#gunasekaran

[indiaglitztamil]

In this exclusive interview with IndiaGlitz Tamil, actress Gayathri Krishnan shares her experience of getting the chance to act in the hit Tamil serial Ethirneechal, which airs on Sun TV. She also gives insights into the challenges of playing Jhansi Rani's character in the Ethirneechal serial, as well as some behind-the-scenes moments with the cast and crew. Gayathri also talks about the response she received for her performance in the Ayali web series.

[sarahtorribio-blog]

That Other Blogger: Elancharan Gunasekaran

Untitled I’ve been super busy and not using wordpress, let alone the reader. But the first person I looked up was a poet friend, Elancharan Gunasekaran. Take a stroll down his site. He has a gift for saying a lot in a few words. –Sarah Torribio >>last post <<next post

[outisthedude]

Ethir Neechal - a summary

Hi kids

It's really all my grandparents talk about at this rate, and as a erratic, occasional episode watcher, I take it upon myself to dot-point in a post before hitting the specifics (meaning I sporadically watch the occasional episode and string together the whatevers because there's more than 700 episodes and I have only one braincell).

INTRODUCTION

We start with Janani, a successfully graduated from university human lady (I'm on my last straw with my second year, struggling so very hard to not pull the plug on my life because I'm an idiot box), who was vibing as one does until her father is all "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife" and marries her off into the first family he finds, which he thinks, will be nice to his kid and let her climb corporate ranks and ultimately get a cushy CEO job.

Turns out the family is full of misogynistic dicks. Oops. Her ambitions of becoming a CEO of god knows what crumble but this lady starts asking questions and starts a revolt, a feminist movement if you will, to help the women of the family give their "fuck you" to the patriarchy.

THE CHARACTERS

Janani: lady who was raised right by her dad to have some self-respect and honestly needs a fucking nap.

Le brothers:

I only start with them because fleshing out who the sisters are and why they are the way they are is easier with context (spoiler, these guys are dipshits)

Brother no 1 - Gunasekaran: Janani's brother in law and the head of the misogynist family. He's the dude we hate, psychologically fucks up the other three brothers by making sure, like him, they don't get an education and thus can't think for themselves, believes women should be stuck in the kitchen, raising kids then burying themselves alive. He makes sure that these women have educations from universities before degrading them completely. He's a real one.

Brother no 2 - Gnanasekaran: Bro has no fucking clue about what life is but I think he may have half a braincell floating in there so there's that.

Brother no 3 - Kathir: Bro has no braincell. Bro lacks anything in there. Bro and critical thinking are Venn diagrams with their circles not within existence of each other.

Brother no 4 - Shakthi: Bro desperately needs a therapist but because this is a desi serial depicting a backwards family, I bet you my goofy Batman magnet he will never see one. He's married to Janani and is essentially malewife. We don't mind him eventually.

Le co-sisters

Eshwari: married to Gunasekaran and I fucking love this lady because she reminds me of my grandma and my grandma is the bestest. She's a vibe, needs a therapist and lots of hugs for having a husband that fucked up.

Renuka: married to Gnanasekaran. She's observant, and sort of the in between, I love her and she needs a therapist and somehow strikes me as a possible cat lady if she'd never married this jackass. I mean this as the biggest compliment possible.

Nandhini: my grandpa's first favourite and my second. She's a sass master, spirit crushed by the dicks of this family and she deserves all the hugs. She's comic relief and smart about how she talks (brash as well, which is where Renuka levels her out).

The Other Characters

Pattamal: absolute BAMF. She's Gunasekaran's grandma and she's kicked ass and taken names. Highly educated, crapped by this family and found her feet once Janani enters and starts the "wtf are you guys smoking, this is not the 1800's".

Aathirai: Sister to the brothers, a piece of shit in the beginning by bullying her sister-in-laws and pulling absolutely no weight around her brothers. Then when her brother marries her off to some insane, far more abusive family she sees the light and starts to help the sister-in-laws. More on that later.

