#godfarther

[toncmon]

Tôi biết Trốn từ lúc Trốn đi Trốn còn tôi đi Tìm.

Tôi đi từ lúc một mình, hai mình, hai mình và rồi một mình. Gần Trốn có một cái home, lần nào ra Huế tôi cũng chọn ở home đó, để 10 giờ khuya tôi có thể được đi bộ - một mình - thờ thững - lạc lõng - cô đơn - hạnh phúc đi Trốn. Tôi thích ngồi một mình - một góc, gọi Núi Ngự hoặc Godfarther, như thói quen.

Uống đến lúc hơi ngơ ngẩn, tôi thích cảm giác bước chân lơ lững giữa ranh giới tỉnh và say, cảm giác muốn mất kiểm soát nhưng vẫn muốn kiểm soát.

Tôi bỏ tay vào túi quần, thỉnh thoảng đi giữa trời hè mà viển vông ước “giá như trời lạnh thì tuyệt nhỉ!” Tay đút vào túi quần hay vòng phía trước, trong người có tí cồn, miệng thở hắt ra khói.

Rõ điên nhưng nó đã!

Cái cảm giác lững thững, không một bóng người, im ắng, chỉ còn nghe thấy tiếng thở của mình. Tôi mường tượng mình có thể nhảy chân sáo mà chẳng cần bận tâm ai, hoặc đi ziz zắc mà chẳng sợ vướng chân ai. Nhưng tôi không thể hét lên “dm cuộc đời” vì tôi sợ xóm làng thức giấc và họ chửi tôi điên mất.

Tôi cũng đã từng muốn cùng em dạo về như thế, đi bộ như thế, vui vẻ như thế, tụi mình có thể chia nhau con đường, hoặc tôi có thể nhường em cả con đường nếu em muốn.

Nhưng thức tỉnh tôi nhận ra, đã quá lâu và niềm tin của tôi cũng đã hao mòn cùng năm tháng, tôi nghĩ tôi không còn đủ tự tin để sẵn sàng yêu thêm một ai nữa.

Vậy nên, có lẽ, tôi sẽ tiếp tục đi Trốn - một mình.

[lyrasky]

IGGY & The Stooges【I Wanna Be Your Dog】和訳 愛の奴隷 Godfather of Punk Is A Slave Of Love

IGGY & The Stooges【I Wanna Be Your Dog】和訳 愛の奴隷 Godfather of Punk Is A Slave Of Love Lyraのブログへ #iggypop #thestooges #iwannabeyourdog #punk #イギーポップ #ストゥージズ #thevelvetunderground #johncale #godfatherofpunk #RonAsheton #DaveAlexander #ScottAsheton #punk #velvets

Happy Birthday, Iggy Pop! Your energy Your energy seems to double with each passing year and I wanna emulate your power! と言うことで毎年Iggy のバースデイをお祝いする為に、彼のバンドやソロ曲などを和訳＆解説して来たので、今年もノリノリで一曲お届けしましょう。 今も爆進し続けている Iggy Pop。だから最近の曲をやろうと思いましたが、この前 Maneskin のコラボを和訳したし、それにLyraが1番好きなThe Stooges 時代の曲を毎日聴いてることもあるし〜と気が変わってしまい、今日はThe…

[salmankhanholics]

★ Thaar Maar Song from GodFarther…

[charlott2200]

A little draw from memory of my favorite christmas movie .

Tokyo godfarthers

An beautiful heartwarming movie of the legend of animation satoshi kon .

Hope you like and please watch this precious film .💖

Hope you like .

[fanfictionlive]

Lost harry potter fanfiction

So I remember reading this really good harry potter fanfiction a couple Years ago. But I can't remember the name or the aouther. It was about harry being the son of Caroline Malfoy and The dark lord. I think it starts with Draco and some other slitherins finding harry in a hallway after Dumbledore has tortured harry. And I Also remember that Lucius was harry's Godfarther.

Can anyone help?

submitted by /u/Thelegacies116 [link] [comments] from FanFiction: Where Magical Ponies battle Imperial Titans https://ift.tt/2Yv8d5o

[petersanimation]

Animation Foundations: Gestures with Andrew Gordon

Understanding Gestures

1) What are gestures?

