#hammie jackson

[mikimeiko]

Fringe | Season 1 (2008-09), J.J. Abrams, Alex Kurtzman and Roberto Orci

[pardonmydelays]

IN THE HEIGHTS countdown: 4 DAYS!

song for today:

it's hotter than the islands are today and mister softee's truck has broken down and here come all his customers my way i told you i run this town!

[bookhouseboy1980-blog]

Fatal Attraction S1X05: Medial Woman (Review)

For more sub to my channel: https://www.youtube.com/@borednow5838/videos

[teencopandthesourwolf]

yeah so my brother was over tonight and after we'd had a heart-to-heart and a gossip i stuck TEEN WOLF on—which he is aware of and knows it's one of my shows, but has never actually watched himself—just for a bit of background bc it was there in my 'continue watching' as i'm never really not watching it lol.

ANYWAYS we continued chattering through it for a while (the majority of eps 1&2) but then he started sporadically paying it more and more attention, till he was eventually commenting and asking me questions etc.

here are some of the veritable golden nuggets he dropped:

“well, that coach fella's my new bestie.”

“the hammy lad with the face (jackson) is giving me such biff from back to the future vibes.”

“why is clark kent (he knows hoech from superman & lois) being an autistic male model with serious pmt?”

(still taking about hoec) “oh, bloody hell, he's actually really good looking, isn't he?!”

"the sfx in this are so fuckin bad they actually double back to being terrific.”

“so, are we, like, supposed to not give a shit about the main guy then, or what?”

(more scott talk) “although i do actually kind of want to hug him—but i feel that's somehow unrelated to his character.”

“pretending to do back flips off a roof is cool af i don't care what anybody says.”

(about k*te argent) “hoho, she's gonna turn out to be a massive cunt, isn't she?”

“this is fucking brilliant, they (the wolf transformations) look like were!fonzies!”

“jesus, we're like, 3 eps in and there's already what looks to be the beginnings of quite intricate character arcs? this show should honestly not be this intriguing, wtf.”

(commentary on the acting chops) “oh, wow, so the one that's playing scott is pretending to be scott... while the one playing stiles just IS stiles!”

(scene at the start of magic bullet where stiles is talking to scott about derek):

stiles: okay, sorry, no more talk about alphas or derek; especially derek—who still scares me.

my brother: yeah, that's because he quite clearly makes your willy hard, mate.

also my brother: OH, SHIT! THAT'S STEREK, RIGHT?! well, it's no fucking wonder that that's a thing.

AND HE HAS NOT EVEN MET PETER YET

so yeah my hope is now obviously that he'll go home and get obsessed and spank the entire 6 seasons in 4 days and become one of our most prolific fanfic writers.

[dr9com9ge-ix]

Ngl, I feel like Calypso's voice (Mel McMurrin's take on him specifically) fits your version of Black unless if you had another voice headcanon in mind.

Oooo!!- Its been so long since I’ve heard Twisted Metal Calypso’s voice!!! (Or like of Twisted Metal at alll-) It’s a pretty good one but… I do have another voice in mind since I think alot of the time Suburbs! Black to me has a very raspy growling voice— (I’ve… Tried to do impressions of him- But like it hurts my throat and I don’t think my own voice is deep enough for it ^^;) Calpyso’s voice is very smooth but I think the way he emphasizes words is similar to how I think Black would speak (especially when he’s showboating or being overly hammy.)

The voice claim I was thinking of for Black is Ghostface or Bates from Clock Tower Ghost head (Both voiced by Rodger L Jackson!) not as showmans-ly a little rougher as Black is more prone to outbursts and is a bit more informal rather than being put together for like announcing things. Sort of like how I imagine an intelligent yet cruel feral creature that’d devour people would sound and such! Absolutely no table manners unless it’s mockingly imitated.

Thank ye for the ask! ^^

[gabbbyyyyyyyyyyyyyyy]

So y’all know about my Will Wood x TNMN AU that i posted about right…

welp. It’s a thing now!!! Here we go!!! The Lineups + little lore stuff drizzled here and there!! NAMES AND DESIGNS WILL BE COMING SOON I SWEAR

Some ideas were influenced by @gmanwhore and @core-bagg they r super duper awesome + encouraged me to take this Au out of the drafts

(Everything else under the cut!!)

THE INHABITANTS OF THE TAPEWORM ASYLUM HOTEL!!

