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anadiasmount · 9 months ago

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we’re pretending? - jude bellingham x reader.

quick sum: no date to an upcoming wedding, you use your best friend as last resort. what happens when your best friend isn’t playing pretend anymore and you’re left conflicted with these unusual feelings…

wc: 4.6 k | masterlist | jude’s masterlist

psa 🗣️: i used my og ‘glory box’ fic to get some inspo while writing this fic ngl!! 😣 this was so fun to write not only by the trope but the DRAMAAAA!! like always, hope you enjoy! 🤍

“yes mom, i know. i picked my dress up yesterday, and my flight is booked as well,” you sighed and rolled your eyes knowing she wouldn’t be able to see you through the phone. she knew how important this wedding was but she kept putting the pressure on you. it was the last thing you needed especially after you told her you’d bring someone along.

that someone was now you’re ex-boyfriend. you had less than 48 hours to come up with an excuse or show up alone.

"are you still bringing your plus one?" she asked, the line going silent for a few seconds before she spoke up again. "y/n? are you there?" you should've just lied or said the truth, all you could think of was how happy and super excited she was when you told her you'd met someone and began dating.

"yes mom... we both will be there," you closed your eyes, disappointment in yourself filling the void in your head. you could hear her squeal in the background, telling a voice there with her about the good news. you chewed on your lip anxiously, wanting to cut the call or else you'd break down.

"listen mom, i have t-to go okay? ill call you tomorrow. try not to stress so much," you smiled weakly hearing an "i love you", ending the call after gifting your goodbye. there was no avoiding the mistake you had committed. you wanted to slap some common sense into yourself, because where the hell were you about to find someone?

you clearly remembered the day telling your mom you'd met someone at uni. she was over the moon and wanted to tell everyone but you dismissed the idea, not wanting to rush since you had recently met. you would call her and tell her about him, and she listened so attentively, just like in the movies.

you couldn't bring yourself to tell her when you and max had broken up. your whole life has always been surrounded by being told you needed to be more like your older sister, the pressure of being a golden child laid on you. for once you had something, but that had to get ruined as well.

the scolding, the perfect grades, friends, hell even family. you had to be so careful and live up to their expectations. you loved them, you did, but at times you just felt like moving away was the best idea. and you did just that, the first to move out to a new country, breaking records at uni, and even finding a suitable job.

your boss loved you, and coworkers admired you for the passion and dedication you carried. so why did it have to go all wrong with max? you had an image of him in your head that he was madly in love with you, though you'd later be proven wrong when you found out he was sleeping with his boss. finding them in the act on your 6th month anniversary.

you still can recall the feeling of being unable to breathe, their screams and his pleading going quiet as you could just stare into the room, not once being able to see his eyes. disgust, and rage, but mostly sadness, a heavy heart, and the lump in your throat. he hurt you terribly and you would forever resent that.

after the call, you sat quietly on the couch, hands in your hair as you thought about everything. looking around seeing your bags packed, the blue dress hanging by your room, pictures everywhere. you hated to admit but you were living in a hell, life messy and a disaster. your buzz ringed, seeing through the tiny camera your best friend jude in the frame.

you allowed him in, walking over to the large mirror and wiping away the dry tears, making yourself look more presentable. you looked worn out, eyes droopy and low, lips slightly chapped, and to make matters worse a zit on your chin. you exhaled a breath, keys jiggling as jude came in.

he set his training bag down, took his shoes off, and walked to you, giving you a small hug. "you look terrible," you gave him a warning look, "but lucky you, i brought us food," he spoke cheerfully, the mood inside you going from gloomy to content. "it's raining like crazy, i almost fell coming up. also i brought some packages and your mail," jude continued.

"thank you, i haven't had the time to go down and pick them up! i've been so busy packing and planning last-minute stuff," you groaned, going to the kitchen and washing your hands. "watch, in the next few minutes i'm going to get a call," you theorized. jude pulled out the food and served it into your plates as you grabbed a water for him and a soda for yourself.

"how was training?"

jude shrugged unimpressed, "same old. didn't really have to go in, but they needed me for a small campaign shoot, so i had no choice. also cama and tchou send their hello's."

you and jude spoke amongst yourself. just about each other's days and catching up from the last time you guys were together. you teased him about losing a bet with his little brother, jude whining about how he cheated. new music that came out, and a pop up store that opened lower in downtown.

"so what's got your head in a twist?" jude sipped on his last few ounces of water, leaning his head on his propped-up arm and hand. you awkwardly scratch the back of your neck, pick up the dirty dishes, and walk to the sink. "okay don't make fun of me-"

"you're basically asking me too... also no promises since you just made fun of me for losing against jobe," jude chuckled.

"jude."

"oh it's serious then... what did you do?" he saw the serious look on your face, a small worry constructing in his chest because he rarely saw you like this. you close your eyes, feeling the anxiety build in you once again, "i told my mom i was still bringing max..."

jude scoffed in denial, or trying to cope with the confusion, "y/n, you what?"

"i know! i know! i should've just confessed and coughed up the truth but i- i couldn't! she was so excited jude! i feel terrible for lying believe me i do, but after telling her about him and filling her with hope to break her heart, i just c-c-couldn't," you ramble, dishes clattering as you freaked out.

in your head it didn't seem as bad, but fully saying it out loud to jude, seemed even worse. jude grimaced, knowing you had messed up bad especially since the wedding was right around the corner. "i'm just embarrassed... i know they will start something and just talk down on me if i showed up alone."

jude knew how heavy-handed your family could be, often wanting to resent them because he cared for you so much. he saw how physically and mentally they could rain you even with the smallest sentence. they seemed so worried with their lives instead of the ones they should most value and care for.

jude gave you a concerned face, "what?" chuckling nervously when you gasped out, almost being able to see the lit-up light bulb on top of your head. "jude, I'm a genius!"

"well i beg to differ-"

"shut up," you pat your finger against your chin, a mischievous smile on your lip taunting jude's concern even more. "i don't know why i didn't think of this sooner! why don't you pretend to be my boyfriend? just for the wedding that's it!"

jude shook his head, hands coming up to back out of the idea. it was one thing you lying, but now asking you to play pretend was something totally different. "that's not a good idea y/n..." jude clenched his teeth forcing a smile. "oh cmon why not?"

"well, first of all, that's an even bigger lie to your mom. second, pretending would seem impossible. third, i don't want the first time meeting your parents to be a lie because of what happened," jude defended and stated his case.

"it's a huge favor but you'd save my life jude! one weekend and that's it! you have plenty of suits, you're also off this weekend, and they would never suspect a thing! please jude! i wouldn't be asking if i wasn't so desperate," you begged, seeing the hesitation in his eyes.

"it seems like a bad idea... you don't know what you're asking for y/n... were pretending to be a couple when were not! we have to make it believable even under the pressure of the wedding. a theatrical play, a stunt!" jude exclaimed standing up from his chair.

"jude please, please, please! it might feel weird but it's for the night only! after that, we go back to the good old y/n and jude," you followed him as he paced in your living room thinking of his answer. would it be back to normal even if he continued to feel the same for you? the unknown loving feeling he had for you?

the pretending would be hard when all he could hardly think of was you. how he felt recently and how nervous he got around you. he would do anything for you in a heartbeat, but this would break jude further than now. he couldn't fake pretend holding your hand, or kissing your cheek when he meant and wanted to do that with you currently.

as bad as the idea was, here he was hugging you as you cheerfully yelped when he agreed. time moved slowly for him, the sensation of regret and curiosity as what was yet to come from both of you. all he cared for was to make sure you were happy, and if faking being your boyfriend would help you, he was willing to do it, no matter the consequences.

as jude was fixing his hair, you finished setting your makeup with some powder and setting spray. nerves bubbling in you after the first test you encountered last night after your arrival. you let out a laugh at the tiny bed you had to share with jude. seeing his uneasy face even after he offered to sleep on the couch.

"we're running on schedule," you spoke, finishing clasping your jewelry around your hands and rings. jude came behind you, his shirt unbuttoned and abs in full view, as he finished zipping his pants. best friend or not, there was no denying how incredibly sexy jude was. the name should speak for itself, but with the looks and personality he had, it was too good to be true.

"need some help?" he asked seeing you nod slowly and looking down at your feet. he took the necklace, your skin on fire as his fingertips grazed your skin accidentally, almost jumping on the spot, goosebumps grazing your body. he clasped the necklace, grabbing the pendent and fixing it so it laid in the middle. "perfect," he cockliy smirked.

"thank you."

"are you almost ready?" he looked at you as he buttoned up his shirt, you almost stuttered but regained consciousness, "yes, just need to put my dress and shoes on," you turned back quickly furrowing your brows, wanting to slap yourself for allowing yourself to get carried away, or maybe at the uneasy desire in you when seeing jude.

you went to the bathroom, grabbing the lacy undergarments and the blue dress. the color was to die for, the perfect length even with your heels on, the opened back with the front just showing the perfect amount of cleavage, and the whole dress just accentuating your body even more.

you felt the need to throw some water in your face though you couldn't or else it would ruin your makeup. you settled with fanning yourself with your hand, the tense in your chest getting to you as it was becoming real now. you were just pretending with jude. nothing more right?

you looked in the huge light-up mirror, and suddenly the confidence you had dripped away as you thought of jude in the next room over. why did all of a sudden everything feel like it wasn't before? as in, things changed drastically since the night at your apartment? you've never felt this clumsy or as edgy around him.

when you woke up this morning, with jude on top of you laying peacefully, you couldn't help but feel overjoyed, as if it was a natural state and you've done it before. in your own world where the only thing that mattered was him and you. since then you were slightly freaked out, butterflies in your chest when he left or walk into the room.

jude double taked a look as you walked into the room again. the tiny room that felt like a joke to him after walking in hand to hand last night. his eyes roamed you, lips slightly separated as he admired your beauty, heart hammering in his chest. he watched as you grabbed your cheeks, immediately offering to help.

he leaned down, gently grabbing your foot and placing the white jeweled heel on you. your hands were clamped around the small bench cushions, jude looking up then and there to make sure they felt comfortable. once again, his touch felt like fire, playing with your head even more.

when he finished clasping the heel, he extended his hand helping you up. "you look absolutely gorgeous y/n... this dress was made for you," jude croaked, hearing you laugh shakily. "thank you jude. likewise," jude smiled at your reaction, "i mean as in you look super handsome with the suit, not a dress!" you explained.

"i think i got what you meant..." he joked, his eyes roaming uo and down again at you. "good. good. shall we head out?" you swallowed heavily, grabbing your purse, phone, and other stuff you needed for the night. you were in a rush, wanting to get some fresh air or you would explode in the room with jude inside. "lead the way y/n."

jude helped you in an out of the cab, his hand on your bare back as he guided you to the double doors leading into the reception. "how are you feeling? any nerves?" you spoke quietly to him, looking around as people were taking their seats or had their own conversations.

"some but not too many. like you said, it's just for today," he whispered along your ear, gently giving your shoulder a kiss as his hands went to your hips and walked you forward. your mom and aunt gasped, grabbing their dresses and walking towards you, almost sprinting. "here goes nothing," you say.

"oh my god! so you are real!" your mom yelped, making you give her a glare and eyes pleading not to make a scene. "i was starting to think my sweet y/n was lying to me about this boyfriend she had," you almost choked on your saliva, clearing your throat at her words. "i am y/n's mom, what is your name?"

"i'm jude. it's a pleasure to finally meet you ma'am," jude shook her hand and leaned down to kiss her cheeks in a greeting manner, the same with your aunt. jude's hand interlocked with yours, the happiness in your mother's eyes never leaving, almost tearing up at the sight of you with your "boyfriend."

"i can't believe it! it's a miracle, my daughter finally has her first boyfriend," she clapped her hands making you wretched at her choice of wording. you did everything to have her at least praise you once in life, and all it took was to have a boyfriend? you brushed away the glum feeling, jude kissing your hand, distracting you from the small burn in your eyes.

"oh my! look at them! they make such a beautiful pair," your aunt gleamed. "we do, don't we?" jude teased them, "took her a while to say yes to me, but i'm very fortunate to be here," jude resumed. "we're very pleased to have you here, anything you need don't hesitate to ask."

after saying hello to other family friends and cousins, you sat for the ceremony. jude wiped a small tear away after your old school friend finished her vows, slapping his shoulder when he made a small joke about your mascara running. "its not funny! the vows were so beautiful," you said.

"it's like we are watching me before you again," he said making you gasp. "jude what are talking about? you literally cried with me?" you recalled laughing, jude looking around scared if someone was hearing you. "please don't remind me... in my defense, i didn't see that ending at all."

after the ceremony, you and jude greeted other families, and most importantly congratulated the bride and groom. their faces ushered with happiness, overall content with how their day was turning out. you had to excuse yourself from jude at one point, your mom dragging you away for your help. jude was left behind with your dad.