Visalatchi: the mother of the three brothers, toxic patriarchal mindset, is a garbage person to women in the household despite being one. She sees almost no wrong in her sons.

Wooo that was a rant. More to come. There's plenty to unpack with the garbled stuff I've got over the episodes I've seen and my grandma's narrations for the ones I've missed.

Gonna hit the coma, the best eight hours out of the rest of my idiot twenty four hours.

Outis

[fresatechnologies]

Happy Birthday to Gunasekaran G, CTO On this momentous day, we wish you a very happy birthday to our CTO! The person who bridges the gap between technology and business goals. May your forward-thinking approach consistently elevate our standards, paving the way for unparalleled achievements fresa | #freightsolutions | #freightforwarding | #import | #g2reviews | #HighPerformer | #Winter2024 | #LeaderAsiaWinter | #AsiaPacificWinter | #SmallBusinessWinter | #IndiaWinter | #EMEA_Winter | #logistics | #supplychain | #transportation | #freightforwardingsoftware | #bestfreightforwardingsoftware | #logisticssoftware | #ERP | #cto | ##management | #BirthdayCelebration | #happybirthday

[mega-delicatelysuperbcollector]

"Indian Summer & Faith"/elancharan gunasekaran

Indian Summer & Faith

[blogynews]

"Unveiling Grandma's Life-Changing Ethirneechal: Her Wise Advice For Ishwari and Nandini Will Leave You Astonished!"

In the latest episode of the television show “Ethirneechal,” Grandma offers advice to Gunasekaran’s daughter-in-law about their good deeds. She also extends an invitation to them for the upcoming factory opening ceremony. Ishwari and Nandini discuss Grandma’s advice, while Shakti and Janani agree that it is better to be transparent in their actions. Gunasekaran informs Karikalan about the…

[blogynewz]

"Unveiling Grandma's Life-Changing Ethirneechal: Her Wise Advice For Ishwari and Nandini Will Leave You Astonished!"

In the latest episode of the television show “Ethirneechal,” Grandma offers advice to Gunasekaran’s daughter-in-law about their good deeds. She also extends an invitation to them for the upcoming factory opening ceremony. Ishwari and Nandini discuss Grandma’s advice, while Shakti and Janani agree that it is better to be transparent in their actions. Gunasekaran informs Karikalan about the…

[blogynewsz]

"Unveiling Grandma's Life-Changing Ethirneechal: Her Wise Advice For Ishwari and Nandini Will Leave You Astonished!"

In the latest episode of the television show “Ethirneechal,” Grandma offers advice to Gunasekaran’s daughter-in-law about their good deeds. She also extends an invitation to them for the upcoming factory opening ceremony. Ishwari and Nandini discuss Grandma’s advice, while Shakti and Janani agree that it is better to be transparent in their actions. Gunasekaran informs Karikalan about the…

[emceenandy]

CEE Team Thamizharasan Nandhini & Lambo with #puthiyathalaimurai & #news18 fame #Gunasekaran at at #jfx #grand #media #awards https://www.instagram.com/p/BkuXTWZgxom/?utm_source=ig_tumblr_share&igshid=1d5lsfvkvhfy1

[christianmedias]

நீர் என் வாழ்க்கையானீர் -Neer En Vazkaiyaneer

நீர் என் வாழ்க்கையானீர் -Neer En Vazkaiyaneer

நீர் என் வாழ்க்கையானீர்என் வாழ்வின் ஒளியானீர்-2உம்மை ஆராதிப்பேன் ஆராதிப்பேன்ஆராதிப்பேன் என்றுமே-2-நீர் என் 1.இரவெல்லாம் எனக்காய் நொறுக்கப்பட்டீர்உடல் எல்லாம் காயங்களானதே-2என் நிழலானவர் என் உயிரானவர்என் செல்வமும் நீரே-2-நீர் என் 2.தேவனின் ஆட்டுக்குட்டிபலியாய் நின்றது எனக்காய் ஏங்கி-2என் இயேசுவே இயேசுவேஎன் செல்வமும் நீரே-2-நீர் என் 3.எனக்காய் சிலுவையில் நீர் மரித்தீர்உம் திரு இரத்தம்…

