#guide sans

[absurdumsid]

theyre arguing about taxes

Murder! Sans belongs to ask-dusttale HorrorPills! Sans belongs to absurdumsid Guide! Sans belongs to lyrikke

[theskeletongames]

Another Tutorial Hope you can make better hoodies with this!

[sunny-knight]

@forgettable-au FAN ANIMATION ! LOUD NOISE WARNING!

*What was it all for…?

Song: Vishnu <3 by Peter Cat Recording Co.

…okay.

The main inspiration for this…can be summed up with I LOVE HOW SAD THIS CONCEPT IS. BUT i also adore how WEIRD it is.

This whole thing must be pretty weird and creepy for the characters right??? Like- we dont know for certain what EXACTLY is gonna happen, but we know for a fact that Wingdings finds out hes in a game, then kills himself so he can be closer with god-

THATS PRETTY WEIRD 😭😭 also sad but we can ignore that for now

I also experimented a tad with this in working with silence, so timing things at my own pace! It was really hard! I HAD SO MUCH FUN!!!!!!!

But, time for my FAVORITE PART….ANALYSIS!!!

DISCLAIMER: some things stated as fact haven’t been said in the blog/arent canon to the au itself, just my animation/theories/interpretation, cause i’m silly and headcanoning :3

TITLE:

The proper title ive given this is “To You” which means 2 different and very vague things. What happened to you? and sending a message like “this is To You”.

In that case, “you” is whichever version of Papyrus/Wingdings/Gaster you want- Its not exactly clear which version of him means “you” which is kinda the point. The lines blur together sometimes…

But yeah, Gaster/crazy WD sends messages TOO himself so they’re “To You”

CONTEXT

Wingdings has JUST turned himself into Gaster. Ignore how impossible Sans interacting with him in this moment is, and just hear me out on the angst possibilities-

SCENE 1

As Sans approaches the mess- Gaster is encased in shadow, and looks at him. Expression not telling much- just looking blankly. Doesn’t even look like he’s alive… just… moving. Also the eye thats open, is just a slit. because- perspective. BUT I also had fun putting that there and going hehehehe it looks like WD/Papyrus’ eye

Sans approaches, and getting engulfed in the shadow, leaving the light.

His expression here was REALLY fun and REALLY hard to draw. Angry? maybe. stunned and terrified? DEFINITELY.

In this context (that doesn’t have a lot to go off of with the comics, YET) Sans knows that this was all very much intentional. He absolutely does not want to be angry, and is certainly only feeling it subconsciously.

But… he wanted so badly to understand, and enter his brother world. But now, Sans is just… Baffled. Hes like “what the fuck did you do???”

SCENE 2

Gaster continues to look blank. Looking up at Sans as he approaches, encasing him in even more shadow.

Sans’ hand reaches to Gasters face. From Sans’ perspective, his intentions are like checking for a pulse. Not literally ofc cause pulses arent on our face- but like, feeling for him. For a sign that something is there. (It’s also meant to be something motherly/comforting)

But then, Gaster leans into the touch, somewhat reciprocating this wordless “ive got you” gesture. That’s what makes Sans go from Terrified to just purely grief stricken. His brother is still alive. And he loves him.

But this form wont last for long…For universe fixing screw ups reasons :D 👍

SCENE 3

Gaster then opens his eyes, revealing hes even still got eye lights available for him. Thats what just SHATTERS the dam, and Sans embraces him suddenly.

SCENE(S) 4

Then, the “reset” happens, Gaster is gone, and Papyrus appears in place of Wingdings in his bed.

Nothing is boiling to add to a “frozen in terror” feeling!

Now- drawing all of the differences between the past and present rooms. DESTROYED ME. i HAD SO MUCH FUN BUT I ALSO CRIED 😭 There are no thank-you letters to santa, no racecar bed, no silly bone painting, no action figures, just BORING

I also wanted to keep everything monochromatic, so ofc we’ve got black and white for the void/Gaster, blue for Sans, red for Papyrus, and purple for Sans and Papyrus together.

The tape recorder and lab coat are still greyscale though cause Wingdings still has SOME of his stuff lying around. But the tapes are indecipherable, and Papyrus threw out that lab coat the first chance he got. It gave him the absolute worst feeling, worse than anything he’s ever experienced.

