#got such a soft feel to it. i really value production.. not many people do it well. a producer i really like-“

[bedforddanes75]

my toxic trait is that whenever anyone talks about any kind of music i find a way to bring george daniel up

[absolutebl]

Love your blog! Do you have any recs for people (me!) who liked: Tale of 1000 Stars, Unknown, Moonlight Chicken, Secret Crush on You, My Beautiful Man, Be My Favorite, Sing My Crush, and We Are (Cute), please? I disliked My Stand In, Love Sea, and Only Friends. I tend to like character driven instead of plot driven stories, and please, no silly misunderstandings or misguided noble morons who break up because a parent suggests it!

Do I detect... a challenge? *rubs hands together* we are playing my favorite game.

Okay, likes:

Tale of 1000 Stars

Unknown

Moonlight Chicken

Secret Crush on You

My Beautiful Man

Be My Favorite

Sing My Crush

We Are

I crossed out the ones that don't fit the trend (outliers) and congratz your wheelhouse is:

moody, atmospheric, angsty, tiny bit cerebral, bit gritty, higher production value, soft focus, lower heat levels but yearning, bit of domesticity, acting chops

Dislikes: My Stand In, Love Sea, Only Friends

Okay not too far into angst, no nasty characters, no dubious tropes or anti-heros, no mame, no high heat, university or older. CHECK! Got it.

Ready?

Right in your damn wheelhouse:

The 8th Sense

(20 points to whoever knew that would be my pull out the gate)

One of the longest BLs Korea has given us (like Blueming) and it feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and then a ton of angst to drive the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.

I think you'd really love this one.

Trigger warnings - suicide, loss of a family member.

Blueming

It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love (for BL), but if you want your mind ever-so-slightly messed with and your intimacy hellishly sweet, this BL will do it for you in a coldly distant manner, while bitch slapping you with self worth issues. I wasn’t into it at first, but the leads are solid and by ep 5 it got really good, becoming a narrative about self discovery meets understanding and accepting others people’s flaws without hurting them. Ultimately, we witnessed two characters maturing because of each other and their mutual affection, without that affection becoming the conflict point. Instead, tension was built around other aspects of identity, popularity, and self-worth. While production values were a touch lower than usual for Korea, Blueming included decent kisses and beyond plus a satisfying ending and come judicious and very elegant use of tropes. It is, in the end, simply a great BL.

Also Bleuming paved the road for 8th Sense and other gritty KBL to follow.

Love For Love's Sake

Isekai-based KBL is about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. I personally found the narrative a touch disjointed with overworked filming angles and poorer than average captions, but the consistency of tone, script, and immersion is beyond the norm for BL. You will drown in this show and like it that way. The leads have fantastic chemistry and it's ultimately highly rewatchable and utterly charming, which counts for a lot.

Trigger warning - suicide.

Unintentional Love Story

OMG the plot! Uke forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the PAIN in those gorgeous eyes. Gah. Okay, so: A boy loses his job due to trumped-up corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back, if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya).

My Personal Weatherman AKA Taikan Yoho

You mentioned My Beautiful Man so if you're feel like that energy, grown up, watch this. It's a style of live action yaoi really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's higher heat than we usually get from Japan's HEA stuff, and that part is also very well done, but it leaned into the "why don't they just talk for fuck's sake?" trope which is only exacerbated into undiluted frustration by the fact that they're already fucking. However, that's angst for Japan. And you like angst. Honestly? It's great, but watching requires more patience than usual, even for Japan.

My Ride

Thai BL grew up with this pulp (the first ever to make my end of year top 10). It’s a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine (AKA a cinnamon roll couple) plus mature explorations of relationships using one of the softest, sweetest and most innocent friends to lovers vehicles. Kindly, overworked doctor meets broken-hearted motorcycle taxi driver in an “other side of the tracks” slow burn romance. The support cast is excellent, making for great friendship groups and family dynamics. With honest queer rep that adds to, but doesn’t impede, the story, and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple.

It won't have the production values you're used to but it is a great show.

A Breeze of Love

Tsundere insomniac grump reunited with his sunshine jock ex (human sleeping pill) who now hates him. Basketball is also involved. While the simplicity of a reunion plot makes this more cohesive than most KBLs, it is a tad stiff and slow, never managing to lift itself out of "pretty, angsty, and pretty enjoyable." I liked it more than I thought I would, and think about it more too. 

Jazz for Two

This was basically what I wanted from Given and didn’t get. So I’m pleased. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases.

Trigger warning - suicide.

Like In The Movies AKA Gaya Sa Pelikula

Karl, a student living alone, runs short of funds and ends up becoming housemates with Vald an out and proud chaos gay. This leads Karl into an identity crisis and journey of self discovery. This kind of forced proximity trope is really common in BL, but what Gaya does is handle it in a messy honestly queer way. It includes Vlad’s attitude in response to Karl’s shaken behavior and the frustration many out queers feel. For that alone it has to be applauded.

DNA Says Love You

DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but PLEASE have patience, it's worth it I promise! The second half is really special and life/love affirming - and the end is big-grin charming.

My Tooth Your Love

Earnest dentist hottie with sad eyes who worries too much is smitten by an adorable sunshine neurotic bar owner with serious anxiety issues. They fall madly in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus crumbs = 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a unique premise, killer dialogue, there was a solid lead pair with charming chemistry, soft flirtation, delightful smiling kisses, and stinkingly cute domesticity. All that said, I wasn’t wild about some of the darker themes it explored, even though it did a good job with them. And while the sides were adorable, they were underused. In the land of May/December, baby boy kabedon is my kryptonite! Why so little of it? (Kabedon is My Kryptonite = also the name of my indie band’s first single.)

Trigger warning - parental abuse.

The Eclipse

GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just good. We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.

Never Let Me Go

Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t). Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Of GMMTV handing out new series to established pairs in 2023 this is one of the most successful IMHO. It's typically Thai in that it's a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. The Our Skyy 2 follow up is great too. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than 12.

Some real oddball and sophisticated suggestions

Addicted (original)

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been. Just stop watching it after The Sex Scene. Okay?

It might not be right in your wheelhouse but what even fans forget about is how stunning the atmosphere is with this show. I mean we can feel the cold and the grunge. When they living poor it's REAL poor. It's a super immersive show. Unforgettable.

Began Beginning

Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other. For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia. And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions. All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.

Stay Still

What to say about this offering from Hong Kong? It’s different, a mix of early CBL, Taiwanese shorts, and Pinoy visuals. It felt like the story was 2 independent shorts that had been lengthen and then stuck together, and I wish they'd been approached as separate and tighter entities. Nevertheless, this was a complex little piece, interesting in a sweaty grungy way, with a certain aura of queer authenticity that made it simultaneously tense, unpredictable, and refreshing. I’m not sure I would necessarily call it BL, but any county’s early foray into the genre usually starts out this way, so perhaps nascent BL? Worth watching, especially if you enjoy stuff from the Philippines and Taiwan.

On the lighter end but probably still in your wheelhouse

I Cannot Reach You AKA Kimi ni wa Todokanai

Classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

To My Star

Hwang Da Seul directs this show about a neurotic actor (actual puppy) who takes refuge with a grumpy chef resulting in sparks, cooking lessons, and LOVE! It’s is a touch quirky to get into, but utterly charming once it hits its stride. This is the ultimate grumpy/sunshine pairing plus the most appealing light-filled kitchen of our dreams. I adore this show so much. Limited use of BL tropes makes this feel more of a sweet contemporary gay romance between an actor plagued by scandal and the grumpy chef who adopts him, but the gentleness will appeal to fans of the BL genre.

Old Fashion Cupcake

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said boss with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s a stunningly filmed late-in-life comg of age/queerness story packaged in a subtle critique of expectations around masculinity, love, and loneliness... and it’s beautiful.

Cherry Magic (Thai remake) - this is my We Are & SCOY match pull

A soft charming warm hug of a show about crushes and mind reading and self worth that really worked for me. With no-fuss execution from a consummate team (at GMMTV) and an OG lead pair (proving why they remain eternal and deserve to grow up). Look, here’s the thing, Cherry Magic is a great Thai BL in its own right - not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it stand strong. I, personally, like the Thai BL slightly better than the Japanese live action yaoi, but I think that’s because I just really enjoy Thai BL's style and I LOVE TayNew. Also all the kissing was both present and better in this version. As it should be from Thailand.

Make a Wish

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not Ohm, but who cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and made of swagger. The cast is excellent but the comedic stylings are a bit overblown and tonally off. It has sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

I thought about it but I'm not sure

still you can put these on your "maybe" list

Until We Meet Again

I Feel You Linger in the Air

La Pluie

Restart After Come Back Home

His the movie

Life: Love on the Line

Perfect Propose

Tokyo in April is

Love is Better the Second Time Around

Ocean Likes Me

My Only 12%

After Sundown

I Told Sunset About You

These might be a bit too cerebral, dark, and/or plot-heavy for you. But are worth it if you feel in the mood for something very chewy.

Currently airing

It's set in high school but it scratches the Unknown itch:

The On1y One

Sirs not appearing on this list but if you follow my blog and ask me for tips it's kind of required watching:

Seven Days.

Because everyone should watch it no matter what your taste. So there.

(source)

[scope-dogg]

What mecha shows did you enjoy but would not recommend to people (flawed personal favourites, shows with high entry barrier, etc.)?

Several come to mind.

Blue SPT Layzner: TV run got shitcanned prematurely and has probably the mast slapdash ending of any mecha show save maybe the TV run of Ideon. OVA adaptation opens with rushed compilation of first half of TV series that's dull to watch and not especially coherent on its own before it gets to the altered and much improved ending. Feels like there's no right way to watch it, you have to do both and piece it together in your head. Definitely one to check out after you've seen Takahashi's better work like Votoms and Dougram, though it's infuriating because the series has banger music and mecha design, and the hypothetical ideal version of the plot that you don't have to basically kitbash together in your head is really good.

Dancouga: Production values are amazing in first episodes and then turn to complete dogshit shortly thereafter, like they literally spent their whole budget up front and then had to pay their animators in loose change and leftover fast food. Very strange pacing. However I've always really liked the main protagonist Shinobu Fujiwara whose voice actor honestly carries the show on his back, and I've had a soft spot for Dancouga the mecha itself for a long time - but it doesn't actually show up until half way in. Yet somehow I can't deny the charm of the show despite how slapdash it is thanks to its interesting approach to the super robot formula, and it leads into Requiem for Victims which is the true ending for the TV plot and a followup called God Bless Dancouga, both of which are banger OVAs (and then another kinda shitty one after that but who cares.) Unfortunately they all make no sense without watching the TV run. It's a franchise for hardcore mecha fans only, though IIRC the 2000s sequel Dancouga Nova is basically disconnected and stands on its own, for better or worse. I've yet to watch it.

Tryder G7: 80s super robot show that's kind of like a part slice-of-life anime, honestly ahead of its time in a lot of ways. Would be my go-to recommendation for 80s super robot shows if there was a decent fansub. The one that exists is a Russian translation of the official Italian subs that then got translated into English and it's as disastrous as you might expect. Not only is it incoherent but even as a non-Japanese speaker I can tell it's often inaccurate. Frustrating because I can tell it's a good show that deserves a proper English sub for fans.

Cross Ange: Notorious show by the Gundam Seed creators. The concept and lore of this show is batshit insane, the mecha are cool, the main character turns out to be interesting and likable despite very negative first impressions, however there's no denying that it's buried under a thick vaneer of shallow coombait and it runs itself off the rails with zany plot at points. Honestly better than its reputation suggests but hard to recommend without looking like a pervert.

Shinkon Gattai Godannar: Basically the same thing, coombait super robot series, fun action, not a bad story. At the same time if you've ever seen a gif of absurd breast physics in anime from the 2000s there's a decent chance it's from Godannar. Good show at the end of the day, better than it has a right to be, artstyle is gonna be a big turnoff for many people and I don't necessarily blame them.

Gundam Build Divers Re:Rise: Probably the weirdest of the build series, also IMO the best. Downside: you have to suffer through the profoundly mediocre original Build Divers to get the most out of it and I'm not sure that price is worth it.

Probably more that I could add. Honourable mention has to go Gundam Seed Stargazer because you have to suffer through Gundam Seed Destiny to get to it, but I hear that the new Gundam Seed movie that's also set after Destiny is good so perhaps the cost-to-benefit ratio of suffering through Destiny has changed.

[maykitz]

please recommend some asmr channels 🙏

ok i'm going to assume you're familiar with the big names like goodnight moon (big favourite), latte, tingting and ppomo. if not...get the hell on youtube.

i almost exclusively listen to female voiced roleplays so that's going to be really obvious here.

one of my favourite channels i've ever found is moonlight cottage asmr. her voice is beautiful, intelligent and a little bit more mature and the french accent just hits. her historical videos are compelling, you can tell they're passion projects and she is quite an actress.

another definite recommend is ALB in whisperland. she has a gentle voice, her soft speaking is so good, and she has a lot of videos where she delicately does things with her beautiful hands, which i like a lot.

some more in no particular order:

-aen ani asmr. i feel like she's so underrated. she mainly does fantasy roleplays in costumes and the channel is still a bit small so you have a good chance of getting a reply or your request being included in a video. it's not like, insanely polished and high production value but i like it.

-asmr mood. speaks russian but many are subtitled in english. oftentimes has fanservice and is one of the few asmrtists (on my list, maybe even in general) who usually presumes the viewer as male. i don't care about it but it means there's no makeup videos (which i find boring). and as i've said before, when the russian language k and t sounds come out in asmr i... no, i shan't say.

-amy kay asmr. pretty much exclusively roleplays and usually has interesting concepts (ie not the 5 millionth makeup and cranial nerve exam). confident and charismatic and is a bit more peppy in the way she speaks rather than the, like, pure bedtime voices.

-eunzel asmr. korean with english subs + english spoken videos. roleplays, also weird and odd triggers. i've rewatched both of her "doctor asking you insanely personal questions" videos many times.

-bluewhisper. first asmr video i ever watched was her (sadly quickly deleted) "rescuing harambe" video which got screenshotted and i think gave her a lot of negative attention because her sense of humour is playing it completely straight and people are obsessed with being smarter than the person being ironic. she does simple roleplays, vlogs, flips through the new burpee seed catalog once a year for her garden and opens pokemon cards.

-seafoam kitten asmr. if you remember the "adorable organ harvester uwu asmr" screenshot going around, that's her. she does weird, cringe-humour roleplays. she also has a slightly risque one where you get indoctrinated into being a "love pet" puppy which i think would do numbers on here.

-myaling asmr. english with korean accent. mostly long roleplays, very sweet voice and puts great effort into having a lot of props, background detail etc. often has cinematic intros which i love. her "aesthetic school outfit styling" has probably my favourite intro scene i've ever seen in asmr.

-callie blossom asmr. she's strikingly beautiful and has a "girl who's secretly obsessed with you" series that is very popular with lesbians for good reason.

-maya winky asmr. silly, fast paced humour asmr. i feel bad not saying more but like just look at her channel lol

-mid mod meridian asmr. american accent. older lady who does 50s, 60s and 70s themed roleplays. not to be like aww sweet grandma but. yeah.

-ella asmr. korean with english subs. a lot of scifi themed videos with special effects, surgery on you and mechanical equipment sounds.

-whispering willow asmr. nice, simple, basic roleplays, usually in the 20-30 min range. i like when videos aren't too long because i usually clock out after 5 minutes anyway.

-african xhosa asmr. criminally underrated. she speaks and has a few videos teaching phrases in xhosa, a south african language with clicks that i've never even heard before. also talks about history and culture often.

-90sfairyasmr. relatively new channel with not too many videos, she mostly flips through y2k/1990s teen magazines so far.

-asmr emiko ffujio. no talking, but has cool slimes and fake cooking.

-gentle whispering asmr. a very big channel, russian accented. i like her voice and soft speaking a lot but her topics tend to bore me a bit. it's generally beauty focused.

-triniti j asmr. american accent. i havent watched a lot of hers because they're usually beauty focused, but for example in the "best friend picks out your smell goods" she gets really close to the mic and chews gum which creates a speaking sound i like a lot. idk how to describe it lol

-pelagea asmr. doesn't upload on youtube anymore but a lot of backlog. mostly more or less fanservicey videos that get a bit unintentionally silly and too much sometimes. i mainly recommend her "100 ways to kiss" video with the lesbian bait thumbnail that got her 13 million views.

now feel free to recommend ME some i don't know yet.

