#hamlet and lennon

[lucyjcarlyle]

i am literally bleeding love for THEM

[cadaverre]

the reason i’m insane abt byler and henry hamlets heart is bc i’m insane abt friends to lovers. i need. i NEED.

[profoundgayness]

I love you, the first 28 minutes and 38 seconds of Good Omens season one, episode three

[cleverclove-arts]

beautiful, beautiful, beautiful, beautiful boy

[Image ID: A digital drawing of Polonius from Hamlet carrying an infant Laertes. He is a Black Afro-Cuban man with graying curly hair and a beard, smiling at his son. He is wearing a maroon medieval top with gold accents. Laertes is portrayed as an infant with dark curly brown hair. He is staring up at Polonius with a smile on his face. /End ID.]

[lizardrosen]

I think Laertes would be a boy band fan :3

oh 100% and he's been to dozens of concerts

hamlet set in the 60s where laertes styles his hair to look like paul mccartney - he wishes he were as cool as john lennon but he knows in his heart that girls see him as the baby-faced heart throb and it's easier to lean into their expectations than make an effort to live authentically and still miss the mark (thanks dad!)

[denimbex1986]

'From Sherlock’s Moriarty to His Dark Materials’ Colonel John Parry; Hamlet to the one-man adaptation of Vanya, Andrew Scott has been a longtime beloved actor of the stage and screen. And now the Dubliner will be taking on another iconic role as he steps into the shoes of Tom Ripley for the upcoming limited series, Ripley. The series, which is based on Patricia Highsmith’s bestselling novels, is set in 1960s New York — and follows Tom Ripley, a grifter who is hired by a wealthy man to go to Italy and try to talk his vagabond son into coming home.

But as Ripley takes the job, he falls headfirst into a life of deceit, fraud and murder.

The cast includes Dakota Fanning, Johnny Flynn, Eliot Sumner, Maurizio Lombardi, Margherita Buy, John Malkovich, Kenneth Lonergan and Ann Cusack.

All eight episodes — which were directed and written by Steven Zaillian — will land on the streaming service on April 4.

The Dubliner told Empire about taking on the role — and the importance of putting “your own stamp” on the character.

He said, “you have to be respectful, but not too reverent, because otherwise there’s no point in doing this.

“You’ve got to put your own stamp on it. Some people will like this version, and some people will like other versions, and that’s okay. What you have to do is understand why this character remains so fascinating for people.”

The Dubliner made his debut on the big screen when he was 17 years old, when he starred in 1995’s Korea opposite Donal Donnelly.

In 1998, he played Edumnd Tyrone in Karel Reisz’s production of Long Day’s Journey Into Night at the Gate Theatre — and was nominated for Best Actor In A Supporting Role at the Irish Times Theatre Award for his role in the show.

Scott had roles in Saving Private Ryan, Nora and the adaptation of Henry James’ The American — and in 2000, he made his stage debut in London with Dublin Carol.

He also appeared in Longitude opposite Michael Gambon, the miniseries Band of Brothers and Dead Bodies.

In 2005, he won his first Olivier Award for his role in the stage show A Girl in a Car with a Man — and made his debut on Broadway the next year, opposite Bill Nighy and Julianne Moore in The Vertical Hour.

Scott starred in the one-man show Sea Wall in 2008 and the next year — and on the screen, he had roles in Little While Lie, Foyle’s War and Lennon Naked, which saw him play Paul McCartney.

And in 2010, he took on the role of Moriarty in the BBC One series Sherlock, which also starred Benedict Cumberbatch and Martin Freeman.

Scott was nominated for a number of awards for his portrayal of the super sleuth’s nemesis, winning the Best Actor in a Supporting Role at the 2012 BAFTAS and Best Actor in a Supporting Role – Television at the 2013 IFTAS.

And in 2013, the actor opened up about the “extraordinary” reaction to the series.

He told The Independent, “Sherlock has changed all our careers, and I’m really pleased about that. It gives you the benefit of the doubt because executives like to see recognisable faces.

“It was overwhelming to be on a TV show that is quite so popular. That took me totally by surprise. People had an instant affection for it from the first episode. The reaction was extraordinary.”

He followed that up with a number of roles on the big and small screen over the next few years, including The Scapegoat, The Stag, The Town and Dates.

In 2014, Scott played Gethin Roberts in the film Pride, for which he was nominated for Best Actor in a Supporting Role at the 2015 IFTAS and won the Best Supporting Actor award at the 2014 British Independent Film Awards.

The same year, he starred in Locke and Jimmy’s Hall. In 2015, he had a role in the 007 film Spectre — and the next year, he had roles in Alice Through The Looking Glass, Denial, This Beautiful Fantastic and Handsome Devil.

In 2017, he played Hamlet on the stage — and was nominated for the Olivier Award for Best Actor in a Leading Role. The stage show was filmed and broadcast the following year.

Scott starred opposite Anthony Hopkins, Emma Thompson and Florence Pugh in 2018’s King Lear — and that summer, it was announced he would be joining the cast of Fleabag.