[indiaglitztamil]

Ethirneechal Child Artist Thara talks about her experience working on the Ethirneechal serial. Thara shares her thoughts on working with Director Thiruselvam and even does a hilarious mimicry of Gunasekaran's character from the serial. In addition to her acting career, Thara also reveals her desire to work with Thalapathy Vijay and sings Ranjithame song from Varisu. Ethir Neechal is a Tamil serial, it stars Madhumitha, Kaniha, Priyadarshini Neelakandan and Haripriya in lead roles and is written and directed by V. Thiruselvam. The serial revolves around the lives of these four women and their personal struggles, relationships, and ambitions. Ethirneechal serial has been appreciated by critics for the realistic portrayal of women and their issues.

[sarahtorribio-blog]

— elancharan gunasekaran

soft enough to fail spring clouds drift apart — elancharan gunasekaran Above is another jewel written by one of my favorite wordpress writers. Check Elancharan Gunasekaran out. His imagery is out of this world. >>last post <<next post

[zhaozaipalooza]

Your Weekly Insight into SA Culture Horror! - Chandramukhi

A breakdown of a cultural icon, and this 🤏🏾 close to a love letter to @crookedmouth-mountainbones, mod for the event and enthusiast of both Zhayu and horror. (There’s been… almost seventeen Chandramukhi films? WHAT?)

First things first, we’ll knock the mythology out of the way. Last week we looked at the ocean, otherwise a Hinduistic dive into La, your beloved Koizilla. I snuck in a subtle hint that Tui was next… Chandra, meaning “bright, shining, glittering”, is the moon god. Yes, he’s gay for Agni (no, please, from what I’ve read he’s pretty straight 😭).

Two stories of interest when it comes to this ladies’ man. He fell in love, illegitimately, with the star goddess Tara, ending in a declaration of war: gods fighting on Tara’s husband’s side, and asuras fighting on Chandra’s side. Oof. The guy went on to have many other consorts, representing the 27 closest constellations to the moon (aww). He was devoted to Rohini the most, and when the rest of his 26 wives got cranky enough to snap, dude got cursed.

^ Rohini, for one, is the personified star Aldebaran, brightest in the Taurus constellation. Her designation is therefore Alpha Tauri.

Another fun story (further highlighting this dude’s terrible luck): the Hindu tale behind the moon phases! Ganesha, the absolute icon of an elephant god, was returning from a hearty feast, certainly full after gorging on his favorite sweets, modaks (google for mouth-watering image results). When a snake slithered onto his path, the animal he was riding on spooked and turned tail, and Ganesha fell hard on his stomach… and all that sweetness came right back up.

Chandra, witnessing this, busted a gut, causing Ganesha to break off one of his tusks in fury and chuck it at the moon’s face. Then he cursed him (again) to never be whole… the reasons for waxing and waning, and the large crater on the moon, visible even from earth.

Okay, so where the heck were we? Horror? 😂

Well, somewhat relevant! Chandramukhi combined comedy with thriller-horror elements and racked up half a billion rupees in the box office, going on to win about eleven awards from different film-honoring associations. Two actors were awarded the Kalaimanami, the highest honor a Tamil Nadu citizen can receive, and it was the first Tamil film to be dubbed in German as “The Ghost Hunters”... okay, okay, point made.