[firstginger]

I'm interested in making uquiz with a high number results like you do. Do you have any advice? Would it be possible to see any of the material you use to keep track of the questions, answers, and results? Thank you in advance.

hey! yes, tons of advice, and i'd love to see/share your final product! :)

i love making huge quizzes because it forces you to really think about the defining factors of each of your results and make multiple overlapping groups. i think there's two ways of getting started with this that really depend on the scale of your quiz.

the colors uquiz is a good example of how to keep things a little more simple. each result has three defining attributes: shade (light, medium, dark), color category (red, blue, monochrome, etc), and blend (so orange could have a red blend, a yellow blend, or no blend). all questions in the quiz are split into either a "shade" question, a "color category" question, or a "blend" question, so at the end you get the result that has your top options for each. when deciding how many questions to have for each category, i consider how many options there are within that category. for the colors quiz, there are three shades, three blends, but nine color categories, so there are more color categories questions. from there, it's really up to you to decide what each "means", which is your creativity as a quiz creator. you can say anything means anything as long as you sell it in the result description and make it feel accurate to how your quiz taker answered the questions. beige is my favorite color so i made that a soft, gentle, warm option -- and got a bunch of people grumbling about getting beige, but saying it fits, which is what matters :P

so while i definitely recommend a very simple framework for your first uquiz, the categories get complicated very quickly! for example, in the dnd uquiz, each question corresponded to either race or class... but there were 14 classes and 30 races, so then you need to start making sub-categories. for class, these can be things like martial vs spellcasting, INT vs CHA, patron vs no patron, etc. for race, maybe things like typical biome, magical ability, cultural values, etc. consider how these embody what you have decided "race" and "class" represent. i decided that race was who you are, and class was what you do. all ways that i divided the races was to emphasize some aspect of a person's identity (their archetype, their vices and virtues, what is their home) and all the ways i divided class was to emphasize some aspect of a person's choice (what weapon do you pick, how did you defeat the enemy, who do you want to become). in short, giant quizzes are easier to design when you have more potential categories (race, class) with less potential options within that category (barbarian, ranger) -- they're harder when you have less categories and many many options within that category.

so definitely start an excel sheet! i always have a tab for questions and results. in the questions tab, decide what each category each question answers, something like this--

i can't remember if these are the final questions that made it into the quiz, but this is how i start! you can see on the side different categories of the pokemon uquiz -- i tried to make it easy on myself by making a ton of categories... but tbh i think the pokemon quiz is really hard for me to edit because there are SO many categories and adding in pokemon takes a lot of research for each one (type, secondary type, ability, EV yield, catch rate, contest type, habitat...) haha.

in your second tab you'll want to have all of your results and record what answer each will get on your quiz. this can even be dummy coded as "1" "2" "3" etc for each answer option; the important part is making sure each question has an equal (roughly) number of results per answer. for some things this isn't possible -- if there are more grass-type pokemon, for example, then you can consider combining two groups, so maybe rock/ground is a single group instead of two separate ones, if that helps make the options more equal. so here's how it'd look using the dnd classes as an example:

(i'm usually shy about posting these because i don't want people to disagree with my choices LOL)

so you can see each answer has relatively the same number of results assigned to it, and that each result has unique answers across all questions. you want to pick your questions such that no two results have similar answers -- just differing by one or two questions. if you're finding that two of your results are two similar, consider what questions would really get at the heart of their differences (or how you as the quiz creator perceive them to be different). for example, i viewed barbarians and monks as classes that are martial and depend on their party for company/skills, but split them apart in how they're viewed (barbarian as anger, monk as worldliness), how they would dispatch a foe (barbarian as killing in their rage, monk as choosing pacifism and surrender), and who they'd become (barbarian as merciless and monk as the martyr). this is just an attempt to keep your quiz balanced, even though no quiz is balanced haha. the large uquizzes i think are "more" balanced in that while there will be the most popular results (druid and bard for this quiz), the percent of people getting that result is much lower than if you only had 5-10 possible results.

so you've picked your possible results, considered how they can be divided into categories, considered what questions address those categories, and made sure each question has balanced answers. in a large quiz which is going to have a lot of questions, making sure the quiz doesn't feel exhausting to take is huge, and the ordering/phrasing of your questions plays a large role in this. you don't want too many possible answers per question (i feel like 4-5 is a sweet spot, or 2 if it's sort of a rapid fire question), but you also want your quiz taker to feel like an answer represents them. make sure your answers are distinct and clear. play around with how you write them -- you can make one sound more confident and one sound more hesitant to get at the psyche of your quiz taker. try not to make any of them sound too negative. while objectively some people are more selfish than others, for example, you'd want to phrase a result that's like "I keep it all for myself" to something more like "I make sure my needs are addressed first." you could also develop a sort of "narrative" to your quiz as a way to keep people entertained (which i tried to do with my dnd and atla quizzes). don't put questions with a lot of possible answers right next to each other; if you feel like you've had your quiz takers really need to contemplate a lot of questions, throw in a "rapid fire" one that doesn't take a lot of thought. this could be something as simple as whether they're a day or night person, whether they're an extrovert or an introvert, whether they prefer coke or pepsi... something that people tend to know about themselves already or it's clear which answer they should pick.

the final piece of advice i have is for the result descriptions. these can be EXHAUSTING to write. when you have 100+ or even 400+ possible outcomes, writing each one individually will probably make you want to die. come up with a template for each so you're only writing 1-2 unique sentences. i tend to write a sentence for each category of the result, and then a descriptor that combines the two. for the dnd quiz, there were so many possible options that i didn't even do that LOL but also i figured that most people were familiar enough with dnd that the results could speak for themselves... so for example:

~

[You are a halfling fighter.] <- standard

[The halfling are cheerful folk who foster tight-knit communities. They strive to find peace, happiness, and good company, able to feel at home anywhere so long as there is a warm fire and plenty of laughter.] <- halfling description

[Those of them who choose the path of a fighter are the most practiced of all: they are masters of their chosen weaponry and battle tactics, willing to push themselves to their full potential.] <- fighter description

~

or, the reason why it took me so long to finish the daemon quiz remake:

~

[Your daemon would take the form of a cuckoo!] <- standard

You are a

[resourceful and aloof individual who knows how to get the best payoff with the least amount of work]. <- unique, cardinal traits of the overall result

More so than others with [strisore] daemons, those with

[cuckoos are manipulative and know what others want to hear. They are faithful to themselves and their intuitions, and they are extraordinarily clever people who are excellent at problem-solving.] <- unique, cardinal traits of the secondary quiz

[When deciding on your daemon's appearance, consider your cuckoo's coloring and species. A darker-colored cuckoo may indicate an individual who is more cunning and private, while a lighter-colored cuckoo may indicate an individual who is more sly and charismatic.] <- copied between birds that have dark/light plumage shades

[If you're happy with your daemon's form, give them a name. Daemon names can be any length but are typically something unique. Play around with names and sounds until you find something that speaks to you!] <- standard

~

find what works for you, but honestly the longest part of these quizzes is entering all of the possible results and writing the end descriptions. the excel sheet is actually my favorite part, and then the real works starts haha. usually once i start entering the quiz, i play around with the order of questions and tend to rephrase things, and sometimes need to go back to my excel sheet if i decide to scrap a question or completely change an answer. but generally i've found that this is the process that works the smoothest!

hope this helps, looking forward to your quiz! :)

[makangerous]

Fukuya Rank 2 (Temperance Confidant)

You receive a text message from Fukuya.

My lesson plan's finally ready! First lesson: recognizing golden opportunities and seizing them. Call me the next night you're free.

You call Fukuya over for tutoring. You invite him up to your room.

We're having the session in your room today? That's a wise idea. If everyone hears what I have to teach you, it will lose all its value. And if I can't make money off of this, I don't know how I'm going to keep funding my research…

>What research?

Oh, it's basically playing around with chemicals. Sometimes, I create slight poisons to cause temporary illness. But other times, I try to invent new products for the mass market. Cleaning solutions, soft drink formulations… really anything I can think of.

Well, let's get started. I had a whole lecture prepared, but you're my classmate. Lecturing you wouldn't be fun for either of us. But I do need to share a bunch of info with you. So, I'm going to give you one of those quick idea showcases. What are they called? Oh yeah, a TEDDIE talk! You don't have to take notes or anything. Just listen closely.

People make mistakes. You make mistakes, for sure. But other people always make more mistakes, dumber mistakes than yours. And the many acquaintances in your life each make many mistakes, and it piles up and gets so inconvenient. They're your friends' and family's problems, but they inevitably become yours. Or are they? You can turn around other people's misfortune to your benefit! The trick is to take the time they're having to use to fix their mistakes and spend it on yourself. For example, imagine we're in homeroom. Miss Kawakami forgets the flyers she's supposed to hand out in the teacher's lounge. She needs to step out of class for a bit in order to retrieve them. What do you do?

>Wait patiently for her.

You'd really sit there and twiddle your thumbs the whole time? What if another teacher pulls her into a conversation and sidetracks her? What if it ends up taking half an hour? You would end up doing something you want to do, right? Such as reading a book, or building an incendiary device.

Let's use a less obvious example now. There's rain in the forecast, but your friend neglected to bring an umbrella. Of course, it starts pouring the second you two leave the school gates. You have an umbrella. There's three main choices you can make. One, you give your umbrella to your friend. He's grateful, but now you're soaked. You'll have to spend extra time at home drying your clothes and shoes, and you probably won't feel well. Two, both of you can stand under your umbrella. At the cost of a little bit of personal space, you both stay dry. He's happy, society's happy. But no one ever seriously considers choice three. You tell him the rain isn't your problem. He'll have to find his own umbrella. He can find someone else to borrow from, wait inside until the rain stops, or buy one from a store. He might be upset with you, but he'll forget eventually. And you have some quiet time to yourself…

Oh, I'm not trying to say anything bad about your friends. It's a hypothetical. But see? The selfless option isn't always the best one. It takes a while to overcome what society tells us is the right choice, though. Tell you what. You need some time for yourself? I just got a new doctor's note that says the teacher must escort me to the nurse's office every time I'm sick in class. I might have a few more "incidents" in Kawakami's class. I get to skip boring lectures, and you'll get some unsupervised free time. Sound good?

Ugh, I have another client paging me. Why now, of all times? Well, I have to duck out. See you in class.

Late at night, your phone rings when you're alone in your room.

You paid attention during my talk earlier, right? I do hope so, since I have another quiz for you. I bet you're rolling your eyes. But what kind of teacher would I be if I didn't check your understanding of the material? So tell me, what's the secret to finding more free time?

>Have a fake doctor's note.

Well, yes. But was that the only part you listened to? I mean, I suppose I don't care as long as I get your money. In fact, only paying attention to what immediately pertains to you allows you to selfishly zone out, so maybe you did absorb the lesson.

That talk was just the beginning, you know. Next session we'll--

[crash]

Ow, shit! Frickin' desk. Who the hell put this here?! …Wait, I moved it, didn't I? Can't believe I forgot again… The stupid desk in my bedroom jumped out of nowhere and hit me in the shin! Like I don't already have enough problems. I've got to go lie down. I'll text you the next lesson's topic once I clear my head. Read it as soon as you get it, and let me know when I can come collect that sweet, sweet tutoring fee. Goodbye.

[just6f]

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[funaisfinest]

Kinetic Productions Internship Day 14 & 15 (2/27/23) & (2/28/23)

Hours completed:

Monday (2/27/23): 15, from 6 am to 9 pm

Tuesday (2/28/23): 4, from 9 am to 2 pm

Total Hours Completed: 112

Monday was my first time on a big production! As an intern, I was expecting a nice and easy job, but it feels like I got the most stressful job in many ways... I was the guy slating for the majority of the day. It was my first time slating and I needed to know how to do it in front of seasoned professionals who have been working in this business longer than I have been alive. Slating is tough stuff, especially when you're not really in the know of information, because the slate contains ESSENTIAL information for an editor like, scene number, what take of that scene, and the accompanying audio for external mics. I'm not sure if it was rushed because we were losing light, but in the span of fifteen seconds, I needed to mobilize with that slate in front of the camera ready to soft yell the information into the mic and camera. When it comes to what you tell, it obviously depends on the information on the slate, but letters are often given a word so that it's loud and clear for the editor to understand, like, Mark, scene 101B(ravo), take one, audio file 32... clap. And, you'd think the horrors would end there because public speaking is hard enough but imagine when the thing that claps doesn't make any sound!!!!!! There was one situation where I had clapped the sticks maybe fifteen times successfully already and our production was all stressed out because we were behind, and as I was about to clap the sticks, it didn't make a sound. "Second sticks," I reloaded it, and... it didn't make a sound. "Third sticks," I reloaded it again, and... it didn't make a sound. I failed three times, and the distressed director took it from my hands and did it himself. I sat in a puddle of disappointment then, but I laugh at it now. Like, damn, I really messed that up three times in front of the director, dp, focus puller, talent, agency, and the rest of the fifty people there. At the end of the day though, they thanked me for the effort I put in: they were grateful that they didn't need to tell me the same thing twice, which is probably a phenomenal compliment for someone who just picked it up for the first time in their life. Besides my main role as the slater, I was a production assistant that assisted in any way I could. I followed the prop master around where he taught me the value of taking reference pictures. Our set was this historical landmark in Kahala with residents who rent it out for production, so they had things lying around that we needed to know where it went after we wrapped up; therefore, before we moved anything, we made sure to take a picture and then stage it elsewhere in a safe place. The production was rather small in that most departments only had one person, so following him around, I saw all the stressors that may be applied by the line producer. He was told to make props of all varieties, multiple versions, and all at the same time. However, he came with bins of material ready to work on anything at a moment's notice. I had a stressful but mostly wonderful experience working alongside these experts. I look forward to another opportunity on a set like that, and I have already received opportunities to do so from the other director.

Tuesday was supposed to be the second day of shooting for this commercial, but it was canceled due to weather conditions. I forgot to mention that it rained on set for Monday, too, but the crew managed to work around it. So, instead, today I headed into the office to work with Ryan on the upcoming shoot he has on March 29. On the sixth, Ryan and the rest of Kinetic will be flying to San Fran. for Levi's, so I helped prepare some things for the shoot. What we did was look for wardrobe for the actors, so we were given certain specifications, what colors were allowed in terms of companies they represent, and a talk about how a confidential memo he was given, as the director of the project., informs his decisions on locations, actors, etc. The talk was quite important, and it was interesting to be privy on information not currently available to the public. Of course, I will not share that information but there's a lot to learn from Ryan.

That's all folks!

[darthmaulification]

Hey! Can I please make a request for a short Drabble where reader is Grogu’s nanny aboard the Razor Crest and Din develops a crush on her, but once he and the reader start visiting Grogu at Jedi School on weekends, Luke develops a crush as well? Doesn’t have to end up with either, but I would like to see either guy’s rivalry and slight jealousy (with Reader’s obliviousness).

A/N: ... okay so, i really got into the whole crush aspect of your request, anon, and this basically became a romantic prose piece. when i looked back to see what you had initially wanted, my product was... about thrice removed from the original prompt. 💀

i think i got some of the points??? like there’s din and luke and they’re both in love with reader and they both have a bit of rivalry with the other and basically that’s what matters??? please forgive me, anon, the ghost of sappho took my body over and forced me to write yearning love poetry!! 🙏 sis forced my hand!! 😭

though if there’s enough interest for it, i can always make a follow up for this, like from reader’s perspective, and write something a lil more in depth (once i get requests finished up that is). 😊

hope you enjoy! 💗

content: nothing but din and luke pining for reader, gn!reader (for the most part), use of she/her pronouns, fluff, but also a smidgen of angst 👁👁, perspective difference!!, kind of a commentary on mandalorian and jedi culture?? (mostly jedi culture lmao)

word count: 1,524

You’re beautiful.

He sees it now how your face lights up like candles being lit when his son succeeds at doing another one of his Jedi tricks. Joy illuminates your face like a spotlight, your soft cheers and kind praise make the whole room warmer. Din watches Grogu leap into your arms, cooing and squealing like he’s been given candy. It makes Din’s heart leap when you kiss his son on the head, and smile so warmly it’s like your lips become sunshine.

Din is infinitely grateful for his helmet in this moment, his face feels like it’s been too close to a fire. His fingers pick at a fraying stitch on his gloves, to prevent his hands from shaking in his lap. He hopes that the Jedi, who is standing casually across the room near you and Grogu, doesn’t notice. Din hopes you don’t notice what you’re doing to him.

I’m in love. 

The sentence slips through the cracks of his thoughts the way a sunrise peeks over the horizon. You look over at him, holding up Grogu triumphantly in your hands like you would a prize, and he sucks in a breath because suddenly it feels like all he can see is you. You and Grogu, you and his son.

Please be my riduur.

“Did you see that? Wasn’t it amazing?” And Din forces himself to dip his head in a slight nod, because the Jedi is also looking at him with piercing blue eyes the color of the sky. His heart pounding, and when you laugh, and it sounds like summertime when everything is good and happy.

People love, he thinks as he stares at you, and suddenly his palms are sweaty and he feels the need to tap his foot, but Mandalorians love harder.

I dream about you every night, think about you when I lie awake. You’re always holding sunflowers, and the nightmares don’t touch me then.

Mandalorians love like there is nothing else in the universe more valuable, nothing more precious, not their vibroblades, their blasters, or even their beskar.

Giving up a blaster and a vibroblade in order to save you from that hut’uun came to me like breathing, I didn’t even think about it... I would’ve given up my beskar’gam too. I still would.

Mandalorians love with their souls laid bare, they love with their entire body, they love with sacred vows, exchanged beskar rings, their riduur’s name engraved on their hal’cabur, above their heart.

When you slept beside me one night, I whispered the entire marriage vow to you in Mando’a. You looked so peaceful bathed in the light of the moon, the silvery glow making you look holy. I’ll admit, it came out mostly accidentally, but it felt so normal, natural even. I wish you hadn’t been asleep.

Mandalorians love in spite of death, they love in the face of it. They love like warriors.

I had gotten shot. All I remember is you holding me in your arms, hands pressed over the wound. I was in pain, and you were crying, covered in blood and dirt, but you were so warm. I’m still unsure if I had actually said what I think I said:

“I care about you too much to leave you.”

He wants to tell you all of this, but he’s never been much of a romantic, or much of a speaker in general, so the words falter on his tongue each time he’s tried. And Din’s tried so many times. You say something to the Jedi, and it makes a sudden, surprising fury bubble in his chest, the vile rising to his throat. Din has to bite his tongue to hold back from shouting:

Don’t talk to her, di’kut jetii! You are undeserving of her words, of her time, of her presence. Unworthy! You can’t give her what I can, shabuir.

You look over at him again, and the hot anger dies completely, leaving him powerless before you. Din felt this way each time he’s tried to tell you how much you mean to him.

I love you, cyare.

It feels like your eyes are boring holes straight through his beskar, through his flight suit, singing his skin with their warmth. Din bites his cheek so hard he tastes copper.

You smile. It’s like the dawn.

You are the sun— His sun— of his universe, and his eyes burn from the light.

Din basks in the rays, and his heartbeat starts to slow to it’s normal, steady rhythm.

Tomorrow. I’ll tell you tomorrow.

~

You’re beautiful.

He sees it now in how your entire expression blooms into one of pure joy when his padawan successfully levitates the crates. It radiates in your aura, the waves of mirth traveling further than your respectfully quiet cheers and meaningful praise. Luke watches as the child leaps into your embrace, babbling without forming any actual words. Something inside Luke lurches when you place a kiss on Grogu’s head, and when your vibrant smile dissolves his willpower.

Luke draws the Force in on himself, welcoming the sturdiness it brings. He tries to ignore how his palm has gotten sweaty, but he clenches his hand into a fist and hastily relaxes it. Focus, let in calmness like a breeze. Luke hopes that the Mandalorian, sitting stiff and looming on a far bench, doesn’t notice his moment of vulnerability. He pulls the Force closer, and hopes you don’t notice what you’re doing to him.

I’m in love.

The thought springs up in his mind the way shoots of new grass breach top soil in spring time. You glance over at him as you lift the child, and the look is as quick and fleeting as blossoms on trees, but it floats in the Force like dandelion seeds, and Luke is painfully aware of how consuming you are.

Please don’t do this to me.

“Did you see that? Wasn’t it amazing?” And Luke catches your eye, offering you the smallest smile he can afford without it breaking. You look to the Mandalorian, and Luke follows your gaze because he can’t compel himself to do much else. The Mandalorian’s visor is dark like the night, and flashes when he nods his head. Luke feels his heart sink when he senses it from him, a yearning so deep he nearly drowns in it.

