#god knows she needs it

[superbattrash]

I was gonna write tonight but instead I spent 3 hours on the phone with my sister because our parents are awful people and she spent the day with them

Google, how wrong is patricide and matricide on a scale of 1-10?

[magicalberserk]

how do you need to be comforted?

to be reassured.

you need someone to talk to, to remind you that you will survive, that you are loved, that you are needed... because you are having a hard time believing it, yourself.

Tagged by: @poeticphoenix

Tagging: you!

[formulanni]

Roan of Arc

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[soldrawss]

Part 2 finally! Part 3 to come soonish,,,

You can find part 1 here!

[gatoburr0]

caption

[pentacass]

[vagueconfusion]

Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[bathylychnops]

jenniferrrrr the strugglerrr

(like right before he faked his deathhh ouu superhero spiralling into insanity & darkness from years of stress and anguish..) its kindof funny like he was like damn ok my superhero friends think im dead now & im registered now as a brand new supervillain. Mission Accomplished. umm what now.. (SURPRISE! YOU'RE TRANSGENDER! BITCH!)

[ministarfruit]

day 28: made you smile ♡

(femslashfeb prompt list)

[kalofi]

happy pride month here’s my contribution of trans nanami who didn’t transition until after he left jjtech and so when he comes back a brick shithouse it throws everyone for a loop. the group chat and i have dubbed this pre-t version of him nananiña. naniña for short

[egophiliac]

How do you imagine Levan/Revan/ Mallenoa's husband?

Appearance, personality etc.

Revaan/Laverne/whatever-his-name-is's title sort of implies that he might be from a fantasy-Eastern country (they've established that in Twstland, 竜 = Eastern-style dragons, andドラゴン = Western-style dragons). and that's about as much as we know right now about...anything in regards to what he might look like. so I've been trying very hard not to form too much of a mental picture of him, because I'm still hoping we'll get to see him (or at least a silhouette)! ergo, in my head, he kind of looks like this:

so handsome. surely Malenoa fell in love at first glance.

I do think the funniest thing about what we've learned so far is that Malleus being kind of quiet and reserved and dignified...absolutely did not come from the Draconias. and he sure as heck did not learn it from Lilia. so he probably got a lot of that from his dad! the vibe I get from how Lilia talks about him is that he could be a bit of a prim little fancyboy sometimes, but was (mostly) willing to go along with his wife's zany antics out of love. he sounds sweet, honestly! I'm sorry he (maybe) died. :(

my favorite thing about Mal's parents is that Malenoa and Lilia's dynamic was "long-suffering guard and princess who has long been the cause of said suffering":

but then they would happily join forces in order to gang up on Revaan:

tl;dr Revaan was the straightman in Malenoa and Lilia's comedy act until it all ended horribly whoops

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[livwritesstuff]

thinking about this again so here's a part 2

Eddie wakes up to rain. Heavy rain, the kind that keeps the morning sky dark and bounces loud off the roof and the walls and the windows.

The rain didn't wake Eddie up. What did it was a pair of big, warm arms wrapping around him and pulling him in close.

Steve’s arms.

Objectively, this should be a good thing, and past versions of Eddie (even twenty-four-hours-ago-Eddie) would be goddamn irate with him for feeling anything other than vehemently positive about it.

He’s feeling bothered. He’d gone to sleep last night feeling bothered because Steve had sacked out approximately three seconds after they’d hooked up for the first time, and now he’s being woken up by Steve’s big arms pulling him in close and that has Eddie feeling bothered all over again because this isn’t how he thought this would go at all.

“G’mornin’ Eds,” Steve mumbles, the remnants of sleep in his voice.

And then he has the audacity to press a soft kiss onto Eddie’s bare shoulder.

"Y'know," Steve says, "I was gonna ask if you wanted to go to the diner this morning, but…sounds like it’s kinda fuckin’ gross out there. I can make us something if you want.”

Eddie sits up, suddenly feeling like he’s been left outta the loop on some part of this because Steve doesn’t even seem surprised to wake up and find Eddie still in his bed.

If there’s anything Eddie hates more than feeling bothered, it’s feeling like he’s left outta the loop, like there’s a piece of all this that he’s missing.

"Uh, what are we doing here, Steve?" Eddie asks, and he regrets it the second he sees Steve's face turn all hurt and confused.

"I don't —" Steve starts, pushing himself up on his elbow into a half-seated position, "What...what are you talking about?"

And isn't that choice of words just completely ironic?

"Oh, now you're interested in talking? Or are you gonna fall back asleep the second I start to-"

"Wait –" Steve interrupts, his eyebrows furrowed, "Are you all pissed off because I fell asleep?"

"I'm not pissed off," Eddie mutters, fiddling with a loose string on the edge of the sheets.

"What the fuck did you want me to do?" Steve argues, "Break out a deck of cards and suggest a round of poker? It was late! I was tired! I don't know how else to say it, man. You, like — you did a good job. Really had me beat, or whatever."

And, sure, Eddie allows himself to sit with that notion for a second before he shakes his head.

"I needed you to talk to me!” he exclaims, "We fucked, and then you fell asleep, Steve! Like it was just a fuckin' hook-up to you or something."

That confused look is back on Steve's face, but instead of being laced with hurt, this time it's just plain bewildered.

"What — Eddie," he says, "We talked."

Huh?

“Huh?”

“We talked,” Steve repeats, “Before we…you know, and I said that I like you and I said that I’m not really into the casual thing anymore, and you seemed pretty on board with all that, man, I dunno.”

And yeah, sure, Eddie sort of remembers that.

He definitely remembers when Steve pressed him against his closed bedroom door, and maybe he’d also been speaking at the time, but they’d been so close together and Steve had kept doing these little glances down at Eddie’s lips and there’d been this intensity in his eyes and Eddie had been pressed against Steve Harrington’s closed bedroom door.

There hadn’t been a single coherent thought in his brain, obviously, and yes, that included comprehending any of those words Steve might have been speaking so everything that had come out of Eddie’s mouth in response had been yes, yep, uh-huh, you betcha.

Eddie feels heat rising in his cheeks and by the looks of the amused smile making a home on Steve’s face, he’s not blind to what Eddie is currently realizing either.

“Fuck,” Eddie mutters, “I’m a fucking idiot.”

"Maybe," Steve allows even as he starts to pull Eddie back into his arms, "Breakfast?"