#graohic design

[the-imaginative-hobbyist]

Self-made logo design for Badlands - new Predator movie coming soon.

[grlbts]

hot dog press

[doublydaring]

does anyone understand me? Davy is like if a boy was a girl and Peter is like if a girl was a boy to be clear.

[dzis-po-raz-pierwszy]

Dziś po raz pierwszy namalowałam konia o zmroku.

Noc, melancholia albo smutny koń.

[danleydon]

danleydon.com

[ribbonknot]

i know i say this all the time, but from first listen, cosmic is one of red velvet's best songs. idk if i'm just going insane but this is amazing .. pls pls never disband

[lennonhead]

pictorial evidence of my favourite Undertaker move, "just grabbing a dude's face"

[robertsbarbie]

no actually their formatting is starting to piss me off

[wigglygoblin]

having to do marketing (as a new thing i want to do on purpose) for the shirts i made is HARD. what do you mean i have to put thought into this

[raliakez]

Test panel of Evie and the Hijaja from last year :)

[hibiscussoupbowl]

Yk what ive already made all my statements abt the teen wolf movie on instagram but imma say it here

As much as i love and breath teen wolf, its not the perfect show which is fine bc recognizing that is what makes its good. The thing is the movie? Godawful. The one thing i can appreciate is that the movie had an opening and the graohic design was cool

My problems with it?

-the plotline being abt allison. I think alisson (is it allison or alisson?) Is a fine character especially in s3, however, you killed her off. That whole s3 ending was abt her dying and isaac leaves BECAUSE of allison dying. Now ur gonna reopen that plotline that was TIED OFF? Ur not even gonna get stiles or isaac back into play even tho theyre arguably the most important for that season. And ur not gonna tell us how s6 ended??? Even with a flashforward of 2 years??

-the fbombs. Im sorry, what? U make a show that doesnt use f bombs at all and u make it creepy and horror but when u make the movie thats r rated meaning u can go even harder... u use it on fbombs? Might i add in the worst way possible. "Darkness motherfucker" wow. It just sounds so cringey. Either use it once meaningfully or dont drop one at all. U managed to make s3 be creepy without it do it again

-why the absolute fuck was liam in japan. By the hour and a half mark that question wasnt explained and it never was. Him and this girl hikari (whos gr8 actually) are just in japan and i guess own a bar??? I dont even know what they are to eachother let alone how they ended up there. I only knew that they love eachother bc they say that in jpn but like still??? Is it a sibling ily or a were dating and ily?

-the actors. Im sorry but if ur gonna get all these actors like masons and parrish and malia and whoever but u give them like what one line? Mason had legit like 2 lines in that movie. And u dont even know how he beacme a police officer! He just is! And they dont even say anything abt corey??? U could easily get his actor i know he aint doin anything rn. Liam and hikari? Also have like 3 lines in the movie

-personal thing lol but not everyone looks good with a beard and a shaved head

-lydia and stiles. Just bc u coudnt get dylan obrien cuz hes like the most succesful does NOT mean u just break up the couple that u built for six. seasons. You couldve said literally anything you couldve said stiles was dealing with some fbi shit or another supernatural disaster. Lydia having the dream? Tragic but stiles wouldnt have cared bc he loves her and wouldve just wanted to be with her forever.

-how can u not tell us who elis mother is. We ALLLL wanna know who derek banged im sorry but he slept with the enemy like three times and with his history and family history everyone just wants to know who it was.

-dereks death. WHAT THE FUCK this man survived a *pipe* going thru his back for like 10 minutes and survived, got brutally slashed and survived and ur telling me he died by magical fire. Sure teen wolf sure.

-if ur gonna introduce a character like alec in the season finale, bring him into play somehow recast him idc but do smt. Even nolan! Someone !

-what was with the whole nogitsune temple thing?? It was so... not scary at all and it looked bad. Like idk it was just so kiddy. Like oh noooo we re trapped bc we re tied to a pole with rope -_-

-sorry but again why continue a plotline that has been tied off? And not continue with the one that was open ended when u cant even get the significant actors for the s3 plotline? Bring daniel sharman into play, medicis over he has the freetime.

-malia and scott breaking up is also stupid bc again they were "endgame" and they had no reason to break up other than the fact that allison was alive again and for plot reasons.

-harrison coming back was so stupid i was so glad they killed him off even tho i guess they never found his body. I was hoping

-are argent and melissa not dating anymore? Its been like 3 months since ive seen the movie so i dont rememeber that but if they arent, why are the writers/producers, whoever, so desperate to break up everything great they had goin at the end of the show.

The interesting parts of the movie were

-the intro

-elis backstory with his dad, except why would u hate derek its literally tyler hoechlin

-and scott having an animal clinic bc i think thats funny

[nerves-nebula]

I love your art. You go to college for graohic design, right? Do you do any kind of art there like what you usually post here, or is it all more abstract and such, like the typography hws you've sometimes shown?

yea its generally not stuff im interested in sharing. like, posters for made up events and exercises in design and typographic layouts and stuff. ive been able to force my interest in tmnt into a lot of my homework recently but not in a way that would make me wanna post it here.

graphic design i what i wanna do for work, illustration/comics is what i do for fun, and its what im most proud of.

[regginator-blog]

Check out this listing I just added to my Poshmark closet: Prima Design 6" Dessert/Salad/Snack Plate Bathing Suit Design Cute Beach Vibes.

