#hades and persephone take their relationship very seriously

[i2sunric]

LOVE IS (NOT) EASY (l.hs)

summary: there was nothing you hated more than the smell of cigarettes and smokers. always acting as if they were above anything else. but just like persephone learnt how to love hades, then why couldn’t you learn how to love heeseung?

warnings: fingering, rough sex, chocking, gagging, unprotected sex (don’t be silly, wrap your willy), blowjob, squirting, heeseung is toxic, heeseung smokes, reader hates cigarettes, situationship with benefits?, doggy, missionary, dirty talk, pet names (babe, baby, slut), lmk if more. (strangely) proofread.

published: 9th May 2024

wc: 3.5k

taglist: (permanent) @stolasisyourparent @jaeyunsbimbo @heelvsted @jwnghyuns (one shot) @slut4hee @ineedsomezzz @deobitifull @smisworld @mitmit01 @the-poetic-side-of-me @cha0thicpisces @heeseungsbitvh

Blasting music, almost at a deafening volume, blinding lights and the mixed smell of sweat and alcohol. That was how your birthday party was going on, all your friends and friends of friends filling the room, making the air heavy.

You kept smiling and greeting people you hadn’t even invited, accepting kind birthday wishes. You were in desperate need of fresh air but you were also trying to find Lee Heeseung.

Your relationship was rather complicated, if you had to be honest. You weren’t a couple, because Heeseung made it clear from the first day you met that he couldn’t afford love. But you also weren’t just nothing.

Whatever it was, he was supposed to show up at your birthday party— well, he actually did, he greeted you with the most false smile you could’ve ever see and then disappeared in thin air.

You knew he hated social gatherings, especially if it was with people outside his corrupted and not so safe group of friends, but you thought he’d at least celebrate with you.

You stumbled on your heels, making your way through the crowd until you finally reached the entrance of the room you rented and went outside.

The cold air hit your barely covered skin, the thin and tight dress you chose as an outfit doing nothing to cover you from the chilly weather.

It was when you focused on your surroundings that you noticed a pair of familiar broad shoulders covered in utterly familiar leather jacket.

You walked beside him and frowned when you noticed he was yet again smoking a cigarette, the bitter smell of it tickling your nostrils “Seriously?”

Heeseung rolled his eyes and took another long drag from his cigarette, "You look good tonight, babe."

You let out a small sigh, looking at him with a sharp stare. Heeseung wasn’t one to do things out of kindness, he was selfish and only did what he could to take advantage himself. You just hoped he’d listen to you once— But again, hope was not on your side. when it came to him.

“You promised you wouldn’t smoke today.” You stated, reminding him of your previous conversation.

He let out a groan, "You're impossible to make happy." He put out the cigarette and threw it on the ground, stepping on it, "There. You happy now?" He raised an eyebrow.

It wasn’t very nice to just throw the cigarette on the ground and leave it there, but you weren’t going to complain since his lungs would have less smoke in them.

“Come on, Hee.” You stepped in front of him, your height difference was clear that way “It’s my birthday, you said it was my gift.”

Heeseung let out another groan, "Don't pull that card on me. it doesn't work anymore." He mumbled and pulled you closer by the waist, "I didn't want to be here in the first place. We could have celebrated it alone and had a lot more fun together."

You wrapped your arms around his neck, your figures melting together “But I wanted to celebrate it with my friends too.”

"Well, I am better than them—“ He raised a brow, “They can’t satisfy you the way I do.”

Heeseung leaned down to kiss you, his tongue licking your bottom lip. He pulled away, "Don't forget it" He whispered on your lips but it came off as threatening.

“Oh, so now you’re better than them?” You asked, teasing him as you pulled your face away from his.

He pulled you back, his hand gripping onto your chin tightly, "I’ve always been. Who else would put up with your attitude?" He said with a cocky smirk.

You sighed, shaking your head “What attitude?” You mumbled, slightly offended.

Heeseung pulled harder on your chin so you looked up at him, "Look at you right now, always trying to make me mad." His voice was husky, sending shivers down your spine.

“But you like it?” You asked, your quiet voice going straight to his cock— however he couldn’t just steal you away from your party, could he?

Heeseung had a thing for toying with you, confusing you, leaving you just to claim you all over again. Cause no matter how much you acted like you hated him, you knew there was no going back from his game.

His fingers trailed down from your chin to your neck, squeezing the sides slightly, "You don’t know a damn thing abou what I like." He mumbled and leaned down to kiss you again.

He pulled away before you had the chance to respond, "Go inside. I’ll join you in a minute" He demanded.

You pointed a finger at his chest, wanting to sound threatening “No more cigs.”

Heeseung grabbed your hand and kissed it, "You know I can't make promises I don't intend to keep" He squeezed your hand.

"I'll see you inside" he smirked and walked away before you could give him another response.

“Heeseung!” You shouted, watching as he walked away. He didn’t even turn around, he just waved one of his hands and disappeared in the middle of the night; just like he always did.

You groaned, frustrated with him, but most of all with yourself, for always letting him lead you on. You just went back to your birthday party, now feeling ever worse than you were before.

You took a deep breath before entering the room, the smell of alcohol replacing the bitter one of cigarettes and Heeseung’s wood cologne.

You tried to enjoy your night but you couldn’t really, your mind always drifting to the bane of your existence who wore an under-washed leather jacket and always had a cigarette between his lips.

⟡

So called devil had the audacity to show his face again when you were already at home, after fixing all the mess your guests had made— which was huge and took you the whole night. Birds chirped outside, signalling it was already early morning and you couldn’t wait to just fall asleep in your bed.

You heard the overly familiar sound of your bedroom window opening and closing right away, signalling the presence of a new person inside your apartment.

You had just removed your heels and stood in the middle of the room, in front of Heeseung’s tall figure. His demeanour was a little more dishevelled and messy than it had been a few hours before; but you could still smell the odour of cigarettes on him. He saw the unamused look on your face and smirked before walking closer to you.

Heeseung grabbed your waist and kissed you, "Stop sulking." He mumbled against your lips.

You pushed his chest, obviously not doing any damage to him “Let go.” You said sternly.

He pushed you slightly against the wall, trapping you and leaning closer, "Stop acting like this. You're mad at me all the time. I’m sick and tired of coming home to a pissed off Y/N." He said and kissed you again, more roughly.

You kissed him back with the same passion, your lips crashing together, tongues intertwining.

“Stop making me mad, then.” You mumbled, your fingers grasping his dark hair.

"Everything I do makes you mad." Heeseung murmured and kissed all over your neck, biting down occasionally to leave marks, claiming you, “You’re never satisfied.”

You blindly removed his jacket and let it fall on the ground with a small thud. You clumsily tried to undo the buttons of his shirt, “Cause you never listen.”

Heeseung pushed off his shirt, letting it fall to the floor, "Stop picking fights with me, then." He mumbled, his lips trailing down from your neck to your chest as your palms wandered around his bare torso.

You let out head fall back on the wall, the rough touch of his lips on your skin sending butterflies in your stomach “Can’t.” You answered.

He gripped onto your thighs and lifted you up, making you straddle him. He moved your face to look at him, "Look at me."

You wrapped your arms around his neck to keep yourself from falling and looked into his eyes as he demanded.

His pupils were dilated from the tobacco and probably some other things you were too afraid to ask; still, they were beautiful.

Heeseung leaned forward to kiss you again, biting down on your bottom lip, both of you moaning when you tasted blood "Say my name." He mumbled against your lips.

“Heeseung,” You breathed out, moving your hips on the evident bulge you felt underneath your clothed core.

Heeseung carried you to the bed, laying you down underneath him, his lips still on yours, "Tell who you belong to.” His voice became almost commanding.

His figure hovered on yours, like a shadow covering all the light from your life— you were almost hypnotised by his deadly beauty “You, Hee.”

Heeseung lifted up your dress over your hips and looked up at you with a smirk, "That’s what I thought." He mumbled and left kisses along the lace of your underwear.

You let out a soft hum as his plump lips trailed kisses on your sensitive and burning skin. Your hand went against to grasp the back of his head, “I’m still m-mad at you.”

Your voice intended to sound threatening but it only came out as shaky and weak.

Heeseung pulled off your underwear and tossed it to the side, going back to leaving bite marks on your inner thighs, "Show me how mad you are, baby.” He mumbled against your skin, sending vibrations through your whole body.

He left a few bites in the same spots, marking them as his before he reached up and held your jaw, "Don’t pull me away." He said and leaned down to kiss you once again.

As easy as said if it wasn’t for his fingers that snuck to inside of you without you even realising until he started curling them to brush against your sensitive spot.

You gasped for air, but when you did he stopped moving his fingers. You knew he wanted to tease, drive you insane and make you beg— But who were you to disobey?

Heeseung held your chin in his grasp “Don’t fucking pull away.” He demanded again and pulled you into a make out session.

His fingers brushed against your gummy walls, at full speed without even leaving you time to adjust to the new intrusion.

Your mouth fell agape at the funny sensation building inside you and Heeseung took the opportunity to slide his tongue into your mouth, moaning lowly when it met yours.

He reached down to unzip his jeans, "Can’t wait to make you forget all of the things I did." He mumbled against your lips.

Heeseung was quick to discard his jeans on the floor, somewhere unknown.

He leaned back, sitting on his knees. He grabbed your waist and positioned you in front of him, "You look so pretty like this, Y/N" He mumbled, staring down at you in only your bra and dress on top of your thighs.

You glanced back at him, your eyes hooded and full of lust. He removed his fingers from inside of you and he smirked at the sight of your face,

"You can't hide how bad you want me…” His hand trailing up your thighs and over your hips before reaching up to undo your bra.

He wrapped your underwear around your mouth, forcing you to keep silent and allowing him to use you the way he wanted.

Heeseung leaned down and looked at you, "Be quiet and pretty like you were made for.”

You let out a hum that felt more like a whimper, your slick pooling your thighs. Heeseung smirked satisfactorily and put two fingers back inside of you, rubbing your g-spot that he knew so well, making you muffle moan.

You tried to grip his arm when you felt the same funny sensation building inside your stomach but Heeseung never haltered his movements until you squirted all over the sheets and his abdomen.

Your body shook with overstimulation when his fingers kept thrusting inside your pussy, Heeseung cooed “Already? We haven’t even started.”

You shook your head, your eyes squeezing, whimpers leaving your mouths as if to beg him to stop.

Heeseung took your chin in his hands, his fingers digging inside your cheeks. He raised a brow and removed your bra from your mouth, throwing it to the side “Need that warm mouth around my cock, mh?”

With you still laying underneath him, he crawled until his clothed bulge was hovering on your face. You quickly complied and lowered his boxers, palming his hard tip, already leaking precum.

Heeseung wasted no time and fisted your hair, taking control of your head “Open your mouth.” He demanded and again, you gave him what he wanted.

As soon as you opened your mouth he bucked his hips, making you gag on his thick length.

