#happy 300!!!

[eridude]

redraw of goth john from last year. dunno how i feel.

(old drawing)

[harus-simp]

Ahhhh pookies!!!!!

We're already 300 people here??? That's actually crazy. I can't belived y'all have been so supportive and patient with me 😭

It has already been 5 months aprox since i opened this account and I can't believed how far I've came, this means so much to me thank you ❤️

I hope we can keep growing more and that I can progress as a writer too

Thank you 🥺🥺🥺

[jaes1lvr]

YAY LETS GOOO road to 400 🫡😝😝💘‼️

WOAJHHH!!! 300 FOLLOWERS 😭☹️ THANK YALL SM FOR 300 FOLLOWERS!! I seriously can’t thank y’all enough 😞 I can’t begin to explain how thankful I am..♥︎ I hope everyone will continue to support in the future!! Let’s continue on with some good luck and happy thoughts!! Take care of yourselves, drink some water and remember to always be nice!!

+++ NOTE! The animal event deadline will be extended to December 10th!

Fav blogs/moots! (Sry for the tags!): @y-vna @m-ime @i8sei @fleuwrei @w0nslovz @jaes1lvr @snflwwr @mxlly143 @sakkurify @k-hearts @nwtzy @eun-luv @111krna ++ more lovely ppl!!♥︎

[bobbiesquares]

[ronearoundblindly]

Yield

Steve Rogers x Avenger!Reader

a vague sequel to Warning Signs (not required to read before this)

Summary: Steve takes your mind off a recent tragedy for the team.

Fluff, hurt/comfort with emphasis on the comfort, references to death and trauma but not explicit, SEVERAL sweet kisses 😍. Adjusted (from its languishing, dusty doc) for @bigtreefest's Summer Lovin' Celebration using the elements: hand kink--although this work is for all-ages--and "ew gross, that's not what I thought would happen today"--except I fudged that a bit. You're welcome even though, yet again, no one asked for this! WC ~2.3k

It’s a dreamless sleep, the kind that feels like you blinked but hours passed. Awareness comes long before awakeness.

Your head aches. You feel as shriveled and puckered as you were laying in the bath tub, soaked but thirsty, letting water steadily drip between your paralyzed, parted lips for so long yesterday. Your eyelids are sandpaper, but they’ve not opened yet.

Minutes tick by—perhaps another hour—and you attempt to remember what’s happening or happened.

Two people died. Gone. Brought back in the belly of the same plane you arrived home in, they are now lost, lost somewhere dark like this, lost like you are for so long as you can stand to keep your sore eyes closed.

Well…you are home but not home all at once.

You’re in a bed, that’s clear, but the pillow isn’t your own. The scent is off. Heavy. Musky. Not unpleasant. Somehow still familiar.

You tick through snapshots of sullen faces trying to remember.

Over you lies a soft, thick blanket. Again not yours. Again pleasing. It has heft. It comforts without constraint.

The hardest sensation to figure out is your hands.

They are…sticky and weighted. You’ve sweat and clammed up upon yourself. Your hands are not clasped in each other. Why the feeling then?

It’s cold—or cool, rather—but not beneath the blanket. The contrast to the battlefield’s heat yesterday is stark though no less repressive. The external pressures of fighting have turned inward, pushing your emotions to the brink. Your won the fight, and after, you lost the war with yourself.

You remember losing that war alone, so what are you holding?

Finally, you look.

There’s someone else in this foreign bed, one of the faces from the sorrowful slideshow behind your eyes.

Steve Rogers sleeps beside you, recognizable only by his size and his crown of golden hair because his head is bent, his hands encasing yours. He’s pressed himself to the bundle of fists between you.

The numbness has yet to lift. That’s why it all reeks of distance and projected celluloid. Yesterday happened but only in that far away world playing on the back of your skull. All you can process as real is that he’s right there and you are right here, simultaneously.

You try harder.

You try to flood color and sound onto the memories until they come closer.