"since she was little, she always hated getting thrown or dragged around," your father spoke, taking a sip of his whiskey. "seems like nothing had changed?" jude asked carefully with a playful smile. "oh not even close! it's my wife doing," he winked.

"jude right?"

"yes sir," jude nodded, presenting the dad talk coming up. "I'm gonna save the unnecessary talk and get straight to the point. it's so weird to see my baby girl all grown up, with the lusting and loving eyes she gives you. you love her very much and i can see that which is why i'm not worried about you hurting or losing her trust."

hell if jude didn't feel guilty before, he did now. he gripped the glass harder, nodding to your dad who looked upset. "she may have told you some stuff about us, but at the end of the day, she's my daughter and i love her the way she is... please just take good care of her for me... she been through enough as it is..."

"i only have good intentions and i promise you i won't ever break her heart," jude promised to your dad, but also himself. he would never be able to forgive himself if he ever did break your heart or make you lose the trust you had. max did it once and jude would never do it. even if it meant keeping away these long feelings for you.

when you returned you saw them laughing and chatting away, your heart full of emotions at them getting along. jude was so mature for his age, and it didn't come to a surprise when he got along with your dad so fast. his hand would naturally lay on your back or on your hip.

the next few hours were filled with more people dancing or chatting away. jude insisting you sat on his lap for a picture when the photographer passed, smiling wide, looking like a happy couple. it seemed so natural to you, being this close and intimate you were getting scared at how fast everything was being thrown at you.

"i had to see it for myself! y/n bagging a footballer? never saw that coming," your cousin approached you giving you a high as he dabbed up jude. "jude meet my cousin adrian, he's a huge fan of you, and just successfully signed with a small club," you introduced them to each other, with a huge grin on your face.

jude’s hand snuck around your waist, his thumb drawing shapes as his full attention was with your cousin who spoke about sports. you listened then and there, but your feet began to ache, switching your weight back and forth uncomfortably.

jude was quick to notice, leaving down to your level and asking if you were okay. “i’m fine i promise, these shoes are killing me that’s all,” you reassured with a smile, jude nodding before cutting the conversation after a few minutes. “i’m going to get her a chair and drinks for us,” you froze when he kissed your temple, “i’ll see you around later,” jude said his goodbyes dragging you along slowly.

like before, your chest beat faster, if he stared, smiled, even touched or got near you, you’d get nervous immediately. the familiar string of falling for someone filling the empty space left behind inside you. he was super good at pretending and it didn’t feel like that anymore.

it felt real. was he just pretending? or was he actually taking this fake relationship seriously and real?

all you could do was stare at his face, mostly his gorgeous brown eyes as he helped you get seated and served you some water, making sure you were fully okay. he sat next to you, his hand interlocking with his, and placing it on his lap as he paid attention to his surroundings. you become quiet, so into your head and questioning his every move now.

“jude?” you spoke softly, a confused smile on your face as he immediately turned to you with a soften gaze. you inhaled a breath, unable to look away from him, his ínstese state causing you to feel intimidated. “is everything okay?” he asked, leaning slightly over to you, pushing a small string of hair back. “is it supposed to feel like this?”

“what is?” jude shook his head not understanding.

“us? why am i getting the idea we’re no longer pretending…”

jude tore his gaze from yours, the panic growing more intense when he wouldn't reply back. "jude please... don't push me away. are we just pretending or has something changed?" you persisted, your hand gliding against his back to get his attention. jude debated, afraid of losing you right here and now, or having the possibility to maybe hear you feel the same way.

"come with me," jude demanded, helping your and dragging you to the dance floor where no one could really see you besides the other happy couples. his hands circled your waist, as yours went to his shoulders, unable to look away from him. "tell me i'm not the only one who feels it..."

"tell me what you feel y/n... what your head is begging to scream out..."

"i can't, i don't know jude. i'm afraid yet so confused? since we got here yesterday things feel different between us. it happened again when we had breakfast, when you put my necklace on, my heels! all of this is giving me mixed signals jude... i haven't felt this in so long.." you confess, a shaky breath escaping your lips when he pulls you closer and kisses your head.

"like now. i can't if you just did that out of pretending or because it came naturally to you. i've never had to worry about what you think till recently... it feels strange... yet ican't help but get hope that it means real," you rest your forehead on his shoulder blinking away the tears that slowly begin to let out.

jude could see how this was affecting you, holding your lower body with one hand and the other smoothing down your spine, feeling how you immediately let loose and relaxed by his praise and touch. jude could also feel the heavy weight beginning to feel heavier if he kept his true hidden feelings away. it was a sign, and there was no going back.

jude's hand cradled your chin, forcing you to look up at his, his brown eyes gazing over your teary face. he was truly amazed and so in love with you it made his head feel cloudy, almost dizzy, at how perfect and pure you were. his tummy fluttering at his gorgeous girl who was confused at how she felt... but in this moment jude knew you were in deep as well.

"tell me something, when you see me, does it make your heart race, like i'm the only person standing there?" you nod, "does your head tell you one thing but your gut tells you another when you see me?" you nod again, this time blowing the air out of jude's lungs. "my head tells me i shouldn't, but my gut tells me i waited so long that maybe it's now to late for us..."

"why would it be too late y/n...?" you shrug your shoulders. "because i don't you feel the same way i'm feeling." jude smiled weakly, his thumb brushing along your jaw, hearing your hum in delight, "how can you know when you haven't asked me?"

your eyes search his for any sign but you don't find any, "what are you feel in this moment jude?"

"that i'm the luckiest man to be here with you tonight," he says proudly, "that i don't think we've wasted any time, rather i feel we're barely getting started on this new branch of our lives... i can't pretend when i'm with you... because pretending to hide how i feel has been so hard, when all i want is you. all of you y/n..."

"i had to see you go through that idiot max, how he hurt you? when you were hurt i was even more devastated because i couldn't protect you. i'd do anything to make you happy or laugh because it's what i want to do. i want to be the only one who gets to do that. i promised your dad but myself also, ask me what the promise is..." jude insisted.

"what's your promise jude?"

"that i'd never break your heart or give you a reason to doubt me. that from this day forward, i completely will give you my all to care and relish our love once and for all. i'm tired of waiting and holding back of what should've existed and started when i first met you."

"jude-"

"i want to give you my all, to be devoted and in love with you forever. you have no idea what you make me feel, think! i wake up longing for you, at work, at my own home. you're the only girl i want and need in my life y/n," jude confessed, the weight finally lifted of his shoulders, now being able to feel like a free man.

you closed your eyes, breathing out a happy chuckle in relief. you sniffled, "you've ruined me jude, completely ruined me with your words, your confession! look at me, i'm worse than when we finished watching the vow!" you joked, hand nestling on the nape of his next, stroking his soft skin.

"you love me jude?"

"more than what you think."

"i need you to know i'm giving you my all as well. I've always sensed how different what we had was, and come to find out, i was just scared and felt the need to push away because you didn't feel the same way. what i feel for you never happened with who shall not be named..." jude chuckles, closing his eyes and swallowing a heavy gulp like you.

"i'm so hopelessly in love with you jude bellingham... so in love, i want to grow old with you, make every promise we said out loud come true. i knew i loved you as soon as we laid eyes, and you stumbled over your words," jude squinted his eyes, shaking his head embarrassed. "kiss me jude."

jude kissed you exactly how he dreamed. your lips soft and sweet as he imagined, even better. cradling your chin to tilt and pulling the kiss deeper. it felt so right, so amazing, so passionate. he was lost, his tongue entering your parted lips when you let out a small gasp and whimper. there was no more pretending, this was more real than ever.

"could get lost in how you taste. how you feel. i love you so much angel."

#jude bellingham #judey thoughts 5️⃣#jude bellingham x reader #jude bellingham blurb #jude bellingham imagine #jude bellingham one shot #jude bellingham fanfic #jude bellingham fic #football fanfic #footballer #football x reader #football imagine #football one shot

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lolaandthens0me · 1 year ago

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It’s my one-year 24/7 anniversary!!!

🎉 whoop, whoop 🎉

Here are some of the lessons I’ve learned along my 365-day journey of becoming a full-fledged 24/7 diaper slut:

+ daytime vs. nighttime diapers - having a wide selection of different absorbency levels and types of diapers is helpful in maintaining comfort throughout the day.

+ have fun - keeping my interest piqued by buying whatever new diaper is out there and keeping my shelves stocked with old standbys and new, exciting dips alike has made me excited to reach for a change day-by-day.

+ ups and downs - some days I simply don’t feel like wearing. I’ve learned to give myself grace and compassion. Not wanting to wear some days is normal and totally OK. I know the tide will turn. By pushing through, I find a sense of pride, achievement, loyalty, and completion and it continued to be worth it month after month.

+ loss of control - no, I’m sorry to disappoint, not that loss of control. In going 24/7, I have not in any way become incontinent. What I have become is more fully engrained in a submissive lifestyle and that has become a richly rewarding, deeply meaningful part of my everyday. It delights me just as much today, if not moreso than it did a year ago, to give up control of my most fundamental choices.

+ convenience - if you are looking for a more convenient way of living, going 24/7 may not be the answer for you. At least until you get very, very used to it. I find that wearing 24/7 is more of an inconvenience most days. I have to plan my day, my outings, what to pack, what to wear all around my diapers. I admit though, it is nice to never have to leave the theater in the middle of a movie!

+ baby powder is my friend

+ NorthShore Supreme wipes are 100% worth it

+ I still delight in the feeling of peeing my pants every time

+ Daddy is simply the best - as much of a commitment of going 24/7 has been for me, I fully acknowledge and appreciate how much of a commitment it is for the other half of this 24/7 D/s dynamic. I cannot thank him enough for staying in this with me for a whole year. I love you, RY 💙

+ I don’t know what the next 365 days will bring, but I do know that I feel proud and happy looking back at the last 365.

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obeymefictionwriting · 3 months ago

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Brothers on Your Anniversary!

This blog honestly gives me so much life, thank you so much for reading and enjoying it! I hope you'll love this hc as much as I do <3

Lucifer

Lucifer has been planning your anniversary like half a year in advance

Meaning, the guy is C O N F I D E N T

You might think he'd be the type to take you to a fancy restaurant and such but he will actually plan the date according to your specific preferences

Doesn't mean he won't get you a huge-ass bouquet with the rarest Devildom flowers

Is actually pretty nervous since it's his first ever anniversary in a relationship and he is a control freak and want it to be perfect for you

Will kiss your knuckles softly and will then twirl you around, effortlessly spinning you in a smooth dance

Gifts you an intricate and beautiful pendant with his love confession engraved on it

"I'm looking forward to the eternity with you by my side, my love"

Mammon

The day will be 10000000% dedicated to you

Shopping spree, any restaurant you want, any activity you wish to try - just say a word

Holding hands 24/7 everywhere, proudly showing you to literally EVERYONE

"Dat's right, dat's my baby and damn we hit 1 year together!"

Is so proud of you being near him that he almost tears up

Poor boy has never had a relationship and is now determined to keep you forever

At the end of the night, will blush heavily as he wraps his arms around your waist and leans in for a kiss

"I'm s-so happy we are t-together...Thanks for dealing with my dumb ass..."

Levi

Decides to surprise you with a kick-ass 3-course dinner cooked entirely by him, obviously

Is EXTREMELY nervous but tries not to show it

Gets you a matching set of pjs and a super cute necklace

Proposes to watch some anime or movies and secretly hopes you'd say yes, because he doesn't feel like going out and wants to be just the two of you this evening

Holds your hand all the time

Plays with your hair lazily and grins

"Can't believe got a person like you to be my partner"

Satan

Classic romance is his thing

Be sure he'll take you to a small and cozy but ridiculously expensive place

He'll insist you two dress up because "the occasion is so very special"

Out of all brothers, is most likely to propose on your anniversary

After dinner, will probably take you to the nearest park; champagne and blanket ready

(oops, a momentary cat distraction)

Showers you with affection and can't keep his hands and eyes off you

"Kitten, I'm honored to be loved by someone like you"

Asmodeus

Mhmmm an anniversary... so exciting!

Plans out a whole day dedicated just to you two

Spa, fancy dinner, shopping, massage - all included!

It's the first time ever for him to care so much about someone else and he is dedicated to make this day unforgettable

"I have a special something just for you"

RENTS THE WHOLE RESTAURANT TO SLOW-DANCE WITH YOU IN THE CANDLE LIGHT

"Honey, you have immense power over me and I surrender to you now and forever"

Beelzebub

He loves you so much that he actually wants to make it NOT about food

The things is, he has no idea what else to do... like... sports, maybe?

