#gonna go hide now

[justanotherjaydrawing]

... Might have posted a mini fic ... if anyone is interested. (might delete this post later coz I'm feeling incredibly shy

[papa-evershed]

Flying Solo

The Inheritance, Daniel Watson

Rated: Explicit WC: 1.7k Status: One-Shot, Complete Tags: Masturbation, Male Solo, Fantasizing, Porn Without Plot (Includes mentions of F/M fantasies)

It seemed unfair that he could be so hard and have no one there to share it with. But she’d have to stay in his imagination instead of his bed. Daniel whispered a quiet curse for that,  the word rough between his ragged breaths and steady strokes.

Read More at A03

[hippolotamus]

the sensory overload is real tonight

[jackfrostsisterssisterinlaw]

[koheletgirl]

HI BELOVED okay so ive hurt my head by listening to smoke signals and thinking of zukka too much (s/o to your zukka playlist its amazing-) and now I HAVE to know your musings, rambling & thoughts on it- like you were so right its them!!!! OUGH!!!!going crazy as we speak <3

💖💖💖

ok first of all TY FOR LIKING MY PLAYLIST! this means the world honestly.

oh my god okay. okay. so. smoke signals

so the first thing that feels so zukka to me is the imagery from the chorus - "sending smoke signals / pelicans circling / burning trash out on the beach". it's the fire/water, the smoke/beach, but it's also the beauty and the ugly, the serenity and the destruction.... it's about how their love is beautiful but tainted with so much history and circumstances and choices they have made in the past and still have to make. it's about how they see each other, and how they see themselves.

i started from the chorus so i'll keep going. "you must have been looking for me" - because they were both so lost, because they still are. because they lose and find each other, and themselves. over and over again. it's you must have been looking for me and i wasn't there, but also you must have been looking for me and you hadn't known until you found me. sending smoke signals, as a call for help, or just trying to get their attention. signaling for someone who would know the signs and come.

ok well so another thing i like to think about with this song is that each of the first 2 verses is from a different perspective. like that's just how i read it in this context. and it works pretty literally, with the way each verse starts: "I went with you up to the place you grew up and we spent a week in the cold" // "one of your eyes is always half shut something happened when you were a kid". lol.

there is something so peaceful and so sad about the verses. there's something grounded, simple, about it, like it's a stream of consciousness of sorts and love is weaved into it almost as an afterthought. like it's a given, that it's there. "[...] it’s a love song about waking up to your reality, in a way" (<- quote from phoebe). there's still pain and trauma and death and boredom and overthinking and self-doubt, but there's peace and there's hope and there's growth and there's that familiarity you feel with someone who truly sees you.

the chorus and the last verses are from a shared perspective, i believe. the 3rd verse is about wanting to run away from your responsibilities, from everything life entails, just to be with this person and forget the rest of the world. it's a lovely sentiment, but it's very obviously unrealistic. and the lyrics are just so them, in a way im not sure i can explain but i really enjoy rotating in my mind.

ok i talked enough so let's get to the last verse.

"i buried a hatchet, it's comin up lavender / the future's unwritten, the past is a corridor / i'm at the exit, lookin' back through the hall / you are anonymous, I am a concrete wall"

KEYSMASH it's about trying to make peace with your past, with the people you've hurt, with the people who've hurt you, with yourself. trying to accept that you can't change what's happened and you can't control what will happen. and it's about how they both try so hard to hide themselves, to pretend they dont care, to act like no one can truly know them. these facades they both try to maintain, of someone who doesnt feel or doesn't show their emotions, of someone who's unreachable or beyond help. and how they see this in each other, recognize this, and see right through it. im driving myself crazy

thank you peng for letting me ramble about this here's the zukka playlist

[reader6898]

For those of you that saw my oc Saturday today I realized that that I put the wrong name for it and in the poll I did a couple weeks back. My Jedi OC's name is actually Amara. The struggle is real when all your OC's start to blend together 😩

[onlyshestandsthere]

I am saying nothing.