He captured hearts around the world for his portrayal of The Priest, and was nominated for the Golden Globe for Best Supporting Actor in a Series, Miniseries or Television Film in 2020.

During an appearance on Late Night with Seth Meyers earlier this year, he opened up about being cast in the show — and stepping away from some of the more villainous roles.

He said, “when I was in my 20s, I had a little baby face and I felt like I had this kind of darkness inside me. And I was like ,‘why can’t I get a part as a villain?’

“And then that happened — and then there were loads of villains happening, and I was like, ‘why can’t people see the real me?’

“Phoebe and I had done a play together in London that nobody saw, and she came a knocking — and that’s where the Priest came from.”

The same year, he played Lieutenant Leslie in 1917 and had roles in Black Mirror — which he got an IFTA and Emmy nomination for — and Modern Love.

Scott also took on the role of Colonel John Parry in the BBC’S His Dark Materials, an adaptation of Philip Pullman’s trilogy of the same name. The series ran from 2019 until 2022, and Scott was nominated for Best Supporting Actor (Drama) at the 2021 IFTAS.

On the stage, the actor played Garry Essendine in the revival of Noël Coward’s Present Laughter — and won the Olivier Award for Best Actor. The following year, he played Patrick in The Three Kings.

In 2021, he played Lord Merlin in the three-part adaptation of The Pursuit of Love and Terje Rødlarsen in the film Oslo. The next year, Scott played Lord Rollo in the Lena Dunham-directed comedy Catherine Called Birdy.

Last year, he starred in an adaptation of Vanya which saw him play all of the characters in the show.

He also starred opposite Paul Mescal in All of Us Strangers, which saw him nominated for Best Actor in a Motion Picture Drama at the Golden Globes.'

[starman-waiting-in-the-sky07]

Benjamin Franklin

The jetsons

Yogi bear

Boxtrolls

Nightmare before Christmas

A land before time

Octodad

katamari prince

Madagascar

Robot devil

Disenchanted

Shadow wizard money gang

Sack boy

Sam and max

Hagrid

Robin Hood

Alvin and the chipmunks

Twitter bird

Triangle factory guy

In the night garden

Octonauts

Baby Jake

Ghost cod

Plato

Isaac newton

The twits

Digdug

Q!bert

Wreck it Ralph

Bfg

Charlie and the choclate factory

Queen Elizabeth the second

Queen Victoria

King Henry VIII

Edmund mcmillen

More Isaac characters, azezeal, cain

More bible characters, beelzebub, cain.

Mary magdelane

Mary (ghosts)

Boudicca

Pride flags

Countries

Vladimir putin

Teddy roosevelt

Kamala Harris

GIMP mascot

Spy x family more

Concepts (music, language, etc)

Fargos mutant mod characters

Hatsune miku

Miku binder Jefferson

Richard ayoade

Peanut butter jelly time banana

Snoop dog

Big brother (1984)

Animal farm characters

Einstein

Midas

Pot of greed

Super greed

More bible characters (Lilith)

Barney

Rev love joy

Kirk van houten

Duffman

Julius hibbert

More hunger games (trainer, sister, villain)

Buccarati

Guido mista

The noid

Ham burgaler

Grimace

Clippy

Kabru (dungeon meshi guy)

The seven deadly sins

Huma kavula

Police officer

Eddie and lou

Cleveland

The UK

French person

Bobo buddy

Van Gogh

The Mona Lisa

Eli (half life)

Barney (half life)

Chase

Rubble

The DM

the other 2 gorgons

Hermes

Achilles

Arachne (spider lady who crossed Athena)

Athena

Aphrodite

Apoim(Pokémon)

Dawn

Lord krump

Olivia

Bobbery

Wolf man

Frankenstein

Frankensteins monster

The creature from the black lagoon

Ed Sheeran

Big Ben

Totoro

Arrietty

Ponyo

No face

Howl

Calficer

Kiki

Witch of the wastes

Porco Rosso

Han Solo

Jack sparrow

Peter Pan

Wendy

Captain Hook

Lego joker

Lego Batman

Alfred

The riddler

Beavis

Butthead

Dorothy

Scarecrow

Cowardly lion

Tin man

The wicked witch of the west

The wizard of oz

Rocky

Barbie

Ken

Tarzan

Jane

George of the jungle

Wally (where’s wally)

Kermit

Fozzie

Animal

Miss piggy

Scooter

Gonzo

Rowlf the dog

rizzo the rat

Pepe

Dr Bunsen honeydew

Beaker

statler and waldorf

Swedish chef

Sam eagle

Sweetums

Walter

Camilla the chicken

Elmo

Big bird

Count countula

Oscar the grump

Professor squackencluck

jeopardy mouse

Count duckula

Nero

Dawn crumhorn

Isambard King Kong Brunel

Quark

Pandaminion

Stanley

The narrator

Micheal Myers

Jason voorhees

Jack the Ripper

The muffin man

The gingerbread man

The runaway pancake

Sweeney Todd

Burke and hare

Mad hatter

Alice

Tweedle dum and tweedle Dee

Cheshire Cat

Queen of hearts

March hare

Generic cowboy

Billy the kid

The lizard cowboy movie rango

Dust papyrus

Red dead redemption guy

Zombie

Cotl angel guy

Ratau

A Crumpet

Caesar

Nero (Roman emperor)