The mission, the deaths, the flailing sense of loss, the unending bewilderment of “what do I do now?”: they become…undeniably tangible. They happened, and they happened to you. You heard the captain promise to stay with you. You heard him…

He called you ‘sweetheart.’

That’s the first thought that stirs something soft among the sharp recollections. That’s when existence returns.

Rogers came to your room. He wouldn’t leave until you were safe. He took care of you, and he called you ‘sweetheart.’ In your months of working with the Avengers, the captain has never once casually assigned an endearment. He says ‘ma’am’ more often than not and barely has nicknames for the teammates he’s worked with for a decade. 

Everyone is Agent, Sir, or Miss. Your last name has always been enough.

You were none of those things last night. You survived a horrid battle, a crippling loss, and a solitude which almost drowned you; it’s silly to admit how he heals your wounds with one simple word.

Sweetheart. A warm cocoa hug to your chest. A gentle embrace. A guidance back toward the light.

Maybe he’ll never say it again. Maybe he meant nothing by it. He only tried to help you. He only wanted you to feel better. Since no one else was around, it’s an easy assumption that Steve simply—

Rogers.

He’s Captain Rogers to you. A coworker. A teammate. That’s all.

It’s difficult to even call him a friend because the man is so professional, so shy.

That shy professional probably saw you naked last night. Whoops.

You shimmy deeper under your covers, tilting your gaze down to the shirt and shorts Rogers dressed you in—his shirt and shorts—but those movements stir the man with your hands.

In a split second, you clamp your eyes shut again and wait in the dark, fighting not to twitch at the dry-sand prickle.

He shifts with a quiet scratching of the sheets, and he sighs, the hot air grazing your knuckles.

One traitorous eye gives a curious peek.

Rogers’s head cranes back to show his sleepy smirk.

“Morning,” he rasps, blinking slowly. He ducks away again to yawn, his face stretching to life, before softly continuing. “How you feeling? Can I getcha anything?”

You tuck your lip under and say nothing. Words have left you.

After allowing the pause, Rogers lets go of your hands, cold flooding your damp skin.

“I’ll get us some water then.”

He doesn’t rumple your blanket. He doesn’t hold eye contact. He just dutifully rolls out of his bed and gets two glasses.

The paralysis is making you quake slightly. What do you say? Will he take you out of the field for this? If not already, will he bench you from how you act next? How will you act next?

He leans a knee onto the still-warm spot he abandoned and tsks.

“Come on. Couple of sips and I’ll leave you alone. Sleep all day if you want, but first—“ He inches the offered water closer.

You rake your eyes up his arm until meeting baby blues.

“Do you mean—“

Rogers’s phone rings. “Shoot, sorry. One second.” He plunks both cups down on his bedside table and answers quickly. “Yeah, Sam, I—no, no run today, I think… Seen her? Um, yeah, she’s…she was—“ glancing back at you over his shoulder, he pulls his hand over his mouth in thought “—I’ll look in…okay, sure thing. Talk later.”

You’re offered another smile and chance at water. “Where were we?”

“So this is where you go to be—“

The failed observation echos in the garage while Captain Rogers kneels by his bike (one of half a dozen). You can’t say ‘alone’ since you’re here, too, so you awkwardly kick your feet over the edge of the steel table he told you to sit on.

Captain America is important enough to be assigned one of the coveted, private garages along one side of the jet hangar, and he assured you, no one bothers him as soon as he closes that door. Where else was he supposed to take you? It’s hot outside, just like yesterday, your room is still trashed, and his room is not exactly neutral territory.

Rogers simply smiles, ticking his head to one side. “Hand me that socket wrench?”

Quick as a rabbit, you hop down, and suddenly, as his fingers drag the cool metal handle from yours, you get it. You forgot all about everything for a split second.

“Thanks, sweetheart,” he whispers, smile still gentle, eyes still brilliant blue.