Floor 1 + The Normal Album

F1R1:

Roman- Suburbia Overture/Greetings from Mary Bell Township!

Lois- (Vampire) Culture

(Ooh, typical cookie-cutter white middle class 50s household? WRONG!!! BLOOD HARVEST ATTACK!!!! (The guy who’ll be in Roman’s is completely unaware of the shit his wife does. And was probably lobotomized by her to prevent said shit from being acknowledged, and properly comprehended by him)

F1R2:

Robertsky- Outliars and Hyppocrates (A fun fact about apples)

Albertsky- BlackBoxWarrior OKULTRA

(Ok so what if the Peachmans…were APPLEmans…think abt it…o and Albertsky’s gonna be based on a short story i like (the Lottery by Shirley Jackson))

F1R3:

Angus- Laplace’s Angel (hurt people? Hurt people!)

(Self explanatory. Fucked up Omnipresent demon buisnessman that makes deals with criminals and further ruins their lives. Yeah!!!)

F1R4:

Selenne- Love, Me Normally

Elenois- Memento Mori (the most important thing in the world)

(What if a Seraphim/Cupid hybrid and a defective Grim Reaper were sisters that were banished from their homeworld for being “defective” and “not taking their jobs seriously”. Basically their entire story!!)

Floor 2 + Self-Ish

F2R1

Arnold- The Song with Five Names

Gloria- Hand me my shovel, i’m going in!

(Tfw your wife and her nightmarish alter ego become a singular entity, and mangle your body and memory beyond mortal comprehension, love when that happens!!)

F2R2

Izaack-Mr. Capgras Encounters a secondhand vanity

(Local psychologist loses his marbles, and slowly regresses into his own client. Bro is playing doctor with himself 😭🙏)

F2R3

Margarette- Dr. Sunshine is Dead

(A once Beloved Astronomer goes WAYYY too far into her studies and loses herself in the process. She’s completely unrecognizable, a tarnished shell of her former self. She doesn’t quite get it, drowned in a hodgepodge her own ego, tears, and delusions.)

F2R4

Nacha- “Self-“

Anastacha- “-Ish”

(2/3 of a whole family. stuck in a time loop, due to a contract the deadbeat father just HAD to sign. What the fuck, Jimmy.)

Floor 3 + Everything is a Lot

F3R1

Mia- Skeleton Appreciation Day in Vestal, NY (Bones)

Dr. W.-¡Aikido! (Neurotic/Erotic)

(An all-powerful being of divine machinery who worries too much for the safety of his hammy, awesome, but frail evil skeleton wife)

F3R2

Francis- Jimmy Mushrooms’ Last drink: bedtime in Wayne, NJ

(Time traveling Cordycep man who broke an oath and failed up his entire homeworld, now forced to reside in this nuthouse of a hotel, left to soak in the ruins of both himself, and his family. His family.)

F3R3

Steven- Lygerside Daydream

McLooy- Thermodynamic Lawyer Esq, G.F.D

(The personifications of tranquility and joy—and deep, writhing hate. Living together. Ain’t that silly?)

F3R4

Alf- Red Moon

Rafftellyn- White Knuckle Jerk (Where do you get off?)

(A corrupt victorian surgeon who mutilates her patients and anyone who dares cross her path, and her vampiric mothman plaything that follows her around like a shadow. (She reminds him of the moon))

Also before ppl ask: “but Gabby!!! Alf is a LAWYER!! Why not have his Au self be based on Thermodynamic Lawyer?” Because :]

[newblogforjackson]

Jackson and Hammy from Hammy & Olivia

[spectres-fulcrum]

Okay purely Hamilton musical verse but Meet Me Inside drives me insane because it's such an emotional song(but also lowkey is so borderline romantic confession). Like you can tell that they've been arguing over this for weeks-about Hamilton getting a command for a while. And Hamilton is being obtuse and doesn't realize. That Washington dies everytime he prattles on about a command. About glory and status.

About all the things Washington doesn't give a damn about because he. just. needs. Alexander. alive. And Hamilton doesn't realize cause he just wants. But it's not about wants.

