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prince-liest · 3 years ago

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fic writer interview!

How many works do you have on AO3?

37, though another one is going up tomorrow because haunted AO3 hours started and I don't want to post it in the middle of the night on a Monday. Also like 4 or 5 more in reserve from zines/bangs. I'm kinda impressed with myself, but also, side-eyeing y'all with fic counts in the 100s. Phenomenal. Effervescent.

What's your total AO3 word count?

257,246

How many fandoms have you written for and what are they?

In chronological order of first fic on AO3: Percy Jackson, Soul Eater, Steven Universe, My Hero Academia, Dragalia Lost, Avater: the Last Airbender, the Witcher, and Genshin Impact! That's 7 fandoms and I'm not counting Homestuck (I only wrote OC stuff) or D&D (same thing).

I also have works from Axis Powers: Hetalia and Katekyo Hitman Reborn! on Fanfiction dot hell that none of you will ever see. I definitely posted and deleted a Twilight OC fic once.

What are your top 5 fics by kudos?

Dish Duty | ATLA

The Sword of Damocles is Swinging | MHA

The Ancient Art of Jerkbending | ATLA

Dishabille | MHA

Summer Break | MHA

ATLA is a powerful fandom so I'm not surprised both my ATLA fics made top five. Dishabille's popularity continues to pleasantly surprise me. Damocles is only surprising because it isn't first. I am so proud of Summer Break and that entire Shinsou series, I'm glad it made top 5 and is gonna break 1k kudos soon. <3

(Now get Dog-Tired up there, I fucking love that story. q^q)

Do you respond to comments, why or why not?

To quote Mido: I do, but not consistently. Q^Q I read them all and I really want to reply to them all, but I very frequently simply to not have the energy. I have it posted on my AO3 profile, though, so hopefully it doesn't hurt anyone's feelings... I have recently been trying to at least answer all new incoming comments and not let the backlog increase! (That said, the backlog is over 100.)

What’s the fic you’ve written with the angstiest ending?

I don't tend to do angsty endings (I am a hard lover of angst with a happy ending), but I've written some questionable and bittersweet ones. I think arguably the best contendor for angstiest ending is probably Kindred Spirit. I wrote it to low key revenge myself on @thegc4life for insisting that Shinsou gets a hug (he does! technically!) and it certainly ended ominously.

Do you write crossovers? If so what is the craziest one you’ve written?

As much as I love "Edward Elric gets transported into X universe and proceeds to kick everyone's ass" crossovers, I don't relaly write any. I do enjoy full transplant AUs, though, and the one I recently posted on AO3 is an MHA-at-Hogwards AU called the Birds and the Mares that I wrote for the HP/BNHA Zine!

Have you ever received hate on a fic?

Deeeeepends on what you mean by 'hate.' :X has gotten two comments (one much politer than the other, haha) complaining about my use of the r-slur in Shinsou's internal narrative in one of the chapters, but one person backpedaled and said they understood the purpose of it while the other (more vehement) one never replied to my explanation. That's all, though!

Do you write smut? If so what kind?

Yeah. It's never going on my main AO3 (and the one time it did, I orphaned the fic). I have a side account I might post it on once I get over the fact that people who know me also know about the account. It's all 100% PWP of stuff I personally am into, and I have a very specific set of things I'm into, so... idk, feels a little personal! ^^"

Have you ever had a fic stolen?

No, but I've had people adopt general concepts I used (fabulous!) and steal my RP OCs back in ye olde fantroll days (not at all fabulous! incredibly hurtful, actually). I am vehemently opposed to plagiarism, even of concepts. It feels so gross.

Have you ever had a fic translated?

Someone in the comments mentioned that they are translating Bloodied Hound into Russian and I am SO EXCITED. I desperately want to read it. Of all the languages, it happened to be the only other one I'm decently literate in! I also want to show my grandparents. I really hope the person follows through. <3

Have you ever co-written a fic before?

I've roleplayed a lot, but I can't see myself ever co-writing a fic. I'm not even sure how it works, to be honest!

What’s your all time favourite ship?

Urgh. Pass. I can't pick one. Perils of a multishipper.

What’s a WIP that you want to finish but don’t think you ever will?

I was going to proudly say "I never post things I don't plan on finishing!" but in reality that is a lie, because Falling Down A Rabbit Hole exists from back in 2015 and is in fact the reason I made that rule for myself. ^^" Honestly, what's there still holds up, but the reality is that I didn't actually come up with a plot, so there's nowhere for it to go.

What are your writing strengths?

Interesting/relatable/funny dialogue, and also writing feelings in a 'show, don't tell!' kind of way that leaves strong impressions with people!

What are your writing weaknesses?

Plotting out long stories with good pacing! People thought Damocles had a plot, apparently? Joke's on you, it was a series of "I wanna see this happen" scenarios that I made Hawks suffer through and subsequently strung together like a haphazard multicolor plastic bead necklace that I told everyone was actually pearls.

That's why all my stories after Damocles are either short or split into a series. Shinsou's Bad Days is my attempt at proper pacing, hence it being so episodic.

What are your thoughts on writing dialogue in other languages in a fic?

I'll do it if I know the language well enough (so, Russian and ASL, I don't trust my casual Japanese), but I'm generally a stickler for making things come off naturally, so I otherwise will instead try to find the closest tonal equivalent in English (such as having Childe call Zhongli "professor" instead of "xiansheng"). Sometimes there just isn't one (like Kazuha calling Beidou 'big sis' but in a way that doesn't sound kiddish and overly casual for him), though, which sucks. :( Language is cool!

What was the first fandom you wrote for?

T. Twilight. QUQ I wish that fic still existed, it was like a single chapter of two multicolored hair OCs befriending Alice Cullen and being cool. I deleted it but I SHOULDN'T HAVE. IT WAS HISTORY.

What’s your favourite fic you’ve written?

This totally changes with each new slew of fics I post. I think currently it is Dog-Tired because despite being unsatisfied with the title, I think the story itself turned out amazing. I also am extremely happy with the entire Shinsou's Bad Days series (including upcoming installments).

Tagged by: @touchmycoat (THANK U LOVE <3)

Tagging: anyone who's read this far, LOL. seriously, though, I have a lot of writer moots and I don't have the time to tag them all but PLEASE do this and tag me so I can read it if you are so inclined! <3

#personal #tag memes #my writing

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beedaleebjd · 5 years ago

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Psssst do you happen to have any tips or beginners links for newbies who are interested in getting in to the BJD hobby? 👀

*SOFT SCREECH* ALICE COME DOWN THE RABBIT HOLE WITH ME... /CLAMBERS FOR

This is a very slap-dash tips post, because a full fledged crash-course would take me much longer than a day to assemble. I think this could get someone started, but I can always answer specific questions if you have them in the future. ❤️

BJD 101: For a rundown of definitions, terminology, and origins of the hobby, I highly recommend checking out the Wikipedia article. (Warning for old vaguely spooky doll photos) I honestly wish I just read this when I got started, haha. It’s not everything, but it’s definitely a start.

Study! Read as much as you possibly can!! Especially terminology and maintenance. I highly recommend watching a bunch of unboxing and review videos- it might seem silly, but they're really helpful to get an idea of scale, how they function/pose, and how they look and feel when handled by a human. I also recommend trying to find owner photos of dolls you’re interested in, because sometimes the store photos are limited!

Join a community! Consider joining a forum like den of angels or a facebook bjd group like BJD Addicts! Exposure to the hobby is really helpful and you learn way faster. It’s fine if you’re shy, you don’t have to interact if you don’t want to- I like lurking DoA for the valuable tutorials and threads on doll brands I'm interested in. Tip: You can view some of DoA’s threads without an account by searching "[subject/doll of choice] den of angels" in google, but i got tired of that pretty fast. Signing up takes a few weeks to get approved but it's worth it for all the knowledge, even old archived stuff.

Window-shop until you drop!! I think the number one regret in the hobby is 'too many dolls, not enough time to love any of them'. So I HIGHLY recommend making wish-lists. These help a lot with avoiding impulse purchases and buyer’s remorse. There are a loooot of dolls out there, so if you've seen a huge majority of them, you'll be more picky.

For me, wishlists include both dream/grail dolls, tentative desires i’m not sure about but want to remember the name of, dolls I could never afford but feel validated writing down somewhere, and also cataloging info- measurements, wig/eye/shoe sizes, resin colors, price, current availability, dealer websites, etc. it becomes such a godsend when you shop for them. you’ll thank me later!!