Your insides swoop more than the mid-air jump from your perch. You tuck your lip in your teeth to stifle the glow threatening to shine out. It feels wrong. You can’t be happy today. You shouldn’t. It’s not right.

Right?

Twice. Twice now he’s slipped. Maybe. Yesterday is mostly a blur. It’s hard to imagine he means to say that. It’s not like the captain to be kind. Well, of course Steve is kind, but in a professional way, a distant way. Instead, this is a tender sort of kind, tenderness like holding onto your hands while you sleep.

He’s watching your every reaction, probably to make sure you don’t fall apart again, probably to make sure you don’t shut down entirely, but you’ve a new focus: him.

“Help me?” Rogers asks, tongue swiping out, nervous. “If you want,” he adds with a shrug.

You shrug, too, but sit on the floor next to him.

He exudes unending patience, explaining the basics of what he’s working on, mentioning nothing when you clearly zone out. You lose whole minutes to either staring at him or staring at nothing. More flashes of yesterday overtake your vision from time to time, even though your eyes are open.

“Should have taken you to the infirmary,” he mutters as you shake off your latest blip.

You drop the tool dangling in your limp hand, and despite knowing there’s an object falling to the concrete floor, you jump violently at the clattering it makes.

You grip at your temples, shielding your face. “Perhaps you should have.”

A warm, steady hand lands on your knee.

“I can finish up here and take you.” He hurries to do something on the bike, and you’re sure he’s about to send you for a psych eval.

That’s the last thing you want. You have to convince him you are fine, better than fine, strong.

You grab for his wrist to get his attention back, but the move makes him twist a cap too hard and thick brown oil comes steaming out all over both of you. It drips from your forearms down and splashes from the drip pan up, the flow quickly tapering off with a thick glug from the pipe.

“Ew, GROSS,” you blurt without thinking. You resist the urge to shake it off. No need to cover more of the room in your shame. “Sorry, Cap. I—That was—“

“No, no.” He’s just laughing, thank goodness. “My fault. Was gonna change that anyway…in a couple months. You alright?” He waits for a nod. “Let’s get this mess off at the sink, yeah?”

Rogers carefully points to the corner. You maneuver onto your feet and alternate raising and lowering your arms, thick rivulets threatening to paint the floor if you let the oil run too far in one direction.

“Wipe what you can off with the towels first.”

You sort of knock the roll over and nudge it across the counter. A strategic elbow turns up the tap and depresses the soap dispenser.

“‘Steve’ is fine,” he says as he massages lather over your palms, “by the way.”

You’re damn right Steve is fine.

Your breath catches while he continues to work the oil off your skin, avoiding eye contact.

After a minute or so, rubbing around and down your fingers, specifically scrubbing along your nails, he clears his throat.

“I’m glad it wasn’t you—“ Steve concentrates on circling each knuckle “—horrible as that sounds.”

You take control of the hand helping you, applying pressure as you feel a small tremor rattle the fine bones, unable to see the clear truth of his words beneath righteously long lashes.

He lets you wash him for a while, rubbing between his fingers, scrubbing along his nails, lathering over his palms.

His voice is so quiet, a low breeze from the distant, retractable ceiling letting in the world.

“Not supposed to say that,” he rumbles, inches away at most, “diminishing as it is to the dead.” Steve halts you and slides his hands up your forearms. “But that’s the point, yeah?” He looks up finally. “Focus on the living…”

You’re frozen, hanging on every word you’re convinced he can’t be saying.

“Is that a quest—“

Steve’s long lashes descend to narrow his path, supple lips grazing yours for the briefest moment before a curt “no.” He moves in for a proper kiss then, head tilting to take full advantage of your shock. A new shock. A different kind of shock from the one you’ve barely recovered from since…

Twenty-four hours. Horror. Sweetheart. Limbo. Sweetheart. Bliss.

He’s right. The heat of him signals life and passion, desperation and spirit for the best kind of danger: a leap of faith from the heart.

A sweet heart.