Brutus

Shakespeare

Dr. House

Billy Joel

Ziggy stardust

Major Tom

Lord snooty

Bash street kids

Paddington

Rabbit (whinnie the Pooh)

Heffalump (Winnie the Pooh)

Elvis Presley

Hong Kong phoeey

Dick dastardly

Inspector gadget

Lady Gaga

Labyrinth

Davy Crockett

John Lennon

Superpets the hamster thing

Malcolm X

Martin Luther king

Jamie Oliver

Moomins

Pied piper

Little red riding hood

Bjorn (peggle)

Erina

Gary charmers

Catgirl

Mary(had a little lamb)

Nimona

The tortoise and the hare

Charlie (bit my finger)

Shy guy

Booster

Teddy bear

Dracula

Shaun the sheep

Timmy time!

Megamind

Kung fu panda

Tangled

Alan turing

Charles Babbage

Picasso

Jan misali

princess Diana

Walt Disney

Steven after not surviving

David Attenborough

James cordon

More lego movie

More toys

Jack in the box

Star signs (Virgo etc)

Apollo

Emojis

Donkey Kong jr

Psycho cannibal guy

Flork of cows mr rich

Petaly

Mike

Pearl

Mrs puff

Pain girl

Ramshackle

Nigel and marmalade

The one with the three eyed guy

Gloink king

Pikit

Gooseworx bounty hunter girl and that series in general

Goncharov

Destiel

Hamlet

Ood

Mars rover

Elon musk

Buzz aldrin

Neil Armstrong

Danny devito

Rory pond

Gummy bear

Smaug

Bard the bowman

Beorn

Big hero six

King of the hill

moral Orel

Rocky horror picture show

Death note

Starman earthbound

More Star Wars

Leia

Droids

Jabba the Hutt

Boba fett

Baby yoda

Palpatine

Lotr orc

Beaty and the beast

Douglas adams

Jimminy cricket

Winston Churchill

Even older Joseph

Duolingo bird

Pinky and the brain

Orson wells

KEKW guy

Animaniacs

Captain caveman

Risk of rain

Steve Harley

Chess peices

Rosa parks

Super paper Mario

Newer paper Mario partners

Koopalings

Red dwarf

Ghengis khan

Matt groening

Pandora

Sontaran

The silence

More futurama- Sal, old lady, roberto, bird lawyer, cops,

Crash bandicoot villains and girl

Monsier bloque Mario and Luigi

Oddish

Gary

Arceus

Wonder over yonder

The office

More roald dahl characters

Roald Dahl

Mariah Carey

Hansel and gretel

The three little pigs

Star Trek

Monster prom

All the doctors

The man who sold the world

Professor oak

More ut yellow

Harambe

David tennant

[mi4017dilumwarakagoda]

Facts about "A Hard Day's Night"

GROUP: Top of the morning to ya, laddies

NAMES: Dilum, Janiru, Elrick

The film was nominated for 2 Oscars, 2 wins & 7 nominations total, 1965. When?

The lyrics speak about the singer’s devotion to his lover, and how he works so she can buy what she wants.

John wrote down the original lyrics on his son’s birthday card.

In one scene Ringo performed walking alongside a shoreline and later said that he was hungover. Yet it was considered good acting by the directors.

The film is packed with other future superstars: Such as a Bond girl and Lionel Blair.

John Lennon's hobby is tits.

George Harrison met his future wife Pattie Byond on the set of the film.

A hard day's night is littered with James Bond connections.

John Lennon wrote “Hard Day's Night" for the film to order in one evening.

George Harrison coined the word “Grotty”, which didn't exist at the time.

In the movie,during Ringo’s solo scene at the river,when he was ‘acting’,it was actually the result of a hangover.

In the scene,”I'm just happy to dance with you”,the backdrop features a visual pun with the insects,beetles,behind the dancers

In the movie,the name “The Beatles” is never mentioned in the dialogue even though the name appears throughout the film

The film’s original title was “Beatlemania” but they changed it to “A hard day’s night”,when Ringo made a comment after an exhausting day.

Paul quotes Shakespeare’s Hamlet  to his dressing room mirror,’’ Oh that this too, too solid flesh would melt…zap’

[thecoleopterawithana]

Exhausted and battered by the stress of the Beatles’ impending breakup, McCartney fell asleep and dreamt of his mother telling him “Everything will be all right. Let it be.” (He adds that “still to this day I have dreams about John and George and talk to them.”) There may have been another source for the song title, though. He read Hamlet in high school and “In those days you had to learn speeches by heart because you had to be able to carry them into the exam and quote them.” And late in the play, the Prince of Denmark declaims “O, I could tell you—But let it be.—Horatio, I am dead.”