You notice how tensed he is and directly ask what's up

Reluctantly agrees to your offer to just eat somewhere and then cuddle home with snacks

"I tried to think of something unique because you deserve the best"

Wraps his hands around you and won't let go

Offers you head massage and just uses any excuse to touch you

"Y'know... You are my dearest person"

Belphie

Actually MAKES AN EFFORT

An attic, stargazing, a bottle of wine, and amazing fruits and sweets - just how good does it sound?

Presents you with a photo album filled with your mutual photos; a sweet note going with every photo

"You made my life full of memories that I'd cherish forever"

Kisses you softly all the time and braids your hair delicately

Loves this moment of peace and happiness but is a teeny tiny bit worried you might have preferred something more outdoorsy

"Just stay with me always, okay?"

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kairoot · 13 days ago

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⌗ 𝑭𝙄𝙍𝙎𝙏𝙎 ─────── 𝙉𝙍𝙆.

ׂ ִ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬．𝗒𝗈𝗎𝗋 𝖿𝗂𝗋𝗌𝗍𝗌 𝗐𝗂𝗍𝗁 𝗁𝗂𝗆 — 𝐩. 𝗇𝗈𝗇𝗂𝖽𝗈𝗅！𝗋𝗂𝗄𝗂 𝗑 𝑓．𝗋𝖾𝖺𝖽𝖾𝗋 — 𝐠. 𝑓𝘭𝘶𝘧𝘧， 𝑎𝑛𝑔𝑠𝑡 — 𝐰. 𝗄𝗂𝗌𝗌𝗂𝗇𝗀，𝗅𝗆𝗄 𝗂𝖿 𝗂 𝗆𝗂𝗌𝗌𝖾𝖽 𝖺𝗇𝗒𝗍𝗁𝗂𝗇𝗀．𝐰𝐜 𝗇／𝖺．

🎱 ───── happy birthday to my man 😛😛 hope he enjoyed his day ♡︎.

HOW YOU MET when you hung out with some friends of yours, riki happened to be at the hangout and was kind of quiet at first. his friends tried to get him to talk and interact with everyone but he just wasn’t feeling it that night. you thought he was pretty attractive but you had no intentions on talking to him. that was before the topic of music came up and you all began discussing some artists you loved at the time. when a certain artist’s name came out of your mouth, riki’s expression had changed and suddenly, he was the chattiest person in the room. you both got close pretty quickly and you bonded together over your music preferences for the rest of the night.

FIRST DATE it happened to be another friend hangout that you both attended. you both had been talking and texting each other for quite some time and it was very obvious that you both had chemistry. so that same night, your friends decided to go roller skating and you clearly weren’t the best so riki offered to help. you joked about the hangout being a date as he helped you skate around but you weren’t expecting him to be serious about it.

“i don’t see why it can’t be one.” he shrugged, trying to brush off the blush he felt creeping on his face. you both had agreed to go somewhere so it was just both of you after the hangout.

FIRST KISS the first time you and riki kissed was on your fourth date. you were both walking through the park at night, after coming from the arcade. riki was cracking jokes, which you thought were actually funny but then things just got quiet and you both were moving closer to each other, only because you kept commenting on how cold it was. eventually, you and riki found yourselves facing each other and whispering sweet nothings to each other like you were in a teen romance movie. it took him a while but he went in for the kiss after admiring you for a moment.

FIRST ‘I LOVE YOU’ this occurred when riki was over at your house and you were both baking for fun (you were doing most of the work while riki was teasing and stealing food). you both were covered in flour and icing as you laughed and jammed to the music that played in your kitchen. riki began to help you apply icing on your cupcakes and you found yourself enjoying the feeling of his arms wrapped around you as he iced the cupcake you were holding. you weren’t even thinking when you said it, it just sort of slipped out.

“i love you,” you sighed, watching his hands maneuver in front of you. you immediately closed your mouth once you realized what you said, scared that you might’ve gone too far.

“i love you, too.” he chuckled, nuzzling his nose against the side of your face before resuming his task.

FIRST FIGHT you and riki are two pretty chill people and you can get annoyed but you almost never fight. your first one was because of riki starting to become very closed off when it came to his emotions. he felt like they made him look weak if he were to be chalant or even just show a bit of affection. you quickly caught onto the habit and it caused a disagreement.

“i just don’t get why you aren’t talking to me about these things. just tell me what’s on your mind, ki, i’m here to help you.” you had said to him, sitting in your bed while his back was facing you.

“it’s not important, y/n, can we just move on?”

“no we cannot move on. your emotions are important and they’re definitely important to me.”

FIRST ANNIVERSARY on your first anniversary, you got to meet riki’s parents when they came to visit him. they definitely enjoyed your company and the way you treat their son. the whole day, you both hung out with his family and visited different clothing shops and showed them around town. you also ended up going to an amusement park that his younger sister really wanted to go to after she’d heard about it on her way from japan. riki won you a big pikachu squishmellow and bought you just about every souvenir you liked.

• • •

﹙ 🔖 ﹚ ──── @haechansbbg @contyynishimura @sasfransisco @kgneptun @jungwonderz @enha-stars @dioll @jakesangel @cupidscourt @violetwitchmcu @haohaoshoe @randomgirl02228 @wonsdoll @powerpuffstuts @elysianiki @mmygnolia @bnkiz @who-tf-soddhi — send an ask to join

﹙ 🌐 ﹚ ──── @k-films @en-diaries

#𝒮𝑖𝑔𝑛𝑒𝑑，ℳ𝑖𝑙𝑎𝑛 ⊹ ₊˚#kairoot #enhypen #enhypen x reader #enhypen fluff #enhypen imagines #enhypen scenarios #enhypen ni ki #niki enhypen #enhypen fic #enhypen ff #enhypen fanfiction #enhypen angst #enhypen reactions #enhypen headcanons #enhablr #k films

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devildomwriter · 15 days ago

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The Greatest Gift Of All | Mammon x Reader

1.1K+ words | GN! Reader | Established Marital relationship | CW: none

Mammon was over the moon excited. More excited than he’d ever been before. That’s because this Christmas he got you all to himself. Or at least for the beginning of it, after that, it was off to his brothers’ place and then to the Demon Lord’s Castle.

But he ignored this fact in favor of continuing the day jovially.

He hummed happily as he fiddled with the tree ornaments and smiled to himself as he arranged the gifts he’d gotten you for the umpteenth time.

You mixed the cocoa powder into your drink as you listened to the crinkling of the wrapping paper and Mammon’s tiny grunts as he stretched to reach under the tree for the bows that fell off.

He clicked his tongue and looked at his work as you walked in with two mugs of hot chocolate.

His eyes lit up in delight and he ran over to you, quickly chugging the hot chocolate and setting it aside to hug you.

“Careful, the chocolate,” you squeaked and he laughed and blew into your neck, eliciting more squeals from you as he spun you around and set you down.

You immediately set the hot chocolate down and sighed in relief nothing had spilled. You were astounded how easily Mammon had chugged his down considering the amount of steam that’d come from it, but this was one thing that made it clear he was a demon. Another thing was his wings flapping, proof of his joy as he clung to your side.

“Mine, mine, mine,” he repeated giddily as he kissed your neck again and again.

He held your hand and traced his finger across the golden band on your finger.

This Christmas was extra special because it was your first holiday together as a married couple. Last Christmas Eve you had proposed to him. Today was the anniversary of that proposal and Mammon wanted it to be as special for you today as it had been for him back then.

He lead you to your couch covered in comfortable pillows and Christmas stuffies. He brought you a warm woven blanket as soon as you sat down and he jumped beneath it as soon as you were settled.

In front of you, the fire crackled and you rested your head against his shoulder, his face turned a dark red as if he weren’t used to this already. It was cute how every touch felt like the first time with him, tsunderes really were the best.

He handed you the tv remote and you turned the Christmas music off so you could hear the tv. You skipped through the channels and eventually tuned into a streaming service to find a Christmas movie Mammon hadn’t seen with you yet. He was always so happy to be introduced to a new one.

“What’s that one? What’s that one?” He asked, gripping your hand and pointing at the TV.

“Which one?”

“Go back, go back. No. Right there, yeah!”

“Scrooged?”

“Yeah, the guy with the bad haircut.”

“It’s like a retelling of the Christmas carol,” you giggled remembering what had happened when you’d gone with him and his brothers to see the play.

“Pfft. That was a great play. So what this is like a modern one or somethin?”

“Yeah. You know what this’ll be great for you,” you decided as a big focus of this movie was the downfall of greed.

Mammon’s greed didn’t decrease after marriage. He was more careful with money since he didn’t want to put you in a bad situation but the greed had faltered in him otherwise. If anything it was worse, at least when it came to you.

As the movie began Mammon laughed at the many despicable things the main character got into like shoving an old woman out of a taxi. The insufferability of the character was laughable but Mammon was very invested and somewhat worried he came across the same way.

You patted his head and made sure he knew his greed wasn’t on this level—somehow—as the avatar of greed…

The movie credits rolled, jovial music resounding in the modest home you shared and Mammon damn near had tears in his eyes. He pinched the bridge of his nose.

“That was great…” he said and you snuggled into his side.

Mammon checked the clock, it was only ten. Normally a night like this should be spent partying, most of his brothers were, but they allowed him a rain check so they wouldn’t have to see him kissing you all night.

“Man, I’m not tired at all, let’s watch another movie,” he suggested and you nodded and asked him to grab you some sugar cookies you’d hidden in a jar.

He was munching on one of them when he brought you the entire jar and you playfully rolled your eyes as he snuggled back in for another movie.

After watching the Polar Express which he got weirdly excited for, he checked the clock again and his grin grew half the size of his face.

He turned to you bouncing in excitement and you cocked your head in curiosity, knowing he was up to something.

He chuckled somewhat evilly and dove under the Christmas tree like an excited cat. You snorted and took a secret shot of it before quickly hiding your phone away.

“It’s time!” He declared, lifting a box in the air with a big red bow.

“Oh?” You laughed and he nodded firmly.

“Last year, at this time, you made me the happiest demon in the three worlds! In our vows, I made you the promise I’d always do the same, and I meant it!” He declared and got on one knee in front of you.

“Open it, open it,” he ecstatically urged and you giggled and tore off the paper, heart beating quickly.

You gasped in delight and opened the small velvet boxes.

Matching diamond studded rings. You couldn’t fathom the price of these and looked wide-eyed at Mammon who gave you a triumphant smirk.

“How? How did you-“ you stuttered.

“I saved up! All the way from last Christmas when I tried gettin’ ya the ring first. These are limited edition Devicci rings specifically for couples! Not even Mephistopheles or Diavolo has one of these babies!” He boasted and you set them aside to hug him.

He began blushing profusely and hugged you back with even more force.

“Ya like ‘em?” He asked and you nodded.

“I love them. Because they’re from you,” you responded and he smiled to himself and separated from the hug to look you in the eyes.

“I feel the same way,” he started. “I’ll love anything, as long as it’s from you!”

You sighed in contentment and hugged him again, “You’re the greatest Christmas gift of all my sweet husband.”