[banana-boots]

was.... was anyone gonna tell me that ive been tagging mechs shit as "the mechansisms"

[pjo-obsessed-nerd]

This actually makes me sad cus my fav art teacher, who saw me every day for four years in a row, didn't recognize me a year after I graduated 🥲

[inkdrinkerworld]

this is such a weird thing to say, but andy samberg is hot

[anxi04]

steph and babs don’t need personas, as far as anyone is concerned they’re just family friends.

bruce has his “brucie wayne” persona, very clumsy, playboy, kinda air headed but still very smart and wants to do good for gotham. which of course makes him seem naive cause good?? for gotham??

dick has “richie grayson-wayne” who’s dabbled in modeling before becoming a gymnastics teacher. also very vocal about his “adorable little siblings”

jason never really had a “nickname” after all he was from crime alley and he had to look GOOD for them or else they���d go back to “he’s just like the rest of them���. his persona was very empathetic and kind though, which worked great for him since that’s how he was like. he always talked about doing several non profit charities. the elites switched their opinions of him on a dime, although the rest of gotham adored him.

damian refuses to go by a nickname. his persona is based around animals, mostly about abandoned animals. it’s very clear his goal for the future is to make good animal shelters and help every animal he can. it’s the only persona he could stomach and there were SEVERAL other ideas

cass is “cass wayne” very quiet, polite, generally just there in the background. normally hanging around one of her siblings, most often tim. although her being around him unnerves some of them, she’ll get a look in her face and then her and tim both know they were lying. they fully get why she hangs around tim

duke is regularly seen as the normal one. pleasant to be around, kind, but generally also just there. very normal student, not really sure what he’s gonna do. the elites don’t particularly for him, though the rest of gotham love him.

tim’s persona differs from the rest pretty heavily. he can’t get away with being like bruce, the elites vividly remember janet and see her in him very often, which vaguely scares them if they’ll be honest. he’ll act like “Tim Drake-Wayne” to unsettle them, after all he’s a Drake why is he acting clumsy? they’ve seen him when he was younger and he was the spitting image of perfect. it makes more sense to them when he trips and lands right where he can tell them something no one else can hear. “Timothy Drake” is what scares them though. the tim that casually whispers secrets no one else knows, who points out someone they’re supposed to have a “private meeting with” in a week. who has nearly cause several of them to go broke with such simple actions, and the only reason they didn’t was cause he let them stay rich. there was one elite who insulted damian near tim and suddenly said elite had to get an apartment in crime alley, pay his now ex-wife, a kid he had with some random person, and several debts

the fact that lex luther and tim are some kind of friends also doesn’t make them feel super great but that’s another issue

[dekarios]

i need help with vet bills (again).

hi. for those of you who remember, earlier this year i asked for donations to help me afford toos' vet bills, who we found out through your help had kidney failure, and again with your help we got her on medication for it. unfortunately it wasn't enough, and we lost her. and then shortly after, dexter began deteriorating, which we put down to his grief of losing toos - she kept him young, he followed her everywhere, he only played because of her, he only ate when she ate, etc. without her he just stopped. and then he started to have seizures and fits daily. we got him blood tests, but he was suffering so badly. we made the decision to put him down. i didn't ask for donations this time, because i was so deeply embarrassed to ask for help again. but we are still recovering financially from that, as well as the parts of toos bills that didn't get covered from donations. my mother hasn't worked for a very long time, she's disabled and very sick, and she receives PIP from the government that only covers her monthly medications that are not covered by the NHS. my father retired early to become her full time carer, and we are living off his pension. i am too disabled to work, but because my mother already receives PIP and i live with them, the government are resistent to giving me any help - so i have zero income, and rely entirely on my parents.

this is jenny. she's a 14 year old cairn terrier, who loves when we garden because she wants to help dig holes. she helped us bury dexter and toos, digging their graves for them with my dads help. she's an angel, and loves people so much she likes to escape under the fence and join other families for awhile. one time she got into someones back garden and asked to come in as they were eating lunch. she really hates flies, and will try to bite them out of the air (she has never succeeded but i believe she will one day). she will rub her face against you until you start stroking her, and will growl and even bark if you stop! we don't have the money to take jenny to the vets, for a checkup or for anything they may want to do. this has been an ongoing issue, but toos and dexter took priority, and it hasn't been a bother to her. she existed as normal for a long time, but that's since changed.