Your gags only made him want to hear more, so he kept thrusting his hips, hitting the back of your throat “Fuck, feels so good.”

The warmth of your mouth hugging his cock and the drool dripping down your chin almost made him cum right away, so he had to slow down, making slow but deep thrusts.

You held his hips and started bobbing your head, hooling your cheeks, Heeseung chuckled at your devotion “Such a good girl for me, trained you to please me so well.”

You hummed, his cock vibrating in your mouth, making his head fall back.

He let go of your hair and thrusted a few more times, just enough to make you gag again before pulling out. You let out a deep breath, your whole chin and chest coated with drool.

He glanced down at you, looking just like the erotic dreams he had when he was a teenager, all messed up by him.

Heeseung bent down to kiss you, pulling you into a quick make out session. He then quickly discarded his boxers as well and moved back between your legs, spreading your thighs apart.

The cold air hitting your pussy made you clench around nothing “Oh baby, I’ll ruin you so bad.” He mumbled, licking a long strip from your wet pussy.

“Heeseung,” You gasped out, “Please.”

He shook his head “What did we say about words? You need to use them, come on, be a good girl and say what you want.”

“Please Hee…” You whined when his fingers brushed against your clit “Fuck me, Fuck me hard.”

Heeseung bit down his bottom lip and let out a mocking scowl “This slut can’t think without a cock to stretch her out?” He caressed your cheek, ever so tenderly before grasping your face, “You remember the safe word?”

Even in your hazy state you managed to nod, Heeseung’s eyes were dead serious. Despite his twisted desires, he would never accidentally hurt you during sex, or worse.

“Good, because I won’t hold back.” And with that, he wetted his shaft with your juices, pumping it a few times before entering you with a deep thrust.

You swallowed him whole as he bottomed out already, grasping the sheets underneath you at the sudden stretch, so good yet so painful.

You let out a small whimper, “Shh,” He cooed, fisting your hair to raise your head, making you look at where your bodies connected “Watch me stretch this pussy out.”

His thick length moved back and forth, appearing just to disappear back into you, the shadow of his bulge showing on your stomach, making both of you moan.

“Fuck baby, you feel so good around me.” Heeseung breathed out, letting go of your hair to cup your breasts, squeezing them.

His fingers played with your nipples, making you clench around him, your walls squeezing back around his cock.

“So sensitive?” He scowled, bending down to lick your tits as his thrusts reached a delicious rhythm, not too slow but not also too hard.

His scent mixing with sweat and your own sheets’ one was enough to drive you insane, your thoughts getting cloudy and you dropped your head back on the mattress.

Heeseung raised himself up and looked at your body, laid down so pretty underneath him. His gaze went to the dress still around your hips, “Wearing that dress at a party, you knew you’d make me mad, right?”

You shook your head, not even having the slightest energy to speak with the way his cock kept hitting your cervix, his movements becoming even more intense “All those men at the party were eye fucking you,” He groaned at his own statement, his eyes so dark, “Wanted to claim you, take you right there on the fucking gift table,” He slapped your breast “Showing them who you belong to.”

Your eyes were half lidded as you tried to open them “Only w-want you.” You replied, another moan escaping you with one particular deep thrust.

“You better,” His fingers trailed your jawline, his touch tender unlike what you were doing “Only I can fuck you like you want, treat you right, mh?”

You nodded again at his words, your hands grasping his shoulders to keep yourself steady “And you don’t want to know what’d happen if you ever let another man look in your direction.”

He tilted his head back gritting his teeth with a hiss. Your gaze was now on him as he stared back down at you with lustful satisfaction “You’re mine.”

The same sweet feeling built inside your stomach, making your eyes squeeze “Heeseung,” You breathed out.

“Want to cum?” He tsked, one hand going down to your clit to rub it as the other held your leg on his shoulder, “Cum, yes.” You managed to mumble.

Heeseung’s thrusts got deeper, faster, almost maniacally as you fell apart under him, your cum coating his dick.

You’d think he would at least slow his movements, helping you ride out of your orgasm but it was Heeseung you were talking about, and he kept rutting inside you, gripping your hips to help himself.

You tried to make him stop, weakly pushing his chest away. He took your wrists, yanking them away from his chest and holding them on the mattress, pinning you down “Fucking take what I give you.”

You were a whimpering mess, overstimulation making your body quiver underneath him, if it wasn’t for his strong grip you’d be all around the bed “Hee…” You managed to breathe out.

“Sh,” Heseeung ordered, letting go of your wrists to wrap one hand around your neck, squeezing it. The loss of oxygen made your eyes roll back, laying there for him to use, to own.

After a while, he got bored of missionary so he let go of your neck and turned you around, your ass up.

He spanked it, making you moan out at the pain. He inserted himself inside you again and gripped your hips, rutting his cock.

“T-too much.” You cried out, biting down the sheets, the pleasure being too much for your body.

“It’s not.” Heeseung said back, spanking your ass again before reaching for your head, holding it down on the mattress. The position was uncomfortable and you’d surely wake up with a sore neck the next day, but the thought of Heeseung using you for his own pleasure, fucking you like a flesh light.

“Take my fucking dick, baby.” You knew he was close when his breath got heavier, sweat dripping down from his neck to your back “You’re squeezing it so tight.”

He let go of your head and held you up, supporting your body weight so that your back was pressed against his chest, one hand grasping your tit as the other circled your sensitive bud.

You were a moaning mess, tears staining your cheeks and ruining the mascara you had put on.

Heeseung gave one final deep thrust before cumming inside you, his length twitching, load filling you up and at the same time the knot in your stomach snapped, making you cum for the second time of the night.

Heeseung kept pounding, slowly and deeply, fucking his cum back into you, kissing the neck he had marked before.

Both your breaths were heavy, and as he pulled out, you fell on the mattress right away, all your forces leaving your body.

You turned around, laying on your back. You felt the mix of your cum dripping down on your thighs and mattress but you didn’t even care— not at that moment.

Your eyes were so heavy, both from the lack of sleep and the draining sensation coming after sex.

Heeseung placed one pillow under your head and caressed your cheek with his thumb.

You thought you heard a faint “Happy birthday, love.” With a featherlight kiss on your forehead, but you weren’t sure if it was a dream or reality. What you were sure, though, was that when you opened your eyes again the only thing left of Heeseung was the smell of cigarettes and wood.

[moneypowerglorymiddleofmiami]

Reader as Persephone's only daughter? And she doesn't get into relationships bc of her mother's past as she was kidnapped by Hades?? Like History repeats itself with Luke being so obsessed with her and the reader doesn't know that she'll just end up like her mother

hello, hello! this one is definitely long overdue. i've been very busy with uni, but this ask was very intriguing!!! thank you for sending, anon ♡ (bonus scene at the end lol)

Luke Castellan wasn’t immediately taken by her the first time she set foot on Camp Half-Blood, that much was certain. She was only a topic of interest because she was Persephone’s daughter, promised yet unexpected all the same. He was far too caught up with claiming his own hoard of kleos to entertain ideas of attraction; however, she became a friend soon enough.

“What are you growing?” He asked her during a spring afternoon years ago, so insignificant that a normal person would forget it entirely.

“I don’t know yet actually.” She responded with pursed lips. Her open palms lingered just above the brown earth, colorful beads dangled from her wrists.

Luke raised an eyebrow.

At his silence, she looked up then waved a packet in front of him. She smiled. “Secret stash from Persephone.”

“Now, I’m not really the boss or anything but I think I’ve been here long enough to know the rules.” He perched his forearm against the bark of a tree, leaning his weight against it. “I don’t think that’s allowed.”

“But you wouldn’t tell on me, would you?” She batted her eyelashes sweetly, jokingly. She turned back to her lump of land. “‘Sides, they're harmless… I think.”

He remained silent and observed as a sprout quickly rose from the depths of her plot. A number of curved leaves on top leaning stems dotted the once empty ground. She rose from her knees, dusting off pellets of grass that hitched onto her clothing.

“That's it?” He asked her, sounding very unimpressed. Was this the extent of her god-gifted abilities?

She narrowed her eyes at him as she stretched. “I don’t give a show for free, Castellan.”

“What do you want in exchange, then?” He asked curiously. He wanted to see— witness what Persephone’s little seedling was capable of flowering.

She thought for a moment then shrugged her shoulders. She walked away from him with a wave. “Grow something of your own then we negotiate the terms.”

A few weeks later, he proudly paraded a plant pot all around camp in search of her. Most of the younger kids looked at him a bit judgmentally when he held it up like he was Rafiki and the little thing was his Simba.

She emerged from the greenhouse after several vexingly loud knocks. She looked down at Luke’s outstretched arms, her lips twitching in amusement at the container filled with inch-long two-leaved sprouts.

“Strawberries?” She pursed her lips. She motioned to the fields of berries sprawling to the left of them. “A bit unoriginal considering…”

“Well, you didn’t tell me I wasn’t allowed to grow strawberries.” He reasoned.

“Touché.” She ceded. She placed a hand over the pot, the sprouts growing exponentially before she took it from Luke's hands. She spent a handful of minutes transferring them into the dirt.

Luke watched silently, interested and intrigued by the alacrity with which she moved.

“Can you look away for a sec?” She spoke suddenly. She turned towards him, all seriousness. “The glaring is pressuring them. They’re a bit self-conscious.”

“Oh.” He looked away immediately, distracting himself instead with the silvers of light that shone through the canopy of branches of a tree not far from him. He listened to her hum as she worked. He couldn't help but return his gaze to her once in a while.

“Done!” She proclaimed excitedly, pulling off her gardening gloves with a satisfied look on her face.

Three strawberry bushes stood before him, taking up residence in what was an empty patch of land mere seconds ago. His lips parted slightly in surprise— it definitely wasn’t uncommon for demi-gods to inherit some of their parents’ powers, but he was startled by how quickly it manifested, especially for botanokinesis.

“Impressed enough?” She crossed her arms with a grin.

“Just the right amount.” He responded casually, returning her smile. He bent down to pick a big ripe berry from the branches.

He bit into it, the juices trickling down his chin. “Sweet.”

He offered the other half to her. She looked down at it skeptically before Luke urged her with a slight little shake from the bundle of leaves at the fruit’s head. She took it into her own hold then lifted it up to her mouth.

𓇢𓆸𓏲𓇬𑁍

In her iteration of the story, Luke wasn’t merely a stand-in for Hades. He wasn’t simply her captor— he was also her pomegranate. His smiles, his looks, his words, his lies, his charm and his wit were all the seeds she foolishly consumed over the years. She yearned desperately for the tart sweetness he offered and unknowingly caused her own captivity.

Bound, bent and broken: this was the fate of Persephone’s only child.

In the darkness of the night, with the hum of Luke’s faint snoring keeping her senses alive despite the late hour, she wondered to herself briefly: was this how her mother felt?

