#goodnite dr death

[ierofangz]

[blood-injections]

Goodnight.

[jennycouldyoucomebackhome]

just a girl (not a girl) who is so very normal about themes of legacy and living on in the memories of others, and the fear of being forgotten in MCR songs (lying)

"Oh how wrong we were to think that immortality meant never dying" -Our Lady of Sorrows (I Brought You My Bullets, You Brought Me Your Love)

"When you go, just know that I will remember you" -It's Not a Fashion Statement, It's a Fucking Deathwish (Three Cheers for Sweet Revenge)

"But will it matter after I'm gone? Because you never learned a god damn thing" -Disenchanted (The Black Parade)

"And though you're dead and gone, believe me, your memory will carry on." -Welcome to the Black Parade (The Black Parade)

"It ain't about all the friends you made, but the graffiti they write on your grave" -Save Yourself, I'll Hold Them Back (Danger Days)

"You only live forever in the lights you make" -The Kids From Yesterday (Danger Days)

"Even if you're dusted, you may be gone, but out here in the desert, your shadow lives on without you." -Goodnite Dr. Death (Danger Days)

[d3ad-on-arriva1]

fell asleep to Kids From Yesterday and was woken up by the american national anthem blasting full volume in my ears

[mcrblr-song-tournament]

ROUND 1

another bullets v danger days poll yippeee

[mcrsongoftheday]

Day 36 - Goodnite, Dr. Death

[mieux-de-se-taire]

Danger Days - Part 2

Save Yourself - one of my favorites from Danger Days, definitely my favorite Danger Days intro, that simple opening melody is just so perfect, and then the lyrics, god the lyrics, every single line fucks so hard, and they’re arguably some of the best Gerard ever wrote, this song is just everything distilled: the anger and resentment while still being catchy and fun, the raw cynicism paired with the will and determination to live and care for others, the martyr complex in full force with contemplations on legacy and immortality, the song is just screaming “I’ll die for you! I’ll die for you!”, as a fuck you to the media and those who commodified their suffering and the suffering of their fans, and as a promise to their fans, I’ll protect you, I’ll die for you, I’ll die for you, and isn’t that the message underlying all of Danger Days and Conventional Weapons, christ, and then how legacy is tied into it: “We’re never leaving this place alive / But if we sing these words we’ll never die”, “We can live forever if you’ve got the time”,  “This ain’t about all the friends you’ve made / but the graffiti they write on your grave”, when making and joining a band saved your life but then spiraled out of control and fame threatened to tear you apart again but the very thing that’s killing you is also your legacy and the reason you will never die because you will always be remembered and hated and loved, and what kills you keeps you alive, the poison is the cure, oh my god, I don’t know if any of this is coherent, I love this song so fucking much 

Scarecrow - on the surface one of the happier songs MCR ever wrote, but stupidly devastating when you really listen to the lyrics and learn about the context and deeper meaning, still such a bright, summery, comforting song, one of the most important Danger Days songs I would argue, especially the lyric “Love won’t stop this bomb” (3:07), which is one of the central themes on this record, and as a follow up to save yourself, the repetition of the idea that the end is inevitable and they’re going to die, but instead of anger, scarecrow is more about comfort, it feels like a love letter to their fans, the band still acting as martyrs but focusing more on the listener: “He burns my skin / Never mind about the shape I’m in / I’ll keep you safe tonight”, and knowing that love won’t change anything, but caring anyway, man, maybe Geoff Rickly is right

Summertime - a great transition from Scarecrow by keeping the cheerier sound but actually making it joyful through some truly tender and sweet lyrics, it’s so sappy, almost excessively so, but there’s something so pure and genuine about it, which I think is one of Gerard’s greatest strengths as a writer and a singer, to be able to write very simple lines that would otherwise sound cheesy and phony (think Famous Last Words “I am not afraid to keep on living / I am not afraid to walk this world alone”) but delivering them in way that feels so honest and resolute and making you believe everything they say, it’s also interesting how unabashedly positive it is considering the darkness and anger or bittersweet melancholy that seems to accompany joy everywhere else on this album, Summertime becomes a breath of fresh air