A gesture is a way of visually illustrating something using hands, eyes etc. “Come up with interesting ways of doing something so that you haven't seen it over and over again. That’s the problem with most animation is that people don’t think about an interesting new way of seeing something” “less is more” - simplicity is always the best way, looking for the clearest answer 2) How animators use gestures Gestures add on to how a character is feeling Primary gesture- “main idea of the scene” Secondary gesture- “smaller and is adding on to the overall scene” “What is believable?” “What does this character need for this particular scene?” 3) Cliche Gestures “Cliche gestures are gestures that have been used so many times that they’ve become cliche”  “A cliche is an essence, an idea that was so good that people just kept using it over and over.” Cliche gestures- “The point, the neck rub, the W-gesture.” “How can I do that gesture differently?” “You don’t wanna look at other animation for use of gestures you always wanna go back to yourself or an experience or some video you shot or a great film.” Specificity “You really have to be specific about the gestures that you have your characters doing” “You’re making something different” 4) Illustrative gestures “An illustrative gesture is any gesture that looks like the thing that the character is trying to describe.”  “Convey and idea clearly” “Be careful not to do it too many times” “The acid test for any animated scene is to turn down the dialogue and look at it without anything playing to see if it reads without any accompanying dialogue”  Self-touching gestures- when a character touches their face or when they are trying to comfort themselves - “caring about themselves”  Make gestures before an important/ impact full gesture subtle to make sure that it reads well. Staging of gestures- “Where is it going to read best?

5) Hand gestures Texture: the musicality of a gesture “A thousand ways to do the same gesture, the point is to understand where to put it in your scene, how to vary it, and where the emphasis should be in that particular scene.” “sometimes limitations are great” 6) Facial gestures Precede the move of a head or something that happens with a the expression change first. Important to understand where we can push on a facial expression or a facial gesture without the use of hand gestures Understand what the scene calls for, understand it doesn’t need hand gestures or other. Can it be conveyed just with the face? 7) Acting patterns Acting patterns- “The musicality of the gesture”  “Always look for what looks naturalistic? What looks spontaneous?” 8) Reference for gestures If there’s audio act it out with the audio playing multiple times “trying to hit the beats of the audio”

Thumbnails of gestures that I like wright notes such as “more accentuation here” or “hit four frames before this gesture?” What do I want out of this reference? Look at acting clips of actors from films similar to the one you’re working on Ask other people to act it out might give a different take  “Collaboration is key” 9) Intent of gestures Understand where the gesture fits into the scene Where is the gesture happening?  10) Over-gesticulation “When characters do too many gestures, that being a gesture on every single line of dialogue, it gets to be too noisy and we can’t understand what’s going on.” Direct the eye to where you’re suppose to be looking in a scene  “Break up twinning in pose and timing of gestures” “Don’t have things be symmetrical all the time” 11) Subtle gestures “Subtle gestures are the things that you add to your animation in order to layer in that wonderful acting and then the believably of character.” 12) Gestures with other body parts “Things that you do with other body parts in order to make the scene interesting” Whether its a human or animal character always ask “What are other areas that I can have that character gesture with?”- hands, the brows, the feet, hip DON’T always make it the hands 13) When not to gesture “very high, powerful characters don’t gesture much” as it lower their statues  “Look for contrast in gesture and between characters” “sometimes its funnier to do nothing, understand how contrast plays in a comedic scene.”  Understand the context of the scene and where it fits in to your story The Polish of Gestures

1) Polishing a gesture “Polish- Fixing what is broken, pushing poses, making the character feel alive, interacting with the environment, tracking patterns, simplifying controls, using video reference, anticipating/ overshooting, where does the energy go?” 2) Spline work on gestures “Try to get real time playback by using simplified sets and characters” “Polish relatable splines” “Smooth tangents” “Break up Evenness (break up both height and the spacing)” “Ease ins and outs”  3) Weight and Physicality of a limb Doesn’t to hit a point ( Overshoot and then settle, A shake then settle) “Tying in of features”  Reference what other parts of the body move during a certain action  “Residual Energy”  “Making it feel real” Done in spline editor

What I’ve learned from this course:

Overall I found this course to be both enjoyable and interesting and really do feel like I’ve learned a lot and have an better understanding of how important reference is especially for “Cliche gestures” such as “The Point” and “Checking Watch” as well as being careful with hand gestures overall as too much can leave the audience confused or make the impact of a certain gesture loose it’s overall effectiveness (as demonstrated with the scene from Ratatouille) and that sometimes subtle gestures or no gestures can portray the character better like with “The Godfarther” there is no gestures which shows that the character is of high statics. 

As for the second half of this course it demonstrated how important the graph editor is for animation in Maya while I have messed with the graph editor a little last year, mainly for ease-ins and outs this gave me a clear demonstration on how to use it. Along with making me consider something I never really thought too much about which is the residual energy of an action (the secondary body movements) 

[one13cigars]

The #godfarther of #cigars #epccigar @ErnestoPerezCarrillo

[bitchslapdash]

[forallthosebored]

Marlin Brando.