And if you strip the song of all contexts and histories, there's a universe where this song is about George is in love and terrified to risk Alexander and Alexander is too glory obsessed to realize what he holds in his careless hands(Ooh, I love that line. Too glory obsessed to realize what he holds in his careless hands. I cooked there). Like I've thought for such a long while the tension building in that song should lead to a kiss

If not for historical context. For Eliza and John and Lafayette(EDIT: AND MARTHA OMG I did not forget Martha! To be fair I was very much thinking of the Hamilton musical squad and they left her out so it's not my fault. It's Lin's for leaving out our very wonderful very first First Lady so blame him :< ) and we obviously know they weren't historically but in the musical their dynamics are kinda sorta like.

It's such an emotional song that it'd be so easy to make it romantic.

And then you have everything else-Washington knowing Hamilton got Eliza pregnant, Alex having woken up fearing John would die that morning in the duel, the tension of Washington shrugging off Lee's disrespect and John and Alex taking it all personally.

Like no wonder weeks of arguments finally bubbled over and Hamilton was finally sent home that day.

Idk this has just been bouncing in my head for weeks and needed to be freed everytime I listen to that goddamn song cause I'm like "Hammie you're an idiot for not getting it when a man tells you he needs you alive in that voice. Like that's a very clear I'm deeply in love with you and I need you alive please stop asking this of me I cannot send you to die" Cause I would die for Christopher Jackson telling me he needed me in that voice.

[zralokx]

Camel and Pete Hammie and David Jackson

[dokidokiadventuresahoy]

Meet the Kaines: Ryker Kaine

Name: Ryker Jackson Kaine

Gender: Male

Species: 85% Fae, 15% Human

DoB: September 12

Horoscope: Virgo

Siblings: Blossom Kaine (eldest sister), Malcom Kaine (older brother), Maureen Kaine (older sister), Suzy Kaine (older sister), Connie Kaine (older sister), Ryder Kaine (older brother), Rocky Kaine (older brother), Kristal Kaine (older sister), Maggie Kaine (older sister), Cassie Kaine (younger sister), Cody Kaine (younger brother), Kylie Kaine (younger sister), Kandi Kaine (youngest sister), Cumin Kaine (youngest brother)

Friends: (he's got a couple)

Partner: Avery Bonny

Weakness: Dramatics, Awkward, Anxious (in new situations)

Strengths: Humorous, Goofy, a bit hammy

Likes: Dates with Avery, ghosts, anything Halloween-y, theater, musicals, horror movies, pickles

Dislikes: Getting stressed, jinxes ruining date nights, traffic, being teased

2025 Ryker

[greatrunner]

‘Wolf Pack’ Impressions (Ep. 5-8)

1x05 - “Incendiary“

Sarah Michelle Gellar and Armani Jackson are easily the best part of this series

Ramsey is a duplicitous cop with a personal agenda connected to the werewolf murders, and the confidence in this narrative reveal is superbly supported by Gellar’s steady performance.

Everett started out like a walking ‘anxiety (get nervous)’ kind of character in the same way Scott was your prototypical ‘kid with asthma on TV’, but has otherwise not been pigeon-held in a quagmire characterization where his kindness disallows him from defending himself from assholes (Harlan, Austin, his mother) or assholes experiencing no consequences for their fuckery (see: Scott’s every interaction with discount Logan Lerman).

Additionally, his connection to the werewolf killing people is not in the least overshadowed Harlan and Luna’s bio-family drama. His status as a forced-werewolf has allowed him to become what he considers his ideal self and I’m here for it, honestly. Scare the shit out of your bullies.

Garrett really isn’t contributing anything to the current trajectory of the plot besides some nice UST between himself and Ramsey. He is, at the moment, a distraction (like he considered himself in Harlan’s flashback).

Harlan actually becoming proactive in the narrative and contributing to an episode something other than self-involved anger? Say it ain’t so.

This series seems to want to depict teenagers authentically, but lapses right into tried and true trope(s) of ‘unsupervised parties’ and ‘teenagers have easy access to drugs to the point of being pushers themselves’.

Luna’s subplot with Austin feels more necessitated by plot than anything they’ve got going story-wise, so not terribly unfamiliar territory in the box of ‘Jeff Davis can’t do teen romance’.

However lukewarm I am on Everett and Blake’s romance, it at least feels companionable vs. Luna and Austin’s “oh, hey, you drew pictures of me, so clearly you like me!” mess.

I like Prisha. I hope we see more of her next season.

1x06 - “After Party“

Balthier’s (Gideon Emery) appearance was a nice throwback (and definitely less hammy), especially working as a springboard for Ramsey’s story.