I spent a lot of time browsing dealer websites like Alice's Collections, Legenddoll, Denver Doll, DOLK Station, etc- I linked some of those here. This is to see what my tastes are. Not EVERY doll company will go through all or any dealers, but it’s a good start!

If you’re the social type, going to conventions or local bjd meetups can help with getting an idea of your preferences! I accidentally walked by one at sakuracon last year and got to hold an MSD and an 11cm tiny, and that was REALLY helpful for me to realize I DID like those sizes. If other doll owners will let you hold theirs, I totally recommend it! (Always ask first, of course! Not everyone is comfortable with it!)

Go!! Slow!!! if you think you're taking it easy, go even slower. i'm so serious. it's so easy to get dazzled, over-eager, or totally overwhelmed by this hobby. especially if you have a habit of hyper focus/special interest tenancies like i do.

Patience is a virtue anyway: If you’re not buying second-hand or in-stock dolls, you will be waiting a while for your doll. Anywhere from a few months to a year, depending on the company and how backlogged they may be at any given point. Dolls are usually pre-order and take time to be made.

Some people like to just buy sculpts and let a character ‘come to them’, which is absolutely valid so if you wanna just go on a feeling that’s great!! i totally can’t afford that route most of the time, so I spend a lot of time mood-boarding for my potential dolls using pinterest and my own art to see just how in love with an idea i am and highly recommend it. I’ll ramble about this in another post soon.

Budget! They are not very cheap like 10-20$ fashion dolls at wal-mart, so those new to the hobby may be shocked.This hobby is an investment and an indulgence/luxury, as with most Nice Things. But don’t be discouraged! There are affordable dolls out there, a lot of Dealer websites offer layaway plans, and the second-hand market is always circulating things!

Here is a DoA list of dolls that are under 300$.

Note: Size of dolls often scale with price, so the bigger it is, the more expensive (and HEAVY) it will be. Some videos on BJD sizing here and here, but Flickr is crawling with height comparisons as well.

Craft or Not To Craft: Are you team 'i'm gonna sew/craft stuff/do wigs/eyes/faceups for my doll' or team 'i'm gonna buy clothes/props/faceups/wigs/etc from other artists!'? I know most people end up being a little bit of both, but these things both cost time or money (or both) so you wanna think about that in the overall price when you're considering a doll. It seems intimidating, but really, it’s the responsible thing to do. I’d rather plan for it than have a naked sad doll to feel bad about. Some personal recommendations below helped me get started:

Wigs: Monique Gold Collection wigs are affordable in the 20 dollar range, and have incredibly soft fiber! (You can find a lot of these available through ebay sellers as well)

Eyes: Lemonjellyshoppe and CandyKittenEmporium have some incredible eyes and also do custom orders!

Sewing Patterns: DGRequim on etsy and SproutyDoll have both been very nice to use and easy understand and modify to fit your doll!

When you’re savvy on the sizing of your dolls and if you’re comfy with secondhand sales, Facebook groups like BJD Addicts Sales & Commissions, BJD Lovers Sales, and BJD Adoption has a lot of people selling BJDs and accessories, oftentimes discounted for de-stashing or collection overhauls!

In addition to the other dealer sites I linked before, Dollmore (which also has an ebay shop) has a lot of options on everything!

Rec@sts and the community- This is a veeery hot button topic, but you’ll probably see a lot of it the more you get into the hobby. I don’t want to talk about it a lot because of the negativity it attracts, but to sum it up: BJDs are essentially commissioned art pieces. They are hand sculpted by an artist or small group of artists, and then cast in resin and refined and strung by hand. There are people that will cast copies of them and sell them for a very cheap profit. To put it simply, it’s theft, and it effects the livelihood of people that make a living of their art. A lot of companies stop making dolls because they can’t compete anymore. Most official doll/art related conventions (LDoll, Resin Rose, etc) ban rec@sted dolls, as well as DoA and several of the facebook groups. Be sure to read all the rules of groups/forums you join them.

A lot of people come into this hobby unaware of this and buy a bootleg doll on sites like Ebay or Aliexpress, and then get turned away from the community without understanding why. There are understandable circumstances that cause someone to end up with a bootleg doll, but it’s also important to respect the artists and creators that share their art with the public.

On that note: Sometimes people will resell 2nd hand dolls as legit when they are not. Be careful about who you buy second-hand dolls from. Also, keeping certificates of authenticity (CoAs), receipts, and original packaging is must if you ever plan to resell your doll!

I... think that’s everything major I can think of... at least enough to get someone started? I know a lot of it is a bit vague, but if you wanted my opinion on a certain brand or size of doll or budgeting tips if money is tight, I’d be happy to give my personal preferences on that separately!! But otherwise, good luck and happy treasure hunting! ヾ(＾-＾)ノ

#aliceartsrwby #askbox #textposts

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comicteaparty · 4 years ago

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July 4th-July 10th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from July 4th, 2020 to July 10th, 2020. The chat focused on the following question:

What was an unexpected aspect of making webcomics you didn’t realize before making one yourself?

Krispy §[Ghost Junk Sickness]§

How much our comic and it's story we're going to change during the years of creation was the biggest and most jarring aspect for sure. There's scripts and thumbs that were all made before we ventured out to make GJS with paths completely different from what we initially thought we would take that have completely changed how we approach not only writing but reading webcomics too. Webcomics as a medium have the biggest connection to time, whether it be production or the consumption, they have this opportunity to exist and transform in the long hours it takes to enjoy and read them. It's honestly one of the biggest advantages imho. To see a story slowly unfold, listening to ur audience reactions, peer critiques, or new inspiration can make such a drastic and intense impact on a long form work- its both jaw dropping and humbling to be apart of!(edited)

Deo101 [Millennium]

For me it was the community aspect of comics. I knew a community existed on the reader side of things (comments!), but I didn't expect the creator side to be how it is! I don't know why, but for some reason I kind of always thought that all of us were sort of throwing our comics out from the void... I guess that was me looking at comics from a reader's point of view! But as soon as I started making comics, I started meeting people who made them too... and it's been incredible!

Eightfish (Puppeteer)

@deo I never really understood what an internet community or internet friends were until I started making a webcomic

Deo101 [Millennium]

Yeah, I had been in (and quickly decided to not be in 0_0) gaming communities, but nothing really as wonderful as what I've found through comics. Closest I had gotten other than that was comments on social media

Shizamura 🌟 O Sarilho

Community definitely one of the big things, much like Deo pointed. I was kinda expecting to have get connections through readers, but it's much more with other creators, which is super satisfying in it's own way. Also gonna second Krispy's comment about how time affects how you see your story's past and future. A lot of things changed in the past four years that made my comic change as well and having so much time to think each individual scene allows them to be much more complex and interesting than they would when I first thought them through. Having the time really helps. This also kinda touches the topic of personal change too, which affects how I write and what feels most important to focus on and that's interesting to think about as well

eliushi [Keyspace]

How long things will take, the longer the story goes on! I started out being able to complete a page in 2h but then I found more I wanted to try on each page (colours, layout, composition etc) and even wanted to extend certain scenes. With 500 pages planned, I definitely thought I’d be farther along by now, heading into AWT’s first year anniversary in a month. That being said, I’m also enjoying the ride and it’s all thanks to the great community here and making connections with other comics folks/readers. I never expected to get comments and so each one has been a treasure to read.

Desnik

An unexpected aspect of making webcomics is how much people respond to them. I figured I'd be creating into a void but I met so many people as a result of publishing my dinosaur comic

shadowhood {SunnyxRain}

Ditto on the webcomic community. I didn't realize how far reaching it was to have a community that supports each other. And I've enjoyed meeting so many wonderful and creative people who raised each other up. Another thing I didn't expect, however, was how invested I got into my comic.(edited)

At first I was doing it mostly for fun. But the more I delved into it, the easier it was to get sucked into my story and want to draw it out. And as a result taking it a lot more seriously.

Desnik

yeah sometimes I miss my dinosaur comic even though I had some pretty good reasons for moving on. It was created out of desperation and evolved into something that made me feel good about myself

Haruh2 (Colony Life)

How much work and time it takes to keep a weekly update going with no backlog

Deo101 [Millennium]

Yeah same

Cronaj ~{Whispers of the Past}~

For me, I didn't realize how much it would affect my life to make comics, and vice versa. In a weird way, I didn't know how interrelated the two were, or how easily life could interfere with my comic, or the inverse.

eliushi [Keyspace]

Making comics became a lifestyle for me

@Haruh2 (Colony Life) When I had no backlog I was updating every two weeks with 7 pages per update; so about 14h of work. But this is with a finished script. I am also told I work fast.