Something I also really enjoy is the fact that the dress shirts were still technically Wingdings’ but they’re red for Papyrus. The lab coat is the only real WINGDINGS thing that Papyrus wants absolutely no part in. Some things that were Wingdings’ are now Papyrus’ cause :D👍

in place of the bone painting are just family photos that I also have extra to say about. Someday I wanna make a comic of what happened to those/what I think would happen to em.

One day Papyrus is like “HEY UH- SANS! THESE PHOTOS! I DON’T LIKE LOOKING AT THEM! CAN WE NOT!?” Aka, he doesn’t remember these things happening/these photos being taken… BUT THEYRE PHOTOS OF HIM.

So he just feels really uncomfortable looking at memories he should reasonably remember, but doesn’t at all- and Sans gets that. But he keeps em in his drawer. Then! they hung up the bone thing in place of it cause SILLY!

But the family photos, I still had fun with. From left to right theyre a photo of Semi with the twins, the twins as baby bones, then as slightly older kids, then WDs graduation photo.

CONCLUSION!

This entire thing was so much fun, and I feel i’ve really grown as an artist over the process of experimenting and not being knocked down by annoying setbacks,

Also, as usual, Works In Progress’ plus extra behind the scenes stuff will be posted shortly after this!! YIPPEEE!!! HAPPY NIGHTMARES!!!!!

OHHHH ALSO EXTRA ART!!!

“AREN’T THEY BEAUTIFUL?”

That silly moment when your clone is really weirdly obsessed with stars and enthusiastically holds your eye sockets open to show you them

[5-pounds-of-carrots]

hua cheng can and will tear the world asunder for his gege and that’s just the facts

[missholoska]

been wanting to do this template for months and decided to throw all three of The Faves at it ✨

[thebad-lydrawn-sanses]

if nightmare can pick up a cemi, what else can he lift? does he pick up the bad gays sometimes?

[mostlysignssomeportents]

The art of Daniel Danger

[Image ID: Daniel Danger's art print, 'To all who home to this happy place,' depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

There’s this behavioral economics study that completely changed the way i thought about art, teaching, and critique: it’s a 1993 study called “Introspecting about Reasons can Reduce Post-Choice Satisfaction” by Timothy D Wilson, Douglas J Lisle, Jonathan Schooler, Sara Hodges, Kristen Klaaren and Suzanne LaFleur:

https://www.researchgate.net/publication/240281868_Introspecting_about_Reasons_can_Reduce_Post-Choice_Satisfaction

The experimenters asked subjects to preference-rank some art posters; half the posters were cute cartoony posters, and the other half were fine art posters. One group of subjects assigned a simple numeric rank to the posters, and the other had to rank them and explain their ranking. Once they were done, they got to keep their posters.

There was a stark difference in the two groups’ preferences: the group that had to explain their choices picked the cartoony images, while the group that basically got to point at their favorite and say, “Ooh, I like that!” chose the fine art posters.

Then, months later, the experimenters followed up and asked the subjects what they’d done with the poster they got to take home. The ones who’d had to explain their choices and had brought home cartoony images had thrown those posters away. The ones who didn’t have to explain what they liked about their choice, who’d chosen fine art, had hung them up at home and kept them there.

The implication is that it’s hard to explain what makes art good, and the better art is, the harder it is to put your finger on what makes it so good. More: the obvious, easy-to-articulate virtues of art are the less important virtues. Art’s virtues are easy to spot and hard to explain.

The reason this stuck with me is that I learned to be a writer through writing workshops where we would go around in a circle and explain what we liked and didn’t like about someone’s story, and suggest ways to make it better. I started as a teenager in workshops organized by Judith Merril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.

So I’ve spent a lot of time trying to explain what was and wasn’t good about other peoples’ art (and my own!), and how to make it better. There’s a kind of checklist to help with this: when a story is falling short in some way, writers roll out these “rules” for what makes for good and bad prose. There are a bunch of these rulesets (think of Strunk & White’s Elements of Style), including some genre-specific ones like the Turkey City Lexicon:

https://www.sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/

A few years ago, I was teaching on the Writing Excuses cruise and a student said something like, “Hey, I know all these rules for writing good stories, but I keep reading these stories I really like and they break the rules. When can I break the rules?”