In “Paul McCartney’s ‘The Lyrics’: A Life Revealed in Song” by Alan Light for the Wall Street Journal (24 October 2021).

Bonus:

HAMLET

Heaven make thee free of it. I follow thee.— I am dead, Horatio.—Wretched queen, adieu!— You that look pale and tremble at this chance, That are but mutes or audience to this act, Had I but time (as this fell sergeant, Death, Is strict in his arrest), O, I could tell you— But let it be.—Horatio, I am dead. Thou livest. Report me and my cause aright To the unsatisfied.

[musemash]

Gallery: 1 Hail Mary, Full Of Grace 2 My Soul Does Magnify The Lord 3 Shepherds Worship The Child 4 Adoration Of The Magi 5 The Flight Into Egypt 6 Rachel Weeping For Her Children 7 Massacre Of The Innocents 8 Herod Worships The Holy Child 9 The Shadow of Death 10 Baptism Of Yeshua

MESSIAH'S EASTERTIDE JUBILEE – revised & expanded Apr 21, 2023 – by David D. Fowler & Aeon 999

Welcome to MFF's 2022 Easter spectacular. Like our past efforts, this 7-part extravaganza features a well-stocked cornucopia of outstanding videos. Our purpose is to enhance the celebration of the glorious Eastertide tradition – from now, until the Eastern Orthodox Day Of Pentecost in June.

These items constitute the best available resources we could find online, representing many different views of Christ-based spirituality and artistic endeavors – as well as alternative spiritual paths, and articulate expressions of skepticism. We offer complete editions of many films, including secular productions that deal with themes such as the supernatural; good versus evil; human depravity; self-sacrifice; redemption; and superheroism, as a metaphor for salvation.

We present a generous spectrum of outstanding music – including rock, classical, black gospel, sacred choral, blues, jazz, and experimental performances. You'll also encounter a variety of hilarious videos, including some exceedingly irreverent items; and intense debates, focusing on fascinating and passionate takes on the myriad realities of Christ's impact on the world.

You’ll find a lot of iconic films, including BEN-HUR, THE MATRIX, LIFE OF BRIAN, LORD OF THE RINGS, HARRY POTTER AND THE PRISONER OF AZKABAN, BECKET, THE ROBE, LILIES OF THE FIELD, JESUS OF NAZARETH, AVENGERS ENDGAME, THE SEVENTH SEAL, THE MISSION, THE WIZARD OF OZ, JASON AND THE ARGONAUTS, THE WITCH, KING OF KINGS, THE MIRACLE MAKER, DOCTOR STRANGE, THE PASSION OF JOAN OF ARC, METROPOLIS, ELMER GANTRY, and HAMLET.  

We also feature a number of less high-profile movies, such as MORTAL ENGINES, FAUST, DUNE, BARAKA, DAY OF WRATH, CONSTANTINE, STALKER, ORDET, WAR REQUIEM, JOHN CARTER OF MARS, THE WICKER MAN, INTOLERANCE, THE SACRIFICE, LESSONS OF DARKNESS, THE DAY CHRIST DIED, ANDREI RUBLEV, JESUS OF MONTREAL, NIGHT OF THE HUNTER, THE BOOK OF LIFE, THE MILL AND THE CROSS, TWIN PEAKS: FIRE WALK WITH ME, SILENCE, CLOUD ATLAS, and NOSTALGHIA.

You'll enjoy popular musicians, ranging from U2, BOB DYLAN, ELVIS PRESLEY, LEONARD COHEN, ARETHA FRANKLIN, BJORK, ALICE COOPER, JOHNNY CASH, JOAN BAEZ, and the ROLLING STONES, to BRYAN ADAMS, PRINCE, EMMYLOU HARRIS, TOM WAITS, DOLORES O'RIORDAN, JOHN LENNON, ANNIE LENNOX, BUFFY SAINTE MARIE, and BRUCE COCKBURN.

We also present legendary figures: PAUL ROBESON, WOODY GUTHRIE, ROSETTA THARPE, and MAHALIA JACKSON; and lesser-known musicians, such as IONA, PHIL OCHS, LOST DOGS, KATHY MATTEA, MARIA McKEE, KEITH GREEN, LARRY NORMAN, CAPTAIN BEEFHEART, the SWIRLING EDDIES, and the CHAMBERS BROTHERS.

We feature musicals: AMAHL AND THE NIGHT VISITORS, COTTON PATCH GOSPEL, JESUS CHRIST SUPERSTAR, THE GOSPEL AT COLONUS, and GODSPELL; jazz masters, such as JOHN COLTRANE, DUKE ELLINGTON, ARCHIE SHEPP, HORACE PARLAN, and LOUIS ARMSTRONG; and opera icons LUCIANO PAVAROTTI, TERESA STRATAS, and JESSYE NORMAN.