It’s at this shocking and romantic turn that you realize, you’d follow him anywhere, just as he’s followed you onto a doomed battlefield, into your chaotic mind, into a cold and lonely shower. You had nothing but doubt; he offered nothing but hope.

Your weight leans into the clutch of devoted sinew and reverent tendons. Steve takes that as a welcome encouragement.

One day it might be him or it might be you, and as difficult and painful as that would be, it helps to focus on who is still here. Both of you. Together. Now.

He’s lavish and indulgent, intense because his wet hands can’t pull you closer. His tenderness and decency saturate every atom of connection between you. Each generous touch conveys something undying and pure.

Your hold on each other slips in the running tap when Steve get a little greedy, his body pinning yours to the rim of the sink.

Immediately, he apologizes, retracting into a shell of chivalry and sympathy.

You swallow to compose yourself, minimal effect achieved.

After a fair few thundering heartbeats pulse past you ears, you manage, “that’s not what I thought would happen today.”

The baby blue irises are the picture of horror. “Bad? No?”

Steve steps back only once before you follow.

“Why me?” you counter softly.

He huffs in his infinite patience with you and rolls his eyes in disappointment with himself. Steve hangs his head, propping his arm on either edge of counter nearest him. A dark, bitter chuckle escapes before he finally confesses.

“Because every other day I feel very little, but with you, I want so much more.”

Is this how you looked to him yesterday? A raw wound begging for help in blinding light? Did he have this fear that he couldn’t offer enough?

It is enough though. It has to be enough to try for what you want, to live even in kindness and duty. He’s taken a step, and so can you.

You smile, close the remaining distance, and whisper one word into Steve’s waiting mouth.

Promise—

Question or statement, it doesn’t matter, or perhaps, you’ll figure it out on any other day. Today it simply means you're both alive.

[Main Masterlist; Light Masterlist; Ko-Fi]

A/N: Hope this turned out okay and that you enjoyed the fluff! If not, don't worry. I've got a smutty lifeguard!Steve one-shot in the works, too!! Tags will be in a reblog since they've been so wonky lately.

[p3ach-bun]

Needed to draw my comfort ship life has been a lil rough 😮‍💨

[jaes1lvr]

ill be rooting for you 🫶🏽🫶🏽🫶🏽 FIGHTING 🎉🐯‼️

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　﹒﹒　　➢　　✤　　tysm for 300+ followers! i appreciate it sm<3 U GUYS R THE BESTTT i never knew id go this far 😭😭😭 i love u all 🥰🥰

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[willczek-art]

Canttt draw but it's not like that ever stopped me before

[coolcoolcoolbutwtf]

Giant green mermaid terrorize assassins by kidnapping their boss pt1 next

"Was that a fucking giant ass ghost mermaid?" Red hood shifted himself while his tried rasps sounded through the helmet. The gravel below him crunching slightly when he once again looked over the rock. Before quickly ducking again when a piece of the pier hot thrown above them. The Screams of assassins and the remains the former planks of the destroy pier getting smashed. No matter how funny it was to watch his brothers argue he would rather keep his eyes on the green fish creature.

"Tt Yes, yes todd that is a "giant ass ghost mermaid" as you put it." Robin snarky commented while also taking cover. Ducking every so often to avoid any of the debris that was getting thrown.

"And Talia wants us to do what exactly about it?"

"Todd my mother asked for me and father not the rest of you for assistance." Damian leveled a scathing glare at Red hood while he practically hissed at him.

"Well you know the rules about the Loa and the pits. Plus the report didn't say anything about a huge ghost mermaid thing chilling about in the green pool of death just that this was supposed to be a rescue mission. But we haven't been given any as to who we are rescuing and what the giant green mermaid has to do with it."

"Unfortunately Nightwing I think I just found out who the bastard we need to help rescue is." The small collection of bats and Birds turned to Red Robin who while the rest squabbled had spotted something strange.

On the giant green mermaid creatures left arm ware streams of blood. When looking down at the creatures hand a bloody body was being gripped. Or more correctly crushed.

