#hadestown orpheus

[makoyzu]

Take this voice, take these hands, I can’t use them anyway.

[october-funeral]

What if when Orpheus calls Hades “king of shades” he’s actually referencing Hades’s insane sunglasses collection.

[kafeino]

… 𝐘𝐨𝐮 𝐭𝐚𝐤𝐞 𝐦𝐞 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐚𝐫𝐦𝐬

𝐀𝐧𝐝 𝐬𝐮𝐝𝐝𝐞𝐧𝐥𝐲 𝐭𝐡𝐞𝐫𝐞'𝐬 𝐬𝐮𝐧𝐥𝐢𝐠𝐡𝐭 𝐚𝐥𝐥 𝐚𝐫𝐨𝐮𝐧𝐝 𝐦𝐞

Finally saw Hadestown a month ago and I’m definitely gonna see it again when I visit London.

[lasagoofs]

Hadestown lineup because I was lucky enough to go see it in ny a couple weeks back and I've been listening to the songs on loop ever since

bonus sketches:

[emptymasks]

i got to see hadestown on the west end and all i have to say is AAAA. i liked the original broadway cast so much i didn't think anything else could compare to me, but omg they were all amazing and maybe it's a bias from seeing it live vs seeing broadway through recordings, but i actually enjoyed them so much more. i think what helped is i felt a lot more for donal's orpheus, whereas reeve's never managed to really put at my heartstrings.

okayokay what i have to list out loved (going to try and go through the show chronologically):

la barrie's hermes using no titles and they/them pronouns. the lyrics were changed to reflect this eg "excuse me, hermes" instead of "mister hermes" at the beginning of 'wait for me', and "feathers on their feet" instead of "feathers on his feet" in 'road to hell'.

the cast keeping their own accents. it's not often in uk theatre to hear british regional accents, even if the actor has or had that accent. so hearing a nothern accent from eurydice was aaaa. as a northerner it made me really happy. i'm not sure if that's grace's real accent or not but aa it just made .

donál keeping his irish accent too. and the chemistry between his orpheus and grace's eurydice was adorable.

hermes slowly kissing persephone hand during 'our lady of the underground'.

PERSEPHONE didn't think I could love anyone more than grey but omg. i've never loved "our lady of the underground" but I do now, the way gloria performed it and this one long belting note she did while bending over crazy far backwards aaa. and at one point while dancing she acted like she'd gone too hard and pulled her back and got stuck, but then very smoothly went into leaning down towards the audience and singing directly at people in the front rows.

wasn't 100% sold on hades at first since his voice isn't as deep as what I'm used too (used to listening to page as hades), but after "i conduct the electric city" and the lights went out and when they came back on there was a single silly spotlight on hades was stood leaning against the door checking his nails all sultry like. his acting was so different from what I'm used too, more energetic and more... playful? i'm not sure if that's the right word but i can't think of anything else. and less cold and stern than page but I ended up really enjoying him. i've got two very different versions of hades i love now.

new lyrics in epic three, "what has become of the heart of that man" has been replaced with new lyrics. i think "man with his arms outreached" has reverted back to pre-broadway "man with his hat in his hands" but i'll be honest me memory of what the new lyrics are is not great.

i cried when hades and persephone danced. both of them were crying. and when they finished dancing he sobbed and crumpled into her arms and she stroked his head and back and held him the whole time orpheus and eurydice sang "promises"

hades breaking it down during the dance, doing silly dance moves and making persphone laugh, and then she joins in and does his silly dance moves with him 10/10 people supporting their partners silly dance moves.

hades "i don't know" answer to if orpheus and eurydice can go... i'm used to patrick page's grave, defeated "i don't know" and here instead you could really see the inner conflict and he was holding hands with persephone and when he said it she angrily let go of his hand and he had his little "his kiss the riot" freak out.

orpheus and hades handshake during the wait for me reprise aaaa

[shiningnorthernlights]

So I'm asking if it's true, I'm asking me and you... and you... and you!

[obscureaestheticist]

The Adult's Pan-Bisexual's Guide to Greek Mythology Media ::

Hades & Hades 2

Epic The Musical

Hadestown

Absolute Wonder Woman

The Lighthouse [2019]

Its a lotta hot people and trauma.

No rules. Enjoy.

[lavenderfairiez]

I have not stopped thinking about Carlos Valdes' performance as Orpheus since I saw Hadestown last weekend 😭

[gif-its-true]

All I've Ever Known video

[tabooi]

Reeve Carney and Solea Pfeiffer as Orpheus and Eurydice <3

🎥: bikinibottomday

[thesweetnessofspring]

An alternative to Epic III.

This came to me in a vision from Apollo.