Chandramukhi, if you’ve already guessed part of the name, means “moon-faced” or “as beautiful as the moon”. The film itself was a HUGE hit. I remember being a kid and going cold at the sight and sound of her: rattling anklets and bugged-out eyes, an unhinged, murderous voice… The movie has everything: haunted mansion, twisted-up love affairs, a mysterious and harrowing origin story for a spirit out for vengeance, things unexpectedly breaking and catching fire, poisoned coffee, a pushed fish tank, strange singing in the night… exorcisms! And split personality disorder! (Though, like James McAvoy’s performance in Split, a poor representation of the actual condition.)

The famous “Raa, Raa” track came out of the film - meaning “Come, Come” - and so did the “Lakka lakka…” sound Chandramukhi makes, goading her prey to her (popular among children! I might recall schoolmates chasing me around with this… I hated it 😂). The line uttered by Prahbu to the protagonist, translated to “What atrocity is this, Saravanan?” is used sometimes to the effect of irony and surprise. We can meme, too! With the best of ‘em!

Now, Chandramukhi’s actual story is a bit sad.

A tear-jerker of an explanation here. A hundred and fifty years ago, the woman as beautiful as the moon was a dancer in the city of Vizianagaram. This city was visited by the king Vettaiyan, who was immediately bewitched by her, and brought her to his palace by force… where she lived the rest of her life under his ownership. She provided royal entertainment, yet refused to reciprocate his advances, already in love with a dancer named Gunasekaran. When the king discovered she was meeting her lover in secret, he had Gunaeskaran beheaded and Chandramukhi burned alive in front of his court. Her spirit became bent on vengeance in the afterlife, and after Vettaiyan’s many priests and sorcerers were finally able to tame her, was locked in a corner of the palace and guarded by a king cobra.

Ganga, the character in the film who transforms into the newly-possessed (-ive?) Chandramukhi, exhibits “split personality disorder”, in that her actions as a crazed murderess are distinct from a loving and oblivious young woman. The iconic “tie bell anklets around her feet to hear if she sleepwalks, confirming Ganga and Chandramukhi are one and the same” scene is branded in my memory. Spooky!

Shine bright! Catch you next time ;p

[annieboltonworld]

Juniper Publishers-Open Access Journal of Environmental Sciences & Natural Resources

A Study on Sthalavrikshas in Temples of Madurai District, Tamil Nadu

Authored by Vinoth Kumar A

Abstract

India delivers rich biodiversity and it is not just the world’s twelve mega diverse countries, but also one of the eight major centers of origin and diversification of domesticated taxa. These taxa are conserved and have been considered sacred because of their cultural, religious and economic importance. In Tamil Nadu, some sacred trees are in the status of extinct, endangered, threatened, and vulnerable and vary rare habit. The sacred trees are very good examples of ex situ conservation, where a single plant is conserved and worshipped. A study of Sthalavrikshas is also known as sacred trees (or) temple trees was conducted in the temples of the Madurai district during 2016-2017. The study revealed the presence of Sthalavrikshas in 65 temples out of 100 temples studied. Totally 31 species of Sthalavriksha recorded in these 65 temples.