Eightfish (Puppeteer)

omg

Cronaj ~{Whispers of the Past}~

That's soooo much, Eli!

That's at least twice as much as I do (edited)

Eightfish (Puppeteer)

I hadn't realized how much I put myself into my comic! My friends who read it have all said that it's incredibly in my voice and reflects my opinions and worldviews Before I shared it with people I hadn't thought of it in that way at all

Joichi [Hybrid Dolls]

As an artist, I didn't expect how my comic production and mindset will change. Once I started comics, it brought out my ideas from thoughts to a physical form. I start to invest more time into it. Each project evolved through each chapter. How to balance script writing to a polished piece. I put alot of time and research in my works. It makes me glad to hear other creators do the same. I'm not the crazy artist who's wasting her time. One of the positive change was meeting other creators, how we give advice and receive praise.(edited)

eliushi [Keyspace]

The support has been amazing. It makes the work less lonely

Cronaj ~{Whispers of the Past}~

Fish, oh for sure! I didn't realize until recently how much my characters are all just facets of myself!

eliushi [Keyspace]

(I don’t work that quickly anymore and I’m making big changes to the format soon so it’s going to be a Transition)

Joichi [Hybrid Dolls]

I've been in school with art students who never made comics, so when I came to CTP discord, reading comic discussions. It was comforting and fun. I enjoy the cooperation our group has, helping each other.

eliushi [Keyspace]

I like to commiserate about the unique challenges comics have

Cronaj ~{Whispers of the Past}~

Hahaha, yeahhhhh

Joichi [Hybrid Dolls]

I agree, it's different from illustrations. Different approach(edited)

eliushi [Keyspace]

I am perpetually balancing time spent on a panel vs how much time the reader will spend on it

Vs illustration: lemme make all the details

Joichi [Hybrid Dolls]

Oh I agree, each panel takes longer than it takes to read it. Hence I dislike when readers call manga creators 'lazy'

Eightfish (Puppeteer)

how much time does it take to read one of my pages?

20 seconds?(edited)

haha

e.e

wait is that emoji supposed to be someone rolling their eyes??

i jsut looked it up

i might've been using it wrong this whole time

Cronaj ~{Whispers of the Past}~

Pacing

It's way different than in novels, and definitely came as a shock at the start

eliushi [Keyspace]

Yeah have to play to the strength of the medium. Still imagining AWT as an animated movie written from a novel, in the format of a comic

Cronaj ~{Whispers of the Past}~

Haha, same kinda

Haruh2 (Colony Life)

@eliushi [Keyspace] ah haha, that makes me feel better about my update habits, but thats a good goal for me to shoot for now that im learning a new way to make long comics specifically

cAPSLOCK (Tailslide)

I completely underestimated the amount of effort that would have to go into formatting, website design and maintenance, etc. If I got to do it again, a little more research beforehand probably would’ve saved me a lot of time and hassle.

snuffysam (Super Galaxy Knights)

I really overestimated the "if you build it they will come" aspect of webcomics lol. Like, you actually have to work to advertise your comic in order for people to read it. Nobody ever got hundreds of readers just from posting their comic onto some hosting site without doing major marketing work.(edited)

dako

yeah, I feel that

I've never really been an advertising type before my comic, im learning to just get used to it

Deo101 [Millennium]

I've not really done much advertising tbh, it makes me uncomfortable

dako

it feels kinda...embarrassing? might be too harsh of a word

i dunno

Deo101 [Millennium]

its just uncomfortable idk! i feel awkward doing it

dako

yeah, same ive done it a few times on reddit but i have to force myself

Haruh2 (Colony Life)

it does feel, odd..hell most of the time it just feels like i open the door to my house and toss a bunch of paper to the wind hoping someone can see it

Deo101 [Millennium]

yeah, I dont know if ive done anything other than posting updates on twitter and talking about it in groups like this

and twitter is mostly just me talkin to people who already read it...

idk talking about my work without being asked first makes me feel like im inserting myself where im not allowed

keii’ii (Heart of Keol)

Self promo got MUCH less intimidating for me when I started thinking of it like: "okay, so my comic is made for readers like me, people who share my tastes. That means I only need to answer one question: what can I say to get me to check out this comic? I don't need to impress anyone else. I just need to appeal to me." (since "me" is my target audience)

Deo101 [Millennium]

mhm ^^

keii’ii (Heart of Keol)

But take it with a grain of salt because I'm still not really promoing

Haruh2 (Colony Life)

exactly, thats why i find it hard to tweet about it most of the time, but i get the whole if i dont care about to talk without being asked no one else will either

Deo101 [Millennium]

yeah lmao mood im like what would get me to read... hmmm... probably exactly what im doing.... I'll keep it up then :)

Haruh2 (Colony Life)

yea i get excited to draw out certain parts..but wouldnt want to just tweet about all the little tidbits of the story ruining it for others

Deo101 [Millennium]

sweats

dako

i made a whole side twitter for my comic cuz talking about it on my main intimidated me too much

it is my containment chamber

Haruh2 (Colony Life)

hm may do that, just to say i did it and to get my mind away from the thought

snuffysam (Super Galaxy Knights)

yeah same

Deo101 [Millennium]

My main is just whatever I want it to be idk. Its kinda for all my comics, since my comics are all I want to talk about

snuffysam (Super Galaxy Knights)

though my main is mostly just retweeting from my side twitter lol

Deo101 [Millennium]

it removes a lot of the pressure of like what if my followers dont wanna see this??

cause they wouldnt be here if they didnt wanna see it

cause its all Ive been doing the whole time

dako

thats a good point

i had my main way before my comic so most of my mutuals/followers dont follow for that

Haruh2 (Colony Life)

yea, it can feel abit disorienting when there is no interaction one way or another on anything you tweet (also if twitter has messed up and causes your tweets to not show up)

Deo101 [Millennium]

but yeah I dont really advertise cause it just makes me so uncomfortable >.<

dako

understandable

Cronaj ~{Whispers of the Past}~

I'm kind of somewhere in between. I advertise my comic mostly because it is all I wanna talk about, like Deo. But I also don't think it's gotten me many readers. Most of my readers came as far as I can tell because I was making something that appealed to them. (The whole "if you build it, they will come" thing.) Although, I really don't have a big audience, I do have an audience, and I am certain most of them came from me just posting.

I think it's determined a lot by luck, and also, how big your niche's audience is to begin with (and some skill tbh).

Deo101 [Millennium]

yeah like I think "gay sci fi" is a p big niche so ive got a big amount of people I could potentially reach

which makes it much easier to draw people in

Cronaj ~{Whispers of the Past}~

I'm particularly lucky, I guess, that fantasy/romance has a lot of readers (also more competition, but...)

Deo101 [Millennium]

yeah fantasy romance is a damn big one

Haruh2 (Colony Life)

eh i think im in an awkward void with my action/drama story (since im not doing romance drama)

Cronaj ~{Whispers of the Past}~

I just go with the mindset: "what makes my fantasy/romance different from the rest" and go from there.

Deo101 [Millennium]

mhm

tbh I dont think my sci fi romance is doing anything special?

but im having fun so :) I dont rlly care about that hahahha

dako

having fun the most important thing

Deo101 [Millennium]

its not my goal to make somthing mindblowing ^^ truley im just here for a good time

Cronaj ~{Whispers of the Past}~

I mean, LGBT+-inclusive sci-fi is pretty unique

I haven't seen a lot

keii’ii (Heart of Keol)

It's clear that your characters are people, and that's special, regardless of how common/uncommon

dako

think if i didnt love my comic as much as i do id have stopped a long time ago

Deo101 [Millennium]

thats true keiiii, thank you <3

also yeah its Sad that theres not more LGBT+ sci fi cause its like youve got aliennnssssssssssssssssssss you can do whatever you waaaaaant

Cronaj ~{Whispers of the Past}~

I knooowww

Deo101 [Millennium]

guess it shows what ppl want or something

Cronaj ~{Whispers of the Past}~

yup

Deo101 [Millennium]

off topic

so to make it back on topic

I underestimated how much people would like gay sci fi GJKLAGJLAJLKAGJSLAKGJKL

keii’ii (Heart of Keol)

One thing I learned specifically with my current comic... I did not realize how much difference the reader's cultural background would make in terms of interpreting my story.

Deo101 [Millennium]

!!!!!