There’s a stock answer a writing teacher is supposed to give here: “Well, first you have to master the rules, then you can break them. You can’t improvise a jazz solo without first learning your scales.”

But in that moment, I thought back to the study with the posters and I had a revelation. These weren’t “rules” at all — they were just things that are hard and therefore easy to screw up. No one really knows why a story isn’t working, but they absolutely know when it doesn’t, and so, like the experimental subject called upon to explain their preferences, they reach for simple answers: “there’s too much exposition,” or “you don’t foreshadow the ending enough.”

There are lots of amazing stories that are full of exposition (readers of mine will not be shocked to learn I hold this view). There are lots of twist endings that are incredible — and not despite coming out of left field, but because of it.

The thing is, if you can’t say what’s wrong, but you know something is wrong, it’s perfectly reasonable to say, “Well, why don’t you try to replace or polish the things that are hardest to do right. Whatever it is that isn’t working here, chances are it’s the thing that’s hardest to make work”:

https://locusmag.com/2020/05/cory-doctorow-rules-for-writers/

But if I could change one thing about how we talk about writing and its “rules,” it would be to draw this distinction, characterizing certain literary feats as easier to screw up than others, having the humility to admit that we just don’t know what’s wrong with a story, and then helping the writer create probabilistically ranked lists of the things they could tinker with to try and improve their execution.

Which is all a very, very long-winded way to explain why I bought a giant, gorgeous art-print at Comic-Con this weekend, even though I have nowhere to hang it and had sworn I would absolutely not buy any art at the con.

I was walking the floor, peeking into booths, when I happened on Daniel Danger’s booth (#5034, if you’re at the con today), and I was just fuckin’ poleaxed by his work.

http://www.tinymediaempire.com/

[Image ID: Daniel Danger’s ‘It stopped being about the panic,’ depicting a ruined mansion interwoven with the skeletal branches of a tree, with a weeping statue and two human figures]

Now, see above. I can’t tell you why I loved this work so much (and that’s OK!), but boy oh boy did it speak to me. I just kind of stood there with my mouth open, slowly moving from print to print, admiring works like “It stopped being about the panic.”

https://tinymediaempire.myshopify.com/products/2022-sdcc-it-stopped-being-about-the-panic-v4

[Image ID: Daniel Danger’s ‘headlight in the path of,’ depicting a ruined mall with a pair of stags standing at the top of the escalator.]

On the surface, this is moody, post-apocalyptic stuff, heavily influenced by classic monster/haunter tropes, but it’s shot through with hope and renewal and the sense of something beautiful growing out of the ashes of something that has toppled. There’s real “(Nothing But) Flowers” energy in “Headlight in the path of”:

https://tinymediaempire.myshopify.com/products/sdcc2023-headlight-in-the-path-of-v2

[Image ID: Daniel Danger’s ‘We are no longer able to protect you,’ depicting a ruined factory with a coming-apart sign reading ‘We can no longer protect you forever,’ and a statue of a sword-bearing angel.]

Danger isn’t just a

very

talented artist, he’s also an

extremely

talented craftsman. As a recovering pre-press geek, I was (nearly) as impressed by the wild use of spot color and foils as I was by the art, like in “We are no longer able to protect you”:

https://tinymediaempire.myshopify.com/products/sdcc-2022-we-can-no-longer-protect-you-forever-v3

[Image  ID: Daniel Danger’s ‘made of smoke and chains,’ depicting a ruined landscape with a pair of derelict subway trains at the foot of a hill on whose peak is a rotting mansion. A pair of human figures, holding hands, are approaching the mansion.]