jenny has this lump in her mouth, it is larger than the picture shows, but she is a nightmare to force open her mouth since this got so big, i think it's uncomfortable or painful for her. she can't properly close her lips now, and it has pushed all her front teeth away, misshaping her mouth, and sometimes it bleeds profusely. eating has become difficult for her, she can't eat anything hard, and currently will only eat soft human foods like rice, scrambled egg chopped up so small she doesn't have to chew, and things like soups and gravy. she's lost a lot of weight, and i'm getting frightened. to add onto it, i've found lumps like this across her body. i've done as much research as i can, and i believe it to be an oral tumor, it fits, and it looks right, and it spreading across her body is called 'full staging'. and going by all i've read - they will want to remove them in surgery. according to my research, this will cost anywhere from £585 - £4,740 for just the lump in her mouth. that's not including any checkup/test costs, or the other lumps on her body.

she hasn't been to the vet yet, i don't have any secure goal or bills to share, just my assumptions and beliefs from researching myself online. my parents refuse to take her because we can't afford it. i want to save up money, have it in my bank, and show them that we can help her now, before it gets worse, or it's too late. as i said before, i don't have any income, so the only way i can do this is with help.

here's a link to my paypal.me

the icon is a little mouse, and the @ is rivellon

i struggled so badly posting the first post like this for toos. i felt so guilty and embarrassed and ashamed. but i have no choice again, i want to help jenny. i don't want her to suffer. and selfishly, i can't handle losing another dog so soon. this year has been waking nightmare, and i need your help to stop it getting even worse.

please reblog and share, even if you can't donate.

thank you for reading.

[javier-pena]

circumstance

Pairing: Marcus Acacius x f!reader

Word Count: 2k

Rating: Explicit

Summary: On a stormy night, you’re haunted by a ghost from your past.

Warnings: dub con | unprotected p in v sex | creampie | unsanitary sexual practices | cheating | coercion | possessiveness | (brief) fingering (f receiving) | biting | oral (f receiving) (mentioned) | mentions of food and alcohol | mentions of blood and war

Notes: God idk what it is with me and seeing random pictures of Pedro characters that make me go feral. Anyways, wrote this in an hour, hope this is anything. I had Latin in school but I’m not vouching for any of the Latin words in this. I mostly wrote this because I’ve had a vendetta against international bestselling author Robert Harris ever since I was 15 years old. This is loosely based on a scene from his novel Imperium that has been haunting me for almost 20 years now. Also based on this post by @ozarkthedog.

***

There’s war. Outside the city, the land is burning. Behind the city walls, life goes on as it always has. There’s decadence and dissipation and life. That’s your part of the story. That’s all you’ve ever known. The comfort and the safety. That’s all you’ve ever needed to feel fulfilled.

During the night, when the city quiets down, when the people return to their homes and the public life ceases, you can sometimes hear it, like a storm brewing over the distant sea, like the rumbling of a volcano miles and miles away, taking deep breaths before spewing its fiery death. On clear nights, nights free of clouds and wind, nights where the air is so heavy it feels like a blanket weighing you down, you can even see it, the light from the battlefield, the glow of a carnage that swallows everything, even itself.

This night isn’t clear at all. This night brought rain and hail and thunder so violent it shakes the foundations of your house. You’re alone, reclining on your triclinium, too drained from dinner to move much. The storm promised some reprieve from the muggy summer air, but the heat is worse now than it was this afternoon. The wine you had with your meal, the glass in front of you now refilled a third time, combined with the weather makes your head feel like it has been wrapped in wool. Even breathing seems laborious.

But there are footsteps against mosaic floors, and footsteps mean visitors and visitors mean business. Business at such a late hour is never a good sign. With a groan you stand, with a sigh you straighten your tunic, and then the footsteps are drowned by a clap of thunder so loud you flinch.

