#great spoilers ahead

[fareehaandspaniards]

Miquella is nice

After finishing the DLC, Miquella made me think a lot. Before the DLC, he had a rather… one-sided image, I don't know what else to call it. He was incredibly kind, and we saw references for his connection to St. Trina initially (because we still remember Gwyndolin, who lived as girl. And we know Fromsoftware loves the archetype of the sad feminine young man). Miquella was a victim, was a martyr, and was an incredibly kind soul who prayed for Godwyn and invented a true miracle - the Golden Needle, which can help to hold the rot.

But the DLC absolutely turned his image upside down! And it makes me very sad to see a character's incredible transition and acquisition of a new layer of morality (gray) labeled as "bad writing" and "fuck GRRM he spoiled my baby boyy :(((((".

Today after talking with my spouse (He always helps me realize any fragments of lore. Sometimes I have a hard time understanding the simplest things that everyone has long understood and accepted. Also! Happy birthday to my beloved!), I could only finally understand why everyone is getting so worked up about Michella, even though we've had a scenario similar to his "The road to Hell is paved with good intentions" a long time ago. That was Laurence, everyone's favorite in Bloodborne, and Gwyn (he really wanted good things and it didn't turn out well :/), etc. I'll also remind you that the fandom (in the general sense) of Fromsoftware games is very fond of villains, and that's fine. But for some reason, when Miquella turned out to be not the good guy everyone wanted him to be, no one appreciated it. And I tried to defend him to the last in a discussion with my husband - Miquella sacrificed everything for the "greater good" in his understanding of the word, Miquella went the way of renunciation, Miquella knew how to love and loved his sister, Miquella wanted to correct all the sins of the past.

However, unlike most Fromsoftware villains, Miquella HIDES his atrocities (even from himself). Nashandra, Shabriri, Micolash, anyone - their motives are clear. They have principles, egos, backstories, justifications for wanting to be a destructive factor, some have these reasons built in at birth, some are insane, etc. Miquella, on the other hand, finds followers by Dishonest means, condemns Radahn to suffering for which to end the festival is organized, leaves his sister to die, condemns Mohg to be a puppet in his scheming, and still thinks of himself as a VIRTUE. He believes that the era he is about to found - will be good and bright. And with words of goodness he kills us in battle with Radahn!

Miquella is a golden apple with a very rotten core. We don't know, really, at what point he started to "rot". What's funny is that of the two twins, Malenia was rotten on the outside and he was rotten on the inside.

Miquella's center is in love. He carries self-love everywhere, charming and falling in love with almost everyone. That is why Malenia says, "My brother will keep his promise. He possesses the wisdom, the allure, of a god - he is the most fearsome Empyrean of all." I think he is the type of child who got used to being loved. The problem with this type is that he can become a wonderful person, or he can turn into a monster who will take love and attention at any cost. (My spouse reminded me here of stories of crazed maniacs who kidnapped those they loved and dreamed of a nonexistent future, not realizing the damage they were doing.)

But there are many questions that, perhaps, everyone should answer for themselves?

What vow did Miquella make to Malenia?

In my opinion, Malenia was not charmed by him. I've always wondered WHY she waits for Miquella at the cocoon in the Tree, even though it clearly shows Miquella being stolen???? She knew, she probably knew his plan originally. She had been waiting for his return like a god. But what had he promised? That when he returned, he would cure her of the rot permanently?

When did Miquella begin his "fall"?

There is no denying that Miquella was a good guy. He tried, he tried to help his loved ones. He looked up to Radahn as a child with respect, as the description of Remembrance of a God and Lord says. Miquella was in harmony with his other self, Trina. But what changed him? Failures? The desire to save everyone at once? The desire to be the most loved? To be perfect - a god? I'm inclined to think it was all of those things that corrupted him at once. After all, as a favorite child, he may have been flawed deep inside from the beginning.

Miquella had resurrected Radahn as a young, beautiful warrior, just as he had been before. But Radahn does not utter a single phrase during the battle, and his movements are more automatic. Radahn feels nothing, and it makes me think more and more that he's more like Miquella's wish come true, his hope of having a worthy consort he loved by his side.

Is Radahn a puppet or a future lord?