She paused at the thought. Surely, it was a thousand times worse for her mother— a dread and pain so unfathomable that she couldn’t even begin to imagine it. Persephone was innocent; she was tricked and taken advantage of. She, however, was complicit: ignorant at first, but willing to succumb to Luke’s pleas and promises even if she knew the horrors of what he was attempting to do.

“Can’t sleep?” He whispered suddenly, jolting her out of her reverie. His hand moved to rest against her hip, his thumb stroking comforting circles onto her skin.

“Hm,” She hummed absent-mindedly. She turned around to face him, breathing in the scent of sea and sweat that lingered on him— a glaring reminder of what he was getting himself into.

Luke caged his arms around her then pressed a kiss against her temple. "Mine."

"Yours." She responded softly.

He returned to sleep in a matter of seconds, but he held her firmly against him. She couldn’t escape even if she wanted to. She didn’t even want to, anyway.

She closed her eyes. Luke’s presence was her prison, and she was insane enough to willingly stay shackled, albeit metaphorically, regardless of how horrific that sounded.

This was her underworld— her own dauntingly lovely elysium.

BONUS scene from my first draft that i didn't continue writing:

“Well, what’s her master plan then?” She asked. “Why kidnap me?”

“You’re Persephone’s daughter.” He shrugged his shoulders, as if that was enough explanation as to why the leader of a rebellion against the gods wanted to kidnap the spawn of the Goddess of Spring— really, what did he think she was gonna do for him? Grow daffodils and tulips to distract his enemies? It didn’t seem like horticulture proved useful on the battlefield.

“I am not going to grow potatoes and peas for her little revolt, Castellan.” She scoffed.

Of course she knew why she was being held captive. Pretending to be foolish and ignorant never hurt anybody, though. Let him think she was dumbed down enough to bend to his will.

“You’re basically Hades’ daughter.” He continued, essentially bypassing her reply. It was a bit rude, honestly, but the fact that he kidnapped her showed plenty about the state of Luke’s manners.

“Careful what you say, Lukey.” She would’ve wagged her fingers if her wrists weren’t so tightly bound together. “You might just insult another one of the gods.”

Her relationship with her stepfather was… civil yet glacial at best; definitely on brand for him, actually. On her annual winter-break visits to the Underworld, he’d just ignore her for the most part (very understandable, there wasn’t much in common between an eons-old powerful god and a nineteen year old, except the angst probably, but that was a very awkward topic to breach with a father figure). Most of the time, she assumed he just tolerated her because of her mother.

“With you on board, Hades is going to think twice before attacking,” He explained further. He began to pace in front of her. “Your presence might even dissuade him from attacking at all.”

Oh. Oh.

“Sweetheart,” She called him softly with a condescending coo in her tone. “Oh, sweetie. You’re delusional.”

[genericpuff]

ten storylines u think could have been amazing in lo if they had been handled better?

10 already feels like so much for a story like LO buuttt:

1.) the act of wrath plotline, seriously this one felt like it had some of the most lost potential as one of LO's more unique plotlines (and it lost that potential as soon as it was turned into some "oopsy" committed by persephone due to her wrath being a 'gift' from eris when she was a baby??? still bugs me so much ugh) give me back that dichotomy of Persephone and her internalized wrath, dangit.

2.) the Eros and Psyche plotline. it started off so promising as a parallel B-plot to H x P and then seemed to just get dropped halfway through S1 when Psyche got turned into a nymph.

3.) Echo's involvement as a double agent for Zeus. that was clearly the intention when she was introduced but then she was promptly dropped and only showed up again to say "fuck you Zeus" with zero build-up or implication that she had a change of heart. Like imagine if we actually saw her leaking info back to Zeus but then also getting closer to Hera on a personal level and realizing that she didn't want to keep snitching on her. it would have also made the 'big reveal' of Hera kissing Echo a lot more impactful because then they would have had an actual story arc.

4.) Persephone's character development into becoming the Dread Queen. Right now the story wants us to think that Persephone is somehow "better than ever" despite the fact that her version of the "Dread Queen" is being an absolute Karen. But think of how it could have been if her character de-evolution was the point, to show how Hades had corrupted her. Or if they were meant to be actual shitty people and not shitty people that the narrative was trying to convince us were good.

5.) Hades' and Minthe's relationship. It goes without saying that Minthe was wrong to turn to physical violence, but I'll die on the hill that Minthe wasn't being treated fairly by Hades, either. Those three flashback episodes in S2 leading up to Minthe getting turned into a plant were such a missed opportunity to showcase how Minthe became as bitter as she did towards Hades and what their relationship was actually like in the beginning (and why they liked each other in the first place which they very clearly did) but instead it just dragged its heels because obv Rachel didn't want people empathizing with Minthe.

6.) Ares being used as a tool for war by Zeus. It's clear being sent off to these wars is taking its toll on him and it's created a steep divide within the family, especially concerning how protective Ares is of Hera esp when it comes to how Zeus treats her.

7.) The Aphrodite / Hephaestus plotline. Good god I have no idea what the thought process was behind this one, some of the myths she kinda got away with flipping but this was the one that made the least sense to flip. There was so much potential there that was squandered, a lot of it at the expense of Aphrodite and Ares as traditionally powerful and respected gods.

8.) Hades' alcoholism. Minthe was right, simply falling for Persephone and dropping the cigars and brandy to make himself look better for her doesn't make him a changed person. If the alcoholism was linked to his trauma, why didn't we explore that more? Why couldn't we have seen him actually pursue proper recovery and have it not just be "I'm hot for the 19 year old girl but if I'm drinking constantly that'll make me look bad so I'm just gonna put on the best fake persona I can to make her fall in love with me" instead of actually getting to the root of his issues?

9.) The SA plotline. As much as I talk about how shitty it is, I have zero issue with the original depiction of it, I think it was very accurate especially when it comes to coercion. A lot of people assume SA has to be violent, kicking and screaming, begging for help, but coercive assault is often a lot quieter and more about manipulation which that scene nailed in depicting. It's just everything after that that feels completely misfired and more so for the purpose of making Hades look like a better person simply by comparing him to Apollo on the basis of "he never assaulted Persephone!" and it drives me nuts.

10.) Demeter's winter. In the most recent FP episode, while discussing it with pals, all I could really say was, "This was supposed to be a retelling of the Abduction of Persephone". And Demeter's winter is a core part of that story, one of its biggest purposes in Greek culture was using the myths to explain the creation of the seasons. Despite this being a "retelling" of the Abduction of Persephone / Hymn to Demeter, one of the most important characters in the entire myth has been reduced to, at worst, a Mother Gothel Disney villain, and at best, a pointless NPC.

[mintartem]

I loved your guitarhero swap au wait is that mean adam is charlie mother and michael is charlie father? I got the feeling despite they're both good intention to charlie they could still make the same mistake being unsupportive

PIlot charlie: Maybe in another timeline i get support from my father and he didn't consider me a failure

meanwhile Guitarhero swap timeline

Charlie: i wish my parents can try to listen

Thank you so much! I’m glad you like it. I never did got to talk about the Swap AU didn’t I?

But regarding Charlie… she’s not a guitarhero kid. She’s created the same way the fans headcanon how Emily was created. She’s heavenborn. Emily will be the guitarhero kid. Michael and Adam will have 5 kids in total. But one of them isn’t Michael’s and his name starts with “A” and ends with “Bel.”

Swap AU guitarhero is low-key inspired by Hades and Persephone’s relationship. Hades and Persephone ended up having 2 children, Zagreus and Melinoë. We all know who Melinoë’s father is now, don’t we?

Although Guitarhero swapped with Lucilith while everything is the same is also very interesting!

They wouldn’t be against Charlie’s idea, but whether or not they support it, Charlie doesn’t know. Michael is all about punishing sinners, especially those who truly deserve to be in hell while Adam rules over the hellborns.

They try to be supportive, they really do, But to Charlie, it sounds more like they are trying to appease a child than actually taking her seriously and understand that what’s she’s doing is serious. Adam and Michael are filled with doubt about Charlie’s plan since they know the nature of sinners and they think she’s naive.

[gingermintpepper]

SO BASICALLY,

The general concept is that Hyacinthus, the (secret) sixth prince of Laconia is sent to Olympia to help out after the catastrophic earthquake that's completely paralysed the town. He gets there, he's given his land and he finds this cool statue of his Very Handsome Man on his land and would you look at that, the Very Handsome Statue is talking to him and introduced himself as Apollo, how nice-!

In short, it's something of a domestic mystery - much like in Fields of Mistria itself, the earthquake has awakened old magic in Olympia once more due to interfering with the seals far below the earth. Hyacinthus, motivated to help Apollo get his lost memories back and for the good of the town, traverses down the mines so he can break the seals and, in the process, maybe un-statue the really hot guy that's sharing this farmland with him.

Below the cut I'll put the list of the characters I assigned to the townspeople if you're interested <33

Farmer → Hyacinthus

Sent by the Adventurer’s Guild to help repair Olympia. Is the only one that can hear the voice of the Radiant from the statue on his farm. Sixth prince of Laconia, still in contact with his family, wanted to help his people after the disaster. 

Caldarus → Apollo

A God of old Olympia, used to be widely worshipped but is now sealed away deep under the earth. Has lost most of his memories along with much of his power but has recently reawakened due to a disaster which disrupted his seals. Can only communicate to Hyacinthus through the statue on his farm.  

Balor → Hermes

A prolific merchant who excels at delivering quality goods in unorthodox places. Took a special interest in Olympia after the disaster and remained the town’s sole contact to the outside world in the wake of their bridge collapsing. Always smiling and extremely mysterious - he has suspiciously low prices despite the danger of his work. 

Nora → Demeter

Head of Olympia’s Chamber of Commerce and co-owner of the General Store in town. Works closely with both Hermes and Hektor to keep the town running smoothly as well as coordinate the restoration of Olympia after the disaster. 

Holt → Triptolemus 

Co-owner of the General Store and Demeter’s life partner. Extremely reliable but a bit lost without Demeter’s instructions, he’s extremely skilled at cultivating crops and is responsible for stocking the general store with seasonal seeds and saplings. Strictly vegetarian.

Celine → Persephone

Demeter’s daughter and an avid lover of flowers. Constantly busy with the beautification of Olympia when she’s not researching the rare and mythical flora of Olympia’s past. She handles stocking the general store with seasonal flower seeds and furniture. Is in a secret relationship with Hades, one of the merchants from out of town.

Dell → Pelops

Demeter’s ward and a greatly troubled child. Rambunctious with a very vivid imagination, he has big dreams of returning to the capital and taking his rightful place as a Duke. Due to the remote nature of Olympia, it is the perfect place for him to be hidden away from his father’s madness and, luckily, no one in Olympia takes his tales seriously. Demeter worries about him endlessly.

Eiland → Cassandra

The younger child of the Baron and Baroness of Olympia, she is greatly concerned with the history and architecture of Olympia. Extremely perceptive and always on the lookout for more hints about Olympia’s buried past. Founded the History Society so she could more effectively research her current obsession, the scattered steles of a long dead god.