What follows it is not the sight of one of your servants or even your husband. In the gloomy darkness that always follows a flash of lightning a shadow moves into the room, and when your eyes have adjusted to the dim lights of the lucernae all around you, you flinch again, this time with cause.

A man is standing before you, looking like the slain ghost of a soldier from the battlefield nearby. He is covered in dirt and grime, wet from the rain, wet from the blood he has recently spilled. His armor looks black in the darkness, and your eyes flicker to his side in trepidation only to discover that he’s still wearing his sword. He’s still wearing his sword, going against the rules of your house, the rules of your husband.

“Where is he?” the stranger asks, his voice deep and dangerous like the thunder outside.

You could play dumb, you could act like you don’t know who he’s talking about, but in that voice you discover something familiar, like a memory of a distant dream, never quite forgotten.

“He isn’t here,” you reply. “He might come back later, but he’s with the senate.”

The man steps closer, quick strides that take him right to the foot of your triclinium. You step backward until you reach its head, trying to put the piece of furniture between the two of you. Your hands are clammy.

“Good,” the stranger answers with a twitch of his lips that’s all too familiar for all the wrong reasons. “I promised you I’d be back for you, and I always keep my promises.”

There’s a doorway behind you leading through a small peristyle straight to your husband’s tablinum. You glance at the court, at the shrubs and flowers and fountains that you know are there but that are currently hidden by curtains of rain and darkness.

“Don’t –,” the stranger starts, but it comes too late.

You turn and run, skip down the two steps from the porch into the garden itself, your feet splashing into puddles as you run and run. Heavy footfalls behind you, heavy breathing, and a heaviness in your heart, calling back to a similar moment years ago that happened on such a different day full of laughter and sunshine and secret kisses exchanged in secret corners.

You reach the doorway to the tablinum. “Stop!” you bellow, and to your surprise he does. To your surprise, this works, and you don’t know what to do with that. “What do you want, Acacius?” you ask, your heart growing even heavier when you name him.

“You know what I want,” he answers, the rain loudly hammering against his armor, the water dousing his hair, making his curls stick to his forehead. “I came back to collect what you owe me.”

“We were children,” you remind him.

He’s up the steps faster than you can say those three words, the years between now and that summer afternoon seemingly having left no traces.

“Keep telling yourself that,” he growls, the storm raging over the city reflected in his eyes.

You step backwards into the tablinum, one hand protectively slung across your stomach. “You should leave, Acacius. I have nothing more to say to you.”

But there is only so far you can go before your back connects with your husband’s writing desk. And once it does there is nowhere for you to run to.

“I don’t need you to say anything.” His face is cast in shadows now, but when another flash lights up the night sky, you see that his expression is completely blank. “I just need you to lift up those expensive skirts of yours and let me take what’s mine.”

“Go back to that battlefield of yours,” you reply. “Go back and defend Rome like you’re supposed to. Or are you too much of a coward still?”

You should have known he would not take that kindly, should have known that provoking him wouldn’t make him leave. But when you feel his cold, wet hand wrapped around your wrist, when you’re being yanked into his chest, turned around, and shoved up against the desk, it still catches you by surprise. Some part of you, the one that never left that sunny afternoon, didn’t think he’d have it in him. Another part wanted him to.

His body presses into you with such force the desk scrapes against the stone floor with a creak loud enough to be heard over the storm. The sound that cannot be heard is the gasp you let out when he pushes up your tunic, exposing your legs to the humid night air.

“Don’t –,” you start.

He shushes you, one dirty finger touching your lips. You can smell the storm and the blood on him. He can feel your shaky breath.

“Just this once,” he mumbles into your hair.

Maybe you should fight this, but you don’t know how. He kicks your feet apart, and maybe you should kick back, connect your heel to his shin, and run. He bites the spot where your neck connects to your shoulder, and maybe you should bite his finger that is now resting against your lips while the rest of his hand is wrapped around your chin and throat, bite down hard until the bone cracks. He runs his other hand down your backside and pushes it between your legs, groaning at the warmth and wetness he finds there, and maybe you should use this moment of weakness to climb across the desk and search for something to defend yourself with.