Nothing has been confirmed. I've also read that Miquella's spell was broken when his rune was split, that's how many NPCs come to their senses and realize everything. But I think his power would be enough to, like a necromancer, control a resurrected one? And honestly, it's unlikely Radahn would have wanted such a fate. He was holding back fate itself, the stars, so that what did happen to him in the DLC wouldn't happen. Thanks to Miquella, Malenia had turned Caelid into a solid rotten mess and blossomed her divine flower, and left Radahn in an insane state waiting for a noble death at the hands of other warriors. Miquella mutilated him. I don't think Radahn would have appreciated his methods, considering how dedicated he is to warriorship and uprightness, and also honors Godfrey.

What would have happened if the Age of Compassion had happened?

I think it would have been VERY bad. And after a major flourish of life and honoring Miquella, there would have been a decline and another Shattering. Miquella shows himself to be a man who does not tolerate dissent. I think there would have been a flowering of the Inquisition, persecution, murder, and brutal tyranny. And Radahn, most likely, would have simply been "squeezed out" by Miquella and destroyed by his boundless love. Yes, Miquella rejects his love, as @jarognieva correctly pointed out. But he rejected, in my understanding (we need a clear translation from Japanese here), his destined love, i.e., his intended spouse, Trina? Just as Radagon was Marika's spouse. Our Marika is a deity, but she is capable of love - her love for her son, Godwyn, caused her heart to break.

Fandom cancelled Mohg, now he is cancelling Miquella. People don't accept and don't want to comprehend the things that make them change points of view. That's how the witch hunt begins! So stop being shitty and decide for yourself what you think of Miquella before claiming him a "bad written character"

Miquella, as a character, has become an incredible bastard, manipulative and truly evil with a mask of piety. He doesn't go into battle as an honest warrior, he uses others. He "sacrifices" himself by actually sacrificing everyone else. But doesn't that make him MORE interesting?

He's broken a lot of headcanons, but I sincerely hope that the wave of love for him as a VERY gray character will still come! After all, he's a worthy villain archetype! A true evil hidden in a pure soul. How many fanfics, how many musings can be spawned from that. No need to deny him, rather try to accept Miquella for who he is. And don't make it into "good" or "evil". There's a particular aesthetic to how awful Miquella is.

[thedailydescent]

Going back my post about the fight (you guys left so many good tags!)

I'm not completely sold on the idea that Armand purposefully and methodically planned to trigger Louis into a meltdown/suicide attempt (which the rescue of would be delayed) for the purpose of keeping him by his side in a weakened state, not because it would make what he said and did any less wrong, but because it goes against what we know about Armand as a character.

From what Assad Zaman said, Armand is a guy who actually has less control than he appears and wants, and is sometimes without a full/correct assessment of the people around him. Just because one has all the power, that doesn't mean one's own insecurities or overestimation of self can't get in the way of effective control. He did leave his partner and the "homewrecker" alone together this episode thinking everything would be fine, after all; that does not spell out someone with great calculation skills. He also has this pessimistic passivity to him. He will see trouble coming, but because of his past experiences, feel there's no use in stepping in to prevent the situation because it will only delay the inevitable. He then tries to convince you and himself afterwards that he could not have prevented any of it from it happening (as @rosesocietyy said, his commitment to deniability will choke him one day). He's not a man who can prevent an implosion, but he is a man who can commit to the clean-up afterwards (see how controlled he appears during his fight with Louis vs him playing 'nursemaid' afterwards).

I feel like when we talk about abusers, it's pretty easy and even dangerous to see them as ones who plan everything out from the beginning, who always know what's going on/what's going to happen, and are always in control (it goes back to the whole 'Armand planned Claudia's death from the beginning to trap Louis', 'Armand abracadabra-ed how Claudia died who Lestat really was from Louis's head', "Armand has been mind-controlling Louis to stay with him for 77 years" "Armand actually planned this interview because he wants to break up with Louis/get with Daniel' theories). Not only does it paint a portrait of abusers as one-dimensional villains even though anyone could be one, it also misses the point of why something or someone is abusive in the first place. It's not about whether you intended your actions to have consequences or not, whether your past trauma has compromised your skills to self-regulate or connect with others, or whether you have control all the time or not. It's about how your actions have hurt the other/made them feel helpless regardless, and whether they're (rightfully) afraid it's going to happen again.

During that fight scene, I see Armand's facial expressions and behaviour change multiple times during that fight. I see the look of anger slowly turning to regret then worry when Louis runs out of the room. That didn't look like someone who planned any of that to happen or is plotting to delay Louis's rescue, but someone who was coming off the high end of their subconscious/released pent-up emotions. Armand to me is honestly scarier because of that unpredictability and lack of clear thought-process. With Armand it's never really about boiling his decisions down to one reason; it's about the effect someone as powerful as Armand has when he feels he has no control.