[romanticastronaut]

i wonder if the graohic designers for canva ever actually use canva for anything

[fundulopanchmax]

I expected quite a lot of things but not a website on the group of fish i work on in the desgin I have seen at least 4 times. Killifish are popular aquarium fish and so there are a lot of hobbyist that try to list every species with information and every site is designed without a rule of graohic or web design in mind and i love it. These sites are often very well researched and help quite a lot if you want to habe a lot of information at a glance!

psst. hey. do you want to see a web design monstrosity

[designresearch604-ahnesshim]

WK 2: 10 NZ Creatives

Osborne Shiwan - Lloyd Osborne & Shabnam Shiwan

Osborne Shiwan was founded in 2006 by Lloyd Osborne and Shabnam Shiwan. recognised internationally within areas of commerce, culture and arts 

Lloyd Osborne

born in London, England

Soent early days in village of Battlesbridge within civil parish of Rettendon 

His family dreamed of adventures, resided in a ting cottage beside the river crouch

Emigrated to nz in 1970, settled i. AKL suburb of Titirangi -native bush clad area known for its beauty and bohemianism, with many talented musicians, artists and writers living there

Lloyd approached business of design with an intellectual rigour and cultural sensitivity

Designed brands such as Karen Walker, Deadly Ponies and Knuefermann

Wirk has been recognised by best awards NZ, he’s also been a judge

Shabnam Shiwan

Born in Laukota, Fiji, grew up in Pacific Icean near tropical rainforests and colourful marines

Being Indian she and her family carried traditions of a place journeyed from generations ago, no longer home but forever in their heart

Emigrated to STH AKL in 1980s Shabnam experienced melting pot of different cultures - this continues in ber work today

Creative director at ALT group and Saatchi & Saatchi Design Worldwide

Done several international positions - judge in Clio USA , Red Dots award in Germany, TDC USA, AIGA USA, and One Show USA

Work has been exhibited in objectslace and published in Graphis, USA

Atamira Dance Company

Design is very linear, rhymical

The rhymical line work of both the typography and slicing and manipulating of the images reflect the movements of dancers

Work is very contemporary

Luscious movements in hypnotically repeating patterns, it also shows the fragmented movements

Atamira dance company creates indigenous stories , spirituality and historic and contemporary relationships to people and land

McCarthy Studio

Stephen McCarthy

Left school in 1990, worked in record shops, played in bands and designed band posters

Co-founded NZ music video company Shruiken with overseas Director/producer Richard Bell

2008 formed design studio McCarthy now with 8 staff and a body of globally awarded work in branding, digital and communication

Strong emphasis in social change work with design and campaigns

Taught at Canterbury university, Christchurch Polytechnic and numerous public talks and lectures

https://mccarthystuff.com/#:~:text=In%202008%20formed%20design%20studio,tools%20for%20wellbeing%20and%20resilience.

Te Uaka

Uses juxtaposing shapes, square and circle that represent the two different cultures

how it the shape intertwines and works together to create a visual identity 

utilised in Logo - the T and U can be seen in slight colour variation, may look like a square that consists of shapes

explores notion and duality

pigment/colour is found from natural sources - brown came from local representative from the local Maori Hapu, used extensively on buildings and structures. 

https://the-brandidentity.com/project/mccarthys-modular-identity-te-uaka-charming-concept-driven-fundamentally-striking

Tyrone Ohia

Raised in Whanganui, originally from Tauranga

Ngati Pukenga and Ngaryi Te Rangi Descent

Studied computer graohics design at UCOL

Since graduating hes worked at multiple studios in Wellington

Creative director and founder of Extended Whanau in Tamaki Makaurau

http://ucol.ac.nz/staff-and-student-profiles/tyrone-ohia

Te Oro Typography

Tulutuku design was devekoped by weavers, kairaranga

From each of the mana whenua groups and a graphics designer, drawing heavily on te oro type design and stylised Maungarei triangle form

Triangle shapes were drawn from a traditional taniko patterning and the adjacent maunga

Strong Pacific colour scheme

George Haijan

Graduated elam fine arts

Senior lecturer at AUT art and design

Artist and graphics designer

Design practitioner for more than 20 years

Main area of research focuses on concept of masculine embodiment, relationship with globalisation, technology and pop culture

Brings together screen printing, mark making, collage to create diverse body of works

Bent and Blurred

Combines series of framed paper collage work with immersive automated sculptural installation

Uses materials such as magazines and pop culture to create seductive collages

Cutting and slicing*images of the male body and by reassembling and meticulously weaving them through mesh wire, he disrupts the viewers gaze in order to question contemporary cultural beliefs

How are our aesthetics or expectation evolving or changing

How do we read male beauty

Seachange

Led by amanda Gaskin and Tim Donaldson - co founders and creative directors

Spent decade honing their craft at reowned creative agencies un london before retunring to. robestablish seachange, bringing extensive wealth of experience

Regularly appear on global judging oanels

New york guns, NZ best design awards

Food Nation 

Food nation is a disruptive new plant based food brand on a mission to get. People eating more plants

Create joy and spirited brand - unique and inclusive to celebrate plant based food

Something quite natural they did the complete oppsitie to make the food packaging leap off the shelf

Illustration plays hero - state a message thast plants are fun to eat and yum

Playful tone

https://www.seachange.studio/work/food-nation-2

Ayesha Green

Born 1987 Otautahi Christchurch

Lives and works in AKL

Works across painting, drawing and sculpting

Explores histories of Maori and Pakeha in her work

Through subtle acts of mirorring and repositioninfg she upends the supposed stability ofthe images and their claims to collective identity

Ayesha Green tells stories of family and apirations and history of her family

Her inspiration comes from inspirations of historical images that relate to how NZ’s identity formed.

How NZ tells our stories and how that plays out in our understanding of who we are.