We showcase choral masterpieces by HANDEL, FAURE, MAHLER, BACH, BEETHOVEN, VERDI, BARBER, VIVALDI, ALBINONI, BRAHMS, HAYDN, ALLEGRI, BRITTEN, MOZART, BRUCKNER, PERGOLISI, IVES, VAUGHAN WILLIAMS, SCRIABIN, MENDELSSOHN, BERLIOZ, LISZT, TCHAIKOVSKY, RACHMANINOFF, and DVORAK. We also present the spectacular Bible-related visual works of CARAVAGGIO, GUSTAVE DORÉ, and MARC CHAGALL.

We explore controversial books, movies, and phenomena, such as: ZEITGEIST; THE GOD WHO WASN'T THERE; RELIGULOUS; MERE CHRISTIANITY; the PAGAN CHRIST; the SHROUD OF TURIN; the HOLY GRAIL; THE CELESTINE PROPHECY; THE DA VINCI CODE; the GOSPEL OF THOMAS; A COURSE IN MIRACLES; GNOSTICISM; THE SCREWTAPE LETTERS; PARADISE LOST; FLOWERS OF EVIL; and CHRISTIAN NATIONALISM.

Finally, we present a wide range of humor, from the likes of MONTY PYTHON, MEL BROOKS, LENNY BRUCE, NOT THE NINE O'CLOCK NEWS, GOOD OMENS, NEGATIVLAND, TOM LEHRER, LORD BUCKLEY, JOHN PRINE, FAMILY GUY, ROWAN ATKINSON, MIRACLE WORKERS, LUCIFER, PREACHER, CRACKED, BETTY BOWERS, VIC BERGER, and SATURDAY NIGHT LIVE.

We think you will get considerable entertainment from many of these materials – and maybe also encounter unexpected eloquence, edification, and enlightenment. We strive to offer works of art that will challenge people's thinking; motivate folks to rise above everyday petty concerns; inspire us all to maintain hope, love, encouragement, and dignity in this fragile world; and perhaps even help open-minded unbelievers find good reasons to believe that Christ is risen indeed.

So we invite you to kindly bookmark this post – and check out the sections below at your leisure. If you derive something of real value from our playlists, we would be delighted if you share them with your friends. We extend our best wishes for an uplifting exploration of spirituality, as the Easter season unfolds. God bless y'all!

Jubilee part 2: THE HOLY SPIRIT TRAVELING IN DISGUISE https://musemash.tumblr.com/post/46758040906/messiahs-jubilee-part-1-the-spirit-in-disguise Jubilee part 3: HEATHEN DANCE PARTY IN PURGATORY https://musemash.tumblr.com/post/164579528390/jubilee-part-3-heathen-dance-party-in-purgatory Jubilee part 4: HOPE IS STRONGER THAN DEATH https://musemash.tumblr.com/post/615204082966233088/hope-is-stronger-than-death-revised-updated Jubilee part 5: COLLISIONS OF ALL OUR TRUTHS https://musemash.tumblr.com/post/46757984172/messiahs-jubilee-part-2-collisions-of-all-truths Jubilee part 6: SHAPE SHIFTING MASQUES OF REDEMPTION https://musemash.tumblr.com/post/46757919841/messiahs-jubilee-part-3-masques-of-redemption Jubilee part 7: MAKING JOYFUL NOISES UNTO THE LORD https://musemash.tumblr.com/post/46757864172/messiahs-jubilee-part-4-joyful-noises-unto-the

[indigoperegrine]

Interview Magazine: “Andrew Scott and Ben Whishaw on Sexuality, Chemistry, and Imagination”

Ben Whishaw interviews Andrew Scott.

Ahead of his role in the upcoming series “Ripley” the Irish performer reconnects with his former costar for a charming chat about eros and acting. 

Hot Priest. The weapons-grade charisma that Andrew Scott deployed on season two of the Phoebe Waller-Bridge tragi-comedy Fleabag was so intense that the 44-year-old actor will forever be linked to those two words. But Scott, who began acting when he was a teenager growing up in Dublin, has also been a Hot Beatle (Lennon Naked), a Hot Supervillain (Sherlock), a Hot Danish Prince (Hamlet), a Hot Lieutenant (1917), and, most recently, a Hot Lord, in the period miniseries:

The Pursuit of Love

Up next, he’ll play a Hot Sociopath in the Showtime series Ripley, based on Patricia Highsmith’s Tom Ripley novels. But first, he reconnects with his former costar Ben Whishaw for, you guessed it, a hot conversation.—BEN BARNA

Read the rest here at: Interview Magazine

[mizgnomer]

Excerpts from the SyFy Wire & Film School Rejects interviews with Claire Anderson, the Emmy-nominated costume designer for Good Omens:

[ Film School Rejects - by Ciara Wardlow]  “I worked through it with gut reaction images. So, two guys. Two guys, kind of close, nearly in love, if you like,” she said. “I just went in and we had a really big, very open conversation about how you related to these people in the script and how we would make them real and plausible, but give them a fantasy element. Give them something otherworldly.”

