#great great work

[larkiethings]

shaking my head while playing neko atsume so people know that I don’t support outdoor cats

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[yamada-ryo]

I was talking to the guy with the rifle on the island in disco elysium and he was talking about the past and getting deep into it and suddenly there's a whole screen effect and I was thinking about how it was really cool but no it just happened that my entire screen just decided to die right there and then

[blueskittlesart]

Dear Big Brother

kind of a sequel to this comic

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[nibbelraz]

OG Shang Qinghua loves his brother even if he says nonsense most of the time

[pirateprincessjess]

I feel the need to periodically remind people that Idiocracy is a eugenics movie.

One of the things that eugenicists believe is that it is bad for society when the “wrong people” breed.

The entire premise of the movie is that “stupid people” kept having kids while “smart people” didn’t have kids, and it ruined society because stupid genes propagated while smart genes died out. This is eugenics propaganda.

I know people will read this and their response will be “actually it’s satire” but the movie isn’t satirizing eugenics. It’s satirizing anti-intellectualism, and consumerism, and it proposes eugenics as a solution.

When eugenics was first conceived, it was used as a way to justify inequality. The idea was that people who held privilege were able to do so because they were smarter and genetically superior to lazy and stupid people who don’t have privilege. Obviously this is bad and wrong, but it is also the core lesson of Idiocracy.

The movie literally ends with the main character becoming president and having “the smartest children in the world.” Because he and his wife have smarter genes than everyone else. The proposed solution for the things that Idiocracy is satirizing is for the smart people to have children that can be in charge of the world.

I know it’s fun to use this movie to dunk on anti-intellectualism and the MAGA movement, but we need to stop. When you quote and reference this movie you are spreading eugenics propaganda.

[nevesceramics]

great blue heron bell

cone 04 terracotta, underglaze, glaze, wire, cotton thread

[malignedaffairs]

Started an illustrated lore book. Wish me luck for keeping it up <3

[hexedwithluck]

✦✧✦✧ 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗧𝗘𝗡𝗦𝗛𝗜 𝗔𝗡𝗚𝗘𝗪𝗢𝗠𝗢𝗡 ✦✧✦✧

[kitamars]

hhhnhhghgjjghgugujgutuutghn piskin……..

[hunnam]

Max Deeds via IG/Tiktok July 31st, 2024

[lilybug-02]

Planned Combat needs a thinking mind (ie. the Pale King was really stupid <3)

Bug Fact: The Cuckoo Wasp lay eggs in bee or other wasp nests where their larvae consume the host egg or larva. When attacked they can curl into a defensive ball. Pictures Below

V2 First || Prev // Next

Volume 2 Masterpost

▴♥︎▴ Patreon ▴♥︎▴ Buy Me A Coffee ▴♥︎▴

Why are they so cute!?!? Darn their big beautiful eyes and pretty colors.

im just a baby

[brainbesplit]

every time i see a namari and kiki interaction from daydream hour namari’s like “those leg harness things for daggers that some tall-men wear make me a little horny i won’t lie” and then kiki’s like “i’m wearing six of those right now, namari, how about that” and lifts up her pants to reveal six dagger harness leg things and shes like “does this work for you namari.” Like what the fuck man what the FUCK