Keywords:Biodiversity; Conservation; Sthalavrikshas

Introduction

Sacred groves and sthalavriksha (temple tree) have been acting as a major role in the conservation of plants and animals. In the location are certain ethnic groups and residential district in India, which have been worshiping forests, trees and certain animals since time immemorial. Occurrence of sacred groves at several spaces in India, clearly defines the community’s attachment to nature. Sacred plants play a really significant role in ecology. Due to their ecological value and effective properties, sacred plants continue to be employed in the religious and social festivals of the Hindus. The five most sacred leaves of pipal, Cluster fig, white fig, banyan and mango are ubiquitously employed in making prayers and oblations. On auspicious occasions, mango leaves are attached to train and strung up on doors as a welcome banner, and leaves of purasu and banyan make workable plates and bowls during community feasts. Leaves of some other trees are also customarily offered to deities e.g., Vilvam (Bengal quince) to Lord Siva, of banana and Arjuna to Lord Ganesha, and of kontrai (Cassia fistula) to all the gods and goddesses. The red flowers of the Indian coral tree are used in the worship of Lord Vishnu and Lord Siva; of Alari (Nerium indicum) in the worship of Lord Siva and the Sun-god; of ketaki (Yucca gloriosa) in the worship of Lakshmi, and of pala or breadfruit (Artocarpus integrifolia) in the worship of Lord Vishnu. The purpose of some flowers is prohibited in worship rites like vaagai (sirisa or parrot tree/Albizia lebbeck) in the worship of Lord Ganesha and vengai (Pterocarpus marsupium) in the worship of Lord Siva. The wood of the sacred trees like vilvam, banyan, vanni, purasu and pipal is never employed as fuel, as it is believed to invite the anger of gods. But it is employed in other ways, in sacrificial rites and ceremonies. Sudhakar [1]. Sthalavriksha worship in temples is a popular exercise. Most of these temples have their own Sthalavrikshas (temple trees) and Nanthavanam (flower garden). Sacred plants provide food, shelter and nesting substratum for several species of birds and squirrels. All souls of certain species are completely protected. Sthalavriksha is a natural tree found in the temple site before construction of the temple and most temple myths (Sthalapuranas) and temple histories (Sthalavaralaru) refer to a prime deity that was first unearthed or found under the tree Gunasekaran & Balasubramanian [2]. Every temple has one plant or tree as sthalavriksham. Sthalavriksha means the tree of the locality (sthal-place; vriksha-tree). In Tamilnadu state, about sacred trees are in the status of extinct, endangered, threatened, and vulnerable and vary rare habit. Such trees are both ethno botanically or culturally important and ecological representative of the area.

Sthalavriksha or temple tree is a single plant worshipped as equal as the prime deity in the temples. In both Hinduism and Buddhism, temple tree worship holds a bigger significance. The plant, primarily worshipped are Peepal (Ficus religiosa), Neem (Azardirachta indica), Bael (Aegle marmelos), Sandalwood (Santlum album), etc. There are temples which have more than one Sthalavriksham simultaneously, whereas some temples like a Sri Kallalagar temple (Prosopis cineraria (L.) Druce and (Pterocarpus santalinus L.f.) to have different Sthalavriksham is different yugas. On that point are also examples of more than temple having the same trees as sthalavriksham (eg.) Aegle marmelos (L.) Corr.serr. and Azardirachta indica Adr. Juss. etc. Some of the important temple festivals are associated with the sthalavriksham of the temples concerned mavadi sevai of kanci Ekambareswara temple and makizhadi sevai of tiruvottiyur temple are two such festivals. Sthalavriksha mostly occurs in tree habit, in main or big temples of Tamilnadu. In some temples, it occurs in herb, shrub, grass or climber forms. Sacred trees are therefore handled as any other sacred space, and it is thus not surprising that many of the customs and ceremonies mentioned in sacred places, in general, are also observed at the sites of sacred trees. This habit shows characteristically the importance of medicinal plants in Indian System of Medicine. Medicinal parts of the Sacred Trees (Sthalavrikshas) are practiced in different forms. It is presented in the form of paste, juice, dried powder and made into tablets and juices mixed with sugar and honey to cure various diseases Amirthalingam [3].

Materials and Methods

Study Area

Historical Background: Madurai is one of the major districts of Tamilnadu State. Madurai is located along the bank of the river Vaigai. It is an ancient urban center known for its age old legacy and agile of contemporary modern lifestyle-a singular spot for worship and the Modern-day of living. Madurai is also visited by different names like “City of Jasmine” (Malligai maanagar), “Temple City” (Koil maanagar), “City that never sleeps” (Thoonga Nagaram) and “City of four junctions” (Naanmada koodal).