Adeline → Hektor

The elder child of the Baron and Baroness of Olympia, after the disaster struck he dedicated himself to restoring Olympia at all costs. He truly believes in the people and potential of this town and though he has never been particularly superstitious, he has found himself more inclined to pray and pay attention to natural omens since starting this project. He personally dedicates himself to working alongside Hyacinthus for the sake of restoring Olympia to its former glory. 

Elsie → Paris

Older relative of the Baron and a Count, he agreed to look after Hektor and Cassandra in Olympia while their parents were away. Seems to prefer Olympia’s quieter countryside but always has a story or two to tell about his exploits in the Capital. Seems especially fond of a particular man and woman he left behind in favour of coming to live with the Baron and his family.

Juniper → Penthesilea

A foreign woman who has not entirely settled into Olympia. Runs the bathhouse and gym and spends a lot of time on the Eastern Road. Is especially interested in the seals and inscriptions scattered around Olympia but staunchly refuses to join the History Society. Apparently, she is not very fond of Orpheus. 

Valen → Orpheus

The extremely skilled but extremely reserved town doctor. He has a clinic in the town centre and mostly keeps to himself, though he is especially fond of flowers and trees. Doesn’t speak much and instead prefers to write his thoughts down or communicate with sign language. Wears a wedding ring but notably, lives alone.  

Olric → Zephyrus

The older of the blacksmithing duo, a gentle man with a big heart. Part of the History Society and very enthusiastic about life, he was part of a skilled band of adventurers called the ‘Anemoi’ before eventually retiring and moving to Olympia. Spends a lot of his time on high hills and summits and can speak the language of flowers. Is good friends with Persephone.

March → Dionysus

The younger of the blacksmithing duo and undoubtedly the more skilled craftsman of the two, has been working extremely hard to help put the town to rights after the disaster and is a bit on edge because of it. Super welcoming and friendly but also somewhat unsettling due to his intensity, doesn’t actually care much about smithing and would much rather spend his days making wine casks and custom drinking cups.

Hemlock → Asclepius

Co-owner of the Sleeping Eclipse Inn and the town doctor before Orpheus moved in. He’s an anchor of the town and the inn is Olympia’s beating heart. Extremely well-read and a skilled luthier he helps wherever he can. Due to some difficulties with his health after the disaster, his family has been forcing him to take it easy. Cries every time he hears Orpheus sing.

Josephine → Epione

Co-owner of the Sleeping Eclipse Inn and the town veterinarian. She’s a powerful woman, the second tallest person in Olympia and very intimidating on first glance because of it. Despite this, she is extremely gentle-natured and always has a smile for those who enter her doors, works closely with Aristaeus to ensure the town’s internal supply of animal produce isn’t threatened, especially after the massive losses taken after the disaster. Was a ranger before she met Asclepius and still has her horse, Miel.

Reina → Iaso

Eldest child of Asclepius and Epione, was educated in the Capital but came home in a huff due to a major blowout with her boss at the hospital she worked at. Currently studying the healing power of food and cooking and works as the Sleeping Eclipse’s chef while she does her research. Is extremely concerned about her father’s health but refuses to let it show.  

Luc → Machaon

Middle child of Asclepius and Epione, he is determined to become a surgeon and surpass his father’s legend. Very smart young lad and one of the few people in town who completely believes Pelops’ stories, he loves small animals like insects and birds and often tries to nurse any small injured creature he can find back to health. Is fascinated by Pelops’ shoulder prosthetic and hopes to one day be able to make such a difference for someone else.

Maple → Hygeia

Youngest child of Asclepius and Epione, is a  twin but her sister died shortly after being born. Despite never knowing her sister, Hygeia struggles with a deep sense of loneliness and grief that has only recently started to ease with the help of the townspeople. Adores Orpheus and often spends the day shadowing him in the hopes of hearing him sing or play his lute. She is the only one Orpheus talks to about his dead wife.

Ryis → Thamyris

A carpenter who studied music in the Capital, came to Olympia shortly before the disaster at his friend’s request and was trapped after the bridge collapsed. Has a bit of a poor attitude due to once having big dreams of becoming a famous bard but is now too attached to Olympia to leave, no matter how much he grumbles about its backwater nature. Is convinced there’s something singing in the mines but is completely useless with a sword. 

Landen → Hippolytus

Owner of the Red-tailed Stag House of Carpentry (or the Stag House for short) and a very good friend of Thamyris. He gave up on urban life a long time ago and is dedicated to living in oneness and harmony with nature. Strictly vegetarian and kind of a stickler for his views being respected, he’s been on edge since the disaster since there’s been a massive change in the lands of Olympia. Most of the townspeople don’t take him seriously, but Penthesilea seems to think of him as a kindred spirit. He doesn’t work on the 6th or 16th of every month.  

Errol → Eros

Museum Curator, ex-adventurer and all around incredibly offputting guy, despite his open nature and pretty face, Eros seems to know everything about everything yet is unwilling to share that information with the rest of the town. His only delight seems to be the History Society and he is extremely pleased that Hyacinthus has decided to collect old artefacts and explore the mines. Apart from Cassandra, Eros is the only one that acknowledges the statue on Hyacinthus’ farm and occasionally passes by just to stare at it.  

Hayden → Aristaeus

Owner of Sweetwind Farm and the only other farmer in Olympia, Aristaeus has deep roots in this town and his family has lived and farmed here for generations. Skilled with animals and is extremely handy with preserving food, pressing olives into oil and keeping bees, he has almost single-handedly kept the town fed during the worst of the shortages brought on by the disaster despite the losses to his animals. Has a deep aversion to dogs and wishing stars. Seems to know a few things about Olympia’s history that no one else does but isn’t exactly eager to talk about it.

Terithia → Medea

A beautiful woman who lives alone on the beach. Has lived a long and eventful life and refers to Olympia as her ‘jail-cell’, her ‘gilded cage’ and her ‘death-house’ based on her mood. Much like Eros, she seems to know many things but is not inclined to let anyone else know, but unlike Eros, she very openly spins exciting tales of her youth when she was a court sorceress and princess. Though she doesn’t do much magic these days, she still has the knowledge and is always willing to decode some arcane knowledge for a price. 

Obviously there are a lot of liberties taken for the sake of the AU but that's the broad strokes of it. Thanks for asking about it @gotstabbedbyapen !!

[baalzebubuu]

I was so surprised to find out that you had an Instagram! And I saw that in one of your posts you talked in more detail about how Thanatos and Daphne's relationship was similar to HxP due to their power imbalance (among other things)

And that made me think, what do you think of Poseidon and Amphitrite? Is there something that differentiates them from the last two couples even though one is a god and the other is a nymph too?

OKAY FOR THE SAKE OF MY ARGUMENTS LET ME SHARE CONTEXT AND THESE SCREENSHOTS AS PART 1 TO GET THE TUMBLR BABES TO CATCH UP!!

Okay so my thoughts on Thanatos and Persephone, the more I thought about it the more it became clear to me that Thanatos is seriously absolutely NO BETTER than Hades in any way shape or form, in fact he’s even creepier due to he done so many creepy shit RIGHT UNDER OUR NOSES while we were too busy Hating on Hades (rightfully so don’t get me wrong he sucks in his special little way)

BUT LETS TALK THANATOS.

From his DEBUT he’s always been a Shitty piece of Trash

He Shoved persephone to the side to get first on the train despite having wings , which even if it wasn’t Persephone that’s still a very shitty thing to do. HE IS A NEPO BABY TOO JUST LIKE PERSEPHONE and he’s mad that PERSE is a nepo baby yet he keeps a more bratty stupid attitude that she did.

Then let’s talk about his creepy relationship with Minthe, WHY THE HELL was he pursuing this woman who had a relationship with hades? HIS QUOTE ON QUOTE FATHER FIGURE!?

And they’ve been doing this for a while and don’t think Thanatos and Minthe is better than Hades, he still a thousand plus year old god JUST LIKE HADES , there is still a power imbalance as the god of death and a mortal nymph that could kill her at any given moment.

And while he was on his stupid petty adventure to slander a teenager. A TEENAGER. ANOTHER pink girl who’s likely the same age as Persephone HAD TO KNOCK SOME SENSE INTO THIS THOUSAND YEAR OLD MAN BABY over why he’s even putting this much effort over some pink thing, WHO MIND YOU has the same power dynamic Minthe and Hades had , Minthe was also having money and gifts from Hades, and Thanatos thought nothing yet when Persephone was having her spoils it was a problem.

As a Ship Daphne and Thanatos may have been cute for two seconds until you realize he still older than Daphne by thousands of years and she is still a young nymph , and he is a god with a giant career.and MF didn’t even realize the power he has over her till she brought up that she’s still mortal and he is still a god that could kill her , which even if he would never do that , the OPTION is there for him and he just like the rest of the gods has the power and authority to not have any accountability for it until Zeus when he’s not fucking or lying or being a man baby is in the mood to do some bs punishment on a whim.

In conclusion I believe Thanatos should have the accountability for his creep behavior as hades does

He is a grown ass man in his 1000’s doing the same creepy shit his adoptive Father has been doing and made no attempts at being better till a Pinkie came along and clocked his bullshit.

Also take into consideration Persephone has MADE flower nymphs which ergo makes them Slightly younger or the same age as her , which will lead to creepy assumptions…

[weirderthannormal-artist]

Making headcannons for the God of War 3 gods because the games don't give them enough development :) this can be seen as AU shit

Going to read the novel soon so might update.

-Hades-

He has severe anxiety caused by ptsd from being trapped by his father for so long and uses his Cerberus as a emotional support pet.

Speaking of his father, he was physically scarred by his father which is why he looks like how he does, he has scars on 100% of his body (mostly caused by acid burns) these scars did not heal well, causing them to crack and bleed sometimes (which is why he sometimes he has small cuts on his body)

Chronic pain is common for Hades, caused by his scared body and is pretty good at hiding it from other gods and is why he has such a high pain tolerance.

He tries to hide his weakness as he fears this will cause the other gods to turn against him as he uses that scary persona (not saying he isn't scary without his looks) to protect himself.

The black spines on his back are much like quills and are naturally part of his body, he can retract them into his body.

Hades has a vow chastity and unlike his brothers he has not gotten sexual with anyone (he just doesn't see the need to) feels maybe demisexual.

His relationship with Persephone was very complicated. She might be his wife but they didn't treat each other that way more like best friends than lovers, yet he did love her and was blinded by love not to see how she truly felt.

He loves the underworld and rather be there than with the other gods or the mortal world.

-Poseidon-

He is the more strict and battle ready of his siblings and is extremely loyal to Mount Olympus willing to protect it with his life.

He is a huge control freak and rather force relationships instead of slowly making them (which is why Poseidon's princess exists).

He has severe anger issues and when he goes off he loses control of his powers which ends up hurting anyone around him including himself. Goes with the fact he constantly wants to be in control of the situation.

He is very neutral in a lot of things and doesn't show his rage unless provoked.