Ramsey as the avenging werewolf mother who goes into law enforcement to track arsonists is certainly a narrative I’m here for, and a large part of the reason why I was never interested in dismissing the arsonist storyline continuing on in the background without the teens.

By and large, the story becoming more motivated by Ramsey’s desire to find her son, protect him from [the] harm (of others), at the same time protect him from the authorities is just *chef’s kiss*. I love this monster woman, she is precious to me in all her violence and underhandedness.

Everett being handed the name of the murderous werewolf feels lazy as hell. Yet it does very little to my general enjoyment to how Everett remains at the center of unraveling the red herring of a ‘teen arsonist' plot.

Ultimately the best thing to come out of the reveal that the weird kid at the pool party was the werewolf projecting into Everett’s mind was the use of sound and visuals with the dead mean girl (Phoebe) to alert him about the next victim (Austin).

And, yeah, I was kinda sad about Phoebe’s death. Especially after that dead-straight heart-to-heart they had about Blake’s mother’s infidelity, and why she cut everyone out of her life. She was a jerk, but was also intercommunicating her pain in a similar way as Blake. Let this girl have friends, please!

1x07 - “Lion’s Breath” / 1x08 - “Trophic Cascade”

There are elements to Everett’s narrative (and the idea of lycanthropy being a cure-all for all disabilities or even autism) that hits a decidedly sour (abelist, anti-medication) note. I like the idea of it boosting your confidence, or even changing your perspective on the world (since the person has become an uber predator). But altering things that are often a case of nature or nurture, not so much.

That said, the Everett’s growing steadiness and unwillingness to give his parents emotional neglect and dismissal any more room in his life is incredibly thrilling.

That scene with his mother (”You should be nicer to me”) fucking rips. But it's also what makes part of the finale so bitter. Everett’s mother really white-woman-in-distressed her son, and her exaggeration of events really got his Black ass, swirl-silly father to try and get him confined. Fuck. Everett’s. Mom. I hope Ramsey eats her.

Luna’s loss of faith in her family and friends is a far more interesting note in her stakes than Austin (who promptly disappears from the plot), and a nice reversal of her role as the believer and her brother as the inward-looking jerkass. She neither trusts her father or her brother.

Ramsey’s agenda regarding her lost children, particularly the undercurrent of discomfort from the reveal that she’s known where they were for some time, is something I’m looking forward to see play out in the next season. She doesn’t appear to be angling to nix Garrett but at the same time she’s making it very clear (to the audience) that she won’t be separated from them again.

Even as the arsonist (lmao, what a wet flop of a reveal), driving her son out of hiding (and harming him, losing his trust), she’s gone out of her way to protect the new members of her pack. And the reasons feel like an illustration of how she views who’s worth saving and protecting vs. who isn’t. It’s not altruistic, but I wouldn’t call it intentionally malicious either. She’s a wolf, and she uses her ‘humanity’ so to speak in a way that will benefit the wolves. Again, I’m here for it.

The Malcolm reveal was pretty weak, all things considered. There was no build up, and they literally have the guy spelling it out to the audience.

How did he know she was the wolf from seventeen years ago that murked his crew? How did he know Baron was her son? Why was he not a bigger character in the story if he was going to be that important to the finale?

Ramsey turning out not to be the mysterious caller was a relief and a frustration. But I’m also expecting this to belly flop should it ever get a proper reveal.

Basically, this was like any finale of Teen Wolf. Rushed to hell and back.

Could’ve done without the grim-dark trailer rendition of “Can’t Fight the Moonlight”.

My overall (first) impressions of Paramount+’s Wolf Pack first season is that it’s Teen Wolf if Teen Wolf was written more a little more competently, and Jeff Davis’ preoccupation with white boys didn’t (or wasn’t allowed to) push the protagonist (Armani Jackson’s Everett) into the margins like he did with Tyler Posey’s Scott McCall.

The super-hero-fication of werewolves ah-la HEROES (everyone gets a special ability!) is kinda eye roll-inducing, but I can deal with it.

But, if Ramsey was going to be the fire-starter all along, then the story honestly should’ve been tailored to that instead of telling and not showing that part of the story in favor of a whodunit that basically went nowhere like the Kamina plot. It seems like an ass-pull to intentionally make her the antagonist when there were better and stronger elements in her character that qualify her for that.

Part of me wants to accredit a lot of the show’s success to Sarah Michelle Gellar’s skill as both an actor and an executive producer.