Location & Geographical Area: The Madurai district lies between 9° 56’ 20.7348’’ N and 78° 7’ 18.1884’’ E. It takes in an area of 3741.73 Sq. Km and is bordered on the west by Theni district, on the north by Dindigul district, on the east by Sivagangai district and along the south by Virudhunagar district. The district is empowered with a semi arid tropical climate with normal rainfall of 827.1 mm as against 923.1 mm for the state. The present study was extended out in Madurai district, Tamilnadu. 130 temples were enumerated, data gathered from the local people. Flowering twigs of trees set up within the temple premises were collected and identified taxonomically using the Floras. The tree species grown as Sthalavriksha in 65 temples in Madurai district were enumerated. The survey documented several interesting facets of tree worship. The local people, including Temple handoff, Priests, Temple Defendable and Worshipers was interacted with temple area of Madurai district that have indigenous knowledge about sacred plants of their locality and information’s were collected by group discussions and interviews with them in their local language (Tamil). Binomials of the plants with family, their local names, parts used and Medicinal uses were recorded (Figure 1).

Interview and Ethno Medicinal Data Collection: The ethno medicinal information was collected by interacting with the priest and people living around the temples through interview as a recorded data.

Collection of Plant: The floral parts and twigs were collected from the Sthalavriksha for Binomial name identification. Generally, the plant specimens were collected with flower and fruit. In case, if there are no flowers and fruit conditions, the plant twig with few leaves was collected for proper identification.

Result

Sthalavriksha worship in temples is an ancient religious practice in India. This study is the first attempt to survey the Sthalavrikshas of 100 temples in Madurai district. Tamilnadu, India. Of the surveyed 100 temples, there were only 68 temples in which Sthalavriksha were present. The temples found among them 12 were Lord Shiva temples, 28 were Lord Amman temples, 7 were Goddess Sakthi temples, and 7 were Lord Murugan temples, 3 were Vinayaga temples, 11 various deity temples. A total of 31 plant species belonging 20 families was recorded in the study. Most of these plants belong to Dicotyledons of angiosperms and one species belong to Monocotyledons (Borassus flabellifer L.). 30 Sthalavriksha plants were trees while one was a shrub (Tabernaemontana divaricata R.Br.ex Roem & Schult.). All the Sthalavrikshas documented in the study are given in Table 1 In Madurai district; the ancient temples were recorded for this study. The temples include Meenakshi Amman temple, Kallalagar temple, Thiruvaapudaiyar temple, Inmailum Nanmai Taruvar Temple, Puttu Sokanathar Temple etc. A total of 31 Sthalavriksha species belonging to 20 families were recorded, and Dominant families were Moraceae and Fabaceae with 4 species each, Moraceae, represented by 4 species (Ficus benghalensis L. Ficus microcarpa L.f. Ficus religiosa L. Ficus tintoria G.Forst). Fabaceae represented by 4 species (Prosopsis cineraria (L.) Druce, Pterocarpus santalinus L.f. Acacia leucophloea Wild. and Prosopsis cineraria (L.) Druce) and the other dominated families were Anacardiaceae and Mimosaceae. Each family is represented by 2 species, Mimosaceae (Albizia amara (Roxb.) Acacia nilotica (L.) Willd. ex Del.) and Anacardiaceae, includes 2 species (Lannea coromandelica (Houtt.) Merr and Mangifera indica L.) Among these Rutaceae was the dominant family represented by 16 temples followed by Moraceae represented by 6 temples and followed by Meliaceae and Rubiaceae represented by 4 temples each. The frequently occurring species was Aegle marmelos (L.) Correa recorded in 17 temples followed by Ficus benghalensis L. Druce in 6 temples and Azardirachta indica Adr. Juss and Neolamarckia cadamba (Roxb.) Bosser was recorded in 4 temples each. All the 31 species were reported to have medicinal properties. Tholkappiyavathi et al., (2013) reported that 16 temples have Sthalavrikshas while 20 such element exists in remaining temples. 9 species of Sthalavrikshas have been recorded in these 16 temples. Prabakaran et al. [4] surveyed the sthalavriksha of 106 temples in Salem, Namakkal, Karur district. They record sthalavriksha were found in 81 temples and a total 18 plant species belong to 18 genera and 14 families.Among this Caesalpiniaceae was the dominant family represented by 3 species followed by Rutaceae and Moraceae represented by 2 species each (Figure 2) .