Tim also noticed something rather odd. Well odd for a supposedly bloodthirsty mindless creature, that is. Whenever the bloody bastard that was being crushed stopped moving the mermaid would purposely dunk its left hand in the Lazarus pits and wait.

It would pull its hand out the bastard breathing once again. Then start squeezing again more blood leaking down until starting the process again.

Between destroying what was left of the pier and batting away any assassins like they were pesky flies. The creature had some sort of intellect the fact that the huge mermaid was wearing some type of translucent chest covering and jewelry dangling. Seashells covering pectorals without any fastenings just sticking on. A giant black sunken pearl slightly above the pectorals gleamed.

And no Tim was not going to take any criticism about where he focused most of his observations on. Like come on their practically bare for the world to see! So what if he was just slightly attracted to the giant green mermaid crushing someone?

The bastard being tortured being who he was is definitely a plus in Red Robin's books.

And to be fair. The giant mermaid was a total babe even while ranging.

"Oi replacement! Who is it?" Nightwing gave Red robin a nudge when Hood whisper yelled at him.

"Ra's Al ghul." A collective of surprise whispers echoed in their little hiding spot. Damian denial loudest of them all.

"Drake I know you are inan but even you should know that joking about my grandfather being the victim getting tortured is impossible."

" Check for yourself then." Tim snapped right back simply handing Robin the bat binoculars and waited. Damian huffed and checked for himself because clearly it couldn't be his grandfather.

•

•

•

"That is indeed my grandfather" it was in fact his grandfather. The demon head himself. Getting crushed bloody. By a giant green ghost mermaid.

Damn. Timothy was right.

[ohitslen]

God’s #1 anti Vash the Stampede!

Just to be clear this is for my upcoming reincarnation fic 🫡

[gildedgatsby]

She's A Lesbian, He's Gay, And Their 33-Year Marriage Will Change Your Perception Of Love

[zu-is-here]

<– • –>

[juliasgoodusername]

Sometimes a girl has to go a little crazy. Sometimes a girl has to make a book-accurate floorplan for 300 Fox Way. These things just happen, sometimes.

Obsessive annotations under the cut ✨ but be warned, there's a LOT

Exterior

Okay first of all, I'm no architect, and my only knowledge comes from work experience in the real estate industry + a lot of Sims. The style is sort of neo-rural French colonial. I didn't set out to adhere to that standard so much as I made an amalgamation of homes in Blue Ridge Mountains-adjacent towns in Virginia. Specifically, my headcanon Henrietta template is Orange, VA (I'll save that explanation for another post) so I took inspiration from real estate listings from there.

Alright alright I know there is supposed to be one bathroom, but I simply can't tolerate that in a house with 6+ residents. I can't. There was a possible contradiction in the descriptions of "the single shared bathroom" that I used as an excuse to add a 3/4 bath, and I threw in a powder room for free. Because technically there is still only one full bathroom! But seriously with that many women over 30 most of them probably have IBS or chronic constipation and I'm not making them all share a toilet.

Officially we only have 4 bedrooms listed in text: Blue's, Persephone's, Maura's, and Calla and Jimi's shared one. Everyone else gets rooms that don't qualify as bedrooms via Virginia residential building codes (such as the attic, obviously, which falls below the combined ceiling height and square footage requirements). That really just leaves Orla unaccounted for but I'll get to that later. Other aunts and friends seem to visit during the day and live somewhere else, because in The Raven King only Jimi and Orla were described as needing to move out of the house during the demon stuff.

I designed the entire interior floorplan before I even touched the exterior, so there's a few issues, like how I'm totally missing shutters on the windows that functionally need them most. 🫶 I didn't feel like making the windows smaller to fit them, and I could have added faux-shutters but I think those are stupid. 😘

First floor

"This house is lovely. So many walls. So, so many walls," Malory said as Blue entered the living room a little later.