I actually almost mentioned you in class once tbh keiii

keii’ii (Heart of Keol)

Big oversight, in retrospect

Deo101 [Millennium]

saying "someone I know makes a comic which they noticed, it's interpreted completely differently just depending on cultural backgrounds" kind of a thing

keii’ii (Heart of Keol)

like I would not have made the comic any different, but I would have approached the... presentation differently. Like, talk about it differently

Deo101 [Millennium]

cause we were talking about how narratives affect rt

Cronaj ~{Whispers of the Past}~

I guess another thing that was unexpected about making webcomics was... there are way more people with my exact tastes than I thought

Deo101 [Millennium]

and I was saying that I think the viewer's narrative affects art more than the artists narrative

I mean, the artists narrative obviously is what makes it so.

keii’ii (Heart of Keol)

In the eyes of the beholder

Deo101 [Millennium]

but interpretations and all that... yeah!!!

so. actually I might have offhandedly mentioned you I cant remember if I did or not

lemme check

I did! very like "second hand" offhandedly mentioning though ahaha

hope that doesnt make you uncomfortable GSKLGSJALGJLGK no one replied to me so e.e

in the class I mean

keii’ii (Heart of Keol)

I am super uncomfortable and offended !!!!!

j/k

Deo101 [Millennium]

hgjkghsjkagskajgdhsakgjhgjd

but... yeah idk starting out I truly just was making it cause I really love my characters a lot, the idea that other people would like them too is very unexpected :) in a good way

I also definitely didnt expect how important enviornments were e.e

didnt plan those well enough.

Cronaj ~{Whispers of the Past}~

that relatable feel

sssfrs (JOE IS DEAD)

I really desperately advertise my comic everywhere. I don't really know how to do marketing effectively though & I don't know if its working

eliushi [Keyspace]

I find what increased readership most consistently is still the feature aspect from the hosting sites. It’s really about finding the right readers/right readers finding you

Eightfish (Puppeteer)

Same, I'm basically a rounding error away from being 100% reliant on the features for subs

sssfrs (JOE IS DEAD)

I don't think my comic has ever been featured on the hosting sites. My numbers have always been low on Tapas and maybe thast why

Cronaj ~{Whispers of the Past}~

Yeah, features help a lot

I've been featured on Webtoon, but not Tapas, and you can really see the difference in readership there

Deo101 [Millennium]

Ive been featured on both, uhh in a couple of diff places, if you wanted a breakdown of how many readers i got from the diff spots and stuff ever just lmk im happy to share

keii’ii (Heart of Keol)

I've been featured on both. It certainly got people to check it out and even sub, but retaining those people (even if they've subbed!!!) is a different story. I think my story is just not the right type for the platforms, but eh, even if 99% of the platform users aren't into the kinda thing I'm making, 1% increase is still an increase.

Which is another thing I learned over the course of running this comic, specifically (since the internet has changed so much after my first two attempts). Just because the majority of your subs don't actually read the comic, doesn't mean your work sucks. Today's internet caters to casual users, and there's a bajillion factors affecting who's actually reading your stuff.

dako

i agree

my comic has never been featured on either, and webtoons doesnt have a guideline on what they pick but tapas does and my comic doesnt really meet their featuring requirements so i dont think either site ever will feature mine haha

so i gotta advertise on reddit and use twitter tags a lot

keii’ii (Heart of Keol)

Don't go too crazy with twitter tags; they can make people zone out and not look at your tweet.

dako

i try to use 5 at the most, i know too many is unpleasant to look at haha

Jib {WIP haha}

Oh huh, my rule of thumb is to use 1-2 on twitter and as many as I can on Insta but I’m no expert lol

keii’ii (Heart of Keol)

Yeah, IG seems to be where you want all the tags XD

varethane

Webtoon's algorithms are like turning a hose on and off lol

The difference between views and sub growth during periods of being featured vs not is stark(edited)

carcarchu

i've never been featured by webtoons but i've seen series grow from 100 followers to 10k overnight

not an exaggeration

varethane

I put my new comic on webtoon in november 2019, and in 1 month I crawled up to.... maybe 50 subs?(granted I only put up one episode and then paused for a bit)

Then in December I started updating it weekly and got placed in the new and hot section of the app

And bam, 6k subs

It last 2 weeks and then the section updated and all growth stopped, and subs went down by 10 or so over the next week

Krispy §[Ghost Junk Sickness]§

(Omg featured is like the new Daily Deviation goals from DA way back in the day!)

varethane

Until it got another feature on a different part of the website and went up another 2k. It was like playing with the handle on a faucet lol

dako

I got some pretty good growth during canvas week, but beyond that not really

I get 1-2 subs after an update if I'm lucky

varethane

I feel like their algorithms are very reliant on the regular rotation of features that staff have to do manuallt

Outside of that, discoverability is quite weak

Mostly because of the volume of comics on there

boogeymadam

same boat as vare. the only thing i know about webtoons features is they have stated a couple times one of their recquirements is consistant updating, so if u skip a week that disqualifies u for a lil while i imagine

varethane

I wonder what they count as consistent. I was doing every 2 weeks for awhile, but this month I'm gonna try weekly to see if it helps me earn more $$ from ads :U

dako

I wish there was more incentive for readers to check out the new section on webtoons and tapas

carcarchu

i have found some amazing gems in the new section

i swear i've seen stuff in featured that were not at all updated consistently

dako

I have too, there's a ton of good comics that get overlooked because they're not in the front page

some featured comics havent updated in months sometimes

varethane

I definitely would not have considered myself consistent at the time of the first feature, considering there was a gap of a month between episode 1 and 2 lpl

carcarchu

the consistently updating thing is more of a recommendation than a requirement i feel?(edited)

boogeymadam

ooohh good to know!!

varethane

I'm sure it cant be a hard rule, especially for comics that have just launched

boogeymadam

im just going off their canvas qna's from last year

dako

if it's actually a hard rule for staff to feature comics that regularly update they break that rule a lot

i also heard a bot picks up comics too

carcarchu

well i at least think the staff or bots or whatever at webtoons are doing a better job with features than tapas is

tapas is always pushing their premium comics way more than their indie stuff

boogeymadam

tapas needs to bring new comics onto the frontpage more often than it does, yeah

dako

yeah I agree

keii’ii (Heart of Keol)

I mean, I get why they put premium on the front page. But I feel more variety would help them because it's more interesting for the readers?

dako

I can't tell whats premium or not with tapas sometimes

boogeymadam

i do like that they've been asking stuff like this in the forums tho

carcarchu

more distinction would be helpful to me too dako

i don't think its as clear as it could be

dako

yeah, webtoons at least it's clear what is and what isnt featured or canvas

Jib {WIP haha}

Huh, anyone remember that really popular writing podcast? I forgot the name

Or have any recommendations I guess

Moral_Gutpunch

Terrible writing advice? It's sarcastic

snuffysam (Super Galaxy Knights)

is this related to the topic?

Moral_Gutpunch

It's a podcast about writing, so I'm going to say yes.

keii’ii (Heart of Keol)

I think snuffysam meant the weekly topic for the channel

Moral_Gutpunch

Just for this channel, no. I'm too new to know that.

Cronaj ~{Whispers of the Past}~

Please check #rules

Moral_Gutpunch

Sound more like someone forgot context than the rules

That's why I'm hardly here. I don't know stuff people who've been here for a long time know like podcasts or older comics(edited)

keii’ii (Heart of Keol)

Basically each of the channels under "CTP Activities" on this server has its own topic of the week.

Cronaj ~{Whispers of the Past}~

It's not a matter of being here for a long time or not. This channel is used solely for discussing the weekly topics, and such information can be found in #rules

Moral_Gutpunch

Kudos then. I came for creator babble only.

keii’ii (Heart of Keol)

For general webcomic creation-related advice (either seeking or giving) and such, #shop_talk usually is the place!

creator_babble is for answering the topic of the week

It's not actually for generalized "creator babble" despite the name.

dako

looks like they left

Jib {WIP haha}

Oh my bad, it’s been a while since I read the rules, I brought up the new subject

keii’ii (Heart of Keol)

Happens!

Cronaj ~{Whispers of the Past}~

No problem, we were just reminding you all :)

Jib {WIP haha}

Ty for that then haha

dako

I think one unexpected thing for me is that no one tells you how crazy the highs and lows can be

well I guess people do but you really don't know until the highs and lows happen to you if that makes sense

Cronaj ~{Whispers of the Past}~

Oh God, that's so true

Burnout is way more dreadful than I could ever guess prior to experiencing it

Feather J. Fern

One unexpected thing for me was how many people I would meet because of my comic. It surprised me greatly that I found so many cool people through the comic community and made the friends I have made now. Love you all

rajmews

The unexpected thing for me was just how much you have to just...predict...what the market will want to read. Like even if you research a whole lot, and you draw really well, and have been doing art professionally, you can still strike out. It's a humbling experience, but being able to just let go of poorly received pages and move on and try things differently is a lot of the battle for doing a webcomic. It teaches you how to fail gracefully because...it's all a process of learning your readers better. Even if they're few at first.