Economically Important on Species

Most of the plants put down from sacred plants (Sthalavriksha) of Madurai district are economically significant. The medicinal plants comprise about 31 species, 29 species having timber value and 19 species were regarded for minor forest produce. Many multipurpose species have also been reported from the groves. Of these, 23 species are used as timber and medicine, 34 species as medicine and minor forest produce, 18 species as minor forest products and timber, and 10 species as timber, medicine and minor forest produce. Sukumaran et al. [5] reported 329 species belonging to 251 genera of 100 families and economically important plants such as medicinal value (194 sp.), timber value (34sp.) and minor forest product (19sp.) (Figure 3).

Quantitative Analyses of Medicinal Use

The village people have used the Sthalavriksha plants for many ills. It may be noted here that most of the sacred trees usually have great medicinal value. Traditional medicine continues to act as an important role in health maintenance. Medicinal parts of the Sacred Trees (Sthalavrikshas) are practiced in dissimilar kinds. It is presented in the form of a paste, juice, dried powder and juices mixed with sugar and honey to cure several diseases. The similar documented was made for 31 plants belong to 20 families are identified as traditional medical used species (Table 2). Gastrointestinal problems like digestive problems, diarrhea, dysentery, stomach ache and constipation were treated using specific herbal prescriptions by the local peoples same reported. Respiratory problem like cough, cold, and asthma also used medicinal plant. The plant parts, mostly reported in this regard were Leaves (29%), Bark (25%), Fruit (14), Root (12%), Flower (8%), Stem (6%), Seed (4%) and Latex (2%). Gunasekaran et al. [6] Ethnomedicinal uses of 91 Sthalavrikshas (temple trees) in Tamil Nadu, southern India, posses medicinal uses and cured various diseases like Toothache, Dysentery, Stomach ache, Diar¬rhea, etc.

Medicinal Preparations

The medicinal preparations followed by the Sthalavrikshas of Madurai district to cure a disease were based on many kinds of preparations which are as follows.

a) Decoction: A decoction was obtained by boiling the plant in water until the volume of liquid was reduced to more than ½ or ¾ of the original amount of liquid.

b) Extract: The plant material was ground with some amount of water as per the need and filtered. The filtrate was used as an extract.

c) Juice: The juice was obtained by grinding the plant material and this preparation was administered wholly (This juiciest material used for filtered or non-filtered)

d) Latex: Latex was obtained by detaching the leaf or young stem at normal region of the plants and used.

e) Paste: The paste was prepared by grinding fresh, dried material with water.

f) Powder: The powder was prepared by grinding dried material.

g) Raw: The plant material is also used in raw form, was used immediately after harvesting.

It was also likewise mentioned that the sthalavrikshas in Madurai district in Tamilnadu used the medicinal preparation mostly in the form of Paste (19%), followed by decoction (20%), juice (20%), extract (15%), Powder (9%), Raw and Latex (17%). Some of the sacred plants cure to various diseases, taken from various forms, such as Aegle marmelos species bark decoction is used to treat intermittent fever. Bark powder used for skin diseases. Leaf act as a blood purifier. Cassia fistula species taken from various forms, Leaf (paste) flower (juice) and root (extract) cured of some diseases such as skin diseases, snakebite, fever and cold. Gunasekaran et al. [6]- Ethno medicinal uses of 91 Sthalavrikshas (temple trees) in Tamil Nadu, southern India, they reported medicinal uses and taken from various formations such as juice, decoction, powder, paste, used to cure for various diseases and ailments like Diarrhea, fever, cough, cold, etc.