- Blue Lily, Lily Blue, Chapter 30

Right off the bat, we have an insane number of doors and walls. Old colonial houses are pretty much the opposite of open concept. Functionally I believe that's because it's easier to control heat with closed off rooms, but Virginia is not particularly cold so idk. As for the number of doors, I mean....😤😤😤 I prefer archways/doorless frames in small high-traffic spaces, but every time I thought I could get away with it Maggie would specifically describe doors opening and closing (For example BL,LB Ch 41 gives the reading room double doors, and even the living room gets one in Ch 11. What kind of living room needs a door???). I'm actually missing one of the doorways described in canon, but if you know which one I'm talking about I DARE you to find a place to put that thing!! But I digress.

“Mom," she said as she jumped down the crooked stairs.

- The Raven Boys, Chapter 3

I'm liberally using "crooked" to establish the corner turn stairs. Blue steadies herself on the stair railing when she identifies Gansey for the first time (TRB Ch 15), so I wanted the stairs to have good visual access to visitors. It also sort of has a feng shui-ish effect of separating the public and private energy zones in the house. If that statement made zero sense, I think one of us doesn't know enough about feng shui 👀 and it might be me.

I'm also using that quote to establish Maura's room downstairs, if Blue generally expects to find her mother there, but mostly because everything else was upstairs and it was getting hard to fit. Granted, at one point Blue leads the boys "up the stairs to Maura's bedroom" (TDT Epilogue) but since they were just arriving at 300 Fox Way those stairs could easily be the outdoor ones. There's a handful of little things to support me here, such as Adam grabbing a scrying bowl from Maura's room to use in the reading room (BL,LB Ch 41) implying that her room was the closest place to find one. And speaking of Maura's room-

Calla was overwhelmed by how much shit Maura had in her room at 300 Fox Way, and she told Blue this.

... The mess was taking years from her life. ... Maura liked chaos.

... The psychic hotline rang in the room next door. Calla's concentration fluttered away.

- Blue Lily, Lily Blue, Prologue

Maura is my favorite hypocrite. She claims to detest clutter (TRB Ch 34) and yet her room is literally described as chaos. She probably treats her room like a college student and moves the furniture every time she gets bored/stressed. Thus, I gave her the most insane furniture configuration I could think of while still matching all the contents described.

The phone ringing next door might imply that she neighbors the phone/sewing/cat room, but that area is pretty well described and Maura's room is never mentioned there in any other instance. That leaves us with the kitchen phone (TRB Ch 27) which I put in the hallway with kitchen access as a compromise so it would technically still be in a room next to Maura's.

In the reading room, the man looked around with clinical interest. His gaze passed over the candles, the potted plants, the incense burners, the elaborate dining room chandelier, the rustic table that dominated the room, the lace curtains, and finally landed on a framed photograph of Steve Martin.

- The Raven Boys, Chapter 13

There are so many quotes about the reading room that I just don't feel like citing them, but other details include the mismatched chairs, the shelves, doors etc. It's also described specifically as Maura's "front room" (TRB Prologue) so it's one of the cornerstones that I designed the rest of the layout around. Because of the plants, it makes sense that this room would be south-facing too. (Although idk how much light they get with the wraparound porch awning in the way. Oops lol!)

The outside suddenly seemed vivid in comparison to the dim kitchen. The April-bright trees pressed against the windows of the breakfast area, ...

- The Raven Boys, Chapter 3

Blue Stormed into 300 Fox Way's kitchen and began a one-sided interrogation with Artemus, who was still hidden behind the closed storage closet door.

- The Raven King, Chapter 9

Likewise, I'm using the particularly dim kitchen to place it on the north side, where we also know there's trees in the backyard.

I'll say the kitchen layout is weirder than it strictly needed to be because in the Virginia homes I referenced I adored all the strange kitchens, especially with old timey 'servants area' vibes where laundry kitchen and pantry are all connected. Instead of a kitchen island, they get one of those rolling kitchen carts which I doubled as a bar cart for the drinks they have in the living room.