[bugeyedfreaks]

I bought the comic! 💖

I have a couple of my usual little minor nitpicks (as I am want to have), but I don’t even want to get into them because there were so few and they didn’t impact my enjoyment of the comic all that much. I thought it was super cute!

I won’t spoil anything in case anyone’s interested in buying it for themselves (which, I would say… yeah, buy it, totally!), but what I appreciated the most– especially since this is the first issue and it’s establishing who the girls are for anyone not super familiar with them– is that the girls end up saving the day together. It shows the importance of them not just being heroes, but also being a team (and also being supportive sisters, which… 🥹🫶) and that makes me feel like, even on a basic level, they get the characters. And that’s reassuring! Yay!

[greatyme]

Remembering how devastating triage was when it hit peak angst and suddenly getting very scared for where 4 minutes could be headed

[lucienarcheron]

The Captain and his Lady - Tharion x Sathia

[annoyingcat413]

I have decided that mob is the best anime protagonist of all time

[sea-buns]

Holy fuck, man. What a trip Fearne has been on, huh?

You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.

You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.

You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—

you tell her, "YOU PROMISED."

Because if there's one thing you know, it's that the fey do not break a promise.

[shannonallaround]

After pondering on it for several days, I have officially decided I did not like the direction of KFP4 and have banished it from my brain. It is no longer canon. KFP4? What's that? Don't know what you're talking about.

[mongeese]

I lied I have one thing to say before I go to sleep and that is that honestly the way the finale was resolved is pretty much what I would expect for Dimension 20. Not bad, even emotionally impactful in a way, but quick, shallow, mostly played for laughs. This is going to be maybe a very unpopular opinion but I have never thought of D20 as something that's like... that nuanced or thematically interesting. It's a comedy show! And the themes play second fiddle to the comedy, always. Every season. But idk. Something about the start of this season made me feel like it could be different. Maybe it's because sophomore year was genuinely emotionally impactful and had some really beautiful character development, so I was hoping junior year would continue that trend? But instead we got something that was much more reminiscent of freshman year. Which is like, fine, but it isn't what I wanted and now I'm disappointed. In the immortal words of Kipperlilly Copperkettle, may she rest in peace: egg on my face, I guess, for wanting something

[grape-eating-vampire]

I really really really dislike Marvel and the whole timeline-bullshitfuckery they've got going on, but I did go to see Deadpool & Wolverine (bc I'm nothing if not a Deadpool fangirl at heart) in the cinema today and when I tell you I was laughing so much at the little wink he does after "pegging isn't new for me, but it is for Disney ;)"

[mobius-m-mobius]

a mr tesseract thought: the tva has so many infinity stones… just sitting there… they might not notice a handful of paperweights go missing

Anon you've got my full attention 👀👀

Absolutely living for all the renewed Mr. Tesseract theories and origin stores going around because he's just too perfect to continue the current story!?? I'd always pictured a Mobius variant eventually entering the picture, having succumbed to the power of the Tesseract after needing to save Loki in some way but never in a million years imagined before now that *our* Mobius could end up in that exact situation...

Plus tbh I almost feel Loki going about their self-sacrifice in such an isolated way, reliving all those centuries determined to find a solution without involving anyone else, had an obviously noble goal but a means in such a misguided way which has almost ensured Mobius will do something similar.

Mobius isn't okay. He's on a timeline that can never be his (partially to escape the memories of Loki by his side everywhere he looks in the TVA and hopefully so that back in the flow of time Loki can at least see him again as some form of company still), looking at a life I think he greatly admires but wouldn't personally want even given the choice, and seemingly the only one left directionless and without purpose with Loki being gone.

It wouldn't be a stretch to think loneliness would turn to frustration (because he's done nothing but repress *everything* in the past and deserves to finally burst and be angry and figure out how to express his emotions), confusion, and finally desperation at the thought he might be the only one who cares enough to burn things to the ground in an attempt to either find Loki again or bring him home. I've been headcanoning that similar to Loki in the last episode, Mobius will start putting himself more and more at risk searching for a solution and cut everyone at the TVA off while doing so to keep them from worrying about what he's getting involved in and stop him, which of course eventually leads right to the Tesseract as potentially one of the only methods left of traveling to what I assume is the end of time or somewhere similar.