From the present investigation, it was noted that the Sthalavriksha plants on Madurai district of the study area used to herbal preparation made from the medicinal plants mostly used for the treatment of diarrhea (5 species: Aegle marmelos, Mangifera indica, Acacia nilotica, Morinda tinctoria, Tamarindus indica), dysentery (5 species: Acacia nilotica, Acacia leucophloea, Syzygium cumini, Tabernaemontana divaricata, Morinda tinctoria), fever (5 species: Acacia leucophloea, Aegle marmelos, Mimusops elengi, Morinda tinctoria, Neolamarckia cadamba), cough (5 species: Ailanthus excels, Acacia leucophloea, Lepisanthes tetraphylla, Prosopis cineraria, Millingtonia hortensis), skin diseases (9 species: Aegle marmelos, Azardirachta indica, Alangium salviifolium, Cassia fistula, Ficus religiosa, Millingtonia hortensis, Pongamia pinnata, Pterocarpus santalinus, Borassus flabellifer). Gunasekaran et al. [6] - Ethnomedicinal uses of 91 Sthalavrikshas (temple trees) in Tamil Nadu, southern India, they reported medicinal plants, mostly cured of fever (23 species), dysentery (13 species), asthma (10 species), rheumatism (10 species) and diarrhea (8 species). Nandkishor et al. [7] reported that the Some Sacred Trees and their Medicinal Uses from Amravati District (Maharashtra), used the medicinal plants, mostly for the treatment of fever (12 species), followed by dysentery (8 species) and diarrhea (3 species) [8-10].

Conservation Status of the Plants

The plant species Pterocarpus santalinus comes under the endangered category, all other species are of least concerned status (Table 1).

The Necessity of Security

Sthalavrikshas worshipped in plants are a means of conservation of plants. Plants in the temple gardens are cultivated and maintained and this is also a means of conservation of plants. The role of people in the conservation of plant has been an age old practice since historic period. It was concluded that the Sthalavriksha worship is an age old practice; myths, beliefs and this practice play a major role in the conservation of plants. Thus, the above results and discussion proved the relation of the human and the nature towards plant conservation. The traditional worshipping has protected many plants which have tremendous medicinal value and made them as sacred, so that with the fear of deity nobody eradicates it. So we have to protect these sacred plants for us and our next generation for better survival. On the basis of this study, we have to follow our ancestor’s belief in humanity and nature sustainability.

Conclusion

Madurai district, unitary of the ancient districts of Tamil Nadu famous for its religious culture, was studying for the sthalavriksha plants. It was noted that a total of 31 plant species was recorded. The recorded plant species belong to 20 families. Among that family of Moraceae and Fabaceae dominated together with 4 species followed by Rutaceae, Rubiaceae, Anacardiaceae and Mimosaceae family consequently represented with 2 plant species. Medicines are obtained from the Sthalavrikshas and are used in different forms. Sthalavrikshas are valued for their botanical, medicinal, environmental, religious and mythical importance. The sthalavrikshas of Tamilnadu constitute a lot of genetic resources for the conservation of species diversity. Propagation of sthalavrikshas in temples contributes to the conservation of our floral diversity. Some trees are significant for their economic use of shipbuilding or in the timber industry, some for providing homes for various animals, birds, and others for their medicinal value. In the present study, it is concluded that the religious activities are having a close relationship with plants boost up the mental health of local people of Madurai district and many of the sacred plants found in the household and temples were used for various religious cultural activities as well as for health care. These sacred plants are worshiped by the local people for getting the blessing of health and wealth by positive powers of nature. Hence the religious ceremonies, rites act as a protective factor or device for the conservation of sacred plants. So, it is the duty of the present generation to preserve and promote these aesthetic treasures to conserve biodiversity and nature, which will surely play a part in the progression of human beings. These sacred trees preserved through millennia by our ancestors as potential bio resources should be respected and conserved for the future generation. The sthalavrikshas is a mean of conservation of biodiversity.

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