Danger himself calls this work “weird sad hyper-detailed artwork of dreamy buildings of ghosts and trees,” which is a very apt description of this work, as you can see in “Made of smoke and chains”:

https://tinymediaempire.myshopify.com/products/made-of-smoke-and-chains-mist-preorder

So I looked at this stuff and sternly reminded myself that there was no way I was going to buy any art at the con. Then I walked away. I got about two aisles over when I realized I had to go back and ask permission to take some pictures so I could put a little link to Danger in my blog’s linkdump, which he graciously permitted:

https://www.flickr.com/search/?sort=interestingness-desc&safe_search=1&tags=danieldanger&min_taken_date=1687478400&max_taken_date=1690156799&view_all=1

[Image ID: Daniel Danger’s art print, ‘To all who home to this happy place,’ depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

But then I got all the way ass over to the other ass end of the convention center and I realized I had to go back and buy one of these prints. Which I did, “To all who come to this happy place,” because fuckin’ wow:

https://tinymediaempire.myshopify.com/products/sdcc2023-this-happy-place-v6-foil

This was unequivocally the best thing I saw at this year’s SDCC, but I also got some very good news while there, namely, that Emil Ferris’s long, long-awaited My Favorite Thing Is Monsters Vol 2 is finally on the schedule from Fantagraphics:

https://www.fantagraphics.com/collections/emil-ferris/products/my-favorite-thing-is-monsters-book-two

It’s coming out in April, which gives you plenty of time to read volume one, which I called, “a haunting diary of a young girl as a dazzling graphic novel”:

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

If you are or were a monster kid or a haunter, this is your goddamned must-read of the summer. It’s a fully queered, stunning memoir for anyone whose erotic imagination intersected with Famous Monsters of Filmland.

(Also, if you’re that kind of person and you’re in the region, you should know about Midsummer Scream, a giant haunter show in Long Beach; I’ll be there on Sunday, July 30, for a panel about the Ghost Post, the legendary Haunted Mansion puzzle-boxes I helped make:

https://midsummerscream.org/

Now Favorite Thing book two was the best news, but the best experience was watching Felicia Day get her Inkpot Award and give a moving speech:

https://en.wikipedia.org/wiki/Inkpot_Award

And then learning that Raina Telgemeier also got an Inkpot; I love Raina’s work so much:

https://memex.craphound.com/2016/10/04/ghosts-raina-telgemeiers-upbeat-tale-of-death-assimilation-and-cystic-fibrosis/

[Image ID: A photo of me with Chuck Tingle, who wears a pink bag over his head on which he has written ‘Love is Real.’]

To cap yesterday off, I also ran into @ChuckTingle, which is as fine a capstone to a successful con as anyone could ask for:

https://www.flickr.com/photos/doctorow/53065500076/in/dateposted/

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/23/but-i-know-what-i-like/#daniel-danger

[san-sews-seams]

While I understand the goal with gender-inclusive/'gender expansive'/unisex adult clothing patterns, I kinda hate them. Like. That's just now how human bodies are. One-size-fits all just doesn't!

A garment that is designed to fit well on a body without breasts will, by definition, fit like shit on me, no matter how boxy/oversized the style lines are! A garment designed to fit someone with by body (or the closest common approximation of my body, with like 3" less breast full bust circumference) will, by its very nature, fit very badly on someone flat-chested. See also, shit like shoulder width, and waist/hip raios, and I'm sure various other aspects.

Like, I get that there's a lot of baggage surrounding body shape and social expectations of gender! But you can't get around that baggage by pretending that various physical differences just don't exist!

If I want to dress more masc, the shape of my body does not change. The fit adjustments that I need to make don't change. I would in fact need to make additional tweaks and adjustments to get a traditionally masculine silhouette. And while it would be interesting and valuable to have guidelines on how to do that, unisex pattern designs move the whole process back in the opposite direction.

[emblazons]

“Science is neat, but I'm afraid it's not very forgiving.”

STRANGER THINGS SANS VISAGES S01E05 - The Flea and the Acrobat

[absurdumsid]

Tax fraud 😊 vehicular manslaughter 😌

scattering guidepills crumbs for the enjoyers (i think there are three)

Guide! Sans/Mori belongs to lyrikke HorrorPills! Sans belongs to me !

[theskeletongames]

Poetax's bitty porportion guide! Got asked how I draw bitties and their shapes, so here you go!

[dreemurr-skelememer]

come home soon, my friends. i wish to sing you my lullabies and tell you of my tales once more.

me: haha i need 2 work on my college work. i cant sleep an yway. also me:

anwya. pajamatale. by me n @ss-kitkat

[ancha-aus]

RealAgeAU Drabble - Found

After some thinking I decided to write this little thing :3

I was thinking between this drabble and one that was about Dream and decided to go for this one.