#obey me shall we date #obey me x reader #obey me mammon #obey me mammon x reader #obey me shall we date mammon x reader #obey me x gn!reader #obey me drabble #obey me story #obey me fanfic #obey me short story #25 days of obey me Christmas #obey me 25 days of Christmas #obey me fluff

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nyzfiles · 17 days ago

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heartbreak - aeri uchinaga

synopsis - your boyfriend breaks up with you on your guys' anniversary and you call your best friend aeri over for some comfort.

warnings - smut (minors and men dni !), kinda angst?

tags - service top aeri x bottom!reader, dirty talk, body worshipping, nipple play, fingering (reader receiving), cunnilingus (reader receiving), cum eating

word count - 1.3k

the sound of your doorbell ringing grabs your attention, your hands quickly wiping away your tears. you walk over to the door, unlocking it before a flash of pink hair catches your eye and your friend is pulling you into a tight hug. "what happened, y/n?" she asks, her voice laced with worry. you sniffle, burying your face into her shoulder as you try to find the words. "we broke up...well he broke up with me." you hiccup, fighting back another set of tears.

she looks at you with sympathy, squeezing you tighter. "he's a dick and you deserved better than him anyways." she tries to reassure you, smoothing your hair down as she consoles you. you nod weakly, letting her attempt to cheer you up. "how about we watch your favorite movies and drink some cheap wine?" she suggests, pulling back a little to look at your face. "that sounds nice..." you nod, wiping away your tears for what seems like the millionth time.

after a quick trip to the store you guys are back at your house, watching a movie and drinking your wine. you guys laugh and talk while the movie plays, your mood seeming to be a little better. "i feel like now is the perfect time to tell you that i hated your boyfriend." aeri chuckles, the alcohol making the two of you a little tipsy. you gasp, trying to stifle your laughter. "aeri! why wouldn't you tell me before this?" you shake your head, a smile plastered on your face. she shrugs, taking another sip of wine. "you seemed happy and i didn't want you to think i was jealous or anything." she confesses, looking over at you nervously. "jealous? why would i think you were jealous?" you ask, confusion written on your face.

she clears her throat, playing with the stem of her wine glass. "is it not obvious?" she asks, watching you carefully. "is what obvious?" you laugh nervously, feeling confused. she takes a deep breath, setting the glass down before taking your hands in her's. "y/n...i've been in love with you since our sophomore year of high school." she admits, the wine giving her a newfound confidence. you stare at her, shock leaving you frozen in place. a few minutes of silence goes by before aeri looks down uncomfortably. "i'm sorry...i never should've said anything-" she mumbles before you cut her off, cupping her face in your hands and pressing your lips to her's.

she wraps her arms around you, lips moving against yours as she pulls you into her lap. you pull away slightly, your guys' breaths slightly shaky. "i think i'm in love with you too..." you mutter, emotion swirling in your chest. she smiles widely, gently laying you on the couch before hovering over you and locking her lips with your's again. you smile into the kiss, fingers playing with her hair as you melt into her touch.

she breaks away from the kiss, tucking a strand of hair behind your ear. "how about i help you forget all about your ex-boyfriend?" she mutters, placing soft kisses along your jaw. your heart pounds, excitement mixed with arousal swirling in your stomach. "please..." you nod, squeezing her hand tightly. she smiles against your skin, trailing her lips down your neck and leaving little love bites on the way.

your body shivers from her touch, anticipation building as her hands slips under your shirt and caress your bare skin. she tugs on the bottom of your shirt, looking up at you as if asking for permission. you nod, letting her take it off and watching her discard it on the floor. her eyes take you in, hands touching every inch of you. "y/n...you're so beautiful..." she mutters breathlessly, dipping her head down to kiss along your collarbone.

you blush, squeezing your thighs together as your arousal seeps onto your panties. she reaches behind you, undoing the clasp on your bra and tossing it onto the floor next to your shirt. you hear her breath hitch, trying not to feel shy under her gaze. "such pretty tits..." she mumbles, leaning down and flicking her tongue over your nipple. you gasp, hand gripping her's at the sudden pleasure. she chuckles, cupping your other tit with her free hand. "aeri..." you whimper, squeezing her hand. "shhh baby, let me take care of you." she soothes, pressing a kiss to your nipple before switching to the other one.

you're panting beneath her, panties soaked when she finally releases your nipple with a pop. "i need you, aeri. need you so bad..." you whine, desperation evident in your voice. she smiles and nods, kissing you again before her lips start traveling down your body, covering every inch. she kisses your stomach, muttering against the soft skin. "so beautiful..." she whispers, stopping just above your shorts. you nod, giving her permission to go further and ease the aching between your thighs. she pulls your shorts down, tossing them aside before spreading your thighs apart.

you hold your breath, soft whimpers leaving your lips as she kisses and nibbles on the inside of your thighs. "aeri, please..." you beg, the sensation of your throbbing cunt being almost too much to handle. "patience, baby." she tsks, running her nose along your panties and breathing in your scent. she lets out a moan, licking a stripe over your panties. you let out a sharp moan, bucking against her involuntarily. she chuckles, pulling your panties down slowly and letting them fall to the ground. she looks at your glistening cunt, your arousal already seeping out of you. she wraps her arms around your thighs before lowering her head and slipping her tongue inside your tight hole.

you moan loudly, hands flying to grip her hair as her tongue slips in and out of you. "pussy tastes so good, baby..." she mumbles, flicking her tongue over your clit. you tug on her hair, grinding against her face as she swirls her tongue around your swollen clit. "fuck...need your fingers!" you cry, needing to feel her fingers filling you up.

she chuckles, taking two fingers and pressing them against your soaking wet entrance. you whine, wiggling your hips to get her to put them inside you. she gives in, smiling as you throw your head back and your lips part. "fuck, you're so tight...squeezing around my fingers..." she moans, wrapping her lips around your clit and sucking. you cry out her name, tears pricking the corners of your eyes from the overwhelming pleasure.

she curls her fingers deep inside you, tongue repeatedly flicking against your clit. "m'so close...you're gonna make me cum!" you shriek, body tensing as she moves her fingers faster. "that's it baby, cum on my fingers." she encourages, sucking your clit to add to the pleasure. you chant her name, your back arching and tears streaming down your face as your pussy spasms around her fingers. she slowly fucks you through your orgasm, releasing your clit and giving it a few kitten licks before pulling her fingers out and sucking every last drop off of them.

your eyes finally open, heart pounding as you try to catch your breath. "god, how did i go so long without having you eat me out?" you tease, pulling her into a tight hug. she laughs, pressing a soft kiss against your lips. "i'm gonna be eating that sweet pussy out every day so you better get used to it." she teases back, cuddling with you on the couch. "mmm, well i'll be looking forward to it." you chuckle, snuggling into her arms as you both enjoy each other's company.

#kpop smut #wlw smut #aespa #aespa smut #aespa x fem reader #aespa x reader #aespa x you #giselle smut #giselle x you #giselle x reader

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msmk11 · 1 month ago

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From @franfineashell

I looooove BFM, it was every bit of satisfying !!!! Would you be open to an epilogue or y/n finally seeing Wanda for the first time during a break or a surprise visit??

From @xenaizogie

Hey mk! I have a request for best friend's mom... Can you write yn surprising Wanda with a visit, yn wants to take her on a date to the movies but they are so excited to see each other again they may not even make it out of the house all weekend... Spicy fluff please 🙃

————————-

Best Friend’s Mom-One shot

- Series Masterlist -

MILF!Wanda Maximoff x fem!reader

WC: 1.3k

CW: Hint of smut/allusions to smut; age-gap (legal and consensual)

A/n: Thank you both for requesting and being so patient with me! I combined your requests because they were so similar :) Hope you enjoy!!

It’s been nearly a month since you and Wanda got together, and it’s been the most wonderful month ever. Well, at least as wonderful as long distance can be. With your one month anniversary coming up, as well as the fact that you desperately miss your girlfriend, you decided that you were going to surprise Wanda with a weekend-long visit.

The drive to her’s feels painfully slow, and you’re a bursting ball of energy by the time you pull up to her house. You park on the street and hope that the roaring engine didn’t alert her to anything suspicious. You sneak up the driveway and inhale deeply as you stand on the front porch, hyping yourself up to knock.

You rap the door with your knuckles thrice and lean back on your heels, anxiously awaiting for Wanda to appear.

The door clicks unlocked and your heart jumps to your throat at the sight of the redhead.

“Hello I- Detka?!”

A huge grin spreads across your face, “surprise!”

Wanda laughs, surprise evident in her voice and she steps onto the porch, pulling you into her arms and peppering kisses all over your face.

Giggles bubble up and you feel heat rush to your cheeks at all her lovely affection.

“What are you doing here, baby?”

“I wanted to surprise you and visit for the weekend, I hope that’s okay?”

“Detka that’s more than alright,” she says softly, pressing a passionate kiss to your lips.

You hum happily against her lips and grip her hips tightly.

Though you’re eager for more she pulls away, “wouldn’t want to scandalize the neighbors. Let’s go get your stuff and take this inside.”

Reluctantly you agree and follow her to your car to grab your backpack and travel bag. She takes both before you can protest so trail you beside her like an eager puppy.

As soon as the door shuts, shielding you from the outside world, Wanda is back on you, pressing you up against the door.

“Missed you so much Detka,” she groans, sliding her hand under your shirt eagerly.

Her touch sends a shiver up your spine and you wrap your fingers through her belt loops gently, tugging her closer to you, “Been thinking about you constantly, Wands.”

She trails kisses down your neck and a happy sigh escapes you.

Wanda places a gentle kiss to your lips again and pulls away, “As much as I’d love to take you right now, I wanna see you first, Detka…to really appreciate that you’re actually here, in my house, just you and I.”

“Why don’t you give me a tour?” you suggest gently, “I’ve never actually been here before, you know.”

“A grand tour you shall receive then.”

The redhead slips her hand into yours and grabs your bags with the other. She pulls you up the stairs, briefly giving you a glimpse into Billy and Tommy’s rooms before walking down the hallway to what you assume is her room.

“Well, here we are, the guest room. You can settle in.”

You freeze and look at her with a slight smirk.

“What?”

“You’re gonna shove me in the guest room? What am I? Your mother?”

She raises an eyebrow at you playfully, “I was just trying to be respectful and give you your own space. I also didn’t want you to think I was just sharing a room with you to use your body.”

The playful glint in her eyes and the spread of her pink lips as she smiles makes your heart leap, “Oh please, sweetheart. Use me for my body. I won’t be offended.”

You don’t have to repeat yourself, Wanda quickly dragging you down the hall to her room and well… Using you.

*****

Emerald green is the only color you see as you stare into your girlfriend’s eyes intently. You could get lost in them forever- the sensation not far different from wandering aimlessly through a lush, green forest. Wanda traces her finger gently over your bare hip as she holds your gaze just as intensely, her stare a mixture of fading lust and something more.

She wraps her leg over you, pulling you closer to her body so that your noses are touching.

“Hi,” you say softly.

The redhead smirks and chuckles softly, “hi Detka.”

“You know I really need to pee,” you murmur.

“Why don’t you?”

“Cause I don’t want to leave your arms…And also because I’m not sure I could walk.”

You admit the last part much quieter, heat rushing to your cheeks.

“You should’ve just said something baby. I could’ve carried you.”

Wanda’s teasing you, you know that, but you also see a little bit of sincerity in her eyes and it makes your stomach erupt in butterflies. You think she’s just about the sweetest person you’ve ever known and you feel so grateful to be the recipient of even just a shred of the love she has to give.

Your eyes trail over her smug face, “I don’t think I can give you the satisfaction…”

She squeezes your hip tightly as her eyes darken, “You know, Detka, you still seem a little too coherent and capable for my taste. I don’t think I did a good enough job if you think you have even a chance of getting up and walking.”

“Wands-”

The breathless murmur escapes as she leans in, leaving a bruising nip to your jaw. Her hot hands begin to dance across your skin and your body reacts severely, still sensitive from before.

“Baby-“ she moans gently, sucking at one spot on your neck.

You buck her hips into yours, “Wanda, I need you.”

“Shhhh, I got you Detka,” your girlfriend whispers hoarsely. She flips you two over so that she’s hovering above you, just barely out of reach.

“Sweetheart I-“

Wanda slots her thigh between yours, providing relief before pressing a searing kiss to your lips.

*****

When you finally collapse in exhaustion on top of Wanda you’re sweaty, limp, and dazed- the only movement your chest rising and falling as you pant heavily.

Your girlfriend places a gentle kiss on your shoulder, this touch much much gentler than just a few moments ago. You nuzzle into her neck and she wraps her arms around your waist, her skin on yours comforting and warm.

“This is much better baby,” she mumbles into your hair as she kisses your head. “Can I carry you to the bathroom now?”

An incoherent whine is your only response and she chuckles, “come on sweetheart, we gotta clean up.”

You cling more tightly to her and she chuckles as she shuffles up, pulling you with her. She does, in fact, carry you to the bathroom and deposit you onto the toilet while she runs a hot shower for the both of you. As steam fills the air you slowly come-to more. You lovingly examine Wanda as she preps for you both, fondness oozing from your chest.

Your phone buzzes softly on the counter and you pick it up, checking your notifications.

A soft gasp escapes you.

“What’s wrong, Detka?” The redhead asks, concern in her tone.

“We missed our dinner reservation.”

She looks at you, confused, “Our dinner reservation?”

“Yeah, I booked us a spot at this nice place I read about. But we should’ve been there…now.”

Wanda approaches you and crouches down, “I’m sorry baby. I didn’t know I-”

You cut her off by kissing her deeply, “My love, I’m not mad.” Your eyes trail over her body momentarily, “Seriously. It’s no harm no foul, so long as I get to spend time with you.”

“I’ll still make it up to you,” she says with a gentle smile.

And over the course of the weekend, she does.