The kitchen has a doorway to the hall (TRB Ch 13) and the living room is within view when Blue's on the kitchen phone (Ch 27).

Speaking of chapter 27, that's when we get the description "The morning light through the windows turned the drinks a brilliant, translucent yellow." So I put the living room on the east side of the house, where the rising sun would cast really strong light like that.

Second Floor

When she woke up, her normally morning-bright room had the breath-held dimness of afternoon. In the next room over, Orla was talking to either her boyfriend or to one of the psychic hotline callers.

- The Raven Boys, Chapter 3

Blue headed toward the red-painted door at the end of the hall. On her way, she had to pass the frenzy of activity in the Phone/Sewing/Cat Room and the furious battle for the bathroom. The room behind the red door belonged to Persephone, ...

- The Raven Boys, Chapter 11

Blue's room and the Phone/Sewing/Cat room are our cornerstones for this floor. In several examples we know that the Phone/Sewing/Cat room faces the street and has a window (TRB Ch 15, BL,LB Ch 4). While Blue's room is "morning-bright," we also get descriptions of guests at the front door "backlit by the evening sun," (TRB Ch 15) so once again we're probably talking about south windows if it's sunlit at both times of day.

Adam sat awkwardly on the edge of Blue's bed. It felt strange to have so easily gained access to a girl's bed- room. If you knew Blue at all, the room was unsurprising - canvas silhouettes of trees stuck to the walls, leaves hanging in chains from the ceiling fan, a bird with a talk bubble reading WORMS FOR ALL painted above a shelf cluttered with buttons and about nine different pairs of scissors. Against the wall, Blue self-consciously taped up the drooping branch on one of the trees.

- The Dream Thieves, Chapter 49

We get some great descriptions of Blue's room (especially TRB Ch 43), although the above one is my favorite (#wormsforall). Every piece of furniture is accounted for exactly as described except the desk which I added because it seemed practical, and Blue is nothing if not practical™.

Persephone's room is also very well-described, all the way down to the furniture and lighting placement (BL,LB Ch 4 and TRB Ch 11) and it's surprisingly similar to Blue's room, if not a bit smaller. Her room gets strong afternoon sunlight, so I put it on the south too (BL,LB Ch 43).

Calla and Jimi share a room that's also upstairs (TRK Ch 16). Because they are the only two who have to share a room, I have justified that it must be the "master bedroom" (sorry for using that term) and is far bigger than the other bedrooms. I managed to fit two queen beds in there, but some scholars [me] would argue that Jimi and Calla might also share a bed because they are in love. Can you prove me wrong? No, you can't.

As for the bathroom, remember when I mentioned a possible contradiction? Famously, Maura draws the ley line symbol in the steamed up shower door (TRB Ch 1). However, much later we get Maura, Orla, Calla and Jimi all sitting in the bathtub for some kind of ritual (TRK Ch 9). No matter how I picture it, I can't put 4 full grown women in a bathtub together without someone partially sitting on/spilling over the side. But that would be impossible in a combo bath/shower enclosed by glass doors!! Thus, I gave The Bathroom a nice tub and put a small shower in the en suite of Jimi and Calla's room. I know this is a stretch but I don't really care.

Attic

Blue had never been a big fan of the attic, even before Neeve moved in. Numerous slanting roof lines provided dozens of opportunities to hit your head on a sloping ceiling. Unfinished wood floorboards and areas patched with prickly plywood were unfriendly to bare feet. Summer turned the attic into an inferno.

... In one of the narrow dormers, two full-length, footed mirrors faced each other, reflecting mirrored images back and forth at each other in perpetuum.

- The Raven Boys, Chapter 34

Trying to fit the attic access in after everything in the second floor was my biggest challenge, because stairs normally take up a lot of space and you have to be careful about head room. I'm the end, I decided it was one of those fold out attic doors that you have to reach from the ceiling of the hallway. We might get a lot of instances of the attic door being opened (😤 seriously, Maggie... 😤) but technically a trap door in the ceiling is still a door!