People love, Luke thinks and he feels all at once envious and angry and so achingly acquiescent, because Jedi cannot.

I swore by the Code years ago, but I look at you and doubt it all. It can’t be that I’m this willing to rethink everything.

Jedi are forbidden from having attachments, they cannot pursue romantic interests. Love leads to passion, and it all is an influence of the Dark. Luke knows this. He’s fallen to it before.

I’ve spent decades forgetting how deeply I cared for him! But I am reminded daily of my father, every time I look in the mirror, I see his eyes. How dare you pull me back into this cruel trap! I can’t do this again.

Luke contains himself. Jedi value peace of mind, they extend the sentiment to upholding it in the galaxy as well. They do not do it out of love, but out of obligation, out of honor, because of what’s right. They are not love.

When I first met you it was like I’d seen you before, in a past life. It was like retracing my steps, following the trail backwards, revisiting something I had passed. Despite it all, I had moved forward and took my padawan from you and the Mandalorian, plucked him from you like a petal off a flower. I watched you wilt.

Luke reminds himself. Jedi do not love. Focus is key. The Force is everything.

But you are too.

Luke has to swallow in order to make sure the words never reach his mouth, and it’s like eating thorns. You turn back to him and the look in your eyes is tender like butterfly wings. The pink in your cheeks reminds Luke of windflowers.

“Thank you again, Luke,” His soul shivers when his name sounds in your voice, “It’s so kind of you to teach Grogu.”

As he replies and tells you it’s a pleasure, he almost spills everything to you, but an abruptness shifts the energy of the room. There is a lurking anger that crawls at him through the Force, entwines him like ivies. The Mandalorian fumes, the wrath trembles like billowing leaves. Don’t. Undeserving. Unworthy.

Luke forces himself to agree and squashes down everything, pushing each painful emotion into the deepest parts of him. He watches you look to the Mandalorian, your aura flowers with affection, love.

I love you.

His resolve is fading, again. Luke reminds himself, again. Jedi do not love. Jedi do not love. Jedi do not love.

You smile, and it stings his soul like nettle.

Luke forces himself to ignore that your eyes say different things when they settle on the Mandalorian than they had him. The thought feels like eating bittersweet berries.

Briefly, he revels in what could have been.

It’s for the best.

~

A/N: i thought i would add another note at the end of this to explain exactly what the heck i was saying with the word soup i just wrote.

first, din is so hopelessly in love with reader that it hurts. like physically makes his heart ache. i feel that when din falls in love, he falls in love. it consumes him. i wrote a lot of sun/light imagery to portray the overwhelming, all-encompassing love din feels for reader. you are the sun that warms him, and burns him. 

second, i purposely made luke have an even more tragic, even more conflicted crush on reader, on purpose, hahaha i am evil. 😈 he loves you, but forces himself not to. he tells himself that the jedi code means more. luke chooses to suffer because he knows that’s how it must be. there’s some plant/nature symbolism thrown throughout because that’s just the theme that i thought vibed with luke the most.

and that mention of anakin? i subscribe to the headcanon that luke really did love his dad, and just wanted him in his life, but of course, vader ultimately died. luke took a heavy blow from that, learned it hurts to love.

also, regarding the mini-rivalry that takes place, it’s through the force (if that wasn’t obvious) and it’s essentially another example of luke surrendering his own wants/desires and simultaneously din firmly declaring his love for you. it’s kinda meant to be the “understanding” between the two that clearly establishes who “wins” the reader.

... this was all one giant metaphor, huh?

[calzona-ga]

In her unauthorized book, Lynette Rice explores the stories behind some of the ABC drama's biggest moments, including — in this exclusive excerpt — the factors that led to McDreamy's shocking death.

In How to Save a Life: The Inside Story of Grey’s Anatomy, author Lynette Rice recounts the ABC medical drama’s eventful 16-year history, revealing new details behind some of the show’s biggest departures. Included in the unauthorized, 320-page oral history (St. Martin’s Press, Sept. 21, $29.99) is a chapter that offers new insight into leading man Patrick Dempsey’s shocking exit in season 11 of the Shonda Rhimes-created drama. In the chapter, Rice speaks with Dempsey’s co-stars and exec producers who were present during filming of his final days on Grey’s Anatomy, and reveals claims of “HR issues” that contributed to the death of his alter-ego, Derek “McDreamy” Shepherd.

“There were HR issues. It wasn’t sexual in any way. He sort of was terrorizing the set. Some cast members had all sorts of PTSD with him,” recalls exec producer James D. Parriott, who was brought back to the series to oversee Dempsey’s exit.

In more than 80 interviews with current and former cast- and crewmembers, Rice, an editor-at-large at Entertainment Weekly, also explores the show’s early days, recounts the thinking behind some of its more polarizing storylines and offers exclusive details about the show’s behind-the-scenes culture.

“After 17 seasons, fans still can’t get enough of Grey’s Anatomy,” Rice tells THR. But what went down behind the scenes was just as dramatic as what viewers saw every Thursday. I’m excited for fans to read what I learned about those early days, along with what it was like to work for Shonda Rhimes, and why the drama was so freakin’ headline-prone.”

Below, The Hollywood Reporter shares an excerpt — the full eighth chapter — from How to Save a Life, and tune in Friday to TV’s Top 5 for an interview with Rice about her book and the other big reveals she uncovered in her reporting for it.

(Reps for ABC, ABC Signature, Shondaland, and Dempsey declined comment on the reveals in Rice’s book.)

“He’s Very Dreamy, but He’s Not the Sun,” Or, How Grey’s Anatomy Loved — Then Learned to Live Without — Patrick Dempsey Ellen Pompeo may have played the titular role, but for many fans over many years, Patrick Dempsey was the real draw to Grey’s Anatomy. Some of it had to do with his celebrity: Dempsey was the most famous member of the original cast at the time of the pilot and brought with him quite a cult following from his 1987 movie Can’t Buy Me Love. But a lot of it was due to the way Rhimes wrote her McDreamy and how Dempsey depicted him. James D. Parriott I would say, “The guy would never say that,” and Shonda would say, “He’s McDreamy. He’s the perfect man. He would say that.” I’d say, “Okay. It’s your show.” Eric Buchman Shonda had a very clear idea of how important it was to keep Derek as this almost idealized love interest, not just for Meredith but for the audience. Naturally, the writers—especially writers who had been working on one-hour dramas for a while—were like, “Well, maybe have McDreamy make a big mistake in surgery and kill somebody. Or he develops an addiction of some kind. What is his deep, dark secret?” Shonda was very insistent: that’s not the character we do that with. Even when you find out he’s married, that was done in a very sympathetic way that kept him being a hero. He was wronged by his spouse and in spite of it all he was still gonna give his marriage a second chance. Stacy McKee Shonda was protective of McDreamy, but it was really with an eye toward being protective of Meredith. I don’t think the two were separate from one another. I don’t think she wanted to put something out there that maybe on the surface might seem a little frivolous. At its core, there was something really substantial that she wanted to say. She wanted to be very specific about the type of relationship values that she put out there. Tony Phelan I was in editing with Shonda once, and it was the scene where Meredith and Derek had broken up. He comes over and she’s like, “I can’t remember the last time we kissed.” And he says, “I remember. You were wearing this and you smelled of this …”

Joan Rater “Your shampoo smelled like flowers, you had that sweater on …” He described their last kiss. Tony Phelan Typically in editing you start on Derek, then you cut to Meredith for a reaction, and then you’ll go back to him. I noticed that we weren’t ever cutting back to Meredith. I asked why. Shonda said, “Because the woman in Iowa who’s watching this show wants to believe that Patrick is talking to her, and if you cut back to Meredith, it pushes them out of it.” In those special moments, we would just lock into Derek and let him do his thing. Joan Rater And he was a master at it. Patrick Dempsey He’s the ideal man, and that’s what Shonda constructed. There’s a projection [of him] onto me when you come in contact with fans, certainly with the younger and older fans. There is a certain amount of expectation. There is a responsibility to it. It made me grow, too. There were good qualities [of his] that you work on to obtain. Off camera, Dempsey was equally as charismatic to his fellow actors, crew members, and anyone who would come to visit the set. Lauren Stamile I was going in to meet him, and I remember I had this little cardigan sweater on and I took it off before I got into the room. Dempsey is one of those people—it’s almost like there’s a light shining around his body, and you feel like you’re the only person in the room. I got so hot and I remember saying, “Gosh, I would take off my sweater if I had one on because I’m so hot, but I took it off.” I was just babbling. He said, “You look nice,” and I said, “You look nicer.” I felt so awkward and he was so gracious and lovely. I was having a nervous breakdown. It’s like this “it” factor. I was like, God, whatever he has, I wish I had. I think it was very obvious how nervous I was, and he went out of his way to make sure he introduced me to everybody and made sure I felt comfortable, which he certainly didn’t have to do. But he did. Joan Rater He knew I had a giant crush on him, and he loved it. And when we’d go to table reads—I was an actress at one point in my life—they would always give me Meredith if Ellen wasn’t there. And I’d be getting my chicken tenders at craft services before the table read and he’d come up behind me and say, “Are you reading Meredith?” in my ear, like, so sexy. I’d be like, Oh my God. I mean, I could barely … I could not look at him. Tina Majorino I worked with Patrick a ton. I love him so much. We had a really great time working together. I think he’s such a great actor and he really made me laugh a lot. I feel like we had a good dynamic in scenes together, and it was always fun to play opposite him. Yes, he’s that charismatic in real life. Yes, his hair is that awesome. Yes, he is dreamy up close.

Chandra Wilson Patrick Dempsey will forever be known as Grey’s Anatomy’s McDreamy. Derek Shepherd is a permanent part of television history.

Norman Leavitt He is a big, personable guy.

Jeannine Renshaw We all love Patrick. Patrick is a sweetheart. If I saw him on the street, I’d give him a hug. I love the guy.

Mark Wilding I’ve always had a soft spot for Patrick. He really does try to do the right thing. Brooke Smith, who played Dr. Erica Hahn, remembers how Dempsey defended her when the decision was made to fire her from the show in 2008. Brooke Smith I remember calling him and saying, “Oh my God, they said they can’t write for me anymore, so I guess I’m leaving.” And he was like, “What are you talking about? You’re the only one they’re writing for.” Which at that time, it kind of did feel that way. But I guess someone didn’t like that. They gave me a statement [to release, about her departure] and I never said it. Patrick said that he actually took it out of his jacket on The Ellen DeGeneres Show and read the statement. He won’t let me forget it. He was like, “I defended you, see?” And it was true.

By season eleven, however, fans saw a disturbing break in MerDer’s once unbreakable bond. Six episodes had gone by without a peep from Derek, who was supposedly in Washington, D.C., where he had apparently made out with a research fellow. Fans began threatening to bolt if their hero didn’t return soon to Seattle. “I have never missed one episode,” wrote a fan on Dempsey’s Facebook page. “But I swear if [Rhimes] kills you off I’m done.” But there was a critical reason for Derek’s strange absence: behind the scenes, there was talk of Dempsey’s diva-like fits and tension between him and Pompeo. To help manage the explosive situation, executive producer James D. Parriott was brought back in to serve as a veritable Dempsey whisperer.

Patrick Dempsey [That] was the first year that I haven’t been in every episode. I [was] in every episode since the pilot— close to 250 episodes. That [was a] huge run. James D. Parriott Shonda needed an OG to come in as sort of a showrunner for fourteen episodes. There were HR issues. It wasn’t sexual in any way. He sort of was terrorizing the set. Some cast members had all sorts of PTSD with him. He had this hold on the set where he knew he could stop production and scare people. The network and studio came down and we had sessions with them. I think he was just done with the show. He didn’t like the inconvenience of coming in every day and working. He and Shonda were at each other’s throats.

Jeannine Renshaw There were times where Ellen was frustrated with Patrick and she would get angry that he wasn’t working as much. She was very big on having things be fair. She just didn’t like that Patrick would complain that “I’m here too late” or “I’ve been here too long” when she had twice as many scenes in the episode as he did. When I brought it up to Patrick, I would say, “Look around you. These people have been here since six thirty a.m.” He would go, “Oh, yeah.” He would get it. It’s just that actors tend to see things from their own perspective. He’s like a kid. He’s so high energy and would go, “What’s happening next?” He literally goes out of his skin, sitting and waiting. He wants to be out driving his race car or doing something fun. He’s the kid in class who wants to go to recess.

Patrick Dempsey It’s ten months, fifteen hours a day. You never know your schedule, so your kid asks you, “What are you doing on Monday?” And you go, “I don’t know,” because I don’t know my schedule. Doing that for eleven years is challenging. But you have to be grateful, because you’re well compensated, so you can’t really complain because you don’t really have a right. You don’t have control over your schedule. So, you have to just be flexible.

Longtime Crew Member Poor Patrick. I’m not defending his schtick. I like him, but he was the Lone Ranger. All of these actresses were getting all this power. All the rogue actresses would go running to Shonda and say, “Hey, Patrick’s doing this. Patrick’s late for work. He’s a nightmare.” He was just shut out in the cold. His behavior wasn’t the greatest, but he had nowhere to go. He was so miserable. He had no one to talk to. When Sandra left, I remember him telling me, “I should’ve left then, but I stayed on because they showed me all this money. They just were dumping money on me.”

Patrick Dempsey It [was] hard to say no to that kind of money. How do you say no to that? It’s remarkable to be a working actor, and then on top of that to be on a show that’s visible. And then on top of that to be on a phenomenal show that’s known around the world, and play a character who is beloved around the world. It’s very heady. It [was] a lot to process, and not wanting to let that go, because you never know whether you will work again and have success again.

Jeannine Renshaw A lot of the complaining … I think Shonda finally witnessed it herself, and that was the final straw. Shonda had to say to the network, “If he doesn’t go, I go.” Nobody wanted him to leave, because he was the show. Him and Ellen. Patrick is a sweetheart. It messes you up, this business.

James D. Parriott I vaguely recall something like that, but I can’t be sure. It would have happened right toward the end, because I know they were negotiating and negotiating, trying to figure out what to do. We had three different scenarios that we actually had to break because we didn’t know until I think about three days before he came back to set which one we were going to go with. We didn’t know if he was going to be able to negotiate his way out of it. We had a whole story line where we were going to keep him in Washington, D.C., so we could separate him from the rest of the show. He would not have to work with Ellen again. Then we had the one where he comes back, doesn’t die, and we figure out what Derek’s relationship with Meredith would be. Then there was the one we did. It was kind of crazy. We didn’t know if he was going to be able to negotiate his way out of it. It was ultimately decided that just bringing him back was going to be too hard on the other actors. The studio just said it was going to be more trouble than it was worth and decided to move on.

Stacy McKee I don’t think there was any way to exit him without him dying. He and Meredith were such an incredibly bonded couple at that point. It would be completely out of character if he left his kids. There was no exit that would honor that character other than if he were to die. Patrick Dempsey I don’t remember the date [I got the news]. It was not in the fall. Maybe February or March. It was just a natural progression. And the way everything was unfolding in a very organic way, it was like, “Okay! This is obviously the right time.” Things happened very quickly. We were like, “Oh, this is where it’s going to go.”

So that was that: McDreamy would die in episode twenty-one of season eleven, even though Dempsey was in year one of his recently signed two-year contract extension. Rhimes wrote a script that was befitting of her lead’s heroic persona: she began “How to Save a Life” by having Derek witness a car crash and helping the injured. Once it appeared everyone was out of harm’s way, Derek continues on his road trip but is suddenly broadsided by a truck.

Rob Hardy (Director) The paramedics leave. He’s there by himself. He’s having a moment. The nice music is playing, and all of a sudden, bang. It comes out of nowhere, which, you know, is how accidents happen. So as opposed to watching it as a viewer, we saw the accident happen through Derek’s perspective. Derek ends up at Dillard Medical Center, a hospital far from Grey Sloan and the talented doctors who work there. His eyes are open, but his brain is severely damaged. No one hears his plea for a CT scan; he can’t speak. To help keep the episode a secret, the scenes were shot in an abandoned hospital in Hawthorne, California, about twenty-two miles from the show’s home studio in Los Feliz.

Mimi Melgaard It was really hard on all of us because it was so secretive and we had so many different locations. We shot at this closed-down hospital that was absolutely creepy haunted. All the scenes there were so sad anyway, and in this yucky-feeling haunted hospital? It was really weird. His whole last episode was really tough. Patrick Dempsey It was like any other day. It was just another workday. There was still too much going on. You’re in the midst of it—you’re not really processing it. Rob Hardy Here’s a guy who’s immobile. Now you’re inside of his head. We were trying to make that feel scary from the perspective of a person who’s used to being in control, from a person who usually has the power of life and death in his own hands. But now he doesn’t have the ability to speak on his own behalf.

Samantha Sloyan When I went to audition, I didn’t recognize any of these doctors’ names. I assumed they were just dummy sides so people wouldn’t ruin the story line or anything like that. All we knew is that we were dealing with a man who’s been in a car accident. I had no idea that it was going to be Derek. I just figured I was going to be a guest doctor and that whoever this person was who was injured, was going to be just a character on the show. Once it became clear what we were working on, I was like, Oh, my gosh. I can’t believe this is the episode I’m on.

Mike McColl (Dr. Paul Castello) I signed an NDA before they would release the script to me. I was reading it in my house, and I was like, “Oh, my God.” I didn’t tell anyone, including my agents. I just said, “This is a really great booking. It’s a great role on Grey’s.” And they didn’t know anything until it aired.

Savannah Paige Rae (Winnie) The first scene I shot was actually the sentimental scene when I’m saying, “It’s a beautiful day to save lives, right?” I’m in the hospital room with Derek and talking to him. Even though I never watched the show, I recognized the value of the episode I was in and just really took it to heart. It was so special that I got to be a part of it.

Rob Hardy [Patrick] had a lot of emotions during the whole shoot, which evolved. I think when we first started, he was very calm and cool … the same Patrick that I remembered when I worked on the show a year or so before. With each passing day, he was a lot more emotional. A lot more was on his mind, and that would show itself in different ways. The finality of the episode and for his character was setting in. You’ve become a global icon on this show and then in five, four, three, two, a day … it’s over.

James D. Parriott Patrick was very cooperative and good.