——————————————————————————

Tag list: @xenaizogie @alexawynters @eclipse727 @idkwhatever580 @opp-jumpscare @starynn @alessiaswifey @noturlondonboy @chickenlittlsblog @lizzieolsen89 @xxxtwilightaxelxxx @unity-rae @traveler-at-heart @wandasreallover

#wanda x you #wanda maximoff x reader #wanda maximoff smut #wanda maximoff fanfiction #wanda maximoff fic #mcu wanda maximoff #wanda x reader #wanda mcu #wanda marvel #wanda maximoff #wanda maximoff x fem!reader #wanda maximoff x female reader #wanda maximoff x you #wanda maximoff x y/n #wanda maximoff fluff #marvel fanfiction #marvel fic #mcu #best friends mom

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natsgrave · 2 months ago

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MEAN IT | scarlett johansson

on your lips just leave it, if you don't mean it. i do not give permission for my work to be copied or translated on other sites. plagiarism is a crime!! main m.list whispers of heartache m.list

Y/N and Scarlett had always been the couple that everyone admired. Their relationship was often described by friends and acquaintances as "perfect." Living in a cozy apartment in NYC, they had spent two wonderful years together. Their relationship was marked by sweet gestures, tender moments, and an unwavering bond. Scarlett, who was known for her strong and assertive personality, was always soft and gentle when it comes to Y/N. Every day, without fail, Scarlett would make Y/N feel special, telling her how much she loves her.

Every morning, Scarlett would wake up before Y/N, slipping out of bed quietly to prepare breakfast. She knew Y/N loved pancakes, so she made them from scratch, humming softly to herself as she worked. By the time Y/N woke up, the smell of freshly brewed coffee and warm pancakes filled the apartment.

"Morning, sleepyhead." Scarlett would say, a smile lighting up her face as Y/N shuffled into the kitchen.

Y/N would smile back, eyes still heavy with sleep. "Morning, love."

Scarlett would set a plate of pancakes in front of her, sitting down across the table. "Eat up. You've got a big day ahead."

Y/N would take a bite and sigh contentedly. "You always know how to make my mornings better."

One day, while Y/N was at work, Scarlett decided to surprise her with lunch. She knew Y/N had a hectic schedule, so she packed a homemade meal and headed to her office.

When she arrived, Y/N's eyes lit up with surprise and delight. "Scarlett! What are you doing here?"

"I brought you lunch," Scarlett said, holding up the bag. "Thought you could use a break."

They sat together in the small break room, sharing stories and laughter. Y/N couldn't stop smiling. "You always know how to brighten my day."

On Sundays, they had a tradition of spending the day in their pajamas, doing nothing but lounging around the apartment. Scarlett loved these moments, where they could just be themselves without any distractions.

They would cuddle on the couch, watching movies or reading books. Scarlett would often glance over at Y/N, who would be engrossed in her book, and feel a surge of love and gratitude.

"I love you, you know that?" Scarlett would say, brushing a strand of hair from Y/N's face.

Y/N would look up, her eyes sparkling. "I love you too, Scarlett. More than anything."

In the evenings, they enjoyed taking walks around their neighborhood. The city was always bustling, but in those moments, it felt like it was just the two of them.

Hand in hand, they would walk and talk about their dreams and future plans. Scarlett loved these conversations, where they could dream together.

"Do you think we'll always be this happy?" Y/N would ask, looking up at the stars.

Scarlett would squeeze her hand. "I know we will. I'll make sure of it."

On their anniversaries, Scarlett always went all out. One year, she surprised Y/N with a rooftop dinner. She had decorated the space with fairy lights and candles, creating a magical ambiance.

Y/N's eyes widened as they stepped onto the rooftop. "Scarlett, this is amazing!"

Scarlett pulled her into a gentle embrace. "Only the best for you, my love."

They danced under the stars, holding each other close. Scarlett whispered sweet nothings into Y/N's ear, making her giggle and blush.

"I can't believe how lucky I am to have you." Y/N said softly.

Scarlett smiled, kissing her forehead. "I'm the lucky one."

Some of their best moments were the quiet nights in, where they would simply sit together and enjoy each other's company. Scarlett loved to play with Y/N's hair, weaving it into intricate braids.

"You're so good at this." Y/N would murmur, her eyes half-closed in contentment.

Scarlett would chuckle softly. "I just like playing with your hair. It's so beautiful, just like you."

Y/N would blush and lean into her touch. "You're too sweet, Scarlett."

Scarlett had a habit of leaving little notes for Y/N around the apartment. Whether it was a simple "I love you" or a longer message expressing her feelings, these notes never failed to make Y/N smile.

One day, Y/N found a note tucked into her bag that read, "Thank you for being the light of my life. I can't wait to see you tonight."

Y/N felt a warmth spread through her chest. Scarlett always knew how to make her feel cherished and loved.

Sometimes, they would stay up late into the night, talking about everything and nothing. Scarlett loved these moments of vulnerability and openness.

"Do you ever think about the future?" Y/N would ask, her voice soft in the darkness.

"All the time," Scarlett would reply, taking Y/N's hand in hers. "And every time, I see you in it."

Y/N would smile, her heart swelling with love. "I can't imagine my future without you."

Whenever Y/N felt insecure or anxious, Scarlett was always there to reassure her. She would hold her close, whispering words of comfort and love.

"You're amazing, Y/N," Scarlett would say, her voice firm and sincere. "Don't ever doubt that. I love you more than anything in this world."

Y/N would nod, feeling a sense of calm wash over her. "Thank you, Scarlett. I don't know what I would do without you."

Every day, Scarlett made it a point to remind Y/N of her love. Whether it was a kiss on the cheek before heading out or a sweet text message during the day, she never let Y/N forget how much she meant to her.

One morning, as Y/N was getting ready for work, Scarlett wrapped her arms around her from behind.

"I love you," Scarlett whispered, kissing the back of her neck. "Don't ever forget that."

Y/N smiled, turning around to face her. "I love you too, Scarlett. More than words can say."

Despite all these sweet moments, Y/N noticed a change. Scarlett became distant, preoccupied, and often seemed lost in thought. Her usual warmth replaced by an unfamiliar coldness. It started with missed calls and shorter texts, and Y/N couldn't shake the feeling that something was wrong. The final straw came when Y/N stumbled upon a message on Scarlett's phone from Addison, Scarlett's ex of ten years.

Y/N's heart sank as she read the messages. They were friendly, but there was an undeniable familiarity and intimacy that made Y/N's blood run cold. She decided she couldn't stay silent any longer. That evening, as Scarlett walked through the door, Y/N confronted her.

"Scarlett, we need to talk." Y/N said, her voice trembling.

Scarlett looked up, her expression guarded. "What's wrong, baby?"

"I found messages from Addison on your phone," Y/N began, trying to keep her voice steady. "Why didn't you tell me she was back in your life?"

Scarlett's face paled, and she took a deep breath. "I didn't think it was a big deal. We're just friends now."

"Just friends?" Y/N's voice rose. "Why have you been so distant then? Why didn't you tell me about her?"

Scarlett sighed, running a hand through her hair. "I didn't want to worry you. Addison came back into my life suddenly, and it's been... complicated."

"Complicated how?" Y/N pressed, tears welling up in her eyes.

Scarlett hesitated before finally speaking. "Addison reached out to me. She wanted to meet up, and... I didn't hesitate to go. We've been seeing each other as friends, trying to be civil." Scarlett admitted, avoiding Y/N's gaze.

Y/N felt a sinking feeling in her chest. "Civil?" Y/N repeated, her voice breaking. "It doesn't seem like just civility, Scarlett. You've been distant, you've changed! What's going on?"

Scarlett looked at Y/N, pain etched on her face. "Seeing Addison again brought back a lot of memories, Y/N. Feelings I thought I had buried. We talked, and it was like we never lost communication. All the old feelings came rushing back."

Y/N's heart pounded in her chest. "What are you saying, Scarlett?"

"I... I still love Addison," Scarlett said quietly, the words hanging heavily in the air. "Seeing her again brought everything back."

Y/N felt like the ground had been pulled from under her. Tears welled up in Y/N's eyes. "So, in the two years we've been together, she was always in your heart? Then where was I, Scarlett? Did I ever mean anything to you?" she asked, her voice barely above a whisper.

Scarlett closed her eyes, a single tear escaping. "You were never there, Y/N. I thought I could move on, that I could love you the way you deserve. But it was never fully you. It never became you."

The room fell silent as Y/N absorbed the painful truth. Her heart shattered into pieces. She had given everything to Scarlett, only to find out she was living in someone else's shadow.

"Why didn't you tell me sooner?" Y/N whispered, tears streaming down her face. "Why did you let me believe we had a future together?"

"I thought I could make it work," Scarlett replied, her own voice breaking. "I didn't want to hurt you. I thought if I just tried hard enough, I could let go of Addison."

"But you couldn't," Y/N said, her voice hollow. "And now I'm the one who's left broken."

"I'm so sorry, Y/N." Scarlett apologize.

"It's like, last night we were more than fine." Y/N said, letting out a teary laugh, "You only let me hold you because she can't."

"Forgive me, Y/N." Scarlett said, reaching out to touch Y/N's hand, but Y/N pulled away, her eyes filled with hurt and confusion.

"Don't mess with my head," Y/N shook her head, anger and hurt mingling in her voice. "You shouldn't have told me you're falling if your feet is still on the ledge."

Scarlett stepped closer, her eyes pleading. "I need you, Y/N. I need you in my life."

"Don't tell me that you need me," Y/N shook her head, stepping back further. "You can't keep doing this to me. You can't keep saying you need me when you still have one foot in the past."

Scarlett tried to approach Y/N again, leaning in to kiss her forehead, but Y/N stepped back, holding up her hand to stop her. "Don't kiss me, no, don't kiss me right now."

Scarlett's eyes filled with tears. "I'm sorry. I'm really sorry. I tried to move on, I tried to be the person you deserve, but I couldn't. Addison's presence brought back so many memories, so many feelings."

Scarlett's tears fell freely now. "I never meant to hurt you, Y/N. I thought I could love you and let go of Addison. But I failed. It was like old times, like no time had passed. We talked, and the spark was still there. I fell in love with her all over again. I'm so sorry. "

Y/N's heart shattered even more at Scarlett's words. She turned away, unable to bear the sight of the woman she loved admitting she loved someone else. "How could you do this to me? To us?"

Scarlett's voice was barely a whisper. "I'm sorry. I wish I could change how I feel, but I can't."

Y/N wiped her tears, her voice cracking. "I thought we had something special. I thought you loved me."

Scarlett stepped closer, desperate to make Y/N understand. "I do love you. But my love for Addison never went away. I thought it had, but I was wrong. I never meant to hurt you."

Y/N's voice was filled with resignation. "But you did. You hurt me more than I ever thought possible." Y/N took a deep breath, wiping away her own tears. "Scarlett, I loved you with everything I had. I gave you my heart, my soul, and you couldn't even see me. You were always looking back, never fully here with me."

"I know. And that's my biggest regret."

Y/N nodded, her resolve firming up. "I can't do this anymore. I can't keep pretending that everything's okay when it's not. You need to figure out what you really want, Scarlett. Because I can't be in a relationship where I'm second best."

Scarlett's heart broke as she realized the finality in Y/N's words. "I love you, Y/N. I do."

Y/N looked at her, pain etched across her face. "On your lips just leave it, if you don't mean it." she said softly, her voice breaking.

With that, Y/N walked out of the apartment, she felt a mix of anger, sadness, and confusion. The place that had once been a sanctuary now felt like a prison. She didn't know where she was going, but she knew she needed to get away from the pain, from the memories, from Scarlett.

Scarlett was left standing alone, the weight of her choices heavy on her shoulders. Scarlett watched Y/N leave, her own heart heavy with regret. She knew she had made a mistake, one that had cost her the most beautiful thing she had ever had. But it was too late. The damage was done, and she was left to face the consequences of her actions alone. As Y/N disappeared into the night, Scarlett knew that she had lost something irreplaceable, and she had no one to blame but herself.

As Y/N walked through the bustling streets of New York, the city lights blurred by her tears, she knew that she would have to find a way to heal from this heartbreak. She had loved Scarlett deeply, but in the end, it wasn't enough. Now, she had to learn to love herself again, to find her own way in a world that had suddenly become so much darker. She needed to figure out her own feelings and decide what to do next. All she knew right now was that her heart had been shattered, and it would take time to heal.