Mostly because the timing for later in the series is just so much FUNNIER if this one is done first. (you guys will understand later)

First Drabble and original prompt by @spotaus Prev Drabble Next Drabble

No beta and no edits. We jsut going.

*---------------------*

Killer sighs as he rubs the sweat of his skull. You would think it is cooler now than the summer but it hardly matters when you are physically active.

Ugh. He hates cleaning duty.

Still he looks around the area he is cleaning up and grins proudly. They had realised that the decliding cliff was facing the south meaning it had so many sun hours.

Horror had offered they could grow grapes using the cliff side and because those where plants that liked to climb up they could use the vertical area to create more space!

Also leaving the flat area for them to do soemthing else with. Killer had been thinking about trying to convince the others to agree to animals but he may need to plead a bit more for that idea.

Still he looks over at Cross nad Horror, both are setting up trellises along the side to help start to grow. All preparation work for their first season of course.

Tehy hadn't quite decided what they would make of the grapes, maybe even just sell the grapes themselves. But they will figure it out. Killer had offered the obvious wine but he hadn't been too excited about it himself. Seemed like a bad idea to make wine when you have a babybones running around.

Even so. Tehy aren't in a hurry. They first need to manage to grow some to begin with.

Killer stretches his limbs when he hears a strange sizzle. Killer blinks and looks back up the side of the cliff before looking at Cross and Horror confused. Both looking up themselves as they no doubt heard it as well.

They assend their, newly repaired, stairs and get to their normal area. It looks fine but Dust is also out and looking around wiht a frown on his face.

Killer gets to his side "Ngihtmare?"

Dust hums "in the nest. Sleeping with his bat." he looks around again and shoots Killer a look "sound?"

Killer shrugs, he has no idea. Cross shoots upright as he looks up "oh no..."

Killer looks up himself and feels himself freeze. becuase he knows those glitching effects. The sizzling gets louder and with the sound of ripping fabric the very universe opens up.

Moment later a figure they all know appears.

Error blinks as he looks around before spotting them. He huffs annoyed "hello abominations. I am looking for your boss." he looks around and frowns "Why are you in this dump?"

Killer freezes. Waht do they do?! Normally it was Nightmare who contacted Error about things he wanted or shifts or jobs or anything. Error coming to them?! Unusual! Also! How the fuck?!

Killer huffs as he crosses his arms "We are busy. How did you even find us here?" Did they leave traces? Did they mess up? Do they still need to move around again?!

Error looks smug as he jumps down from the roof and lands in front of them soundlessly "I obviously looked into the code of the multiverse, antivoid and void."

Killer feels a part of him relax. While most of them can in someway check a universe's code. Checking the code of the multiverse itself is a skill only Error can reliably do.

Error looks very annoyed as he crosses his arms "Do you ahve any idea how long it took me to find you? It is so annoying! Now. I got to talk business with nightmare. Where is that octopus?" he looks around.

Dust growls and glares at him "leave."

Error blinks and tilts his skull "Since when do you talk?"

Dust keeps glaring "Nightmare doesn't want to see you. Leave. You are not welcome."

Killer must admit Dust has guts but also Dust not the time!

Killer tries to nudge Dust further back but Dust refuses to move from his spot. Oh shit.

Error glares at Dust "You dare try and get in my way? The destroyer!?" he chackles as he raises a hand. Strings slowly appearing in the air "I will show you what happens if you do. Now. How about you-"

"Wait!"

Killer feels his skull freeze as he looks at the door. Oh no.

Error frowns and turns before looking confused at Nightmare. A large error sign in Error's sockets as he just stands there frozen. Nightmare doesn't say a word but just keeps looking at the other god.

Error blinks and slowly turns to Killer and points over his shoulder "you abominations made a tiny abomination?" Error looks utterly confused.

Killer almost wants to laugh at that notion but he just isn't sure what to say. What can he say to make Error leave them be? More importantly what can he say that would keep Error from telling everyone about what he saw here? Where could they even go if Error can just check the code of the multiverse to find them!?