Mike McColl When I met Patrick, he’s lying on a stretcher and we’re rushing him into the ER. I just introduced myself, shook his hand, and was like, “Man, I cannot tell you what an honor it is to be the guy to take you down.” He loved it. He could not have been nicer to me and was funny through the whole shoot. He was on the table in front of me there when I cut his chest open and all that stuff. He gave me a hug at the end. It was a real privilege to be a part of TV history in that way.

Samantha Sloyan I remember him being incredibly kind. They had his neck in a brace, and he’s strapped down to the board, so there wasn’t a ton of chatting. I remember him being really kind, but it was clearly intense for him.

Stacy McKee It was such a beautiful piece of storytelling. I knew this event was going to be a really sad, horrible event for Meredith, but I also knew it was going to be the beginning of such an incredible chapter for Meredith.

Dempsey completed his final hours of shooting on a rainy night. There was no goodbye party, no goodbye cake. Maybe that’s because some cast members were left out of the loop. James Pickens, Jr., told ABC News that the cast “didn’t know a whole lot. It was kind of on the fly. So whatever information we got, we pretty much got it kind of right before it happened.”

Caterina Scorsone (Dr. Amelia Shepherd) I didn’t get to say goodbye to Patrick when he left. I do think that helped, because I’ve been using the character of Derek in my internal landscape since Private Practice. Derek was the stability in Amelia’s life. He became a father figure after they watched robbers shoot their father. When he was suddenly gone from the show, we didn’t have that closure, so I got to play it out. She’s about to use drugs again before Owen confronts her in a way that she finally talks about her feelings about losing Derek. She doesn’t end up using.

James D. Parriott The day he left, that was my last day. There was a certain sadness to it, but I think he was relieved. I mean, I think it took a toll on him, too.

Rob Hardy I didn’t see other actors showing up and saying, “Hey, it’s the last day! Wanted to come and wish you well.” I didn’t get that. It was more the Patrick show. We were in the Patrick world, and then Ellen came, and there was definitely a lot of emotion that both of them had individually … not necessarily together. It was more so her being there on the day that he died. He had his own way of being with that, and the same thing with her. It was like two people who grew up together and … here we are. They had their own way of reflecting.

Patrick Dempsey I very quietly left. It was beautiful. It was raining, which was really touching. I got in my Panamera, got in rush-hour traffic, and two hours later I was home. Big news like this doesn’t stay quiet for long. Both Michael Ausiello—who left EW in 2010 to launch the news site TVLine—and Lesley Goldberg of The Hollywood Reporter learned two weeks prior to Dempsey’s final episode that he would be leaving the show. No reporter worth their salt wants to sit on a scoop—least of all one as huge as this—but Ausiello and Goldberg didn’t want to spoil the outcome for fans, so they agreed to hold the story until after the episode aired. I eventually found out, too, but in the nuttiest way imaginable: I was standing on the set of CSI: Cyber, watching Patricia Arquette talk about some droll techno-criminal. Unfortunately, the publicist also cc’d Dempsey’s manager and ABC publicist while trying to give me a major story, so I couldn’t immediately report the scoop. But I did use the information to successfully negotiate the one and only exit interview with Dempsey. Two weeks before his final episode, I met him and his publicist at Feed Body & Soul in Venice, California, for a story that would hit newsstands on April 24. He seemed a little shell-shocked and at one point choked up, but at the time he said nothing about how his on-set behavior may have contributed to his ouster. My editor, Henry Goldblatt, wanted to put him on the cover of Entertainment Weekly, but he couldn’t guarantee to ABC that no one would see it before the episode aired. Good thing we didn’t: some subscribers got the issue on the morning of Dempsey’s final episode— and one actually tweeted the story. Our PR department tried to get the tweets removed, but the cat was out of the bag: some fans found out early that McDreamy was about to be McHistory. Outlets like Variety reported how the story got out early, while our PR department released this statement: “We are surprised that an EW subscriber may have received their issue a day earlier than planned. We always try our best to bring readers exclusive news first. We would like to apologize to fans of the show that learned the news ahead of time.” Dempsey’s final episode was watched by 8.83 million viewers—the show’s largest audience since the premiere that season. Variety even pontificated whether the ratings boost was due to my exclusive with Dempsey.

Lesley Goldberg (The Hollywood Reporter) I’m used to working with networks to hold news as part of their efforts to guard against plot spoilers. But the way Patrick Dempsey’s exit was handled involved a layer of paranoia and secrecy that has been unlike anything I’ve seen in my reporting career. News that he was leaving, and his character being killed off, would have been a major story considering how big the show is domestically and internationally. However, it also would have meant spoiling the episode and, more important, damaging key relationships I’ve worked hard to build. At some point, publishing the news of Dempsey’s exit before the episode aired became an ethical question of what was more important—a big story and its subsequent traffic, which would have come no matter what, or the relationships and trust that it took years to craft. Ultimately, I still published early because EW subscribers received the issue with Lynette’s Dempsey interview before the episode aired.

Mike McColl The morning after Derek’s last episode aired, my daughter sent me a link that was on YouTube or Facebook or something. I actually pulled it up to look at it, and it was a Grey’s Anatomy showbiz cheat sheet. It asked the question “Who is the attending doctor who killed Derek ‘McDreamy’ Shepherd?” It included a photo that I posted from the set. I had on a bloody rubber glove and was in my scrubs and mask. I never obviously would have posted this before it aired. I posted it well after the episode aired, and I [captioned it] “McDeadly.” This writer said something like, “Kill McDeadly.” Maybe that’s why the producer didn’t choose a big-name actor to be the one who killed our beloved McDreamy! I want to be ultrasensitive to these hard-core fans because it means so much to them, and I certainly didn’t mean in that case to make light of it. It’s just, I’m an actor, and I recognize it for what it is. Is everybody clear on the fact that this is just pretend and Patrick knew he was going to be leaving the show? It was just like, “God. He’s okay. He really is okay.”

Peter Horton Derek was going to be there forever with Meredith because you went through a whole journey with them. That was incredibly fulfilling. So even if he’s not there, he’s there. I don’t think any of us really worried about that going away because by then you were so invested in it. The show can last as it has for years.

Patrick Dempsey Lots of people [miss him]. “It’s good to see you alive” is the comment I get. I’m like, “Yes, I’m very much alive in reruns.” People were really invested in that relationship. I knew it would be heavy. Very happy to have moved on with a different chapter in my life.

Samantha Sloyan The montage just killed me, when Meredith says, “It’s okay, you can go.” God, I’m getting choked up just thinking about it. The chemistry they have as a pair and the way they were able to build that and sustain it! So many of these relationships are, like, “Will they, won’t they,” and then it wears thin. They sustained it for the duration of their relationship on the show, and it’s just, I think, a testament to what those two created. It was just unbelievable.

Pompeo addressed Dempsey’s departure with a tweet that focused solely on his character, not on how she spent eleven years working side by side with him: “There are so many people out there who have suffered tremendous loss and tragedy. Husbands and wives of soldiers, victims of senseless violence, and parents who have lost children. People who get up every day and do what feels like is the impossible. So it is for these people and in the spirit of resilance [sic] I am honored and excited to tell the story of how Meredith goes on in the face of what feels like the impossible.” Meanwhile, fans futilely created a Change.org petition to reinstate McDempsey, while other, more desperate ones simply tweeted “We Hate You” to Rhimes.

Shonda Rhimes Derek Shepherd is and will always be an incredibly important character—for Meredith, for me, and for the fans. I absolutely never imagined saying goodbye to our McDreamy. Patrick Dempsey’s performance shaped Derek in a way that I know we both hope became a meaningful example— happy, sad, romantic, painful, and always true—of what young women should demand from modern love. His loss will be felt by all.

Talk about the mother (father?) of all postscripts: In November of 2020 Dempsey reprised his role as McDreamy in the season opener—but only in Meredith’s dreams. Stricken with COVID-19, an unconscious Meredith “imagined” reuniting with her husband on the beach. After talking exclusively to Deadline and saying how it was “really a very healing process, and really rewarding,” Dempsey would return for more beach-based episodes that would ultimately stand out as the best moments of season seventeen. “It was a second chance thing,” one ABC executive told me at the time. “Shonda likes a comeback. Also, they wanted him in their last season.”

[batwhimpix]

An Interview with Former Takarazuka Top Star Asumi Rio: The Laidback Personality Behind the Handsome Face

(Translated by me 8/19/2021)

While still a member of the Takarazuka Revue, Asumi Rio was known for her sensitive acting which digs deep into the heart of each role, her crystal-clear vocals, and her captivating stage presence. As the top star of Flower Troupe, she gained an immense level of popularity. Now, it has been one year since her retirement from the company. She has expanded her repertoire from stage to screen, and continues to showcase new sides to her talent. In her first name-bearing variety program, the Hulu Original "Asumi Rio's Atelier," Asumi-san learns new tips and techniques to "step up" both her lifestyle and her design sense. Totally different from her intense onstage aura, this program offers a chance to get to know Asumi-san's soft and relaxed offstage persona.

It's been a year and a half since you left the Takarazuka Revue. How would you describe that period of time for you, Asumi-san?

When I was in the Revue, because I had managed to enter the world of Takarazuka, which was my absolute favorite place, I felt strongly that I didn't want to have any regrets. So I was very motivated to work as hard as I could to polish my craft. I was completely lost in it, but within that, I always had my fans cheering me on, and the guidance of so many around me. In the last year and a half, I've realized all over again just how precious a thing that was.

Until I left, my only experience was on the stage, so stepping into the world on screen for the first time, a lot of totally new forms of expression were expected from me, and I felt a lot of anxiety. Parting from Takarazuka and living as just one individual human, every day is full of challenges. But that said, every day now is also rich with new experiences and new possibilities, so I've come to face that with a lot of gratitude.

While you were in Takarazuka, there was a very clear image, that of a perfect "otokoyaku," to aspire to. Now that you don't have that anymore, what kind of actress are you aiming to become?

There are a lot of qualities I have now precisely because I was an otokoyaku, and I think it's probably okay for me to just embrace that. As top [abbrev. "top star", the starring otokoyaku actress in each troupe], I was in a position where I had to lead the troupe, watch over and guide all the other actresses, and shape each production as the lead actress. I think I've picked up a lot of grit through that experience, and even as a woman, I think having a bit of a masculine edge in your lifestyle and how you deal with things can be a positive, right?

Even when I was playing otokoyaku roles, moreso than aiming for a particular ideal, I came at each role separately, like, this time I'm playing this kind of man, next time I'm playing this kind of man. It was like a gradual broadening of my horizons. Now I'm simply adding female roles to that roster, so it's kind of like the scope of roles available to me has doubled. When it comes to my outward appearance, as my hair grows out and I transition toward a more feminine look, I've been having all kinds of new discoveries, like, "Oh, this kind of styling makes me feel like this." Within my drama roles as well, I like those discoveries like, if I do it like this, won't it be interesting, or if I do this, I can get viewers to say, "Oh!" I want to keep digging to find those little moments where I can really surprise people within each role.

Since your retirement from Takarazuka, what overall on-set experience sticks out the most in your memory?

I think that has to be the first show I had the opportunity to take part in, "Ochoyan" [NHK serialized telenovella]. Until I was on that set, I always thought that the stage was the most incredible place in the world. I would never find anywhere else where every member is so unified in their vision, where everyone has so much pride in their troupe and so much love for the production they're building together, as in Takarazuka. Even now, I still think Takarazuka is a very special place, and my love for it hasn't changed.

But on the set of "Ochoyan," like Takarazuka, there were so many staff working to create this thing, who truly loved the work and brought all kinds of skills to the table to bring it to life. Among the cast as well, the atmosphere during recording, where all of us in the Tsurugame Family Theater [the name of the theater company employing main character Takei Chiyo as well as Asumi-san's character Takamine Ruriko] really did feel like a family, wasn't that different from Takarazuka at all. On the contrary, because our time together was limited just to the recording of this show, it felt like everyone valued that time all the more. Being on a set like that was a huge experience for me.

In Takarazuka, you had a very hectic schedule. As soon as one production closed you were already thinking about the next. I'm sure your lifestyle has changed in a big way since then. What kind of feelings do you have about that?

I retired and moved here to Tokyo right around the start of the pandemic. During the lockdown, when I was in my house all day, I realized how long the day really is. Suddenly it was up to me to decide how to spend all this time in the day. I could use it to rest or, if I had some area I was struggling with, I could use it for training too. I had a renewed realization that depending on my own feelings, I could choose to change myself in any number of ways.

These days, how do you find yourself spending the majority of your time?

These days, I'm doing a lot of types of work I'm totally new to, and working on sets with people I've only just met, so I'm still in a place where I spend a lot of time nervous. When I'm on a set I haven't gotten used to yet, my antenna is going in all different directions, so after I get home I try to relax as much as possible. In order to fully refresh myself and go into work the next day in high spirits and ready to face whatever comes, I've been making a conscious effort to be kind to myself.

What activities allow you to refresh your batteries the most?

Zoning out, and eating delicious food.

On "Asumi Rio's Atelier," you gave steaming rice in a donabe [TN: earthenware pot traditionally used to steam rice, supposedly more delicious than steaming in a rice cooker] a try for the first time, but what kinds of things do you eat most often?

As long as it tastes good, I'll happily eat anything. I like vegetables, meat, fish, and I love carbs, too. Ideally, I want to eat a good balance of a lot of different things.

Speaking of that program, how were the topics for each episode decided? Were you able to make requests?

For "Atelier" we had the general framework that I would be trying different activities I was interested in from the onset, so basically they asked me, "What kind of things are you interested in? What do you want to try?" And then...Yeah, first I had about 30, then we added about 30 more, so in total about 60, ideas that we pitched. The program staff wanted to include as many of my requests as they could, so actually, within each episode there are probably three or four different ones. In addition to that, there's an interview in each episode that relates back to that episode's theme. I enjoyed the chance to reflect on my Takarazuka era and memories from my childhood.

On the topic of your Takarazuka era, in your first interview for us, you said, "I wasn't necessarily aiming to become top star." But within the system of Takarazuka, to climb all the way to top star, you must have been aware of something within yourself that made you want to aim higher?

Let's see...Ever since I was an underclassman, I had a strong drive to improve as an otokoyaku. I wanted people to find my performance interesting, and I wanted to be seen as a necessary part of the production. I wanted to act a lot, and I wanted to sing a lot of songs that I love. I wanted to bathe in the spotlight, and I was happy when I got to wear more gorgeous costumes. If I really think back on those feelings now, first in the shinjinkouen junior performances featuring only actresses who have been with the company seven years or less, and then in performances at the smaller Bow Hall theater next to the Takarazuka Grand Theater, inevitably I started aiming for the lead roles that would allow me to stand on stage for the longest every time.

Somewhere along that road, when I was told I was being transferred from the troupe I was first inducted into, Moon Troupe, to Flower Troupe, this feeling that I had wanted to be the Moon Troupe's successor welled to the surface. And since that's the same as saying, "I wanted to be the top star of Moon Troupe," that was the first time I became aware of that goal. Every troupe in Takarazuka has its own character, though, so after my transfer, I was desperate to hurry up and become an otokoyaku befitting Flower Troupe first...

So as you worked to further your artistic development, there at the zenith was top star.

If you were to ask my underclassman self, the Top-sans are unbelievably incredible performers, and the more shinjinkouens you experience, the more closely you come to understanding just how incredible they are. Then as you spend more years with the company and find yourself in a position where you're working directly under the Top-san, you realize how much work they're really doing, and...The more you know, the more you lose the ability to say something like "I want to be the top star" carelessly.

And yet, you bore the heavy responsibility of a top star for five-and-a-half years. It's hard to imagine from your usual laidback attitude, but when it comes to your art, you're incredibly diligent and strong-willed. That gap is captivating.

When it comes to theater, I'm very picky. I mean, I'm way too stubborn for one thing. Especially in productions where I'm playing the lead role, I always have really strong feelings about how I want to perform things, and I'm not in a position where I can hesitate to convey that. It's important to listen to the opinions of various other people too, but when it comes down to it, if I have a clear idea of the direction I want things to proceed and direct things with that in mind, it makes things easier for everyone else, so I always tried to communicate my thoughts clearly and directly. If I'm delivering consistently good work, there's a persuasive power to that. Not only do the underclassmen naturally follow along, but the staff listen and respond to my requests as well.

But when you're making this kind of production, you do have to be pretty strict. But then, the real me is more of a people pleaser. I want everyone to like me, or more like, I don't want to be disliked. I didn't want the younger underclassmen to feel like I was unapproachable or like they couldn't talk to me because I was the top star. I wanted them to think of me like family. So outside matters relating to work, I tried to give off as relaxed a vibe as possible. Definitely, I think there was quite a gap between "on" and "off" for me.

Are there a lot of differences between "Asumi Rio the otokoyaku" and "Asumi Rio the actress?" How about between your stage name persona and your private self under your birth name?

I've lived under my stage name for so much longer than my birth name that I feel like, at this point, the parts of myself that belong to my real name are few and far between. I do have the feeling that, in some respect, I've grown up together with my stage name. In essence, while I was in Takarazuka, I didn't worry too much about creating a separate persona. Thanks to the kindness of my fans and the environment I was in, I felt like I could leave my otokoyaku persona on the stage and stay pretty close to my natural self everywhere else. I guess the only thing is, when I'm alone in my house, I revert to goblin mode. (laughs wryly) Like I'll have trouble getting myself to go take a bath, or I really should clean but my back hurts, etc., etc.

By contrast, now that I've graduated from being an otokoyaku, a lot of the things I'm doing as an actress are total firsts for me, so I think I feel more discomfort with my presentation now than I did then. There are times when I get really nervous, and then I get disappointed in myself for feeling that way. Like, until just a little while ago, I was in a position where I was responsible for keeping everyone's morale up. I would get up on that stage like, "It's alright, just leave it to me," so what am I all anxious for now? I often think about how much I still have to learn, and how badly I want to hurry up and learn it so I can show the results of my efforts.

Is there a particular ideal you're currently pursuing? What kind of actress do you want to become, and what kind of woman?

Since leaving Takarazuka, I've had a lot more opportunity to meet all kinds of new people. On every set I've been on, each of the actresses I meet has their own unique aura, and seeing their acting up close, I'm blown away by each of them. Among the staff as well, there are so many different kinds of professionals of all ages, and I often find myself inspired by their work ethic and lifestyle. I'd like to continue to enrich my life by learning from the amazing people I meet and experiencing many new things, and work to become a more fully rounded human being.

*Bracketed notes not marked "TN" (Translator's Note) were present in the original article.