[sydneyofalltrades]

hadestown where everything is the same but orpheus is a lesbian. that's it, sapphic orpheus (played by me)

[winteraurora]

Hadestown and Newsies are very interesting revolutionary musicals. Unlike Hamilton or Le mis they are not explicit in their anti-capitalist and anti-government statements. They are subtle. 'Build the wall' and 'bottom line' hold the same meaning in their stories of the capitalist ruler discussing why they do what they do.

Though in 'the bottom line' Pulitzer is more blatant with his cutting of the newsies fees and how this is all for profit, 'build the wall' is more subtle with the explanation of why hades does what he does, as a way to control his citizens, he obviously is useing this explanation as a way to control them. 'We build the wall to keep us free, and the wall keeps out the enemy and the enemy is poverty and our work is never done.'

Both stories also use this familiar tone with the characters. Hades calls his workers 'my children' and Pulitzer says 'I couldn't have given them a better education if they were my own children'

Both stores have good revolution songs with hades town it's 'if its true" "nothing changes" "how long?" And of course "chant (reprise)"

While newsies has "the world will know" and "once and for all"

The fundamental difference between these two musicals is that Orpheus fought back for love, he did all of this for Eurydice for his wife, he went literally to hell and back, he fought through song and through appealing to Hades love for Prosephone.

While Jack fought for freedom through aggression...yes but ultimately he fought to go to Santa Fe which to his is freedom.

And the biggest difference between these two musicals two is the ending. Hadestown is a retelling of the myth of Orpheus and Eurydice he will look back we know this. This freedom of leaving hades town comes with a sting attached, with a stipulation of 'is he tricking me? Would he really let me leave?' While Newsies ends with Jack finding his freedom in New York and child labor laws being implemented. (Like in real history)

Sorry I'm not the best at media analysis especially with musicals since to me a lot of it feels like text and not subtext,

[missholloween]

listened to if it's true west end again. 47538 died 5743562345 hurt

[hauntednfemme]

broadway casting a nerdy masc as Orpheus in Hadestown WHEN?? broadway casting an old butch dyke as Hades in Hadestown NOW!!!!

[theultimatenonbinarynerd]

Eurylochus Reincarntes As Hadestown Orpheus Concept Au

Introduction

So I know nothing about Hadestown but thinking about the parallels between Eurylochus and Orpheus got me thinking about an au where after Thunderbringer, Persephone takes pity on Eurylochus feeling how anguished his soul is and decides to give him a second chance to ensure he isn't lost in the river styx forever. She also gives Eurylochus the gift of song and he reincarnates into Orpheus from Hadestown. So we in a sense get Jordan Fisher as Eurylochus lol. Also making it angstier I'm having the idea of playing with Ctimene being reincarnted as Eurdice meaning Eurylochus failed to keep Ctimene in his arms twice.

Yep I got so comfortable comparing Eurylochus and Orpheus parallels that I want to make them the same person. So Eurylochus gets to trade his giant ass sword for a guitar.

Basic concept is as Orpheus keeps returning to the Underworld he keeps bumping into people that knew him as Eurylochus on the way to Hadestown. He encounters Odysseus who helps him and warns that he should make sure his journey doesn't end up like it did the first time. Polites gives him advice on how to win over Persephone and Anticlea appears as a bodyguard protecting the now Hadestown. Worse Odysseus, Anticlea and Polites remember Orpheus but Orpheus has no memory of them. You could play with that concept and have Eurdice being confused and angry Odysseus tried to help Orpheus.

Orpheus ignores Odysseus's warnings as well as Hades and turns back. Odysseus looks after Eurdice and you can either have Ctimene apologising to Eurdice saying she loved the wrong man or Odysseus apologising for failing his sister again. Eurdice gets a promotion and Ody bargains that Hades will let Eurdice be a bodyguard until Orpheus passes on.

Eurylochus got a second chance but repeated all the same mistakes and let doubt creep in. He failed Ctimene by doubting Odysseus and this time fails Eurdice by ignoring Hades's warning.

Persephone reincarnted Eurylochus so he may get into Elysium but that doesn't mean his life is tragedy free. Orpheus/Eurylochus is always cursed to have his loved ones die and his luck run out. To make it up to Eurdice, Orpheus becomes a healer and travels around with his songs with the purpose of healing young souls and comforting souls on the verge of death.

So that's basically the au concept we are working with. I'm going to share Orpheus's Pov and then I'll share Odysseus's Pov.

Please be aware I'm dyslexic and this is not beta read.

A Returning Visitor

Orpheus's Pov

Orpheus followed Hermes instructions, kept his head down and tried to be unnoticeable. Unfortunately it seemed he didn't keep his head down as well as he thought as an odly familiar voice called his name.

"Eurylochus!"