Destroya - completely unironically my favorite Danger Days song, actually the first I heard other than Na Na Na, it fucks so hard, I always have to sing along with the chorus, it’s just so infectious, and the drums, man, it’s one of the most aggressive and powerful sounding songs on the album, and there’s something hypnotically and subversively menacing about it, especially how it was performed live in 2022 with Gerard growling and screaming with demonic vocal distortion, it sounds like a kind of battle cry, which is part of why the extended moaning sections are such a bold and unique choice, but it works in a weird way, at least once you know to expect it (and it’s not live and Frank isn’t genuinely whimpered and groaning on stage sir this is an all ages show), it’s just so angry and weird and fucked up and incredible, and it has some of my all time favorite Danger Days lyrics like “If what you are / is just what you own / What have you become / when they take from you / almost everything?”, which is a brilliant line that ties into the themes of criticizing commodification and consumerism found on Conventional Weapons and Danger Days, also “You don’t believe in God / I don’t believe in luck / They don’t believe in us / But I believe we’re the enemy” is such a raw line, god it’s such a great song, fuck anyone who just reduces it to just the “horny” song 

Kids from Yesterday - probably of one the best songs on the album, especially how they performed it live in 2022 and 2023 with the extended outro (Ray Toro what the fuck is wrong with you this is devastating), it’s so bittersweet and nostalgic and just brimming with love, they always describe it as a song for themselves and you can really hear and see the joy and love among them when they perform it, while other songs feel like promises to the audience, Kids feels like a promise to each other, “I love you. I love you. I will always love you”, it’s so fucked up, “I’ll find you when the sun goes black”, unforgiveable, and it’s also interesting how they revisit legacy as a theme (”You only live forever in the lights you make” is one of my favorite lines in the entire album) and discuss many of the same struggles of fame as other songs, but do so in a far less angry way, it puts less focus on the band as a single entity to be exploited, revered, and hated and more focus on the individuals and how their legacy relates to them as people and their connections with one another, god, it’s just such a stunning song, wish I could listen to it more but I literally can’t handle it

Goodnite, Dr. Death - I really like the radio transmission at the beginning, but I usually skip this one because I don’t feel the need to listen to the American national anthem on the regular, especially not with the very painful (cool sounding, but painful) jumpscare at the end, that being said, it might be favorite of Dr. Death Defying’s interludes, because it’s much calmer and more muted, almost soothing, but disturbing at the same time with how casually death is warned against in an address to children, really adds to the world building, and “Even if you’re dusted, you may be gone, but out here in the desert, your shadow lives on without you” is such a cool line

Vampire Money - so fucking funny, I don’t even know what to say, the iconic roll call intro and countdown followed immediately by the deeply poetic line “We came to fuck”, the fact that it was changed to “We came to suck” in the clean version, the fact that Frank says “Oh I’m there baby” sounding like he’s talking about sex rather than playing music, which he has never once (at least to my knowledge) properly said live and even refuses to acknowledge, the way the whole song is making fun of how people latched onto and then commodified their vampire symbolism and aesthetic early on, and specifically being asked to write a song for the twilight movies, god, I love how they’re so aware of and continuously willing to poke fun at how they’ve been portrayed and perceived over the years, and I also love how malleable this song is live, changing lyrics in little ways every time they perform it, another great example of Danger Days songs being best live

[faist-inator]

goodnite, dr. death star spangled banner jumpscare

[abigail-the-bagel]

AAAA AMERICA JUMPSCARE

listening to Danger Days my beloved on CD, I love her so much she's so wonderful <3

[blurrycow]

doctor death defying and cecil nightvale would be friends I think

[pseudosaprophyte]

happy 4th of july to Danger Days: The True Lives of the Fabulous Killjoys, the fourth and most recent studio album by American rock band My Chemical Romance

[kerosene-saint]

I fell asleep at sing, woke up to skip the traffic report and wrnt back to sleep, and finally woke up at destroya

[puppyboypatrick]

being a my chemical romance fan means sometimes you accidentally listen to the national anthem