[absolutebl]

This Week in BL

Sept 2021 Wk 5

Being a highly subjective assessment of one tiny corner of the interwebs.

Ongoing Series - Thai

Don’t Say No Ep 9 (Line) - It’s my corny af hurt/comfort soap opera that I watch at 1.5x and skip all the sex scenes and Fiat crying, but I like it that way, so there. Yes I am one of those people who only eats the outside of the peanut M&Ms, why do you ask? Episode recaps here. 

Bite Me Ep 5 (Viu & Viki) - sometimes I feel like this show is skipping all the important bits, or having them occur off screen intentionally, like some ancient Greek play. Still, the depth of the feeling understood between the two leads is clearly transferred to us despite that. Are they dating? Sure seems that way. Without anything being actually said about it. It’s oddly magical. I talked a bit about the north/south divide and food as a love language with regards to kao soi in this post. 

7 Project Ep 5 The Breakup Zone (iQiYi & YouTube) - another het installment, so I skipped it. Nash. 

Ongoing Series - Not Thai

Peach of Time Ep 10 fin - A Korean BL (maybe not BL tho) featuring Thai talent that really went beyond a lot of tropes into interesting territory and allegory in a way only Korea does. I hope we get more collabs like this, perhaps happier than this one next time? RECOMMENDED only if you are prepared for The Sad. Because it is quite sad.  

x Friend or Lover (YouTube) Ep 6 - still waiting on the final of this Taiwanese indie series.  

Love is Science? (BL sub plot on Viki) Ep 14 (aired ep 15) - Taiwanese drama finally got subbed yesterday, so those of us who are waiting seem to be on a week’s delay. The BL couple actually has the most interesting story arc and the most unusual character growth. I’m enjoying how unpredictable these two are. Honestly, they could have gotten their own series with this much story - and now I really want that for after the baby comes. I’m a little sad we didn’t get the coming out in the skate park sequence (LOOK I love coming out drama, especially with sporty friends, it’s a THING), but I also get why the writers are doing what they are with these boys. And the actors sure can handle it. Taiwan at it’s finest.  

Love Is the series (YouTube) Ep 5 - continues to be fine for a V-BL but not all that actually good. 

See You After Quarantine? (Viki) Ep 6, 7 - Taiwanese gameboys with Japanese talent stuck in, what more could we ask? AND THEN they gave us some *thirsty boi* action, great kisses, and charmed the pants off... well... everyone. Taiwan, we don’t deserve you. Honestly, you spoil us. Turns out Aaron Lai is the best wingman any gay Japanese man in quarantine could ask for. Everyone should be watching this. It’s utterly charming. 

The Tasty Florida (Viki) Ep 3 & 4 - this Korean BL so fucking cute. Look it’s formless and too short but simultaneously aching and kinda special-sweet. But Korea has got to settle into something a bit longer for their BL for everyone’s sake. It’s time. Light On Me proved it was possible. I’m not asking for much, just 15 min+ of fresh content with at least a 10 ep arc. 

In Case You Missed It

Someone dropped K-BL movie cut of 2015′s The Lover series onto YouTube. The series was about 4 different couples all living in the same apartment complex, one of the 4 was a BL plot about a sunshine sweetie Japanese tourist who ends up roommates with a hot shy tsundere Korean boy. It’s 1.5 hours, proving Korea and stretch its BL when it wants to. 

Read more about it here. 

GOSSIP!

Rumors of OhmFluke to star in new Thai BL Oh! My Sunshine Night. It’s from Newsinfinity Entertainment who announced the casting and showed the couple in workshops. This is this (small) production house’s first BL and they aim to “appeal to to general audiences* with a “broader view of BL that everyone will watch.” Which is code for LOW heat, light gay, soft boys. If this happens I think we can expect this to be Thailand doing Korean-style BL. 

* GENERAL AUDIENCE? Let’s be clear no piece of media will EVER appeal to everyone. Here is the USA “general audience” is code for “families with socially conservative values and children who are still minors” AKA what used to be prime time TV watchers AKA suburbia. 

 The concept is analytically old fashioned and so fractured at this juncture (socially economically spatially politically) that “general audience” is actually impossible to target and it doesn’t really exist. But try telling that to the publicity department. 

We also call this the “Disney live action demo.” (Think Pirates of the Caribbean.) I occasionally refer to them as “the Simpsons.” And they’re about as realistic. All that to say I am VERY suspicious of Oh! My Sunshine Night‘s production house. 

To My Star does seem to be getting a second season, same director, same mains. Korea is much better about executing on its promises than Thailand, but until I see proof of filming or an honest trailer, my favorite boys are staying in the gossip section. I don’t wanna get my hopes up. (Honestly now, how many of you also want an alt reality with these two as a couple but Kim Kang Min playing his long suffering cardiologist intern character from Hospital Playlist? Just me?) 

I reported on Unforgotten Night a while ago. It seems to have been fully cast now, I still think the publicity stills make it look like a joke. But with this line-up I guess it’s even more of an alt answer to KinnPorsche. 

You know that thing that happens in media when suddenly we get multiples of the same style of movie or show at once? It’s now happening with BL. Love triangles. Restaurants. And now mafia. 

Cutie Pie (our arranged marriage Thai BL staring Zee) dropped some wardrobe fitting photo ops. Also... fancy pants sexy suits that fit, so that’s exciting. 

Starting Soon

My Mate Match from Starhunter should be starting on Line TV next Saturday. Usually, Line has subs relatively quickly and is available internationally. However the fact that the trailer is not subbed and the show is not listed on Line’s site has me nervous. No idea on length of run either. 

Starhunter studio doesn’t have a great track record in general for narrative arcs and this one is not based on a y-novel so could get waffly. This is a roommates love triangle BL about a boy who is looking for one roommate and ends up with two vying for his home and his heart. Stars Jet as the uke lead which I’m pretty happy about as he’s got great comedic timing and is accustomed to BL. He’s opposite two friends/co-actors from Gen Y and other projects, so we know they’re comfortable with each other. They could do great things... if they get a decent script. 

Next Week Looks Like This:

Some shows may be listed later than actual air date for International subs accessibility reasons.

Upcoming 2021 BL master post here.

Links to watch are provided when possible, ask in a comment if I missed something.

This week’s best moment?

[sirfrogsworth]

If I were grading this I would give it about a 58%.

It's bad enough Republicans do not have a functional definition of what socialism entails. It's just... anything bad they don't like. A boogeyman to scare their brainwashed supporters. But when more liberal folks don't take the time to figure it out, I feel that sets us back further.

I mean, the government can set all kinds of rules in all 3 of these examples.

The socialism one is not terrible, as workers owning the means of production does give them the power to make sure their labor is valued. And the capitalist one also has some truth to it, but there are plenty of examples of capitalist countries with strong regulation and social policies in which bosses and billionaires do not have the same sway as they would in our more unfettered system here.

Communism is meant to be a specific form of socialism. So while it is not the "same" they do have a lot of overlap. Some believe communism is the sort of endgame of socialism. A society where labor is valued, there is community ownership, and the class system is abolished. Others believe a totalitarian government is required to achieve those things, so I guess that's where confusion comes in. But Soviet-style communism is really bad communism (state capitalism?) and probably shouldn't be used as the shining example of what communism can be. Or at least not the *only* example.

In the end, it's really hard to break these economic philosophies down into meme-sized chunks. And there is also the matter of there being dozens of different flavors of socialism and communism. Some are close to Marx's original vision—some are not.

It's like saying socialism is vanilla ice cream and communism is chocolate. First, they are both ice cream and share many ingredients. But also, they can be mixed. But also also, there are 29 other flavors and combinations at Baskin Robins. And what we seem to be doing is ignoring all of that complication and saying "Ice cream is a soft frozen food made with sweetened and flavored milk fat." Yes, that definition is accurate, but not very helpful at describing what ice cream tastes like, nor does it let people know all of the various flavors available.

Further confusing things, beyond just the USSR, there are various countries, political parties, and groups that claim to be socialist or communist but are also rather bad examples of the traditional definitions. They corrupt the original meaning and perform their own bastardized flavor. The Nazis famously called themselves socialists and the first chance they got, they went and killed all the actual socialists.

What most progressives in the US are shooting for currently is a social democracy. A hybrid system that still has capitalism, but regulates strongly and employs a strong social safety net system. Some have ambitions to use social democracy to transition away from capitalism completely. But that seems a long way off so it doesn't get discussed quite as much.

All of this confusion is why I tend to avoid the labels altogether. I prefer to advocate for specific ideas and policies. Medicare for All. The Green New Deal. Defund the Police. I really don't care if these are socialist plans or not. I care that they are the best way to help the most amount of people.

I think when you present these policies without the baggage of what philosophy they may best represent, a lot of folks are keener to support them.

I think this reddit post is a good example of what I mean...

I guess I am just tired of this need for everything to be specifically labeled and oversimplified. Not everything fits neatly into a box.

If we use effective communication, we can explain these complicated concepts to enough people to get them on board and into the voting booth. I think all of the grassroots community organizing for progressive candidates has proven this.

[secondhand-trash]

Heart Knot

A/N: this is in honor of the whole 30 minutes in which I knew how to knit because I was bored at a school function and forced my friend who brought an unfinished scarf with her to teach me lmao

Description: You did not have much happy memories regarding both knitting and your past crushes, but the boy that had your heart now just so happened to be a great knitter. 

Pairing: Kita Shinsuke x reader

Word count: 7827

Playlist:

Permanence//Bears In Trees

The Way You Look Tonight//Frank Sinatra

Hiding Tonight//Alex Turner

-

Kita Shinsuke’s first exposure to the art of knitting was through his grandmother, who taught her grandson the ways you could weave anything into something from doing each repetitive action properly and with care.

Something beautiful, something soft, something that could bring warmth to someone else on a harsh winter morning.

Winter in Hyogo could be rough, with inches and inches of snow blocking the road from down the mountains and into the towns. Kita Shinsuke spent his winter days away from school still waking up at the first ray of sunshine beaming through the paper window, his body glued down on the sweet comfort of his futon but still, he never overslept even as other kids his age would protest just for a few extra seconds in the warmth. 

By the time he was done with the daily chores, it would already be way into the afternoon and his tiny hands, soaked in water to wet the towels, would be shaking under the cold. Grandma Yumie always brought out the kotatsu in times like this. “It is a luxury,” she said with a chuckle as her grandson watched in awe at how the tiny round table in the living room had now been transformed into a warm cave, shielding the winter cold out with the blanket draping down the sides, “a reward for those who worked hard in the cold.”

The days he spent with his grandmother was some of his fondest memories, to the point where years later, even as he was old enough to have his own house with paper windows and a round table perfect for being turned into a kotatsu, he still insisted that there weren’t any feeling better than laying under the warm blankets after a hard day at work with the tv playing and a cup of warm tea in his hand.

When he was small, very small, with his fingers still a bit clumsy and not quite able to aim at the little loops held together by the yarn, Kita would sit there and watched as grandma Yumie brought out the baskets and baskets of colourful yarn, all sorts of sizes and patterns, and let him pick which one she should use that day. The afternoon news was playing in the background, and baby Kita had his palms holding on the warm mug of tea that was far more diluted and with way more honey drizzled into it than the one sitting in front of the older woman. His golden eyes all round and focused on the needles going in and out of the woolen piece that grew longer and longer with each flick of her wrist.

He could not figure out what had happened in the quiet hours where he just stared, not yet worked out the way each loop and thread came together in holding everything together, but all he knew was that the scarfs grandma gave him were always the softest and warmest, and comes in all the colours that lighted up the roads of Hyogo that were covered in white.

Kita learnt how to knit when he was old enough to remember the sequence at which the needle thread through the yarn. One hook under the open loop, the other holding it still, before pulling it out and putting the neat knot in place. He started with the thickest needle and the yarn that showed every knot and pattern clearly, before slowly moving to thinner threads and fancier ways of knitting. Now, winter afternoon at the Kita household consisted of grandmother and grandson sitting side by side around the kotatsu, the afternoon programs playing softly at the background as the sounds of yarns brushing against each thread filled the air.

There had never been a single cast out of place in whatever he made, whether it be a scarf or a pair of socks or a little hat for the puppy next doors. Because knitting was about patience, the knowing that you just had to keep repeating and repeating to make sure everything holds together, until you eventually had something good in your hands. It was feeling the tiny bumps under your finger once you had the finished product laid out in front of you, knowing that you put time and care into every single one of them.

Grandma Yumie complimented her grandson on everything he had ever made, smiling until her eyes were just two thin curves as she watched the boy who wasn’t so tiny anymore with his golden eyes fixed on the needle going in and out of each loop, the knitted fabric growing longer with each flick of his wrist.

-

You could not knit to save a life.

But you had tried, you really did. 

Once, when you were 12 and sitting in art class, your eyes beaming at the many balls of yarn your teacher had brought in.

“Today, we’re going to learn how to knit!” The teacher, with pins all over her apron and a book of stickers for the kids who did well poking out of its pocket, said as she placed the plastic box on the table, “By the end of class, you can all bring home something you made to give to your parents!”

You liked art class. It was fun being able to play around with crafts supplies under the disguise of early creativity development, and the things you brought home were always somewhere around the house.

You liked the way you could walk past something you had made and know that it was good enough to be put up, and liked the feeling of showing people the things you were proud of.

You picked out your colours carefully, imaging the way your father would have fitted a dark brown scarf into his work clothes or how mom could have used something in that lovely cream coloured yarn that was ignored by the other kids who went straight for the blues and yellows. You ended up with balls of grey in your arms as you made way back to your seat, thinking that it would go well with, well, everything.

You did not quite remember how you felt about the knitting process itself, all you knew was the excitement budding up in your chest as you just kept repeating and repeating, until the grey bundle of yarn got smaller and smaller.

You knew you could make something they would like, you just knew it.

The outcome of the hour and a half where you did nothing but fidget with yarn and needle was a subtly misformed scarf, a bit crooked at the edges because you forgot how to tie up the piece by the time it was long enough to be thrown around your shoulders and back. It wasn’t exactly the most intricate piece of knitwear, with small ends of the thick thread clumsily tugged back within the grids and some places missing a loop or two. 

But still, it held together nicely with the softest texture, and you were proud of yourself.

Your parents took the gift graciously when you presented it to them like you were handing them something of the uttermost value, complimenting you on your hard work and thought as they felt the piece in their hand. You made your father promised to wear it out the next day and he complied with a grin as he threw the scarf around his neck.

Now that you looked back on it, it was definitely not something a proper adult would prefer to be seen in in the public since it was rather... wonky, to put it lightly.

But you were small, and you did not have any idea that even though you tried what you thought was your best, sometimes your best was just not enough.

Oh, the way you froze when your father handed the pile of loose yarn to you that was all bundled up with a worried stare, your throat tight while you used all the might in you to suppress the urge to let the tears just fall.

You soon learned that loose ends and hasty stitches meant that even the slightest tug would make the whole thing crumble, and hours of your dedication was not a match to even the most accidental pull at the widened hole where you tried to hide all the mistakes you made.

You told yourself you were never knitting ever again at age 11, with your face buried in your pillow at the late nights when you didn’t have to fear letting anyone know that you were crying over a few balls of yarn.

At age 15, you had your first real, serious crush, the kind that made the pitch of your voice go higher unconsciously and the corner of your lips tug up just at a passing thought. Your crush was popular, the type of boys that spoke each word loud and clear like they had endless energy. You thought he was dazzlingly good-looking, even though he still had a bit of the awkwardness of being mid-puberty left in the soft arc of his brows and loop-sided grin. He was the captain of the football team, always the first to dash out the classroom with a dusty ball in his arms during break. You spent a good amount of your recesses just looking out of the window with your elbows propping you up against the frame, pretending to listen to whatever your friends were saying when you were looking at him instead.

Occasionally, he would look up from the field as he jogged backwards, and your heart always skipped a bit at the possibility that maybe his gaze had stopped at you for even just a second.

Holiday season rolled around the corner as you looked out one morning to see dots of white landing on the glass, each speckle of the snowflake clearly visible as it plastered on the window, the one you always pretend to not be looking too longingly out of while doing exactly just that. The nearer your last day of school before winter break was, the more you felt the knot twisting and turning in your stomach at the thought of whether you should try and disguise all that feeling into what could be as simple as a normal holiday greeting, between normal classmates.

It was at a passing that you overheard your crush telling the group of people who were crowding around his table during one lunch break that he thought it was attractive when people hand out handmade gifts, earning a round of high-pitched responses from those who were smiling a bit too widely for it to be natural around him, each one of them claiming that then they would try to make something for him.

You shifted in your seat, pretending that you were just napping on your desk casually instead of pitifully eavesdropping on a conversation you both wished you were part of and was absolutely detested by.

You had long decided that you could not even pretend that you were crafty by any means, but sadly, you were also young and very much so head-over-heels in love with a boy who just announced to everyone who was, like you, trying hard to impress him that he basically preferred people who make their own presents.

So that was how you found your way back to the knitting needle that you had not touched since 4 years ago, after how every single trashy article in every single teen magazine that you, at age 15, read an unhealthy amount of, told you that there was no better present to give that would portray the amount of thought and care you were willing to put into something like a garment that was hand knitted with only the receiver in thought.

It should be quite clear that the editors of those articles were just too lazy to come up with something new and picked the safest, most conventional option to put in there, but you were too desperate to find something you too could do that you didn’t care.

You left school each day in complete darkness now that the sun was long gone in the middle of the day as the end of the year approached, and spent the little free time you had to yourself at home struggling to knit. Your hands were a lot more in control compared to the last time you knitted, but the lack of guidance in every step of the way as you relearnt how to knit all from the very beginning.

It was cold, and your fingers were already hurting from the chill, but it did not stop you from staying up each night trying to get the piece done before it was finally the holidays.

You had spent hours looking for tutorials only, always battling between the knowledge that your skill was not enough to replicate a good half of the videos you had bookmarked and thinking that the easy ones were too basic for you to gift to someone. You settled on a neck warmer, something you could imagine the boy you so pined after wearing while running on the court. And as you held the finished piece up under the light, you were proud of yourself for actually carrying through.

There were no messy threads in the scarf this time, and you were sure this was something that could at least be of use to whoever got it.

The day when you were supposed to gather the courage to hand out the present came sooner than you were ready for. You came back to school early that day, knowing that your crush was usually having morning practice at the hour and no one else would be around. 