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turnstileskyline · 1 year ago

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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a-ikuoliver · 1 year ago

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𝐰𝐡𝐚𝐭'𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐬𝐜𝐚𝐫𝐲 𝐦𝐨𝐯𝐢𝐞?

what's your favourite scary movie? | k. bakugou— k-atsukibakugou

finally convincing one of your best friends to come to the 30th anniversary re-release of scream, he figures out one of your best-kept secrets

pairing: bakugou katsuki x f!reader w/c: 4.9k warnings: femme reader (called girl, has a pussy, wears makeup n a skirt), death threat kinda lmao, public & unprotected sex, blood mention, knife mention, reader implied to be recon/stealth hero, not beta’d bc i got nervous and we die like men, this is like all lead up my b notes: HAPPY LATE HALLOWEEEEEEN this is sorta inspired by @katsukikitten's post and um i have no explanation for this i was possessed by that post n my fat crush on katsuki and I KNOW scream came out in 1996 imagine the timelines line up lmao crossposted to ao3 • masterlist • recent wips & updates • kofi • askbox

“pleaaaase?” you’re too aware you’re whining, your bottom lip stuck out in a pout, probably only one more emotionless denial away from getting on your hands and knees and begging the stoic hero, “i’ll owe you? i'll do anything you want!”

you caught the mischievous sparkle in his eye at your promise, dropping your head in desperation to your hands still clamped together like you were praying, one final time, you pleaded, “please? it’s the thirty-year-anniversary re-release! i can't miss it!”

bakugou made a sound like he was thinking over your request, eyes glancing between the two tickets in your hand, the blood red title printed at the top calling his name, and your pleading eyes, a gravelly hum low in his throat. his mind had been made up since you asked, already planning on watching the theatrical re-release, it was just his luck your favourite horror movie was his, too. but he didn’t plan on telling you that quite yet, revelling in your desperation after a third rejection; eijirou too scared of a slasher, denki already having plans for a different night, and sero scheduled to patrol.

“you’ll do anything i want just for a movie?” his voice was mildly condescending, but the twitch in his lips had you rolling your eyes and crossing your arms like a grumpy child bargaining with a guardian, “if that’s what it takes!”

exasperated, you throw your head back with a groan, about to turn to him and announce your forfeit when he beats you to it, pinching the extra ticket from your hand, a satisfied smirk painted on his lips, “i’ll pick you up friday night, ya owe me one.”

katsuki walked away without even waiting for your response, leaving you simultaneously frustrated at your friends toying with you, and cheering at finally having found someone to join you.

punctual as always in his adult years, katsuki was outside your door friday night half an hour earlier than when you told him to drop by and get you, fists banging on your door while you were still tugging your skirt over your hips, just getting the zipper up when you swung the door open, already growling at your friend standing in the doorway in front of you, “i heard the first thirteen times you knocked.”

you toyed with the hem of your shirt, stepping aside to let him inside, promptly looking him up and down to admire the casual outfit he wore, far different from the hero costume you were used to seeing on him, the simple black cotton stretching over his broad chest somehow emphasising the muscles there more than the tight costume. there was a hint of a necklace underneath the collar of the shirt, the thin line of silver glinting under the lowlights of your hallway, similar jewellery on three of his fingers, and his blond locks sitting normally, spiked up around his head, his undercut leaving his ears free to show off the handful of piercings there. glancing back up, your eyes locked on his glinting ruby eyes, already watching you drink him in, the eye contact only breaking when he tapped his heavy boots on the floor just inside your door, “quit whining, how long are ya gonna be?”

you rolled your eyes at his impatience, waving him off while fixing your hair in your reflection in the glass beside the door, “give me two minutes.”

you flitted back up the hallway, swift and silent as he was used to seeing you be, leaving him beside the door to take a glimpse around your living room, taking in the little plush ghostface sat front and centre on your couch, blood red felt stitched over its soft knife, a stack of novels beside the couch, a few titles he recognised as classics, and more horror novels he knew nestled between scattered romance titles. he heard a few more heavy bumps from your bedroom, just out of his view before you emerged once more, in a tight shirt, gorey graphic printed in the middle, a sweater thrown over your arm and boots looped in your fingers, a cute garnet charm dangling off the back of each loop of fabric, “you want me to fill up your car?”

your question had his eyebrows shooting into his hairline, “the fuck are you on about?”

“to repay you?” you asked dumbly, stepping closer to place your key in the lock, clicking it locked once your tall friend ducked under it and stepped outside onto the driveway. he sucked his teeth disapprovingly, unlocking his car with you bounding over to the passenger side, jumping into the seat to wiggle your boots onto your feet, he only dignified you with a response once he was seated on the dark leather, huffing out a grumpy, but demanding, “you’re not payin’,”

reversing from your driveway, he interrupted when you opened your mouth to argue back, “besides, i haven’t decided what i want from ya yet,” katsuki smirked at you, vermillion eyes darting from his rear view mirror to you when he propped his arm behind your headrest to make sure the road was clear, speaking again with all your focus studying the way his lips moved with every low syllable, “it’s more fun keepin’ you in suspense.”

head dropping from the clouds, you glared at him, unsure if you were more annoyed at his self assured grin or yourself for throbbing from it, leaning down to tie the lace of your boots, “fine, last time i'm offering though.”

katsuki shook his head, exiting onto the road towards the cinema, ending the conversation there, and leaving you both to settle into a comfortable air, sometimes dropping into silence, sometimes a casual conversation about your hero work until you reached the quiet theatre, arriving with plenty of time to spare before your screening. the lot was dead, nowhere near as busy as you expected it to be, katsuki parking with no one else beside him for at least twenty feet in each direction.

locking his car, you both made your way inside, side by side through the glass doors of the cinema, decorated for today with original posters, thin black fabric on the walls, the doors spattered with dark red fake blood, even the employee checking tickets adorning a flimsy ghostface mask. you were practically buzzing with excitement, squeezing his forearm when you saw the guy ahead, handing your ticket over for him to scan. the corner of his lip twitched in a grin, never seeing you geek out quite so much like you were right now, your eyes shining with excitement right up until he turned to face the fabric screen playing static.

the static soon faded into the production logos, and finally, the title screen; scream. you were vibrating in your seat, eyes glued to the screen so much you hardly had any of the popcorn he’d got for you both to share, only occasionally did you reach for the cup to take large sips, all without tearing your eyes from the screen. katsuki was even beginning to question the last time you blinked.

gradually, as the movie went on, he noticed your minute squirming more and more, first dismissing it as discomfort from sitting in the one spot too long, but the longer he fixated on you, the more he noticed your inability to remain still, your legs crossing and uncrossing every five minutes. your clothes rubbed against the fabric of the chair with every wriggle, the rustling having him observe you from the corner of his eye more than he watched the final act, deep red irises catching you swipe your tongue across your lips, your sparkling eyes darting around the screen, your black skirt doing nothing to hide the way your thighs were pressed tightly together.

your wide pupils reflected the carmine on the screen, heart eyes locked on the blood spattered slashers on the screen, your ears blocking out the monologue to focus entirely on the villain’s bloody face, lips just parting to release a short puff of breath you didn’t know you were holding in your heaving chest.

realising he was staring, katsuki clenched his sharp jaw and focused back on the crescendo of the third act, trying to ignore the way you kept writhing right up until the credits were rolling. you stayed fixated, entranced, for a minute longer, unable to hide your smile when the lights slowly turned back up, illuminating your shiny, plump lips and your hungry eyes. without wasting another second you started gushing over the movie without looking at katsuki, half of your words running into the next without so much as a breath between them, sounding more like the obsessive deku the longer you prattled on about the characters and theories.

you were still chatting his ear off when you both made your way down the carpeted stairs towards the exit, past the decorations and blood splatter once more, out of the dead theatre, spotting only one or two employees left cleaning counters and floor as you left, their costume discarded on the counter as they swept.

exiting into the night, a gentle icy wind blew through your body, making a shiver wrack your body. you gripped katsuki's wrist to drag him faster to his car, desperate to retrieve your forgotten sweater from underneath the passenger seat before your lips turned blue. your tugging did little to change his pace, his heavy boots stomping along the paved car park, illuminated only by the moon and a singular lit lamppost just outside the cinemas doors, his car shrouded in the darkness of the night, alone in the lot.

chirping as it unlocked, you swung the door open immediately, digging around under the passenger seat where you knew you’d dropped the sweater, not paying attention to your friend climbing into the driver's seat beside you, still rummaging around under the seat when he made a disapproving sound. finally getting hold of the soft fabric of the sweater, you pulled it from under the seat, and into your lap to untangle the sleeves of it while eyeing katsuki, catching the signature scowl gracing his lips, although this one seemed tinged with confusion, tongue clicking against his teeth as the dashboard made a beeping sound once more before it turned dark. you watched him try it once more with a frustrated curse, “useless fucking thing.”

you pulled the sweater over your head, confusion painted on your face now, too, as you watched him reach under the steering wheel to click the lock for the metal bonnet.

“what’s going on?” curiously, you leaned over to peer at the dashboard with him, watching his nimble fingers unbuckle his seatbelt and climb from the car.

“‘m not sure yet, battery might be dead.” he grunted, closing the driver's door to go around the front of the car. you watched him through the pristine windshield until he was blocked by the bonnet being lifted and locked up into place. you followed suit, meeting him around the front, scarlet eyes darted around the metal and tubes and batteries, a muscular arm flexing when he squeezed the metal in frustration, swearing once more.

“shit, i’ll need to call for a jump.” you watched him think, sadly studying the battery that was ruining your plans with your bottom bedside drawer. “oh.”

“wait in the car, i’ll call ei to come help us.'' without question, you nod, studying the way he leaned back on the car, pulling up the number pad, rapidly typing in both of your closest friends' number. sparing one last glance up at him, you caught the unreadable look on katsuki’s face, an expression of his you’d never seen before, crimson eyes glaring down at the technology in front of him.

climbing once more into the car, you relaxed as much as you could into the seat, slipping your heavy boots off your feet with your body thrumming, no way to sit comfortably with the way your pussy throbbed against the seam of your panties, your hips jolting forward whenever you sat a certain way, the slashers bloody ghost mask imprinted behind your eyelids each time you blinked. your cheeks were hot, embarrassed to be so desperate from a movie, but still praying eijirou would rush to save you both to solve katsuki’s problem and let you get home to fix yours.

you squirmed in the seat, your skin hot on the leather while you eyed the dark streets, hope growing in you with every car that drove down the street, only to be crushed when they continued past the cinema. waiting for a moment longer with quivering thighs squeezed together, you finally huffed and opened the passenger door, “katsuki? did he answer?”

a beat went by, nothing responded to you except the soft chirp of crickets nestled in the dark of the greenery sprinkled around.

“katsuki?” you repeated, your voice a bit louder, and still you heard nothing back, the silence interrupted by the vibrating of your phone.

left all alone, sweetheart? 12:41am

you reread the text from the unknown number with your heart in your throat, nervously watching a typing bubble pop up beneath it.

you climbed off the seat warmed by your body to take on the cool night in search for your silent friend, the skin of your thighs erupting in goosebumps the moment your light feet landed on the ground, wrapping tingling arms around your torso, you attempted to rationalise while you watched the bubble disappear. rounding the front of the car, you scanned the space in front of the car, expecting to see the hulking blond standing there, ready to jump out and scare you, instead, the spot was empty, not a trace he’d even been there to begin with.

brave little hero. you’re not the type to run headfirst into danger.12:42am

let’s play a game, see if you can win him back, sweetheart. 12:42am

your breath was knocked from your chest reading the text, your heartbeat deafening when you choked out his name once more, your tone painted with worry.

“i swear to god, if this is a joke i'll make sure no one hears from you ever again.” shivering, and not from the cold, your voice shook, wide eyes not conveying the threatening aura you were trying to achieve, nor your entire trust in this only being a joke.

and if you get an answer wrong i’ll make sure no one finds you. 12:42am

your blood ran cold feeling the phone buzz again, your face still shamefully warm when your cunt throbbed at the threat, fear and need settling in the pit of your stomach. sucking in a breath, you shouted at nothing, “fine!”

you’ll be a good final girl. 12:43am

if you’re smart about it. 12:43am

you crept around the car silently, sticking close by the lifted hood to scan the darkness around you, sneaking around the side to get back inside the car, desperate to get back to safety, wanting to think this through, to be smart about getting katsuki back by your side. seeing no one, you darted for the driver’s side door, tugging on the smooth handle with trembling hands, the lock unlatching only for a moment before being shoved shut once more with a strong, scarred hand planted on the window, causing you to squeal in surprise when the door slammed with a thud.

“wrong move, final girl,” his deep voice whispered in your ear, feeling like it was echoing all around you, his free hand clamping around your hip to keep your weak legs upright. your stalker smiled into your hair, ego swelling at how easily he had you worked up from a few threatening texts, “how wet are you right now?”

katsuki rasped, voice impossibly deeper, his nose bumping your temple when he spoke. heat flushed through your body, embarrassment pooling in your stomach, only adding to the drippiness of your needy pussy.

“what?”