LadyLazuli (Phantomarine)

My major unexpected thing was how much my initial ideas change as I work through a page. Everything from the expressions, dialogue, and layout can change as I look at it and 'solve' it more closely than I did in thumbnails. There are pages I look back on and realize they are ENTIRELY different than what I had first sketched. And they're better for it. Allowing myself the freedom to edit during the artwork... it's created some majorly awesome opportunities.

Deo101 [Millennium]

Yes!!!!! Me too!!!

It's exciting thoufh

Eightfish (Puppeteer)

Absolutely same

Could plan something out meticulously but then change it in the last 2 secs before uploading

Deo101 [Millennium]

Yup... I don't thumbnail much ahead of where I'm at cause of this(edited)

I thumbnail a scene at a time, and then usually I end up changing stuff halfway through ahahfjjdkskdkss

varethane

Same hat, haha. I often make changes at every stage-- even the thumbnails will often depart from the script. If anything, I wish I made even more changes-- I feel like my page layouts tend to be pretty standard, I do a lot of pages with the 3 rows of 2 panels each, and I want to break out of that more. But... well, that's a work in progress.

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #creator interview #comic creator interview #creator babble

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empress-s · 5 years ago

Photo

Guess who’s back to posting yall ;)

I haven’t posted anything on this blog in the past three months oops. I was just being lazy lmao But despite not posting i did continue to draw super often So now i have a massive backlog of art to post here! Which i’ll be doing over the next month or so Also my watermark/signature is gonna be completely inconsistent bc i swear i change it every few months + old art not necessarily being posted in chronological order New tagging system too, but im too lazy to re-tag all my previous posts haha :’)

Here we have the best boys! Crowley and Aziraphale! I watched good omens a while ago and i loved it! Aziraphale is my favourite, gotta say, but Crowley is also fantastic. I’ve been interested in capturing real people’s looks in my art lately & decided to give it a go with these two. It’s not fantastic, but im still learning. And ill definitely start stylising more as i get more comfortable with it

#art #fan art #good omens #aziraphale #crowley

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kenzicorinne · 7 years ago

Text

Hi! I’m Kenzi Corinne

And I have a lot of art and stories I want to share with you!

That's a big reason why I want to start making weekly journals. Starting today, I’ll be posting a weekly recap of everything I’m working on and plan to work on. This includes the status of my web comic Folk Knight, my visual novel MuseStruck, and all the work I’m doing for upcoming conventions (I hope to see some of you there!)

After this week, the blog entries will be a lot more digestible. But I feel, for this first one, I just need to lay everything out.

So, before the break, I just want to say my asks are open! Feel free to shoot me a question/comment about anything. (Fav ice cream, Hogwarts house, w/e!)

Later!

-Kenzi

Kenzi Blog: Week of 4/2/18

Oh, hey! I’m surprised you clicked “Keep reading.” I mean, I’m glad you did! Makes me feel less like I’m just shouting this to the void... heh ^_^;

Conventions:

Anyway, let’s just dive right in with the most time sensitive item I’ve been working on, convention prep. I’ve got three cons coming up in the next two months *sweats profusely* . This may not sound like a lot for you (or maybe it sounds like an insane “con crud” induced death wish haha) but I am equal parts super excited and super nervous about this! Upcoming cons are:

RavenCon, April 20-22 Williamsburg, VA

Tidewater Comicon, May 11-12 Virginia Beach

Animazement, May 25-27 Raleigh, NC

So I do my printing on my own printer. To save money this time, I’ve decided to try out a Refillable Ink Cartridge system. Which involves...... lots of syringes I guess? Haha, I think I accidentally ordered too many or something so now I just have an abundance of large needle syringes 0_0 (also note they’re a special kind for ink. not the pokey skin kind :P). Syringe Wolverine cosplay?

Anyway, if any of you have tried out RIC or CISS in the past, I’d love to know how it did or didn’t work for you!

MuseStruck:

Okay, so before I talk about my current project, Folk Knight, I think I need to talk about MuseStruck (my other baby). So a couple years ago I suddenly got the urge to make a Visual Novel (gee, wonder where I got that idea... *side glances at Steam catalog* >_>). This VN had inspiration pulled from a lot of my favorite things including fantasy, mythology, classic literature, art, and anime.

Then a year ago, @cornpickerart and I started working on it... and quickly saw the project balloon to a size we weren’t ready for. We thought about cutting back ideas, some trimming was to the story’s benefit really. But then there were aspects that we couldn’t let go. Things that I felt were integral to the story or game experience that we wanted to make.

So. Here’s the thing. We just realized we needed to try smaller things first and work up to the type of gameplay we want to have in MuseStruck. Baby steps. That being said. MuseStruck isn’t dead. Far from it.

I draw characters from MuseStruck still all the time. Though I’ve told myself to not dedicate so much time to writing stories for it and instead put that time and energy into bettering my skills in both art and programming. Now I can say that when I do get back to MuseStruck (which I do have a plan for when that will happen, but I’ll save that for another journal) I know I’ll be more confident and prepared to tackle it! \(^o^)/

(some sketches of MuseStruck characters that I’ve never posted... I have lots of files like this ^_^;)

Folk Knight:

And finally there is Folk Knight. If you made it this far then... wow. I think I might love you. Anyway, this is my current project that I am working on. I would say probably my time is split 50/50 with this and con stuff right now.

Originally I wanted it to be a web comic. Why a web comic? Well... it’s something I’ve done before. @cornpickerart and I ran a web comic back in high school that we stopped once we went of to different states and different colleges.

I wanted to tell a story that takes place in the MuseStruck universe but with a lot less overhead work and a shorter story altogether. So, Folk Knight was born! Well, so it was supposed be but then I realized something... I don’t want to do a web comic. Le gasp!!!

I actually read a ton of webcomics and enjoy the weekly experience and appreciate all the hard work that goes into keeping them up. Seriously! It’s tough stuff! But after a few updates I realized that making the comic was taking a lot of time... and I wasn’t feeling it. Gosh that sounds whiny doesn’t it? I guess what I’m trying to say is, I figured out if I was going to put that much work into something, I want it to be something I want to do. And what I want to do is make a stinkin’ Visual Novel danggummit!

So that’s what brings us to the Folk Knight of now... a serial Visual Novel!

So it’s kinda a combination of both. Baby steps remember? To keep the game making doable for me, I’ll be releasing the Folk Knight VN in chapters. Every chapter will be released free to play, just like the web comic would have been free to read.

I’ve already begun the conversion of my Chapter 1 script into the Visual Novel format and am working with a few beta readers/players to help me work out the story flow and gameplay.

I’m hoping to get a Chapter 1 demo done by the end of April and Chapter 1 completed and released officially by May! I know it’s a tight deadline but I’m seriously pouring all my blood, sweat, and time into this now!

Next Week:

Ooooookay! We finally come to the end of it! What I plan to do this coming week. Well, let’s see... maybe I should just list it? I hope to...

Post some Folk Knight character designs (get y’all introduced)

Finish two fantasy/horror paintings I’ve been working on

I have a backlog of BNHA fan art I should finish too...

Test out the new print system!

Aaand I think I should keep it at that. Don’t want to overdo it. If anyone’s still reading this, like I said, not every journal entry is gonna be a monster like this. I just... had a lot to get off my chest to get this journal thing rolling ^_^;

You are amazing and I wish you the best in all your creative endeavors!(seriously, you got something you’re working on you want to share, hit me up! I love hearing others stories or finding new comics to read, games to play!)

-Kenzi

#artist journal #blog #journal #visual novel #MuseStruck #Folk Knight #Kenzi Corinne

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therewillalwaysbeapril · 5 years ago

Text

Chapter 4: Sixteen Hours

6:30 AM The alarm rang abruptly in the stillness of the morning, a rude shrill noise, splintering our warm, nocturnal embrace and throwing us both into the coldness of the day.

“April, we gotta get up”, I said, mumbling as I shook off the last remnants of sleep. She groaned softly, rolling over and pulling the covers away. “Hey, get up. Geee-tta UGH-PUUUU! Get TU DA CHOPPAH!” I did my terrible Arnold Schwarzenegger impression loudly and poorly, adding in a loud grunt for full effect.