While Anderson says that she ultimately took this approach with more or less all of the characters, mixing period and modern elements to give characters somewhat timeless, yet also somewhat fantastical “out of time” looks, in the early discussion stages it was all about Aziraphale and Crowley. For one thing, Sheen and Tennant were already cast, which was a major help in determining their looks. It took some time to settle on the duo’s main, contemporary looks, but once these were locked in they played a significant role in determining everything else they wore.

[...] Aziraphale maintains a look with significant nods to the late Victorian era. Crowley too, although he manages to put an edgier twist on things than his angelic contemporary. “We re-appropriate bits of period stuff so that it echoes. [Aziraphale and Crowley] echo one another in their visual identity with pieces from their past—where they’ve touched each other in the past perhaps, or bumped into each other.” Regarding how Crowley manages to keep more of a modern, cool vibe, Anderson gives David Tennant’s performance the lion’s share of the credit. “He’s a very nice man, but he’s very sexy. He brought all of that swagger, that rock star, snake-hipped sexiness, and we built on that.”

[ SyFy Wire - by Jennifer Vineyard] GARDEN OF EDEN, 4004 B.C. -  Anderson looked at everything from Pre-Raphaelite paintings to Al Pacino’s hippie clothes in Serpico to determine just the right flow for Aziraphale’s rough-hewn robe, which has gold embroidery on the shoulders and side. Aziraphale is also wearing a golden ring, which later becomes a signet ring stamped with wings in the Victorian era.

NOAH'S ARK, MESOPOTAMIA, 3004 B.C. - “As aged as I am, I wasn’t there,” Anderson says, laughing. “And there wasn’t any painting or documentation from this era. But what we do know is that tunics remained pretty simple, and the earlier shape would have served them well for many years.” Aziraphale’s robe becomes more streamlined, and he wears gold beads at the neck.

THE CRUCIFIXION, GOLGOTHA, 33 - By this time, both Aziraphale and Crawley — now Crowley — are wearing turbans and head wraps, which Anderson attributes to “a bit of vanity.” Plus the wrap helps Crowley conceal his snake-like eyes (it’s too soon for glasses). Aziraphale dons a soft leather coat over his tunic, while Crowley wears female attire of the region — an abaya.

ROME, 41 -  Switching from tunics to togas was difficult, since togas contain 6 to 12 meters of fabric, which is a lot to carry around on camera. Anderson reduced the size by cutting the togas to fit for the character’s movements, and she gave each actor a thematic decorative pin to hold their togas together — Crowley a serpent and staff, Aziraphale a pair of wings (both courtesy of George Easton at Danegeld Historic Jewellery). Although history might argue that it’s too soon for sunglasses, Crowley starts to shield his eyes with a very small, eye-shaped lens. “It’s suggestive, rather than historically accurate,” Anderson says. And as a sign that Crowley is adapting to the humans around him, he also wears a silver laurel wreath.

ARTHURIAN ENGLAND, THE KINGDOM OF WESSEX, 537 - Anderson sent character descriptions and visuals for Aziraphale and Crowley to armor specialist FBFX, which sent a van to London full of pieces that could work for angelic and demonic armor. Instead of focusing on historical accuracy, Anderson looked for shapes and fit that suggested an ethereal — or snakelike — quality, once the pieces had been painted black or silver. For Crowley, she found a helmet that had a smaller face that could suggest a snakehead, and for Aziraphale, shoulder pieces that were slightly wing-like. To add to the wing effect, Anderson added a white fur caplet to Aziraphale’s armor. “It was terribly grand, but not very practical,” she says. “And the poor guys, it was murderously uncomfortable to stand around in that armor.”

GLOBE THEATRE, LONDON, 1601 - Crowley and Aziraphale catch an early version of Hamlet, looking more period-appropriate than ever thanks to the Globe’s vast archive of costumes. Aziraphale’s wardrobe, which includes a neck ruff edged with gold thread, has a metallic look with a hint of iridescent blue, which opens up his color palette. Crowley, meanwhile, wears a cleaner neckline and leather on his doublet, as well as fabrics that provide sheen and luster to suggest his snaky origins.

REVOLUTIONARY FRANCE, PARIS, 1793 - This is not a period to be dressed like an aristocrat, but Aziraphale couldn’t resist a lace collar, gold brocade and fitted jacket — which explains why he’s stuck in a prison cell (at least until Crowley intervenes). Crowley, more mindful of what revolutionaries would wear, dons a dark red jacket that’s almost as dark as his usual black. When Aziraphale miracle-changes his clothes, he wears the red cap of liberty. “It’s a soft beret that falls somewhere between a modern French beret and a pirate headdress,” Anderson notes.