That wasn't his name. It had never been his name. Yet still Orpheus paused. He turned to find a man roughly his height accept his clothes looked more old fashioned. The mans brown eyes haunted him and it scared him.

"I hope you find this Eurylochus eventually but I'm not him. I'm Orpheus." He said introducing himself.

"Odysseus of Ithaca." The man responded in return.

Something about that name left a flury of emotions in his mind. Love, hate, guilt, pain, joy and sadness. It confused him but he knew that at the moment Eurdice was his priority.

"Nice to meet you Odysseus, I don't suppose you could help me? I'm looking for someone."

"Who?" Odysseus asked.

"Eurdice. She's my everything and Hermes told me she ended up down here. I have to save her."

Odysseus's sympathetic face suprised him. Maybe Hermes was wrong, maybe not everything was out to get him.

"I can't come with you Orpheus but keep straight on the path without stopping and you'll find Lord Hades. Be warned though Lord Hades doesn't let souls go easily." Odysseus replied honestly.

"How do you know?" Orpheus asked.

"Cos I had to sacrifice an afterlife with Penelope in order to save my crew." He explained.

Disbelief. Again Orpheus didn't understand why the man was making him feel so many complicated things.

"I'll keep that in mind." Orpheus lied.

"Please do my friend. Don't let your luck run out." Odysseus pleaded sorrowfully.

Odysseus starred at him in a way that screamed familiarity. It confused Orpheus and worried him.

"Is something wrong?" He asked.

"No you just remind of someone." Odysseus explained.

"Who?"

"An old friend. You have his spirit, Eurylochus cared for his friends and family deeply as you do Eurdice. I let him down."

"Oh. I'm sorry." Orpheus apologised. He didn't understand why but knew it was the right thing to do.

"It's fine, it's in the past now but Eurdice isn't. What ever you do, promise me you won't give up or look back." Odysseus pleaded.

"I promise." Orpheus said.

He gave Odysseus one last look before returning on his walk through the Underworld. Odysseus's last words shook him though.

"And Orpheus." He said.

"Yeah."

"Don't forget how dangerous the God's are." Odysseus warned.

With that Orpheus continued to walk forward taking Odysseus's heart in mind. Unlike Odysseus he vowed that he wouldn't let Eurdice down.

Odysseus Pov

Odysseus's heart sunk when he saw him here again. It had to be him. Eurylochus, his old friend and brother that he had betrayed. He may now have thick black curly hair and a guitar in place of his sword but it was still him. Odysseus couldn't stop himself as he called out to him.

"Eurylochus!"

The man froze. It gave Odysseus hope but then the hope quickly died when he saw his friends confusion. Eurylochus was a new man now, a new man he didn't have to crane his neck to look up at. The mans gaze looked like a distant memory and it hurt him so much.

"I hope you find this Eurylochus eventually but I'm not him. I'm Orpheus." The new man replied introducing himself.

Orpheus! The named suited Eurylochus more then anything and it made Odysseus proud. Trying not to embass himself, he did his best to reintroduce himself to his friend.

"Odysseus Of Ithaca." Odysseus replied, reintroducing himself.

"Nice to meet you Odysseus, I don't suppose you could help me? I'm looking for someone." Orpheus said

Odysseus tried to supress a sigh at that. After all they'd once been through of course Orpheus would be here recklessly trailing The Underworld for someone.

"Who?" Odysseus asked.

"Eurdice. She's my everything and Hermes told me she ended up down here. I have to save her." Orpheus explained.

Odysseus stared at his friend sympathetically. He smiles thinking about his sister Ctimene, who would be proud Eury-Orpheus is willing to sacrifice everything for his love. He then thinks about Penelope who he sacrificed everything for and abandoned in the afterlife. His heart aches.

"I can't come with you Orpheus but keep straight ahead on the path without stopping and soon you'll find Lord Hades. Be warned though Lord Hades doesn't let souls go easily." Odysseus warned.

"How do you know?" Orpheus asked.

He knows if Orpheus still remembered everything, he would be speechless over what he was about to confess. Eurylochus had died thinking Odysseus did not care about him.

Conclusion

So I have so many other Epic Au concepts I wanted to share but this one was one I definitely wanted to show off. I promise if I fully flesh out this au I will listen to Hadestown and do my proper research. I am studying Ovids Metamorphosis but definitely Hadestown is on the list to check out.

Honestly I did not think comparing Eurylochus and Orpheus would send me down this hole but here we are. I now have two aus where a God just reincarnates Eurylochus right after he had a traumatic death.

My asks are open if you are interested in me further fleshing this concept. It's a concept for now as i want to see how you Winions and Hadestown fans react.

Until next time.

-Melody-

They/Them