Dormers pretty much cemented the French colonial style for me. And you know the drill by now: a hot room probably means a lot of sun, which means I give it a south facing window!

Mud Room/Cellar/Basement

This cellar has absolutely zero mention in the text, but my justification is based in the architecture. So far we've got a funky old colonial house, built without a garage, lots of walls etc. Especially in a low-income/semi-rural area, it's not crazy to assume that 300 Fox Way was built before most residents had refrigerators (1930s-40s). Besides iceboxes, a major way to keep food fresh was root cellars. Modern renovations for old homes convert these to concrete basements, but that's why the basement is so small and connects to the kitchen.

My headcanon is that Orla originally shared a room. Pick whoever you want: Maura, Blue or Persephone, any of them would easily be such a chaotic roommate that Orla snapped and in a fit of teen girl rage moved herself down to the crummy dark basement. Over time, she made efforts to glamorize it, such as a vintage dressing screen to hide the flood drainage pump. The privacy also allows her to bring boyfriends over, even sneaking them through the mud room.

This is really just my artistic license, but I swear it makes a surprising amount of sense in context. There's cases of Orla sneaking into the kitchen (easier if she has a back entrance) and she's almost always using the phone upstairs or in the kitchen (because a basement would get bad reception) even though her calls get kinda ~intimate.

Aaaaaand I think that's everything. Sorry it doesn't look like the photo from the wiki at all, but I couldn't find a source for it and Victorian style wasn't super common in the areas I researched. Let me know if I missed anything major! I'll probably cry myself to sleep if so.

[macabr3-barbi3]

shortest silliest Alastor x Reader imagines EVER brought to you by the minds of @fraugwinska and Barbie (find hers here!)

🪱❤️🪱❤️🪱

“Alastor?”

The deer demon hums into your hair. “Yes, darling.” His arms are wrapped around you, a book held in his hands for the both of you to read.

“This is so stupid- if I got turned into a worm would you still love me?” 

He pauses behind you. “I… suppose that depends,” he says. “Do I know that you’re the worm I’ve awoken to in my bed?”

“What if you didn’t know?”

“If I didn’t know that you were the worm,” he said, “then I’m afraid I would have to say no. After all, why would I be seeking love from a worm?”

Your mouth twists in thought- he had a point. “That’s fair. What if you did know that I was the worm?”

He leans forward enough to rest his head on your shoulder. “In such a case I suppose I would have to find you some sort of terrarium,” he muses. “Keep you safe and sound in my room until I could find a way to undo whatever trickster magic transformed you in the first place.” He brushes his nose against your cheek and you giggle.

“And if it wasn’t possible to change me back?”

He sets the book aside, wraps his arms around you fully and buries his face in your neck. “You underestimate my ability to do the impossible when it comes to those I love, darling. I would find a way.”

You lean back into the embrace, turning your head to meet his lips in a soft kiss, suddenly very glad that you were not, in fact, a worm.

🪱❤️🪱❤️🪱

[matd0]

CW// blood

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finished an old wip i didn't rlly like but it actually turned out alright !! yippee

idk i kinda want to add more textures to my art lol :3

also idk if anyone cares about my headcanons orwhatever but jsdhjdhejd i think he kindof reminds me of snakes !!! like have you guys ever seen a snake eat??? cool ashell (this post was sponsored by my pet snake dahlia, shes rlly cool) and also. did you know that some snakes have infrared vision??? like that is so fucking cool omg??? so yea i think he can also see stuff based on temperature :3 (but hes otherwise blind) (imo) (you can disagree) (ijust think its cool) (♡)

[bananaanna1]

work in progress for my comic !! Still figuring out a title, HOPEFULLY will have final pages completed for reading on Halloween :)

I'm going to start a patreon too for early access/full content (some pages will be nsfw!!) I'm thinking £3 a month ?