ST. JAMES' PARK, LONDON, 1862 - This is the time period with which Aziraphale gets most comfortable, fashion-wise, and settles into a Victorian look with tartan flair. Anderson also bestowed some heavenly nods to his angelic nature — a feathery velvet top hat, a stopwatch with angel’s wings on the chain, and the signet ring. Crowley, meanwhile, wears a pair of long, elegantly cut trousers that we will see again in the 1960s. “The trousers repeat, which is basically what fashion does anyway,” Anderson says. “And it’s what the story does. There are notes backward and forwards.”

THE BLITZ, LONDON, 1941 - Aziraphale’s tartan necktie becomes a bow tie, and his penchant for wide lapels, a nod to his wings, continues, this time with a spear-point collar. Crowley, who comes to save Aziraphale once again, is dressed more formally, in a full double-breasted wool suit that must have been hard for David Tennant to wear in the South African heat. “The rest of the crew were in flip-flops and T-shirts, and David was in the suit, hat, and those big boots,” Anderson says, recalling the shoot.  “He had to be very physically active in that scene, and yet David didn’t complain about the heat or anything. He’s amazing.”

SOHO, LONDON, 1967 - Crowley, as noted, continues to wear his Victorian trousers, which are right up to date, and which he pairs with a black paisley velvet jacket with contrasting lapels. His sunglasses now have more of a John Lennon vibe. Aziraphale, perhaps inadvertently, is also looking stylish with his Victorian topcoat, spear-point collar, and cravat (modified from his scarf in Victorian England). “You can’t avoid being affected by changing trends,” Anderson says. “However bookish you are, you still notice other people. And you would have had Rolling Stones and Beatles fans wearing that kind of thing. That was our argument for Aziraphale wearing his Victorian topcoat all the way through, and Michael Sheen loved it. He said it inspired him. And the cravat rang in the changes and helped us with the passage of time, rather than always having him wear a bow tie.

[versey21]

18th July

To You by Langston Hughes

Langston Hughes is remembered as a pioneer of American ‘jazz poetry’, which is built on jazz-like movements in rhythm, phrasing and syncopation. This poem - with its clever use of dashes at the ends of lines - seems almost distracted.

James Langston Mercer Hughes: poet, writer, journalist and social activist (1901-1967)

To You

To sit and dream, to sit and read,

To sit and learn about the world

Outside our world of here and now -

Our problem world -

To dream of vast horizons of the soul

Through dreams made whole,

Unfettered, free - help me!

All you who are dreamers too,

Help me to make

Our world anew.

I reach out my dreams to you.

The great possibilities of dreams is a timeless poetic theme. If Hughes was unconsciously referencing Shakespeare’s Hamlet in this poem, who is to say John Lennon was not repurposing Hughes when he wrote Imagine?

[fuckyeahgoodomens]

Interview with Claire Anderson, the costume designer for Good Omens!

GARDEN OF EDEN, 4004 B.C.

Anderson looked at everything from Pre-Raphaelite paintings to Al Pacino’s hippie clothes in Serpico to determine just the right flow for Aziraphale’s rough-hewn robe, which has gold embroidery on the shoulders and side. Aziraphale is also wearing a golden ring, which later becomes a signet ring stamped with wings in the Victorian era.

NOAH'S ARK, MESOPOTAMIA, 3004 B.C.

“As aged as I am, I wasn’t there,” Anderson says, laughing. “And there wasn’t any painting or documentation from this era. But what we do know is that tunics remained pretty simple, and the earlier shape would have served them well for many years.” Aziraphale’s robe becomes more streamlined, and he wears gold beads at the neck.

THE CRUCIFIXION, GOLGOTHA, 33

By this time, both Aziraphale and Crawley — now Crowley — are wearing turbans and head wraps, which Anderson attributes to “a bit of vanity.” Plus the wrap helps Crowley conceal his snake-like eyes (it’s too soon for glasses). Aziraphale dons a soft leather coat over his tunic, while Crowley wears female attire of the region — an abaya.

ROME, 41 

Switching from tunics to togas was difficult, since togas contain 6 to 12 meters of fabric, which is a lot to carry around on camera. Anderson reduced the size by cutting the togas to fit for the character’s movements, and she gave each actor a thematic decorative pin to hold their togas together — Crowley a serpent and staff, Aziraphale a pair of wings (both courtesy of George Easton at Danegeld Historic Jewellery). Although history might argue that it’s too soon for sunglasses, Crowley starts to shield his eyes with a very small, eye-shaped lens. “It’s suggestive, rather than historically accurate,” Anderson says. And as a sign that Crowley is adapting to the humans around him, he also wears a silver laurel wreath.

ARTHURIAN ENGLAND, THE KINGDOM OF WESSEX, 537 

Anderson sent character descriptions and visuals for Aziraphale and Crowley to armor specialist FBFX, which sent a van to London full of pieces that could work for angelic and demonic armor. Instead of focusing on historical accuracy, Anderson looked for shapes and fit that suggested an ethereal — or snakelike — quality, once the pieces had been painted black or silver. For Crowley, she found a helmet that had a smaller face that could suggest a snakehead, and for Aziraphale, shoulder pieces that were slightly wing-like. To add to the wing effect, Anderson added a white fur caplet to Aziraphale’s armor. “It was terribly grand, but not very practical,” she says. “And the poor guys, it was murderously uncomfortable to stand around in that armor.”