“Argh, I need muh clothes, my boots, my motorcykalll”, she said, in the same bad Austrian accent without opening her eyes. “Come ONN, do it. Do it Nah-OW!”

Stumbling out of bed, vision still blurry, and nearly tripping over the corner of the blanket now fallen to the floor, I reached over and grabbed from the basket the first item of clothing on the pile of clean laundry that we neglected to fold from the previous night. I pulled open the top drawer of her dresser and felt around for a bra. I threw both toward the bed as I made my way to the bathroom. April put on her top as she stood up. Hair a mess and eyes barely open, April exuded a dreamy, other-worldly quality as she floated from the bed to the sink wearing the dark red floral patterned shirt dress I had bought for her the weekend before. I blow dried my hair into a more presentable state and shaved as she washed her face and finished combing her hair.

I packed April’s belongings into her backpack for her, the both of us hurrying downstairs to my car. After stopping by a McDonald’s drive-thru on the way, we ate Egg McMuffins sitting in the early traffic heading toward Downtown LA. I looked at her as she opened a ketchup packet.

“Don’t worry, I’ll be careful!” she said, laughing as she carefully squirted the ketchup onto her hashbrown.

Briskly walking up the parking lot escalators and half-skipping across Pershing Square, April got to the bus stop just in time as the vehicle screeched to a halt. “WESTWOOD/SANTA MONICA” said the display. A quick kiss goodbye and she was off to class.

8:00 AM The office was dark as I stepped out of the elevator. Walking toward my desk, I was greeted by lights flickering on as motion sensors began to stir. Fresh cup of coffee in hand, I left the kitchen for the far side of the floor toward my favorite viewing spot.

The Los Angeles morning was peaceful when viewed from high above. Cars moved slowly down Broadway; I could hear their distant honking noises in the early rush hour. Construction workers below near Third Street walked carrying their equipment, passing by the shops just beginning to open in Grand Central Market. From my hawk’s nest I saw a cyclist zipping down Grand Avenue past the Museum of Contemporary Art, in front of which a food truck was beginning to set up shop. My breath and the steam from my coffee fogged the glass as I stepped closer to look at the crowd of people gathering by the Broad. The early light bathed my city in a warm amber glow, thawing its sleepy commuters as a new workday began. Flecks of gold and saffron twinkled as the dawn bounced from the stirring skyscrapers and automobiles, blinding me. I, too, was beginning to wake as I finished my coffee.

With my headphones on, back at my desk, I continued sketching out the wireframe concepts from the day before. Wireframes are the foundation of plotting out designs for interactive products such as apps and websites. They are a high level way of designing ways in which someone can use a product and the organization for which types of information and interaction appears on which screen, before a designer has to focus on the finer details such as animations, visual appearances, and the style of smaller items such as buttons. Even though the other designers created wireframes in programs I was also familiar with such as Adobe XD or Sketch, I always took great care in sketching out early ideas neatly on paper. I felt there was a purity in shaping ideas away from a computer, a kind of humility in making things with my hands.

8:30 AM The office is still dim as I make myself a second cup of coffee. This was one of those sluggish days; I felt slow to start, and was glad to still be the only person in the office. There was less pressure this way. I returned to my desk and cleaned up my lines with an eraser, reinforcing others with a Sharpie. Boxes with crisscrosses represented images, various other shapes representing icons and call-to-actions. Simple line patterns signified text, clearly showing the underlying grid to the layout. Adding final touches, I drew an outline of an iPhone over all of the screens before using a green colored pen to create the markings that showed how a user interacted and navigated from screen to screen. I felt pride for the cleanliness of my draft, as I never knew whether the second draft in the computer would be made by myself or a different designer. Finished, and satisfied with my work, I walked over to the simple Kanban board on the far wall and moved the task’s corresponding post-it note from the column labeled “in work” to the column labeled “done”.

Aside from a few coworkers from accounting, the floor was still mostly deserted. Sitting back and listening to the rest of Bach’s Goldberg Variations on my headphones, I fidgeted at my desk for a while. Impatient, I walked back over to the job board and grabbed one of the tasks from the column labeled “backlog” and moved it to “in work”. This should keep me occupied, I thought.

10:00 AM Standup was always kind of fun. Normally I have always preferred to work alone, with headphones on, lost in thought as I built designs and mockups, in an almost-meditative state of flow. However, I liked my coworkers very much, and it was also nice to see everyone at the beginning of the day and update one another on our work progress in the morning as we created the pieces of our product together. I enjoyed this kind of organized interaction that afforded me boundaries and space to create.

<Walalala..>, texted April. It was her way of greeting. Warm and cheerful, albeit at times a little silly, it was a greeting that I had come to love. It would also be a salutation I would receive less and less over time until I would not see it at all. <What you doing?>, she added.

<Lol. You should pay attention! I’m pretty tired too. I don’t think I woke up yet>

<Haha, I miss you a little too.>

<Pfft, you still need me to remind you?>

<Ha, you should pay attention in class. Your mom will kill me if you fail because of me>

11:00 AM Sketches spread out on the table before me, I began to create the second round of digital wireframes. As much as I enjoyed sketching, this step was also one of my favorite things to do. The useful aspect having hand sketches was their looseness — from a high level perspective, during this stage there were still so many possibilities. Creating the first digital wireframe versions, despite their inherent roughness, narrowed down those possibilities. To do so felt like taking a camera lens and turning it slowly into focus. At this stage, it was not a crisp focus, but much more recognizable as a coherent direction. The process was therapeutic as it was methodical; moving through it step by step, there was room to make improvements on the fly, perfecting each idea. However, today, my process of refinement would be interrupted by a different task.

There needed to be a version of our project for a new client, said marketing. A simple mockup of our app must be made in the style of our new client, a baseball team. The refinement of the new screen designs would have to wait. Grumbling to myself a little, I closed the program and neatly piled the sketches into my drawer.

<Heyyy, why u ignoring me?>

<Sorry, some other stuff came up at work>

<I’m sorry. Would you feel better if you ate something? What are you gonna get for lunch?>

<Expensive grass, haha>. “Expensive grass” was April’s name for salad. They always cost more than they should, she would remark.

<btw…>

<what’s wrong?> Nothing good ever happened when April said “by the way”.

<We’re not breaking up. We can make this work>

12:00 PM It is lunchtime. Mood now sour, I didn’t feel like leaving the building. After informing my deskmates that I was taking my lunch break, I grabbed a stale bagel from the kitchen and microwaved it with a slice of cheese. Taking that and a diet soda from the fridge, I returned to my viewing corner.

We had only recently moved into the forty fourth floor of the building from six floors above. The company had now grown bigger and the fiftieth floor was not enough space. However, it was only the design, marketing, and accounting teams on this floor, leaving most of it empty. In fact, we only occupied one corner, leaving the other three quiet and deserted. I enjoyed taking walks around the empty areas, sometimes even bringing my cello to work and practicing in one of the empty rooms during breaks. Today though, I only wanted to look outside and think.

Now midday there was visible smog in the Los Angeles air. Protestors were forming on Grand Avenue. I looked closer, curious as to the reason for this group. I could not make out the writing on their signs. A car accident was visible further down on the 2nd Street intersection, blocking it off. The authorities closed off one of the lanes, backing up traffic. A bus awkwardly took up both lanes as it attempted to merge into the available space. An adjacent driver made a rude hand gesture out of his window. I sighed, feeling exhausted as I learned against the wall near the window. I sat on the floor as I drank my soda and looked out of the floor to ceiling window, thinking. The conversation I thought of was not with April, but one with someone else, from a different day, in a different language.

•••

<Yeah, I took her to the airplane museum the other day.>

<Well, she kept asking me to stay over, and then I had to stay with her after she crashed her car. Lately though, she tells me she just doesn’t like it when I’m away. It feels weird, but I’m really happy with her and I love her, so I guess I’m not complaining. She’s been coming to work with me and taking the bus to school too>

<Hey, you should pace yourself. All couples need their space from time to time.>

<Maybe? Sometimes I go to work and five minutes after I leave she texts me that she misses me. I think she’s very sweet.>

<Okay, I’m just looking out for you. What if she turns out to be one of those possessive types?>

<Hey! I knew it!! Is that why you didn’t answer any of my calls or texts last winter in China?>

<Sorry. I guess it’s just weird, what happened between us.>

<Well, nothing happened between us!>

<I know! Well, I don’t know. You are one of my best friends, and what happened affected me very deeply. It may have been nothing to you, but it was definitely something to me.