“what?” he mocked, “you think i wouldn’t notice you humpin the fuckin air in there? what was it, sweetheart? the blood, or the fear?”

sharp teeth emphasised his final question, canines catching on your sensitive lobe, his hand tightening around your hip, pinning you hard between his thick chest and tumid car.

“i don't have any idea what youre talking about.” your voice was an uneven, unconvincing murmur, your breath fogging on the window in front of your face, blurring your view of him, bar a sliver of the cherry-red of his irises reflecting back at you. you felt the fervid heat of his eyes on yours as if there wasn’t a single obstacle between you and him, the burn of his gaze dropping down to your lips when you surrendered a shuddering breath.

“you don’t?” you shook your head, barely disturbing the air around you, more shy than you ever had been since knowing him, “that didn’t turn you on at all?”

you shook your head once more, your gaze averting to the ground beneath your feet, suddenly interested in the shine of the lamplight on his boots instead of his interrogating, knowing he already knew the answers to every question he asked you.

his calloused fingertips ran up your plush, pillowy thighs, blunt fingernails digging in at the peak, a mere inch away from your dripping core, “c’mon, final girl, tell the truth, and i’ll stop.”

he got impossibly closer, crowding over you with a thick forearm sliding around your waist, settling in where he remained still, the hairs on the back of your neck standing when you felt his gentle breath there. your hips jerked forward into his biting nails, surely leaving half-moon indent in the soft skin underneath them. you felt his cocky smile in your hair when a low mewl reverberated in your throat, your bitten lips smothering the sound almost imperceptibly, “please, don’t stop.”

katsuki heard you, his ears so attuned to your voice, he’d hear you in a sea of half a million people, loud and clear. still, he let his fingers drop further away from where you needed him, incessant in his teasing, “what was that? “please stop”?”

his hold around you loosened, his boot disappearing from your view when he took a step back, this time it was your fingers digging into the skin of his forearm, pulling him close to you, “no, katsuki, please don’t stop.”

he didn’t need to hear a single word more from you, his cock already straining against his pants hearing your shaky voice beg only twice for him. he cursed again, his fingers gliding over your skin, not going to deny you, or himself, the pleasure of dipping his fingers into your sopping cunt.

a high pitched mewl escaped you when he swiped his thumb over your slit, the soaking fabric still separating you two doing nothing to weaken the pleasure his skilled fingers brought you, enough to have your hips bucking into his hold again. katsuki’s devilish laugh tickles the back of your neck, your eyelids becoming heavy with need filling your veins, adrenaline keeping your heart beating loudly in your ears, and lightning through your body when he finally slips his fingers under the waistband of your panties, hardened fingertips free to touch your core any way he desired. snaking his free hand up your body, katsuki brushed the hair from your neck, letting his hand rest slackly at the base of your throat, leaving the junction where your shoulder met your neck free for him to plant his lips there, sucking your skin into his mouth, bringing your blood as close to the surface of your skin as he could without a buck knife of his own. you crooned, warm body melting into the blond’s touch, stumbling back over your own feet when he slid his hand under your skirt to pull you back a foot by your hip, holding you hard to his chest, a thick, powerful arm holding you upright. your lustful eyes were trained on his hand when it abandoned its hold on your throat, committing every flaw, divot, vein and scar to memory while he yanked the shiny handle, shoving it further out of his way with his shoulder before he let you drop forward again; missing his strength to keep your goo-like legs holding you up, you stumbled forward into the car, catching yourself on the driver's seat with your forearms, a stammer forced from your chest when you landed on your palms. you peer over your shoulder at him with wild, hazy eyes, adjusting yourself up on your hands, his hot hands pushing down on the small of your back to keep you firmly against the leather before you get too comfortable, marvelling at the feel of your hammering heart against the soft seat.

katsuki’s hands at the nape of your neck and the small of your back forced you to arch your back further, your plush ass pressing back into him when he lifted your head a couple of inches off the material by your hair, eliciting a high-pitched gasp from you, “say it again.”

there wasn’t a trace of a request in his tone, it was a simple demand, accentuated by the large hand pressing down harder on your back, contorting your body in an uncomfortable pose you’d be relieved of the second he had your approval once more, your trembling figure entirely in control of him despite his incredible strength holding you down.

“i need you, ‘ki, don’t stop.” your head fell forward, your ass pushed back against his hard cock, your stammer breathless but clear when you spoke, your shining lips parting to moan lowly when he released your hair to tease your core again, deft fingers fucking into you again, deeper than they were before when he was focused on taking your attention from the stupid slasher on the screen inside. now his attention was turned to having your pussy clenching him as soon as possible.

the blond behind you groaned, feeling your tight cunt hug his digits, squeezing like you were trying to swallow him deeper and deeper, mesmerised by the way you took him, your blushing, wanton face already marking the soft material of the seat with your foundation and he wasn’t even close to being done toying with you. you were already soaking after the little he was giving you, the movie and now his teasing ministrations having you dripping, hole clenching in anticipation; unnecessary for him to continue pumping his fingers in and out of you other than for his own lewd entertainment, needing to commit the sight to memory in case it never happened again.

“keep talkin’ to me, final girl, you want me to stop?”

you shook your head, your face buried in the crook of your elbow and your back arching into his touch, a long moan escaping you, getting closer and closer to cumming around his fingers, lewd squelching echoing in the dark night.

“you want me to fuck you like this?”

“mhm!”

“you thinkin’ of me or that pathetic slasher, huh?” katsuki's fingers curled as he whispered, forcing a choked gasp from you, any answer slipping from your mind when his fingertips grazed that sensitive spot inside you, your brain going blank, your vision turning white.

colour returned to your vision far too quickly, your bleary eyes snapping open, staring behind you where katsuki stood tall, one hand still pressing down on your back but no other part of him touching you, his wet fingers at his mouth instead of inside your aching pussy, sucking the two into his mouth, smirking down at your shocked face, one eyebrow raising when your mouth bobbed open and shut noiselessly.

“you’re not gonna be thinking of that pitiful ghostface when i fuck you,” the moonlight shining behind him cast his menacing face in darkness, only his eyes and sharp canines glowing from the shadows when he spoke, voice deep and gravelly with his own desire, unable to deny himself your sweet cunt any longer. his dexterous fingers working the shining steel button on his pants undone while you beam up at him, entranced by his bared teeth, narrow scarlet eyes watching you, blond locks hanging over his face when his stare shifted down, lining himself up with your sloppy hole, “you’re gonna be thinking. of. me.”

he sunk into you, word by demanding word, inch by salacious inch, until your eyes were rolling back into your skull, cock moulding your throbbing, silken cunt to the shape of him.

“katsukiiiii,” you panted, earning a sharp snap of his hips bumping your forward in the car across the seat, your soft sweater doing nothing but glide against the material, digging your fingernails into the soft leather, you tried to hold yourself still, an impossible feat against the strength of his movements.

katsuki’s hot hands seized your hips, pulling you back in time with him thrusting forward, his hips pressing into your squishy thighs hard enough to leave a dark bruise before he was pulling back out to fuck you hard again, his dominance making your pussy squeeze tighter around him, leaving you to helplessly cry out broken stammers of his name beneath him until your voice broke, your breathing growing faster, harder, with his movements, “oh-h, ka-katsuki, ‘m close.”

your slurring words had him fucking ever harder into you, helping you chase the orgasm you’d been desperate for since the second act, shifting your hips to have the head of his cock brushing the spongy spot deep inside your pretty cunt, hitting it again and again until you were squealing, creamy cum gushing out of you to collect around the base of his thick cock in a lewd ring. despite your spasming pussy, katsuki’s vice-like grip didn’t loosen, virile fingers splayed over your shaking hips, pulling them up to keep his pace, dragging his veiny cock in and out of you, watching your cum gather and drip down him to the ground below.

his cock felt like it was in your throat, every thrust forcing out garbled moans into the night air, even a deep sigh escaping the blond above you when your thighs twitched and trembled again. katsuki slid a hand up your spine from your hip, pushing your face back down with a strong grip on the back of your skull, leaning forward to grind deeper inside you, revelling in your muffled whine, watching the way your eyes widened before rolling back again, “you’re gonna cum again?”

katsuki’s mocking tone was uneven, tinged with his own impending end, but you still heard the cocky smile in his voice, his ego ever ballooning at the ease he worked you up, revelling in the warm squeeze of your thirsty cunt around his cock, more and more wetness dripping from you to collect around him. still, you nodded, too delirious to even try and deny the effect he had on you, your tense thighs and delirium only inflating his ego more.

“who makes you feel like this, huh?” his voice was a hoarse whisper now, thick eyebrows scrunching when you squeeze around him again, just from his voice and the stretch of his cock.

“you! you do, katsuki!” you choke out his name once more, your voice still muffled against the seat, his hand at the small of your back doing little to stop you standing on the very tip of your toes to swallow his cock deeper until he matched you with his own stammer of your name, pushing your head down harder as he stood up again, fucking rougher into you, faster, abusing your hole to get to his own end with you.

repeating his name like a mantra, your whole body tensed under him like you’d been shocked, a long whine of his name when you came intensely around him again, your high pitched keen making him follow suit, holding you firm against him, emptying himself into you, thrusting shallowly twice more to fuck his cum deep into you before he laid atop you with a low groan of his own.

you whimpered underneath him, your cunt still tight around him while you both started to calm, heart rates returning to normal, sweating skin cooling rapidly in the night air. you both laid still for a moment, bodies relaxing into the leather like you were in a liquid state, a soft whimper escaping you every so often as the last waves of your orgasm washed over you; similarly, katsuki remained still, gently releasing his grip on the back of your head to hold himself up above you before gingerly standing back up behind you, slowly pulling out of you with a soft wince at the sensitivity, glancing back up to study your face when you shivered at the loss of his warm body.

he leans over you to twist his keys in the ignition, the car starting with a low rumble, air blowing from the vents quickly warming both you and the car. you gawk up at him, stars still in your eyes when you connect the dots, “your car’s been fine the whole time?!”

he slides your soaking wet panties back up your thighs, snapping the waistband against your skin once they sat comfortably on your hips again,“obviously, the final girl’s supposed to notice that.”

“the final girl was a bit preoccupied.” you glare, gasping again when his fingers loosely loops around your throat to pull you up to stand in front of him again, lust dripping from his near-silent voice, “well, it’s just your luck the final girl owes me a favour…wanna see if you’ll survive the sequel?"

© all works belong to @a-ikuoliver, @gwen0m, and dlirious on archive of our own, do not plagiarise, translate, repost, feed my works into ai or recommend my work on other platforms, or bind my fanworks for sale.

#divider by me #katsuki bakugou x reader #katsuki bakugo x reader #bakugo x reader #bakugou x reader #bakugou katsuki x reader #bakugo katsuki x reader #「kat <3」#「mercury writes」#k-atsukibakugou

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certifiedlovergirlsstuff · 1 year ago

Note

ethan getting aggravated at reader for tiny things because of the stress from being ghostface

honestly was a bit hard doing this one. i did the best i could do (please don’t be mad) a little back story for their relationship and just small moments in the month leading to the stabbings. (i’ll be honest not super happy with this. i did the best i could, tried to make ethan seem manipulative in his words and actions.)

pairing: ghostface!ethan landry x fem!reader wc:3k

masterlist

you’ve know ethan landry since the first week of school when you bumped into each other in the dorm hallway. it was around one am, you were walking with your laundry basket sitting on your right hip while looking down at your phone in your left hand. your headphones blocked any sound as you were playing music and you didn’t think anyone would be up and about on a tuesday night, so it comes as a surprise when you ran into something solid and drop your freshly folded clothes and phone.

your mystery blockade held you right around the upper arm and kept you close to their body. your dazed wide eyes stared into a pair of bambi browns. his mouth was moving but you couldn’t hear, so you nudge your right side off your ear and asked, “what?” and he replied, “are you okay? didn’t see you coming.”

“uh…” eyes drifting to his harsh touch. mystery boy followed your eyeline and quickly released his palm from your skin. “sorry,” which he followed up with, “and sorry about your clothes. and phone.”

and you looked down to see your once organized stack now mixed together. you squatted to pickup your phone and luckily, no cracks.

