#goodreads year in books

[sheisntyouspam]

Fav book of January 24

Fav book of February 24

Fav book of March 24

Fav book of April 24

Fav book of May 24

Fav book of June 24

Fav book of July 24

Fav book of August 24

Fav book of September 24

Fav book of October 24

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[handyowlet]

So my resolution of sorts last January was to read something traditionally published every day (I already read fanfic every day and read at least 1,000 this year). I’m proud that I kept my promise to myself. Most are at least tangentially related to Good Omens & the fandom.

I included the books in case anyone is interested.

[fictional-worlds-are-exquisite]

my year in books...obnoxious post edition

orrr if you like https://www.goodreads.com/user/year_in_books/2023/26792558 :)

[evilwriter37]

Well, Goodreads released the 2023 year in books! I’m still reading books though!

(I technically read 11, but it says 12 because it counted Good Omens twice for some reason. Maybe because it was a reread.)

I can do it though! I can finish 12 books by the end of the year. I want to finish The Rise of Kyoshi.

Also, can I just say how proud of myself I am? This is the most reading I’ve done since high school. I’ve been in a reading rut for 7 years. I really got out of it this year thanks to a librarian I met, and plenty of encouragement from @lifblogs!

[laestoicamillennial]

Me había puesto una meta de 100 libros y me quedé en 99. xD Maldita depresión.

My Year in Books

[invisible-books]

Uh oh its that time of year when everyone is sharing their goodreads yearly reviews. Imma just gon' sit in the corner over here and ignore it all ok byeee

[dylanobrienisbatman]

My 2024 GoodReads Year In Books! I read 50 books, so send me a number between 1-50 and ill tell you which book i read and what I thought of it!

[booksandboba]

My 2023 Reading List in Review

Best Book Series Finished in 2023: Heaven Official's Blessing: Tian Guan Ci Fu (Volume 8), Mo Xiang Tong Xiu

Best First Book in a Series: The Cruel Prince (The Folk of the Air 1), Holly Black

Best Manga Started: The Apothecary Diaries (Volume 1), Natsu Hyuuga, Nekokurage

Best Biography/Best Audiobook: I'm Glad My Mom Died, Jeannette McCurdy

Best Manga Series Finished: Demon Slayer: Kimetsu No Yaiba (Volume 23), Koyoharu Gotouge

Best Web Novel/Best Isekai: Thrice Married to Salted Fish, 比卡比

Best Re-Read of the Year: Nana (Volume 1), Ai Yazawa

Best Comedy: Spy x Family (Volume 1), Tatsuya Endo

Best Ongoing Series: Noragami: Stray God (Volume 23), Adachitoka / Witch Hat Atelier (Volume 11), Kamome Shirahama

[sheisntyouspam]

First read of 2024

Last read of 2024

Fav stand-alone of 2024

Fav series of 2024

Lowest rated of 2024

[handyowlet]

So my resolution of sorts last January was to read something traditionally published every day (I already read fanfic every day and read at least 1,000 this year). I’m proud that I kept my promise to myself. Most are at least tangentially related to Good Omens & the fandom.

I included the books in case anyone is interested.

[podcastwizard]

modern day moby dick but my white whale is a middle grade fantasy novel i read when i was like eleven and haven't been able to find again

[libertyreads]

This is completely fine and I see no possible issues coming from this change. Perfect update, GoodReads, no notes.

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[pagesinmylife]

I’ve been tracking the books I’ve read for about a decade now and on the one hand I love that I have all this history stored on my phone but on the other hand, my teenage self was out here giving 5 stars to books that absolutely DID NOT deserve it. But I can’t go back and change the ratings because I haven’t reread any of those books recently and that’s how my younger self genuinely felt after reading them.

[eli-zab3th]

My 2023 Reading Year in Review!

For more details, see my Goodreads page or The Storygraph

[wri0thesley]

read my heart is a chainsaw yesterday and i'd been saving it because i'd heard it was incredibly good but it was just. average. disappointing for me personally. i love a horror book and i love an homage to horror films but i just could Not connect with jade at all. just felt very much like a man writing a Teenage Weird Girl and not someone who has been a Teenage Weird Girl. pensive emoji