When he gets grudges he GETS grudges and will not let go of them which can make him a very nasty person at times.

He has respect for his siblings yet his respect for Zeus was dwindling with Zeus's fear, he does not have respect for cowards.

He will never admit when he's wrong and will go completely silent and just walks away when he knows he lost an argument.

He does care for his children yet will never really show it (he believes it to be weakness)

He believes caring is weakness to be taken advantage of, and can be quite cold in painful situations.

He takes his position very seriously and does not fuck around when it comes to his seas.

His markings glow and blink when stressed or frustrated.

He thinks really highly of himself (which is why he is never loyal to his partners).

After Pandora's box was opened, he was one of the first to realize something was wrong with him and the other gods when the powers from the box was released. He started to investigate by writing down what he felt was wrong.

-Zeus-

Oh boy, here we go-

Zeus can definitely be said to be the cruelest of his siblings, and uses his image to strike fear into the hearts of the other gods

Most gods fear him, and will always agree with him to avoid conflict (he does not take kindly to disagreement).

He is very power hungry and always wants to be in control of the situation, even when its not his business.

Has no respect for the other gods unless he could use them or wants something from them.

Will rather die than admit he is terrified all the time, to the point of making bad decisions. His fear causes him to snap at others and when he gets angry, he GETS angry (someone always ends up dead.)

Slut, slut, slut- definitely has the highest body count of the gods ( maybe more then Aphrodite-) rather then face his problems he rather go off on a random women about them ( never ends well )

He has so many kids- oh my GOD someone get this guy a vasectomy-

Terrible to his wife (probably doesn't care about her at all)

Is not used to being told "no" as most are too scared to say it to him. (He imprisoned his own mom what do you think the other gods are going to think about him-)

Thinks highly of physical strength and believes that's what makes a good leader.

Does not care much for anyone yet does seem to have some empathy, maybe understands just how much he can mess up.

-Hera-

Hera is the definition of miserable. She isn't treated very well by her husband and takes out her anger on her illegitimate children.

She is a huge drunk and usually always has a drink in her hand, the other gods always find her wasted.

She seems to care for her biological children and was secretly devastated with the death of Ares ( she blames Zeus for it.)

She does not treat her non-biological child well and often likes to torment them in different ways ( especially Hercules who she consistently controls and manipulates as her champion )

She is a hot headed and stubborn women who lives with many regrets that eat at her. ( probably why she is so nasty )

She loves flowers and gardening, she can list out any type of plant life known to man ( it's probably the only thing that keeps her sane ).

[tea-dragonz]

Since my last LO/KO comparison post was getting attention, thought I'd make this meme as well. Mors x Korina pulls of the whole "sweet girl x edgy guy" trope way better than Hades x Persephone (long analysis below if you want to read)

I've noticed how these two relationships share a foundation similar tropes, and I wanted to break down why one is a ship I absolutely adore and the other is just "meh" for me. For Morina, I'm mainly going to be focusing on Korina's Origin, mainly because Origins of Olympus gave them less time to develop as a couple properly, plus KO gives us more to work with timeline-wise. For LO Hades x Persephone I'm going to be sticking with S1 and S2 because I haven't seen a lot of S3 for myself (and based on what I've heard, I don't plan to).

Now, I'm not gonna go ahead and say that Morina is the pinnacle of ship writing or whatever, I have some issues with its development and pacing (especially in OoO), plus Mors is unfortunately an asshole no matter what series he's in. But despite its flaws, Morina as a ship feels flawed in a very human sort of way while LO Hades x Persephone feels perfect in the artificial way, if that makes sense?

In LO, the narrative is constantly trying to convince you that Hades x Persephone is the perfect couple and that it's them against the world. It doesn't matter what criticism other characters have of their relationship, because they're all jerks anyway, and any actions taken against them are all thusly justified. Meanwhile, KO acknowledges that while there are external forces preventing them from being together, there are issues that lie within the characters themselves: Mors' anger issues and lack of emotional intelligence, and Korina's insecurities that prevent her from standing up for herself.

Persephone and Korina are both portrayed as kind, altruistic, and naive by the narrative. They show kindness and forgiveness to people who may or may not deserve it, and others may take advantage of this kind nature. Korina takes this in an interesting direction: she is a people pleaser due to her abandonment, and she will constantly sweep things under the rug and play nice even around people who don't deserve it. When she has the choice of announcing her relationship with Mors and invoking the ire of the gods, or playing along with their matchmaking plans for her, she chooses the latter despite it not being what she wants. She is dedicated to maintaining peace and good relationships with everyone, to the point that it ends up putting a strain on her relationship with Mors. She is typically patient and content to go along with what others want of her, and when she does finally snap and lash out at people it's used sparingly, such as when other people reduce her to being nothing more than a servant rather than being a fellow god/demigod. These are character strengths and flaws that go hand in hand with each other, and it builds on the "sweet girl" half of the ship trope in a reasonable way that affects her within the relationship and in other aspects of her life.

And Persephone? Uhhhh... she spends most of her time acting like an excited child (that definitely means she's nice, right???), she showed sympathy for the shades, told off Hades for mutilating a guy and got angry that her nymph friends were killed. Except it wasn't actually her fault that she was righteously angry over the death of her friends, Persephone can't get angry guys, anger is a bad thing and Persephone is good!!!1!1 In all seriousness, Persephone's Act of Wrath was the peak of her character for me. Here I though that we would be seeing her have emotions that humanize her, but nope. I guess the only character traits and emotions she's allowed to have are smol bean uwu, sad from trauma (but only sometimes), and Girlboss™. Still though, do we actually get anything of substance from her personality outside of those traits? Does she have anything about her character that meaningfully builds on the aforementioned “sweet girl” trope? Do we ever truly see her have a moment of agency with a lasting impact? Do we ever see her really struggle with having emotions that she's not fully in control of outside of her Act of Wrath? Is she ever allowed to have feelings that the viewer might disagree with, even if it would make more sense for her character and story? (Honestly these questions apply to Mors as well so I'll just use this as a segue into the next section).

Hades and Mors are both the edgy antisocial guys who have been shunned for one reason or another. They put up a tough front and lash out at the world, but drop the mask around those they care about (though if anything threatens their lover, they go straight back to being the dominating machismo guy). Hades' beef with other characters tends to mostly be framed as petty drama, but do any of them actually dislike Hades for the legitimately bad things he does? Because he’s invaded Persephone’s privacy without her knowledge, neglected his adopted son, put his partner in a financially abusive situation, allows the shades to live miserable afterlives despite being their king, took out a tabloid reporter’s eye for doing his job, and that’s only what I can name off the top of my head. Does Hades have any actual motivation for the way he treats others aside from pettiness and simping over Persephone? Is any of what he does truly framed as bad by the narrative? Why, then, are we supposed to believe that he’s a misunderstood edgy bad boy if the narrative barely even acknowledges how and why he has this reputation in the first place?

Mors, on the other hand, is shunned by many because he is the descendant of the personification of violent death, and thus has an aggressive personality and the capability for mass destruction. Thing is, he spends most of his life not knowing that, so to him people are just weird about him for no reason (other than Korina, who also doesn't know until later). Whether or not the treatment of Mors is truly justified in the viewers’ eyes, I’m sure many can agree that it is still a reasonable motivation to lash out. And let’s take a look at the bad things he has done to compare to Hades, shall we? Killing in self-defense (or Korina’s defense), verbally and physically lashing out at his father for not telling him about his mother, using violence/threats to solve problems that range from "this person is kind of annoying" to "this person is a threat", verbally berating people who get on his bad side (which sometimes does include Korina). Some of these are understandable in context, some aren't, but the point is that the narrative and the characters acknowledge that these actions are bad. Sometimes he even (gasp) faces consequences for his actions! And on top of that, he struggles with his morality and whether he can truly become a better person because of his nature. (Plus he gets bonus points for being a low-empathy person who a) is still capable of showing strong emotions b) is not completely demonized for something out of his control.) Again, Mors' story and character builds on the "edgy guy" trope in an understandable way that makes him feel human rather than trying to make him into a misunderstood paragon like Hades.

(Also, to me Mors is coded as being neurodivergent and/or having a personality disorder, but I feel like that's straying too far into headcanon territory. I know that it doesn't excuse Mors' behavior, all I'm saying is that as an nd person myself, I can at least get why he does what he does even if I don't agree with it. I have no such understanding with Hades and Persephone's actions. For them, the viewers are expected to just roll with everything they do and not question it.)

And now that we've fully established the characters, what about their dynamics and interactions? Hades saw Persephone and immediately began lusting after her, to which she seems mostly oblivious early on. He also goes behind her back to find out more about her, such as the thing with the memory tapes and Hecate's letter. But it's fine, because any breaking of boundaries is made up for when Hades love bombs her with gifts. And even though he's only known her for a few days/weeks within S1, he chooses to trauma dump to her rather than his therapist that only comes up like once. In fact, the two of them become each other's entire world within this short time frame. Any friendships or familial relationships they have (Hecate, Eros, Artemis, Hermes, Thanatos, Demeter, etc.) seem to be thrown to the wayside in favor of the main couple. Ironically enough, I feel like I would like Hades and Persephone's relationship more if they had more going on outside of it (and if they didn't have the age gap but that's a whole different thing). It felt like they were written specifically to fit that trope and everything else about their characters, like Hades’ fear of becoming like Kronos and Persephone’s act of wrath, were added as afterthoughts. As a result, rather than feeling like characters that were shaped and developed by their experiences, we have overblown caricatures based on their ship tropes.

Mors and Korina start out as childhood friends and develop their relationship over many years. As they grow up they start drifting apart due to their different roles (Mors being the heir of death and Korina being a household servant) but Korina offers a non-judgmental outlet for Mors' anger issues, and Mors still consistently treats her as a peer despite their differences in status. When they finally do get together, Mors, in spite of how hypersexual he typically is, actually respects her boundaries for both sexual and non-sexual things. While it's all sunshine and rainbows for a while, Mors takes a jab at Korina’s past trauma during an argument, and she actually (rightfully) calls for the two of them to take a break in their relationship over it. However they still remain friends and support each other in their own separate endeavors. Korina chooses to stick with Mors even after learning of his violent nature, Mors supports Korina's search for her mother and proves time and time again that he would go through hell and back to protect her. The two of them love each other and still do, but the story makes it clear that love on its own is not enough, and that’s okay. Korina herself acknowledges that the two of them need to work on themselves before they can try again. Their argument and breakup wasn't the end of the world, it was the catalyst for them to realize that they needed to do better, and that is why I'm able to feel for them and root for them despite all of their issues.

Plus Mors and Korina at least have the excuse of being an inexperienced 20 something year olds. Hades has had thousands of years to get his act together. Oh, I forgot to mention. Despite crushing on each other since their younger years, Morina only officially got together when Mors was 25 and Korina was 23, which means that it avoids the dubious morality of a 19 year old getting with a 3000+ year old.