<I’m sorry about that. I really am. I was as confused as you too. I never meant to be cruel. I hurt you, and I ended up hurting myself too.>

<I’m glad we’ve moved past it and we’re still friends>

<Yes, I remember. And I will keep my word. I just need to figure this out. She’ll come around eventually. I really think the two of you would become great friends.>

<Well, you gotta figure it out eventually, because this is just awkward what you’re doing>

•••

1:00 PM I snapped back to reality as my phone alarm went off. It was time to go back to work.

The caffeine was beginning to wear off. Still debating whether or not I should have a third cup of coffee, I flipped through the Android Material Design Guidelines online, pondering what visual branding treatments were acceptable within Google’s design parameters. Writing down the correct color hex values on a notepad, I began to change colors on app elements in Photoshop, reskinning the interface. The phone beeped again, as another text message arrived from April.

<I’m sorry. I want to stay with you too. But I’m so worried>

<About what?>, I answered.

<Yeah, but what if we DO break up eventually? You’re not a doctor and I’m supposed to marry a doctor.>

I stopped working. Taking off my glasses, I sat back in my chair, rubbing my forehead. I was getting very tired.

, I texted back.

<There’s nothing wrong with what I do. I am a designer and I’m good at it. I make a decent salary and I like my life>

<It’s different>

<Well that’s just your viewpoint. We’re just different, I guess>. I saved my work and walked to an empty conference room.

<Why do you even love me?>, I texted. My thumbs began to sweat. Typing was becoming difficult.

<I’m getting back to work>

I stomped back to my desk, angrily chucking my empty soda can into a nearby wastepaper basket. A couple of coworkers stared.

3:00 PM For the next two hours, I tried my best to focus on creating more animations. More interactions. I compared the mockups I made against the Android and Apple guidelines. So far, so good. Sending the finished mockups back to marketing, I went back to the kitchen and made myself the third cup of coffee.

I chugged the hot beverage, nearly searing my throat. I went back to designing the wireframes. There were only three hours left in the workday, and I originally wanted to have had this perfected at the end of the day.

<Are you done with class yet?>. There was no answer from April.

Frustrated, I placed my phone face down on the table and returned to the designs. These have to get done, I thought. So little time. Fuming, I angrily threw the boxes together on the computer screen, connecting the button hotspots together as violently as someone could inside a digital space.

“Hey are you ok?”. It was Julie, who sat across from me behind my monitor. “I can hear you breathing from here”

“I’m fine”, I said. I sat back in my chair and looked at what I’ve made. It was sloppy and nowhere near the level of detail that I have been known for around the office.

“Take a break man. I just got an email that we have until the end of the week for these screens now”

“Oh…”

“Yeah. You can just chill”

“I think I’m gonna take a walk then.”

4:00 PM I looked at my watch as I waited in the elevator. Who does she think she is, I thought. So what if I’m not a doctor? Life can’t only be about status. I was so mad. That is such a shallow way of thinking! And it wasn’t me who started all this. I was just minding my own business working. She was the one who had to bring up Taiwan, and her parents’ crazy expectations for who she should be dating.

I walked outside briskly in the shade of the tall buildings. It was much louder now that I left the lobby. A street performer was beating a drum across the intersection. A crazy person was yelling about the end of times on the other corner. Good. Noisy enough that no one could see how angry I was.

And I hated the way she texted. How am I supposed to always be at her beck and call? I have a job to do; I can’t be there to simply answer every time she worries about crazy hypotheticals. I was doing fine today, I should’ve simply not answered. And now that she’s finished ruining my day, she’s stopped texting and has gone back to whatever she’s doing leaving me to pick up the pieces. Every single month, we have to have some fight about something completely stupid like this. Every single month —

Oh.

April had complained about being tired. April had experienced stomach pains during class. I counted the days since the last time I remembered similar complaints. There were many things I remembered for her. April could be so forgetful.

“Twenty-seven, twenty-eight….”, I counted in my head. I knew what she was going to need.

I stopped at the Rite Aid on 5th and Broadway. Quickly making my way through the aisles, I picked up a pack of Ibuprofen, a box of what appeared to be feminine pads, and a bottle of water. The cashier handed me the items in a paper bag after I made my purchase. Strolling further south, I began to think about what transpired.

Did she really mean all that she said? Perhaps a deeper question was, WHICH of what she said did she actually mean? You can’t tell someone you love them for who they are but also want to change them, I thought. Girls just say crazy things during their time of month right? I checked my phone.

Still no answer.

This is bad, I thought. Perhaps I was too harsh. Her car is in working condition. She chose to take the bus because she genuinely wanted to spend time with me. And now she’s probably on the bus home, in pain. All for me. I’m such a jerk, I thought.

Ducking into Bottega Louie on 7th, I bought a box of half dozen French macarons. They were rather pricey, but came in a beautiful box and were, I had heard, delicious. The small rigid box was not unlike jewelry packaging, with beautiful calligraphy and gold speckles dotted throughout its powder purple surface. It was a small gift that was sure to brighten up anyone who was having a less than perfect day.

6:30 PM The workday was now over as I closed my work laptop and packed away my things. The bus from UCLA arrived as I waited on a bench in Pershing Square.

“Hey what took you so long?”, I asked as I took April’s bag from her.

“I had the most horrible day!” she said.

“I’m so sorry, I didn’t realize I sounded so mean—

“No, not you! My period started and I forgot to bring pads so I had to use tissues. And my phone died, and then the bus had to take a detour. So I needed to get off and wait for another bus, but I couldn’t use Google Maps and I’m so tired and I just want something to eat”

“Well, first things first I guess”

I handed her the box of macarons and discreetly showed her what was in the paper bag. “Let’s find a bathroom,” I said.

She looked into the paper bag. She looked at me. She started giggling, the happiest I’ve seen her all week.

“What? What is it?”

“Have you never bought pads before?”

“Well, no, but I figured you needed them. Was I right?”

“Those are panty liners, not pads!”

“Oh.”

“It’s okay, I’ll be alright. Cmon, let’s eat”

•••

8:30 PM After April had a chance to change, I took her to a nearby Hong Kong styled cafe. It would be nice to have some porridge, she said.

As we sat down and waited for our food, by reflex I folded April’s chopstick wrapper into an origami chopstick stand, as I have always done since our first date. I looked out the window into the dark.

The San Gabriel traffic outside was a lot calmer compared to the city. It was quiet and I could just make out the sounds of crickets. A high school couple walked out of the boba shop across the street, laughing to themselves, carefree. An elderly man picked out a newspaper from a box near the entrance. I felt a soft caress on my forearm.

April handed me a crudely folded flower made from a chopstick holder.

“I’m sorry about today. I keep forgetting how to fold that fancy origami, but I want to thank you for taking care of me.”

She smiled the familiar funny smile.

•••

9:30 PM As we walked in the darkness at a nearby park, digesting our meal, I stayed quiet. How can I make all nights like tonight?, I thought. Is there really an expiration date to our happiness?

Perhaps reading my mind, April said, “I don’t know what we’ll do if I really have to leave…”

I looked at her and kissed her forehead.

“Whatever”, she added. “If I have to go back to Taiwan, I guess I’ll just get another boyfriend, and it’ll be a doctor this time! HA HA!”

I did not laugh.

I let go of her hand and walked a few paces ahead, sullen.

“I’m kidding!” April grabbed my arm. “I really do love you, alright?”

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comicteaparty · 4 years ago

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June 27th-July 3rd, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from June 27th, 2020 to July 3rd, 2020. The chat focused on the following question:

If you could do your webcomic for a living, how would that change things in regards to how you work on it (if at all)?

Deo101 [Millennium]

I'd definitely put out more content, cause I could focus on it fully every day of the week.

Eightfish (Puppeteer)

i would probably start hating it and get burnt out

Deo101 [Millennium]

thats why I would also have to start another comic or do short stories on the side or something, too.

I would probably keep individual comics update schedules the same, I'd just do more comics

LadyLazuli (Phantomarine)

If it became a part-time job, I don't think anything would change. It kind of feels like that already. If I were in a position where it became a full-time job, I do dread how my relationship with the work would change. I don't think I could ever make as much doing comics as I do in my day job (which isn't crazy, but is comfortable) so I don't know if I could ever 100% transition unless it was really, really worth it It's something I've thought about a lot, for sure.

Cronaj ~{Whispers of the Past}~

In a way, my comic is my full-time job? I don't make very much money with it, but I do put over 40 hours a week into it, and I don't have another job. I am in the very fortunate position of having an SO who is able to support me financially while I try to get my footing with my passion. If I was depending on it for a paycheck though, the main thing that would change is my style would probably get simpler, because there is no way I can make enough pages a week otherwise.

