you, listening to each other and having a conversation on an issue about which we both care deeply and on which we both want to act.

           There are many things that I am sure need to change within the school, but fundamentally, for me, the underlying shift that needs to happen is a cultural one. I think we need to start to model the sense of agency and possibility that I am sure we all hope the education is giving to our children. We need to wake up inside the story and notice how we are part of shaping it – we are not passive victims of a terrible curse from a wicked fairy or an evil dragon, or at least as well as playing the part of the victim, there are times when we also step into the role of the dragon, steam coming out of our ears, and curses falling out of our mouths. Notice these. And this fire, these strong words, whomever they come from – teacher, parent, manager - are not bad. They are potent, they are passionate and they are integral to our ability to bring about change.

When my son was in Kindergarten, at another Steiner school in London, he came home one day, in his first term, with a complaint. It was Michaelmas and they had been told a story about a dragon, “But the dragon didn’t do much! It wasn’t scary enough. They tamed it too quickly.” So there we have it. In opening space I don’t want to tame all the dragons. I want them to come. All of them. I want the dragons, I want the kings and the queens, the princes and princesses, I want the peasants, the wicked stepmothers, the caring fathers, the confounded leaders, wise teachers, the witches, the wolves. If you identify with any of these roles, please come. If I have left your role off the list please come and put it on there – make sure it is part of the story. Because right now we have an incredible opportunity to shape what happens next – this is in fact always true, but thanks to the dubious Sir Ofsted we just all managed to notice it.

I am not looking for a happy-ever-after ending. Or even an ‘outstanding-ever-after.’ I want what I wanted when I and my family decided to move here: I want connected-ever-after. Actually even ‘ever-after’ sounds like rather a high demand from which we might all come crashing down with a sense of failure. I will settle for connected-a-good-deal-of-the-time, whole as much as possible, in community through the rough and the smooth. What do you want? How do you wish your story and the school’s story to unfold from here? I am inviting you to come and tell me, and others. Because telling is the beginning of making. Making is the start of happening. The details of the dates and the times are here- http://www.michaelhall.co.uk/pwg- I look forward to seeing you there and to hearing your tales and those of others – the more diverse the better - and to us creating a new one together.

[blogdemocratesjr]

Geometry & the Spiritual World

Portrait of Mrs. Harrison Williams by Salvador Dalí

The pupils of the heavenly knowledge were those who, in the second [Persian] epoch, had been pupils of Zarathustra, but they now began to direct what they had learnt to the physical plane. Put into modern language we can say — men now learnt that all they beheld through super-sensible vision could only be understood if expressed by a triangle; if they used the triangle as an image to express the super-sensible, they learnt that the super-sensible part of human nature which permeates the physical part can be grasped as a triad. Other conceptions had come to man so that he now applied physical things to what was non-physical. Geometry, for example, was first learnt so that it was accepted as symbolic of ideas. Men had this and made use of it — the Egyptians in the art of surveying and agriculture, the Chaldeans in the study of the stars and the founding of astrology and astronomy. What formerly was held to be only super-sensible was now applied to things seen physically. People began to use what had been born in them as super-sensible wisdom on the physical plane. This was first done in the third [Egyptian-Chaldean] cultural period.

—Rudolf Steiner, Excursus on the Gospel According to St. Mark