To your surprise, there was already another neatly wrapped box inside of his desk drawer by the time you got back. Its tag was hanging out of the tray rather deliberately, like a sly wink and a wave. Your chest tightened that someone was already one step ahead of you, but quickly fed yourself the narrative that it was actually better this way. This way, your gift would not stand out and seemed like it did not belong there. 

It was just a scarf, but the little paper bag that you spent an embarrassingly long amount of time decorating the night before felt so heavy in your hands as you stared blankly at it, the nerves settling in your stomach as your throat tightened at the last minute conflict.

The loud footsteps that neared broke you out of your trance, and you threw the gift bag into your drawer before pretending like you were doing something else. You cursed inwardly when you saw that it was the last person you wished to see at this moment, a rare sentiment given how your eyes usually search for him in a crowd.

The group of boys didn’t seem to pay you much mind as they huffed, laughing at something you did not catch on to as they threw their bags down. You masked the pounding of your chest with a violent stroke of your highlighter against the notebook that opened up hastily in front of you when you heard them going near the table you had been eyeing all morning.

“Huh? What is this?” 

You buried your nose in your book, but glanced at the few boys gathering around the desk from the corner of your eyes. 

Your heart wrenched when you heard one of the boys snorted, before shoving the box into your crush’s chest. “It’s for you.”

The sharp tear made your scalp tingle, but you fought back the urge to sit up straighter in reflex.

Couldn’t let them know you were listening, couldn’t let them know you cared.

“Ah... it’s a scarf,” even in your most delusional mind, there was no way you could ignore the slight hint of annoyance at his voice. 

“Hm, they said they made it themselves.”

The density of the air around you was a stark comparison to the boys’ howling and laughing that followed. The recipient of the gift only shoved the garment into the box roughly before plopping the lid back on.

“So?” one of his friends asked, snickering, “what are you going to do about it?”

The click of his tongue that followed twisted around your throat until all the blood rushed up to your face, burning and suffocating you. “Do you want it?”

“Hell no, why would I want a re-gift?” The other boy yelled with a holler, “why don’t you just keep it yourself  

“Well, I can’t wear it, can I? It’s gonna give them the wrong idea.” The nonchalant way he so easily brushed off the undoubted hours and hours of effort whoever made the gift must have dedicated to the present that was now pushed to the very back of his drawer felt foreign to you. A pang of bitterness welled up in your mouth, running your tongue dry as your mind go blank. 

“Besides, don’t you think getting something handknitted from someone you aren’t with is a bit too suffocating?”

The gift bag in your drawer remained to stay right where it was when other people started rushing into the room, when the class bell rang, when the same boy who you now realised wasn’t as nice as you thought he might be rushed out with the same smile he had on when he came in that morning. 

You shoved it into your bag first thing when you were getting ready to leave, hoping that no one would catch on.

You were surprisingly serene when you tore into hours and hours of effort until it was just a bundle of yarn on the floor.

You were age 15, swearing that you were never doing crushes ever again and finally decided with determination that knitting was just not for you

-

But life has its ways of making you think twice about every promise you had made to yourself.

First in the form of a snowfall you had not expected, and then with a boy who was always prepared for the cold.

Waking up early in the mornings just to tread yourself through the chilly streets sucked, but having to rush out because the initial “5 minutes more” you told yourself as you pulled the futon over your head once more turned into you having to rush out the door with your coat barely even worn properly in the matter of a flutter of your eyes. 

Your mouth was dry and your stomach empty from skipping past the breakfast that had already gone cold on the table by the time you passed it by. It wasn’t until you felt the pain tearing at your skin from the few bits of your body exposed to the specks of snow flowing down onto the back of your hand, so cold that it felt almost like a burn when the feeling settled, that you remembered the mittens you had also left at the side of your dresser. 

Great, just wonderful.

Winter in Hyogo was forgiving on some days, brutal and mocking on the others. The grey clouds were thick and gloomy as you dashed down the road, pulling the collar of your jacket up desperately to shield your face from the wind that you were up against face first, slicing down like blades before you finally made the last turn into the comforting walls of your school building. Your face felt numb of any senses even as you brought your palm up to try and give it some warmth, only to hiss into your hand when the frosted tips of your fingers brushed against your skin.

The bell rang almost right on cue as you stepped into the classroom, letting out a sigh and salvaging in the temporary supply of warmth from your own breath. Your lips were so dry and so chapped from the cold, even just darting your tongue out to swipe over the rough edges had it almost tearing at the thin skin. You winced at the pain, which did not serve you anything other than making the ache worse.

You sighed as you sunk down on your chair, finally able to let your limbs go slack at your sides after being so tense all the way through your walk. The sudden release of the tension you had been holding on you resulted in a broken inhale as you tried to calm the beating dee under the many layers you were wearing, feeling as if you were suffocated in your core with the heat trapped in and only within the center of your body.

“Are you alright?”

Turning to your side was a struggle as you shrugged off the stiff coat you were wearing. You were sure you looked nothing short of ridiculous as the puffer jacket hung loosely around your arms, your arms extended awkwardly to hold it from sliding off the ground. Your state of being was a stark contrast to the boy who was sitting next to you, his back all straight and proper. 

You did not really think much about Kita Shinsuke, even though he had been sitting next to you for almost half a year now. There was something distant about him, like he was in a whole world of his own while everyone else just circulated around. He was always polite, never slipped up, getting back earlier than most and arrived at each function punctually. Your image of him was that he was always paying attention in class while everyone else was drooling off, his voice loud but calm when he was suddenly called to read out whatever passage you were supposed to have read at home but obviously didn’t.

It was strange, you were almost distancing yourself from him despite physically being next to him at all times.

He just didn’t seem so real, didn’t feel very human to you.

“Are you alright?” Kita asked again, this time tilting his head a little seeing that you were looking ahead blankly instead of responding.

You snapped out of your trance, quickly yanking off your jacket to place it on your lap in what you hoped was a swift motion to save the embarrassment of acting like a socially numb idiot.

“Oh, I’m fine,” you smiled, shoving your hands under your coat to try and warm up the fingers you still couldn’t feel under the fleece, “thank you for asking.” You added, almost like a second thought as you grew more and more uneased by his seemingly doubtful gaze.

Kita’s eyes went to your hair that was still not yet tidied up from being tangled up by the wind, the dots of water on your coat that was no doubt left from the snow, and your hands that were now rubbing together again and again under the coat according to his guess.

His brows furrowed at the way you were folding yourself smaller and smaller, pulling the heavy jacket that was about to slip off your lap up against your body desperately.

There was a rush of shiver to your spine at the way he pursed his lips together, and you gulped as subtly as you could while trying to maintain the smile on your face. 

There was a speckle, a tiny bud of warmth setting off in your stomach when he turned around and slipped his hands into his jacket, hung neatly at the back of his chair unlike yours, and took out a small packet. It was a white fabric pocket but you could see the black powder inside from the thin fabric. 

You did not react when he held his hand out, slender fingers holding on the hand warmer mid-air as he waited for you to take it from him. You blinked at the boy who you had never really looked at properly until now, and felt a strange twist in your stomach at the notice that there was a slight flush on his face from the cold, dusting over his cheeks and leading your gaze to his eyes that were looking at you patiently.

He must have thought that you were so strange, you grimaced to yourself when the pang of guilt rushed to your face and burning to the tip of your ears at the remembrance that you had assumed him to be the strange one when you were being so disrespectful right now.

You held out both hands in front of him, looking like a child when he dropped the little bag in your hand. Nothing could stop the sigh from slipping out of your lips when you felt the heat it was emitting, landing on your fingertips like coal in the snow and seeping into your skin.

The warmth travelled from your skin down to your veins, running slowly and slowly until it settled down as a fuzzy tingle in your chest at the thought that it was so warm because he had been the one keeping it in his pocket, likely trapping the heat within his palms when he was holding the warmer himself.

“Thank you Kita kun...” you said appreciatively, swallowing the whine that was threatening to come out with the last note of your voice when you felt your senses slowly returning to you.

“You’re welcome,” he replied, and your heart skipped a beat when he leaned his chin on his palm and gave you a tiny smile, “you should keep it, my hands don’t get cold that easily and I brought mittens.”

You did not speak to him again that day as class started and he, like the good student you never were, put his attention back to things that were more worthwhile. But you could not help but listen carefully for the first time ever when he was once again called to read out the lengthy piece of literature you didn’t study, and feeling a burst of exciting, nerve-wracking warmth budding in your chest.

-

At age 15, you promised yourself you were not doing crushes over dumb teenage boys again. At age 17, you realised that the pang in your chest when Kita Shinsuke replied to your greeting each morning (one that you tried hard to make it sound as casual as one could get, if you may add) with a smile was the same as that when you imagined your old crushed looking up from the ball court to lock gazes with you.��

But Kita was not a dumb teenage boy, he was nice and well-mannered and asked you if you were alright on a winter day. So you told yourself you did not exactly break your promise, even though there was a lingering fear at the knowing that there too was a time when you thought the boy who sneered at the carefully wrapped box on his desk was nice and beaming like the sun.

(You had, however, screamed into your pillow in frustration the day he told you they made him the captain of the volleyball team for the next year when you carefully suggested that he seemed happier than usual. “Captains,” you groaned into your make-shift punching bag, “why are they always captains?”)

Winter passed, and then it was spring. Spring was the time for a new start, but you were not excited about changes. You had been content with a simple “good morning” every day made possible by the convenience of your adjacent tables, but how were you supposed to conceal your yearning for a smile and a nonchalant word of care as nothing out of place if you had to go out your way just to even catch a glimpse at him?　

You had to force yourself, clamp your lips tight together to stop the pitiful squeal that was close to bursting out from the back of your throat when you saw the familiar kanji, the same one as the direction always pointing people forward and the brightest star hanging on the sky, at the “ki” column of the class list. 

Your third and last year and still in the same class, this was a sign, this had got to be a sign.

The anticipation was hard to conceal as you paced down the hallway until stopping at the sign of “3-7″ above the door. The embarrassment immediately followed the initial rush of glee at the boy who was, as expected already there. He was sitting at the first seat at the row leaning by the wall and even though your heart died a little at the conflict that you could not slack in class with the whoever it was standing in front of the blackboard so close to you, you still walked closer to the table right behind his with carefully controlled steps.

“Good morning Kita kun,” you said, still fumbling to find a balanced tone between letting him know you were happy to see him but not too much, glad that you were in the same class but not in a creepy way, hoping that he also searched for your name the way you looked for his but not holding out too much for it.

your throat tightened when he smiled back at you, “Good morning, (y/l/n) san.”

“You are early,” you blurted out, praying that it wasn’t too sudden.

“Yes, I had to stop by the club room to prepare for the upcoming tryouts before coming back.” He had turned around to face you completely, and you searched for everything your brain could come up with to keep the conversation going.

“Oh right, you are the captain now,” you cursed yourself for stating something so obvious in your brain, absolutely loathing air-headed your own voice sounded in your head. You breathed in, mastering your courage to appear confident and charming, “I hope it’s alright if I sit here behind you?”

You were smiling, but your knuckles were hurting from how hard you had to grip at the handle of your bag just to hold yourself back from fidgeting. The chair was already half pulled-out, and you crouched down just slightly as you waited for a response.

You knew you were the one who asked, but what if he said no?

But he didn’t, and not even the fear of appearing like a fool in front of the boy you so wanted to impress could stop you from grinning ear to ear when he laughed. You didn’t think you had heard Kita laugh before. It was an addicting sound, crisp like bells and like the pink petals that were falling off the trees all around campus. 

You knew at that moment you didn’t care if this crush was just as dumb as the last one, or that you might end up looking like a fool for going against what you had so sternly told yourself when you were 15.

Screw 15 year old you, they knew nothing.

“Of course.”

-

Then winter rolled by the corner, as an angry current sweeping the dried leaves off the road and the temperature dropping and dropping until you were taking out your heavy coat from the back of your closet again.

It was with great regret and exasperation that you found out, one year after starting to learn more about Kita Shinsuke, that he was brilliant and absolutely so passionate about knitting.

The way you had a whole storm brewing in your head over something as simple as getting back to your classroom after lunch break to see a very calm, serene Kita at his table, with a ball of yarn on his lap and two needles threading with each other in his hand, was an absolute joke. You had tried to form an interest in volleyball just to have more chances to talk to him, going as far as to sit through the hour long practices matches that Inarizaki always had with other schools at the far back corner of the gym just to have something to bring up in a passing the next day. But of all the things, of all the things this person who seemed to be good at everything liked, it has got to be the one thing that you associated with nothing but bad memories.

“What are you making?” you asked, holding back the screaming thoughts in your head as you slid down into your own seat and leaned forward.

The little glimmer of joy in his eyes was hard to miss, and you were not sure if you want to feel triumphant for finding a new excuse to talk to him or cry because you had not looked at a knitting needle in years.

“I’m knitting socks,” he said and held up the tunnel of knitted fabric dangling off his needles, “it’s almost Christmas, and I wanted to make something practical for my teammates.” 

“Hm?” You nodded, urging him to go on as if your own scalp was not frying from the recoil of what happened the last few times you wanted to make something practical for someone.

“This is for Akagi from class 6,” he immediately added, thinking about how you might not know who Akagi from class 6 was, “he had been complaining about having cold feet at morning practices lately.”

(You did, in fact, know who Akagi from class 6 was, but decided to let him give you the information instead of exposing how much attention you paid to the Inarizaki Volleyball Club.)

Man, you had never wished you knew how to knit as much you do now.

“Can you teach me how to knit?”

Oh fuck, oh fuck, oh fuck-

You froze at the words that went straight through your brain to your mouth and vocalised in the quiet classroom. 

“There’s something I want to make,” you gulped, stumbling to force a smile onto your face, “for someone.”

Someone as in, well, him.

You had already braced yourself to chuckle it off when he said that he was busy, or just some sort of well-intended reasoning that would all point to the immediate  conclusion in your head that you were just overstepping boundaries as no one but another classmate who just happened to sit near him for the past year.

But the screaming in your head stopped, leaving your world in absolute silence when he placed the ball of yarn onto his table and pulled another ball out from his bag.

“Sure.”

-

You did not notice, which was strange because you were usually the first to overthink on each of his miniatures, that Kita Shinsuke nearly dropped the needles in his hand when you quickly, in the middle of your inner panicking, suggested that there was someone you wanted to knit for.

He wavered for a brief moment, wondering if he really wanted to teach you how to knit for someone else, before feeling a sour guilt that he was being a bad friend by hesitating to help you when you asked.

He wondered who it was that you wanted to make something for, he thought to himself as he handed you the spare pair of needles he had.

Must be someone important to you.

-

So every day until you eventually go on break for Christmas and the new years, you would go back to your classroom early during lunch period to learn how to knit from Kita Shinsuke, who was coincidentally who the eventually finished piece that you hope you would finish was meant for.

You went into this with no thought other than to suck up on your own impulsiveness and just milked what had become of it as much as you could, trying to fish the opportunity of spending extra time with him. You were not even sure if you would actually give him the finished piece if there would be any, you were not sure if you were prepared to go down the progress of determination turned hesitation turned eventual heartbreak that last time you had to muster up any courage just to gift something to another person.

Even though this was all an excuse for you to talk to Kita, there was no denying that the 3 years in which you avoided knitting only made your hands even clumsier than before. He was always patient, always stopping his hands with whatever sock or hat or glove he was making to take a look at what would hopefully become an intact piece of knitwork dangling off of your needles.

“Let me see.”

The soft hum from his nasal every time you called for his assistant was enough to have you weak, and you were so glad that he put all his focus on helping you because then he wouldn’t notice you staring at him rather shamelessly.

On days when the weather was good, it was as if his eyes were the winter sun, the same one that was spilling in through the windows and casting a soft halo around him, all while his brows contorted in concentration over your work.

It turned out that Kita Shinsuke was great at teaching, and while much slower than him, you eventually managed to sit in comfort silent with him in the tender winter afternoons of Hyogo and let the sounds of thread pulling filled the air. You were trying but he was a natural, even though he claimed that it was just a direct result from years, a decade of practicing.

In the time you had struggled to focus on one piece, you had seen Kita worked on a multitude of things you were sure you should not even attempt to make. There was a nice thick pair of gloves for Ojiro, the trusty spiker who was feeling bothered by his dry hands from cold water. Another pair of gloves but this time fingerless because, to quote Kita, Suna Rintarou probably wouldn’t wear anything that kept him away from his lovely touch screen. You saw woollen hats twice but in different colours, and he had explained that he thought of making something different for the ruckus twin boys but figured they would just get into yet another fight over who gets what.

Crush aside, you wished you had a slither of his skills.

“I think anyone can be good at knitting,” he said, handing you back the row of maroon casts you had asked him to check up on with an approving nod. His fingertips just barely brushed against yours as he let go of the needles, sending shivers up your forearm that you were so glad was covered by your cardigan.

You laughed, brushing your finger at the few spots that you struggled to get right on the pattern, “I doubt.”

His eyebrows furrowed. “What do you mean?” he said, pointing towards the casts that got neater and neater as you progressed visibly, “you are already getting better.”

You pursed your lips, toying with the unfinished hem.

You had learnt a long time ago that sometimes you tried your best, but the best was not always enough. Sometimes, the best would get you a huff and a complaint that your heart and soul was too heavy, too suffocating. Sometimes the more and more you put into something meant that you did not know where to put it anymore once you tore it apart after no longer having someone to give it too, but it was too much to shove back into the hole in your heart.

You wondered if your best or your “better” was enough this time.

“Kita kun.”

“Hm?” he hummed, like how he always did when you look up at him from your hands. But you did not look at him this time, twirling the loose end of the yarn in your index finger instead.

“Do you think getting something handknitted from someone you aren’t with is suffocating?”

Kita frowned at the sad smile that was on your lips. You were looking at what he assumed would be a scarf from the casting and the patterns, rubbing at the slightly crooked cable. Were you thinking of the person you want to give it to? Were you worried that they wouldn’t like it? He had made himself stop speculating who it was that made you get back early each day and struggle so clearly with something you didn’t seem to exactly enjoy just to make something thoughtful for them, but he couldn’t stop the bitterness from welling up that it was someone who made you worry over them finding you suffocating.

He wanted to tell you that anyone who thought so was not someone who deserved your time, but swallowed it down anyways.

“No,” he said, and you finally looked up at him, “I think it is rude to think that of someone who put effort into doing anything with me in mind.”

And there it was again, the same warmth that tingled until it was all you could feel. Like a hand warmer, like a simple hello in the mornings, like the winter sun that was shining on you.

Right.

You smiled, a genuine one this time.