Holmeaa - working on WAYFINDERS

It is really the dream to be able to do it! Right now I am unemployed, so I basically treat the comic as my fulltime job, until I find the next short project. I want to be able to work on it full time! In Denmark there are some cool possibilities to get funding from the government and I hope we can get enrolled with some of those programs with our comic.

I would also just love to do small videos, podcasts, animations etc. Small fun projects

Mitzi (Trophallaxis)

If I had to do it full time, I think i'd put a LOT more hours into learning how to paint, watching speedpaints, ect. It'd also make a huge difference in my living situation, as the first thing I'd honestly do with a full time at-home job is move to another city with cheaper rent. Another state, maybe! Oh, and I'd do a lot more promo work. posters and animations are fun, but they're not quite worth it with an audience consisting of two my writing partner's friends, and my older brother.

Shizamura 🌟 O Sarilho

the biggest difference, I suppose, would be that I would make a lot more pages, a lot faster. But I like it that it's been pointed that the relationship with work changes when you have to do things full time, so there may be some unpredictable variables there

eliushi [Keyspace]

For a living for me can mean many different things: able to sustain living expenses vs full-time. There’s overlap but one gives financial security meaning an element of creative freedom. The opposite end will probably entail working on other comic projects with the current one as a passion story on the side (no change but probably might not want to draw so much after drawing for work!) If we’re discussing the ability to do the webcomic full time without financial worries then I do believe my output will increase but also I will be dedicating more time to the craft (studying story structures, art directions etc) as well as marketing/joining professional associations/pitching/connections. There are a lot of career options within the comic world and I’d love to explore everything before deciding what’s best for the current story. Ultimately if I were to do this as a living, I’d treat it like any other job: a routine, a strive for improvement, and wellness to recharge. I follow several artists not only for their art but also their schedule/workflow to see what worked for others. It’s very interesting!

In reality though, I might work on smaller scale projects on the side to build up the experience and platform needed to tell the story of Keyspace. As a full time comic creator, I’ll be seriously thinking to covert the seven novel series into a hug comic project. So TL;DR if full time, I make more pages

varethane

I'm in an odd place with my comic because.... well, I sort of had an opportunity to spend all of my time on it for a few months, when I was in between contracts at work. But I found that I wasnt getting it done all that much faster than I did when also working full time

To be fair, it's kind of hard to compare my speed between the three periods, because when I returned to work after a few months away, it was after work from home had started and now I no longer have a commute, so perhaps my ability to squeeze comic pages into my free time has expanded.... but I feel like my attention span caps out around 8 hours on any single task

So I didnt work that much faster. But... I'm also bad at keeping track. I could be wrong.

Yung Skrimp (Carefree)

8 hours is a long attention span

varethane

It's not all in one go, haha.

eliushi [Keyspace]

I definitely have to take breaks between pages, whether or not I have just a few minutes to a chunk of hours

It’s about finding a balance that works for you!

keii’ii (Heart of Keol)

I don't think I could put more hours daily into my comic than I currently do. I have a chronic issue with my drawing shoulder, so my body won't be able to handle that much work. Probably wouldn't be great for my eyes, either. I also don't know if I want my livelihood to depend on how many people like my story. This story is a pair of custom-tailored skinny jeans for my heart (and I have an unusual body type, making it impossible to wear skinny jeans regardless of size). It's a story I want to read. It's meant to fit ME. I don't want to worry about how to also make it fit a bunch of other people.

That being said, some people do find themselves in a situation where they're making something they want to read, and a bunch of other people just happen to like it, too. I think that would be nice

chalcara [Nyx+Nyssa]

I physically can‘t draw for more than four, five hours a day, found that out the hard wayy

eliushi [Keyspace]

I most recently developed pain likely due to RSI and have made accommodations since then but yeah it was scary to think that I have a limit in drawing time. Gotta find ways to take care of yourself for the long run

cAPSLOCK (Tailslide)

I think if comics were my only job, I'd feel a lot more anxious about what I create, and would struggle to work consistently. Having another pursuit makes me feel like I have more freedom to experiment, learn, and make what I want to make.

Eightfish (Puppeteer)

That's a really good point keii

Would drawing a comic for a living push me to change it to have more mass appeal?

I don't know but it is definitely possible and would be on my mind

Joichi [Hybrid Dolls]

It is the dream, if I could get a decent monthly wage on my comic, yes I will dedicate more time, work out a better schedule. Get an editor and colourist on board to help make a polished series. Altho I'm still doing this method to build good working habits But I agree with Eli's point, have to assign days for breaks for myself to prevent RSI. At present I have a trained mindset to work on schedules, but I may feel the pressure to produce as fast as I could.(edited)

Desnik

Well, for starters, my comic would actually be released somewhere, so it'd be nice if it made something back for me

Miranda

I’d actually release it. And work on it regularly, instead of sporadically like I have been! I’d definitely be more critical of what I was doing, and probably way more anxious every time I posted.

keii’ii (Heart of Keol)

You know, when I was only like 6 years old, I was like "I don't want to be an artist when I grow up. I love art too much, and I don't want to burn out and stop enjoying it. So I'm gonna be a singer instead." I have no idea how 6-year-old me knew about burnout, but I definitely remember saying that in response to an adult asking something like "what do you wanna be when you grow up"/ "wow, you're drawing all the time; do you want to become an artist?"

sssfrs (JOE IS DEAD)

The more I do comics the more I think I want to do art stuff as part of my main career. I would love to make sequential art that's for science purposes

sagaholmgaard

Ah that would be the dream! I'd probably feel more secure in my ability to build up a backlog of pages, and be able to make more extra content for the PDF version! And more content for instagram and twitter as well

kayotics

If I were to be able to do comics full time I think it would completely change my current lifestyle. Not even money wise but I’d need to switch up a lot of things. Like make sure I get a good amount of exercise in. I’d probably add in another page a week, but then use the rest of my week to project manage the comic, and promote my work. I’d spend a lot of other time working on creating an online store, because I can’t see the comic working full time without some supplemental merch keeping me afloat. And I’d also use that time to create and work on another comic series I think.

Yung Skrimp (Carefree)

If I were to do comics full time I’d flex on everyone I know

Feather J. Fern

If I was able to do comics full time, be able to pay off debts, substain rent and food, and extra saved for small spluges, I will shove my comic in my family's face(I got a family who doesn't believe in me at all), dancing around screaming "I MADE IT IN LIFE" And then jump out the window because haha this can't be a reality because I don't think I will ever make it in comics. I will still keep my other job of working at a library and drawing on the side becuase I want working job insurance and also I am the type who wants to save all their money if possible(edited)

eliushi [Keyspace]

I was on board until jumping out the window

Yung Skrimp (Carefree)

I wasn't on board until jumping out the window

Now I am

Moral_Gutpunch

If I could do this for a living, I could do so much. I could afford to put my mother ina home, start my dream farm and start a bunch of conservation as well, I could help my husband fund his own sidegig, and I could afford to foster pets like I always wanted.

shadowhood {SunnyxRain}

Personally, if I was able to do it I would be a lot more invested in it. I would also make a lot less excuses as to why I'm not practicing as much; it took a pandemic to happen for me to dry taking it more seriously!

I think overall I might have been more happy.

On the other hand, there's also the danger of burnout, of constantly doing the same thing over and over again for me. I'm the type that needs constant change, so I think I'm more suited to having another occupation be my main profession while comics/art would be a secondary one, where I don't have as much pressure. Furthermore, it's also my backup plan in case anything happens to my main job.

Moral_Gutpunch

^ This. I'd be focusing so much more on comics. And I'd be expanding into more comics and writing more stories. I'd be happier I'm writing more, but more frustrated at writers block

Tuyetnhi (Only In Your Dreams!)

Man if I could do it full time, might be able to pull more page updates and actually get deep into doing some long term projects I had planned for years. I won't have much of an issue as long i can also do my zine projects on the side. also would be nice to have some job insurance too along with it lmao. the only danger that could take it away if I get incapacitated for no reason lmao

TaliePlume

If I could do comics as my full time job would be awesome! But all that focus would go only to the comic and nothing else which is bad because I would be neglecting a lot of things and not getting other things done.

AntiBunny

I'd finally be able to tell my whole story and start telling another. It drives me crazy that I have more ideas than I can pursue.

snuffysam (Super Galaxy Knights)

In terms of my actual production, I'm not sure doing my comic as a living would change much lol. I already spend upwards of 40 hours a week on it, I seriously doubt there's more I could be doing. So, earning a living off my comic would just be... one less thing to worry about.

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