Before Killer cna say anything else Nightmare takes a step closer. A very panicked sound leaves Cross before he just sprints by Error to stand between him and Nightmare. Keepign his arms spread in front of Nightmare as a living shield.

Error frowns at him and studies Nightmare.

Nightmare gulps before he has that same tiny grumpy stubborn look on his face that Killer just adores. Nightmare huffs as he crosses his arms "What? I thought you wanted to talk?"

Error stares and then he takes a step back "what the fuck?"

Killer mutters it before he cans top himself "language" look they all had just been trying to fix their own cursing a bit but it is habit for all of them.

Error dismisses him as he takes a step closer. Cross summons a weapon and growls at Error "Not a step closer. you can talk from a distance."

Error rubs his sockets. Stares at Nightmare. Rubs his sockets again. Stares at Nightmare again. Then he calls up the code screen for this universe. Looks at Nightmare again. the he looks at Killer and just mutters "What?"

Well would you look at that. Aparently even the destroyer hadn't seen everything in the multiverse.

Dust takes this chance to get to Ngihtmare as well and pick him up. he huffs "What is wrong? You are acting like you have never seen a child before."

Error stands there before waving at Nightmare "That is Ngihtmare! The Nightmare?!"

Horror just crosses his arms and raises a brow "so?"

Error blinks and the error messages around him get a bit worse before he waves at Ngihtmare again "So!? Since when is he a child?!"

Killer grins himself even if his soul pulses quickly. He makes a show of leaning against one of their new fenches "I mean. For a while now. Since his birth. Then again his age was frozen when he corrupted so..." he shrugs.

Error stares at him "No?! He wasn't a child?! He was... You know! Adult? dripping goop and tentacles?! Remind you of anything?!"

Killer raises a brow and shrgus "yeah. Turns out? Not an adult. Just a babybones with magical god apples making a corruption shield around him and temporarily giving him the body he needed to do his god thing." Killer figures it is fine to tell Error. Error will be able to find out anyway and honestly they don't need Error being mad at them for lying.

Error stares at him. Looks back at Ngihtmare. then looks back at Killer for a moment "you aren't shitting me? You are fucking serious?"

Killer sends him a look "dude. seriously. there is a six year old here. Try to not swear." he shrugs and walks over to join Cross and Dust, and Horror for that matter. Killer continues speaking as he walks "It is hardly needed to curse the whole time."

Nightmare shoots him a look and mutters "hypocrit."

Killer grins "you know my tiny boss!" he grins and pokes the tiny cheek. Nightmare looks away embarresed and flustered. mh... weird.. normally he doesn't mind the poking...

Error frowns as he looks to the side before looking at Nightmare "So what now? No goop?"

Ngihtmare glances at Error for a moment before nodding. It takes him a bit to find the right words. Nightmare still speaks softly but with how quiet it is his voice still seems loud "I... I am sitll a god... I think... Just not of balance anymore. I can't do stuff with that anymore..."

Error stares at them for a moment. looks around the area. Then looks down thinking. there is a small loading bar showing his thought process.

It hits full and he straightens "well... I am leaving." he turns to the side adn starts to mess with a coding window again.

Killer frowns "That is it?!"

Error pauses and shrgus "obviously? I was looking for Nightmare, you know, king of negativity and god of balance and all that sh-... stuff..." he glances at them before looking back at the window "Nightmare isn't that anymore. So I will have to figure something else out."

Cross looks anxious as he steps forwards "No one can know! If they know...." he rubs his hands "Just... please..."

Error pauses again and shrugs "Don't see the point in sharing. After all. He isn't the god of negativity. And when people ask about him they want to find the gooped up bas- guy who had all powerful magic and abilities... Why give them the location of a child and his group of babysitters?" and Error disappears through a portal.

A long silence.

They... are fine?

That... that was pretty much him saying he wouldn't tell anyone right?

Like... They are good?

Killer glances at the others and they all share slightly unsure looks. Nightmare however looks at where Error disappeared.

Nightmare just stares before getting a very tiny grin as he hides his face a bit and mutters "he is cool..."