In conclusion: Although Mors x Korina by no means a perfect rendition of the "sweet girl x edgy guy" ship, the narrative at least doesn't try to present it that way and gives us a much more nuanced view on their relationship compares with Hades and Persephone. While it wants us to root for Korina and Mors to get back together eventually, it also tells us to our faces that the two of them need to work out their own issues first. Lore Olympus, on the other hand, wants us to look at Hades and Persephone and immediately see them as perfect people in a perfect relationship that the world wrongfully wants to tear apart, despite the obvious problems in their characters and relationship.

Apologies for how long and disjointed this is! I'm literally typing the first thoughts that pop into my head and I have too many thoughts about this lol

[winns-stuff]

LO RANT:

Y’all this is reason number 7238 of why I do not understand why Demeter gets so much hate and why I will never take anyone who bashed her seriously. Let me tell you why before I get into anything cause this shit is absolutely ridiculous.

Before we do anything we need to discuss what criminalized Demeter in the first place which is the intervention thing. First off, she went down to the mortal realm in hopes of talking to her mother to try and come to an understanding with her and while this would’ve been an amazing time for them to talk about things and mend their bond, you know give the audience at least a speck of what the original myth was about, but instead Rachel took this as an opportunity to immediately demonize Demeter even though Hades had criminal acts against him with his parenting. He quite literally made Thanatos work and abused him verbally (possibly even physically since he’s so comfortable putting his hands on him and near him as well) but no one ever brings that up since they’ve had one conversation with each other where Hades blamed everything he inflicted on Thanatos for centuries probably on Thanatos himself since he can’t possibly be responsible.

Anyways, let me remind those who don’t know that this was a piss-poor attempt to absolutely ruin Demeter’s character since none of it made sense in the long run. Mainly because prior to this event Demeter went to go and take Persephone home after they “rebuilt” the Underworld and in this chapter apparently Persephone had balls because she stood up against her mother and put her foot down, which is pretty in character because before the intervention she literally had no problem with going off on her mom and even going as far as yelling at her. People try to equate their relationship to that of Mother Gothel and Rapunzel and it just doesn’t work with them at all, Gothel did not care about Rapunzel and only made sure she was even alive for her hair since it was the only thing keeping her alive. I suppose you could say that since Demeter’s source of happiness is Persephone that they have a similarity there but it’s kind of a weird statement since Demeter adores Persephone because that’s her daughter, if she hated her people would think she’s a bad mother and plus mothers are supposed to love their children unconditionally that’s literally the backbone of motherly instincts and such. Next one would be about Gothel and Demeter keeping both Persephone and Rapunzel inside of the tower away from others, this is also pretty weird since Demeter never isolated Persephone and she was always surrounded by the very nymphs that she claims to care for a lot, Demeter’s goal was never to hide her it was to protect her and obviously she would try and keep a close eye on her when an underaged Persephone gets tricked into kissing Ares on her land out of her sight, like Demeter didn’t just decide that it was time to randomly keep nymphs around her that very situation of her young daughter being preyed on by someone older made her do that. Unlike Gothel who literally made Rapunzel socially inadequate because she kept her away from EVERYONE she never even got the chance to touch grass let alone talk to someone that wasn’t her, they’re not the same in the slightest. Nothing about their comparison makes sense.

But away from that and back to the episode, once again Persephone stands up to her mother and basically speaks for Hades while he stands there in creepy protest of Persephone returning home which I don’t even know why she wouldn’t want that since she had to deal with traumatic things happening to her both in the Underworld and Olympus, the only time I feel like she’s had good memories (except the AOW of course) was in the mortal realm. Anyways, Hades was absolutely furious at even the word “home” coming from Demeter’s mouth which makes me feel like if anything he’d be the one having an intervention for Persephone to convince her to never leave let’s be real. Not only that but Demeter didn’t yell or force Persephone to do anything, yes they argued but they always bump heads like this and even afterwards Demeter just left it wasn’t like she took Persephone with her or anything she just left peacefully. Not much about this interaction screams emotionally abusive mother or at least to me it doesn’t, there should’ve been much bigger signs if so because I feel more like this is just a rebellious teen vs mom conversation yet nothing too serious other than a disagreement. So knowing all of this the intervention shit did not make sense at all, nothing about it was in character for the both of them and their dynamic never showed them like this. It’s so insane how people really nodded their heads and believed that this was how they always were when it wasn’t, in that scene Persephone couldn’t even defend herself or speak up instead she broke down and cried which is understandable for the situation but it makes no sense since we’ve seen their previous reactions be completely opposite of what we’re shown now. I know people don’t like thinking critically but y’all couldn’t have actually thought this made sense, it was probably a lot of excuses and convincing made I’m sure.

Anyhow onto the main topic I know I’ve been stalling, many people got mad at Demeter for trying to dress Persephone in white clothing like she’s always worn which she isn’t wrong that woman willingly dresses in white all the time there’s quite literally no other color in her wardrobe except for that. But everyone took this as very abusive and manipulative which I would’ve agreed with if they had the same energy towards every other character in this story who also forced Persephone to wear white… But I don’t see any commotion for that. For example everyone applauded Hera for forcing Persephone to wear a dress she picked out herself on her damn wedding day and they completely forgot how genuinely messed up it is with the context of the story. Not only did this woman insist on giving Persephone a grand coronation despite her pleas for a simple one, she completely shamed Persephone for even thinking about dressing herself for once and made her put on a dress that she picked out herself not even caring about if Persephone wanted to wear it on the most special day of her life essentially according to her. But let’s not forget literally YESTERDAY because we know LO doesn’t do time skips Hades referred to her pet name in front of her which he’s probably used during his cheating montage with her for CENTURIES, why would Persephone even accept the idea of Hera dressing when she knows about their history together. I genuinely felt like throughout the wedding it was Hera actually being married to Hades and not Persephone because it seemed like each and every word Hades said to Persephone she took it for herself which isn’t really that shocking since Hera has literally been living vicariously through Persephone and making her follow the path that she’s probably wanted for herself.

I seriously do not understand why everyone accuses Demeter for doing that when they praise Hera who literally did everything in her power to get her niece together with her ex- fling, and it seems like it maximized to a thousand when he put up boundaries. The whole situation is very disgusting and creepy.

[pinkdeathmoth]

Hello, my name is Violet, and Im an Electric Witch. Ive been practicing for a couple of years now and my practices has changed overtime, which is to be expected. I started off honoring Bastet as shes one of my favorite Goddesses. And my favorite God is Hades but to be honest, as much as I love and respected deities, I never fully believed in them. I saw them as just energies that you can channel to use as inspiration for certain things like with any fictional characters or famous people in general.

Last year, I had a memory resurface from my past and its a dark secret that I kept for 25 years. I was abused by a family member when I was 6 years old and it lasted about a year. Once I told my husband of the abuse, my life changed drastically. I told my family of the abuse and even started therapy. I confronted my abuser and “they” went from admitting to it and wanting me better to saying Im taking this too seriously and making me look crazy and even now denies the abuse ever happened. I cut this person out of my life.

Jumping to months later, after the Eclipse, things started to change.

Not only Im on my healing journey, but I also had a spiritual awakening. It turns out that Hades himself been trying to reach out to me all my life. And yes, I always liked Hades from his Disney self, ever since the movie came out, to his actual mythology….but I didn’t think he was actually real.

But Hades is very real. And we have a deep spiritual loving relationship that actually has been going on for years! He even told me that I have Persephone essence within me. All Hades wanted me to do was to heal, to love myself and embrace my inner Goddess.

(The way I found out Hades reached out to me is a lifetime long story so maybe Ill write it another time!)

Im curious if anyone on here is in a relationship with their deity that they work with during their spiritual journey? I know that this is common but I would love to hear yalls stories if so!

The next day after finding out Hades was my deity and lover, I went to work the next day and this song played! My boss randomly shouts out that this song was for me! Hades is a Scorpio which adds to the excitement of this experience and I felt like a high school girl in that moment! Amazing right!?

[bardic-tales]

Hey, so I've been lowkey obsessed with those awesome headcanons you always come up with for your characters, especially now Sephiroth and Bianca. Seriously, your creativity is on fire! 😄Mind sharing some more.

🦖

Hello, Prehistoric. It's wonderful to hear from you on Tumblr. I apologize with how late this is. I hope you are having a wonderful day! I have to say that I love sharing my plot bunnies with you: especially my recent fixation.

I've been wanting to explore different dynamics in various relationships, and as such, I created the ship: Sephica. This relationship was inspired a bit by Harley Quinn and the Joker, as well as a very dark take on Hades and Persephone.

NOTE: I want to put a disclaimer here. I know that this relationship is very toxic. Please make sure that you look through the warnings to make sure you are not sensitive to the following content:

Warnings: Main Character Death. AU: Canon divergent. Toxic Relationship. Manipulation. Emotional Abuse. Unhealthy Dynamics. Control. Isolation. Dark Themes. Self-Esteem Issues. Psychological Distress. Angst. Unhealthy Love. Violence.

General Headcanons

Despite all the challenges that they face, Bianca and Sephiroth share an unbreakable bond that has transcends time and circumstance. This connection is deep-routed and defies conventional understanding. These challenges also strengthen their union and bond.

Both Bianca and Sephiroth share a profound understanding of each other's pain and struggles.

Both Bianca and Sephiroth often share moments of quiet between them that need no words.

One of their favorite pastimes is spending quiet nights together under the open sky.

When they are gazing at the stars, they engage in deep conversations about the universe, its mysteries, and their place within it. These discussions allow them to explore existential questions and share their thoughts on the purpose of Jenova, life, and existence.

Sephiroth's enigmatic nature resonates with Bianca's complex emotions, creating a harmony between the two that seem to feel almost mystical in nature.

Bianca's transformation due to the infusion of Jenova's cells gives her glowing violet eyes. Sephiroth sees this as evidence of a deeper connection between them.

When Jenova’s cells latched onto Bianca’s demonic essence, this gave her access to some new abilities, especially her Cataclysmic Symphony. Bianca's singing could evolve to manipulate cosmic energies, creating a symphony that resonates with the universe's fundamental forces. This could lead to devastating effects, such as gravitational disruptions or elemental chaos.

Bianca's birthday is October 1st. this is the day that Sephiroth burnt down Nibelheim and jumped into the mako with Jenova's head in the reactor on Mt. Nibel.

They have two theme songs: Unforgiven II by Metallica and DNA by Little Mix. You can find a 2 hr playlist for Sephica on my Spotify.

Cute Headcanons

In their downtime, Bianca and Sephiroth have spirited discussions about strategic approaches to tough battles. Sephiroth is impressed by Bianca’s insights. They will often spar to practice said tactics. Neither holds back

Although she cannot use materia, Sephiroth will sometimes surprise her with rare materia he’s acquired.

Sephiroth and Bianca will often secretly stargaze in secluded areas, sharing stolen moments away from prying eyes. They discuss the universe’s mysteries and her home world beneath the stars. Bianca practices her singing in the secrecy of the Northern Cave while Sephiroth listens.