All of it passes and you do nothing. All of it passes and you push backward against him, sucking his finger in between your lips. He pulls it out of your mouth, grabs the hair at the back of your neck, and pushes your head down toward the desk, your shoulders straining in protest. The groan you let loose is read as defiance by him.

“I told you to be quiet,” he hisses. “Just …”

He trails off and at first you don’t know why but then the hand at the back of your neck is gone and you sigh with relief, a sound that turns into something less human when he pushes two fingers into you.

“God, you’re tight,” he groans, his forehead resting against your shoulder.

“Please …,” you try again, but you’re not quite sure what you’re asking for.

There’s a rustling sound behind you, leather and fabric being moved frantically, and then his fingers are gone, replaced by something thick and heavy spreading you open. You lift yourself up on the tips of your toes, trying to adjust, trying to lessen the burn, but he digs his fingers into your hips and pushes you back down, right onto him.

“Stay,” he orders. “Just … just take it.”

His words are slurred now, and your vision is blurry, your eyes wet from biting your lip so hard you can taste blood on your tongue. He rocks into you, and your nails scrape against the wood of your husband’s desk, leaving marks in their wake. But you do as you’re told.

“That’s better.” He bites your shoulder again and you gasp from the sudden burst of pain, gasp from the way you constrict around him in response. He laughs, a rumbling like thunder, then pushes your upper body against the wood, holding you down, one hand in your hair, the other firmly locking your hip in place.

Another bolt of lightning must have illuminated your face, turned sideways for him to see the trepidation in your eyes because he says, “Don’t cry. I’m going to take good care of you.”

You don’t know how to tell him that you’re not crying because you’re afraid of him. You’re crying because you don’t remember the last time you’ve felt this way, the last time sex wasn’t just a duty you had to fulfill but something someone wanted from you, and just from you, so much so he would abandon his duty to take what’s his. You don’t know how to tell him you’re terrified of what that discovery might mean for you and your marriage, how you’re hoping your husband is going to walk in right this very moment and free you from the bonds that bind you to him.

Acacius starts to lose control of his body then. He’s pushing himself up deeper and deeper into you, groaning louder with each thrust. You know those sounds, dread them when they’re coming from your husband, encourage them now with desperate whimpers of your own. He grips your hair again, pulls you up flush against his chest so hard you yelp with pain, fumbles with your tunic until he finds that bundle of nerves between your legs that he loved to kiss when you were both free to enjoy each other’s company. But it’s just for a brief moment he considers your pleasure before hitting the desk with his open palm, holding onto the wood, and letting go.

You close your eyes, waiting. It doesn’t take long for him to let out a sigh, to still deep inside of you. You can feel him twitch, you feel his hot release, but most of all you feel the sting of a promise broken. Your whole body is on edge, wound up, pulled taut, and there is nothing he’s going to do about it.

When he’s done, he pulls out of you and lets your tunic fall down around your legs. You turn to face him, your cheeks burning with shame, but his face is once again hidden behind all those shadows that come with a starless night.

“You wanted to take good care of me,” you point out, trying to keep your voice steady.

“I just did,” he says, running his thumb from the corner of his mouth along his bottom lip. “You’re mine now. Leave that between your legs for him to find.”

“Acacius …,” you try, a name once so familiar then so strange now growing familiar again.

He crowds you against the desk, chest to chest this time, and wraps his thick fingers around your throat. The kiss he presses to your lips is hard, devoid of all tenderness. “Mine,” he repeats. “Never forget that.” And then he’s nothing more than heavy footsteps against mosaic floors.

[skunkes]

[johnslittlespoon]

Tough And Sweet (Like You And Me) ♡

'Gale looks unfairly handsome in the soft golden light of the late evening, but even more unfair is the fact that John can’t just bridge the gap between them and kiss his feelings away. The more time he spends around Gale, the more it feels like he’s being consumed by his overwhelming infatuation, and there’s not a single thing he can do about it that doesn’t involve the risk of scaring the man out of his life.

So he shuts the truck door behind him after promising Gale he’ll text when he’s safe inside, and he tries not to stare too forlornly as the truck putters off down the street and rounds the corner.'

[ AO3 ]

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)