Please, do not kill her character off.

[high-heels-and-high-weights]

Miss Michigan Class of 2023

Bay County: Kayleigh Carter Cardinal Spirit: Sarah Dudineth Flat River: Sadie Loveless Great Lakes Bay: Laurel Hammis Jackson Crossroads: Peyton Lowder Lighthouse Coast: Riana Hardyniec Ludington Area: Arianna Smith Monroe County: Payton Perry-Ratcliffe Oakland County: Layla Cypher River Raisin Festival: Rylee Clairday Saginaw County: Katelyn Klaczkiecwicz Shoreline: Lauren…

[mystery-moose]

There are actors who give committed performances, but they're still visible through the character, like Leo DiCaprio or Joaquin Phoenix. There are actors who try to disappear into a role, like Gary Oldman or Daniel Day-Lewis. And there are actors who give big, hammy performances for roles that sometimes don't deserve it, like John Travolta or Samuel L. Jackson. There are very few actors who have the range to do all of the above, and Cage is absolutely one of them.

When I say Nic Cage is a great actor, there's no nuance there, no irony. That dude rules and it's because when he's going for it, he is never boring and always earnest.

Hey, here is some new frustrating discourse.

I'm going to clear this up super duper quick.

And then we can move on and discuss more important things.

Okay?

Here goes...

Nicolas Cage is an incredible actor who is very bad with money so he has to act in terrible movies because otherwise they will repossess his dinosaur skull collection.

But even when he is in terrible movies with terrible writing he refuses to phone in his performances. And sometimes when you are acting your ass off while saying some of the dumbest dialogue ever conceived it can give the appearance the acting is the issue rather than the writing and story.

Hayden Christensen knows that feeling all too well.

So next time you see Nic Cage in a B movie acting a fool, just know he probably bought some new shrunken heads and forgot to pay the mortgage on his volcano island.

[mcmurrphy]

Hard Eight

First reaction:

Incompetent people stumbling around trying not to hurt each other, but are too powerful when trying to "win" with others. Constantly fucking up, taking unnecessary risks. Being lonely. Filling the void with gambling, drinks, sex.

Sidney takes John and Clementine under his wing to make up for the fact that he fucked up with his own two kids. He feels guilt for having killed John's dad, as well. He lies and says he does all these things altruistically, but really its just to relieve himself of guilt. Deep down, though, Sidney hates that his ego was hurt. Likely mad that Clementine ended up with John. That he was threatened by Jimmy.

John is a sympathetic guy. Sort of dumb. But nice. Genuine. He loves deeply. Apologizes for others. He's not hard nosed like Sidney is deep down. He loves Clementine, but is clueless and lacks a sense of direction. Not sure if it'll work out with Clementine.

Clementine is equally as lost. Doesn't explain herself ever. Seems to be somewhere else mentally. Gets very angry, doesn't think things through. For some reason I can't tell if she genuinely loves John, or if she's putting on an act just to avoid trouble, to catch a ride. In the end, she seems genuinely happy.

The first half of the movie is very slow. Conventional in a way. Laying out the characters. How powerless they really are. Then shit hits the fan and we realize just how much power we really have. The power to fuck things up. The music gets more intense, psychologically-motivated. The camera movements are more frantic. At other times, more slow and deliberate.

Gwyneth Paltrow gives a good performance. There's nuance to her character despite never being explicitly explored.

John C. Reilly isn't the best actor, but I think his hammy performance is fitting for his character (who's a bit slow).

Phillip Baker Hall is excellent. Each line feels layered with potential meaning. This guy has seen it all, and it seems he's deeply examining everyone with their every word. He can read people and situations. He's condescending. As Jimmy says, acts as though he's above it all. Better than everyone, taking the moral high ground (but its only to make himself feel better). But he isn't the best gambler. Knows only so much. Can control only so much. He's a firefighter. He's human.

Sam Jackson is the right amount of cool. He's unwieldy at times, but I think it makes sense. His character, and the others, feel real. He's confident and takes pride in what he does even if he is/comes across as a bit messy. He's a very competent person, though.

So what's it about?

John C. Reilly moves on from the death of his parents and finds a new one in Sidney. From his perspective, an unconditional love. And he seems happy with Clementine.

Clementine goes from having to flirt with pervy guys every night and lacking a sense of direction in life to being married to someone who actually loves her. A nice guy. She has a partner versus having to face the world on her own.