Because Kita Shinsuke was not just some dumb crush, because he wasn’t like the boy who never really did look up to see you, because you were ok with breaking every single promise you had made to shield yourself off just for a chance with him.

He seemed confused at your sudden change of mood, but you only shook your head and picked up the knitting needles again.

“You’re right.”

-

To say that everyone was hyped for winter break was an understatement.

But you, you were just really nervous.

You greeted Kita when you came back in the morning as usual, feeling the nerve bundling up in your stomach already just from knowing that if this went badly, you could not bear it to pretend to still be his friend from then on. Classes did not pique your interest in the slightest, and the only time you even diverted your gaze upwards from the book you were staring at blankly was when Kita’s voice rang in the classroom, blocking the blackboard from your view as he stood up to answer some question you did not know the answer to.

He looked warm, you remarked to yourself as your eyes scanned through the grey vest he was wearing.

Did he make it himself? Maybe you should ask him for a tutorial later.

And then you remembered that it was the last day before break, and your knitting sessions with him was already over. Your scarf was finished, he even complimented you on it. (“I’m sure whoever got this will be very pleased,” he had said, and you were just praying to whatever entity you could think of that he would still think so when you give it to him) It wouldn’t make sense for you to go to him anymore, and it would be awkward for both of you if he knew that you were only learning how to knit to be around him.

Your hands were so cold, nearly in pain as you grip on the box that you had been hiding in your bag all day long. You backed out of giving it to him during lunch when no one else was around, deciding that you would rather not stare at his back for another few hours after basically exposing yourself. But the day was about to come to an end. The winter sun was always gone early, and the sky was lit up in shades of orange and red as students rushed home for the start of their break.

You sucked in a deep breath when you saw him packing up his things after the end-of-class bell rang.

“Kita kun?”

“Yes?”

All you could hear was the beating in your ears and the hilt of what was a steady rhythm when he turned to look at you. His voice still made you melt, and heat spread on your face like the fiery cloud hanging on the sky from the setting sun.

Warm, bright, beautiful.

“This is for you,” you tried to stop your voice from shaking as you looked into his eyes, the same ones that widened when he saw the box on your extended hands, “thank you for helping me all through last year.”

You had to remind yourself to breath as Kita took the wrapped present. “Can I open it?” he asked, his hand hovering above the ribbon.

You tried to maintain the smile on your face.

“Of course.”

Kita knew the scarf that was sitting inside the box, he could point out which cast was his doing and which ones you had asked him for help even with his eyes closed. He had wondered about what you had done with it, whether the person who got it was worth your heart and soul.

He had wished, with sincerity, that it would go well for you but there was also a selfish part of him that pondered, contemplated how it might go if he told you he would love to have that scarf.

You grimaced when he didn’t say a word, before slowly closing up the box. You had prepared yourself for this outcome, but part of you still felt a familiar sting in your chest.

Until you saw him digging into his own bag and pulling out a tiny bag. You were still dazed as he handed it to you, his fingers holding onto the handle and a smile on his face as he waited for you to take it. You reached out with both palms, before the weight of it settled in your hand.

It was a pair of gloves, soft and sturdy in your hands without a single stitch out of place. Your finger brushed against the intricate patterns at the center before stopping at the elastic hem. You could not help but slid it on, gasping in awe at how it fit perfectly.

Kita was smiling at you, and he was throwing the end of the scarf to his back when you looked up at him. The one he had worn that morning when he made way back to school under the cold was shoved into his bag and replaced by the less well-made one you had given him.

But he didn’t care, he loved it.

“Should we go?” He asked, holding his own gloved-hand out, “They are closing the school soon.”

You finally got to be mesmerised by him without having to shy away, and the way his eyes were full of you could only be matched to the sun that was setting outside, rays of what would be the last of its shine until tomorrow reflecting off the snow.

Beautiful, soft, and had your heart all warm and gooey.

“Let’s go.” You replied, grinning ear to ear, before taking his hand.

And it was so, so warm.

[bpro-cardstories]

Tomohisa Kitakado SSR

2019 ー New Field [新境地]

“Say, Tomo, are you really alright with it?”

『Event: Pirates of Legend (1st - 9th August 2019)』

Part 1

ーKitaKore’s apartment.ー

Tomohisa (surprised): ‘A request for me….. To write a script for a drama series?’

Tsubasa: ‘Yes. Because it’s in the form of a competition it’s unknown if your script will actually be used. You were supported by a famous script writer and invited to “co-write” a script.’

Tsubasa: ‘The theme will be “battle”, but outside of this, you are free to write anything.’

Ryuji: ‘Hee, so far there have been writing requests such as columns or comments….. Scriptwriting for a drama series is a first, isn’t it? It sure is an unusual offer, Tomo.’

Tomohisa: ‘Yeah, I honestly was surprised. Why did he nominate me, I wonder?’

Tsubasa: ‘The client is a TV station producer who worked on many hit dramas.’

Tsubasa: ‘It seems that while he was watching Kitakado-san’s appearance in a program,  he took notice of the atmosphere and your speech which was intelligent and had a good feeling to them.’

Ryuji: ‘Hehe. That producer must be watching Tomo closely.’

Tsubasa: ‘He also read the columns published in magazines by Kitakado-san, and said that you have excellent writing abilities and sufficient topicality. Therefore, if you are interested then you are asked to get in touch with him.’

Tomohisa (smiles): ‘I see….. I appreciate that he even read my columns. And to be valued to such an extent makes me happy.’

Tsubasa: ‘It’s not often that I  hear of said things, so I think he is not simply complimenting you, but they do really like Kitakado-san’s writing.’

Tsubasa: ‘Since it’s a rare change, would you like to try it out?’

Tomohisa: ‘You’re right….. I’m very grateful for the consideration. By going beyond acting there will be a lot of things I will be able to learn through standing on the side of production for one time in the future.’  

Tomohisa: ‘Since I like writing, I’m interested in putting together a story. If I can challenge this, it might be a really great stimulus.’

Tsubasa: ‘If so, thenーー’

Tomohisa: ‘But I will turn down the offer this time.’

Tsubasa: ‘Eh……’

Tomohisa: ‘There are many wonderful professionals in this industry. It feels wrong for an amateur like me to suddenly take part in a competition. If I participate just because of topicality, it’s rude toward the contestants that earnestly submit a script I think.’

Ryuji: ‘........’

Tomohisa (smiles): ‘Should turning down the offer become an inconvenience then that’s a different matter, however….. There’s no problem I hope?’

Tsubasa: ‘Of course, please don’t worry about it. You are right, because it’s of a different nature than your usual work, Kitakado-san’s feelings are most important regarding this matter. Then I will later inform him of your rejectionーー’

Ryuji: ‘Wait a minute, Tsubasa.’

Ryuji: ‘Say, Tomo, are you really alright with it?’

Tomohisa: ‘Ryuji…..?’

Part 2

Ryuji: ‘You actually…… don’t really think that joining the competition is rude, do you? That thinking is even more discourteous I think.’

Tsubasa: ‘R-Ryuji-kun……’

Ryuji (angry): ‘I mean it’s the truth, it’s like saying you all lose to a script of an amateur’s topicality.’

Tomohisa (baffled): ‘........’

Ryuji: ‘That producer must know that it’s natural that there will be lots of scripts from professionals. As a producer for programs even more so. Yet, he purposely gave you an offer, Tomo. Isn’t it better to think more thoroughly about the meaning of it?’

Tomohisa: ‘........ The meaning of purposely choosing me, huh?’

Ryuji: ‘Exactly. …… It’s true that Tomo may be an amateur in relation to scriptwriting. But doesn’t the feeling to try it out apply to both professionals and amateurs?’

Ryuji (upset): ‘If you seriously are prepared to work hard, then you ought to take this chance.’

(It may be the first time I see Ryuji-kun persuading Kitakado-san about work in such a manner. All the more as Ryuji-kun might feel that this work will be meaningful for Kitakado-san.........)

Tomohisa (smiles): ‘........ Thanks, Ryuji. You’re right, maybe I was a bit conceited here.’

Ryuji: ‘I- I didn’t say that........’

Tomohisa: ‘No, it’s fine. Thank you for making me realize. It kind of opened my eyes. It seems like the offer itself was unexpected for me and my mind didn’t catch up.’

Ryuji (sighs): ‘........ I thought so. It was unlike Tomo to find a reason to not accept even though you had an interest in the offer.’

Tomohisa: ‘Haha, it’s as Ryuji says.’

Tomohisa: ‘........Tsubasa, I’m sorry, but ignore my answer from earlier. Would it be fine if I think about the offer a bit longer? My own feelings included, I want to properly think about whether I have enough time to face the production.’

Tsubasa: ‘Kitakado-san........ Of course!’

Tsubasa: ‘These are the materials for the competitions. I will contact the other party, so please take your time to consider.’ ________________________

 ーAnother day. In the meeting room.ー

Tomohisa: ‘ーーHello, Tsubasa.’

Tsubasa: ‘Kitakado-san, hello.’

Tsubasa: ‘It has been one week since then....... Did you come to a decision about the scriptwriting competition?’

Tomohisa: ‘Yes. I faced myself and........ Came to a decision.

Tomohisa: ‘I want to participate in the competition.’

Tsubasa: ‘........! I’m glad to hear that........ I thought that it was a really good chance so I am happy as well.’

Tomohisa: ‘Thanks, Tsubasa. I got excited when I read the material for the competition and was able to convince myself once again that this is what I wanted to do.’

Tomohisa: ‘Besides, it’s important for us to open up new work fields from now on I think.’ 

Tsubasa: ‘Fufu, I am certain that this will be a big step. If you have decided so, I need to start adjusting your schedule........ I wonder how much time you will actually need to write a script?’

Tomohisa: ‘About this…… When I read the materials I tried to write one. Won’t you look over it for me?’

Tsubasa: ‘Eh........ You tried to write a script, you said?’

Tomohisa: ‘Yes. I wanted to test to what point I’m able to write alone. I thought that it’s important to let the producer know what writings other than columns I can produce.’  

Tomohisa (smiles): ‘Since I jumped into the world of professionals, this much preparation and readiness is a must.’

Tsubasa: ‘Amazing........ But is it fine that I will read your script beforehand?’

Tomohisa: ‘Of course. If possible, I want to hear your honest thoughts and impressions on it.’

Part 3

(Kitakado-san’s first script........ Just what kind of story could it be.)

Tomohisa (laughs): ‘Since the theme was “Battle” I wrote a story with “Pirates” as the motif, which I associate with the theme.’

Tsubasa: ‘ “Pirates”........’

(So, it’s probably mainly intense action. ........ Oh, it takes place in Japan.)

(........Huh? There are........ no battle scenes. The “pirates” appearing in the story are at the checkpoint that’s on the sea.)

Tsubasa: ‘........ How strange.’

Tomohisa: ‘Hm? Is there perhaps some inconsistency?’

Tsubasa: ‘Ah, no........! This story is very interesting. The appearing characters are charming and the dialogue is lively. It’s possible to become engaged in the story because thanks to your stage directions the scenes naturally emerge.’

Tomohisa: ‘I see, glad to hear this.’

Tsubasa: ‘But ........ This work is different from the usual “Pirate story”, is it not?’

Tomohisa: ‘Haha, that may be true, indeed. Pirates are pirates, but I chose “Murakami Kaizoku*” as the motif.”

Tsubasa: ‘ “Murakami Kaizoku”?’

Tomohisa: ‘Yeah. When you hear “pirates” the image of a group that gloriously steals the treasure with showy swordplay and firefights comes to your mind. But Japan’s pirates........ The “Murakami Kaizoku” are a group that fights to “protect” the important things.’ 

Tomohisa: ‘They seem to have been a group, also called the Japanese feudal lord of the sea, that was working for the sake of “protecting” people’s lives, livelihood, and above all, the peace of the sea.’

Tsubasa: ‘So that is why they do not start a fight by themselves.’

Tomohisa: ‘Exactly.’

Tomohisa: ‘........ Modern and extreme “battles” are perhaps better suited for entertainment and entertainment for drama series. But I think “fights” aren’t not only there to mutually hurt or steal from each other. To protect what’s dear, one overcomes their weaknesses. Everyone faces this kind of “battle” everyday.’

Tomohisa: ‘I want to write the kind of story where the viewer sympathizes and is inspired, even if the time or circumstances are different, is what I thought.’       

Tsubasa: ‘A “battle” that does not leave the viewer behind........ That is incredibly like Kitakado-san. This is why you can feel a soft warmness despite the heart-breaking scenes.’

Tomohisa: ‘Fufu, if it’s how you feel, then I’m happy.’

Tomohisa: ‘It’s worth writing just because Tsubasa said that.’

(To be able to produce such a wonderful script in a mere week, Kitakado-san really is extraordinary........)

Tsubasa: ‘I would like to continue reading your script without a rush, but........ More importantly, I would like to quickly submit it to the producer. I am sure it will be more than what they expected.’

Tomohisa: ‘That’s good to hear. But if this script isn’t what they wished for, then don’t hesitate to tell me, I will rewrite it.’    ________________________

 ーAnother day. During a photo shoot.ー

Tsubasa: ‘Uhm........ Ah, Kitakado-san!’

Tomohisa: ‘What happened for you to be so flustered........ Wasn’t it a different location today?’

Tsubasa: ‘That is true, but there is something I need to tell you as soon as possible. It’s about the script the other day, I received a reply from the producer.’

Tomohisa: ‘........! What did they say........’

Tsubasa: ‘It was praised that the result was beyond their imagination. And they were pleased about the subject at hand, which was like Kitakado-san. Moreover, it will be adopted as a solo script by Kitakado-san, instead of a co-written one........’

Tomohisa (surprised): ‘Solo script?’

Tsubasa: ‘Yes! It was decided to make it into a drama, outside of the competition. It seems that it will be in the frame of a two hour special drama.’

Tomohisa: ‘Made into a drama........ This time everything really is beyond your expectations.’

Tomohisa: ‘But I’m incredibly happy about it. I wonder if it’s fine that there are no problems with the content of the script and to receive such a big chance?’

Tsubasa: ‘It looks like there will be some corrections needed, however, they said that they want to go with the content as it is. And........’

Tomohisa: ‘There is more to come?’

Tsubasa: ‘Yes. When the production of the drama happens, if possible, they want Kitakado-san to be involved with the castings as well.’

Tomohisa: ‘Me........ Involved in the castings?’

Part 4

Tomohisa (baffled): Is that true? I didn’t think it was possible for me to choose the actors.’

Tsubasa: ‘If you wish, they will move to make it come true as much as possible. For this reason, should you have a performer in mind, do not hesitate to........’

Tomohisa: ‘........ If so, then there’s one person I’d like to ask.’

Tsubasa: ‘Is that so?’

Tomohisa: ‘Since he’s a veteran, it might be difficult. However, when I was writing the main protagonist, he came to my mind. So I was thinking to myself that I would be delighted if he plays the role........’

Tsubasa: ‘In this case, it will not hurt if we let them know! The producer is eager to gather a good staff and performers as well.’

Tomohisa (smiles): ‘Thanks. ........ How do I say, there’s a mysterious feeling I have never felt before. The world I imagined inside my head becomes reality........ The actors and actresses will bring the lines I wrote to life. They’re just ordinary letters, but I’m able to witness the moment they turn into living words.’

Tsubasa: ‘Fufu, even I am getting excited myself.’

Tomohisa: ‘Tsubasa, you also read the script, is there someone you imagine to play this particular character?’

Tsubasa: ‘Let me see, I ........ Ah, before that, I have an important matter to tell you.’

Tomohisa: ‘Hm?’

Tsubasa: ‘It’s regarding the casting, they also like to ask some B-PRO members to appear.’

Tomohisa (surprised): ‘From B-PRO, too?’

Tsubasa: ‘Yes, as Kitakado-san’s name will be listed, they want at least two other names to be listed as well.’

Tomohisa: ‘I see........’

Tomohisa: ‘........’

Tsubasa: ‘Uhm........ is something wrong?’

Tomohisa (smiles): ‘Yeah........ I just thought about how it’s a bit troubling, because it’s not possible to have everyone appear, I assume? It’s a given that, no matter who I choose, they will deliver a good performance. And yet, I have to choose from them.’

Tsubasa: ‘You are right........ Choosing among the members does feel awkward. However, this is not about the quality of their acting ability. If you choose them based on whether they suit the role or not, then it should not be such a worrisome matter I think.’ 

Tomohisa: ‘That’s true........ Then........’

Tomohisa: ‘........But, what to do. The role that suits Ryuji this timeーー’

Ryuji: ‘What about me?’

Tomohisa (surprised): ‘Ryuji! What about the shooting?’

Ryuji: ‘It just finished. I heard your talk from the middle on....... Tomo, are you worrying about me by any chance?’

Tomohisa: ‘That’s.......’

Ryuji (sighs): ‘Haa....... As I thought. Listen, do you think I will sulk if I can’t appear in the drama?’

Tomohisa: ‘No, you’re wrong. It’s just that this work is my first script. Since Ryuji encouraged me so much....... Besides, I do really love Ryuji’s acting. So if I am choosing from B-PRO, I want it to be Ryuji after all.’ 

Ryuji: ‘But there’s no role for me, is there?’

Tomohisa (dejected): ‘Uh.......’

Ryuji: ‘Good grief.......’

Ryuji: ‘There must already be a set image inside Tomo’s head. You absolutely can’t stray away from it. I won’t forgive it if Tomo’s important work will be ruined by such a thing.’

Tomohisa: ‘Ryuji.......’

Ryuji (smiles): ‘And in the first place, if I was appearing in the drama Tomo penned then I’d be the leading role, am I right. The content as well must be even more refined.’

Tomohisa (smiles): ‘Heh....... You’re right, When casting Ryuji, it has to be a script that was written for Ryuji.’

Ryuji: ‘Exactly. So for now, concentrate on producing good work. That’s also part of a professional’s work, no?’

Tomohisa (smiles): ‘Yeah. Thanks, Ryuji.’

Tomohisa: ‘.......Say, Tsubasa.’

Tsubasa: ‘Y-Yes.’

Tomohisa (winks): ‘To be honest, when I was writing the script, there were characters for which members came to my mind.’

Tsubasa: ‘.......! Please let me hear about it.’

Tomohisa: ‘Thanks. Uhm....... This role is heroic, fun and soothing. Since he’s a moodmarker I was thinking of Hikaru when I was writing the script. As for the other role, he comes with honesty and seriousness who doesn’t hesitate to throw away his life for the sake of his comrades.’