Killer freezes. Nightmare's tiny blush. the embarresment. the way he tried to looks tough and controlled and cool... before when Ngihtamre always searched Error out. The fact Nightmare was always very willing and easy about helping Error even if it hardly helped his own goal.

No.

No absolutely not!

Killer turns to Nightmare and makes him look at him. Ngihtmare huffs and looks annoyed while Killer stares at him "No."

Dust shoots him a look "Killer what are you even saying-"

Killer continues as he stares at Nightmare "No. No crushing on Error. I don't care he is technically the only other god who was nice to you or was understanding about your work. You are not allowed to have a crush on him. He is dangerous and crazy and you can do so much better."

Ngihtamre has a lsightly panicked look on his face as he looks away and mutters "I don't... he is jsut..."

Cross blinks before laughing "Killer calm down. It is just a little crush. Kids have those all the time."

Killer shakes his skull "Nightmare will evnetually grow up again!" may take them ages or not. Hell they don't know how gods grow up but still! Killer isn't allowing it! No way! He looks back at Ngihtmare "You are too young and too tiny to even think about liking others like that so stop that. And even if you do start thinking like that WHEN you are an apropriate age! You aren't allowed to like him because he is crazy and you deserve so much better!"

Horror chuckles "what is the appropriate age?"

Killer's mind blanks before he answers "When he is thirty! Physically! AT LEAST!" and even then Killer isn't sure about it.

Cross snorts "you aren't even thirty... physically."

Killer huffs "And I am a bad example. We don't do what i do." he stares at Ngihtmare.

Nightmare just looks down embarresed before pushign his face back into Dust's shoulder.

Killer will accept that answer for now. But maybe he will need to look through the stuff they have. Clearly no romance novels or movies are allowed anymore. He will have to check it all. Honestly what are those people thinking?! Showing romance to such young minds!

Cross snorts and leans closer to Dust "Somehow I did not expect Killer to be the anti-date parent. Yet here we are."

Dust hums "same. expected it to be me."

Horror chuckles as he leads them back inside.

They still remain watchful and pack some emergancy bags. If they notice even the tiniest sign that their location is compromised they are leaving. They give Crop and update and ask him to watch out as well.

But..

Nothing happens.

Not even a peep.

Nothing.

days go by and they slowly start to relax and get into their own rhythm again. Cleaning and repairing stuff. Getting ready for the next spring and talking with some town folk.

Today is a day that Killer, Dust and Nightmare are just laying in their nest watching an old western movie on the repaired tv, thank you Dust.

It is nice and calm untill.

sizzling.

Killer shoots upright and a small portal opens up. only for a black skeleton hand to drop something through it before it closes again.

It had fallen right in Nightmare's lap and Ngihtmare blinks confused at the small hastly packed present.

Dust looks over his shoulder and a check later and it seems fine. Dust nudges Nightmare and Nightmare first opens the small card.

Killer leans close and reads wiht them.

It is just a card saying 'so he knows which side to aim towards when he grows up.'. Which, weird.

Nightmare blinks at it before opening the present and he lets out a tiny gasp.

Killer stares as he sees a small woolen doll octopus. It is bright purple with a tiny grumpy face on it.

Nightmare feels the plush carefully as he stares at it with pure awe. A tiny purr starts to leave their baby bones.

Killer is going to have to make plans in advance to make sure that WHEN Nightmare is a teen he doesn't try and hang out with Error. Killer will also have to figure out how to successfully threaten a god.

On his 'to do' list it goes.

*---------------------*

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Also Also

Error finds them

gang: *panic*

Error leaves again because whatever but leaves a little plush for Nightmare.

Gang: ... okay.

Nightmare hugging the plush: I did always think he was real cool... *slightly wishful stare*

Killer realises baby has a first crush: ... *PANIC TIMES FIVE* absolutely not!

[momoitou]

Saito, the overworked employee in an understaffed cat cafe.

[sparklyeyedhimbo]

just something i did while @bunnakit explained the lore of these silly dudes to me and others.

because everyone went, WHERE IS [put name of one of them in here] ?????????

and i was like i can't keep posting the same screenshots asjhsajkd

so here have a handy dandy chart of each of them in their important for their lore mv's.

[the-sartorial-journey]

Blue Power