GLOBE THEATRE, LONDON, 1601

Crowley and Aziraphale catch an early version of Hamlet, looking more period-appropriate than ever thanks to the Globe’s vast archive of costumes. Aziraphale’s wardrobe, which includes a neck ruff edged with gold thread, has a metallic look with a hint of iridescent blue, which opens up his color palette. Crowley, meanwhile, wears a cleaner neckline and leather on his doublet, as well as fabrics that provide sheen and luster to suggest his snaky origins.

REVOLUTIONARY FRANCE, PARIS, 1793

This is not a period to be dressed like an aristocrat, but Aziraphale couldn’t resist a lace collar, gold brocade and fitted jacket — which explains why he’s stuck in a prison cell (at least until Crowley intervenes). Crowley, more mindful of what revolutionaries would wear, dons a dark red jacket that’s almost as dark as his usual black. When Aziraphale miracle-changes his clothes, he wears the red cap of liberty. “It’s a soft beret that falls somewhere between a modern French beret and a pirate headdress,” Anderson notes.

ST. JAMES' PARK, LONDON, 1862

This is the time period with which Aziraphale gets most comfortable, fashion-wise, and settles into a Victorian look with tartan flair. Anderson also bestowed some heavenly nods to his angelic nature — a feathery velvet top hat, a stopwatch with angel’s wings on the chain, and the signet ring. Crowley, meanwhile, wears a pair of long, elegantly cut trousers that we will see again in the 1960s. “The trousers repeat, which is basically what fashion does anyway,” Anderson says. “And it’s what the story does. There are notes backward and forwards.”

THE BLITZ, LONDON, 1941

Aziraphale’s tartan necktie becomes a bow tie, and his penchant for wide lapels, a nod to his wings, continues, this time with a spear-point collar. Crowley, who comes to save Aziraphale once again, is dressed more formally, in a full double-breasted wool suit that must have been hard for David Tennant to wear in the South African heat. “The rest of the crew were in flip-flops and T-shirts, and David was in the suit, hat, and those big boots,” Anderson says, recalling the shoot.  “He had to be very physically active in that scene, and yet David didn’t complain about the heat or anything. He’s amazing.”

SOHO, LONDON, 1967

Crowley, as noted, continues to wear his Victorian trousers, which are right up to date, and which he pairs with a black paisley velvet jacket with contrasting lapels. His sunglasses now have more of a John Lennon vibe. Aziraphale, perhaps inadvertently, is also looking stylish with his Victorian topcoat, spear-point collar, and cravat (modified from his scarf in Victorian England). “You can’t avoid being affected by changing trends,” Anderson says. “However bookish you are, you still notice other people. And you would have had Rolling Stones and Beatles fans wearing that kind of thing. That was our argument for Aziraphale wearing his Victorian topcoat all the way through, and Michael Sheen loved it. He said it inspired him. And the cravat rang in the changes and helped us with the passage of time, rather than always having him wear a bow tie.”

[disregardcanon]

okay so i was thinking about foils yesterday because midge maisel and sophie lennon from mrs. maisel are really good ones. 

so if you’re not familiar with the show, it’s set in the late fifties to early sixties. midge maisel is a wealthy jewish woman from manhattan whose husband cheated on her with her secretary and she accidentally began a career in comedy because she was so drunk and pissed off while still being charming. 

sophie lennon is the most famous comedienne in the country, but she does a single character bit where she’s a loud, raunchy woman from queens while she’s ACTUALLY a very wealthy and condescending woman from ann arbor michigan who went to yale school of drama and wants to be a serious actress but feels pigeon-holed into her role. she gets into a feud with midge because she tells midge she can never make it as herself and midge gets VERY angry and takes her to task during a show for being a fraud. 

then sophie bullies midge’s friend and manager into being HER manager so that she can get her first broadway show and try out the life that she wants to lead. and according to the manager, she’s really good. she’s a terrible person to work with because she’s about 5 times past diva but it works. 

and then, she gets nervous during the show because a few things go wrong opening night. and she derails the entire performance with her stage persona. and this is a serious broadway play, y’all. it’s like if john mulaney were playing hamlet, got very nervous about playing hamlet, and then decided to do the horse in the hospital bit instead of gently cradling yorrick’s head and talking at it. 

and this is on the same episode where midge decides that she’s not going to take a paycheck from a racist politician to be in an ad for her. sophie wouldn’t even give her dreams an authentic chance during the same episode where midge was willing to put money on the line to do the right thing. 

it’s interesting that one of this show’s core themes is “being yourself” while also showing the dire negative consequences that sometimes come from that because it’s the 50s to 60s with all the pitfalls that come with that.