Tomohisa: ‘So I think this role might suit Kazu.......’

Ryuji: ‘.......’

Part 5

ーDuring the drama production, at the beach.ー

Lighting staff: ‘Put the lighting a bit higher.’

AD: ‘The last location bus is arriving! With this all the performers for today are gathered!’

Tomohisa: ‘....... It’s the start of the filming, huh. From here on out we’ll earnestly start filming now.’

Tomohisa: ‘.......’

Tsubasa: ‘.......Uhm, Kitakado-san. Are you fine?’

Tomohisa: ‘Eh?’

Tsubasa: ‘No, somehow you looked stiff for a second....... Since we are shooting at the sea all day, you will be hit by the salty sea breeze. If you are not feeling well, please tell me right away.’

Tomohisa (smiles): ‘I’m fine. My body is fit and healthy, there’s no problem.’

Tomohisa: ‘But, perhaps....... I’m a bit nervous.’

Tsubasa: ‘Eh.......?’

Tomohisa (pensive): ‘It sure is unusual for me, I agree. I just don’t know it myself really well, this sensation I’m feeling for the first time. I didn’t feel like this when I appeared in dramas....... Is this what you call pressure?’

Tomohisa: ‘A great number of people are working to realize the script I wrote. It’s been like this ever since this project started to move. Seeing the preparation for the shooting before my eyes now....... It looks like I came to realize this fact at last.’

(For Kitakado-san, who usually is the one who calms down everyone, to be this nervous....... It’s also a first for me. The words I should be giving at this time.......)

Hikaru: ‘Uwaah~ I’m so super nervous~!!’

Tomohisa: ‘.......Hm?’

Hikaru: ‘Did you see, leader? The actress who’s standing by the location bus!’

Hikaru: ‘When I was a child I watched her dramas in the morning, she played the mother in it!? I can’t believe there would come a day where I would be co-starring with her....... Aaaah, that makes me so nervous!’

Hikaru: ‘Leader, write down lots of letters of “person” on my hand** I will drink them! I will chug them down all at once!!’

Kazuna: ‘Calm down, Hikaru. It’s not our turn yet.’

Hikaru: ‘Uuh~! I know, but.......!’

Kazuna: ‘Hm, I do understand you though. There are nothing but talented performers around here, it’s nerve-wracking. But everyone should have the same desire to produce a good drama....... Don’t let yourself be swallowed up by the atmosphere and let’s rise together.’

Kazuna: ‘Let’s fight the pressure and move forward, just like our roles.’

Tomohisa: ‘.......!’

Kazuna: ‘Ahead of overcoming your weaknesses, there’s the future. For this reason, no matter how scary it is, even if your legs are tremblingーー You need to walk without stopping.’

Hikaru: ‘L-Leader.......’

Hikaru: ‘Uuuh, you’re so cool~! I’m mesmerized~!!’

Kazuna: ‘H-Hikaru, lower your voice a bit.......’

Hikaru: ‘You’re right! It’s the lamest to lose to yourself! Alright, I’ll also do my best!!’

Tomohisa: ‘....... Haha.’

Tsubasa: ‘Fufu....... Hikaru-kun is just as usual.’

Tomohisa: ‘Yeah. Kazu as well as Hikaru, they both are strong.’

Tomohisa: ‘I....... have to become strong, too. I can’t stay like this.’

Tomohisa: ‘If I don’t fight with the same feeling as the actors and actresses as part of the crew, I can’t deliver good work that many people can enjoy.’

(....... A dignified look. Yeah....... I’m sure he will be fine from now on.)

Producer: ‘Alright, it’s time. Shall we gather once before we start filming? Kitakado-kun, come here!’

Tomohisa: ‘Yes, I will.’

Tsubasa: ‘....... Everything is going well.’

Tomohisa: ‘Yeah, then, I’ll be going.’ ______

Tomohisa: ‘....... Tsubasa.’

Tsubasa: ‘Kitakado-san? Do you need something.......’

Tomohisa: ‘No, just....... Thanks.’

Tsubasa: ‘Eh?’

Tomohisa: ‘I’m very grateful that this gives me an environment and opportunity to continue taking on new challenges. That’s why, thank you, Tsubasa.’

Tsubasa: ‘....... You are welcome. The possibilities are limitless. Let us take on all kinds of challenges from now on as well.’ 

Tomohisa (smiles): ‘Yeah. Then....... I will go fight alongside everyone.’

Tsubasa: ‘Yes! Please do so, Kitakado-san.......!’

END ______________________

* Murakami Kaizoku (村上海賊): “[....] Murakami Kaizoku was the country’s largest group of pirates. Contrary to the usual activities of pirates who loot ships for money and goods, the Murakami Kaizoku’s primary occupation was enforcing order for the safety and security of navigation, and ensuring orderly trade and distribution in the Seto Inland Sea.[....]” [Source: japan-heritage.bunka.go.jp]

** Writing the letter for “people” (人) on the palm of your hand and swallowing is something like an encouragement ritual in Japan. Perhaps you might have seen it in some anime before, like Shokugeki no Soma, or in J-Dramas. This article explains the history behind this action.

[dailyniallnews]

Niall Horan: Live at The Royal Albert Hall

While some may argue that too few artists have done their bit to raise awareness for the people of the music industry who since March 2020 have been forced to stop practicing their profession, one artist who has stepped up to the plate is singer-songwriter and former One Direction star, Niall Horan. Joining forces with the crew-led organisation, We Need Crew, on 7 November 2020, the singer welcomed fans from around the globe to bear witness to a one-off performance from the eerily empty Royal Albert Hall, with all profits going to his touring family and technical entertainment charity, Backup.

In the lead up to the livestream, Horan could be found on almost every television network, promoting the show and explaining why the performance required the attention of all music lovers. In his own words: “I’m putting on this gig to raise awareness of the immense value they bring to an industry enjoyed by so many and do something to help them and their families. I ask all my fans to support them with me and buy a ticket if you can, and I encourage all artists to do the same.”

With several weeks passing since both artist and crew took over the RAH, TPi caught up with the crew behind the project and to get their thoughts on this very special event.

PRODUCTION ORIGINS…

“I remember it was a Monday morning when I got the call from Karen [Ringland] and Alice [Martin], who explained the concept of We Need Crew,” reminisced Ant Carr, Head of Production for Modest! Management. Both founders of We Need Crew explained to Carr that the goal of We Need Crew is, in association with #WeMakeEvents, to raise money for touring professionals who have fallen on hard times due to the COVID-19 pandemic.

“What really appealed about their organisation was that it was created by crew, for crew,” Carr said. “Around the same time, I was having conversations with Niall, who had already seen a few peers doing livestream performances, and we discussed the idea of performing in an iconic venue to raise awareness for the plight of the industry.”

With these two conversions in mind, Carr began to pull the pieces of would become Horan’s streamed performance together, as well as a big launch for the We Need Crew campaign. Carr and the rest of the Modest! team got to work reforming his touring family, whose album cycle had been stopped prematurely in March 2020.

“We were in LA when everything began shutting down,” stated Carr, who explained how he and the rest of the crew were in their last few weeks of promo before heading into rehearsals for Horan’s world tour. “We were finishing up a week on James Corden when the announcement came that the borders were due to be shut, so we all had to head back to the UK pretty quickly.”

After several months with no work, both Carr and the rest of the crew were all enthusiastic about getting back together to put on a very special performance. “In many ways, it was like we had never been away,” explained Production Manager, Andy Colby. “There was a part of me that thought it might have been a bit strange with it being so long since we worked together, but 30 minutes into the first rehearsal at SW19, it was like we had just got off the plane from LA.”

Colby was one of many familiar faces from Horan’s touring family who got the call to help with the livestream, alongside several technical suppliers including Wigwam and midnight:lights. KB Event provided a Megacube Artic for rehearsals in SW19 along with a Tech Kit for the show, oversaw by Lead Driver, Steve Crawley. Pulse Films and promoter, Driift were brought into the fold to make the event a reality.

In total, some 127,000 tickets for the performance were sold to 151 countries. “The response we had from fans was fantastic,” enthused Carr. “The funds raised are going to be able to help a good number of touring crew and their families and we kept this in the forefront of our mind in all aspects of the show.”

Carr was also quick to complement the attitude of the man in front of the camera. “Niall was very involved in every step of the process. He really gained a full grasp of the situation and during the promotion of the show, he really wanted to educate the public, and his fanbase, about what was going on in the sector.”

SETTING THE STAGE…

A few weeks from the broadcast date, a small group visited the Royal Albert Hall to make a start on planning how the show would come together. Lighting and Show Designer, Emma Bull and Director, Paul Dugdale led the creative vision. The livestream began with Horan performing a song on the piano on the venue’s stage, before walking down to the centre of the room to play the rest of the show in 360° in the centre of the hall. A top priority for the visual team was putting both Niall and the venue in the spotlight.

Bull elaborated: “Although several dance shows utilise the centre of the room, Paul’s Dugdale’s suggestion to do this for a music act felt fresh and was a strong starting point for the design,” she noted. “Having Niall and the band in the centre gave us a few options to really show off the building and take advantage of the fact the whole space was empty.”

One of her design ideas to make use of the space was to fill the empty boxes of the hall with lights. “It really ‘shined a light’ on the fact that there was nobody in the space,” she commented.

Aiding her in both the programming and running the show was Richard White of midnight:lights. “In total, we built 114 bespoke plinths for the audience boxes,” he stated. “On these sat a combination of Robe LED Beam 150s and Robe Spiiders.” The arrangement of these fixtures and boxes created a 360° backdrop of the central stage, with fixtures focussed into the room as well as back on themselves to flood the boxes.

The other key lighting elements included three Robe BMFL Robospots for keylight, which were placed in the venue’s gallery level. “We kept most of the control of these at the console with it being a 360° shoot,” stated White. “We were then able to shift the keylight/backlight across the fixtures as the camera tracked.” Around the central stage, the lighting team deployed SGM Q2s to provide some glowing footlights, along with Litepanel Gemini Softlights for Niall’s microphone position. “From the beginning, I knew I didn’t want there to be any rigging or trussing in the shot,” explained Bull. “We didn’t want anything to distract from the key elements of the shot – Niall and venue – to produce a clean look.” This is also why the visual department moved away from the idea of a backdrop and instead showed off the immensity of the famed venue.

Aiding both Bull and White in their endeavours was Lighting Programmer, Dan Young. In the lead up to the show, both Young and White spent several days in the previs suite at midnight:lights using Syncronorm Depence² to plan the show. “I have worked with both Dan and Richard several times and they have a great understanding of my aesthetic,” praised Bull. “I like things to be quite static in terms of colour palette with refined looks.” During the show, White oversaw the key lighting with Young programming all the moves. This gave Bull the freedom to act as a go-between between both the lighting and the stage to ensure the integrity of the design for the broadcast.

“The main challenge for this show was to provide consistent lighting over the different shooting styles,” mused White. “On one hand, we needed to have soft beauty lighting for close-up shots and steadycam work, but we also needed to make sure that the stage was physically as clear as possible for all the wide room shots and overhead wire-cam.” To add a level of accuracy, most of the live show was programmed to timecode because the visual team were situated outside of the room during the shoot.

LIGHTS, CAMERA, LIVESTREAM…

Jim Parsons was brought in by Pulse Films to assume the role of Producer. “By the time I got involved, the concept had already been fairly well developed by Emma Bull and Paul Dugdale,” Parsons began. “From my side, it was a case of getting all the video and visual elements and working out some of logistics of how we’d get the event to the finish line.”

Parsons has collaborated with Horan several times over the years. “The fact he came from the TV world means he has much more of a grasp than many of his peers of what goes into this style of performance and how to connect with fans through a camera,” he enthused.

Speaking a few weeks after the event took place, Parsons reflected on what he and the team achieved with the livestream. “We always knew we had an opportunity to do something different with this show,” he commented. “The end resulted was big and beautiful, but it was still ‘live’.  It had the feel of a real show and didn’t come across prescriptive or dull.”

Parsons went on to describe the collaboration between himself and Driift, having worked together several times during 2020 on shows for Kylie Minogue and Sleaford Mods. “Ric Salmon and the rest of the Driift team are the kind of broadcasters I really like collaborating with in that they just let you get on with your work,” stated Parsons plainly. “They were obviously interested in the initial conversations and in the creative, but once it was all in place, they left us to it.”

Driift CEO, Ric Salmon offered his two cents on the project. “The fact that Niall ended up selling 127,000 tickets for the event is such a huge achievement, made all the better as it was all for such an amazing cause,” he stated. Unsurprisingly, 2020 was a busy year for Driift as the company offered livestreaming solutions for several artists. “There are almost too many benefits with this format of show,” stated Salmons while discussing the progression of livestreaming solutions that have only expanded in the past few years. “As we move forward, I think you’ll find more people opting for this style of event over, say, music videos,”

Parsons described what it was like working in the RAH. “It’s a beautiful venue, but we have all seen it thousands of times and there’s no denying that making it look different is quite a challenge. So, hats have to go off to the visual team for making this livestream look so unique.”

A Luna Remote System Junior 5 Telescopic remote compact dolly on a circular track along with a Dactylcam Pro point-to-point wire camera system captured the magic of the livestream. The spanned the periphery of central stage to present virtual audiences with a 360° view.

Camera Supervisor and joint Owner of Luna Remote Systems, Dean Clish discussed what it meant to be involved in such a prestigious show. “It was an honour to be involved in Niall’s show,” he commented. “It was for such a great cause and it’s always good to be in the Royal Albert Hall – you can’t go wrong with such a beautiful location.”

He continued to discuss why the camera selection was ideal for this type of performance. “The Junior 5 and the Dactylcam Pro are perfect for this kind of shoot because of the need to socially distance and, of course, with this sort of intimate production, they are both really unobtrusive and discreet systems,” he explained. “We’ve rigged the Dactylcam in the Royal Albert Hall before. It’s a brilliant system to use in there as you can really capture the essence of the hall from a height, in flight, in a way that you can’t with static systems.”

SOUNDING OUT…

The production brought back the audio double act of FOH Engineer, Matthew Kettle and Monitor Engineer, Joe Campbell to oversee the mix for the livestream and the band on stage. Having started working with Horan on his first solo album cycle, Kettle gave an overview of his time with the artist. “I didn’t really know what to expect before I’d heard the debut record and, as I was more known for working with rock music, I wasn’t sure I’d be the right fit,” he commented. However, with Horan’s solo music citing influences including Fleetwood Mac and Bruce Springsteen, the Engineer explained how it had been a fruitful partnership over the past three years. “Niall is really quite involved with the audio production and often during rehearsals will listen to the mixes to get a feel of what is being produced.”

Having been put on a hiatus since the tour’s cancellation in March, Kettle described what it was like to pull the pieces back together for the tour. “It’s really quite a different process producing a mix for a livestream compared to a live show,” he mused. “I have always had massive respect for broadcast engineers as it is such a different craft. When you’re mixing live in a venue, if anything goes wrong, you can fix it for the next performance. However, with a broadcast, everything is under much more of a microscope and under a great deal of scrutiny. Not only that, but you only have one shot at a show.”

Kettle explained that once he and the team entered rehearsals, they soon found their rhythm. “The approach to mixing was not too dissimilar to what we had already been working on for the tour. Just like the visual department, we didn’t want the production to be too flashy, aiming to simply reflect the intimacy of the performance without too much embellishment,” he commented.

For this reason, both Kettle and Campbell virtually replicated their audio setups they had planned to use for the world tour, featuring two DiGiCo SD5 consoles for monitors and FOH, along with Shure Axient Handhelds with Sennheiser 2000 Series IEMs, d&b audiotechnik wedges and a V-Series for side fills.

The console setup was not significantly different from the touring configuration, with multiple inputs from various SD-Racks in different parts of the stage and performance areas going to the broadcast SD5, all connected by an Opticore loop and shared with Campbell’s SD5 in monitor world. “The SD5 is my favourite console in the world,” said Campbell. “I love it and, because DiGiCo products are well proven and rock solid reliable, we rarely have to include them directly in what we do.” Cambpell was initially concerned in the lead up to the show, having not touched a desk since March. “Thankfully, Wigwam had kept the desks in pristine condition – so much so that our show files were even still loaded on the desk from the tour. This saved a great deal of time in rehearsals and certainly made it easier to get back into the saddle.”

Campbell was keen to replicate the same stage setup for Niall and the band. “During the tour, although he uses IEMs, I still have a wedge and side fills just in case he wants to take out his ears to hear the crowd,” he explained. “Even though it was a livestream with no audience, I wanted the show to feel as familiar as possible for him and the band.”

Despite a relatively “meat and potatoes” band setup, Campbell had just under 100 inputs on his desk – the result of several reverb returns and an elaborate talkback system. “Each one of the band members have a talkback mic so throughout the performance they can talk to one another and me,” he noted.

Meanwhile, Kettle’s ‘FOH’ position was slightly further away, setting up in a corridor off from the main hall. “Wigwam prepared an acoustic treatment kit so I sat at the desk with several studio monitors to mix the show and then sent my audio feed to the Pulse team,” stated Kettle. “Before going into the RAH, I was concerned with how the room would react with no audience in there to dampen the sound, but from the first sound check it sounded fantastic.”

Discussing Wigwam’s involvement with the project, Tom Bush commented: “We were all extremely proud to be supplying Niall’s livestream, especially as it was addressing the We Need Crew and #WeMakeEvents funds and highlighting what goes into putting on a production with the unseen and behind-the-scenes rolls.”

Bush went on to explain the approach to this type of performance: “A slightly different thought process can be needed – the standard positions for mixing, for example. The package wasn’t too dissimilar to the one we had ready for the world tour, so we had a good starting point. A few additions and tweaks were needed to adhere to the show setup, but Matt and Joe’s attention to detail made sure the process was smooth. The need for trucks full of PA hasn’t been required yet, but soon hopefully. We currently have a few livestreams pencilled in that we’re all looking forward to.”

#WENEEDCREW…

Looking back at the slew of 2020 livestreamed performances, Niall Horan stands out among the crowd, not only for its aesthetic, but because of everything it represented – not to mention the sizeable pot of funds it raised for the live events industry.

As we enter a new year with the live events sector entrenched in the clutches of the COVID-19 pandemic, the hope is that more musicians will follow in Horan’s footsteps to shine the spotlight on hardworking crew members that are so often out of sight and mind to the average live music lover. In the meantime, more information regarding the We Need Crew initiative can be found on www.weneedcrew.co.uk