“want some help?” and mystery boy was on the floor with you, hands reaching for your tops and bottoms before you held a firm palm out, “no!” yelling into the quiet hall. his bambi eyes widened as you cleared your throat, “sorry. no i’m fine. don’t want random boys touching my clothes.” an awkward smile at the end.

he stepped away with a brightness growing to his cheeks. “right. well i could make it up to you. buy you an icey? was heading to the seven-eleven anyway.”

now it was your turn to feel the heat in your cheeks. you kept your head down as you asked, “asking me on a date after this terrible meet-cute, mystery boy?”

and your hands stopped in their actions when he managed to stutter out, “ye- yeah. i’m- im asking you on a… on a date, laundry girl.”

two iceys at two am led to study dates, picnics in central park, or movie nights in each others dorms. it gave you kisses pressed to cheeks in waiting lines, clasped hands swaying behind moving bodies, lips dancing with liquor at a frat party, or bodies tangled in messy sheets.

and those moments all lead to now, the first week of october. a few days from hitting your three month anniversary. the two of you were laying in ethan’s bed since his roommate chad was out for the night while yours had her own sleepover with her partner.

ethan fell asleep with his head on your stomach and arms wrapped around your lower waist. your left hand carded through his messy curls while you scrolled on your phone with your right.

a low dinging filled the quiet square room. you thought nothing if it until it dinguned multiple times in a row before one long constant ring, a phone call. so you set your phone on your chest before grabbing ethan’s, thinking it was his dad you were thrown for a loop when the caller id read bailey (det).

“ethan. baby, wake up.” shaking his shoulder roughly. he groaned while nuzzling further into your sweater. “ethan, why is quinn’s dad calling you?” not understanding why he’d need a cops number.

“what?” ethan lifted his head while furrowing his brows.

“why did detective bailey call and text you multiple times?” keeping his phone from reach so he couldn’t escape the questioning.

ethan sat up, licking his lips and avoiding your eyes. “uh, he’s- he’s helping. with- with a report i filed.” innocent eyes peering into your surprised irises. “what? what happened?” sitting up yourself and reaching for his hands.

“it was an assault case. got jumped by a few guys couple days ago.” keeping his head down. your heart broke, “oh baby. why didn’t you mention anything? i would’ve gone with you to the station.”

ethan shrugged, still avoiding your eyes. “didn’t want to make a big deal out of it.” he sounded so small.

reaching a hand up you touched his chin to force his eyes to look into yours. “well i’m glad your safe now and unharmed. did they ever find who it was?”

ethan’s eyes darted to his phone, “probably what bailey was calling about.” “oh!” and you quickly handed over his phone. he smiled then leaned over to kiss your cheek, “i’ll be right back.” and he hopped out of bed and left the room to talk in the hallway.

that should’ve been your first clue that something was off with ethan. you don’t remember seeing him with any bruising or missing belongings in the past week, but the thought of him being assaulted drove your thoughts.

digging through ethan’s drawers

you were looking for a specific sweater of ethan’s for tonight. nothing special planned, but it was just one that felt right for the occasion, friday the 13th planning in central park.

you checked the different spots ethan keeps his clothes in, not finding your treasure. then moving to check his bins sitting under his twin bed. one held books and comics, a few collectibles from different franchises. the second held a few belongs from home, photos from childhood, something that belonged to his mom before she passed, birthday cards from family and friends.

you pushed it back to its spot then pulled the final blue bin out.

cracking the top off you squealed in delight. “yes!” finding the golden sweater, pulling it out of the hiding spot you held it to your chest and smiled down at the cotton fabric.

the door cracked open and you turned just to see ethan walking in from class, one strap on his shoulder before pocketing his keys. “ethan!”

he looked up with a smile on his lips before it dropped and he rushed over. “why are you looking here?” throwing the top back on before roughly shoving it away. your smile faltered, “i was looking for this sweater-“

“y/n i love you, but i’ve told you not to touch the stuff under my bed when i’m not here. i’m very… particular about this stuff.”

the sweater dropped to your lap, “sorry. i just really wanted to wear this tonight.” a hand touched your upper arm, “and i’m okay with that. just- just text me next time. so i don’t freak out, okay?”

a nod of your head.

scrolling through his phone

ethan always lets you scroll through his phone, he doesn’t care and doesn’t have anything to hide. until this month he started to get more defensive if you were to ask for the device.

“sorry i- i gotta make a call real quick.” “oh uh, i’m running low on data.” “don’t- don’t randomly text anyone.”

little excuses that you didn’t care too much about, but then your mind started to race and it led to one conclusion. ethan was cheating on you.

so when the two of you were at the library one day working on homework, ethan excused himself to go to the bathroom and he left his phone behind. and you were already regretting what you were gonna do, but you couldn’t stop yourself.

so you leaned over the table and swiped his phone open. you checked all the different ways that will tell you if he had any dating apps, which were none. so you went to his socials, checked all the dms he had with any girl, which were only you and some other girl. you didn’t recognize the username and couldn’t see much from the profile. so you clicked on the chat and before you could properly read through the messages it was snatched from your hands.

“what the hell, y/n!” ethan yelled. multiple shushes came and he shrunk into his shoulders before squatting to the floor to look up at you. “i’ve told you. i don’t want you looking through my phone.”

“why? got a second girlfriend i don’t know about?” not beating around the bush. his eyes widened, “what?” high pitched like a mouse.

“you were talking to some girl on instagram. does she go here?” standing your ground with this topic. arms crossed over your chest while glaring down at your ‘boyfriend’.

ethan sighed and rolled his eye, you noted, “no. it’s a very very old chat. from high school.” “then why are you getting defensive with me.” “defensive?” “sassy, whatever you want to call it. you rolled your eyes.”

he rolled his lips, “i didn’t mean it towards you. it was involuntary cause i didn’t believe you would think i’d cheat on you.”

your hands smacked to your thighs, “well cause you're doing this. keeping walls when there weren’t any before, not letting me into certain parts of yourself anymore.” you looked away from his puppy eyes, focusing on the shelves of books.

“hey,” his hands holding your kneecaps, giving a small shake. “i swear you are everything to me. there’s just… stuff… for a surprise. anniversary stuff.”

that peeked your interest. “really?” “yeah. and i don’t want you ruining the surprise.”

your hard demeanor softened, “well you could have just told me that… instead of yelling.” uncrossing your arms.

ethan linked your hands together, pressing kisses to the back of each hand, “i’m sorry. was just frazzled.”

ethan getting jealous

a week before the halloween frat party they decided to throw a pre-halloween party. you didn’t want to waste your actual costume so you just pulled clothes from your closet and dressed scandalous, fishnets with a short skirt and tight tiny top. when ethan greeted you outside your door his eyes immediately fell to your boobs and a blush colored his ears to his neck. you chuckled at your adorable boyfriend.

“you like?” giving him a twirl and smile widened at the low groan from ethan’s chest. his hands reached out to hold your hips just above where the waistband sat, “do we have to go? i don’t want anyone else to see you like this. could have a fun night staying in.” trying to pursue you with sex and as tempting as it sounds-

“nope, we’re going out. besides, if you really want a piece of this, we could just sneak into a room.”

by the time you and ethan got to the party where all your friends had been an hour before, the house was in full swing. music was blasting through the different speakers, people were whooping and hollering, and laying on the lawn while taking a nap. it was packed as the two of you squeezed your way to the kitchen, ethan kept one hand interwoven with the other resting on your lower back to keep you forward.

finally landing in the kitchen you get to work making drinks for both of you. there was a bowl of punch that was heavily spiked and you greedily poured two full scoops into the red solo cups. “woah, hey, hey. easy tiger, not trying to poison our livers tonight.” ethan moved the cups before you could think about adding a few more drops of vodka.

“i need to catch up. everyone is already getting buzzed, moving to drunk.” reaching for a cup and starting to chug it in one go. ethan’s laugh was crystal clear over the voices and music. with your last sip you lifted the cup into the air and hollered before refilling.

ethan took slow sips of his drinks as he watched you enjoyed yourself dancing with some friends. hair and boobs bouncing with the beat of the music, smile pulled tight as you shouted lyrics. ethan pushed himself from the wall, a little buzzed and ready to steal you away somewhere more private, but he stops short at this new sight.

a guy comes up behind you, palm resting on your exposed stomach and face leaning into your neck. you swayed your hips in a dangerous spot and the dude's hands traveled further south. ethan saw red. he abandoned his cup and pushed through the crowd, not bothering to keep his innocent good guy imagine right now.

ethan gripped the back of the guy's shirt and tugged him hard, his biceps straining against his shirt seams. you stumbled on your feet from the harsh force ripping ethan away from you. you swayed on your heel as you turned to the culprit and was puzzled when you saw ethan shoving at a guy you didn’t know. a crowd was watching the two of them yell.

you pushed yourself closer, able to hear some of ethan’s voice. “keep your hands off my girl.” the guy wore a smug smile and chuckled, “didn’t seem like your girl. was grinding on my dick, enjoyed my lips on her ne-“ and you gasped when you heard the hard smack of bone to bone when ethan threw a punch to his nose.

“ethan!” calling his name from behind. his eye were dark and hooded, nostrils flared with a snarl growing on his lips. ethan wrapped a hand around your wrist and started tugging the both of you out of the stuffy house.

“ethan, what the hell was that?” calling him out as you yanked your arm free of his gripping touch. he scuffed, “that? oh you mean punching the guy my girlfriend was grinding on? that’s what the hell it was.” and he turned away before walking down the street.

“ethan!” trying your best to keep up with his pace in your inebriated state. “ethan! i wasn’t dancing on him, i was dancing on you.” words getting sloppy. head feeling fuzzy, world tilting like a seesaw.

ethan stopped walking and turned. “what?! no you weren’t! that perv was your dance partner and if i didn’t get to you sooner it might’ve ended up worse!” he yelled as he stomped closer.

you shook your head, fog covering your thoughts. “no, no. i- i wouldn’t dance with anyone else. only- only you. i- i swear i thought it was you.”

“you said you know my touch, y/n! you should’ve know that wasn’t me!”

“well i’m a bit drunk right now, ethan! everything is being processed slowly. and i was enjoying myself, i- i didn’t think too hard.” stepping closer to ethan so you could touch his chest and peer up with wet eyes and cakey makeup, “let’s just- let’s just go back to your place. we could- could still have that- that night in you wanted.” slipping your hands down his chest to curl your fingers into his belt loops and tug him closer.

ethan’s cheeks were puffed and his pupils were blown turning brown into black. his fingers touched your wrist and you thought he was gonna take up your offer, but he pulls you away as he walked backward and looked at the concrete. “i think i need space for the night. don’t wanna have you thinking of him while fucking me.”

“but i won’t! i only think of you!” black tracks of mascara staining your cheeks, the only evidence of a horrible night and not waking up in ethan’s bed the next morning.

the next morning

you honestly weren’t sure how you made it back to your dorm, but you slept in your party clothes with makeup smudged into your pillowcase and phone dead on the floor. your roommate wasn’t around so you couldn’t ask her, and you were still pissed at ethan so you didn’t bother going over to his place.

with a groan you flopped to your back and stared at your ceiling for answers. answers on why ethan is suddenly being a dick over these tiny little things and a misunderstanding. he’s usually very caring and considerate when it comes to you. he wouldn’t have left you last night if this was a few months ago, he knows that you love him deeply.

as if the universe was giving you a sign there was three gentle knocks to your door before someone called out your name. “it’s- it’s ethan.”

you inhaled deeply as you closed your eyes, you had to hold the tears back. “go away, ethan.” a stickiness to your words.

you heard his sigh, “can- can we just talk? i’m- i’m really sorry about last night. i was pissed, but i shouldn’t have left you alone.” there was a full thump to your door.

you pushed yourself off your bed and made, what felt like a long trek, to your door and swung it open. ethan stumbled forward into your space, hands holding your biceps as you pushed at his chest. “yeah fucking asshole! i’ve told you multiple times how i feel unsafe at night, while sober!”

you shoved at his chest again before turning your back on him. you heard your door close and ethan’s steps followed, “y/n i'm really really sorry. i- i was being insecure and an idiot-“ “yes you were.”

he sighed, “i know you would never cheat on me. it’s just… i’ve never had a girlfriend and especially someone as beautiful as you. so i’m constantly worried someone is gonna take you away from me.”

hands rubbed at your tired face while looking back to ethan. his hair was a mess, still wearing the clothes from last night just like you. his skin looked oily and dark circles looked more purple. it hurt your heart.

“ethan, you should know i have eyes only for you.” “i do know that.” “then can you stop doing this douchebag image? i didn’t start dating you cause you're this big tough guy. i love the sweet, nervous, nerdy you.”

ethan made the first move to cup your cheeks, two sets of tired eyes. he leaned in to kiss your forehead first, then the tip of your nose. before he went for your lips he waited for a sign from you, all you need was to part your lips and ethan dove in. it wasn’t anything rough, it was gentle. pouring in a love you share for each other, an apology for the past few weeks for how he’s been acting. trying to make you forgive him for past actions and future ones to come.

a/n: …let’s not think to hard about this one

ethan landry taglist: @astrxq / @websterss / @teenagedramaqueenlisa

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