Sometimes, Sephiroth leaves little notes of quotes for Bianca to find in unexpected places.

Emotional Headcanons

Bianca and Sephiroth find solace in each other’s presence. In the quieter moments, they share a profound connection, understanding each other in ways that no one else could.

There are subtle gestures that reveal Sephiroth’s affection for Bianca: a rare, faint smile when she’s near him or a brief touch that lingers longer than necessary.

Bianca often grapples with her love for Sephiroth, as well as his love for her, and the darkness that surrounds him. This mirrors her dual state as a Nephilim.

They both hold onto shattered pieces of their time together before the darkness took hold.

Sephiroth is fiercely protective of Bianca, as he sees her as Jenova’s earthy embodiment after her infusion and will go great lengths to shield her from harm.

Unhealthy Dynamics Headcanons

Sephiroth’s all-encompassing obsession with Jenova’s power drives him to fixate on Bianca, viewing her as a vessel of that power. He isolates her from others, intentionally keeping her away from anyone that might sway her loyalty. He is also obsessive of her and wants to keep her away from anyone that could be seen as a potential romantic rival.

Sephiroth encourages Bianca to engage in morally ambiguous or harmful actions, justifying them as necessary for their shared purpose.

Sephiroth will often exploit Bianca’s sense of guilt and responsibility for his actions — and lack of her own actions — as well as her love for him as leverage to push her into increasingly dangerous situations or tasks to serve his goals.

Bianca’s identity entwined with Sephiroth’s goals, leading her to lose sight of her own desires, aspirations, and moral compass. Some of her original personality traits are suppressed.

NSFW

They share a fierce and unbridled lust, and neither of them show any restraint when it comes to each other. It is like a wildfire blazing out of control.

When they are intimate, they keep their eyes locked on each other. Their eyes express the love, longing, and vulnerability that such an act entails.

They will often share whispers of affection and reassurance, reinforcing the bond they have for each other.

Their lovemaking is a moment where they both allow themselves to be completely vulnerable with the other.

Sephiroth is the dominant role in their intimacy. He ensures that every act of control and restraint is grounded in Bianca’s consent and well-being.

Their intimate moments are a reflection of a profound emotional connection, where the power exchange is not about force but rather a consensual exploration of their desires.

Aftercare:

After their play, Sephiroth will remain at Bianca’s side, a silent and reassuring presence, ensuring that she feels safe and secure as they both recover from their intimate moments.

Their quiet moments together consist of laying on a sleeping bag and holding each other, allowing the emotions from their play to settle and reinforce their strong connection.

In his own way, Sephiroth engages in an emotional checklist. For example, he asks her if she is comfortable, if her needs are met, and if she requires anything further.

He will also give her a soft kiss on the forehead or a lingering hug.

Fandom OC Mutuals:

@starryeyes2000 @residentdormouse @themaradwrites @arrthurpendragon @megandaisy9 @prehistoric-creatures

[anamazingangie]

20 questions for fic writers

no one tagged me i just wanted to do this. idk who came up with it.

1. How many works do you have on AO3? 75

2. What’s your total AO3 word count? 641,881 

3. What fandoms do you write for? HotD– Daemyra [sometimes + other characters for SPICE], S&B—Darklina

4. What are your top 5 fics by kudos?

Significance 

Premium

the end of a dance and the beginning of something better 

a prince is born 

Anything 

5. Do you respond to comments? Why or why not?

I *try* to. But if i’m responding i’m not writing, and if I have comments to respond to, it’s probably because the writing muses have been kind to me, and I would rather take advantage of that while it lasts. And then they pile up and it’s been so long it feels rude to reply? Idk. It’s hard to explain but I do 100% read and love every comment I get and they motivate me SO much!

6. What is the fic you wrote with the angstiest ending?

All Dragons go to Heaven, by far—it’s my only fic that follows canon events in terms of timeline/character death.

7. What’s the fic you wrote with the happiest ending?

I think except for a select few, all my fics have happy endings. ‘Getting Lucky ’ comes to mind because it’s pretty feel good all the way along—’magically meant to be ’ and ‘a princess and a painter’ have happy endings but some angst at the start!

8. Do you get hate on fics?

Very rarely—a lot less than I expected tbh, given what I write lol! 

9. Do you write smut? If so, what kind?

Uh. All of it? Like seriously, I’ve done 30+ kink prompts this month alone. I’d say my ‘staples’ are size kink, overstimulation, and unprotected sex. M/M/F threesomes have sort of become a thing with me too. But I’ve done a bit of everything — ABO, M/M, anal, lactation kink, necro, ovi, etc. 

10. Do you write crossovers? What’s the craziest one you’ve written?

I’ve done crossovers in that one story is retold with different characters (cinderalla inspired, hades and persephone inspired, romeo and juliet, etc.) but I’ve never had characters from two different fandoms in one fic.

11. Have you ever had a fic stolen?

Not that i’m aware of. 

12. Have you ever had a fic translated?

Not that i’m aware of—i’ve given people permission, though, so maybe?

13. Have you ever co-written a fic before?

I like to think i’ve INSPIRED a few fics before but that is closest i’ve gotten. I would love to do an event where lots of people contribute to a single story, though.

14. What’s your all-time favorite ship?

Writing? Daemyra is my <3 But  I probably read more Darklina fic than any other. Also a Dramione & Zutara girlie. 

15. What’s a WIP you want to finish but doubt you ever will?

All of them? Kidding. Kind of. My writing inspiration and speed is very fickle, I can write 10k words one day and not type a single thing for the following three weeks. So unless something is fully pre-written when I start to post it, I’m not very confident about it ever getting finished. 

BUT that being said, I don’t have any fics that I don’t want to finish or plan to abandon. It is just a matter of time/inspiration/motivation. 

The one that seems least likely tho is ‘a prince is born’ simply because the established timeline doesn’t really make sense so it basically has to be fully rewritten and right now that sounds very Not Fun compared to literally everything else i’m working on.

16. What are your writing strengths?

Hmm, maybe variety? I feel like I’m good at exploring the same characters and relationship dynamics no matter the time period or circumstances. And maybe smut? Idk. I’m a very weak person so this is hard to answer. 

17. What are your writing weaknesses?

Ahh this one I can answer: Planning. Structure. Timelines. Consistency. Spelling. Punctuation. Impulsively starting new things and ignoring WIPs.  

18. Thoughts on writing dialogue in another language in fic?

Not really interested in it. I have enough trouble with english. 

19. First fandom you wrote for?

HotD/Daemyra

20. Favorite fic you’ve written?

I can’t pick because my work is super self indulgent so I like a lot of them for different reasons. 

Here are five,

deliciae

Three Heads of the Dragon 

gifts from the grave 

Consummation

the dragon king 

I’m tagging : @luthien-under-bough, @calenlily, @ar-feyniel

(if they haven’t already done it)

[genericpuff]

bit out of nowhere but LO Hades reminds me so much to Bojack Horseman idk how to explain it

Oh we've talked about this extensively in the ULO chat circles n such, especially when it comes to the most climactic scene in the show, the second interview:

The entire tone of the show showcases a very bitter reality with a lot of celebrities and people in power. There are some messed up things that happen throughout the course of the show, but they always feel like they're being used for comedy or brushed under the rug with comedy, because the show is, after all, a comedy. But I feel like that was the point, because it's not until the final season that everything that happened throughout finally catches up to Bojack, and suddenly... it's not funny anymore. There's no punchline. It really reflects just how much people in power don't see their abuse or wrongdoings as "big deals", sometimes they even see it as "just some funny thing that happened", all while the onlookers and victims of their behavior and abuse either become so acquainted with it they don't even see it as abuse anymore until they finally break away from it (Diana, Todd, Princess Caroline, etc.) OR they fight to be heard while the media tries to snuff them out. So then when the consequences finally catch up to them, there are no laughs to be heard, as much as the perpetrator in question may try their best to pass it off as "not a big deal" or believe they shouldn't be held accountable because "it happened a long time ago".

Anyone who sees Biscuits Braxby as the villain here is missing the overall point - Bojack has been responsible for literally ruining people's lives on several occasions, and has never been held accountable.

And yeah, I see a lot of that in LO as well, but the issue is the framing of the story isn't making it clear if it's actually going to have its "Come to Jesus" moment with Hades and Persephone, or if it's just gonna keep celebrating them as the heroes.

There were no consequences for Hades pulling out Alex's eye. They played the resolution out for comedy.

There were no consequences for Persephone turning Minthe into a mint plant. They played the scenario out for comedy literally by the end of the very same episode and then well into the next one.

There were no consequences for Persephone cornering Tori at his job. The entire thing was played up for comedy.

There were no consequences for Persephone raiding Leuce's home. She was rewarded with sex from Hades and it was, you guessed it, played up for comedy.

Just like with Bojack Horseman, we don't see Hades or Persephone treat these situations as seriously as they ought to. They ultimately don't care how other people feel or how they may be affected by their own actions, they only care about themselves. Just like with Bojack, we see Hades enter sexual relationships with women who are in a much weaker position than him, women who stand to lose far more than he would if the relationship went south.

(I need you all to realize that Hades is literally blackmailing her. He is trying to pay her off with a management position or some kind of severance and framing it in such a way to manipulate her into thinking it's 'better' for her that she take the deal, all for the sake of getting her out of the picture because he's with Persephone now. This is blackmail. And the narrative wants us to root for Hades here.)

Shit, I would argue Bojack is still a better character than Hades and Persephone because we 1.) see how the consequences of his actions do affect him on a deeper level (through his anxiety and self-hatred which he spends a long time wallowing in, making his situation worse, rather than seeking help for) and 2.) he actually does eventually start to seek help, but unfortunately there's only so much one person can do to fix themselves when their actions still haven't been brought to justice and their mindset hasn't truly changed; which is what we see in the final part of the show when, despite Bojack's attempts to be a better person, the Sarah-Lynn case catches up to him, and in his final moments up on that stage with Biscuits Braxby, we see his true nature come out - he thinks being an addict should absolve him from what he's done to others.

Sounds familiar, doesn't it? Except replace "addict" with "traumatized" as many of Persephone and Hades' actions are swept under the rug with "they went through trauma so it's fine". Despite the fact that other characters who have also been through trauma aren't given that same grace (Thanatos, Demeter, Minthe, etc.)

You could also go a step further and call out how the fans themselves will defend their actions as "but they're gods!!! gods were terrible all the time in the myths!" but isn't it funny how myth accuracy only ever comes up when it comes to defending Hades and Persephone? Meanwhile you'll never see anyone bring it up when it comes to Apollo SA'ing Persephone, or Hades having an emotional affair with Persephone, or any of the other number of things that Rachel rewrote for her 'retelling'. It's not funny haha, it's funny yikes.