Bonus points if Loki is watching every moment, unable to do a thing as the Mobius he knows slips further and further away while experimenting with the Tesseract until finally he can't see him on the timeline at all anymore, and as he mourns a crackle of blue energy opens nearby. Loki immediately realizes what's happened and calls desperately for Mobius, but when the figure who exits steps closer he's all cold, hard lines and an blank, electric blue stare. Temporary amnesia v4.0 let's go but make it even more angsty this time 😂😅 Eventually the Power of Love™ wins out of course but that's pretty much my dream arc for now!

[varyathevillain]

one thing I definitely don't want out of the rest of S2 episodes, and afraid that will come to happen nonetheless due to the "love triangle" interview, or due to stereotypic expectations of "softer love saving from past abuse and toxicity", and also, like, LOTS OF SPOILERY STILLS for the episodes premiering tomorrow... is for Izzy Hands to come out of his fucked up dependent toxic love for Ed into another romantic relationship, especially if it includes Edward.

I want Izzy Hands to be developed as a character, to finally untangle his love towards Ed/Blackbeard, not through falling in love again... but through the love towards the crew, and of them towards him. I want for the trauma pack of attempted Ed Teach murderers to bond, not so hard it's impossible to untangle them from one another, but enough to see "yeah, all these people are together, and they're gonna stay shoulder to shoulder to protect one another".

I want a friend group that did bond through a traumatic experience, but came out trusting one another because of care, not trauma. I want that to be the crux of Israel Hands' development, to be someone who can finally see himself apart from Edward Teach, and apart from "this love he has", like a disease... I want him to embrace what he has yet refused to admit. that he wants to care for his people, his crew, and to be cared for back equally, without any dynamics of power in the way.

[phoenixcatch7]

Man I am just SO CONFUSED. About the time line of this game.

No one is telling me how long links been gone! Or how long the botw-totk timeskip was! They all just started selling my stuff again lol. I'm going to have to get everything redyed!

Me: hey random stranger! Lore dump? You look like a lore dumper.

Kindly npc: why hullo there, link ^^! My, I haven't seen you in a while since the calamity ended! I was so worried when they said you and the princess had gone missing! But it's good to see you're well.

Me: aw, thanks. How long has it actually been tho.

Kindly npc: ^u^

[iidsch]

more really good mp100 tweets I want to save

[sparring-spirals]

ill be real it might be good (for all of you) that i haven't been able to liveblog the last two episodes because i think it would be 4 hours of me parroting everything the party says. this cast is so fucking funny together. fantastic interactions.

[bridgyrose]

Ruby’s breakdown is kinda interesting to me because, when you get down to it, she's right that she hasn't had time to process her issues and part of that is her own fault.

Like, if we really look at it, she left home for answers. She was upset, pushing her grief down and looking for closure to Penny’s and Pyrrha’s deaths in the form of answers to why Beacon had to fall. She couldn't sit down and process any of that without those answers. And once she got those answers? That's where the no time starts.

From getting answers from Qrow to falling off the bridge and landing in the Ever After is about two to two and months, maybe three depending on vol 7's time frame. That's not a lot of time and most of that was doing missions for Ironwood to help get Amity up and running and spending time with Penny trying to pretend everything was okay because Penny wasn't gone like she thought.

And between getting answers, trying to help Qrow, getting more answers, seeing her sister and partner, getting even more answers, fighting Cinder, taking a relic to Atlas, getting her wold view shattered with even more answers that she didn't know she needed, fighting an Atlas mech, getting to Atlas and realizing things aren't great, trying to trust Ironwood by helping him out with a plan to reunite Remnant, and then watching everything fall apart... that's a lot to have happen in a span of maybe three months on the generous end. No time to process grief, no time to rest, all she could do was keep pressing forward. And that's still not touching her habits she picked up to keep Taiyang and Yang from worrying about her.

And a lot of her issues could've been avoided if she could slow down to try to process things but I get why she couldn't. That's not Ruby. Ruby has to keep moving. She needs answers that are more than "this is the way things are" because everything has to have a reason. Just like Summer had to have a reason to leave and not come back from a mission, right?

And now, she can have time to process her grief because now she understands her friends are there to help her shoulder her burdens. That Ruby Rose doesn't have to shoulder everything alone and can talk to her friends. She can let them know when things aren't fine and when she can't lead. She can have her own peace.