Sidney starts off alone but eventually has John and Clementine under his wing. Unbeknownst to us, he's motivated by guilt. In a way, he kills his guilt in the form of Jimmy. He tells John he loves him, which I'm sure he had never told him before. Sid doesn't tell John about having killed his father. Would it be the right thing to do? I don't think so, as it seems John has fully moved on and accepts Sid as his new father figure. As Sidney says, he's done all he can do. Freed John into the world. Accepted his own loneliness and swallowed the guilt that he killed John's father.

So I guess the movie is about moving on from the pain that haunts us, accepting the shit that makes us happy and allows us to cope, even if it is temporary.

The stains may still be there, as with Jimmy's blood on Sidney's shirt, but all we can do is cover it up and move on. In Sidney's case, he may find someone new to take under his wing and teach his way of life to.

[teencopandthesourwolf]

THINGS THAT HAPPEN IN EVERY EPISODE OF TEEN WOLF EVER

part ii (part i HERE)

coach finstock philosophy being the thing that actually fixes you

a soundtrack that consists of the sort of music that makes you wish you were no longer alive, plus (ironically) the excellent song lose your soul by dead man's bones 

jeff davis forgetting character's ages and back stories and sometimes the characters themselves (fuck you forever for kira, jeff, you massive poopy head)

jeff davis forgetting the plot

jeff davis forgetting the fact that nobody likes him

tuning in for sterek and staying for sterek even when jeff davis stops giving the sterek scenes together, and staying for sterek even after one half of sterek leaves, in the hope that the half of sterek who left will one day return so you can keep on watching for sterek even though sterek is not even canon and you know inherently it never will be  

brilliantly appalling special FX

meredith having even crazier eyes than the character from the show orange is the new black who has crazy eyes and is actually named crazy eyes 

tyler hoechlin hands down having the best spine-tingling-hairs-standing-up-on-the-back-of-your-neck werewolf roar of any werewolf on any film or tv show about werewolves ever FIGHT ME

queer allegory my beloved <3

isaac inexplicably wearing a scarf all-year-round

all the characters bar derek (only bc it's hard to get it wrong with a henley and black jeans which is all he ever wears apart from the one-time crimson thumbhole shirt that was inspired drip) having honestly the worst fucking dress sense

jackson being the angriest most brilliantly hammy antagonist ever with the best facial expressions known to humankind who ends up evolving into the most adorable gayest gay to ever gay living his best life in londonia with his lovely boyfriend ethan where they are now both runway models for jean paul gaultier (who everybody knows is a french werewolf from way back when in the la bête du gévaudan era)

getting the feeling you should be doing absolutely anything else with your time instead of watching these idiots yet being completely addicted to loving this penny and dime clown show more than you love your own nearest and dearest 

VOID STILES BEING A 1000 YEAR OLD FOX DEMON THAT MAKES YOU HARD

having the constant need to shake scott vigorously because he is the funko pop! bobble head we all know and are forced to tolerate 

chris argent being such a cringe over-the-top-gun-toting-who's-your-daddy-badass that he somehow actually manages to circle back around to being rad af  

chris argent being so real and a dilf

none of the characters ever talking about the fact that scott's dad was an abusive arsehole apart from stiles because stiles is a champion amongst men who makes sure to tell scott's dad between scenes that his head looks like a cross between a crescent moon and a foot

every single character on the show knowing that there is not a hint of a shadow of a doubt that derek and stiles are doin the narsty—even the off-camera characters we never get to meet are always congregating on the reg in the grocery store or the coffee shop or the WSWA (We See Werewolves Anonymous) bi-weekly meetings and are all like "you know that furious-looking autistic dude with the spectacular monobrow whose eyes are sometimes definitely way too blue? and the noodly peewee herman MIT ADHD kid with the duct tape jeep whose dad is the sheriff of this fictional town none of us live in? they are definitely fucking omg." 

each and every school lesson we see scott and stiles attending actually being a top secret pentagram level mission impossible code for whatever supernatural shit is about to go down in beacon hills that day 

outing you as the monsterfucker you really are LMFAO

(find part i HERE)

[incorrectoverthehedge]

The Verminator: I have your friend

RJ: Hammy?

The Verminator: he’s been singing Michael Jackson on a loop for eight hours

RJ: oh my god you do have Hammy

The Verminator: *sobbing* please come get him we can’t take it anymore