I can only imagine how the fans feel seeing Hades and Persephone called out must be similar to how first-time viewers like myself felt seeing Bojack be put on the cross by Biscuits Braxby - "you're being an asshole, he's working on himself!" "leave him alone!!!" "the media is making a monster out of him!" "he's really not THAT bad!"

But he is. They are. And unlike Bojack Horseman, I unfortunately can no longer have the good faith in believing Hades and Persephone will have their comeuppance, or the people they've hurt will get their retribution. I have no hope that Persephone will see that she's the Sarah-Lynn of the relationship, a girl who was groomed into an abuser at the hands of an abuser, who had no chance of doing better because the person she fell for pulled her down to his level. I don't have any faith in Rachel whatsoever that she'll manage to end this story with any message besides "it's fine for Persephone and Hades to be who they are, because they're rich and powerful and really horny for each other!"

And Hades doesn't think he has any power over women.

[khaire-traveler]

Have to make this anon because I don't need LO fans coming after me. So I'm reading Lore Olympus and at first I liked it until I learned and saw the actual original poem about The Kidnapping of Persephone (sorry for censoring there) and what it meant for mothers and daughters in ancient Greece. I have such an appreciation for all three gods, Persephone, Demeter, and Hades, I'm Catholic but blessed be their names. (Getting into christopaganism)

Anyway, I saw another comic called Hades and Persephone ficlets on webtoons and it actually starts with Hades actually kidnapping her and Persephone hating him but as the comic goes on (don't wanna describe the whole thing cause I'm lazy) they do warm up to each other but in the most natural way. It's a little rushed but they're ficlets. It's not overly detailed.

Anyway. They got a lot of negative comments for not being like LO and other comics that basically villainize Demeter. My point is, and this is probably the weirdest question you get with this thousand yard comment, how do you think that relationship with them went? I imagine it went as the original myth portrayed but over time they do warm up and learn to love each other. Started out toxic but in a healthy way I think they eventually became happy together. I ask you because you actually are involved with worshipping the Hellenic gods. Who better to ask than someone who practices the religion? Sorry for the long ask. I tend to overly explain myself xD

Hey, Nonny, thank you for the ask! I enjoyed reading it, although it was a bit long lol.

I'll start this off by saying that I honestly hate Lore Olympus with a burning passion, but if others enjoy it, then that's fine; I'm not one to judge others for their personal interests. Personally, I hate how the relationship between Hades and Persephone is depicted, but I ESPECIALLY hate their representation of Demeter, as it's very disrespectful and seriously takes the power out of the original story. As you briefly mentioned, it was a very important myth, not just for the gods involved but for ancient Greek mothers and daughters as a whole. I could get into it, but that would make this answer WAY longer than it needs to be, so I'll just move on and answer your actual question now haha.

Personally, I believe essentially what the myth states: a kidnapping (as was the custom for taking a bride back then), a grieving and distraught mother, and an eventual return of Persephone to the mortal realm - with a catch, of course, that she can only be in one place for a period of six months.

Within my personal experience with both Persephone and Hades (so my UPG), they seem to love each other very much and treat each other with lots of love and respect. Persephone seems to be very close with her mother as well which is to be expected, in my opinion. While I don't think it's our business, as mortals, to pry into the relations between gods, I think that Hades and Persephone likely grew to know and love each other more over time. I don't know whether or not Persephone ever hated Hades, but I can imagine being unwillingly kidnapped when you were just casually smelling and admiring a flower is not a particularly pleasant experience. However their relationship began, it definitely seems to be really strong and loving now, which I think is what matters most. They seem to be really happy with each other. c:

Hope this answered your question! Have a great night/day! :) <3

[incorrectinfinity]

Ok I am gonna talk about the things I like in this post because it's fresh in my mind and most of these things will be spoilers! Also this could be long.

First of all hi pjo mutuals!!! Idk if any of you are reading this but I really am thankful so many of you decided to stick around despite the Cookie Run hell of it all.

It's been like two years now and even if we haven't talked much in that time, you guys mean a lot to me <3

ANYWAYS THE SUN AND THE STAR!!!!

This book has been on my mind since it was hinted at at the end of TOA, so it's been a sec. The idea of this book actually helped me quite a bit when I wasn't doing very well mentally, which is very sad!

Ok, first thing's first.

Ok my soul can be put to rest now.

Second of all, my statement still stands:

For the most part the queer representation is pretty damn good this time around!

Epiales and Menoetes immediately getting defensive was a bit jarring and a little bit worrying to me but thankfully their bursts of anger about it last like five seconds each.

I'm really glad they say the words gay and queer naturally and not like they're some forbidden line to be crossed in a novel for young teens/late tweens. It genuinely made me smile.

Persephone even bringing up the notion of aromantic people almost made me lose my shit!! I am aromantic!!! That's me!!!! Just like me fr!!!!! But seriously I kinda feel forgotten a lot in queer media and literally any mention of aromanticism makes me smile, it was a very nice thing to see.

That's barely even mentioning the queer characters!

Nico bluntly saying he's gay is so fucking satisfying to see now, it's so nice to see him so comfortable with who he is.

Will canonically being bisexual is really nice to see, I could feel the writers' sigh of relief as they put the discourse to rest.

SPEAKING OF DISCOURSE... Piper MyQueen! It's nice to see a questioning character because I haven't really seen one represented before! She's still figuring herself out after the months following the end of toa and it's nice to see the message that it takes time to figure yourself out being shown because it's a surprisingly rare one to see. I appreciate how she also gravitates towards the queer label :)

Now minor characters:

Epiales: I appreciate them because of how ridiculous their existence is

Hiss-majesty: iconic and also that name makes me confused

Menoetes: my beloved

Geryon: Ok that's just hilarious I cannot deny that

Thirdly....

BIANCA DI ANGELO MY BELOVED MY ULTIMATE FAVE I MISSED YOU HOLY SHIT.

Besides uh....

That. I have LOVED seeing how Bianca and Maria have affected Nico over the years! It's so tragic and amazing and YES.

Seeing Bianca one last time and Maria for the first time ever was so so so satisfying even if they didn't say much. I almost teared up a bit. A lot. I got emotional.

Nyx using them against Nico was SO fucked up and I love it

Speaking of... Nyx.

Design.

Design.

Very cool, moving on.

Hades and Persephone's growth was so unexpected I am just gonna be real.

Hades was going to happen naturally because of what we say in HoO but him caring enough to send Nico a prophecy? And bring back Maria and Bianca? That's so sweet! I love that! I love that SO much! And also he isn't completely not an asshole which is appreciated.

Persephone is my favorite one of Riordan's interpretations of the gods.

I never thought I would say that sentence ever in my life. She's so caring and sweet for the 10 minutes we see her and I really appreciate her growth and seeing how she's finally getting over her grudge. It was unexpected and completely welcome.

Also I appreciate clarifying that Hades and Persephone's relationship is a good one from Persephone herself.

Also Nemesis is a badass and I did not realize how much I missed her! She has no reason so be so cool and yet she still is.

Gorgyra's chapters were all wonderful, I love her SO much and I hope Bob visits her sometime.

Speaking of which: Bob and Small Bob are amazing as always.

I appreciate the theme of change around Bob's character, he's different from how I remember him being is HoH but that's probably more natural than Nico's change in character (which I don't mind as much as most people I've seen but is still jarring) because of him and Iapetus switching every two seconds for over a year so yeah.

Small Bob is Small Bob. Cat. Gato. Wonderful.

Will actually having more of a character was nice to see too! Also his ultimate magic hidden deep within being hayfever is very funny to me.

Actually talking about the trauma these characters have been through and addressing it is also very satisfying.

Overall I think it was a good send off to these kids who have been through too damn much. I will have a post airing my criticisms probably but I really did like this lovable train wreck of a book, me from two years ago would be very pleased.

Can't wait for the road trip book where both Percy and Annabeth come out as bisexual simultaneously and for this series to be OVER!!!

[baalzebubuu]

So. Why exactly do you think the head of HR would chastise and insult one of her bosses for doing something that, while risky, was the only thing that could be done at the time to keep Kronos locked away AND reawaken the Underworld? And WHY would they then treat said boss like a fool for being freaked out over her powers seemingly inverting when, 1.) her powers were working as they usually do up until spring, and 2.) there were few known precedents over what Erebos would do to those that make deals with them (i.e. as far as we can see, Hades didn't get his pre-king powers "inverted")? I understand that you have your gripes with LO (some I can even agree with), but damn, at least be fair with your critiques, and also maybe don't mock these characters for having certain bodily features that are often the focus of negative attention IRL...

(P.S. No Greek god/goddess would accept a nymph insulting them to their face like that - they've done far worse for lesser, and even indirect insults, and a nymph being the "Head of HR" in the Underworld OR Olympus realistically wouldn't save them from that wrath, ESPECIALLY if it's coming from the queens themselves; yes, I also saw your Hera post - Hera may be leery of Demeter at times, but she's far from being genuinely terrified of her (ep. 188 clearly shows this), and please remember that Persephone was in danger due to MINTHE'S jealousy over a damn tabloid photo, not Hera's (you know, the GODDESS OF MARRIAGE, who's allowed to play matchmaker if she sees chemistry between people since THAT'S ONE OF HER JOBS, and who also likely wanted to give Persephone experiences outside of the latter's sheltered life) decision to have Persephone intern in the Underworld.)

All good points! These comics are meant to be mostly skits just what the fans always wanted to say to the characters themselves so I don’t really take them seriously in terms of plot or any of that nature

Also I’m not really much for posting here on tumblr

But DW I’ll answer the best I can with some background lore I have currently in store

Originally Gunnarr was a Humble devoted loyal Mage Serving under Freya the most powerful revered goddess in the Norse Pantheon and they were sent Away under Mysterious Circumstances

And they’re placed in high regard by many connections with Justice goddesses due to their good behavior and devotion to them Which somewhat explains why they’ve gotten away with the BadMouthing certain scenes and if any god ever really does anything to HR Freya definitely won’t be too happy about it and would cause a whole dispute between pantheon

As for Getting away with badmouthing with Hades and Keeping him on his Toes HR and Hades have a very long history working for him for up to thousand or so years

HR and Hades Essentially had a relationship just like Bojack Horseman and Princess Carolyn

And HR essentially is completely done with his Foolishness and 99% of The Olympus Family

To the point of calling them out at with whatever legal problems the gods will cause as even if they DIE being called out HR gonna die knowing he was right and essentially their point proved

they don’t really care if they Die by Their hands

( till they eventually became nicer Because of their poly relationship)

As for the part about Persephone reaching That Tower because of Minthe

I was Planning on making a comic about it soon where HR talks to Minthe and gives her consequences but I never really had that much planning how to execute it right

As for how i usually draw Persephone I was mostly following along to how other creators were doing things, not much thought put into it

However that I will apologize for since i do admit they are in bad taste

Let me know if I’m missing a part that I forgot to explain

Edit: Also i am very sorry this post was poorly written I suck at explanations

And it’s the morning by the time I made this post and I’m heading to work atm

I very much apologize for this lackluster explanation